TPA 2022 Program: The Great Flood and The Wooster Group

Bill Frisell and Bill Morrison The Great Flood

JAN 21 | BASS CONCERT HALL

The Wooster Group

THE B-SIDE: “Negro Folklore from Texas State Prisons,” A Record Album Interpretation JAN 26–29 | MCCULLOUGH THEATRE

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In this issue

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Bill Frisell and Bill Morrison The Great Flood Photo by Myles Regan

The Great Flood is a collaboration between filmmaker and multimedia artist Bill Morrison and guitarist and composer Bill Frisell inspired by the 1927 catastrophe.

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What Starts Here Changes the World The Texas Performing Arts educational collection of Hollywood motion picture backdrops

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Texas Performing Arts 40th Season Calendar

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Texas Performing Arts Fabrication Studios

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The Wooster Group THE B-SIDE: “Negro Folklore from Texas State Prisons,” A Record Album Interpretation “Nothing short of transcendent. An extraordinary masterclass in listening.”

- The New York Times

Bass Concert Hall Renovation

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Welcome to the new year at Texas Performing Arts!

We’re so glad you’re able to join us. We hope you’ve had a chance to experience some of the renovations that were made to improve Bass Concert Hall with your comfort and safety in mind. During last year’s shutdown, we invested $3M in rebuilding the balconies to improve sightlines and accessibility. There are all new balcony seats as well as improved lighting. The lobbies have fresh carpet and more space to spread out.

Doing everything we can to remain open safely has been our top priority.

Air ventilation and filtration have been upgraded to the latest standards.

With contactless mobile tickets and cashless payments, we’re able to streamline our operation while making the experience safer for you, our loyal patrons. Our new guest security system uses advanced technology to make your arrival more comfortable and convenient. We hope that you enjoy these improvements and that they bring you closer to great performances.

As we enter the second half of our 40th Season, we’re excited to continue to offer a survey of the latest developments and leading voices in the performing arts in America today. There are established and emerging artists, revivals and new works, long-time favorites, and first-time visits.

You can see some of the highest examples of artistic excellence, join artists as they engage with the past and possibilities of the future, experience unusual collaborations, and be the first to see new productions.

We are working hard to make Texas Performing Arts one of the most impactful arts organizations in the country. With visionary artists and adventurous audiences, we will unlock the potential of Texas Performing Arts’ next 40 years. Thank you for joining us.

Bob Bursey Executive & Artistic Director

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APR

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Helen Sung with the UT Jazz Orchestra Sat, Apr 9

Nathalie Joachim Angélique Kidjo and Spektral Remain In Light Thu, May 12 Quartet Fanm d’Ayiti Fri, Apr 22

(Featured above)

TICKETS ON SALE NOW TEXASPERFORMINGARTS.ORG

MEDIA SPONSORS Austin Chronicle / Austin PBS / KAZI-FM / KMFA-FM / KUT-FM / KUTX-FM / The Texas Tribune texasperformingarts.org texasperformingarts.org

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Photo by Josué Azor

“Powerful, unpretentious” vocalist (The New York Times) brings her acclaimed work for voice, flute, string quartet, and electronics honoring to Austin for the first time.

Nathalie Joachim and Spektral Quartet Fanm d’Ayiti

Fri, Apr 22 | Bates Recital Hall

MEDIA SPONSOR:

Come visit the Loewy Family Playground in Northwest Hills 7022 Hart Ln. Austin, TX 78731 loewyplayground.com

923 Westbank Drive, Suite 100, Austin Texas 78746 | 512.328.0022 | wilsongoldrick.com

MAKING IT HAPPEN

Photo by TK

THE TEXAS PERFORMING ARTS FABRICATION STUDIOS are where The University of Texas at Austin students from any major can leverage their passion and creativity to make something amazing. We are educators, guiding and empowering students in fabrication practices for live performance, film, television, themed attraction, and art installations. We leverage traditional fabrication knowledge with cutting-edge technologies to develop and support the next generation of great artists.

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BASS CONCERT HALL RENOVATION

During our unprecedented shutdown, we seized the opportunity to substantially renovate Bass Concert Hall.

IMPROVEMENTS INCLUDE:

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Photo by Tom McConnell

• Balcony side sections were completely rebuilt to improve sightlines • All-new seats in both balconies • Upgrades to audio and video systems • Reconfigured lobby with more space • Improved air circulation and filtration

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Photo by Joseph Boggess Photography

Helen Sung with the UT Jazz Orchestra Sat, Apr 9 | Bates Recital Hall texasperformingarts.org

MEDIA SPONSOR:

TEXAS INNER CIRCLE

Support Texas Performing Arts educational programs, student employment, and $10 student tickets, all while enjoying the benefits of membership!

Members elevate their experience with access to the Texas Inner Circle Lounge, plus parking and advance notice when tickets go on sale.

TO JOIN Call: 512.232.8567 Email: support@ texasperformingarts.org Visit: texasperformingarts.org/ membership

Photo by Sandy Carson

Scan:

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Jan 21, 2022

Bass Concert Hall

Bill Frisell and Bill Morrison The Great Flood Director, Bill Morrison Composer, Bill Frisell, Producer, Phyllis Oyama

The Great Flood Band features Bill Frisell (guitar), Tony Scherr (bass) & Kenny Wollesen (drums).

Sound Engineer, Claudia Engelhart

“The Great Flood” is a film-music collaboration by Bill Morrison and Bill Frisell, based on and inspired by the catastrophic Mississippi River Flood of 1927 and the ensuing transformation of American society.

Program The Great Flood Sharecroppers Swollen Tributaries 1927 Sears Roebuck Catalog Levees Mississippi River Flood,1927 Dynamiting Poydras Evacuation Politicians Aftermath Migration Watershed

Presented in partnership with KUTX-FM 14 texasperformingarts.org

The Great Flood was commissioned by Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign (World Premiere); Wexner Center for the Arts at The Ohio State University; Carnegie Hall; Symphony Center Presents, Chicago and Hopkins Center, Dartmouth College.

The Great Flood was commissioned through Meet The Composer’s Commissioning Music/USA program, which is made possible by generous support from the Mary Flagler Cary Charitable Trust, the Ford Foundation, the Francis Goelet Charitable Lead Trusts, New York City Department of Cultural Affairs, New York State Council on the Arts, the William and Flora Hewlett Foundation, and the Helen F. Whitaker Fund.

Additional support made possible by USA Projects, an online initiative of United States Artists.

Co-presented with the UT Visual Arts Center Mr. Frisell is represented by: Songline/Tone Field Productions – songtone.com Mr. Morrison’s work is distributed by Kino Lorber – kinolorber.com Icarus Films - icarusfilms.com texasperformingarts.org

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Program The Great Flood The Mississippi River Flood of 1927 was the most destructive river flood in American history. In the spring of 1927, the river broke out of its earthen embankments in 145 places and inundated 27,000 square miles.

Part of its legacy was the forced exodus of displaced sharecroppers, who left plantation life and migrated to Northern cities adapting to an industrial society with its own set of challenges. Musically, the Great Migration fueled the evolution of acoustic blues (including artists who witnessed the flood such as Charley Patton “High Water Everywhere” and Memphis Minnie “When the Levee Breaks”) to electric blues bands that thrived in cities like Memphis, Detroit and Chicago becoming the wellspring for R&B and rock as well as developing jazz styles.

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Photo by Myles Regan

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BIOGRAPHIES Bill Morrison (Film Director) “The poet laureate of lost films” New York Times, September 22, 2021 Bill Morrison makes films that reframe long-forgotten moving images. He has premiered featurelength documentary films at the New York, Sundance, Telluride and Venice film festivals. Morrison had a mid-career retrospective at MoMA in 2014. His found footage opus Decasia (2002) was the first film of the 21st century to be selected to the Library of Congress’ National Film Registry. The Great Flood (2013) was recognized with the Smithsonian Ingenuity Award for historical scholarship.

Dawson City: Frozen Time (2016) was included on over 100 critics lists of the top films of 2017, and named as one of the best films of the decade (2010s) by the Associated Press, Los Angeles Times, and Vanity Fair, among others. In 2021 Morrison became a member of the documentary branch of the Academy of Motion Pictures Arts and Sciences. His most recent feature-length doc, The Village Detective: a song cycle (2021) had its North American premiere at the 2021 Telluride Film Festival, and was released by Kino Lorber.

Bill Frisell (Film Composer) Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings, whose catalog has been cited by Downbeat as “the best recorded output of the decade”.

His latest recording is Valentine, on Blue Note, a trio album with Thomas Morgan (bass) and Rudy Royston (drums) that has been hailed as “a masterpiece” by Downbeat. “They consistently and strikingly play as one, voices intertwined, completing phrases as if sharing a single thought…

Even overdubs are so perfect that everything feels utterly organic… the performances represent jazz playing at its most sublime.”

In March 2022, a biography on Frisell, entitled Beautiful Dreamer – The Guitarist Who Changed The Sound of American Music, written by Philip Watson, will be published by Faber and released in the UK, Europe, South, Central America & Asia. Other global release dates are forthcoming.

Through unprecedented access, and interviews with his close family, friends and collaborators, Philip Watson tells the story of the innovative and influential guitarist and composer.

Recognized as one of America’s 21 most vital and productive performing artists, Frisell was named an inaugural Doris Duke Artist in 2012. He is also a recipient of grants from United States Artists and Meet the Composer, among others. From 2013 – 2015, Bill was Resident Artistic Director for Jazz at Lincoln Center for their Roots of Americana series, and in 2016, he was a beneficiary of the first FreshGrass Composition commission to preserve and support innovative grassroots music. Upon San Francisco Jazz

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opening their doors in 2013, he served as one of their Resident Artistic Directors. Bill is also the subject of a documentary film by director Emma Franz, entitled Bill Frisell: A Portrait, which examines his creative process in depth. He has also received an honorary doctorate from the Berklee College of Music.

Phyllis Oyama (Producer) Phyllis Oyama has been Artist and Project Manager for Songline/Tone Field Productions since January, 2000. She oversees booking and directs marketing for Mr. Frisell and singer/ songwriter/violinist Carrie Rodriguez. Phyllis’ background is in Dance and Film. She has an M.A. in Dance History from Mills College. After studying at the Erick Hawkins School of Dance in New York City, she directed a

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documentary on the early modern choreographer, entitled Erick Hawkins - Poet of Modern Dance. Soon after, she joined Pixar Animation Studios where she was an Assistant Editor on Toy Story and A Bug’s Life.

Tony Scherr (Bass) In addition to playing bass with Bill Frisell, Tony Scherr also plays with the New York band Sex Mob. He has also played bass and/or guitar with many other artists including John Lurie & The Lounge Lizards, Sow Poke, Maria Schneider Orchestra, Norah Jones, Rickie Lee Jones, Dakota Staton, Al Grey, Willie Nelson, Aaron Neville, and Feist. Tony was born in New Haven and lives in Brooklyn.

Kenny Wollesen (Drums, Vibes) Kenny Wollesen is a drummer, vibraphonist, percussionist and

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Photo by Myles Regan

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instrument builder based in New York City. He is the founder of the Wollesonic Laboratories wollesonic. com and the mastermind behind Sonic Massages and the Himalayas marching band. He has worked with John Zorn, Norah Jones, Tom Waits, Sean Lennon, Ben Goldberg, Steve Bernstein, Jonas Mekas, Butch Morris, Ilhan Ersahin, Hal Wilner, Eivind Opsvik, John Medeski, Jim Hall and has been a vital member of Bill Frisell’s ensembles and projects for over 20 years.

Claudia Engelhart (Sound Engineer) Claudia Engelhart has been a professional listener and live-sound engineer for 40 years. In 1982 she began her career at the historic San Francisco jazz club, Keystone Korner, later moving on to such

notable venues as CBGB’s, The Village Gate, and SOB’s in New York City. Since 1989, she has been working as sound engineer and tour manager for Bill Frisell, for whom she has also recorded two live albums and most of his live download series. When not on tour with Frisell, Claudia has toured extensively with other renowned artists, including Wayne Shorter, Herbie Hancock, Laurie Anderson, Lou Reed, Ron Carter, Michael Brecker, Grover Washington Jr., Dave Holland, John Scofield and Charles Lloyd, among others.

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Your favorite concerts, comedians, and family shows

SUN, FEB 6

FRI, FEB 11 | Late show added

SAT, FEB 12

FEB 14

All shows in Bass Concert Hall Tickets a texasperformingarts.org

Jan 26–29, 2022

McCullough Theatre

The Wooster Group THE B-SIDE: “Negro Folklore from Texas State Prisons” A Record Album Interpretation

The Wooster Group’s residency at Texas Performing Arts is supported by a grant from the National Endowment for the Arts.

Presented in partnership with KUT-FM 24 texasperformingarts.org

Photo by Bruce Jackson

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About THE B-SIDE Featuring Eric Berryman, Jasper McGruder, Philip Moore Director Kate Valk Production Design Elizabeth LeCompte Sound Eric Sluyter Lighting Ryan Seelig

Musical Director Gareth Hobbs Stage Manager Erin Mullin Set Building Joseph Silovsky Studios Production Manager Bona Lee Tour Associate Producer Maya Davis

Tour Lighting David Sexton Video Robert Wuss Tour Video Irfan Brkovic Costumes Enver Chakartash

The creation of THE B-SIDE was made possible by the National Endowment for the Arts Art Works program; the John Simon Guggenheim Memorial Foundation, which awarded Valk a fellowship in 2016; and by a Princess Grace Foundation– USA honorarium awarded to Berryman for his work on the project.

Special thanks to Bruce Jackson Thanks to Jennifer Tipton, Ruud van den Akker, Antonia Belt, and Diane Christian Running time: approximately one hour

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About the Album The record album Negro Folklore from Texas State Prisons (Elektra 1965) was recorded, edited, and annotated by Bruce Jackson. It features performances by Johnnie Adams, W.D. “Alec” Alexander, Virgil Asbury, John Bell, Douglas Cannon, James A. Champion, William Evans, John Gibson, James Hampton, James W. Hobbs, Louis “Bacon & Porkchop” Houston, Johnny Jackson, Floyd James, Lemon Jefferson, Jesse “G.I. Jazz” Hendricks, James Johnson, Joseph “Chinaman” Johnson, C.B. “Snuffy” Kimble, Henry Landers, L.Z. Lee, Clem A. Martin, Leroy Martindell, Mack Maze, D.J. Miller, Houston Page, Marshall Phillips, Johnnie H. Robinson, Arthur “Lightning” Sherrod, Albert Spencer, Lee Curtis Tyler, David Walker, Jesse Lee Warren, Venesty Weles, George White, Morgan White, Matt Williams, and Eddie Ray Zachary.

Side One 1. RAISE ’EM UP HIGHER Worksong, Ramsey Farm, Unit 1 2. DON’T LOOK SO DOWNHEARTED, BUDDY Toast, Wynne Farm 3. MOVE ALONG ’GATOR Worksong, Ellis Farm 4. THREE MOORE BROTHERS Cante-fable, Ellis Farm 5. ASSASSINATION OF THE PRESIDENT Topical/gospel, Ramsey Farm, Unit 2 6. DON’T BE UNEASY Spiritual, The Walls 7. RATTLER Worksong, Ramsey Farm, Unit 1 Side Two 1. HAMMER RING Worksong, Ramsey Farm, Unit 1 2. T.B. BEES Toast, Ramsey Farm, Unit 2 3. IF YOU SEE MY MOTHER Blues, Ellis Farm 4. JUST LIKE A TREE PLANTED BY THE WATER Worksong, Ellis Farm 5. SEE HOW THEY DONE MY LORD Spiritual, Ramsey Farm, Unit 1 6. DANIEL IN THE LION’S DEN Preaching parody, Ellis Farm 7. FORTY-FOUR HAMMERS Worksong, Retrieve Farm “The way we do it, we do it by time. We have a steady rock. Everybody raise their axe up and come down at the same time, just rock. I guess that might a came from many a year ago. We see in the picture show the way Africans beat and paddle boats together, just work together.”

– Anonymous black inmate in the Texas Department of Corrections, circa 1964, from Wake Up Dead Man, collected and edited by Bruce Jackson.

Film footage from Afro-American Worksongs in a Texas Prison, by Pete, Toshi and Dan Seeger, and Bruce Jackson, 1966.

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Photo by Teddy Wolff Photo by Saverio Truglia

PERFORMER BIOS Eric Berryman is a New York City-based actor originally from Baltimore, MD. He collaborated with The Wooster Group on THE B-SIDE: “Negro Folklore from Texas State Prisons” for which he received a Drama Desk Nomination.

His Off-Broadway credits include Toni Stone, Roundabout Theatre Company; Steel Hammer and The Bacchae (director Ann Bogart) and Glory of the World (director Les Waters), BAM; and pool (no water), Barrow Street Theatre.

Recent regional credits: Moby Dick, American Repertory Theater; Detroit Red, ArtsErmerson, for which he received the Elliot Norton Award for Best Actor. Other regional work includes: The Amen Corner, Guthrie Theater; I Wish You Love, Penumbra Theatre/The Kennedy Center/ Hartford Stage; and Fly, Ford’s Theatre. Film and TV credits include Motherless Brooklyn, Marriage Story, and Barry. Eric holds a BFA in Acting from Carnegie Mellon. He has received the Arthur Kennedy Acting Award and a Princess Grace Foundation Honorarium.

Jasper McGruder is a graduate of SUNY Fredonia. He performed in Imperceptible Mutabilities and The Death of the Last Black Man in the Whole Entire World by Suzan-Lori Parks, as well as the 1992 world tour of Einstein On the Beach, music

by Phillip Glass and directed by Robert Wilson. He has worked at LaMaMa and was directed by Ellen Stewart in The Cotton Club Gala and

Conjur Women. He directed Monk n Bud by Laurence Holder at the Edinburgh Fringe Festival and the Cairo International Experimental Theatre Festival. Regional theatre includes Yale Repertory, Goodspeed Opera House, The Kennedy Center and extensive work at The Barter Theatre. He plays blues harmonica and was the host of Gutbucket Matinee, a blues and jazz format on WBAI radio from 1997-2004. He opened Black Stars of The Great White Way at Carnegie Hall with a harmonica solo in the 2014 Celebration.

Philip Moore is a home-grown New Yorker. He was raised in the Queensbridge Housing Project, the largest public housing development in the USA. Philip has a natural affinity for family and community and his life has revolved around raising his three sons as well as caring deeply for those around him. Aside from a high school role as the Artful Dodger in Oliver Twist and a short (filmed) monologue in Richard Maxwell’s Ads in 2009, Philip made his debut in theater in 2011 when he joined the cast of Maxwell’s play Neutral Hero.

He was in 60 performances of Neutral Hero throughout Europe and in South America. Philip performed in The Wooster Group’s production of Harold Pinter’s The Room in New York and on tour in Los Angeles in 2015-16.

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Photo by Teddy Wolff

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Photo by Bruce Jackson

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Coming Up The Wooster Group’s residency continues with a work-in-progress showing on February 4 of Untitled Toast, a new collaboration with Eric Berryman.

Untitled Toast is based on the 1976 LP Get Your Ass in the Water and Swim Like Me: Narrative Poetry from the Black Oral Tradition. Recorded and edited by Bruce Jackson, the LP is a collection of toasts: epic bawdy poems, full of daring wit and dazzling wordplay, that describe feats of legendary street heroes, such as “Signifying Monkey,” “Titanic,” and “Stackolee.”

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About The Wooster Group

The Wooster Group, led by founding member and director Elizabeth LeCompte, is a pioneer of experimental theater.

Established in 1975, the Group has created more than 40 theater and dance works, approximately 20 media pieces, museum and gallery exhibitions, and one Ribbon Cutting Ceremony. Theater productions include: Rumstick Road (1977), L.S.D. (...

Just the High Points ...) (1984), Brace Up! (1991), The Hairy Ape (1996), House/Lights (1999), To You, the Birdie! (Phèdre) (2002), Hamlet (2006), the opera La Didone (2008), Vieux Carré (2009), The Room (2015), The Town Hall Affair (2017), A Pink Chair (In Place of a Fake Antique) (2018), and The Mother (2021), all directed by LeCompte, and Early Shaker Spirituals (2014) and The B-Side: Negro Folklore from Texas State Prisons (2017), both record album interpretations, directed by founding member and associate director Kate Valk.

The Group maintains a full-time ongoing ensemble of performers and technical artists on annual salary with benefits, and also supports a large number of artistic associates who work on a project-by-project basis.

The Performing Garage, at 33 Wooster Street in SoHo, Manhattan, is the longtime residence of the company where all the work is developed and performed.

Wooster Group works tour nationally and internationally. For more information, visit www.thewoostergroup.org.

Current Company

Irfan Brkovic, Mike Farry, Ari Fliakos, David Glista, Clay Hapaz, Cynthia Hedstrom, Gareth Hobbs, Elizabeth LeCompte, Bona Lee, Michaela Murphy, Erin Mullin, Scott Shepherd, Eric Sluyter, Kate Valk, Monika Wunderer

Current Associates

Bill Ballou, Eric Berryman, Zbigniew Bzymek, Enver Chakartash, Hai-Ting Chinn, Maya Davis, Dennis Dermody, Matthew Dipple, Amir ElSaffar, Jim Fletcher, Mia Fliakos, Bruce Jackson, Ken Kobland, Andrew Maillet, Frances McDormand, Jasper McGruder, Greg Mehrten, Philip Moore, Suzzy Roche, Kaneza Schaal, David Sexton, Joseph Silovsky, Maura Tierney, Jennifer Tipton, Danusia Trevino, Ariana Smart Truman, Jharis Yokley, Omar Zubair

Director’s Circle

Paul Cassidy & Vernon Evenson, Christine Larsen & Vincent Dopulos, Alan Mark & Jeffrey Fraenkel, Adam E. Max (in memoriam) & Diane L. Max, Frances McDormand, Robyn Mewshaw, Catherine Orentreich (the Orentreich Family Foundation), Tom Shapiro, Wendy vanden Heuvel

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Photo by Steven Gunther

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Texas Performing Arts Leadership Board The Leadership Board is a group of national and international volunteer leaders in the arts, business, and philanthropy. The Board is dedicated to expanding Texas Performing Arts’ world-class programming, positioning the organization as an international leader in the performing arts, and strengthening the bond between the performing arts and the communities we serve.

Founding Members Carly Christopher Jaime Davila Brian Haley Steven Kahng Chris Mattsson Marc Seriff

Texas Performing Arts Staff Bob Bursey

Scott Bussey

Blake Addyson

Executive and Artistic Director

Facility Manager / Senior Technical Director

Production Supervisor

Assistant to the Executive and Artistic Director

Carolyn Hardin

Lighting Supervisor

BUSINESS OFFICE

Jason Huerta

Robert Cross

Operations Manager, Fabrication

General Manager

J. E. Johnson

Kristi Lampi

Associate Director of Fabrication

Associate Director of Business Operations

Karen Maness

Leigh Remeny

Ashton Bennett Murphy

Bianca Hooi

Properties Manager

Associate Director of Fabrication

Seb Boone Sarah Cantu Master Electrician

Phoebe Greene Event Operations Manager

Conrad Haden Stage Supervisor

Yvonne Kimmons

Project Specialist, Fabrication

Assistant Director, Performance Logistics

Hank Schwemmer

Kenny Kuykendall

Lead Fabricator

Assistant Audio Supervisor

David Tolin

Andrew “Drew” Millay

Project Manager, Fabrication

Audio Video Supervisor

Sarah Weidler Young

MARKETING & COMMUNICATIONS

PROGRAMS & EVENTS

Associate Director of Development

Phil Rosenthal Director of Marketing & Communications

Events Manager

EDUCATION & ENGAGEMENT

Business Operations Manager DEVELOPMENT

Anna Langdell Director of Development

Thea Liao Development Associate

Tim Rogers Director of Education and Engagement

Brenda Simms

Lizzie Choffel Cantu Senior Graphic Designer

Erica De Leon

Program Coordinator, Education & Curriculum Development

Marketing Specialist, Digital Media

FABRICATION & ACADEMIC PRODUCTION

Marketing Manager

Jeff Grapko Director of Fabrication and Academic Production

Romina Jara PRODUCTION

Jim Larkin

Amber Goodspeed Eleanor Stefano Associate Director of Booking & Sales TICKET OFFICE

Tara Vela Director of Ticketing & Guest Services

Margaret Badasci Ticketing Manager

Dianne Whitehair Ticketing Systems Manager

Director of Production

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Texas Performing Arts is also proud to acknowledge the hundreds of part-time and volunteer staff who play a critical role in presenting our annual season of world-class performing arts events to the Austin community.

House Managers Dina Black Virginia Bosman Margaret Byron Sheri Dildy Antonio Garcia Carlos Hernandez-Heine Paige Horton Jean Humes Olga Kasma-Carnes Charlotte Klein

Sharon Kojzarek Eric Lee Lara Miller Shannon Quinn Kimberly Reaves Jessica Reed Mary Ruiz Gracie Sanders Robyn Scott Andrea Stanfill Castro

Debra Thomas Kristine Tydlacka Leah Waheed Marty Watson Tonya Woods Sally Zukonik

Student Employees Rodrigo Herrera Isabella Hollis Mayre Jane Elizabeth Jantz Jake Josephi Eddie Lambert Julia Le Austin Luchak Jonah Maughan Basil Montemayor Braden Newlun Lanna Nguyen Reese Niemietz Samuel Oladejo So Hyun “Helen” Park Mackenzie Pratt Bryce Riggle Ericka Salas

Simon Salinas Madison Sheridan Matthew Smith Madison Smith Christopher Taylor Alex Titsworth Michelle Upham Isabel Velasquez Sydney Villaruel Michael Williams Julia Yelvington

Photo by TK

Carolina Arredondo Zoe Bihan Claire Bueche Brizel Bueso Maria Cardoso Sara Chaney Shivani Chidambaram Gabrielle Clemente Brittney Dolan Vio Dorantes Grace Featherston Madalynn Feltman Ameli Garcia Daniel Geld Mia Gomez-Reyes Trinity Gordon Alisse Guerra

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Texas Inner Circle Texas Performing Arts gratefully acknowledges the financial support of our members. Each year, members help fund robust education and engagement initiatives, affordable student tickets, and critical student employment opportunities that make Texas Performing Arts so much more than what you see on our stages.

Donations made as of Dec 20, 2021 We regret that limited space does not allow us to list every member.

For information on ways to give, please visit texasperformingarts.org/ become-member, call the membership office at 512-232-8567, or email us at support@texasperformingarts.org.

*Corporate Circle members

BENEFACTOR’S CIRCLE $6,000+

Julie and Steve Avery Joe Batson Jeff and Katie Berkaw Dianne and Robert Brode ChemCentric* Joanne Guariglia Jennifer Kaufman Gretchen and Lance Kroesch Julia Marsden Eric and Angie Mischke Stephanie Perkins Gina and Don Reese PRODUCER’S CIRCLE $3,000-5,999

Kimberly Attallah Drs. Lynn Azuma and Brian Hall Christie and Jason Barany Renée Butler and Kay Stowell Edwina P. Carrington Farrah and Nathan Chelstrom Suzanne and Bill Childs John and Kim Coers Dennis Eakin Kia* Matthew B. Ely Jessica and Marc Evans Jim Ferguson and Art Sansone Frost* Michael Gibertini and Kari Nations Phil and Lisa Gilbert Brian Gleason Susan and Barry Goodman Vikram Grover Juan M. Guerrero, M.D. Gladys M. Heavilin Andrew and Mary Ann Heller Frank Ikard Dan Jackson and Jeremy Guiberteau Chris and Melissa Knox Kelley Knutson and Carol Walsh-Knutson Cathy and James Kratz Sue and Gary Lowe Mary and Lynn Moak Wayne Orchid Debbie and Jim Ramsey Linda and Robert Rosenbusch

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Chuck Ross and Brian Hencey Kenneth Sandoval Syd Sharples Barry Smith Gilbert and Kathleen Soto Laura and David Starks Shari and Eric Stein Lorri Stevenson Rhiannon Stinnette Louann and Larry Temple Barbara Tocker Carole Tower and Matthew St. Louis University Federal Credit Union* Bill and Claudia Wilson Annie Zucker and Michael Regester DIRECTOR’S CIRCLE $1,500-2,999

Anonymous (3) Bonnie L. Bain Carolyn R. Bartlett Deepika and Somdipta Basu Roy Becky Beaver Carolyn and Andrew Birge Casey Blass and Lee Manford Robert Bloemhof Tahra and Michael Boatright Christopher and Tira Brom Kara and Shelby Brown Kim and Thomas Reed Brown Kimberly Brown Shellie and Martin Campos Kelli and John Carlton Lee Carnes Carol and Shannon Casey Sue and Kevin Cloud Anita and William Cochran Isabella Cunningham Weslie and Stephen Elliott Barbara Ellis and Alex McAlmon Kevin Espenlaub and John Hampton Laura L. Estes and Joyce A. Lauck Carol and Clint Fletcher Pamela and David Frager Sandra Freed Susan and Lee Gammill Nancy Gary and Ruth Cude Cheryl and R. James George, Jr. Sharon and Bruce Golden Melissa and Rick Gorskie Karen and Rowland Greenwade Sven and Robin Griffin Cheryl Gross Richard Hartgrove and Gary Cooper Gunnar Hellekson Abbey and Michael Herman texasperformingarts.org

Christopher Higgins Anne and Thomas Hilbert Amy and Jeffrey Hubert Darrell Hunt Admiral and Mrs. B. R. Inman Gary C. Johnson Maxx Judd and Donn Gauger K Friese and Associates* Mary Kliewer Margaret Denena and Cliff Knowles Sheila Kothmann Calvin and Donna Lee Sue and Larry Lewellyn Ellen and Richard Leyh Suzanne Lima Mr. and Mrs. George F. Littlejohn Jennifer and Christian Loew Alaire and Thomas Lowry Gayle and Scott Madole Peggy Manning Charles and Leslie Martinez Molly McDonald and Chad Hartmann Monica and Robert Meadows Jennifer and Jim Misko Amy Wong Mok Melissa Moloney and Chris Walk Miriam and Jim Mulva Nall Family Meri and Don Nelson Paul Nelson and Jessica Shadoian Jeffrey Neumann Jacqueline and Shawn O’Farrell Cathy Oliver Leora Orent and Art Markman OroSolutions* Terri Pascoe Connie and Samuel Pate Michele and Roy Peck Shari and John Pflueger Liz and Jon Phelan Leslie Powell Javier Prado Alec Rhodes Richie & Gueringer, P.C.* Alyssa Russell Nancy Scanlan Susan Schaffer Dana and Donald Schwent Nina and Frank Seely Carol Ann Shepherd Sid Steadman Karin and Robert Stern Bruce Stuckman Peter and Joan Swartz Caroline Tang John, Olivia, and Caroline Taylor The Van Den Berg Family Erin Vander Leest and Tom Pyle Daniel and Sara-Jane Watson 41

Mark Weiss and Janet Bray Susan and Chris Wilson with Bonita Grumme Jacqueline Wittmuss Dr. Lucas Wong and Dr. Lisa Go Michael Wynn and Elizabeth Kalamaha-Wynn CENTER STAGE $600-1,499 Anonymous (3) Dwain Aidala Mark Aitala Emily Allen and Ron Altizer Heather Andress Joe Annis Tony Aventa Donna and Manuel Ayala Addison, Sydney, Kori, and David Baker Jannis and Robert B. Baldwin III The Ballon Family Jana and Barry Bandera Travis and George Baxter-Holder Joshua Becker Dr. Steven A. Beebe James Benson Sophia Bera April Berman Crystal Berry-Roberts Carolyn and Jon Bible Tim and Grizelda Black Denis Blake Stephanie and Michael Blanck Dave and Nancy Bourell Robert Bracewell Steve and Jen Braud Brook and Gerald Broesche Janice and Charlie Brown Scott Brown and Cheri Lafrinea Jim and Josie Caballero Kristen and Luis Casaubon Daniel and Lynnette Caswell Shane Chambers Sewell Chan Avery John Chavez Sam and Alison Clare Sarah Compton Nicole Cornelson Jeanette Cortinas Elaine Daigle Wilma Dankovich Lorraine and John Davis Nhu and Randall DeBastiani Courtney and Adam Debower Lisa and Paul Delacruz Lucy Ditmore Jennifer Dixon Beth Domel Susan and David Donaldson Kevin Dowling

Glenn and Britta Dukes Maria Dwyer Susan and David Eckelkamp Michael L. Edwards James Elacqua Sheila Ellwood Rebecca Ewing Jane W. Fountain Drs. Donald and April Fox Katina and Matthew Gase Jon and Joanna Geld Sharon and Richard Gibbons Glenn and Nancy Gilkey Susie Grandi Craig and Beverly Griffin Jana and John Grimes Stephanie Guariglia Maria Gutierrez and Peter Nutson Tizzle Bizzle Hallock Cindy and John Hanly Amy and Peter Hannan Darcy and Rick Hardy Family Jennifer and Randall Harris Steve Haskin Dr. John Howe Robbi Hull Marjorie and David Hunter Jennifer Ice Robert Ignatowski Beth and Bill Ivers John C. Jackson Kathleen and Jim Jardine Kathleen Johnson Caroline Juszczak Aileen Krassner Kiehl and Michael Kiehl Hugh King Susan and Richard Klusmann Jan and Orion Knox Loree and Burnett LaChance Amy and David Lambert James Larkin Jeffrey Lazar Melanie C. Lewis Stacy Libby Jenny and Luis Lidsky Jessie Lorenty and Erika Esquivel Nancy and Dale Lowe Robert Lowrey Kimberly Maeda Salman Manzur Dr. and Mrs. Lawrence Masullo Stephanie Mayes Kevin McCrea Denise McCullough Sherry McKinney, PhD. Ford McTee Frances Ellen and Paul Metzger Lynn Meyer and Rick Clemens Pauline and Alfred Meyerson James W. Moritz Denise Margo Moy Rachel Naugle

Philip Neff Brian Neidig Margaret and Brian Nilson Wynnell Noelke Keisha Nunn Dan and Deborah O’Neil Augustine Park Robert Pender Karen and Wes Peoples Cindy Perez RJ and Terra Peters Lisa Peterson Nancy and Frank Petrone Tami Pharr Kari and Brian Phenegar Suzanne Pickens and Douglas Hoitenga Wanda Potts Kate and Scott Powers Ryan and Michelle Putman Eric Rabbanian Tracy Rawl Dawn and Thomas Rich Jeanine and Dan Roadhouse Susan E. Salch Al Sandoval Julie and Richard Schechter Anthony and Christine Sementelli Amy Shipherd Vijay Sitaram Raymond Smith Steven Smith Debbie Smolik Ted and Toni Spalding Nancy Whitworth Spong Geeta and David Suggs Dona and Ali Tabrizi Ryan Tarrant Judy and Jay Tarwater Bri Thatcher and Andy Modrovich Stacy and Michael Toomey Alice Toungate Heather and Jeffrey Tramonte Keith Uhls and Dan Hutchison Tara Vela Lee A. Warbinton Saradee and Melvin Waxler James Webb, Jr. and Christiana Cowick Kenneth R. Webb Marie and Phil Wendell Leslie West Leslie and Bryan Weston Michael Wilen Gethrel A. Williams Ann and Eric Wilson Lynn Yeldell Lena Yoo Micka and Richard Ziehr

42 texasperformingarts.org

TEXAS PERFORMING ARTS STUDENT MEMBERSHIP Join today for ticket discounts, special offers, and exclusive giveaways.

Exclusively for UT Students

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texasperformingarts.org/basspass

FORMIN

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Your favorite concerts, comedians, and family shows THE TEMPTATIONS & THE FOUR TOPS

SAT, FEB 19 | Late show added

MAR 9

FRI, APR 29

SAT, JUN 11

JUL 13

All shows in Bass Concert Hall texasperformingarts.org

Tickets a texasperformingarts.org

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KEEP IT

Chef-inspired meals in minutes ©2021 HEB, 21-8029

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HOOK 'EM ARTS

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Hook ‘em Arts is the student voice of Texas Performing Arts. The purpose of the organization is to increase student engagement and awareness of Texas Performing Arts so that it becomes an integral component of campus life and to connect with other students who enjoy the arts.

LEARN MORE AT

texasperformingarts.org/HookEmArts

BROADWAY IS BACK IN AUSTIN! Broadway’s funniest new musical!”

“

©Disney

HHHH FEBRUARY 22 – 27

MAY 3 – 8

Photo: Francesco Scavullo

MARCH 22 – 27

APRIL 7 – 24

AUGUST 2 – 7

SEPTEMBER 20 – 25

All shows at Bass Concert Hall BroadwayInAustin.com | TexasPerformingArts.org Due to the nature of live entertainment; dates, times, performers, and prices are subject to change. All patrons, regardless of age, must have a ticket. Tickets are subject to additional fees. There is an eight (8) ticket limit per account, billing address or credit card. Orders that exceed this limit will be cancelled without notice, including multiple orders with the same account, billing address or credit card. No refunds or exchanges.

Tickets are subject to the Broadway Across America® Standard Ticket Terms and Conditions. By purchasing a Ticket from Broadway Across America, you agree to such Terms and Conditions Presented by Texas Performing Arts. Broadway Across America provides production services for Texas Performing Arts. Sales tax exempt pursuant to Texas Tax Code Section 151.3101 (a)(3).

A modern Texas kitchen featuring locally inspired flavors and ingredients with a Latin influence.

Enjoy 15% off and VIP parking with our Broadway Pre-Theatre dinner offer.

Four Seasons Hotel Austin | cicloatx.com | 512.685.8300

Photo by Danny Clinch

“[Remain In Light is] stunning…a perfect counterpart to Talking Heads’ record.”

Rolling Stone

Angélique Kidjo Remain In Light Thu, May 12 | Bass Concert Hall texasperformingarts.org

MEDIA SPONSOR:

Support The 2021–22 Texas Performing Arts 40th Season is made possible by generous support from our organizational partners.

For information on Corporate Sponsorship

Contact Anna Langdell, Director of Development 512.471.7585 | alangdell@texasperformingarts.org As an educational institution committed to the free exchange of ideas, Texas Performing Arts is proud to present a rich array of performing arts for the Austin and Central Texas community. Sponsorship of Texas Performing Arts does not imply endorsement of artists or their performance content by sponsors or their representatives.

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texasperformingarts.org

YOU CAN HELP Students are at the heart of Texas Performing Arts.

Your support makes it possible for Texas Performing Arts to employ 100 students this semester.

“Thank you so much for being part of this. I know I wouldn’t be here without our donors’ support.”

Madison Sheridan, Student Administrative Assistant, Class of 2022

Thanks to donors like you, Texas Performing Arts provides students with real-life work experience, skills that help them succeed long after graduation, and a paycheck to help with the cost of college life.

Employing students at Texas Performing Arts prepares them for the future. Please donate today. texasperformingarts.org/support

texasperformingarts.org

53

made possible by the generous donations of J.C. Backings and the ADG Archives Backdrop Recovery Project. The collection of sixty-five historic paintings mirrors the research gathered by UT Austin Faculty co-authors Karen Maness and Richard Isackes to create their award-winning publication, The Art of the Hollywood Backdrop, Regan Arts 2016. Included in the collection are backings from iconic and critically acclaimed films such as National Velvet (MGM 1944), The Sound of Music (20th Century Fox 1965), Ben Hur (MGM 1959), and North by Northwest (MGM 1958), brought here to educate the next generation of artists in the Texas Performing Arts Fabrication Studios.

Photo by Sandy Carson

WHAT STARTS HERE CHANGES THE WORLD

Texas Performing Arts now owns the most extensive educational collection of Hollywood motion picture backdrops in the world,

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It’s our job to give you our best.

This past year you gave us yours.

Thank You.

The Best Is Here.

Anusha, Critical Care RN