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vPPR Portfolio

Page 1

vPPR ARCHITECTS

New School Building by vPPR Architects, located beside Grade II Listed White House School by Thomas Cubitt


SUSTAINABLE RETROFIT Enhance history. Be bold with the future.

vPPR embraces historic buildings from all periods, finding inspiration in existing details and the traces of previous uses. A retrofit approach to existing buildings is highly sustainable as well as being conceptually powerful. We always look for clear, bold ways to engage with existing buildings, that enhance what is there without pretending to be part of the past. We often work with artists to help provide a rich, contemporary approach to each project. Project types include listed buildings, post-industrial landscapes, offices, communal living spaces and art exhibitions as well as education institutions.

Vaulted House, Hammersmith, London


SECTION

REDCHURCH STREET Status

Built (2016)

The retrofit of an existing 1950s warehouse into nine

Location

Shoreditch, London

apartments and three high end retail units. vPPR

Size

870 m²

brought the floor down to street level and introduced a

Type

Mixed use residential and retail

basement under the whole building to increase the retail

Client

Redchurch Propertyl

area, managing residents living in the building during

RIBA 0–6 12 months Awards

the works. A new residential ‘internal street’ to the rear

(Site 12 months)

allowed for separation of entrances and brings light to

RIBA London Award 2017

the back of the shops. A series of communal access terraces provides external spaces for neighbours to socialise, weaving a community together. The existing building is almost entirely retained and modified. New decorative grills at the front disguise the air handling, while contributing to the street scene.


‘It has a feeling of trying to create the New York stoops Jane Jacobs championed, but in a very different context. On summer days you can imagine neighbours sitting out in front of their homes in this sheltered quiet space within the bustle of busy Shoreditch..’ Laura Mark, Architect’s Journal

REAR ACCESS TERRACES (left)


SIGNAGE

HORSE HOSPITAL TERRACE BAR Status

Built (2022)

Addition of a canopy to house a terrace bar on to the

Location

Camden, London

rooftop of the Grade II* Listed Horse Hospital building.

Size

485 m²

The structure crowns the corner building and is held up

Type

Hospitality

by loops of metal that resemble horse heads with ears

Client

Labtechl

above.

RIBA 0–6

18 months

(Site 9 months)

Awards

NLA Award

RIBA London Award 2023

Shortlisted Schuco Excellence Award

Longlisted Dezeen Awards


REVISIONS:

01

A_02_01

A_03_03

NO. DATE

01

DESCRIPTION

BY

ST JAMES'S CHURCH GARDEN

NEW VENT BELOW WINDOW

NEW WINDOW OPENING ABOVE, GLAZING TO MATCH

TO MATCH EXISTING

ADJACENT WINDOWS

ADJACENT VENT

BOXED VENT SHAFT

BOXED VENT SHAFT

BOXED VENT SHAFT

BOXED VENT SHAFT

NOTES: 01. All windows in brick facades to be replaced

WINDOWS ABOVE, SHARED WITH

with new windows.

MEZZANINE FLOOR ABOVE. REFER TO SECTION AA A_02_01 BOXED VENT SHAFT

OFFICE OFFICE OFFICE

STORE SHOWER

LIST OF ABBREVIATIONS:

NEW VENT BELOW WINDOW

01

BOXED VENT SHAFT

D.WC

WC

LOC KER

A_02_02

WASTE N

1100L EUROBI

A_03_02

GENERAL WASTE N 1100L EUROBI

STORE

OPEN OFFICE

NEW DRY RISER

DRY RISER

VENTED BIN

RECYCLING

01

TO MATCH EXISTING ADJACENT VENT

01

INLET

KEY:

A_02_02 SMOKE

FF.LOBBY

44 CLERKENWELL GREEN

18.422M

01

SHAFT

N

A_03_04

ST JAMES'S CHURCH GARDEN

LIFT

PROJECT:

SECOND HOME CLERKENWELL GREEN EC1R 0EB

NEW

DRAWING TITLE:

STAIR

RECEPTION

PROPOSED

GA - GROUND FLOOR

MEZZANINE ABOVE

DRAWING NUMBER:

102_A_01_00

VOID ABOVE ANCILLARY CAFE

REVISION —————— DESIGN STAGE —— DRAWN ————————— CHECKED ——————— DATE —————————— SCALE —————————

NEW GLAZED ENTRANCE DOORS WITH FIXED GLAZING ABOVE

OVE

INE AB

MEZZAN

NEW FIXED GLAZING

P2 03 JM JR 19 MAY 2017 1:50@A1 / 1:100@A3

NEW FIXED GLAZING

NEW FIRE DOOR AND FIXED PANEL, SEE DAS FOR COLOUR SPEC NEW METAL POLE AND BRACKET FOR FLAG SIGNAGE

UNIT 12 5 DURHAM YARD LONDON E2 6QF

ENTRANCE

(LEVEL ACCESS WITH STREET)

ABOVE

NEW PAVEMENT LIGHTS

CLERKENWELL GREEN

01

01 A_02_01

A_03_01

CLERKENWELL GREEN

01

0

PROPOSED GF PLAN 1:50@A1 / 1:100@A3 1

2

3

4

5 M

+44 2077296168 WWW.VPPR.CO.UK

ALL RIGHTS RESERVED——THESE DRAWINGS, CONCEPTS, DESIGNS AND IDEAS ARE THE PROPERTY OF VON PREUSSEN PEASE REYNOLDS ARCHITECTS LTD. THEY MAY NOT BE COPIED, REPRODUCED, DISCLOSED TO OTHERS OR USED IN CONNECTION WITH ANY WORK OTHER THAN SPECIFIED PROJECT FOR WHICH THEY WERE PREPARED, IN WHOLE OR IN PART, WITHOUT THE PRIOR WRITTEN AUTHORISATION OF VON PREUSSEN PEASE REYNOLDS ARCHITECTS LTD.

GROUND FLOOR

SECOND HOME CLERKENWELL GREEN Status

Built (2017)

The refurbishment of an office building in the Clerkenwell

Location

Clerkenwell Green, London

Green Conservation Area into a co-working members

Size

1784 m²

club with large new windows at street level, a new

Type

Commercial: co-working space

mansard roof level and accessible circulation. vPPR

Client

Second Home

acted as executive architects in collaboration with

RIBA 0–3

6 months

Spanish architects, Estudio Cano Lasso.

(Site 1 year)


‘We think differently here. When we bring our clients here, they think differently as well. That is valuable to us.’ Harry Gaskell, Chief Innovation Officer of Ernst and Young


SECTION

SECOND HOME GRAY’S INN ROAD Status

Planning (2019)

Part new build, part refurbishment of existing Victorian

Location

Farringdon, London

warehouses to create a vibrant co-working space with

Size

8630 m²

nine residential units above and a bookshop and florist

Type

Mixed use: co-working, residential, retail

at street level. vPPR acted as executive architects in

Client

Second Home

collaboration with Spanish architets, Estudio Cano

RIBA 0–3

18 months

Lasso. The site was prominent on the Gray’s Inn Road

(Site 1 year)

and within the conservation area. Careful consideration was given to the sustainability strategy, including high levels of insulation and air-tightness; solar control glass; external shading; planting and mesh elements integrated into building fabric; air-source heat pumps and PV cells to roof.


CAMDEN HIGHLINE Planning approval has been granted for the first section of the Camden Highline, running from Camden Gardens to Royal College Street. It will see the transformation of a section of disused railway into a new elevated urban park for London. The project is now set to offer much-needed green space to underserved communities, while creating a new global attraction for London, akin to New York’s High Line.


‘Camden Highline has the potential to become a really important new asset for the local community in Camden and people across the capital. This is exactly the sort of innovative, environmentally sustainable and locally-driven project which could make an important contribution to London’s recovery from the pandemic.’ Sadiq Kahn, Mayor of London


ART EXHIBITIONS

vPPR works with the biggest art institutions in the UK to design their blockbuster exhibitions, including this year’s British Pavilion with John Akomfrah at the Venice Biennale. The team is very experienced at working closely with artists and curators to help them visualise their show. It has experience in installing into buildings of all eras, from the Grade II* listed Royal Academy to the Grade II listed Brutalist Barbican Gallery and is used to designing for a high volume of visitor numbers and flows.

‘The best exhibition designers I have ever worked with.’ Marina Abramovic

Marina Abramovic retrospective at the Royal Academy


DRAWING STATUS:

INSTALL STATUS REVISIONS:

D6

#49 GREEN DRAGON

#47 RED DRAGON

#48 WHITE DRAGON

W5

D10

#17 RHYTHM 4

#16 RHYTHM 2

#13 ARTIST PORTRAIT WITH A CANDLE

#78 COMING AND GOING

#115 CLEANING THE MIRROR 1

T8

#58 CLEANING THE MIRROR III

T9 #118 BOAT EMPTYING, STREAM ENTERING

#109 REPROGRAMMING LEVITATION MODULE

T11 O9

S20 W3

#34 BREATHING IN BREATING OUT

S17

S4

S10

S5

#37 TALKING ABOUT SIMILARITY

HOUSE WITH THE OCEAN VIEW #28.01 (INSTILLATION) #28.02 (VIDEO) #28.03 (REPERFORMANCE)

B3

LECTURE ROOM T15, T16 W8 (Plumbed) B2-3 (Crystal bench) P2 #70 PORTAL D16 O10

SEAT

0

2m

5m

10m

#100 BED FOR APHRODITE AND HER LOVERS

KEY PLAN:

T14

T15 O4

NEW STUD WALL ARTWORK

#73.01 SPIRIT HOUSE: LUMINOCITY

#73.02 LUMINOCITY (VIDEO)

D16

W1 S3

K1

INTRO TEXT

GALLERY 1 S[1-6] W1 K1 P2

D2 S9

O10

GALLERY 9 T13, T14 P1 T13

#107 THE SPIRIT IN ANY CONDITION DOES NOT BURN

S2

#103 THE ARTIST IS #104 THE ARTIST IS PRESENT PRESENT (CALENDAR) (PHOTOGRAPH)

S1

GALLERY 2 S[7-10], S11 D[1-2], D3 P1 O1, O2

FL - FLOOR FINISHES FL1 - RED CARPET FL 2 - GREY CARPET

#33 RELATION IN SPACE

#26.01 THE ARTIST IS PRESENT

S8

#98 BED FOR DEAD SPIRIT

# G CR 71.0 O O 2 O S FO D SE (N S U EG : TH R ATI E VE )

DY #2

2 FR

EE

ING

TH

E BO

#30 RELATION IN TIME

#25.02 RHYTHM 0

IL UR EV FO E ) 3 .0 S: TH IVE #71 SSE SIT O RO (P

S16

C

ORY EM ICE EM TH E VO ING TH EE ING 1 FR FREE 3 #2

T2

#18 ROLE EXCHANGE#19.03 LIPS OF THOMAS

S7 D1

B2 S23 W8

#2

S15

#38 REST ENERGY

C

CENTRAL HALL: P4 F1 O4

ALL DRAWINGS TO BE READ IN CONJUNCTION WI ARCHITECT AND CONSULTANT SPECIFICATION, A DRAWINGS. NOT FOR CONSTRUCTION. DO NOT S THIS DRAWING. USE FIGURED DIMENSION ONLY. T ARCHITECT SHALL BE NOTIFIED IN WRITING OF A DISCREPANCIES IMMEDIATELY. ALL DIMENSIONS CHECKED PRIOR TO COMMENCING THE WORKS CONTRACTOR AND SUCH DIMENSIONS TO BE TH RESPONSIBILITY.

ALL ACCESS WAYS TO BE 1200MM MINIMUM. DRA SHOW DESIGN INTENT. STRUCTURAL DESIGN AND TO BE CONTRACTORS DESIGNED, ARCHITECT AP FINAL COLOURS TBC SUBJECT TO SAMPLES APPR

OBJECTS

#106 UNTITLED OCTOPUS 2 (NEGATIVE)

RO #71 S .0 (N SE 4 FO EG S: ATI TH UR VE E E ) VIL

#3

A

5 LI

A-AA

S14

S22

W7

#63.01 CHAIR FOR HUMAN USE CHAIR

O5 FOR SPIRIT USE #97 GOLD FOUND #53 ENERGY CLOTHES D12 BY THE ARTIST #119 COUNT ON US O8 #59 POWER O6 (TESLA)

#65 THE KITCHEN I: LEVITATION OF SAINT THERESA

RK DA

6 AA

K3

#20 ARTIST IS BEAUTIFUL

NOTES:

#112 COMMUNICATIOR 1 #113 COMMUNICATIOR 2

#60 GOLDEN MASK

GHT

#3

GALLERY 3 S[14-19], S20 T1, T2 W3 (Acoustic) W4 (Structural) D15 K3 FL 2 P5

O1 O2

S18

DRAFT DRAFTTENDER ISSUE TENDER ISSUE PLAN UPDATE DRAWING SET UPDATE SE DRAWING SET UPDATE REVISED DRAWING SET INSTALL DWGS UPDATE

T12 D13 D14

K5

T16

S19

DESCRIPTION

19/05/2023 06/04/2023 23/05/2023 02/06/2023 13/06/2023 30/06/2023 04/07/2023 24/08/2023

#102 THE CURRENT

O7 T10

#56 CLEANING THE MIRROR III

#31.01 RELATION IN MOVEMENT

W4

#15 RHYTHM 10

W6 K4

DATE

T1 A T2 T3 T4 T5 T6 T7

#65 THE KITCHEN V: CARRYING THE MILK

T6

#96 DRAGON HEADS

#29.01 IMPONDREBILIA

#25.01 RHYTHM 0

D9

T7

#41 THE LOVERS, GREAT WALL WALK

T1 D15

S11 D3

D8

B1

MEMORIAL BY MARINA TO ULAY

T4

#29.03 IMPONDREBILIA (FILM)

G4-5 G1-2, G7-9, LR LWR, SWR, VSTB G6, CH G3

D7

#120 PHOTOGRAPHS FROM PRIVATE ARCHAEOLOGY

D5

#45 INNER SKY

D4

#121 PRINTS FROM THE NOMADIC JOURNEY

#67 FIVE STAGES OF MAYA DANCE

#46.01 SHOES FOR DEPARTURE

NO. GALLERY 8 S22 T11, T12 W7 (Acoustic) K5 D[13-14] (Vitrine - heads) P6 O9

#55 DOZING CONSCIOUSNESS

#50.05

#111 NIGHT SEA CROSSING: CONJUNCTION

#50.04

#62.02 NUDE WITH SKELETON (FILM)

#50.03

GALLERY 5 T5, T6 W5 (Structural) P1

#62.01 NUDE WITH SKELETON

GALLERY 4 T3, T4 D4 (Structural) P1

T3

MONITOR SCREENS: T1 - #29.03 IMPONDERBILIA T2 - #19.3 LIPS OF THOMAS T3 - #41 THE LOVERS, GREAT WALL WALK T4 - MEMORIAL BY MARINA TO ULAY T5 - #89 SLEEPING UNDER THE BANYAN TREE T6 - #96 DRAGON HEADS T7 - #62.02 NUDE WITH SKELETON T8 - #111 NIGHT SEA CROSSING: CONJUNCTION T9 - #118 BOAT EMPTYING, STREAM ENTERING T10 - #58 CLEANING THE MIRROR III T11 - #55 DOZING CONCIOUSNESS T12 - #102 THE CURRENT T13 - #65 THE KITCHEN V: CARRYING THE MILK T14 - #64 THE KITCHEN I: LEVITATION OF SAINT THERESA T15 - #28.01 LUMINOCITY T16 - #60 GOLDEN MASK

P - PAINT FINISHES P1 - WHITE, 10BB 83/017 P2 - LIGHT GREY, 30GG 61/010 P3 - PASSPORT RED, 00YR 08/409 P4 - MOSS GREEN, 50GY 08/153 P6 - DARK GREY, 00NN 20/000

#50.02

T5

#43 THE SUN AND THE MOON

UR E TH 1 FO : .0 SES D ) E #71 OS OO IV R G SIT C O (P

PROJECTION SCREENS: S[1-6] - #26.01 ARTIST IS PRESENT S[7-10] - #25.02 RHYTHM 0 S11 - #25.01 RHYTHM 0 S12 - #14.01 BALKAN BAROQUE S13 - #2 THE HERO S14 - #20 ARTIST IS BEAUTIFUL S15 - #22 BODY LIMITS S16 - #23 FREEING THE VOICE S17 - #34 BREATHING IN BREATHING OUT S18 - #35 LIGHT DARK S19 - #36 AAA-AAA S20 - #38 REST ENERGY S21 - #56 WATERFALL S22 - #90 STROMBOLI S23 - #28.02 HOUSE WITH OCEAN VIEW

#50.01 BLACK DRAGON

#89 SLEEPING UNDER THE BANYAN TREE

#99 MODUS VIVENDI: URN 1, URN 2, VEIL AND URN 3

#42 THE LOVERS, GREAT WALL WALK, WALL RUBBINGS

#52 STROMBOLI III VOLCANO

KEY: W - Walls S - Screen structures D - Display strucures (plinths/vitrines/shelves) F - Fabric walls & ceilings B - Benches P - Paint finish FL - Floors (carpet, vinyl) O - Other

GALLERY 7 S21 T8, T9, T10 D12 P6 O5, O6, O7, O8

#90 STROMBOLI

GALLERY 6 T7 W6 (Acoustic) K4 D[5-9] (Alabaster bases) D10 (Nude with Skeleton) P4 B1 F1 W6

S6

#26.01 THE ARTIST IS PRESENT

#25.02 RHYTHM 0

K2

#1 RHYTHM 5

#14.01 BALKAN BAROQUE [MOTHER/ FATHER/ MARINA]

LARGE WESTON ROOM S12 W2 K2 FL1 P3

S12

22 PRINCE OF WALES ROAD LONDON NW5 3LG

#14.03 BALKAN BAROQUE

+44 20 WWW.VP

#14.01 BALKAN BAROQUE

W2

ALL RIGHTS RESERVED——THESE DRAWINGS, CONCEPT AND IDEAS ARE THE PROPERTY OF VON PREUSSEN P REYNOLDS ARCHITECTS LTD. THEY MAY NOT BE COP REPRODUCED, DISCLOSED TO OTHERS OR USED IN C WITH ANY WORK OTHER THAN SPECIFIED PROJECT F THEY WERE PREPARED, IN WHOLE OR IN PART, WIT PRIOR WRITTEN AUTHORISATION OF VON PREUSSEN REYNOLDS ARCHITECTS LTD.

#14.04 BALKAN BAROQUE (PHOTOGRAPH)

O11 SMALL WESTON ROOM S13 FL1 P3 O3 O3 O11

#101 LIPS OF THOMAS

OTHER: O1 - #25.01 RHYTHM 0 REUSE EXISTING ARTWORK TABLE AVAILABLE AT CONSTANTINE O2 - #25.01 RHYTHM 0 TABLE CLOTH TO BE FIXED TO TABLE O3 - REUSE EXITING VITRINE O4 - GREEN VINYL APPLIED TO GLASS DOOR - COLOUR TO MATCH PAINT, RAL TBC O5, O7 - #111 CONJUNCTION, #56 CLEANING THE MIRROR REUSE EXISTING SUMMER EXHIBITION PLINTH O6 - #97 GOLD FOUND BY ARTIST REUSE EXISTING SUMMER EXHIBITION PLINTH WITH NEW HOOD O8 - #53 ENERGY CLOTHES REUSE EXISTING VITRINE O9 - #109 (COPPER TUBS) FLOOR TAPE SURROUND O10 - #28.02 HOUSE WITH OCEAN VIEW REMOVABLE SCREENS FOR PROJECTIONS O11 - #2 THE HERO AV SHELF

#14.01 BALKAN BAROQUE

#24 FREEING THE HORIZON

DISPLAY STRUCTURES: D[1-2] - #25.02 RHYTHM 0 PROJECTOR AND FLOOR PLINTH D3 - #25.01 RHYTHM 0 FLOOR MOUNTED PLINTH D4 - #43 THE SUN AND THE MOON LOAD-BEARING FLOOR PLINTS D[5-9] - #67 FIVE STAGES OF MAYA DANCE PLINTHS D10 - #62 NUDE WITH SKELETON PLINTH D12 - #59 POWER OBJECTS SHELF D[13-14] - #112, #113 COMMUNICATORS VITRINES WITH PERSPEX HOODS D[15-16] - #73.01 LUMINOCITY, #29.03 IMPONDRIBILIA: BASES FOR HANTAREX MONITORS

PROJECT:

RA MARINA ABRAMOVIĆ BURLINGTON HOUSE, W1J 0B

S13 #2 THE HERO

DRAWING TITLE:

PROPOSED FIRST FLOOR P

ROYAL ACADEMY MARINA ABRAMOVIC Date

23 Sept 2023 - 1 Jan 2024

This major exhibition presents key moments from

Location

The Royal Academy

performance art Marina Abramović’s career through

Curator

Andrea Tarsia with

sculpture, video, installation and performance. It is

Size

2000 m²

the first solo exhibition of a women artist across the

Heritage

Grade II* Listed

entire Main Galleries in the RA’s 250 year history.

Display

13 films, 22 sculptural objects,

The exhibition is divided into two parts: the body and

41 paintings, 205 works on paper, 153

the spirit. The design includes bespoke AV structures

photos

interchangeable between live performances and recorded performances.

Photography Credits: © Marina Abramović. Photo © Gareth Gardner for vPPR Architects

DESIGN STAGE —— DRAWN ————————— CHECKED ——————— DATE —————————— SCALE —————————

2 AW PTM/JR 13/01/2023 24/08/2023 1:100@A1 / 1:2

DRAWING NUMBER:

R

194_A_00_101 T A


V3

V2

V1

V4

LGA

AV W6

V5

AV

W2

W6 HEIGHT: 4400mm POWER SUPPLY AV THROUGH WALL ON

W2

AV LGB

B1 W2 HEIGHT: 4400mm

W2

AV1

B2

POWER SUPPLY ALONG WALL AGAINST COLIMN RUN ACROSS CEILING #11

W2 HEIGHT: 4400mm

FL1

W8 W7

TO #18

W7

W1

W2

AV2

B1

SUPPLY AV POWER THROUGH WALL

W1 HEIGHT: APPROX. 6850mm

COLUMN TO #9

W3 W7

W3 W7

W3 W7

W7

W4

BAY 11:

BAY 10:

BAY 9:

B1 AV AV P2 AV

BARBICAN ART GALLERY RE/SISTERS: A LENS ON GENDER AND ECOLOGY 1

PROPOSED LOWER GALLERY PLAN SCALE —— 1:100@A1 / 1:200@A3

Date

5th Oct 2023 - 14 Jan 2024

A major group exhibition that explores the relationship

Location

Barbican Art Gallery, London

between gender and ecology, and highlights the

Curator

Alona Pardo with Colm Guo-Lin Peare

systemic links between the oppression of women and

Size

1400 m²

the degradation of the planet. Featuring around 50

Display

250 works

international women and gender non-conforming

Heritage

Grade II Listed

artists, RE/SISTERS features work from emerging and established artists across photography and film. Works in the exhibition explore how women’s understanding of our environment has often resisted the logic of capitalist economies which place the exploitation of the planet at its centre. The exhibition design consists of organic forms and softened edges, alluding to a politics of care.

Photography Credits: © Max Colson


BARBICAN ART GALLERY CAROLEE SCHNEEMENN: BODY POLITICS Date

8 Sept 2022-8 Jan 2023

Carolee Schneemann: Body Politics is the first major

Location

Barbican Art Gallery, London

survey of Carolee Schneemann’s work in the UK,

Curator

Lotte Johnson with Chris Bayley

tracing her feminist practice over six decades, including

Size

1400 m²

sculptural assemblages, multi-media performances

Display

Over 300 objects

and rarely seen archival material. The exhibition design

Heritage

Grade II Listed

references her performances, using full height stage flats tinted with an atmospheric orange gradient, together with coloured vitrines and curved plinths.

Photography Credits: Carolee Schneemann: Body Politics, installation view, Barbican Art Gallery, 2022 © 2022 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York / DACS, London. Photo: Marcus J Leith


BARBICAN ART GALLERY MASCULINITES: LIBERATION THROUGH PHOTOGRAPHY Date

20 Feb - 23 Aug 2020

“Masculinities: Liberation through Photography” is a

Location

Barbican Art Gallery, London

major group exhibition at the Barbican Art Gallery that

Curator

Alona Pardo with Chris Bayley

explores how masculinity is experienced, performed,

Size

1400 m²

coded and socially constructed through photography

Display

250 photographs

and film from the 1960s to today. The exhibition design

Heritage

Grade II Listed

comprises a series of architectural frames that act as viewing devices, bringing into dialogue the photographic artworks, the brutalist architecture and the visitors.

Photography Credits: © Lewis Ronald. © Max Colson


Emma Smith: Supercompensation Cycle 2022

White Cube, Memory Palace

Deep Time finalist: Immersive Pavilion with Piet Oudolf, Tom Piper, Nicholas Becker

Venice Biennale, Play With(out) Grounds

OTHER EXHIBITION DESIGN In addition to the blockbuster exhibition designs shown on the previous pages, vPPR has participated in multiple other exhibition designs and collaborations with artists, some of which are shown above.


Alina Szapocznikow, Hepworth Gallery, Wakefield

Wellcome Collection, In the Air


Photography Credit: Antalya von Preussen

LONDON (HEAD OFFICE)

LIVERPOOL

HAMBURG

22 Prince of Wales Road,

44 Canal Street

vPPR Architektur GmbH

London NW5 3LG

Liverpool L20 8QU

Große Elbstraße 279 22767 Hamburg

+44 207 729 6168

www.vppr.co.uk

+49 40 60574868


FRESH THINKERS. FAIR PRACTICE. FEMALE LEADERSHIP. vPPR is a women-led architecture practice built on original and equitable design. From our studios in London and Hamburg we design for cultural, residential, office, public realm and education clients. vPPR was set up in 2009 by Tatiana von Preussen, Catherine Pease and Jessica Reynolds.

AWARDS _ 2023 RIBA London Awards Three shortlisted (Camden Market Canopy; Wembley Olympic Way and steps; White House School) – 2023 NLA Awards, WINNER (Camden Market Canopy) – 2023 Brick Awards, WINNER (White House School) – 2023 ASLA New York, MERIT (Camden Highline) – 2023 BD Education Architect of the Year, Finalist (White House School, Two Hands Nursery, Alleyn’s) – 2023 RIBA London Award, Shortlisted (White House School) – 2023 AJ Awards, Shortlisted (Idlewild Mews, White House School) – 2023 Inside Housing Awards, Shortlisted (Idlewild Mews) – 2023 Dezeen Awards, Longlisted (Camden Market Canopy, Idlewild Mews, White House School) – 2023 Architecture Today Schüco Excellence Awards, Shortlisted (Camden Market Canopy) – 2022 Civic Trust Regional Finalist (Wembley Olympic Way & Steps) – 2021 Pineapple Awards for Public Space Shortlist (Higham Hill Theatre) – 2021 Venice Biennale – 2020 AJ 40 UNDER 40 – 2020 DOMUS 50 Best Architecture Firms – 2018 NLA Housing Awards WINNER (Croydon housing) – 2017 RIBA Award WINNER (Redchurch Street) – 2015 RIBA London Emerging Practice WINNER – 2015 RIBA Award WINNER (Vaulted House) – 2015 RIBA House of the Year Award (Vaulted House), Finalist – 2015 AJ Emerging Woman Architect of the Year Award WINNER – 2014 RIBA Stephen Lawrence Prize, Finalist (Ott’s Yard) – 2014 RIBA Award WINNER (Ott’s Yard) – 2014 Ideal Home of the Year WINNER (Housebuilder/ Developer) – 2014 Housing Architect of the Year, Blue Ribbon Award WINNER – 2013 Young Architect of the Year Award (YAYA), Finalist


TATIANA von PREUSSEN Director tanya@vppr.co.uk

www.vppr.co.uk

CATHERINE PEASE Director catherine@vppr.co.uk

JESSICA REYNOLDS Director jessica@vppr.co.uk

Image Credits: Will Scott, Lewis Ronald, Antalya von Preussen


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