TUANA BUKEM YILDIZ ARCHITECTURE PORTFOLIO
MANGO VINYL HUB P
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In architecture, a parasite can be a project that, dealing with pre-existing buildings, creates a link of spatial and structural interdependence (not necessarily functional too). The parasite integrates the old building within its own existence, not only taking advantage of it, but giving it a new life and opening it to new intepretations. C
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The creative block, which hosts Mango Vinyl Hub, is invaded by parasites, volumes with the main aim of linking the different buildings of the area both between each others and with the urban centre nearby. These pipes generate a distinction between public and private spaces which is strong but also open to flexible solutions. They could be implemented according to the future needs of the area. C
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Since Cesis is home to manufacturers operating in niche markets, the project reinforces the productive identity of the city by collocating creative activities, in order to make the area a making lab open to the inhabitants (they have now direct access even to the vinyl factory); a great attention is given to music, trough the fundation of a music academy with recording studio and a peculiar library. E
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The pipes do not only have the function to connect similar functions, but they work as telescopes for the observation of the city from new points of view, reaching the rooftops of the existing buildings. Cesis Castle, as well as the city center, are now visible from this spots.
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1ST PLACE _ INTERNATIONAL ARCHITECTURE COMPETITION ORGANISED BY BEE BREEDERS IN COLLABORATION WITH. LUCIA FILIPPINI AND ELISA DELLAROSSA MAY 2017
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MUSIC ACADEMY
MANGO VINYL LAB
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MUSIC LIBRARY
CIRCUS
RESTAURANT
HOSTEL
FAB LAB
OFFICES
GATHERING GROUND
URBAN DEVELOPMENT The first phase of the construction starts with the Mango Vinyl building, with the requested functions. Furthermore, a recording studio is added on the terrace, together with recreational activities. Conference rooms are also constructed in this phase. This phase symbolises the building’s first encounter with the parassite. The parassite grows and revitalises three more buildings. These biuldings contain a music academy, a hostel for the new visitors and office space. The third phase represents the rejoice of parassite. The entire block is now revitalised, with the new functions that include; a FabLab, a circus playground and new recreational areas such as a new restaurant and an additional cafe.
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view
v iew
recording studio concert area / playground
vi
ew
coworking table exhibition space flexible rooms cafeteria
factory press room vinyl store
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_Coworking Space
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_Mango Vinyl Factory
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YAMA REUSING AN ABANDONED BOB TRACK The focus of this Design Unit is the reuse of an abandoned Bob track in Cesana, near Turin. The track has been constructed for the winter olympics of 2006 and now, is out of use, creating important expenses for maintenance while generating very few income. I was asked to develop an hotel proposal for the area, without demolishing the track and instead, including it in the progect by generating a possible reuse of the structure. The goal of the course was to evaluate the design from a tecnological and economical point of view, energy efficient and feasible. The proposal, Yama, offers a retreat, that through different activities, takes its guests to a spiritual level of relaxation. It is a complete experience, an alternative lifestyle outside the city. Its fair prices make it possible to extend the experience in time.
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INDIVIDUAL RELAX SLEEP BETWEEN THE TREES
GATHERING
WORK THE GARDEN
NOISE LEVEL 4TH YEAR DESIGN UNIT ARCHITECTURE, URBAN ECONOMY AND BUILDING PHYSICS PROF. M. ROBIGLIO, I. LAMI, S. CORGNATI SPRING 2016
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THE MASTERPLAN personel housing technical rooms storage rooms trees pedestrian routes botanical gardens piazzas chair lift
gathering and dining
botanical garden
piazza
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CLUSTERING as requested, a big ensemble of rooms a. to assure the privacy for every room. were created, and then distributed on the parcel like the branches of a tree, following the bob track. The scheme of the cluster is composed based on several principles:
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b. to minimize the distances while keeping the isolation feeling.
c. to guarantee the experience of
sleeping between the leafs of trees, as in a treehouse.
WHY KITCHEN IN Although there are also rooms with the for exemple a month, since the longpossibility of having a private kitchen duration stays are considered the COMMON? inside, that are called ‘suites’, the ideal way of experiencing the retreat cluster typology with common areas is created, in order to assure an affordable price-range for long-duration holidays,
experience. There are also a variety rooms that offer a price range based on their dimensions.
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CLUSTER MORPHOLOGY Each cluster is built upon the basic scheme composed of three elements. An entrance hall that serves as a deposit for sports equipment on the entrance level and subsequently connects to the hallway on the upper level. The rest of the cluster stands on pillars that helps adapt to seasonal climate changes. The hallway provides a flexible distribution system thanks to the insertion of elements such as stairs and the modular structure that helps chage the shape, easily following the topography of the terrain. The third basic element is the shared kitchen, equipped with a big terrace. This element is collocated in the middle section of each cluster in order to allow easy access to all the rooms. There are several room typologies, varying in size and price, but each containing at least sleeping and resting areas. Each room is oriented in order to allow for maximum privacy and contact with nature. The technological composition of the rooms help achieve the energetic target of minimizing the carbon dioxyde emmission.
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fixed elements flexible elements
room typologies
walls
U=0,12 W/m2K drywall 1,3cm gypsum board 1,3cm acoustic insulation 6cm XLAM 9,5cm thermal insulation 12cm cladding in viroc
double glazed window U=0,94 W/m2K slab U=0,25 W/m2K wooden flooring radiant floor heating screed acoustic insulation 6cm XLAM 30cm thermal insulation 20cm cladding in viroc technological detail
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REDIRECTING MIRAFIORI HOUSING DISCRICT OF TURIN The focus of this Design Unit is the revitalization of a housing district constructed in 1970s in order to respond to the rising housing demand, nearby the industrial district of Fiat. The neighborhood is characterized by housing blocks following a perpendicular grid, each block containing several entrances on the ground floor without other functions and surrounded with greenery. The goal of the course was to bring vivitality to the neighborhood through an intervention that is also studied from a technological point of view. The proposal, offers a reelaboration of the ground floor, aiming to bring new activities to the neighborhood.
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2 4TH YEAR DESIGN UNIT ‘DESIGN STRATEGIES | INTENSIFYING PERIPHERIES PROF. SUBHASH MUKERJEE, LUCA CANEPARO FALL 2015
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URBAN INTERVENTION
After analysing the area and the existing elements, an intervention on urban level is established, valid through all project area. The concept is based on the experience that this neighbourhood creates on the inhabitants. Two main problems were identified. The lack of social infrastructure that leads to a lack in the sense of community. The monotonous grid that destroys the curiosity of the guest, the curiosity that allows them to go further and discover this new ambient they find themselves in. This is why a new grid according to important urban references is created. From the intersections of this new grid with that already existent, our new volumes are created.
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ART YARD The section of the masterplan is studied in detail as a secondary fase of the studio. Four seperate volumes with four different functions, complete each other and revitalize the outdoor space.
creative classes and library
exhibition space
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theater
creative classes and library
exhibition space
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BUILDING SYSTEM
analyse the current situation; precast concrete panels as structural element as well as non sturctural facade element
deconstruct; remove the non stuctural facade elements
reconstruct; insert translucent facade elements
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reconstruct; transparent curtain wall facade
section of the classrooms and library
section of the exhibition space
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18th CENTURY PUNK FROM GARMENT TO INSTALLATION This one month intensive summer course aims to start from the scale of human body, studied through a garment in order to create an installation in architectural scale. The first assignment is to reproduce a garment from Rei Kawakubo’s exposition ‘Comme des Garçons’ at the Met Museum. Second step is to create a diagram representing the experience of wearing the garment in public and in conlusion modify the garment in order to accentuate the experience. The second assignment is to create an installation on the Hamilton House in NYC, that has been repositioned twice in one century. This project hypothises a third and last repositioning of the house, to the Riverbank State Park, where the entrance will be from the roof. The installation consists of the entrance route and the addition of bathrooms, the absence had made it possible to move the house in the past. The goal is to recreate for the visitors, through the installation, the same experience evoked by the garment in the first assignement.
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SUMMER COURSE GSAPP COLUMBIA UNIVERSITY WITH THOMAS DE MONCHAUX SUMMER 2017
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FEELS MONUMENTAL. big shoulders. chin up.
mugshots of the garment, reproduced in 2 days.
hand drawing on mylar over the collage documenting the trajoctory in the garment
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hand drawing on 24x36 mylar. 1:1 scale front elevation and cross section of the garment
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from garment to prosthetic
The reproduction of the original garment has constrained my movements, similar to 18th century women’s clothing. During the trajectory wearing the garment, after a while I started to feel monumental. The dress widened my chest and shoulders, inciting me to stand tall, while also making it difficult to see my feet. This created a feeling of floating. When I was asked to transform the garment into a prosthetic that enhances these effects, I decided to further limit the vision, by limiting the movement of the head and widening even more the chest. This way, the feeling of being a diva, a monument, made for others to look at, was enhanced. This collage studies the limitations of the movements by comparing them to when the body is freed from the prosthetic.
The sloped planes create multiple focal points. The visitor’s vision is limited in each position to a single preset panorama.
from prosthetic to installation
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widens the chest limits the movement of the head
process of exploration using scale model as a tool
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Restrooms are deliberately created with an uncomfortable sense of openness. Accessed through a labyrinth instead of a door.
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hand drawing on 24x36 mylar. exploded representation of the entrance and restrooms
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FLUID LIVING Perspectives on the future morphological evolution of the dwelling space. This thesis works on the residential dwelling. The dwelling has always represented the socio-economical nature of society and today is no exception. We currently find ourselves in the midst of yet another fundamental shift of values and lifestyles which will have to be met with new forms of living. In order to address the needs of our changing society, new spatial solutions need to be introduced in our living environments. The goal of this study is to conduct a morphological investigation in order to initiate an exploration of possible principles that will guide architecture towards the future of the living spaces. This thesis does not aim to achieve a prototype, but it intends to be a starting point for a discourse that will result in prototypes in the future. Through a literature review of data and case studies, the demand that resulted from the ongoing social changes is identified and the first responses to the demand are analyzed. Consequently, theories and projects of reference architects are studied through formal analyses, drawing analyses and literature review in order to formulate a proposal for a possible conceptual basis to the search for the new forms of the future living environments.
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MASTER’S THESIS FEBRUARY 2019 ADVISOR: PROF. LUIGI BUZZACCHI CO-ADVISORS: MARIANNA NIGRA, PER-JOHAN DAHL
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1. DWELLING, IN HISTORY Introduction Timeline Up to 38000 BCE 13000 – 10000 BCE 7000 BCE 5000 – 4300 BCE Antiquity 800 BCE, Archaic Greece 450 BCE, Classical Greece 79 CE, Roman Antiquity 400 – 1400 CE, Middle Ages 1400-1700 CE, Renaissance Industrialization 1700 – 1850 CE, Transition to modernity 1851 – 1900 CE, Models for living 20th Century ‘Horror’ Bibliography 1
This chapter aims to discover the patterns of behavior (and relationship) that brought us to construct our current opinion on the ideals of dwelling and to understand the motivations that lay behind this propaganda. It derives from the observation that these concepts are expiring in the current cultural and economic situation, and the curiosity of how questionable they are, based on their historical backgrounds. What we consider as the natural way that humans have always lived-and thus, should continue to do somight be the result of a long term and well-thought campaign that aims to benefit economic and political systems more than the people themselves. This chapter is inspired by Pier Vittorio Aureli’s scholarship where the organization of the domestic space serves as a tool to read the social structure of their time. Various social contingencies are assigned to different time periods where they become visible within the domestic space, as well as when they become interpreted similarly to our conventions today. This study also follows and integrates the critical observations of several scholars and researchers, such as NIklas Maak and Robin Evans, that speculate a way forward -towards innovative lifestyles- through the understanding of what is natural and unquestionable, in order to then revisit the ones that aren’t.
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1400-1700 CE, Renaissance
desire to manage life tions /
inhabitants
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within the house arises / architecture takes up the challenge / rooms are defined by their funcare assigned roles / class differences are naturalized / asymmetries are normalized through architecture
Dw
Dw el
ling
ellin
g of
the
rich
citiz en
and
mer
cha nt i n th
e ci ty*
of
the poo men rest in t he c ity*
*Illustration based on the plans from Serlio’s Sixth Book. Social hierarchy clearly mirrored in the design of housing.
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2. MILLENNIAL CONCEPTS IN LIVING Introduction Defining Generations Defining Millennials They Expect Diversity Back to School Belief Technology Sharing Economy Changing Work Ethics Millennial Concepts in Living Life Interrupted Renters Location Matters Alternative Household Formations Home Community Interface Want Control Over Their Space What’s Next? Less Can Be More With Coliving Precedents Catalogue Bibliography 2
Economic crises, globalization and rapid technological advancements have created a scene where the nuclear family living and homeownership are luxuries of the past, work is no longer confined within the traditional workplace or working hours, and people are no longer geographically stable. Although these tendencies don’t yet make up a conclusive lifestyle, they indisputably have a strong influence on the lifestyle changes in motion. They influence strongly the generations that are born into such changes and that adapt their values accordingly. The generation that has intensely experienced the period of transition - where the traditional and the habitual no longer respond to social tendencies, but yet the boundaries of questionability are not yet clear, - is the Generation Y. Their reaction to the current situation supplies valuable information on the direction toward which these changes might lead us. For this reason, the second chapter is dedicated to research on the Millennial generation; their social values and needs, especially in relation to living spaces. This chapter is dedicated to demographic research on Millennial generation, based on the hypothesis that they are the initiators of a demand that will persist for future generations of young adults, thus putting the Millennial generation in a position of catalyst toward a new way of living.
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3. CONCEPTS FOR SHARING
Introduction The Japanese Experience Japanese New Wave Hiromi Fujii Hiroshi Hara, Through Hara House Kazuo Shinohara Kazunari Sakamoto Peter Zumthor Peter Eisenman Bibliography 3
In this chapter, the questions raised in the first two chapters through historical research and demographic surveys, is brought within the field of architecture. This study aims to help precipitate an architectural discourse that questions the forms that the current social structure can give to our living environment. This work can be considered as an attempt to provoke further investigations on this broad topic, by bringing forward a suggestion of references that have the potential to offer non-conventional points of view on the matter. What is in common to all the reference architects in this chapter is the fact that each of them has invented a vocabulary in order to explain the ‘immaterial’ aspects of architecture, and their vocabularies include many words such as ‘personal,’ ‘impressions,’ ‘feelings,’ etc. What fuels their studies is their belief that such intrinsic thus highly unspoken aspects of architecture can indeed be studied and broken down into methods, all the while admitting that such methods will not be static, constantly evolving. This chapter aims to have a brief look into the thoughts and methods of several architects that approach such matters from various directions.
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4. FLUID LIVING Introduction Lexicon Layering Inclusion Degrees of Intimacy Analysis Layering Inclusion Degrees of Intimacy Ambiguity Bibliography 4
The study in the previous chapter has revealed a common concern that drowe the reference architects that designed spaces that are effective in introducing interactions and in engaging the user in the architecture as well as evoking curiosity, appropriation and a sense of place. Through relationships of forms and objects; they used ambiguity, complexity, duality imposed within a framework of historical consciousness. They successfully introduced a legible contradiction to the known, to the habitual and to the conventional all the while maintaining subtle signs that refer to the departure point. Through deconstructive formal analysis of case studies that hold the above mentioned spatial characteristics; ambiguous and contradictory qualities, this chapter intends to uncover what is usually an unspoken aspect of architecture, what remains intrinsic, perhaps due to its potential of subjectivity. The intention of this work can be clarified by quoting Eisenman as he introduces his article “From Object to Relationship II”
“It is intended to be as much an introduction as it is an exploration, in that it is not a definitive presentation of a critical method; it merely represents some fragments, without a general matrix, of work in progress.” 40
SPATIAL OUTCOME
ACTION
CONCEPT
LEXICON:
Mainspace Layering
Grouping Verticality
Inclusion
Degrees of Intimacy
The studies in this chapter aim to regroup, under three concepts, the intentions related to the search of such spatial outcome, in residential architecture, especially of shared living. The three concepts explained in this chapter are ‘layering,’ ‘inclusion,’ and ‘degrees
Porosity Maze of thresholds
Interruptions instead of divisions Living Landscape
Dissolve the boundary into border Multilayered space
Transition
Choice of interaction or isolation
Partition and connection element
Consciousness of community
of intimacy’. Out of the rich terminology of architectural thinking that resulted from the literature review of the third chapter, these three keywords were chosen because of their ability to regroup the spatial characteristics and organizational concerns that were common to all reference architects,
all the while allowing for a certain liberty and numerosity in the actions that are used in order to achieve those intentions. These three concepts are explained through a lexicon, of keywords that represent actions and intentions of spatial outcome, that is open to grow and branch further.
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Sample A
Laye
Through c focusing on the firs
Songpa Mi by SsD, Single
Source image cour
Grouping
Porosity
Mainspa
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Grouped units
are enclosed in a shell
and negat remains in
Analysis:
ering.
case study 1: st and second floors of icro Housing e Speed Design.
rtesy of Ssd © SsD.
Verticality
Interruptions instead of divisions
ace is born
ity al
oc bl d ke lit ca rti ve y
ly al rti pa k oc bl ed l ca rti ve ity
tive space n-between.
e fre
c rti ve
Mainspace is vertically disrupted intead of divided.
Living Landscape is obtained
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HOLIDAY HOUSE for a family of four, and for birds, and insects, and hedgehogs, and bees, and bats...
At Kumiki Architecture, I led the renovation and extension of this holiday house in Herperduin. I worked as project lead and as main architect throughout all phases, carried out workshops and communication with the client, the contractor selection process, the permit application and the construction package. Additionally, this was the first collaboration of our office with an ecologist, resulting in me exploring the process and working on custom design for nature inclusive solutions
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PROFESSIONAL WORK ROLE: PROJECT LEADER FOR KUMIKI ARCHITECTURE HERPERDUIN, 2023
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1. extension. facades follow the existing
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2. extension. is sliced
3. in the slice. rules change
4. nature inclusive features are added
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lange doorsnede
down to the smallest detail
maaiv
50
nieuw
bestaand
maaiveld: 50 - P
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lange doorsnede Daklijn
210 + P
sloping wall in the extension creates a void above the dining and a climbing wall upstairs for the kids
P=0
platform
Kachel
160 + P
begane grond
A
A
P=0
bestaand nieuw
nieuw
bestaand
Gevel "Nis"
Dak lijn
Gevel "Nis"
BEDSTEE (Nis)
1e verdieping B: 2458 + P
1e verdieping A: 2617 + P WASHOK
210 + P METERKAST
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begane grond: P = 0
begane grond: P = 0
maaive
eld: 50 - P
lange doorsnede Daklijn
BEDSTEE (Nis)
BEDSTEE
1e verdieping B 2458 + P
WASHOK
vloer lijn
vloer lijn
STAPELBEDDEN
A
1e verdieping A 2617 + P
bestaand nieuw
Gevel "Nis"
lange doorsnede
h = 1000mm
Gevel "Nis"
h = 1800mm
Daklijn
h = 1800mm
STAPELBEDDEN
h = 1000mm
Daklijn
A
1e verdieping A: 2617 + P
P=0
maaiveld: 50 - P
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MATHENESSERLAAN 431 TWO FAMILY APPARTEMENTS
My first project at Kumiki Architecture has been the splitting and extension of a large city house from the 1910s in Rotterdam into two family homes. I have executed the drawing work throughout all phases: preliminary design, technical design and permit application. I have also worked on the layout organisation of the apartments as well as the façade design. Due to building regulations in the Netherlands, the main design work is concentrated on the back façade where more important transformations are allowed. I have been responsible of designing the façade of the extensions in relation to the existing back facade, and of technological detailing in order to obtain the desired result.
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PROFESSIONAL WORK FOR KUMIKI ARCHITECTURE SUPERVISORS: GUILLAUME PFEFFERLE & KEVIN VEENHUIZEN ROTTERDAM, SPRING 2021
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LAYOUT DESIGN. space for everyone.
Detail V3
Detail V1 Detail H1
Detail V3
floor plans. technical design phase.
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Detail V2 Detail H2
Detail V4
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DETAIL DESIGN. behind the façade.
the existing back façade
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the new back façade
Detail V4
Detail H1 Detail V1
Detail H2 Detail V2
Detail V3
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FINAL RESULT. 3 bedroom apartment.
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All images on this page courtesy of MWA Hart Nibbrig Photography.
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FRAGMENTED vs SEQUENTIAL APARTMENT IN AMSTERDAM
This two-floor apartment on basement and ground floor in Amsterdam West was renovated and extended towards the garden on the back. Departing from a fragmented layout, we were able to obtain unified and sequential living space that brings quality to the daily experience of its inhabitants. We have also worked on a garden shed in the garden. Inspired by the beauty of the tree in the garden, the shed grows around the tree, following the curves it suggests.
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PROFESSIONAL WORK FOR KUMIKI ARCHITECTURE SUPERVISORS: KEVIN VEENHUIZEN AMSTERDAM, 2022
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A
LAYOUT DESIGN. M-07 Bureau
from fragments...
...to sequences.
K-05 HWA Ø 110mm HWA
hwa
MK
MK
vw 0m 1m 2m LOOPROOSTER
A
0m
64 1m
GARDEN SHED. a tree hugger.
EXTENSION. slender lines.
made possible by.
DETAIL DESIGN.
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BOSVILLA OOSTVOORNE Participation in the design phase. Images by MWA Hart Nibbrig.
For this project, my contribution as intern has been concentrated on the initial phase of concept design. I contributed to design sessions with volumetric sketching, using hand drawings and scale models as tools. Further on, I contributed in the selection of materials with collages.
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PROFESSIONAL WORK FOR KUMIKI ARCHITECTURE SUPERVISORS: GUILLAUME PFEFFERLE & KEVIN VEENHUIZEN OOSTVOORNE, AUTUMN 2020
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FACADE STUDIES.
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VOLUMETRIC STUDIES.
UNDER CONSTRUCTION.
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GRAPHIC DESIGN
Rainwater Harvesting Systems
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Terrazzo
Shou Sugi Ban
Timber Flooring
PROFESSIONAL WORK FOR KUMIKI ARCHITECTURE ICONS FOR SUSTAINABILITY BLOG ARTICLES AMSTERDAM, 2020-2022
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