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Christopher Jackson: Live From the West Side

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VIRTUAL EVENT

TEXAS PERFORMING ARTS

Christopher Jackson Live From the West Side AUG 15


The Show Must Go Online Thank you for supporting Texas Performing Arts as we navigate the challenge to safely connect our community to live performance. Your participation is an investment in the programming we look forward to bringing you in our theatres on the University of Texas at Austin campus in the future.

We are dedicated to moving forward to provide access to amplify, connect and explore a safe and inclusive creative home for the widest possible expression of artists and audiences. Thank you for spending time with us. 2 texasperformingarts.org

Photo by Trent Lesikar

Texas Performing Arts Executive Director and Tony Award®-winning producer, Bob Bursey, is happy to bring Austin’s Broadway fans this unique opportunity to experience Christopher Jackson on screen from New York and looks forward to exploring what’s next.


In this issue

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Christopher Jackson Live From the West Side

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Creating a Monster (Habitat)

14

Opinion: As we recover, our city must invest in the arts

Chris Jackson will be taking questions from the viewing audience during the show. If you would like to submit a question, please email your name, hometown, and question to: askchrisjackson@gmail.com

Email Chris

“Nonprofit arts presenters are the lifeblood of the performing arts industry and a pipeline for young talent. Without them there is no Broadway.” —Christopher Jackson

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Christopher Jackson Live From the West Side Aug 15, 2020

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Christopher Jackson Live From the West Side

Christopher Jackson is a Tony Award®–nominated actor as well as a Grammy and Emmy® Award–winning songwriter / composer best known for starring as George Washington in Lin-Manuel Miranda’s critically acclaimed, award-winning Broadway musical Hamilton. Mr. Jackson’s Broadway credits include Todd Kreidler’s Tupac Shakur musical Holler if Ya Hear Me, After Midnight, The Bronx Bombers (Derek Jeter), Lin-Manuel Miranda’s In the Heights (Benny), David Bryan and Joe DiPietro’s Memphis (Delray Farrell), and Elton John’s The Lion King (Simba). Off-Broadway credits include Bronx Bombers (Primary Stages), The Jammer (Atlantic Theater Co.), Lonely, I’m Not (Second Stage), In the Heights (37 Arts), and Cotton Club Parade (City Center’s Encores!). Mr. Jackson can currently be seen starring in the hit texasperformingarts.org

CBS drama Bull as Chunk, a stylist who prepares defendants for trial. He also recorded an original song written by Lin-Manuel Miranda for the 2016 Disney film Moana. In film and television, he has appeared in Freestyle Love Supreme (Pivot Network), Person of Interest, A Gifted Man, Fringe, Gossip Girl, Tracers, and Afterlife. He was also the composer / songwriter for Sesame Street (six Emmy® nominations and one win) and co-music supervisor and writer for The Electric Company (PBS). Mr. Jackson won an Emmy® Award for his song with Will.I.Am, “What I Am.” In 2010 he released his first solo album, In the Name of Love, with Yellow Sound Lab Records and is currently working on his second album. He also has several musical projects in development for the musical stage. 5


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Our experience and cutting-edge technology allows the real-time exchange of information and the ability to collaborate whenever, wherever and however—helping Texas Performing Arts to work smarter.

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Join us online every Wednesday @ 7 pm CT Win fun prizes like tickets to shows like these or autographed show posters! New theme every week! RSVP at texasperformingarts.org texasperformingarts.org

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Creating a Monster (Habitat)

By Hayley Naples ’20

Over 50,000 attendees stepped into a whimsical world of play as they entered into the Creek Monster’s Habitat! Texas Applied Arts students were hard at work last semester designing and constructing a monster habitat for Waterloo Greenway Conservancy’s Creekshow.

Through the show, the conservancy aims to teach Austinites to properly care for the city's green spaces as a collective community. Waterloo Greenway hopes to build parks that connect from Waterloo to Lady Bird Lake to encourage citizens to interact with our beautiful, diverse environment.

Photo by Daniel Solano

The 2019 Annual Creek Show showcased interac-

tive light-based art installations along Waller Creek through downtown Austin.

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Additionally, organizers hope to bring awareness to the importance of Waller Creek. With the support of the UT Green Fund Grant and the expertise of Texas Performing Arts staff and College of Fine Arts faculty, students designed and created their own immersive installation to be featured at the event. The Texas Applied Arts Special Projects class was supported by industry professionals from Santa Fe Opera, Meow Wolf, New York Public Theatre, and Purdue University. They worked together (both in person and remotely) to complete their work on the Habitat in 10 short weeks for opening night in November. Students from a variety of academic programs including Engineering, Arts and Enter-

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tainment Technology, Radio Television & Film, Architecture, as well as Theatre & Dance, came together to bring this project to life. They also were able to problem solve alongside local professionals from organizations such as dwg landscape architects, sculptor Chris Levak, and UT Landscaping as they took their prototype to completion. Through The Creek Monster Habitat, students were able to apply lessons from their interdisciplinary classes to a real-world installation with active deadlines for an Austin-based client. This incredible team of students, professional staff, and facilities staff from Texas Performing Arts brought this creature to life.

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With all of the uncertainty in the world today, the arts are something you can depend on.

Can we depend on you?

As you enjoy the performance tonight, we’d like to pause for a moment and thank you for helping make possible all of the wonderful things that happen on the stages and behind the scenes at Texas Performing Arts. Your support will help TPA to weather the extraordinary challenges the performing arts face right now. Please consider joining or renewing your Texas Inner Circle membership today! texasperformingarts.org/become-member

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2019–20 VIRTUAL EVENT

Dancing Familias

Aug 22

Tune in and move with CONTRA-TIEMPO’s choreographer, dancer, and mama artivist, Ana Maria Alvarez, for her full-body dance class. Designed for caretakers and their kiddos, Ana Maria will guide the group in Salsa dance and grooving to build connection and work that radical joy muscle. This class is best for ages 3 and up, and all levels are welcome. PRESENTED IN PARTNERSHIP WITH CONTRA-TIEMPO AND H-E-B TOURNAMENT OF CHAMPIONS

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REGISTER FOR THIS FREE ZOOM CLASS BY FRI, AUG 21 13 13


Opinion: As we recover, our city must invest in the arts By Bob Bursey May 17, 2020

T

he Austin City Council’s allocation of recovery funds to musicians is a positive first step in protecting the social and economic health of our city. But our leaders must continue to invest in the arts to put Austin on the road to recovery, and do so with an awareness of historical inequality. If not, the damage to the city’s economy will be far-reaching. More than just central to its identity, the creative sector is a huge part of Austin’s economy. A study by the Texas Cultural Trust found that 11% of the city’s 2017 workforce was employed in the creative sector — higher than any other city in the state. Arts and culture generated more than $569 million in taxable sales in 2017. In 2010, the city’s creative sector yielded $4.35 billion in economic activity.

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Even if some have never attended a concert or visited a gallery, all Austinites tangibly benefit from the public tax revenue that artists and creative workers generate. Audiences spend in restaurants, hotels, shops, parking facilities and other local businesses. Independent artists from a variety of cultural backgrounds fuel this economic engine. They are also among the most severely affected by the COVID-19 crisis. A national survey by Americans for the Arts showed more than 60% of artists are now unemployed and 95% of them have experienced income loss. The vitality of the arts in this country has been dogged for decades by a lack of direct investment in individual artists, and the funds that do exist are unequally distributed. Non-white artists and those from rural communities are historically underfunded. In responding to the pandemic, officials have a historic opportunity to disrupt this inequity. National arts philanthropy has begun to face the crisis head-on with an awareness of the disproportionate impact the pandemic has had on communities of color. Coalitions such as Artist Relief have formed to provide $5,000 grants directly to artists, with accountability for equity and inclusion. Unfortunately, the City of Austin’s Cultural Arts Division recently suspended its Community Initiatives program. With a focus on artists from historically underrepresented communities, it offered the sort of directto-artist grants that relief efforts across the country are racing to organize.

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Executives and policymakers are staring at impossible situations. But now is a time for creativity and courage to expand, not retreat from, forward-thinking programs that helped independent artists in better times. They need it now more than ever. The return on investment is clear. When South by Southwest was canceled, the threat of COVID-19 became real for many in the U.S. Austin should again lead the country by setting the standard for a recovery plan for the creative sector. Although $5,000 grants like those offered by Artist Relief are critical for immediate needs, Austin’s creative economy will need much greater investment. The U.S. unemployment rate is projected to reach 25%, a level not seen since the Great Depression. Then as now, the arts are part of the solution. Then, the Works Progress Administration commissioned some 10,000 artists to create more than 200,000 works of

art. Among them are some of the most enduring examples of American culture. There is a similarly historic opportunity now. As additional federal relief flows to state and local governments, lawmakers should fund organizations and programs that put artists and other creative people back to work. Across the state, now is the time to commission new art, increase arts education, and fund artists who have been historically excluded. Significant, sustained investment now will again create an extraordinary creative boom. Artists are ready to work and serve our need for beauty, joy and connection. Through investment in the arts, leaders can act boldly to see that loss and suffering are not the only things created during this time. Bursey is the executive director of Texas Performing Arts and an associate professor of practice in the College of Fine Arts at the University of Texas.

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Want to know what’s happening backstage at Texas Performing Arts? During this extended intermission on our stages, we invite you backstage for a look at what goes on behind the scenes and to meet the staff and students who bring you the performances you love. So, until we can be together in the theater again, put on your backstage pass and enjoy this behind-the-scenes journey. Visit texasperformingarts.org to subscribe today! Let’s Connect!

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Texas Inner Circle Texas Performing Arts gratefully acknowledges the financial support of our donors. Each year, thousands of students throughout the region enjoy the performing arts thanks to your generosity.

Donations made as of Apr 1, 2020 Please note that the donor acknowledgment page is updated each semester. Texas Performing Arts values every gift received. However, we regret that limited space does not allow us to list every donor. For information on ways to give, please call the membership office at 512.232.8567 or email us at support@texasperformingarts.org

BENEFACTOR’S CIRCLE $6,000+

Julie and Steve Avery Jannis and Robert B. Baldwin III Joe Batson The Berkaw Family Dianne and Robert Brode Virginia and Gilbert Burciaga Marianne and Mario Davila Joanne Guariglia Julia Marsden Eric and Angie Mischke Stephanie Perkins Sarah and Berny Schiff PRODUCER’S CIRCLE $3,000–5,999

Drs. Lynn Azuma and Brian Hall Christie and Jason Barany Carolyn R. Bartlett Lee Carnes Edwina P. Carrington Suzanne and Bill Childs Daniel Curnock Joan G. Dentler Matthew B. Ely Jessica and Marc Evans Susan and Lee Gammill Jorge and Linda Garcia Susan and Barry Goodman Cynthia S. Glover and Dwight C. Williams Juan M. Guerrero, M.D. Lisa Harris Mellie and Tom Hogan Dan Jackson and Jeremy Guiberteau Jessica Jansen and Michael Cicchella Gary C. Johnson Chris and Melissa Knox Cathy and James Kratz Gretchen and Lance Kroesch Colin Lapin Dr. and Mrs. Thomas Loftus Sue and Gary Lowe Sheryl and Daniel McNichol Glenn, Jennifer, Waylon, and Wyatt Muniz Janis and Joe Pinnelli Gina and Don Reese

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Chuck Ross and Brian Hencey Tahira and Atta Sahibzada Kenneth Sandoval Dianne and Eugene Schoch, III Carolyn and Marc Seriff Syd Sharples Barry Smith Kathleen and Gilbert Soto Laura and David Starks Shari and Eric Stein Louann and Larry Temple Carole Tower and Matthew St. Louis Rebecca and Scott Van Den Berg Catherine and David Wilkes Brian and Annie Zucker DIRECTOR’S CIRCLE $1,500–2,999

Kimberly Attallah Anonymous Paula and Anthony Azar Cathi Backor Bonnie L. Bain Deepika and Somdipta Basu Roy Becky Beaver Robert Biard Casey Blass and Lee Manford Robert Bloemhof Dave and Nancy Bourell Kim Britt Kara and Shelby Brown Kim and Thomas Reed Brown Renee Butler and Kay Stowell Shellie and Martin Campos Carol and Shannon Casey Farrah and Nathan Chelstrom Damien Clark Sue and Kevin Cloud Anita and William Cochran John Coers Thomas Crowson Dr. Exalton and the Honorable Wilhelmina Delco Susan and David Donaldson Laurie and Andrew Duncan Jeffrey and Maria Dwyer Weslie and Stephen Elliott Barbara Ellis and Alex McAlmon Robert Epstein Kevin Espenlaub and John Hampton Laura L. Estes and Joyce A. Lauck Mr. and Mrs. John W. Fainter, Jr. Richard and Susan Farias Lowell Feldman Family Jim Ferguson and Art Sansone Nanci L. Fisher Pamela and David Frager

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Clay Francis and Andrew Haver Dr. Billy Franklin Sandra Freed Toni and Douglas French Nancy Gary and Ruth Cude Cheryl and R. James George, Jr. Michael Gibertini and Kari Nations Brian Gleason Sharon and Bruce Golden Melissa and Rick Gorskie Karen and Rowland Greenwade Sven and Robin Griffin Cheryl Gross Gabrielle and Gary Grossenbacher Richard Hartgrove and Gary Cooper Gladys M. Heavilin Mary Ann and Dr. Andrew Heller Raje Heyer Anne and Thomas Hilbert Amy and Jeffrey Hubert Frank Ikard Admiral and Mrs. B. R. Inman Donna and B.R. Israel Ben and Jenn Ivester Jo Ann Ivester John Izzo and Deb Tackett Donna and Edward King Margaret Denena and Cliff Knowles Kelley Knutson and Carol Walsh-Knutson Sheila Kothmann Calvin and Donna Lee Sue and Larry Lewellyn Ellen and Richard Leyh Stacy Libby Suzanne Lima Mr. and Mrs. George F. Littlejohn Jennifer and Christian Loew Jacqueline Longino Gayle and Scott Madole Leora Orent and Art Markman Delores Massad Mr. and Mrs. W.F. McCasland Molly McDonald and Chad Hartmann Tom and Alexandra McKeone Monica and Robert Meadows Jennifer and Jim Misko Mary and Lynn Moak Amy Wong Mok Melissa Moloney and Chris Walk Miriam and Jim Mulva Carol Nelson Meri and Don Nelson Jeffrey Neumann Elizabeth and Dustin Norman Jacqueline and Shawn O’Farrell Cathy Oliver Wayne Orchid Connie and Sam Pate Michele and Roy Peck

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Nancy and Frank Petrone Shari and John Pflueger Leslie Powell Debbie and Jim Ramsey Sara and Dick Rathgeber Alec Rhodes Linda and Robert Rosenbusch Alyssa Russell Nancy Scanlan Steve and Susan Schaffer Nina and Frank Seely Tracey Sharples Carol Ann Shepherd Trish and Brian Sierer Robyn and Rick Sperling Karin and Robert Stern Lorri Stevenson Austin Stitzer Bruce Stuckman Lisa and Gregory Symons Nancy and Dr. Brent Talbott Lee R. Thomas Erin Vander Leest and Tom Pyle Daniel and Sara-Jane Watson Mark Weiss and Janet Bray Chrissie Welty Suzy and Otto Wheeler Susan and Chris Wilson with Bonita Grumme Jacqueline Wittmuss Michele and Jud Wyatt Susan Zane CENTER STAGE $600–1,499 Dwain Aidala Mark Aitala Priscilla J. Alfaro Joe Annis Anonymous Donna Ayala The Ballon Family Jana and Barry Bandera Travis and George Baxter-Holder Dr. Steven A. Beebe April Berman Carolyn and Jon Bible Carolyn and Andrew Birge Tim and Grizelda Black Denis Blake Stephanie and Michael Blanck Robert Bracewell Steve and Jen Braud Brook and Gerald Broesche Janice and Charlie Brown Kimberly Brown Scott Brown and Cheri Lafrinea

Kelly Canavan Kelli and John Carlton Kristen and Luis Casaubon Shane Chambers Ken Ciani Sam and Alison Clare Jeanette Cortinas Elaine Daigle Wilma Dankovich Lorraine and John Davis Tricia and Paul Davis Lisa and Paul Delacruz Dr. and Mrs. Ben Denny Lucy Ditmore Sharon Duboise Maria Dwyer Cathleen and Michael Eady Susan and David Eckelkamp Sheila Ellwood Andrew C. Fear Carol and Clint Fletcher Jane W. Fountain Elizabeth and Michael Frisch Katina and Matthew Gase Jon and Joanna Geld Sharon and Richard Gibbons Glenn and Nancy Gilkey Jana and John Grimes Stephanie Guariglia Maria Gutierrez and Peter Nutson Tizzle Bizzle Hallock Cindy and John Hanly Amy and Peter Hannan Darcy and Rick Hardy Family Jennifer and John Harper Jennifer and Randall Harris Michael Herman Mrs. Julianna H. Hernandez Damon and Ella Holditch Robbi Hull Marjorie and David Hunter Beth and Bill Ivers Kathleen and Jim Jardine Mary Beth and Dan Jester Jacqueline Johnson Mr. and Mrs. Michael Johnston James Jones Susan and Richard Klusmann Jan and Orion Knox Aileen Krassner Kiehl and Michael Kiehl Amy and David Lambert Melanie C. Lewis Robin Lieberman Mary and Don Lorenz Nancy and Dale Lowe Peggy Manning Steve and Roxanne Martin Charles and Leslie Martinez Tonya and Nicco Martinez Dr. and Mrs. Lawrence Masullo Ford McTee Dawn and Jason Melear Frances Ellen and Paul Metzger

Pauline and Alfred Meyerson Mark Miller Rachel Monday and Willard Yankus James W. Moritz Denise Margo Moy Philip Neff Brian Neidig Paul Nelson and Jessica Shadoian Margaret and Brian Nilson Dan and Deborah O’Neil Ann and Michael Owen Augustine Park Robert Pender Cindy Perez Tami Pharr Kari and Brian Phenegar Suzanne Pickens and Douglas Hoitenga Wanda Potts Kate and Scott Powers Javier Prado Eric Rabbanian Dawn and Thomas Rich Bill and Meredith Rogers Julie and Richard Schechter Betty Schnell Amy Shipherd Drs. Stacey and Andy Silverman Lawrence Sipos Katherine and Dennis Smith Raymond Smith Steven Smith Nancy Whitworth Spong Geeta and David Suggs Dona and Ali Tabrizi Judy and Jay Tarwater Stacy and Michael Toomey Keith Uhls Cody Ulmer Jamie and Thomas Valigura Douglas P. Warner Saradee and Melvin Waxler Marie and Phil Wendell Leslie and Bryan Weston Brenda and Rex White, Jr. Michael Wilen Elise Winchester Dr. Lucas Wong and Dr. Lisa Go Michael Wynn Mitch and Jeannette Young Timothy Young Micka and Richard Ziehr

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Director’s Council Volunteer Leadership in Action

The Texas Performing Arts Director’s Council is a group of dedicated donors, sponsors, and volunteers committed to presenting world-class performances, providing students access to every performance we present, and building the next generation of audiences, artists, and presenters. We are grateful for their extraordinary support and dedication. 2019–20 COUNCIL MEMBERS Robert and Jannis Baldwin Becky Beaver Edwina Carrington Marianne and Mario Davila Laura Estes and Joyce Lauck Cynthia Glover and Dwight Williams Joanne Guariglia Stephanie Guariglia Rob Hagelberg Rhonda Hall Dan Jackson and Jeremy Guiberteau Julia Marsden Ashlee Olsem Stephanie L. Perkins Rachel Tocker Rebecca Van Den Berg Annie Solomon Zucker Brian Zucker

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The Team Bob Bursey

HUMAN RESOURCES

Kenny Kuykendall

Executive Director

Warren G. Whitaker

Rachel Durkin-Drga

SPHR, SHRM-SCP, Human Resources Manager

Michael Malak

MARKETING

Karen Maness

Senior Associate Director

Tara Vela Associate Director BUSINESS OFFICE

Kristi Lampi Business Operations Manager

Lisa Carothers Administrative Associate, Business Affairs

Leigh Remeny Administrative Associate, Business Operations CAMPUS & COMMUNITY ENGAGEMENT

Judith Rhedin

Lizzie Choffel Senior Graphic Designer

Erica De Leon Marketing Specialist, Digital Media

Romina Jara Marketing Coordinator, Media Buying & Settlements PRODUCTION

Yvonne Kimmons

Seb Boone

Program Coordinator, Education & Curriculum Development

Sarah Cantu

DEVELOPMENT

Jeff Ellinger

Sarah Weidler Young Associate Director of Development GUEST SERVICES

Sarah Andrews Theatre & Dance and Guest Services Manager

Amber Goodspeed Broadway Events Manager

Assistant Scenic Charge Artist

Dani Pruitt Production Events Manager

Hank Schwemmer Master Carpenter

Rebecca Switzer Prop Shop Supervisor

Program Manager

Master Electrician

Stewardship Manager

Ashton Bennett Murphy

Scott Bussey

Brenda Simms

Rachel Schoen

Scenic Art Supervisor

PROGRAMMING

Technical Director

Development Assistant

Audio Supervisor

Assistant Director, Performance Logistics

Assistant Director, Campus & Community Engagement

Natalia Morgan

Assistant Audio Supervisor

Master Electrician Lighting Supervisor

Phoebe Greene Event Operations Manager

Conrad Haden Stage Supervisor

Carolyn Hardin Assistant Prop Shop Supervisor

Jason Huerta

Cynthia Patterson Will Shirey Talent Buyer STUDENT ENGAGEMENT

Tim Rogers Assistant Director, Student Engagement TICKET OFFICE

Susan Griffin Ticketing Services Manager

Dianne Whitehair Ticketing Systems Manager

Margaret Badasci Assistant Ticketing Services Manager, Event Operations

Associate Scenic Studio Supervisor

J. E. Johnson Scenic Studio Supervisor

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2020–21 ART EXHIBITION

Photo by Melinda Sue Gordon

​ ollywood’s Sistine Chapel: H Sacred Sets for Stage & Scene

Sep 10–Apr 4

McNay Art Museum San Antonio, TX CO-ORGANIZED BY THE MCNAY ART MUSEUM AND TEXAS PERFORMING ARTS

Six hand-painted, sound-stage backdrops from MGM Studios will “guest star” alongside exquisite artworks from The Tobin Collection of Theatre Arts. The backdrops, on loan from Texas Performing Arts, were created for MGM’s 1968 papal drama, The Shoes of the Fisherman. Nearly discarded, more than 200 backdrops were saved through the 2017 Art Directors Guild’s Backdrop Recovery Project. Learn More

MUSEUM TICKETS AT MCNAYART.ORG texasperformingarts.org

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Support The 2019–20 Texas Performing Arts Season is made possible by generous support from our corporate and foundation partners.

As an educational institution committed to the free exchange of ideas, Texas Performing Arts is proud to present a rich array of performing arts for the Austin and Central Texas community. Sponsorship of Texas Performing Arts does not imply endorsement of artists or their performance content by sponsors or their representatives.

For Information on Corporate Sponsorship Contact Sarah Weidler Young, Associate Director of Development 512.471.1195 | syoung@texasperformingarts.org texasperformingarts.org

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Become a Corporate Circle Member Members of the Corporate Circle enjoy VIP benefits while providing jobs for up to 70 students at Texas Performing Arts each year. With your support, students gain real work experience in every field from accounting to stage management, as well as professional mentoring, rĂŠsumĂŠ and job search support, and a paycheck to help cover the cost of a world-class education at The University of Texas at Austin. The Corporate Circle is a great way to enjoy everything that Texas Performing Arts has to offer today, align your brand with the cultural leader in Central Texas, and help students build a strong foundation for the future! ENCORE

OVATION

Dennis Eakin Kia Dormady Financial Frost Bank University Federal Credit Union APPLAUSE

K Friese and Associates Michael Iupe, PLLC OroSolutions Richie & Gueringer, P.C. For information on the Corporate Circle contact Development at 512.232.8567 26 texasperformingarts.org


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