December 2024 Intermission

TUL SA PERFORMING ARTS CENTER

DECEMBER 2024

When you choose Diamond Cellar, you’re not just getting the best – you’re joining a legacy of trust, care, and dedication; all at the GUARANTEED LOWEST PRICE. From our family to yours, we’re honored to be part of your most cherished moments.

1523 EAST 15 TH STREET, TULSA DIAMONDCELLAR.COM

contents photo by Shervin Lainez

TPAC presents Time for Three

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calendar

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Program Update Marquee

A Christmas Carol The Nutcracker Tulsa Festival Ringers

February–March Events

Brown Bag It

spotlight 9

January Spotlight

Oliver!

Click: A Date Night Double Feature Wagner’s Tristan and Isolde Les Misérables Time for Three Cheech Marin

features 15 20

Redesigning Les Misérables Rediscovering Victor Hugo — The Artist Cheech Marin Collects

Cairde na Gael March 12 at 12:10 p.m.

Westby Pavilion Join us for a free lunchtime concert featuring this incredible traditional Irish band from Tulsa, Oklahoma, performing Irish songs and dance tunes!

JOIN US ON SOCIAL MEDIA

@tulsapac

INTERMISSION DECEMBER 2024

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STEINWAY PIANO GALLERY 3402 S. Peoria Ave. Tulsa, Ok 75105 T E L . (918) 516-1853

WWW.STEINWAYPIANOS.COM

TULSA

TPAC update Art Is a Gift

110 E. Second St., Tulsa, OK 74103 918-596-7122 • TulsaPAC.com PUBLISHER Tulsa Performing Arts Center WRITER/EDITOR Amanda Nichols CREATIVE DIRECTOR Andrea Maduro ADVERTISING SALES Kaley Jobe CHIEF EXECUTIVE OFFICER Mark Frie CHIEF FINANCIAL OFFICER Jen Alden VP OF OPERATIONS Bryan Clemons VP OF DEVELOPMENT AND ENGAGEMENT Sara Phoenix DIRECTOR OF PROGRAMMING Terri McGilbra DIRECTOR OF COMMUNICATION Amanda Nichols TECHNICAL DIRECTOR Scott McLarty DIRECTOR OF TICKETING SERVICES Jeff Newsome DIRECTOR OF PATRON SERVICES Tosha Faith DIRECTOR OF DEVELOPMENT Blake Rowden DIRECTOR OF FACILITIES MAINTENANCE James Stewart

TULSA PERFORMING ARTS CENTER TRUST CEO Mark Frie CHAIR Wendy Garrett VICE CHAIR Jay Krottinger TREASURER Jen Alden SECRETARY Brian K. Shore TRUSTEES Billie Barnett, Ken Busby, Mayor G.T. Bynum, Laura Creekmur, Linda Frazier, Kirk Hays, Carlye Jimerson, Felix Jones II, Martin Newman, Tina Peña, Julie Smith, Hayley Stephens EMERITUS TRUSTEE Robert J. LaFortune

Giving the gift of art is the best way to celebrate joy this season! One of the ways to do this is to purchase tickets for your loved ones to one of the many local productions going on this holiday season, such as the Tulsa Ballet’s “The Nutcracker” or American Theatre Jen Alden Company’s “A Christmas Carol.” This year, with the new ticketing system, it is even easier to transfer your already purchased tickets as gifts to friends and family.

photo by Nathan Harmon

is the official program of the Tulsa Performing Arts Center

Another way you can give is through our annual giving program, Art is a Gift, which allows us to give free access to quality arts experiences through our many community engagement programs. This year, for the first time, we’re extending the focus of our Any Given Child program to target not only the Tulsa Public Schools’ kindergarten class but also the seventh graders, which is currently unfunded and needs your support.

Yet, another way to give the gift of art is to donate through our website or become a Luminary Circle member. One hundred percent of your donation goes directly back to our partners to help them create art on our stages.

Our partners include American Theatre Company, Chamber Music Tulsa, Theatre North, Theatre Tulsa, Tulsa Ballet, Tulsa Opera, Tulsa Symphony Orchestra, Tulsa Town Hall, and World Stage Theatre Company.

TPAC’s Luminary Circle is your family’s chance to be patrons of the arts while getting some great perks!

By helping us fund our community engagement programs, you help us inspire, lead and give the gift of performance to so many. Instead of giving material items this year, consider giving the gift of performance!

It is the kind of joy that lasts past the holiday season.

Intermission is published monthly by the Tulsa Performing Arts Center Trust For advertising information, contact Kaley Jobe at kjobe@tulsapac.com No part of this publication may be reproduced without the written permission of the Tulsa Performing Arts Center: 918-596-2368, anichols@tulsapac.com.

INTERMISSION DECEMBER 2024

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december events American Theatre Company

A Christmas Carol

Banish those Bah Humbugs with American Theatre Company’s musical adaptation of A Christmas Carol. Written by Robert Odle and Richard Averill, this show is a real Tulsa tradition — created, designed and acted entirely by Tulsans for nearly 50 years! Don’t miss this holiday classic when it returns to Tulsa for another year of Christmas magic.

JOHN H. WILLIAMS THEATRE December 6 at 7:30 p.m.

December 7 at 7:30 p.m.

December 8 at 2 p.m.

December 12 at 7:30 p.m.

December 13 at 7:30 p.m.

December 14 at 7:30 p.m.

December 15 at 2 p.m.

December 19 at 7:30 p.m.

December 20 at 7:30 p.m.

December 21 at 7:30 p.m.

December 22 at 2 p.m.

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INTERMISSION DECEMBER 2024

december events

Tulsa Ballet

CHAPMAN MUSIC HALL

The Nutcracker

December 8 at 2 p.m.

December 13 at 7 p.m.

December 14 at 2 p.m.

December 14 at 7 p.m.

December 15 at 2 p.m.

December 20 at 2 p.m.

December 20 at 7 p.m.

December 21 at 2 p.m.

December 21 at 7 p.m.

December 22 at 12 p.m.

December 22 at 5 p.m.

Tulsa’s holiday tradition returns!

Tulsa Ballet’s The Nutcracker, which premiered in 2021, features exciting choreography, colorful costumes, larger-than-life moving sets, and live accompaniment by the Tulsa Symphony Orchestra! The exciting choreography

by Val Caniparoli and Ma Cong includes nods to the original story, with a setting in 19th century Germany, and special elements designed specifically for Tulsa, including the beloved Golden Driller!

INTERMISSION DECEMBER 2024

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december events TPAC: Brown Bag It

Tulsa Festival Ringers

Tulsa Festival Ringers Inc., Tulsa’s only auditioned community handbell ensemble, is more than a musical novelty; it is an ensemble of musicians who specialize in handbell ringing.

Their annual Christmas Brown Bag It show at the Tulsa PAC has become a seasonal favorite!

This holiday classic is free to all! Just reserve your seat and join us for Christmas magic!

JOHN H. WILLIAMS THEATRE December 11 at 11 a.m.

December 11 at 12:15 p.m.

Reserve Parking Online American Parking is now offering online parking reservations at 281 S Cincinnati Ave for all Tulsa Performing Arts Center events! Secure your parking spot ahead of time, and make a great night out even better.

Book a parking reservation https://www.americanparking.com/events/

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INTERMISSION DECEMBER 2024

january spotlight Theatre Tulsa

Oliver!

Experience the timeless tale of Oliver! as a young orphan navigates the gritty streets of Victorian London, encountering colorful characters and unexpected twists on his quest for belonging and survival.

JOHN H. WILLIAMS THEATRE January 10 at 8 p.m.

January 11 at 2 p.m.

January 11 at 8 p.m.

January 12 at 2 p.m.

January 17 at 8 p.m.

January 18 at 2 p.m.

January 18 at 8 p.m.

January 19 at 2 p.m.

January 24 at 8 p.m.

January 25 at 2 p.m.

January 25 at 8 p.m.

January 26 at 2 p.m.

Bailey James & Everett LeViness

Click: A Date Night Double Feature

Click is a night of two original one-act romantic comedies! In Future Projections

by Bailey James, two friends who work together share a spontaneous kiss — then have to figure out what they mean to each other. In Interlinked by Everett LeViness, Ryan has a rough first date.

When he goes to leave, he finds himself reliving the date over and over.

LIDDY DOENGES THEATRE January 10 at 8 p.m.

January 11 at 8 p.m.

January 12 at 2 p.m.

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january spotlight Tulsa Symphony Orchestra

Wagner’s Tristan and Isolde Immerse yourself in the majestic flow of Smetana's The Moldau, feel the intensity and passion of Wagner's “Prelude and Liebestod” from Tristan und Isolde, and experience the powerful dynamism of Nielsen's Symphony No. 4, all performed live by your Tulsa Symphony Orchestra with guest conductor James Bagwell.

CHAPMAN MUSIC HALL January 11 at 7:30 p.m.

Celebrity Attractions

Les Misérables

Set against the backdrop of 19th century France, LES MISÉRABLES tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption — a timeless testament to the survival of the human spirit.

This epic and uplifting story has become one of the most celebrated musicals in theatrical history.

CHAPMAN MUSIC HALL January 21 at 7:30 p.m.

January 22 at 7:30 p.m.

January 23 at 7:30 p.m.

January 24 at 8 p.m.

January 25 at 2 p.m.

January 25 at 8 p.m.

January 26 at 1 p.m.

January 26 at 6:30 p.m.

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INTERMISSION DECEMBER 2024

january spotlight TPAC

Time for Three

Grammy- and Emmy-winning ensemble Time For Three (TF3) defies conventions with their genre-bending excellence.

Comprised of Charles Yang (violin, vocals), Nicolas Kendall (violin, vocals), and Ranaan Meyer (double bass, vocals), the uniqueness of the trio’s instrumentation well matches their sound, which blends eras, styles, and traditions from classical to Americana to singer-songwriter.

JOHN H. WILLIAMS THEATRE January 27 at 7 p.m.

Tulsa Town Hall

Cheech Marin

Multi-generational icon Cheech Marin is an actor, director, writer, musician, and humanitarian.

His passion for Chicano culture is reflected in his art and comedy. Cheech has developed a renowned Chicano art collection that celebrates the richness and diversity of this cultural identity.

CHAPMAN MUSIC HALL January 31 at 10:30 a.m.

INTERMISSION DECEMBER 2024

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Picture yourself at UTulsa!

The University of Tulsa provides a world-class education in a top-ranked research setting. UTulsa’s 9:1 student-faculty ratio, state-of-the-art facilities and beautiful campus have attracted a record number of National Merit scholars the past two years. Check out our viewbook to see if UTulsa is right for you.

#1 National Merit scholars per capita

9:1

student/faculty ratio

97% job placement rate

Full list of UTulsa events and information at calendar.utulsa.edu

CONNECT WITH US @utulsa

UTulsa is an EEO/AA institution, including disability/veteran. TU#24739

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THE

DINING

PAG E

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INTERMISSION DECEMBER 2024

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REDESIGNING

REDISCOVERING VICTOR HUGO — THE ARTIST

BY MATT KINLEY Paris Rooftops

I

had already worked on several original productions of Les Misérables for John Napier when I was asked

by Cameron Mackintosh to start looking at other ideas for a tour of Les Misérables. Having been involved in the successful adaptations of My Fair Lady and Mary Poppins for touring, I thought the task would be simple; in my mind it wouldn’t be too hard to scale down the behemoth that I perceived Les Mis to be — I was wrong.

John’s original set is undoubtedly one of the masterpieces of 20th-century theatre design, and despite its physical size it is impregnable in its ingenious simplicity.

This sparseness meant that every time I started coming up with ideas, they would invariably just make the show more complicated. In the end, I had to take it on the chin and admit that nothing could ever be as simple, and just enjoy the journey in taking it in a new direction.

The angle I wanted to explore was releasing the design from the black box it had been in with colour and light, as the one thing the original show doesn’t quite communicate to me is any sense of time or place.

“I had been vaguely aware that Victor Hugo was a painter as well as a writer, but nothing quite prepared me for the images that I came across when researching the show. Hugo was obviously a visionary...”

As there were so many scenes in this epic piece, I knew I wanted to work with projection in order to locate the action, but to be used very simply, almost more like old-fashioned slides or rostrum work as this was a show whose story was so complex it didn’t justify constant animation apart from some key scenes; the question was: what to project?

I had been vaguely aware that Victor Hugo was a painter as well as a writer, but nothing quite prepared me for the images that I came across when researching the show. Hugo was obviously a visionary; the drawings I found were at once both abstract, fantastical, and free but underlined with a backbone of draftsmanship. Hugo, INTERMISSION DECEMBER 2024

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The Sewer Exit as an artist, was well ahead of his time.

There are many examples in amongst the 4,000 or so works that demonstrate his experiments with different media and processes; from charcoal, sepia, pen, ink and soot to lace prints, folded paper with ink (similar to Rorschach tests) as well as straight responses to either landscape, figure, or the subconscious.

The one unifying feature throughout his whole body of work is the sombre, yet beautiful, mainly sepia color palette, and especially his use of chiaroscuro — using the contrast of dark and light to add both

body and form as well as atmosphere to the work. This brooding blackness and light also seemed the perfect embodiment of so many characters and storylines within the show.

It was for this reason that I started to employ the use of these paintings in the projections as they were so dark and rich I thought they would live well within the original aesthetic of the show. Many of the projections were produced using a blend of his paintings and drawings, sometimes combined with 19th-century French photography to ground and

Abstract Ballroom

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INTERMISSION DECEMBER 2024

“Dog Eat Dog” — Matt Crowle as Thénardier and Gregory Lee Rodriguez as Marius in Les Misérables Photo: Matthew Murphy & Evan Zimmerman for MurphyMade

locate them, combined with painted cloths which are more directly based on his abstract and landscape work.

Hugo kept his paintings and drawings away from public exhibit for fear they might detract from his writing. Delacroix expressed the opinion that, if Hugo had decided to become a painter instead of a writer, he would have outshone the artists of their century. Indeed, there are many paintings that would not have looked out of place within the works of the credited abstract expressionists and surrealists in the following century. I hope that this production can go some way to reconciling these two aspects of this artist with each other, as to me they seem to have a perfect symmetry.

CELEBRITY ATTRACTIONS

LES MISÉRABLES January 21 at 7:30 p.m.

January 22 at 7:30 p.m.

January 23 at 7:30 p.m.

January 24 at 8 p.m.

January 25 at 2 p.m.

January 25 at 8 p.m.

January 26 at 1 p.m.

January 26 at 6:30 p.m.

Chapman Music Hall

INTERMISSION DECEMBER 2024

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THE

Keep It LocaL PAG E

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Looking to promote your business and join our community hub?

Contact Kaley Jobe at kjobe@tulsapac.com to see your ad featured on our page!

Holiday treats and custom cakes perfect for every celebration!

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Michelle Firment Reid

Abstract Expressionist Artist For over two decades, Michelle Firment Reid has captivated art lovers in Tulsa and beyond with a unique vision transcending conventional boundaries.

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INTERMISSION DECEMBER 2024

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C

heech Marin is known for many things. His acting career has been long and illustrious.

His work with fellow actor and comedian Tommy Chong took over the airwaves in the ‘70s and ‘80s, and his voice has been heard as characters in many beloved movies. Most everyone knows his name. But when he comes to Tulsa next month, it is his other work that will take center stage — his work as an avid art collector.

From an early age, Marin has been a collector of “something” all his life. He says, “Whether it was baseball cards or stamps or buttons, I used to collect stuff.”

He calls it his collecting gene. He also learned about art from an early age, when at nine years old, he took on a school assignment to teach himself and his classmates about art. He went to the library every day to learn and unknowingly created a lifelong love for art.

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As Marin aged, his love for art and collecting collided with his growing appreciation for Chicano art, and he started collecting Chicano works. His career in movies and television bolstered his ability to expand his collection more than he’d ever thought possible.

Out of the blue, an offer came to Marin for a permanent home in which to house his collection. This home became the Cheech Marin Center for Chicano Art, Culture and Industry in the Riverside Art Museum in Riverside, California.

The decision to house the collection was a difficult one for Marin, as he had to give the collection to the museum in exchange for permanent housing. In the end, Marin gave his collection, which he had spent 50 long years to collect, over to the museum and couldn’t be happier about his decision. “The effect it has caused on not just the Chicano community but all communities,”

“Now we’re getting travelers from all over the world, because it is a very specific and very unique museum. You can find no other place in the world like it.”

he states, is immeasurable. He adds, “Now we’re getting travelers from all over the world, because it is a very specific and very unique museum. You can find no other place in the world like it.”

The collection is a vast show of the history of Chicano art and history. It brings incredible pride to the community, and whole families often visit the collection to see their culture come alive.

Marin mentions that Chicano art is now four generations old and has evolved into new forms and migrated to new cities across the country. “Every generation has its own distinct interpretation of what Chicano is and isn’t,” he says. But he adds, “It is all part of the same continuum.” According to Marin, the art represents the many neighborhoods and communities of the artists.

Excited to visit Oklahoma once again, Marin mentions he has lots of Okie friends and can’t wait to be here yet again. Tulsa, he says, is like “the Emerald City got laid down in the middle of the plains. All the sudden there is all this art deco.”

Join the beloved American icon as he brings us laughs, his love for art and collecting, and more to the Chapman stage when he visits on January 31.

TULSA TOWN HALL

CHEECH MARIN January 31 at 10:30 a.m.

Chapman Music Hall

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our supporters Community support from these sponsors help us provide more art than ever before. For more information on how to become a sponsor, visit tulsapac.com/corporate-sponsorships.

CHARLES & MARION WEBER FOUNDATION

Thank you to our Luminaries for helping us fund our community engagement programs, helping us inspire, lead and give light to others!

Brad & Amy Absher

C. H. Colpitt Drilling

Eric & Stacie Gentry

Ina Agnew

Laura Creekmur

Rocky Goins & Lynn Flinn

Anonymous

Daniel & Hillary Cupps

Kerri Green

Martha Asher

Teresa Dillon

Eric & Adry Auerbach

Sharon L. D'Souza

Emily Grewe-Nelson & Matthew Nelson

Lynda Barksdale

Jennifer Dubois

Barnett Family Foundation

Janna & John Edwards

Bruce & Kami Barton

Mariah & Chris Evans

Pete & Aesha Beattle

DeLynn & Marcus Fairless

Phillip & Linda Berrey

Aimee & Joseph Faust

Jana Bingman

Ronald & Lindsay Fick

Bruce & Nancy Bolzle

Weydan & Angela Flax

Samuel Briggs & Robert Young

Matt, Lauren, & Anson Fleenor

Shannon & Darren Burgess Ken Busby Cristi Carnahan Liz Carr Scott & Lindsey Caswell Erika Coates

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Linda Frazier Emily Fuller Albert & Susie Gallegos Wendy & Chuck Garrett Garry & Meghan Gaskins

Mark & Natalie Haggard John & Quin Halpin Kenneth Hess & Matthew Manuel Michael & Lee Anna Higgenbottom Charlotte & Ron Hildebrant Larry Hill Teri & Bryan Holmes Kyle & Holly Hubbell Jordan Humes Carlye Jimerson Dewan & Marcia Keesee Kokomo Charitable Fund

Craig & Carol Kovin

Dennis Neill & John Southard

Elizabeth Sublett

Wayne & Tracey Larkin

Thom & Laurie Neylon

Shawn & Caron Lawhorn

Joshua Ogden-Davis

Richard Sudduth & Robin Selleck

Ryan & Morgan Lawrence

Carl Mark & Kris Osborn

Janet Lenox

Sharon Parker

Jenny Lizama

Tina Peña and Bill Loyd

Michelle Lowry

Jackie Peters

Patrick & Karen Lueker

Kay & Tim Phoenix

Mr. Raymond Luth & Dr. Maryhelen Hagge

Betty Pirnat

Kerry Malone

Ron & Peggy Predl

Cynthia Maloy Marla Mansfield & Larry Hill Richard & Susan Marple Olivia Martin & Madeleine Phillips William & Sarah Matthews Sydney May & Aaron Alexander Bryce & Katie Eller Murray Beverly Muzzy Amy Nance Louie Napoleone & Cody Davis

Doug Plunk Renetta Reeves Patricia Love-Renton Jamie & Katy Rich Brian & Dustin Shore Glenda Silvey Ken & Julie Smith

Tanninger Philanthropies Robert & Jill Thomas Kevin & Carolyn Tillman Charitable Foundation Carmen Toegel & Larry Paden An-Nam Tran Keith & Linda Van Dyke William Vaughn Amanda Vavra Kari Wall Jeffrey Wayland & Brenna Peterson Jeffery & Jessica West Paul & Stephanie Wheeler

Nicole & Sharon Southern

Stephen & Jennifer Wierzchowski

Spurrier Family

Mr. & Mrs. Thurber Woods

Adelaide Steed

Steve D. Wright

Hayley Stephens & Ryan Schleif

Conor Yob

Dwight & Jessica Strayer

Rev. Richard & Peggy Ziglar

calendar

FEBRUARY–MARCH EVENTS

Chamber Music Tulsa presents Escher String Quartet

FEBRUARY Tulsa Symphony Orchestra

Tchaikovsky’s Romeo and Juliet CHAPMAN MUSIC HALL February 1 at 7:30 p.m.

American Song Archives

Jesse Ed Davis Tribute Concert

CHAPMAN MUSIC HALL February 6 at 7 p.m.

Chamber Music Tulsa

Escher String Quartet

WESTBY PAVILION February 8 at 7 p.m.

JOHN H. WILLIAMS THEATRE February 9 at 2 p.m.

Celebrity Attractions

Clue

CHAPMAN MUSIC HALL February 11 at 7:30 pm.

February 12 at 7:30 p.m.

February 13 at 7:30 p.m.

February 14 at 8 p.m.

February 15 at 2 p.m.

February 15 at 8 p.m.

February 16 at 1 p.m.

February 16 at 6:30 p.m.

Theatre North

Trouble in Mind

LIDDY DOENGES THEATRE February 15 at 8 p.m.

February 16 at 3 p.m.

February 22 at 8 p.m.

February 23 at 3 p.m.

Tulsa Opera

The Tragedy of Carmen

JOHN H. WILLIAMS THEATRE February 21 at 7:30 p.m.

February 23 at 2:30 p.m.

Tulsa Ballet

Alice in Wonderland CHAPMAN MUSIC HALL February 27 at 7 p.m.

February 28 at 7:30 p.m.

March 1 at 7:30 p.m.

March 2 at 2:30 p.m.

TPAC Imagination Series

Underneath a Magical Moon

JOHN H. WILLIAMS THEATRE February 27 at 9:30 a.m.

February 27 at 11:30 a.m.

MARCH TPAC Imagination Series

Ada Twist, Scientist and Friends

JOHN H. WILLIAMS THEATRE March 4 at 9:30 a.m.

March 4 at 11:30 a.m.

Celebrity Attractions

Dear Evan Hansen

CHAPMAN MUSIC HALL March 4 at 8 p.m.

March 5 at 8 p.m.

Check out our events page! New shows are scheduled all the time on tulsapac.com! Events are subject to change.

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Chamber Music Tulsa

HELPFUL INFO

LAFORTUNE STUDIO March 7 at 7:30 p.m.

TPAC ADMINISTRATIVE OFFICES are located at 110 E. Second Street, Tulsa, OK., 74103-3212. Office hours: Mon.–Fri. 9 a.m. to 5 p.m.

Telephone 918-596-7122. Fax 918-596-7144. Please subscribe to our monthly TPAC email newsletter online at TulsaPAC.com.

Notos Quartet

WESTBY PAVILION March 8 at 7 p.m.

JOHN H. WILLIAMS THEATRE March 9 at 3p.m.

TPAC Brown Bag It

Cairde na Gael

WESTBY PAVILION March 12 at 12:10 p.m.

Innovation Arts and Entertainment

Harry Potter and the Chamber of Secrets™ in Concert CHAPMAN MUSIC HALL March 15 at 7 p.m.

Theatre Tulsa

The Play That Goes Wrong

JOHN H. WILLIAMS THEATRE March 20 at 8 p.m.

March 21 at 2 p.m.

March 21 at 8 p.m.

March 22 at 2 p.m.

March 22 at 8 p.m.

March 23 at 2 p.m.

Tulsa Town Hall

Cristina Mittermeier CHAPMAN MUSIC HALL March 21 at 10:30 a.m.

Oklahoma Movement

Tethered

LIDDY DOENGES THEATRE March 21 at 7:30 p.m.

March 23 at 2 p.m.

Tulsa Symphony Orchestra

Elgar’s Enigma Variations

CHAPMAN MUSIC HALL March 22 at 7:30 p.m.

PARKING Convenient underground parking is located west of the building, accessed from Second Street. Event parking also is available in several lots across the street to the east and south of the TPAC. Prepay available at https://www.americanparking.com/events ADMISSION AND LATE SEATING Lobby doors open two hours prior to an event. Chapman Music Hall doors normally open 30 minutes prior to curtain. The remaining theaters open 30 minutes before curtain. Late seating is at the discretion of each sponsoring organization. Latecomers may be temporarily held out of the theater or asked to take seats at the back if available.

TICKET OFFICE HOURS are Monday through Friday 10:30 a.m. to 5:30 p.m. In addition to regular hours, it opens two hours prior to curtain for events scheduled in Chapman Music Hall. The Second Street ticket office, 110 E. Second Street on the north side of the building, opens two hours prior to each curtain for tickets to events scheduled that day in John H. Williams Theatre, Liddy Doenges Theatre or Charles E. Norman Theatre.

PHONE ORDERS Call the TPAC ticket office at 918-596-7111. Outside Tulsa call 1-800-364-7111. Nominal service charges are added to all phone and Internet orders. The TPAC ticket office accepts DISCOVER, MasterCard and VISA. Subscriber hotline: 918-596-7109.

BUYING TICKETS ONLINE Buy tickets at tulsapac.com using VISA, DISCOVER, MasterCard, or American Express. Print your tickets at home or pull them up on your mobile device using the print at home option. Tickets will be scanned by ushers at the door.

EXCHANGES The ticket office gladly exchanges tickets to events with more than one performance, subject to certain guidelines.

Otherwise, all sales are final.

GROUP SALES AND BUILDING TOURS Group discounts are available. Please call 918-596-7109 for group sales assistance. Tours of the TPAC are offered free of charge and last approximately 45–60 minutes. Arrangements may be made by calling 918-596-7122.

SERVICES FOR PERSONS WITH DISABILITIES All Performing Arts Center facilities are accessible to persons with disabilities. Please ask about wheelchair-accessible seating when purchasing your ticket. Parking is located on the street level of the parking garage near the TPAC elevators. Use the south elevator to reach Chapman Music Hall. Restroom facilities are located in the Third Street Lobby for Chapman Music Hall events, and adjacent to the John H. Williams Theatre Lobby for events in the TPAC’s other theaters. The TPAC has a Listen Technologies RF system to assist the deaf and hard of hearing. It is available at coat check for Chapman Music Hall events.

Ask the house manager on duty for equipment for the Williams, Doenges and Norman Theatres. Devices are provided at no cost.

PLEASE NOTE: The TPAC is a tobacco-free facility. Smoking and vaping are not allowed, nor is the use of chewing tobacco. Also, as a courtesy to the performers and audience, please turn off all audible message systems and cellular phones.

For more visitor information, please visit us at TulsaPAC.com.

INTERMISSION DECEMBER 2024 25

ENJOY RESPONSIBLY Imported by Casamigos Spirits Company, White Plains, NY, Casamigos Tequila, 40% Alc./Vol.

26 INTERMISSION DECEMBER 2024

As the only children’s hospital in eastern Oklahoma, Saint Francis Children’s Hospital provides state-of-the-art technology and a dedicated staff to meet the medical needs of children.

On behalf of all of us at Saint Francis, we wish you and your family a happy, healthy holiday season.

saintfrancis.com/childrens

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