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ANNUAL DESIGN JOURNAL

TWOPAGES X DESIGN CONTEST 2025

Make Imagination Happen

CONTENTS 01 OPENING - THE IDEA

01 - 06

- Where It Begins - Our Way of Seeing - A Question Worth Asking

THE CALL - THE RESPONSE - When the World Answered - Through a Discerning Eye - Six Distinct Voices

07 - 14

THE CREATORS - THE WORK

15 - 52

- Jyll Mackie - Kate Frost - Kim Morrow - Leah Berin - Rebecca Hughes - Sabrina Ramkhelawan

THE MOMENT - MADE REAL

53 - 76

- Before the Applause - Designers, in Real Life - Recognition, Not Ranking

BEYOND - THE CONVERSATION CONTINUES - Seen Through Other Eyes - What Continues - A Final Thought

77 - 88

OPENING THE IDEA Every idea begins quietly — before it finds its form.

- Where It Begins - Our Way of Seeing - A Question Worth Asking 01

WHERE IT BEGINS IMAGINATION IS OFTEN WHERE DESIGN BEGINS — BUT RARELY WHERE IT ENDS. “ This journal does not document a contest. It captures a moment — when ideas crossed borders, patterns carried memory, and fabric became a language. This is where imagination happened. ”

Ray Chen, Founder

OUR WAY OF SEEING HOME AS GALLERY The spaces we live in deserve creative respect. FABRIC AS MEDIUM Fabric carries light, movement, and emotion. DESIGN AS LANGUAGE Design speaks before words. 04

A QUESTION WORTH ASKING 05

When does design truly begin? Long before it is seen.

It begins in the choices

Together, we are exploring how design moves beyond

that shape how we live — in

trend and becomes part of everyday life.

light, in texture, in rhythm.

Because imagination deserves to happen. 06

THE CALL THE RESPONSE When imagination is shared, it invites a response.

- When the World Answered - Through a Discerning Eye - Six Distinct Voices 07

WHEN THE WORLD ANSWERED

PRELIMINARY REVIEW • 34 Countries • 319 Designers • 5000 Pattern Design Submissions Designers from dozens of countries responded, each bringing a distinct way of seeing. 10

THROUGH A DISCERNING EYE We looked for originality — but also emotional depth. For ideas that could live beyond the page, and find a place in real spaces.

Hema Persad Founder of Sagrada Studio, AD New American Voice.

Bonnie Christine Artist, Entrepreneur, Surface Pattern and Textile designer.

Lauren Jansen A DIYer turned home renovator, Blogger.

Jennifer Farrell Award-winning Interior & Television Host, Founder of Jennifer Farrell Designs. 11

SIX DISTINCT VOICES

Jyll Mackie

Kate Frost

Kim Morrow

A modern take on Indian style

Prints: tribute to nature magic,

Western Plaid refreshes a

block print patterns mixed with

capturing the shimmering,

classic with tonal depth and a

stripes in an organic and earth

fleeting moments of a

woven feel, while Prairie Echo

tone color palette.

midsummer river walk.

embraces freeform, handdrawn lines with calm, crafted charm.

Leah Berin

Rebecca Hughes

Sabrina Ramkhelawan

Celebrating the beauty around

The Heritage Edit is a collection

Inspired by Southern California's

us — buzzing bees, blooming

born from the quiet beauty

multicultural landscape, where

hydrangeas, soft daisy petals,

of nostalgia and the hand-

historic design traditions meet

and intricately shaped leaves.

touched charm of vintage

contemporary living.

craftsmanship.

THE C R E ATO R S THE WO R K Behind every pattern, there is a personal way of seeing.

- Jyll Mackie - Kate Frost - Kim Morrow - Leah Berin - Rebecca Hughes - Sabrina Ramkhelawan 15

JYLL MACKIE MY WORK BEGINS WITH OBSERVATION —

The quiet details that shape everyday life: how light moves through a room, how patterns repeat in nature, how a space slowly becomes home. I have always been drawn to Indian block prints — their rhythm, their warmth, the way they feel both timeless and human. For years, I searched for a simple block print in a cream and burgundy palette for my daughters’ shared bedroom, but never quite found what I had imagined. W h e n t h e T W O PAG E S X D e s i g n Co n t e s t appeared, it felt like an invitation to finally bring that vision to life. I studied traditional block print motifs and hand-carved stamp patterns, then began sketching my own interpretation — something calm, grounded, and meant to grow with the space it lives in. Seeing this design exist beyond my screen, translated into fabric, changed the way I understand my own work. It reminded me that design doesn’t have to be loud to be meaningful — sometimes its power lies in subtlety, texture, and restraint.

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A PATTERN, MADE FOR HOME DESIGNED TO GROW WITH THE HOME IT INHABITS.

The Jyll Mackie x TWOPAGES Collection reimagines traditional block prints with a modern, handcrafted touch. Featuring three coordinating designs — Laine, Rhodes, and Wilder — the collection offers effortless harmony between pattern and texture. Soft earthy tones and small-scale motifs make each design beautiful on its own, yet achieve perfect harmony when layered together, creating a warm, timeless aesthetic that feels both curated and lived-in. JM-W2 20

KATE FROST MY WORK IS ROOTED IN THE ENGLISH COUNTRYSIDE WHERE I LIVE —

In rivers, meadows, and forests filled with quiet beauty and history, I find endless inspiration in nature’s fleeting moments — a dragonfly gliding across the water, a stag appearing between trees, or the gentle rhythm of a riverside walk. Each pattern in this collection captures a story from the landscape around me. Dragonflies & Water Lilies reflects joy and transformation; Majestic Stag expresses strength and stillness; Riverside Reverie evokes flow, reflection, and renewal — together creating a connection between nature, memor y, and place. Color is an important part of my storytelling. Inspired by the Somerset landscape, I chose soft sky blues, warm golden neutrals, and heritage tones drawn from Arts & Crafts textiles to bring a sense of calm, balance, and timeless beauty. I believe thoughtful design has the power to preserve moments and bring nature’s quiet wonders into everyday spaces — creating homes that feel personal, comforting, and full of life.

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BETWEEN NATURE AND ORDER AN IDEA SHAPED BY NATURE, READY TO ENTER THE HOME.

The Kate Frost x TWOPAGES Collection celebrates the poetry of the English countryside. Hand-drawn florals, flowing vines, and woodland motifs bring heritage charm and modern elegance into the home. A timeless collection designed to inspire calm, beauty, and connection with nature.

KF-RR2 26

KIM MORROW MY APPROACH TO DESIGN IS ROOTED IN RHYTHM AND REPETITION —

My work is rooted in a love of texture, heritage, a n d p a t te r n s d e s i g n e d to b e l i ve d w i t h . With a background in clothing and textiles, I approach design through both craftsmanship and function—considering not only how a pattern looks, but how it feels within a space over time. I’m drawn to enduring motifs such as plaids, stripes, heirloom botanicals, and woven structures because they carry a sense of familiarity, history, and quiet confidence. Texture is at the heart of my work. I often study hand embroidery, sashiko mending, block printing, woven linens, grasscloth, ceramics, and antique textiles—drawn to the imperfect beauty of materials shaped by human hands. Inspired by English interiors, artisan craft traditions, and the natural landscapes around me, I design patterns that feel collected rather than decorated—pieces that bring warmth, character, and a sense of lasting connection to a home.

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KM-WP2

RHYTHM, REPEATED DESIGNED TO BRING BALANCE INTO THE HOME.

The Kim Morrow x TWOPAGES Collection brings heritage motifs into contemporary interiors with warmth and subtle texture. Featuring Western Plaid and Prairie Echo, the designs blend organic textures, tonal layering, and hand-drawn lines to create a calm, versatile aesthetic, perfectly suited for neutral, elevated, and modern-rustic living.

KM-WP3 32

LEAH BERIN MY DESIGN PROCESS IS DEEPLY PERSONAL.

It often begins with a feeling — a memory, a moment, or an emotion I want to hold onto a little longer. I'm inspired by the quieter parts of life: soft light in the morning, familiar textures, and the sense of comfort that comes from spaces designed with care. Th r o u g h L e a h N i co l e D e s i g n s , I a i m t o create patterns that feel lived-in rather than styled. I'm drawn to organic forms, gentle repetition, and palettes that feel warm without being overwhelming. These designs are meant to bring calm into a space, offering a sense of ease rather than demand. For me, design is about connection. It's about creating something that feels approachable and meaningful — patterns that can quietly support daily life while still carr ying emotion and intention. S e e i n g my w o r k t ra n s l a t e d i n t o fa b r i c reinforced that belief. When a design becomes something tangible — something you open, close, touch, and live with — it takes on a new layer of intimacy.

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WHERE SOFTNESS LIVES SOFT DESIGN, MADE TO BE LIVED WITH.

Leah Berin x TWOPAGES Collection is an ode to the beauty of nature that surrounds us, as captured through the eyes and the heart of a naturalist. The designs capture the buzzing bees, the blooming hydrangeas, the delicate daisy petals, the fluffy dandelions, and the intricate winding leaves in a wild garden. Each design brings nature inside the home to achieve harmony and a sense of calm. LN-WV1 38

REBECCA HUGHES MY WORK LIVES AT THE INTERSECTION OF INTUITION AND STRUCTURE.

I ' m i n s p i r e d by n a t u ra l fo r m s — l e ave s , landscapes, organic movement — but my process is always grounded in order. I'm drawn to balance: between softness and precision, freedom and control. E a c h p a t t e r n b e g i n s w i t h h a n d - d raw n elements and obser vational sketches, which are then refined through repetition, alignment, and scale. This step-by-step process allows the design to feel expressive without becoming overwhelming. Color plays a deliberate role in that balance. I gravitate toward palettes that feel calm and considered, allowing the pattern to integrate seamlessly into a space rather t h a n d o m i n a t e i t . Th e g o a l i s a l w a y s harmony — patterns that can live quietly alongside furniture, light, and architecture. Translating this work into fabric reinforced the importance of restraint. Seeing the pattern realized at scale clarified what needed to stay — and what needed to be removed — so the final design could feel complete, functional, and ready to enter real interiors. 41

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AN IDEA, FULLY FORMED WHERE STRUCTURE GIVES FORM TO NATURE.

Rebecca Hughes x TWOPAGES celebrates the artistry of heritage craftsmanship and modern simplicity. Inspired by vintage embroidery, block printing, and hand-painted folk art, each pattern tells a story of patience, warmth, and intentional beauty. Designed with a textural sensibility and printed on natural-feel cotton-blend fabric, these curtains drape gracefully and bring a handcrafted elegance to any interior. RH-WL1 44

SABRINA RAMKHELAWAN MY WORK IS DEEPLY INFLUENCED BY CULTURAL MEMORY AND PERSONAL IDENTITY.

As a designer, my work is rooted in my emotional and personal connections to places. The places I've lived, visited, and had meaningful experiences in become great sources of inspiration. The hustle and bustle of New York City, the calmness felt driving along canyon roads in San Diego, and the centuries of history in the Art Nouveau details of Brunate, Italy. Those details tell a history of a place, spark a sense of nostalgia, and create a unique atmosphere that lingers even after you've left. My artistic style blends historic techniques with a modern perspective. I handd raw e a c h e l e m e n t to c r e a te t i m e l e s s patterns that feel both expressive and easy to live with. Designed to stand alone or layer together, my prints bring a sense o f h a r m o ny a n d c h a ra c te r to a s p a ce . I design what I want to see in my own home. My goal is to help people create spaces that feel collected over time and reflect what actually brings them joy.

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PATTERNS OF IDENTITY WHERE CULTURAL MEMORY ENTERS THE HOME.

Inspired by Southern California's canyon landscapes and cultural heritage, this collaboration between Sabrina Ramkhelawan and TWOPAGES blends artisanal craft with modern ease. Each design reflects Sabrina's signature balance of warmth and refinement, bringing grounded beauty and quiet sophistication into contemporary homes. SR-V1 50

THE MOMENT MADE REAL There are moments when ideas step into the world.

- Before the Applause - Designers, in Real Life - Recognition, Not Ranking 53

BEFORE THE APPLAUSE

Before recognition, there was anticipation. Ideas, designers, and fabrics gathered in one space — no longer abstract, but present. 56

DESIGNERS, IN REAL LIFE

Jennifer Farrell JURY

Jyll Mackie

@jyllmackiehome

Kate Frost

@katefrostdesign

Leah Berin

@leahnicoledesigns

Kim Morrow @kim morrow

Rebecca Hughes

@thefibery

Sabrina Ramkhelawan @Yorkville Studio

RECOGNITION, NOT RANKING

AWARDS MARKED A MOMENT, BUT THEY DID NOT DEFINE THE VALUE OF THE WORK.

MEET THE JURY

Judges on Site

Brooke Graham HOST

Leave Your Mark

Lauren Jansen JURY

Collaborating Designer Talks

After Party

Ray Chen FOUNDER

B E YO N D

THE

C O N V E R SAT I O N CONTINUES What matters is not the ending, but what continues.

- Seen Through Other Eyes - What Continues - A Final Thought 77

SEEN THROUGH OTHER EYES

WHAT

In 2025, we witnessed a shift.

CONTINUE

number — but the perspective.

What mattered was not the

Pattern moved beyond decoration.

2025 was not an ending.

It began to shape space, light, and

It was a beginning.

emotion. 84

A FINAL THOUGHT Life is not discovered. It is created.

In 2026, we go further. Design is not about decorating a room. It is about defining how we live. Pattern is not surface. It is direction. It shapes atmosphere. It defines taste. It expresses identity.

2026 DESIGN CONTEST 85

This year, we explore pattern not as ornament — but as influence. Beyond fabric. Beyond walls. Beyond expectation. Into space. Into lifestyle. Into culture. Because what we surround ourselves with shapes who we become. Make imagination happen. See you in 2026.

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