07-2014

SPECIAL EDITION

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SPECIAL EDITION 2014

INTERMISSION MAGAZINE

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features 12 Q&A: Gregory Maguire The author of the book Wicked, on which the musical is based, reveals how he feels about the adaptation and explains why it isn’t entirely accurate to say that Wicked is simply a prequel to The Wizard of Oz

7 Directions So Long, Friend by John Scott

9 Bravo Vintage Wildflowers Book of Days Janet Rutland Sings the Sixties BOOM You’re a Good Man, Charlie Brown A Really Cool, Cool Show (Please Come!)

33 Spotlight

14 14 Popular!

Matthew Murphy

Glinda the Good Witch would approve of Celebrity Attractions’ 2014-15 Broadway lineup. From The Phantom of the Opera, Once and Camelot to Million Dollar Quartet and How the Grinch Stole Christmas, these musicals are very popular!

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27 Out of the Ordinary

Hibbard Nash Photography

Choregus Productions returns to the PAC with what director Ken Tracy says is its best season yet, starting with the groundbreaking Martha Graham Dance Company and including other exciting dance troupes and exhilarating music experiences

Estate Sale 13 Rasa A Band of Gypsies Bridging the Gap Bare: A Pop Opera Tinkerbell Is Dead Appassionata Duo Mob Mental.ity

38 July/August Events

in the gallery Art and Culture Are All Around Town June 5­– July 11

31 31 Fringe Benefits In the style of Scotland’s Edinburgh Festival Fringe, SummerStage Tulsa is expanding to include events in the Brady Arts District, including Real Women Have Curves, Still Slouching and the Busker Festival/Starlight Band concert

Several of Tulsa’s museums and cultural groups have come together in a shared exhibition to highlight their institutions. All have a unique origin, yet all are interconnected. Experience Tulsa by learning more about these groups and what they offer. Participating in the exhibit are The Route 66 Alliance; The Sherwin Miller Museum of Jewish Art; Tulsa Botanic Garden; Tulsa Historical Society & Museum and the Tulsa Performing Arts Center.

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We don’t have a flock of flying monkeys at our disposal.

We do, however, have wickedly good attorneys.

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INTERMISSION director’s page

SO LONG, FRIEND AFTER 30 John Scott and Pat Sharp YEARS AT THE PAC, Pat Sharp retired at the end of May. Having served as our Head Carpenter beginning in 1984, Pat was promoted to Technical and Operations Administrator in 2010 and filled that position ably until he retired. In the latter capacity, Pat was charged with supervising the stage and technical needs of the PAC as well as the maintenance and engineering areas comprising eight positions. In addition, Pat was responsible for developing and implementing capital repair projects and purchases.

Most important is Pat’s role in maintaining the PAC’s outstanding safety record on our stages. You may not know this, but the stage is a potentially dangerous place to work and perform. At any given time, there are thousands of pounds of set pieces, lights and other equipment hanging over the heads of anyone onstage. Thanks to Pat and our other in-house stagehands, the PAC’s safety record is virtually unblemished (knock on wood) — no small feat in the theatre world.

I salute Pat for his many years of effective service and for his dedication to our facility. He has always been a vital member of the PAC team, and I’m also proud to call him a friend.

Congratulations to PAC Ticket Office staff for receiving the Success Story of the Year award from our ticketing system vendor, Tickets.com. Well done, everyone!

While you’re attending Wicked or any of the fine SummerStage events this month, stop by the PAC’s Gallery. Experience Tulsa: Art and Culture Are All Around Town is an exhibit showcasing a number of Tulsa’s finest cultural assets including the Tulsa Historical Society, The Sherwin Miller Museum of Jewish Art, the Route 66 Alliance and the Tulsa Botanic Garden. In addition, information about all the programs coming to the PAC in the 2014-15 season will be available.

Be cool at the PAC this month. In spite of all the budget cuts, we promise to pay our air-conditioning bill!

Thanks for all your support. I’ll see you in the lobby.

is the official magazine of the Tulsa Performing Arts Center.

PUBLISHER Jim Langdon EDITOR-IN-CHIEF Nancy Bizjack, PAC CONSULTING EDITOR Nancy C. Hermann, PAC CREATIVE DIRECTOR Morgan Welch ADVERTISING SALES Rita Kirk

110 E. Second St., Tulsa, OK 74103 918-596-7122 • TulsaPAC.com A department of the City of Tulsa

DIRECTOR John E. Scott ASSISTANT DIRECTOR Janet Rockefeller MARKETING DIRECTOR Nancy C. Hermann TICKET OFFICE MANAGER Terri McGilbra TULSA PERFORMING ARTS CENTER TRUST CHAIR Ken Busby VICE-CHAIR Glenda Silvey TREASURER Michael P. Kier SECRETARY Kristin Bender ASST. SECRETARY John E. Scott TRUSTEES Billie Barnett Jenny Helmerich Mayor Dewey F. Bartlett Robert J. LaFortune Stanton Doyle Rodger Randle Robyn Ewing Jayne L. Reed William G. von Glahn Kitty Roberts M. Teresa Valero PAC TRUST PROGRAM DIRECTOR Shirley Elliott PAC TRUST MARKETING & PR Chad Oliverson OFFICE ADMINISTRATOR Carol Willis INTER MISSIO N is published monthly by

Publisher of TulsaPeople Magazine 1603 S. Boulder, Tulsa, OK 74119 For advertising information, Tel. 918-585-9924, ext. 240, Fax 918-585-9926.

John E. Scott Director, Tulsa Performing Arts Center

No part of this publication may be reproduced without the written permission of the Tulsa Performing Arts Center: 918-596-2368, nhermann@cityoftulsa.org.

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VINTAGE WILDFLOWERS

JANET RUTL AND

ACCLAIMED FOR their instrumental prowess, onstage charm and soulful vocals, the Vintage Wildflowers have developed an enthusiastic legion of fans with their vibrant Celtic, folk and bluegrass blend.

“Theirs is a full and rich sound that can fill a concert hall with song and three-part harmonies or, if they choose, make a tune resonate softly to float on the air over a coffee-house audience,” wrote Marie Gullard in the Washington Examiner.

The Vintage Wildflowers are Abby Bozarth (fiddle, mandolin,

JANET RUTLAND SINGS THE SIXTIES

Nikki Webster

VINTAGE WILDFLOWERS IN CONCERT

harmony vocals, guitar), Dana Fitzgerald Maher (Celtic harp, piano, harmony vocals), and Audrey Schmidt (lead vocals, bass, guitar).

June 19 at 7:30 p.m.

CHARLES E. NORMAN T H E AT R E Tickets are $15; $12 for students and seniors; $10 for children.

THE ATRE POP S

BOOK OF DAYS BOOK OF DAYS by Lanford Wilson (Hot L Baltimore) is set in a small Missouri town dominated by a cheese plant, a fundamentalist church, and a community theater. When the owner of the cheese plant dies mysteriously in a hunting accident, Ruth, his bookkeeper, suspects murder. Cast as Joan of Arc in a local production of George Bernard Shaw’s St. Joan, Ruth takes on the attributes of her fictional character and launches into a one-woman campaign to see justice done.

JANET RUTLAND Sings the Sixties is the Sand Springs songstress’ 10th cabaret show for SummerStage.

In putting this show together, she collaborated with Top 40 guru Steve Clem (author of Tulsa’s KAKC Radio: The Big 97) on the decade’s songs as well as historical events.

“This music is a real heart punch,” says Rutland. “You can remember exactly where you were and what you were doing when you first heard these songs. It’s a trip.”

Rutland will perform tunes by Dusty Springfield, The Mamas and The Papas, Bob Dylan and others.

June 20-21 at 7:30 p.m.

CHARLES E. NORMAN T H E AT R E Tickets are $12; $18 for table seats.

June 19-21 at 8 p.m.

June 22 at 2 p.m.

L I D D Y D O E N G E S T H E AT R E Tickets are $15; $10 for students and seniors.

Recommended for mature audiences

TULSA PERFORMING ARTS CENTER • TULSAPAC.COM • BUY TICKETS AT 918-596-7111 AND MYTICKETOFFICE.COM SPECIAL EDITION 2014 - IN TERM ISSION

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A Foundation for Learning.

A Foundation for Life.

CONGRATULATIONS CLASS OF 2014 In the class of 96 students, 30 were named Oklahoma Academic Scholars; 7 were recognized by the National Merit Scholarship Corporation; 12 senior athletes received All State honors; 9 will play sports at the college level; class members performed 14,000 community service hours in three years.

OPEN HOUSE FOR PROSPECTIVE FAMILIES SUNDAY, NOVEMBER 2, 2014, 1:00 PM No reservation required.

The Cascia Hall Community congratulates the Class of 2014: $11 million was offered in meritbased scholarships for class members to attend college. See a complete list of college acceptances under Academics at casciahall.org.

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www.casciahall.org admissions@casciahall.org

PAC TRUST

BOOM BOOM is a one-man multimedia performance that documents the music, culture and politics that shaped the Baby Boom generation.

Awarding-winning Canadian actor, director and writer Rick Miller (MacHomer) takes you through 25 turbulent years (1945-1969) and gives voice to more than 100 influential politicians, activists and musicians of that generation.

From the boom of the atomic bombs that ended World War II through the explosion of science and technology that landed men on the moon, BOOM lets you experience global events as they unfold.

June 20-21 at 7:30 p.m.

J O H N H . W I L L I A M S T H E AT R E Tickets are $25; $22 for seniors, $12 for students.

S AND SPRINGS COMMUNIT Y THE ATRE

YOU’RE A GOOD MAN, CHARLIE BROWN IT’S A DAY in the life of Charlie Brown and his gang of friends and playful dog Snoopy — a day full of baseball, glee club, Beethoven, book reports, pencil-chewing redheads, and the importance of supper being served in a timely manner. At the end of the day, the Peanuts gang learns the meaning of happiness.

The music and lyrics for You’re a Good Man, Charlie Brown were written by Clark Gesner, based on the Peanuts cartoon characters created by Charles M. Schulz.

June 26-28 at 7:30 p.m.

June 29 at 2 p.m.

L I D D Y D O E N G E S T H E AT R E Tickets are $15; $10 for seniors and students.

JOHNTOM ENTERPRISES

A REALLY COOL, COOL SHOW (PLEASE COME!) PERFORMANCE ARTIST JohnTom Knight has created a new coming-of-age story based on himself and his insecurities. “There’ll be other things in it too,” he says. “It will be sexy, we promise.

Hopefully, people will ‘get it’.”

June 27-28 at 8 p.m.

C H A R L E S E . N O R M A N T H E AT R E Tickets are $8; $5 for students.

Table seats are $20.

For mature audiences.

TULSA PERFORMING ARTS CENTER • TULSAPAC.COM • BUY TICKETS AT 918-596-7111 AND MYTICKETOFFICE.COM SPECIAL EDITION 2014 - IN TERM ISSION

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Gregory Maguire published a

Gregory Maguire

What inspired you to write Wicked?

I was living in London in the early 1990s during the start of the Gulf War. I was interested to see how my own blood temperature chilled at reading a headline in the usually cautious British newspaper, The Times of London: Saddam Hussein: The New Hitler? I caught myself ready to have a fully formed political opinion about the Gulf War and the necessity of action against Saddam Hussein on the basis of how that headline made me feel. The use of the word Hitler — what a word! What it evokes! When a few months later several young schoolboys kidnapped and killed a toddler, the British press paid much attention to the nature of the crime. I became interested in the nature of evil, and whether one really could be born bad. I considered briefly writing a novel about Hitler, but discarded the notion due to my general discomfort with the reality of those times. But when I realized that nobody had ever written about the second-mostevil character in our collective American subconscious, the Wicked Witch of the 12

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West, I thought I had experienced a small moment of inspiration. Everybody in America knows who the Wicked Witch of the West is, but nobody really knows anything about her. There is more to her than meets the eye.

How do you feel about Winnie Holzman’s adaptation of your book?

I have been so pleased with the work that Winnie Holzman has done for Wicked.

She has taken a novel that is like a symphony in my heart, and she has turned it into an opera.

What are some of the similarities between the stage version of Wicked and your novel? Books are all about secrets. You don’t read a book if you can tell by the flap copy what’s going to happen at the end. And in a way the stage is like that too. The stage is all about what evolves in terms of plot and what evolves in terms of character, so I’m not going to give any secrets away. I will say that a great deal of what I think of as the dark, serious part of the book has been retained. It has been touched with another

Courtesy of Wicked tour

dozen novels for children before writing his first adult novel, Wicked. A devotee of children’s fantasy, Maguire’s subsequent novels for adults are variations on a theme: Confessions of an Ugly Stepsister considers Cinderella as a 17th-century maid from Haarlem; Lost evokes the ghost of Charles Dickens’ Scrooge; and Mirror Mirror features a High Renaissance Snow White daunted by the wickedest stepmother, Lucrezia Borgia.

Maguire’s novel Son of a Witch, a sequel to Wicked, is followed by A Lion Among Men and the final volume of the Wicked Years, Out of Oz. Maguire lives in Massachusetts and Vermont with his husband, the painter Andy Newman, and their three children. kind of magic so that it passes unto the eyes in a different way.

What is your reaction to the comparisons many people make between Wicked and The Wizard of Oz? It’s not a retelling of The Wizard of Oz and it’s not really a prequel. It’s another story of another life. The description of Wicked as a dystopic view of The Wizard of Oz is not, I think, accurate. Closer to the truth is that Wicked focuses attention on some of the perplexing characteristics of the original story: the lack of opposition to the reclusive and manipulative wizard, the absence of interest in or concern for the Witch, the fact that Dorothy, longing for another world in which her troubles might “melt like lemon drops,” is instead exiled in a land of dangerous witches, powerful tyrants, and treacherous landscapes. Truthfully, the magnificent song “Over the Rainbow” might have hung like Marley’s ghost over the entire proceedings at the Gershwin Theater.

The fact that its absence is neither an indictment nor a glaring omission is the most fitting testimony to the success

of Stephen Schwartz’s score. When Elphaba sings the bridge in “I’m Not That Girl,” she is offering the more seasoned rebuttal to Dorothy’s lovely fanciful desires. “I’m Not That Girl” isn’t cynical, but it is mature: “Ev’ry so often we long to steal/ To the land of whatmight-have-been/ But that doesn’t soften the ache we feel/ When reality sets back in.” This is the sadder-but-wiser girl’s sung response, across 63 or 64 years, to Dorothy’s plaintive request to go abroad and find the grass over there — well, to find it greener.

Can you explain the notion of the Time Dragon Clock featured so prominently in your book? The notion of the Time Dragon is twofold. It is patently artificial, like everything having to do with the Wizard’s reign (smoke and mirrors, deceptions and lies, weapons of mass destruction just 45 minutes away, tick-tock clockwork, Penn-and-Teller chicanery).

On the other hand, perhaps even a machine has a soul; even a machine can be involved with fate. Elphaba, born in its bowels [in the novel], is in some ways exempt from its gaze and separated from everyone. Is her life dictated by the events of her birth, or is she alone in

Oz, exempt from being seduced by the glamour of the mechanics of power and spectacle? In this, as in so much, I don’t provide an answer; I merely use the mechanics of the metaphor to suggest the question.

How do you think Elphaba’s turning point in the musical, “Defying Gravity,” relates to the one you wrote for her in the book? The staging of “Defying Gravity” — and by that I mean the song, the way the moment has arisen out of the Winnie Holzman-Stephen Schwartz iteration of the novel’s original plot — makes Elphaba’s transformation much more visible. In the cover art of my novel (and indeed in the graphic art advertising the play), the witch’s hat is over her eyes, and in a sense this is how I drew the character: always a little bit out of view. To close Act One of Wicked, Elphaba’s transformation is, vocally, and theatrically, right in our faces. It is one of the most thrilling moments of the play, and rivals the most thrilling Act One finales I’ve ever seen, and I am a total fan — though it does take some getting used to. I think, “Elphaba, you’re a little less shy than you used to be when I first knew you!”

FUN FACTS ABOUT WICKED

(Note: all facts are for Broadway, unless otherwise indicated) • We use 250 pounds of dry ice per show on Broadway; we’ll probably use 200 pounds per show on the road.

• The electrics department uses enough power to supply approximately 12 houses. Including the sound and automation departments, the total would increase to 18 houses.

• We use 8-10 miles of cable in the electrics department on Broadway; we’ll probably use 4-5 miles of cable on the road.

• 1,000 feet of steel cable were used to restring the flying monkey wings during year one of the Broadway run.

• The carpentry department on Broadway has about 175,000 pounds of scenery and uses about five miles of cable to automate it.

• The dragon’s eyes are red LED bulbs that never burn out.

• The dragon’s wingspan is the same as a Cessna 172.

• The “life casts” for the animal masks take 2-3 hours, and the person loses most of her senses (smell, sight, hearing, speech) during that time.

• The show has 90 wigs, using 70 during any given show. All are made of human hair, and made individually for each actor, using their own hairline in the front.

• During the first big “quick change,” 17 actors change from the mob to students in 1.5 minutes (including costumes, wigs and shoes).

• There are 179 different types and finishes of leather used in shoes, gloves, hats and costume trim for Wicked.

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POPU G

linda the Good Witch would approve of Celebrity Attractions’ 2014-15 Broadway lineup: These musicals are very popular!

Once, which won eight 2012 Tony Awards, is still charming audiences in its third year on the Great White Way. Camelot is legendary in more ways than one: it spawned several revivals, a movie, a top-selling album, and the name of a presidential era.

Was Elvis popular? So is Million Dollar Quartet, about an epic recording session involving The King and fellow music icons Johnny Cash, Jerry Lee Lewis and Carl Perkins.

The Phantom of the Opera has been running nonstop on Broadway for 26 years. Enough said.

Even “The Mean One,” Mr. Grinch, was invited back for a return engagement!

Dr. Seuss’ How the Grinch Stole Christmas!

November 4-9, 2014 This record-setting Broadway holiday sensation of 2006 and 2007 features the hit songs “You’re a Mean One, Mr. Grinch” and “Welcome Christmas” from the original animated TV special. Max the Dog narrates as the mean and scheming Grinch, whose heart is “two sizes too small,” decides to steal Christmas away from the holiday-loving Whos. Magnificent sets and costumes inspired

by Dr. Seuss’ original illustrations evoke the whimsical world of Whoville while the story is a reminder of the true meaning of the holiday season. Don’t miss what The New York Times says is “100 times better than any bedside story.” Holiday fun for the whole family!

Once

Joan Marcus

January 6-11, 2015

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Winner of eight 2012 Tony Awards, including Best Musical, Once is a truly original Broadway experience. Featuring an impressive ensemble of actor/musicians who play their own instruments onstage, it tells the story of a Dublin street musician who’s about to give up on his dream when a sensitive young woman takes a sudden interest in his haunting love songs.

Emotionally captivating and theatrically breathtaking, Once is an unforgettable musical about going for your dreams and the power of music to connect us all. Based on the 2007 film starring Glen Hansard and Markéta Irglová, Once incorporates the music and lyrics the duo wrote and performed in the movie, including the Academy Award-winning song “Falling Slowly.”

ULAR! Compiled by Nancy Bizjack

Camelot March 3-8, 2015 Experience the “one brief shining moment that was known as Camelot” as lyricist Alan Jay Lerner and composer Frederick Loewe envisioned it in this Tony Awardwinning Broadway musical. Camelot recounts the legend of King Arthur, who rules his kingdom with new ideals, bringing peace to a troubled land. But when his beautiful Queen Guinevere and the dashing Sir Lancelot, Arthur’s most trusted knight, give in to their passion for each other, one of the most fabled love triangles of all time develops. Intimate and fresh, never has this story of passion, pageantry and betrayal been more captivating. The celebrated score includes the classics “If Ever I Would Leave You,” “The Simple Joys of Maidenhood,” and the title song.

The Phantom of the Opera April 15-20, 2015

Matthew Mruphy

Following an acclaimed sold-out tour of the United Kingdom, this spectacular new production of Andrew Lloyd Webber’s phenomenal musical success — the longestrunning show ever on Broadway — comes to Tulsa as part of a brand-new North American tour. Hailed by critics as “bigger and better than ever before,” this production boasts many exciting special effects, including the show’s famous chandelier, new scenic and lighting designs, and new staging and choreography. Performed by a cast and orchestra of 52, this Phantom is one of the largest productions now on tour.

The thrilling score includes “The Music of the Night” and the haunting title song.

Million Dollar Quartet May 26-31, 2015

Jeremy Daniel

This Tony Award-winning 2010 Broadway musical was inspired by the electrifying true story of a famed recording session that brought together music icons Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins for the first and only time. Featuring timeless hits, including “Blue Suede Shoes,” “I Walk the Line,” “Great Balls of Fire,” “Whole Lotta Shakin’ Goin’ On,” “See Ya Later, Alligator,” “Fever,” “Folsom Prison Blues,” “Hound Dog” and more, Million Dollar Quartet brings you inside the recording studio with four major talents who became a red-hot rock ’n’ roll band for one unforgettable night.

Season ticket prices range from $98 to $360 (depending on day of the week and seat location) and include all five shows. For more information, go to celebrityattractions.com or call the PAC ticket office at 918-596-7109.

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Bravo Brava Bravi Enjoy the 64th season of thrilling performances featuring the opera stars of tomorrow at Inspiration Point’s intimate outdoor venue.

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6/2/14 11:36 AM

OUT OF THE

T

he Tulsa Performing Arts Center is thrilled to host Choregus Productions’ events during the 2014-15 season — and what an extraordinary season it is going to be! “In both quality and variety, it is our best yet,” says Choregus founder and Executive Director Ken Tracy. “We are excited to be returning to the Tulsa PAC to take advantage of the variety of venues, the increased technical capacity, and being near the vibrant downtown arts scene.”

The Choregus season begins with the dance company The Washington Post calls “one of the seven wonders of the artistic universe.” Appearing in Chapman Music Hall, the Martha Graham Dance Company will present two full evenings of dance, including works I am ecstatic to see in the lineup.

Along with Lamentation, The Rite of Spring and another yet-to-be-announced piece, the Martha Graham company will perform a work by Nacho Duato, one of my very favorite modern dance cho-

by Nancy C. Hermann Koresh Dance Company

Rastrelli Cello Quartet

John Deane

Martha Graham Dance Company

reographers. Tulsa audiences have seen Duato’s riveting work danced by Tulsa Ballet. I was fortunate to have attended the Martha Graham 88th anniversary performance at Manhattan’s City Center last March when the troupe performed Andonis Foniadakis’ Echo, the story of Narcissus and Echo. It was truly breathtaking, and I look forward to seeing it again during a weekend of outstanding dance, September 20-21.

“Many of the dance companies we have presented in the past have

a direct connection to Martha Graham, so it is exciting to finally be able to present Martha Graham in its first-ever Oklahoma performances in the company’s 88-year history,” says Tracy.

Choregus audiences are familiar with the imaginative work of Roni Koresh, whom Tracy lists as one of his most-admired choreographers. “He is always creating new work that is both thoughtful and accessible and entertaining.” On the Koresh Dance Company’s October 28-29 program are Come Together, Classical Excerpts and Bolero, a compelling roster of dance featuring composers from Israel and Turkey, along with music

by Chopin, Beethoven, Ravel and others, and the stunning athleticism of the Koresh troupe.

In addition to dance, Choregus has been the champion of exhilarating music experiences. One program coming this season, at a yet-to-be-announced venue, is the nine-member male a cappella ensemble from Minneapolis, Cantus. Incorporating the acting of Theater Latté Da, Cantus will perform All is Calm: The Christmas Continued on p. 29 SPECIAL EDITION 2014 - IN TERM ISSION

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Continued from p. 27 Truce of 1914, which highlights the group’s amazing voices and the eloquent words of soldiers. The program captures the moment when the German and Allied forces spontaneously put down their arms and sang hymns and carols on the battlefront.

“This November program will be a great tribute to veterans and also a nice introduction to the holiday season,” says Tracy.

Traveling from St. Petersburg, Russia, to perform in Tulsa January 24, the Rastrelli Cello Quartet is known for music that falls “between the genres.” Their repertoire mixes music from Bach, Saint-Saëns and Tchaikovsky with that of George Gershwin, Dave Brubeck and The Beatles.

“When we presented this group several years ago, it was the first time outside of a rock concert that I had experienced a standing ovation after individual numbers, not just at the end of a great concert,” recalls Tracy. “Rastrelli plays music from all genres and unites all ages in the appreciation of their music.”

You may remember when the amazing Kronos Quartet performed in Tulsa as part of Choregus’ first full season. One member of the group was cellist Jeffrey Zeigler, who is now established in a solo career. “He has some of the world’s leading composers begging him to let them

create work for him,” says Tracy. “This should be an exciting evening.” Zeigler comes to Tulsa February 20, following a European tour, and will perform at least one U.S. premiere.

Tracy notes that one of the advantages to being a show presenter is being introduced to new companies. He first saw the Nai-Ni Chen Dance Company at a showcase in New York. “I was struck by how Nai-Ni Chen extracted elements of Chinese culture and used her contemporary dance training to create something entirely new to both traditional Chinese dance and modern dance. Her work is very athletic and sensual at the same time.” The group will perform February 24 and 25.

One of the many things I have appreciated about Choregus is the diversity of performers. Take, for instance, Soledad Barrio & Noche Flamenca, formed in Spain in 1993. Slated for the PAC’s Williams Theatre March 31 and April 1, the troupe is hailed for its transcendent and deeply emotional performances, and Barrio is recognized as one of the leading flamenco dancers in the world. “Noche Flamenca brings not only the authenticity of flamenco to the stage, but uses that dance form to tell Wendy Whelan: universal stories,” Restless Creature says Tracy. “One

doesn’t usually think of a Spanish flamenco company performing Sophocles’ Antigone, but that is exactly what Tulsa audiences will get to see.”

Closing the year May 2 in Chapman Music Hall is Wendy Whelan: Restless Creature. The New York Times called Whelan “America’s greatest contemporary ballerina.” Tracy says, “To see her perform in a program of specially commissioned works of four outstanding contemporary choreographers is going to be astounding.” Not only will she dance the work created for her by rising contemporary dance-makers Kyle Abraham, Joshua Beamish, Brian Brooks and Alejandro Cerrudo, but she will also in turn perform with each choreographer. Tracy adds, “It’s going to be a great finish to the dance season.”

Season tickets and individual performance tickets are available at 918-688-6112.

After July 1, you can buy individual tickets at the PAC, 918-596-7111 and MyTicketOffice.com.

Nisian Hughes

Carol Rosegg

Nai-Ni Chen Dance Company

SPECIAL EDITION 2014 - IN TERM ISSION

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FRINGE BENEFITS

by Nancy Bizjack

T

his year, SummerStage Tulsa is taking the first steps toward evolving into a Fringe Festival. It’s based on the Edinburgh (Scotland) Festival Fringe concept of independent theatre companies, dance troupes, comedians and more staging performances “’round the fringe” of another festival.

“The PAC is still the home base of the SummerStage festival,” says Shirley Elliott, program director for the Tulsa PAC Trust, which has coordinated SummerStage for more than 20 years.

“This year, however, we’re ‘fringing out’ to several Brady Arts venues, including the Woody Guthrie Center, Living Arts of Tulsa, the Guthrie Green and Fly Loft.”

Fringe events are usually fresh and original and concentrate on clever concepts and audience experience rather than traditional scripts. They’re uncensored, meaning no one gets too fussy about language or nudity, but squeaky-clean content isn’t discouraged either. Ticket prices are kept low. Shows are short, with minimal sets and technical requirements.

In other words, Fringe is fresh, fast and fun!

Here’s what’s happening “on the fringe” this year:

Still Slouching: From Brooklyn to Bushyhead

June 27-28 at 7:30 p.m. and 9:30 p.m.

WOODY GUTHRIE CENTER Tickets: $15 This is the highly anticipated sequel to last year’s Slouching Towards Barnsdall, starring Brooklyn-born Tulsa resident and “nonfiction entertainer” Barry Friedman and former Tulsa newspaperman John Wooley, who lives in Bushyhead.

Directed by Vern Stefanic, Still Slouching, like Slouching, is a presentation of essays and excerpts from

Friedman’s and Wooley’s books, magazine articles and public radio commentaries.

What’s different this year? “New material, more music, and perhaps a little more political content,” Friedman says. “After all, it’s in the Woody Guthrie Center — we owe him that.”

Busker Festival and Starlight Band Concert July 11, 5:30 p.m. to 10 p.m.

GU T H RIE GR E E N FREE

Colorful, amazing street performers captivate audiences with their feats of strength, skill and daring and compete

Real Women Have Curves

June 27-28 at 7:30 p.m.

LIVING ARTS OF TULSA Tickets: $15; $12 for students and seniors Tulsa Latino Theater Company proudly presents the first Latino theatrical production in Tulsa. Set in a tiny sewing factory in east L.A., it’s the story of five fullfigured Mexican-American women who are racing to meet nearly impossible production deadlines in order to keep their tiny factory from going under. While they work, hiding from the Immigration and Naturalization Service, they talk about their husbands, lovers, children and dreams. This play, a microcosm of the Latina immigrant experience, celebrates real women’s bodies, the power of women and the incredible bond that happens when women work together.

John Wooley & Barry Friedman

to have the most outrageous acts and gather the biggest crowds. Performances start at 5:30 p.m. and include Momma Lou Strongwoman, sword swallower and comedian Thom Selectomy, and fire juggler Jason Divad.

At 8 p.m., settle in for a concert of movie music classics as Starlight Band presents “That’s Entertainment!” After the music, fireworks burst from ONEOK Field and the buskers return with illuminated after-dark performances.

Busker Workshop June 28, 9 a.m. to 4 p.m.

F LY L O F T Fee: $15

If you have an idea for a street character or act, join Richard Renner of the Lawrence (Kansas) Busker Festival for this workshop. You might just find your niche on the street at Busker Night. Check summerstagetulsa.org for details or call 918-596-2367.

Presented by the PAC Trust June 13–July 20 T U LS A PAC A N D OT H E R V E N U E S For more information, go to summerstagetulsa.org SPECIAL EDITION 2014 - IN TERM ISSION

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INMAN THE ATRE COMPANY

ESTATE SALE WHEN HIS WIFE LEAVES to find herself, Peter, whose children are all adults, decides his enormous house has got to go. While Peter, his best friend, and his ex-sister-in-law struggle with complicated issues of infidelity, insecurity and growing old, their children struggle with sexuality, identity and not becoming their parents. The culture clash comes to a head with the arrival of Peter’s ex-wife, whose own confusion only further complicates their lives. At once darkly funny and eerily familiar, this new original work THE ATRE TULS A

13

AFTER AN IDYLLIC childhood in New York City, Evan Goldman has been uprooted and brought to

by Will Hedgecock is a fresh look at how we can close the gap between generations and families.

July 11 at 7 p.m.

C H A R L E S E . N O R M A N T H E AT R E Tickets are $15; $12 for seniors and students. Table seats are $15.

For mature audiences.

Appleton, Indiana, with his mother.

He has one mission: to get all the cool kids in school to come to his bar mitzvah. If he fails, he will spend the rest of his academic career banished to the land of the geeks.

A cast of 30 of Tulsa’s most talented teens presents this fast-paced, pop/rock musical about about finding out who you are, what you need, and what’s really important. A Broadway hit in 2009, 13 is enjoyable for adults and teens.

July 11-12 at 7:30 p.m.

July 13 at 2 p.m.

JOHN H. WILLIAMS T H E AT R E Tickets are $20; $16 for seniors and students.

KRIPAL AYA DANCE AC ADEMY

RASA

THE ESSENCE OF LOVE can manifest itself in the form of several human emotions or rasas. When this innate sentiment explodes and expresses itself, whether for people, land, fame or fortune, one can experience the entire spectrum of emotions like happiness and sadness, courage and compassion, laughter and anger, wonder and horror.

Using the visually stunning and uplifting dance forms of Indian classical and Bollywood dance, hip hop, salsa and ballet, this show depicts rasas and demonstrates how to achieve inner peace and harmony by harnessing these emotions.

Rasa is directed by Priya Raju.

July 11-12 at 7:30 p.m.

L I D D Y D O E N G E S T H E AT R E Tickets are $15.

TULSA PERFORMING ARTS CENTER • TULSAPAC.COM • BUY TICKETS AT 918-596-7111 AND MYTICKETOFFICE.COM SPECIAL EDITION 2014 - IN TERM ISSION

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MISCHIE VOUS S WING

A BAND OF GYPSIES

ROOTED IN TRADITION, but also deeply committed to innovation, Mischievous Swing is a refreshing voice in jazz and acoustic genres. In this concert, the quartet will pay tribute to legendary hot jazz guitarist Django Reinhardt and violinist Stéphane Grappelli, co-founders of the Quintette du Hot Club de France (1934-1948), along with other

gypsy music from around the globe and some of their own compositions.

Mischievous Swing is made up of (l to r) bassist Nathan Eicher, who holds a master’s degree in jazz studies; virtuosic gypsy-jazz guitarist Ivan Peña; Isaac Eicher, known nationally for his prowess in mandolin contests; and fiddler Shelby Eicher, who was a member of Roy Clark’s band for 15 years.

July 12 at 7:30 p.m.

July 13 at 2 p.m.

CHARLES E. NORMAN T H E AT R E Tickets are $16.50.

Table seats are $21.

FRUUGENSTEINERY PRODUCTIONS

BARE: A POP OPERA “FRUUGENSTEINERY” was originally a made-up word exclusively used by a group of local theater students. Through their friendship and their love for the performing arts, it has blossomed into a budding new theater company making its debut with Bare: A Pop Opera.

After opening off-Broadway in 2004, this contemporary rock musical, with lyrics by Jon Hartmere Jr. and music

by Damon Intrabartolo, is being presented in Tulsa for the first time. The story revolves around a group of high

BBCM QUARTET

BRIDGING THE GAP YOUNG Joseph Bates (violin), Nicholas Bashforth (violin), Anthony Conroy (cello) and Quinn Maher (viola) are the BBCM Quartet. They met some years ago as students at Tulsa’s Barthelmes Conservatory. Since forming the BBCM Quartet in 2012, they’ve been confounding the expectations of adults everywhere with their mix of totally normal teenaged boy interests and their dedication to, and passion for, their music. In February 2014, BBCM won the Tulsa Young Chamber Artist Competition sponsored by Tulsa Camerata and Chamber Music Tulsa and placed second in the Buttram String Quartet Competition sponsored by the Oklahoma City Philharmonic.

July 18 at 7:30 p.m.

CHARLES E. NORMAN T H E AT R E Tickets are $12; $10 for seniors and students, $8 for children.

school students during their last semester at St. Cecilia’s Catholic boarding school.

In this coming-of-age story, each student struggles with issues of sexuality, identity and self-worth alongside the Christian faith.

July 18-19 at 8 p.m.

July 19-20 at 2 p.m.

L I D D Y D O E N G E S T H E AT R E Tickets are $20; $17 for seniors and students. For mature audiences.

TULSA PERFORMING ARTS CENTER • TULSAPAC.COM • BUY TICKETS AT 918-596-7111 AND MYTICKETOFFICE.COM SPECIAL EDITION 2014 - IN TERM ISSION

35

Practicing Family Law as a Privilege E

xcellence in the practice of Family Law has been a distinction at JONES GOTCHER & BOGAN over the firm’s 50 year history. Today, the practice area is led by Shareholders, Bill LaSorsa and Tamera Childers – both AV rated attorneys with 46 years of combined experience in the area of family law, including highly complex litigation, divorce, paternity, guardianships, child custody disputes, and a full range of appellate matters.

William

G. (“Bill”) LaSorsa is an experienced trial attorney and former assistant District Attorney and Special Prosecutor in Tulsa County. He has held top leadership positions in the Oklahoma Bar Association and Oklahoma Bar Foundation, and served 30 years in the United States Army (active and reserve).

LaSorsa’s practice has been focused on Family Law for the past 35 years.

T

amera A. Childers is listed as one of the Top 10 Family Law Attorneys in Oklahoma by the National Academy of Family Law Attorneys. She serves on the Executive Board of the Oklahoma Bar Association Family Law Section, and has been an adjunct faculty member at the University of Tulsa College of Law. Ms. Childers practices exclusively in the area of Family Law.

Bill LaSorsa and Tamera Childers feel strongly that practicing law is a privilege, as do all partners, associates and paralegals at JONES GOTCHER. We each view our profession as a commitment to serving others…with steadfast attention toward securing the best results for each client in every matter.

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ON

THE ATRE POP S

TINKERBELL IS DEAD… NO, IT’S JUST A FLESH WOUND A LONGSTANDING tradition with Theatre Pops, Tinkerbell Is Dead is an evening of “stand-up theatre” encompassing a wide range of dramatic and narrative writing — from classic to modern, from the profound to the absurd (and yes, occasionally the ribald).

Tinkerbell showcases the talents of not only Theatre Pops “regulars,” but also performers from other local community and professional theatre groups, as well as guest appearances by performers from other communities.

July 19 at 8 p.m.

C H A R L E S E . N O R M A N T H E AT R E Tickets are $15. For mature audiences.

APPA S SIONATA DUO

APPASSIONATA DUO IN CONCERT APPASSIONATA DUO’S eclectic combination of classical compositions and rock classics has resulted in sold-out concerts and the first-ever screaming standing ovation at a Brown Bag It concert. The provocative duo keeps audiences on their toes with a repertoire that covers melodies from artists as disparate as Debussy and Guns N’ Roses. Listen as Tulsa Symphony musicians Jeff Cowen (viola) and Jill Wiebe (harp) put a new spin on the music of The Beatles, Billy Joel, Journey and more. From “American Pie” and “Eleanor Rigby” to the poignant melodies of Chopin, Appassionata creates a unique performance where classical elegance merges with modern hits.

PORTICO DANS THE ATRE

MOB MENTAL.ITY “All the cool kids are doing it.”

MOB MENTAL.ITY is an interdisciplinary production featuring local dancers and musicians and renowned video and installation artists. The production illustrates the mentality of mobs — the psychology behind thinking like the group — and the consequences that follow.

Various mobs are depicted: religious, political, civic, social, etc. The concept is how an individual “I” becomes a collective “we.” The entire production is set to original live music, and dancers also interact with prerecorded video segments.

Portico Dans Theatre uses four genres of dance in the production: aerial, contemporary, hip hop and modern. The performance will appeal to all ages.

July 18-19 at 8 p.m.

July 20 at 2 p.m.

J O H N H . W I L L I A M S T H E AT R E Tickets are $20; $10 for seniors, students and children.

July 20 at 3 p.m.

C H A R L E S E . N O R M A N T H E AT R E Tickets are $12; $10 for seniors, students and children. Table seats are $20.

TULSA PERFORMING ARTS CENTER • TULSAPAC.COM • BUY TICKETS AT 918-596-7111 AND MYTICKETOFFICE.COM SPECIAL EDITION 2014 - IN TERMISSION

37

ON UPCOMING EVENTS JULY

1964: The Tribute

EXPERIENCE TULSA

ART AND CULTURE ARE ALL AROUND TOWN June 5–July 11 PAC Gallery CELEBRITY ATTRACTIONS

WICKED June 18–July 6 Chapman Music Hall

INMAN THEATRE COMPANY

ESTATE SALE July 11 at 7 p.m.

Charles E. Norman Theatre KRIPALAYA DANCE ACADEMY Steven Gardner

RASA July 11-12 at 7:30 p.m.

Liddy Doenges Theatre THEATRE TULSA

13 July 11-12 at 7:30 p.m.

July 13 at 2 p.m.

John H. Williams Theatre MISCHIEVOUS SWING

A BAND OF GYPSIES July 12 at 7:30 p.m.

July 13 at 2 p.m.

Charles E. Norman Theatre BBCM QUARTET

BRIDGING THE GAP July 18 at 7:30 p.m.

Charles E. Norman Theatre

HOUSE NOTES THE TULSA PERFORMING ARTS CENTER was dedicated in 1977, the fulfillment of many Tulsans’ long-held dream. Built with a combination of public and private funds, the facility is operated by The City of Tulsa. The Tulsa Performing Arts Center Trust is a non-profit organization of mayoral-appointed citizens who lend expertise and guidance in promoting Performing Arts Center goals. Local arts organizations and entertainment promoters are the Center’s main clients.

ADMINISTRATIVE OFFICES are located at 110 E. Second Street, Tulsa, OK., 74103-3212. Office hours: Mon.-Fri. 8:30 a.m. to 5 p.m. Telephone 918-596-7122. Fax 918-596-7144. Please subscribe to our monthly PAC broadcast e-mail online at TulsaPac.com.

LOCATION. Downtown Tulsa at Third Street and Cincinnati Avenue, accessible from the Broken Arrow Expressway, Interstate 244, Hwy. 75 and Riverside Drive.

PARKING. Convenient underground parking is located west of the building, accessed from Second Street. Event parking also is available in several lots across the street to the east and south of the PAC.

38

FRUUGENSTEINERY PRODUCTIONS

BARE: A POP OPERA July 18-19 at 8 p.m.

July 19-20 at 2 p.m.

Liddy Doenges Theatre PORTICO DANS THEATRE

MOB MENTAL.ITY July 18-19 at 8 p.m.

July 20 at 2 p.m.

John H. Williams Theatre

ADMISSION AND LATE SEATING. Lobby doors open two hours prior to an event. Chapman Music Hall doors normally open 45 minutes prior to curtain.

The remaining theaters open 30 minutes before curtain. Late seating is at the discretion of each sponsoring organization. Latecomers may be temporarily held out of the theater or asked to take seats at the back if available.

TICKET OFFICE HOURS are Monday through Friday 10 a.m. to 5:30 p.m. A free parking zone is available in front of the Third Street ticket office,101 E. Third Street (Third and Cincinnati) on the south side of the PAC. In addition to regular hours, it opens two hours prior to curtain for events scheduled in Chapman Music Hall.

The Second Street ticket office,110 E. Second Street on the north side of the building, opens two hours prior to each curtain for tickets to events scheduled that day in John H. Williams Theatre, Liddy Doenges Theatre or Charles E. Norman Theatre.

PHONE ORDERS. Call the PAC ticket office, 918596-7111, or from outside Tulsa call 1-800364-7111. Nominal service charges are added to all phone and Internet orders. The PAC ticket office accepts DISCOVER, MasterCard or VISA. Subscriber hotline: 918-596-7109.

THEATRE POPS

TINKERBELL IS DEAD…NO, IT’S JUST A FLESH WOUND July 19 at 8 p.m.

Charles E. Norman Theatre APPASSIONATA DUO

APPASSIONATA DUO IN CONCERT July 20 at 3 p.m.

Charles E. Norman Theatre

ONLINE TICKET ORDERS SERVICE OPTIONS. Buy tickets online and print them at home when you purchase at TulsaPac.com and MyTicketOffice. com. Use DISCOVER, MasterCard or VISA for online purchases. View our website and purchase tickets on your cell phone at TulsaPAC.mobi. In addition, purchase tickets through TulsaPAC. com or MyTicketOffice.com, choose the Tickets@ Phone option and have your tickets sent to your cell phone. Tickets will be scanned by ushers at the door.

EXCHANGES. The ticket office gladly exchanges tickets to events with more than one performance, subject to certain guidelines.

Otherwise, all sales are final.

24-HOUR EVENT LINE. For recorded information about ticket prices, dates, theater locations, upcoming events, Broadway series and season tickets, call 918-596-2525.

GROUP SALES AND BUILDING TOURS. Group discounts are available. Please call 918-5967109 for group sales assistance. Tours of the PAC are offered free of charge and last approximately 45-60 minutes. Arrangements may be made by calling 918-596-7122.

Artists, dates and ticket prices are subject to change.

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CELEBRITY ATTRACTIONS

1964: THE TRIBUTE July 25 at 8 p.m.

Chapman Music Hall

AUGUST THEATRE TULSA

LES MISÉRABLES August 8-24 John H. Williams Theatre

SERVICES FOR PERSONS WITH DISABILITIES. All Performing Arts Center facilities are accessible to persons with disabilities. Please ask about wheelchair-accessible seating when purchasing your ticket. Parking is located on the street level of the parking garage near the PAC elevators.

Use the south elevator to reach Chapman Music Hall. Restroom facilities are located in the Third Street Lobby for Chapman Music Hall events, and adjacent to the John H. Williams Theatre Lobby for events in the PAC’s other theaters. Headsets and telecoil units for the Sennheiser infrared hearing assistance system in Chapman Music Hall may be picked up at the Coat Check in the Third Street Lobby for Chapman events, or from the House Manager on duty in the Williams Lobby for John H. Williams and Liddy Doenges Theatre events. The PAC’s TDD number is 918-596-7211.

PLEASE NOTE: Smoking, including e-cigarettes, is prohibited inside the PAC. Also, as a courtesy to the performers and audience, please turn off all audible message systems and cellular phones.

Cubic, A Creative Agency is the PAC’s exclusive Internet solutions provider. The PAC’s Internet ticketing is powered by Tickets.com.

THANK YOU…

…AS WE CELEBRATE OUR 8TH ANNIVERSARY AS OKLAHOMA'S PREMIER KIA DEALER THIS MONTH!

“Over those 8 years, you have helped us achieve the #1 ranking for KIA sales and customer satisfaction in Green Country. And recently, we achieved recognition among top KIA dealers in the nation for initial sales of the new KIA K900 luxury sedan.

“During our anniversary month, we invite you to come see our $2.8-million expansion of the dealership--thank you for your compliments-and the complete lineup of award-winning KIA models. Of course, checkout the K900, an exceptionally refined sedan designed to compete with the finest automobiles on the road. The car buying experience at Primeaux Kia is a pleasant one. Come see us.”

2014 Optima

Priced from $20,947

Dealership Manager Lisa Primeaux Lotz with Henry and Jane next to a 2015 K900 luxury sedan in the new showroom at 4747 South Yale.

2014 Soul

Priced from $16,747

2014 Cadenza

Priced from $29,995

*Contact dealer for details; dealer retains all Kia rebates

4747 South Yale • (918)622-3160 • www.PrimeauxKIA.com

Chances are, the person overseeing your investments today will be throwing you a retirement party tomorrow.

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investment division

The longevity of our investment experts is a testament of our commitment to you - and them. Most likely, the person who sits down with you on day one to help you plan for retirement will be there when it comes to fruition.

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