Celebrating a New Chapter
Story and photography
by Storme Smith
Just off E. Main St. in Saluda on Pearson Falls Road, behind a small cluster of businesses, a colorful gallery filled with handmade art is quietly entering a new chapter.
For nearly five years, eARThly Minds Gallery has served as a creative hub for local artists, handmade crafts and community collaboration. Now, owner Sabrina Romero is guiding the space into its next phase, one that she says feels both challenging and exciting. “This year definitely feels like a new chapter,” Romero said. “For a long time, we ran this together, and now it’s just me. It’s different, but I’m really excited about what comes next.”
Romero is referring to the departure of her former business partner, Kristen Mode, who helped launch the gallery in its earliest days. The two artists opened the shop during the uncertainty of the COVID-19 pandemic, creating a space that neither of them fully anticipated would grow into a long-lasting creative collective for artists across the foothills.
“We started with the idea that we wanted a place where artists could display their work and be part of something together,” Romero said. “We didn’t know exactly what it would become. We just knew we wanted to make something special.”
Now approaching its fifth anniversary on June 26, the gallery continues to evolve under Romero’s leadership.
eARThly Minds Gallery is located on Pearson Falls Rd.
Romero’s journey to the small mountain town of Saluda began far from the foothills of the Blue Ridge. Originally from Miami, Florida, she moved to Western North Carolina with her family 17 years ago, when she was 14. But her connection to the region began even earlier. “The first town my parents ever brought me to when we visited the mountains was Saluda,” Romero said. “I was probably eight or nine years old. I remember
Colorful creations adorn the walls and displays at eArthly Minds Gallery.
Copper handmade jewelry.
thinking how small it was compared to Miami.”
Despite that early impression, the mountains eventually became home.
“I’ve lived in Tryon for about eight years now,” she said. “My kids go to school here, and this community really became part of my life.”
Romero balances life as a gallery owner with raising her two young sons. Their creativity is already beginning to show.
“They actually have some of their art in the shop,” Romero said with a laugh. “One of them has made about $200 this year selling his drawings.”
Encouraging creativity in children is something Romero takes seriously.
“I want them to grow up knowing their creativity matters,” she said.
The concept for eARThly Minds Gallery emerged during one of the most uncertain moments in recent history. In early 2020, Romero was eight months pregnant and working in the service industry alongside Mode at the Purple Onion restaurant in Saluda.
“When COVID hit, everything changed overnight,”
she said. “I was pregnant and working in a restaurant environment, and it just didn’t feel comfortable anymore.”
Around the same time, Romero had begun experimenting with resin art, a technique that involves embedding objects in clear resin to create decorative pieces. She started selling her work online while spending more time exploring the region’s art scene.
“I remember walking through downtown Asheville and seeing all the little art stores,” she said. “And I just thought, ‘I want something like this, a place where artists can show their work together.’”
When Romero shared the idea with Mode, the opportunity came quickly.
“She told me she knew about an empty space in Saluda,” Romero said. “We came to look at it the very next week.”
The storefront had previously housed a small retail shop but had been vacant for some time. For Romero, it felt like the perfect place to begin something new.
“We walked in and just knew we could turn it into something,” she said.
From the beginning, Romero envisioned eARThly Minds as a collaborative space where artists could share
The gallery offers countless unique items from local artists
their work and support one another. Today, the gallery features artwork and handmade goods from about 50 artists across Western North Carolina and nearby areas, including Asheville, Hendersonville, and Spartanburg.
“Everything here is local,” Romero said. Artists rent display areas in the shop, with monthly rates typically ranging from $30 to $50, depending on the space size.
For the first four and a half years, Romero did not take a commission on sales, charging only rent to give artists a chance to showcase their work. However, recognizing the need for sustainability, she began charging a 20 percent commission this year. Despite this shift, the gallery’s mission remains focused on community and creativity.
“A lot of artists work from their kitchens or bedrooms,” she noted, emphasizing the importance of providing a visible space for their creations.
Romero’s own artwork plays a central role in the gallery. Her resin pieces incorporate natural materials she gathers while exploring local forests and trails.
“I love to forage,” she said. “Most of the things I use are real — mushrooms, plants, butterfly wings, shells.”
Her sons often help collect materials.
“They’ll bring me little acorns or mushrooms they find,” she said. “They love being part of it.”
The resin process requires careful preparation and safety precautions.
“It’s toxic while it’s curing,” Romero explained. “So
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Sabrina Romero is the founder, owner, curator, and heart behind eARThly Minds Gallery.
I have a full ventilation system in my studio and protective equipment. It’s kind of like being a mad scientist.”
To balance the technical work of resin art, Romero also creates paintings and mixed-media drawings.
“That’s the type of art I can do anywhere,” she said.
Romero believes the gallery’s greatest impact may be its role in artists’ lives.
“Art is therapy for a lot of people,” she said.
Jennifer Parzych from Hendersonville specializes in handcrafted suncatchers and jewelry, masterfully
Romero specializes in resin art made from foraged materials.
utilizing wirework along with crystals and vintage components. Another shining star is Karen Corn of A Peacock’s Reverie, whose handmade and upcycled jewelry combines beadweaving and assemblage techniques. The Artisan Crone, also known as Amber Dawn, is a free spirit who crafts hand-carved items from avocado seeds, jewelry, and accessories, repurposing materials to keep them out of landfills. Artists like Liana Stadelmann and Tia of Live Sculpt share their passion for ceramics and watercolor, creating enchanting pieces that echo their appreciation for nature and fantasy. Each artist in the eARThly Minds Gallery contributes to a beautifully woven tapestry of creativity, celebrating local talent and sustainable practices while inviting art lovers to explore and connect with the world around them. Romero’s mother, Orfilia, also contributes
a distinctive handmade touch to the gallery with her crocheted creations. Having learned to crochet from her own grandmother, Orfilia only recently began expanding her work into intricate dolls, animals and whimsical fairy figures after discovering new patterns and techniques online. Her pieces, carefully stitched by hand, range from small toys to detailed character dolls, each taking several hours to complete. Romero said the work requires constant counting of stitches and careful attention to pattern, making it both challenging and meditative. The crocheted dolls have become popular with visitors, particularly families looking for unique handmade gifts, and Romero notes that the pieces often become keepsakes passed down through generations. For her mother, who once worked long and unpredictable hours for Delta Airlines, crocheting has become both a creative outlet and a way to share a
TiaSculpts work is a hit with all-ages.
traditional craft with a new generation.
For Romero, stories like her mothers reinforce the importance of spaces dedicated to creativity.
“Behind every piece of art in here, there’s a story,” she said.
One of Romero’s newest projects is an outdoor deck behind the gallery, which she plans to use for live music, art demonstrations and creative workshops.
“This is the first year we’ll really be able to use it,” she said.
The space will allow artists to teach classes and demonstrate their craft, something Romero says has become increasingly important for creative professionals.
“Right now classes sometimes bring in more income than selling art,” she said. Romero hopes the deck will become a gathering space where artists can work, teach and interact with visitors.
“I want people to come here and experience creativity, not just shop for it,” she said.
As eARThly Minds Gallery approaches its fifth anniversary, Romero sees the milestone as both a celebration and a beginning.
Running the gallery on her own brings new responsibilities, but she remains committed to the vision that inspired the shop in the first place.
“I’m doing this because I love art,” she said. “I want people to walk in here and feel inspired.”
In a town known for its artistic spirit, Romero believes there will always be room for creativity to grow.
“There’s magic all around us,” she said. “Sometimes people just need a place to see it.”
A conversation with Andy and Linda Haynes Lynncote on the Hill
Linda and Andy Haynes stand before the original stone fireplace, a focal point of the rebuilt home and a gathering place for five generations of family. (Photo by Kirk Gollwitzer)
Story by Kirk Gollwitzer
For many years, like so many people who live in or pass through Tryon, Lynn, and Columbus, I have driven along Lynn Road and glanced up toward the crest of that small mountain where the stone house sits. It doesn’t announce itself. It doesn’t tower over the road. It simply rests there, steady and quiet, as if it has always belonged to that hill. You notice it without meaning to. For a moment, through the trees, you catch sight of stone and roofline and a sweep of sky behind it. Then the road dips and the view disappears. But if you’ve lived here long enough, you know that house. You recognize it. And at some point, you begin to wonder about it. I
always did.
There was something about the way it held the hill—something permanent, grounded, and quietly dignified. It had the look of a place that had lived through time.
The moment that finally pushed me from curiosity into action came years later when I saw an old photograph that had appeared in Life Magazine. It showed an older man and his dog standing at a window, both of them looking out over the mountains and down toward Harmon Field. It was a quiet image, reflective and deeply personal. The angle of the shot, the view beyond the glass, felt unmistakably familiar.
I asked around. Eventually, someone said, “You know… that might have been taken at Lynncote.”
The living room at Lynncote reflects the artistic spirit that has defined the home for generations, from Payne Erskine’s creative pursuits to the Haynes family’s continued love of art and music. (Photo credit by Kirk Gollwitzer)
That was the moment the story began to take shape in my mind.
I had known the owners, Andy Haynes and his wonderful wife Linda, for many years. Andy is a familiar figure in Tryon, a well-known local attorney who has spent decades working in real estate, wills, and trusts. I’ve enjoyed their company through the years in passing conversations and community gatherings, but I had never truly sat down with them to talk about the house. Until one afternoon, when Linda and Andy welcomed me into their dining room.
We sat at the table, sunlight coming through the windows, the sense of history almost tangible in the quiet of the room. From there, the story began to unfold—not as a formal interview, but as a conversation, the kind that moves slowly, guided by memory.
Andy is, in many ways, a child of Tryon. His connection to this town stretches back through decades.
“I grew up here knowing everybody,” he told me. “I mean, I knew people I went to kindergarten with. Some of them are still around. Some aren’t. But I remember all of it.”
He paused and added simply, “I just always loved this town.”
That love is easy to see. It’s in the way he remembers names, places, and stories as if they were yesterday.
Linda sat beside him, listening as Andy spoke. Much like her extended family before her, she has dedicated her life to the rich benefits of Tryon and its community, most especially through her deep and ongoing involvement with the Tryon Fine Arts Center, where she most recently served as past president. During her tenure, significant capital projects were completed, strengthening the institution’s long-term stability. She also chaired the Polk County Public Library Capital Campaign, helping secure the funding necessary for construction of the Columbus Library, and served as board chair of PBS North Carolina during its early transition to digital HDTV. There is a quiet steadiness about her, a warmth that makes you feel comfortable right away. Their life together is woven into the story of this house as surely as the stone walls that hold it up.
Andy gestured around the room.
“You’re sitting in a house with a lot of history,” he said. “A lot of it.”
The walls hold paintings—watercolors, oils,
Linda and Andy Haynes share a musical moment inside Lynncote, continuing a family tradition of art and music that has echoed through the home for generations. (Photo by Kirk Gollwitzer)
sketches—many done by relatives. There are artistic sculptures placed carefully throughout the home. Nothing feels staged. Nothing feels like decoration for its own sake. Everything belongs.
“I’ve always loved art,” Andy said. “Always been drawn to it.”
He mentioned that Linda plays the ukulele, something she has enjoyed over the years, and that music has always been part of their life. Andy also plays guitar and often plays with other musicians in the community, sometimes joining in with Linda as she plays her ukulele. Music, like art, has long been part of the rhythm of life in the house.
Their connection to the arts runs deep. The house itself feels like an extension of that spirit— creative, thoughtful, and layered with memory. Andy began telling me about the attic, a space filled with trunks, boxes, and carefully preserved history.
“I’ve got letters up there from my grandfather,” he said. “Photographs. Old documents. I’ve kept everything.”
He laughed. “I even have my childhood collection of TV Guides. I don’t know why. I just kept them.” The house has become a kind of keeper of
The rear elevation of Lynncote reveals its layered stonework and sweeping views of the surrounding mountains. (Photo credit by Kirk Gollwitzer)
Andy Haynes, an accomplished musician, brings the home’s artistic heritage into the present day. (Photo by Carri Bass)
memory, holding onto pieces of the past in a way that feels deeply personal.
Before continuing, Andy explained the name itself. “‘Lynncote’ means ‘cottage at Lynn,’” he said. “Family tradition says it comes from a Scottish meaning—a cottage on a rocky hill—but really it refers to this place, the little community of Lynn just below us.”
The story of Lynncote begins with the Erskines.
Charles and Emma Erskine came from Racine, Wisconsin, first visiting this area in the 1880s. Like many northerners of that era, they were drawn by the mountains and the climate. They came looking for something different, and they found it here.
“They fell in love with the place,” Andy said. “Just completely fell in love with it.”
When they arrived, they were surprised to discover how many other Midwesterners had already settled in this part of Polk County.
“They weren’t alone,” Andy said. “Sydney Lanier’s widow was here. And the Mimosa Inn was just across what is now Highway 108. That burned in 1916, too. That site later became what is now the GreenLife Inn.” It wasn’t an isolated mountain outpost. It was a com-
The Haynes family outside Lynncote’s distinctive Tudor façade, where native stone and timber framing reflect the craftsmanship of the 1920s rebuild. (Photo by Kirk Gollwitzer)
munity already forming.
“They found themselves among people from the Midwest and people from Tryon,” Andy said. “That mix was exactly what they were looking for.”
Emma also developed a fondness for the black community and loved to be in their company.
In 1892, Charles bought the hilltop property where Lynncote now stands.
Back then, there were no automobiles. Everything that went into building the house had to be hauled up the mountain by horse and wagon. “All the stone,
An early portrait of Payne Erskine, whose artistic life helped shape Lynncote’s enduring cultural legacy. (Photo courtesy of the Haynes family archives)
Lynncote as it appeared before the 1916 fire. The original structure, built in the 1890s, was later rebuilt on its stone foundations in the 1920s. (Photo courtesy of the Haynes family archives)
A historic photograph captures early life at Lynncote during the era when Payne Erskine lived and worked on the property. (Photo courtesy of the Haynes family archives)
all the lumber—everything came up here that way,” Andy said. “You try to imagine hauling that much material up this hill with horses. It’s incredible.”
There was no electricity. No running water the way we think of it today. No fire department standing by.
“They were building this place by hand,” he said. The first Lynncote was completed in the mid-1890s and became a seasonal home. Charles was a musician, and music became part of daily life.
“On Sundays they’d invite people over,” Andy said.
“Charles played the piano. The children played instruments. My grandmother had to learn the harp so she could be part of the little orchestra.”
Emma Erskine was an artist, a writer, and a civic force. “She wasn’t just living here,” Andy said. “She was helping build the town.”
She played a key role in strengthening the Lanier Library. She helped shape land that would later become associated with the Tryon Country Club. She supported schools, the arts, and local institutions. “She believed in education,” Linda said. “She believed in the arts.”
Emma painted landscapes and portraits. She wrote books set in the North Carolina mountains. But even her writing came with barriers.
“She published under the name Payne Erskine,” Andy said. “She made it sound like a man’s name.”
Linda nodded. “That was the reality then.”
Andy added quietly, “She did all of this at a time when women couldn’t even vote.”
At one point, a comment was made that stayed with the family.
“Someone once said, ‘Emma prints money and her husband’s a millionaire,’” Andy said.
He smiled.
“Charles had the money. But Emma—she made things happen.”
After Charles died, she became even more deter-
Leaded glass windows frame the mountain views that first drew the Erskine family from Wisconsin to Polk County in the 1880s. (Photo credit by Kirk Gollwitzer)
The carved wooden mantel and native stone fireplace anchor the main living space, preserving the craftsmanship that has endured through five generations. (Photo credit by Kirk Gollwitzer)
mined.
“She built spec houses,” Andy said. “Bought land. Developed property. She figured out how to make a living.”
Then in 1916, tragedy struck.
“The house burned,” Andy said. With fireplaces and chimneys and no fire equipment to speak of, fires were common. For years, the stone remains stood.
“Artists came up here and painted,” Andy said. “People would spend time around the old structure before it was rebuilt.”
Emma lived in the lodge.
“She stayed right here. She typed her books on a typewriter in that lodge. She painted there, too.”
Eventually, the house was rebuilt in the late 1920s using the original stone foundations.
Today, the property sits on roughly twenty acres of wooded land, rising above Harmon Field and the Pacolet River valley. The Tudor Revival–style home stands in a clearing at the top of the site, with the land dropping away on three sides.
Andy describes the layout simply.
The stone archway and lantern fixtures showcase the craftsmanship that defines Lynncote’s historic character. (Photo credit by Kirk Gollwitzer)
A scene from a 1950 Life magazine feature captures the sweeping view from Lynncote’s windows, overlooking the valley below — a landscape that has inspired generations and remains largely unchanged today. (Photo credit: Life magazine archives)
“I don’t know the exact square footage,” he said. “But it’s got an adequate amount of space. It was limited by the footprint they could build around the original walls.”
The main level includes the living room, dining room, kitchen, breakfast room, and hallway. Upstairs are four bedrooms.
“There used to be another bedroom,” Andy said, “but they put an elevator shaft in later.”
Above that is the attic. “It’s enormous,” he said. “Five generations of things are up there.”
Outside, the property expanded over time. A pool and pool house were added.
“That building used to need a lot of work,” Andy said. “We fixed it up so the family could gather there.”
Inside the pool house is a regulation pool table that sat unused for years. “I kept that thing for over a decade. Finally put it back into use.”
In many ways, the property became what Andy calls a “family compound.”
“The great-grandparents built it as a summer home,” he said. “After my great-grandfather died, Emma came back. The house burned. She lived in the lodge.”
His grandmother later lived in the main house.
“She was really cool,” Andy said. “I lived here with her. She was much cooler than my great-grandmother.”
As Emma aged and began having strokes, her children placed her assets into a trust.
“She wrote letters for years asking to have things returned,” Andy said. The trust was divided into seven parts.
After Andy and Linda married in 1976, they lived in the lodge. “Eventually, people thought the place was a white elephant,” Andy said. But they loved it.
“With the blessing of the family, we found a way to buy the whole property.”
Linda’s parents later lived in the lodge until they passed. “So this place has really been a family compound for over a century,” Andy said.
Later, the conversation turned to how they met.
“I was about twenty-five, living here and working as a lawyer,” Andy said. “My social life was about zero.”
A mutual friend introduced him to Linda.
“At first I said no, I didn’t know anything about him,” Linda said. “We started dating in June of 1975, and got married in ’76.”
“And here we are,” Andy added.
They have raised children here. Collected art. Preserved letters. Continued the life that has unfolded on this hill for generations.
“It means a lot to us,” Linda said. “It’s not just a house.”
“We’re just taking care of it,” Andy said. “For the next people.”
Emma Payne Erskine left a legacy in words and art as well as land. Among her best-known published works are When the Gates Lift Up Their Heads (1901), The Mountain Girl (1912), and A Girl of the Blue Ridge
(1915), novels set in the North Carolina mountains that went through multiple printings. She also published poetry, including Iona, a Lay of Ancient Greece (1888) and The Harper & the King’s Horse (1905), along with additional novels such as The Eye of Dread and Joyful Heatherby (1913). Beyond writing, she painted dozens of landscapes of the Tryon area and portraits of people living in the surrounding countryside, leaving a visual record of the region in its earliest years.
And as I drove back down the narrow driveway, the house slipping from view behind the trees, I realized the feeling I’d always had when passing by was right.
Lynncote doesn’t just sit on that hill. It watches over the valley. And inside, the stories are still being told.
Lynncote is located on Lynn Road near Tryon, North Carolina. Historical details referenced in this article are drawn from family recollections, personal interviews, and the National Register of Historic Places documentation associated with the Lynncote property.
Emma Payne Erskine is depicted in this portrait, painted by her husband, capturing the quiet strength and artistic presence of the woman whose vision helped shape Lynncote’s enduring legacy. (Photo credit: Haynes family archives)
Question: I’ve Tried Everything for My IBS — Can Acupuncture Really Help?
Digestive disorders like IBS (Irritable Bowel Syndrome), SIBO (Small Intestinal Bacterial Overgrowth), and Ulcerative Colitis can significantly impact daily life by causing bloating, abdominal pain, constipation, diarrhea, urgency, fatigue, and food sensitivities.
These conditions often involve stress, inflammation, immune imbalance, and disrupted gut motility- all of which acupuncture can help to regulate. Here’s how:
1. Calms the Gut–Brain Stress Loop
The digestive system and nervous system are deeply connected. Stress, anxiety, and even lack of sleep can trigger flares and aggravate inflammatory bowel conditions. Acupuncture has a deeply calming effect on the nervous system, shifting the body from a constant state of “fight-or-flight” into a “rest-and-repair” mode, allowing inflammation to subside.
For many patients, reducing stress reactivity alone creates noticeable digestive relief.
2. Reduces Abdominal Pain and Cramping
Digestive conditions often involve increased sensitivity in the intestines. Even normal gas or digestion can feel painful.
Research shows acupuncture can: Increase natural painrelieving chemicals (endorphins), reduce overactive gut pain signaling, and relax smooth muscle spasms in the digestive tract
3. Helps Regulate Bowel Movements
Whether symptoms lean toward constipation, diarrhea, or alternating patterns, acupuncture can help regulate gut motility—the speed and coordination of digestion. Acupuncture strengthens muscles in the digestive tract, improving peristalsis and influencing nerve pathways to reduce urgency. Acupuncture also stimulates the release of neurotransmitters and hormones that regulate gut motility and keep things moving.
Patients report improved rhythm and predictability after a series of treatments.
4. Supports Immune and Inflammatory Balance
Conditions like ulcerative colitis involve immune system overactivation and intestinal inflammation. Acupuncture promotes the release of anti-inflammatory substances in the body brought on by increased circulation.
These anti-inflammatory substances modulate inflammatory markers, help regulate immune signaling, and support gut barrier integrity.
5. Treats the Whole Person—Not Just the Gut
Acupuncture works system-wide. By supporting sleep, calming anxiety, and improving energy levels, it helps create an internal environment where the digestive system can function more effectively.
When acupuncture is used alongside nutrition and lifestyle support, it can be a powerful tool for symptom management and improving quality of life.
Easter-themed cupcakes make a great treat for youngsters
Easter is widely characterized as the holiest day of the year on the Christian calendar. Faith features prominently in modern Easter celebrations, which also include some secular traditions, particularly in families with young children. The Easter bunny and Easter egg hunts are not necessarily the focal point of Easter for adult Christians, but children greatly enjoy these traditions.
It’s customary to give young children a basket of treats on Easter Sunday. Though store-bought treats are easy to come by, homemade items can be even more special. This recipe for Easter-themed “Vanilla Cupcakes” from Lines+Angles is sure to get a laugh out of youngsters, who also won’t mind taking a bite or two of these tasty treats.
Vanilla cupcakes (Makes 12 cupcakes)
For the cupcakes:
• 4 ounces butter
• ½ cup sugar
• 2 eggs, beaten
• 1¼ cups flour
• 1 teaspoon baking powder
• ½ cup milk
• 1 teaspoon vanilla extract
Instructions:
For the grass:
• 4½ ounces unsalted butter
• 1⅓ cups icing sugar
• ½ teaspoon vanilla extract
• 1 tablespoon milk
• Green food coloring
1. For the cupcakes: Heat the oven to 375 F. Place paper cupcake liners in a 12-serving muffin tin.
2. Beat the butter and sugar in a mixing bowl until light and fluffy.
3. Gradually beat in the eggs, mixing until fully incorporated.
4. Sift in the dry ingredients and gently stir into the mixture. Stir in the milk and vanilla until blended.
5. Spoon the mixture into the paper liners. Bake for about 20 minutes, until golden. Cool in the tin for 5 minutes, then place on a wire rack to cool completely.
6. For the grass: Beat the butter until soft. Sift in the icing sugar and beat until smooth. Beat in the vanilla and milk until blended. Reserve about 2 tablespoons of buttercream and set aside.
7. Beat the food coloring into the larger amount of buttercream.
To decorate:
• 11 ounces white sugarpaste/ fondant
• 4 ounces pink sugarpaste/fondant
• Icing sugar
• Mini sugar eggs
8. Spoon into a piping bag with a grass nozzle. Pipe on top of the cupcakes, starting at the outside edge and working in circles, pulling up and away when a buttercream strand is long enough.
9. Roll pieces of white sugarpaste into 12 medium balls for the bodies and 24 small thick rectangles for the paws. Reserve some white sugarpaste.
10. Brush the paws lightly with a little water and attach to the bodies.
11. Roll 12 small balls and 72 tiny balls of pink sugarpaste. Cut the larger balls in half and press into oval shapes. Brush lightly with water and attach to the paws. Attach 3 tiny balls to each paw with a little water.
12. Put the reserved buttercream into a piping bag with a grass nozzle and pipe a “tail” on each bunny.
13. Arrange the sugar eggs on the cupcakes.
14. Roll out the sugarpaste trimmings separately on a surface dusted with icing sugar, cut out flowers, and place on the cupcakes.
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