Bridge For Design Winter 2013 US

WINTER 2013

£3.50 $7.00

INTRODUCING "MADEMOISELLE" BY CHRISTOPHER GUY – A LUXURY COLLECTION OF UNIQUE DECORATIVE FURNISHINGS, REFLECTING A P E R S O N A L D E S I G N I N T E R P R E T AT I O N OF HOW THE MOST REVERED F R E N C H FA S H I O N D E S I G N E R M AY H AV E C O M M I S S I O N E D H E R H O M E I N TO DAY ’ S C O N T E M P O R A RY WO R L D. . .

the ‘Benson’Range Encouraged by Sir Edwyn Byrne Jones and William Morris, W A S Benson established a metal workshop in London in 1880. These Arts & Crafts lights are inspired by his designs.

CF981 Rise & Fall Pendant Light H240 x D400mm; Cream or green shade TL980 Table Lamp H650 x D380mm WL980 2-Light Wall Sconce H310 x W480mm

Christopher hyde Ltd

Tel: +44 (0) 20 7351 0863 Fax: +44 (0) 20 7351 0893 sales@christopherhyde.com www.christopherhyde.com Unit 2/12 Second Floor, Centre Dome, Design Centre Chelsea Harbour, London SW10 0XE

Lighting for

Prestige Interiors

the ‘Jazz’ Range Murano glass spheres and polished nickel on brass: WL711 2-Light Wall Sconce, H155 x D29mm TL711 Table Light Spheres, H520 x D160mm CF711 6-Light Chandelier, H530 x D720mm Silk lampshades for the new Jazz range: Oval 5” Laminate Candle Shade, H4.25” x W5” x PROJECTION 3” LS205BLAM (Blue Silk); LS205RLAM (Red Silk) Oval 14” Laminate Doup Shade, Self Trim H11” x W14” x PROJECTION 10.25” LS214BLAM (Blue Silk); LS214RLAM (Red Silk)

Christopher hyde Ltd

Tel: +44 (0) 20 7351 0863 Fax: +44 (0) 20 7351 0893 sales@christopherhyde.com www.christopherhyde.com Unit 2/12 Second Floor, Centre Dome, Design Centre Chelsea Harbour, London SW10 0XE

E a u Z o n e P l u s 10 m m S l i d i n g D o o r f o r C o r n e r o r R e c e s s . C o n t e m p o r a r y s t y l e , t e c h n i c a l i n n o v a t i o n Beautifully engineered in the UK F O R A M AT K I S H O W E R I N G B R O C H U R E A N D N E A R E S T B AT H R O O M S P E C I A L I S T C A L L 01 4 5 4 3 2 2 8 8 8 | W W W. M AT K I . C O. U K | M AT K I P L C , B R I S TO L B S 3 7 5 P L

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WINTER 2013

CONTENTS 34

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Design News Names and events in the design world

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Interior Design Review Andrew Martin’s top designers

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Design Trends Outdoor furniture

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Design Trends Upcycling can be beautiful

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Inspired by…

Internationally acclaimed Allison Paladino

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Inspired by…

Patrick Sutton, a passionate and romantic designer

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Design Trends Chrome is cold gold is warmth

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Decorex Review Jim Evans tours with Kit Kemp

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Chelsea Design Quarter London’s newest design district

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Let there be Light Sally Storey talks about her life in light

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The thrill of the hunt Julia Boston on uncovering treasure

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To walk the halls, the rooms. To touch. To feel the detail. Detail that is all yours. A home created by you. Your imagination. Your dreams.

Built to your every want, hand in hand with Octagon Bespoke.

There really are few finer things.

www.octagonbespoke.com To find out more about how Octagon can help to build the home of your dreams, please contact John Pope on 020 8481 7500 or email johnp@octagon.co.uk

Few finer things‌

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A contemporary extension That was inspired by light

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Design Trends Lighting as an art form

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Downton’s decadent effect Why we are into velvets

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Design Trends Soft grey hues set the tone

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My Favourite Room Renowned figures reveal favourite spaces

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Inspired by…

The young and exciting team at Wish London

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Can you keep a secret?

Designers are the new psychotherapists

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Inspired by…

Rising UK interior design company The Design Practice by UBER

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Design Trends Happiness starts in the kitchen

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Art review Charlotte Morgan on a modern collective

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Shows and Exhibitions Your guide to key interiors events

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134 136 AUTUMN 2013

WINTER 2013

£3.50 $7.00

Cover The interior of a Country House designed by Baltimore- based architect and designer Patrick Sutton.

See Inspired by Patrick Sutton Associates page 117

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www.patricksutton.com

www.bridge4design.com

Makers of fine contemporary furniture and interior joinery | Bedrooms | Dressing Rooms | Libraries | Kitchens | Offices | Cinemas | Media Rooms | | Wine Rooms | Console Tables | Interior Doors | tel 01743 464080 info@ isis-furniture.co.uk www.isis-furniture.co.uk

CONTACT US

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£3.50 $7.00 WINTER 2013

£3.50 $7.00

£3.50 $7.00

AUTUMN 2013

WINTER 2013

AUTUMN 2013

SAVOIR BEDS SINCE 1905

8.5 MM SPINE COVER BRIDGE AUTUMN FINAL.indd 3

19/08/2013 16:53

CONTACT US PUBLISHER Martin Trowbridge

EDITORIAL

E: Martin@bridge4design.com T: +44 (0)20 7371 8733

MANAGING DIRECTOR Rob Cork E: Rob@bridge4design.com T: +44 (0)1892 667 600

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Kelly Wenham

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SALES DIRECTOR

21/2/2005

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Guy Davis

UK ADVERTISING

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Natalie Lucas

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CONTRIBUTORS

Simon Hemsley

Charlotte Morgan Melanie Cable-Alexander John Kitching US ADVERTISING Jim Evans Shelba Cornelison Mandy Shanahan E: Shelbaacc@aol.com T: (1) 336 869 2528 Rebecca Weir Christopher Hyde ACCOUNTS Working with people who are not only colleagues but friends as well added to the whole enjoyable Luis Blasini Sara Davies experience of putting this book together. So, a massiveCheryl thank Gurner you to friends Orla Broderick and Debbie E: Sara@bridge4design.com +44 (0)1892 667I 600 Major for their T: creative energy. could not have done it without you guys. To Lorna Brash for all her attention to detail in the studio.

To food photographerSUBSCRIPTIONS Juliet Piddington for more delightful sensiferous DESIGN & LAYOUT moments. To all Gary the team at BBC Books, especially Rachel Copus, editor, who gently persuades me Marsh Bridge For my Design E: Studio@marshgraphicdesign.co.uk E: Subs@bridge4design.com to get the bleedin’ thing done ..., my commissioning editor, Nicky Ross, for allowing me to indulge T: +44 (0)1444 831 314 T: +44 (0)786 754 7712 myself sometimes with the occasional oxtail recipe, and Isobel Gillan for her design work.

E: Simon@bridge4design.com T: +44 (0)7919 375 159

Acknowledgements

Spend a third of your life in first class

Thanks also to my agents and friends at JHA, my caring wife Clare, our great kids Jimmy and Maddie, and Oscar, it’s time for walkies!

16 Sybron Way, Jarvis Brook, East Sussex, TN6 3DZ The Random House Group Limited supports the Forest Stewardship Council® (FSC®), the leading international 7 Wigmore Street, London certification W1 United Kingdomapproved FSC® certified paper carry the FS organisation. All our titles that are printed on Greenpeace savoirbeds.co.uk

Harrods, Knightsbridge, London SW1 Plaza, 535 King’s Road, London SW10 +44 (0)20 7493 4444 London

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Our paper procurement policy can be found at www.randomhouse.co.uk/environment www.bridge4design.com

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Views expressed by contributors are independent and are not necessarily those of Bridge for Design.

Published BBC Books, BBC Worldwide Ltd from the Editor.

Reproduction in whole or part is by strictly forbidden without prior permission in writing All rights reserved. Copyright © 2013 Bridge for Trowbridge Woodlands, 80Design, Wood Lane Gallery ISSN 1764-4404

London W12 0TT

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First published 2004 Reprinted 2004, 2005 (twice), 2006, 2007, 2008 Copyright © Ainsley Harriott 2004 The moral right of the author has been asserted

DESIGN NEWS

Architect and Designer David Easton (left) is the latest leading name to collaborate with the master craftsman at Chaddock, creating one-of- a-kind heirlooms. “Chaddock is leading a new journey into the future of furniture and design,” said David at the launch of his Fall 2013 collection. Chaddock’s American master craftsmen, based in the

foothills of North Carolina’s Blue Ridge Mountains, use artisanal techniques passed through the generations to create furniture of the highest quality, hand finished in a 25-step process developed to enhance the selected woods. www.chaddockhome.com

William Yeoward creates his objects of desire Designer William Yeoward’s latest collection was born out of his frustration of not being able to find the pieces of furniture that he wanted for himself.

William, one of London’s most highly respected creative forces, created his collection to share the one-of-a-kind antiques discovered throughout his travels as a decorator.

“I found it very annoying that the beautiful pieces of furniture that I have eyed and hankered after have become both extremely scarce and, when available, well beyond my pocket,” he said.

“I decided some time ago that I would put the wheels in motion to find a way of re-introducing these pieces to the market.”

Harlequin Studio has recently launched its new Leonida range of wallpapers and velvets which evoke a spirit of faded grandeur and distressed opulence. Inspiration for the collection came from pieces that were sourced from vintage and flea markets and then translated to give a modern-day edge and sleek contemporary feel. www.harlequin.uk.com

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By a stroke of good fortune, William met Jonathan Sowter, a like minded enthusiast with a talent for manufacturing complex and exciting pieces of furniture steeped in historical reference and using traditional techniques.

Jonathan is a traditionally trained furniture maker, his company Jonathan Charles, has a worldwide reputation for making exciting high quality furniture.

Together they set about creating ‘William Yeoward…Collected’

“My last decorating job was for Lady Thatcher at the time she left government. Having completed the project I realised that I had to decide between private clients and designing product that would eventually be the basis of our brand. That was the end of my decorating career,” he said.

“It’s simple,” he said “I just design what I would like to have in my own home and fortunately there are other people who seem to like it too. Buying my work should bring long term pleasure not instant gratification and then years of disappointment.” www.williamyeoward.com www.jonathancharlesfurniture.com

TROWBRIDGE

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AmericasMart Building 1 Floor 14, Suite A5

World Trade Center Level 6 Booth 621

World Market Center, Building C, Booth C-0145

Javits Centre Booth 1220 New York

www.trowbridgegallery.com

DESIGN NEWS

Ghosts of Profumo scandal The ghosts of a political scandal still haunt picturesque Spring Cottage on the Cliveden Hotel estate. It was at the centre of the Profumo affair in the early 1960’s which threatened to bring down the UK government. Designer Martin Hulbert (left) was asked to redesign the cottage and as a nod to its infamy he has recreated the famous chair that features in the iconic photograph of Christine Keeler, the woman at the centre of the storm. This secluded hideaway is available to rent.

The secret of a memorable night’s sleep

www.clivedenhouse.co.uk

Hypnos ‘secretly’ knows that it is a supremely comfortable bed that is at the heart of a truly memorable night’s sleep. With over 100 years experience of making made-to-measure beds, using the finest natural materials, and with a Royally Approved reputation for hand crafting the most comfortable beds in the world, it is no surprise that Hypnos beds and their sublime comfort can be found in the finest homes, palaces and hotels.

YOU can now enjoy the shopping delights of a Moroccan souk without leaving the comfort of your armchair. Moroccan Bazaar has sourced more than 3,000 hand crafted pieces for their website. www.moroccanbazaar.co.uk

LUXURY British children’s brand, Hibou Home, has great collections of kids designer wallpapers and fabrics that are not only inspiring and fun but stylish too. www.hibouhome.com

INTERIOR designer Paolo Moschino has new collections of fabrics, lighting and furniture. Many of the pieces in his new furniture collection are reinterpretations of some classic pieces from the 20th century. www.nicholashaslam.com

T: +44 (0) 1844 348200 | E: designer@hypnosbeds.com 22

www.hypnosbeds.com

UPMARKET paint manufacturers Farrow & Ball have launched nine new paint colours this winter. Like all Farrow & Ball tones each has an intriguing name and unique story. In this case it’s Wevet No 273, which, if you didn’t know, is an old Dorset term for a spider’s web.

www.farrow-ball.com

delcor.co.uk

In an off the peg world, live bespoke.

You want it longer, shorter, taller or wider. You want floral for the sofa, tartan for the chairs. You want square legs, not turned. The answer is yes. It’s what we mean by ‘Live bespoke’. Sofas and chairs handmade to perfection.

Live bespoke.

GIDEON HATCH

DESIGN NEWS

Barry Dixon’s global collection Acclaimed US designer Barry Dixon (left) has just launched his second collection for Arteriors, which has been inspired by his childhood travels to exotic locations. Living in India, Pakistan, Korea, New Caledonia and South Africa, Barry gained a global perspective for design.

The new collaboration introduces upholstered dining and occasional chairs with a mix of eclectic products. Barry’s belief is: “The greatest quality a home might possess is that of innate, soulful hospitality.”

His latest book. Barry Dixon Inspirations, is now available. www.barrydixon.com AMERICAN Interior and home furnishings designer Thomas O’Brien celebrates 20 years of his famed Aero design studio by publishing an album of specially collected images and reminiscences. Aero: Beginning to Now is available from Abrams. www.aerostudios.com

NEW from Sofa Workshop this season is the regally named Lady Victoria, a three seater sofa shown in Devotion Azure. The sofa has deep feather seats and feather scatter cushions and the dark wooden legs have distinct chrome castors to add a touch of glamour. www.sofaworkshop.com

‘Padina’ 20

Hand knotted rug

+44 (0)20 7498 5574

www.gideonhatch.co.uk

www.aerostudios.com

www.vgnewtrend.it

ph. Andrea Pancino

Who says our runners are just for stairs and hallways?

DESIGN NEWS

be alternative

Nicky Haslam creates gothic magic Society interior designer Nicky Haslam (left) has designed a new collection of whimsical gothic-style furniture for OKA. Based on designs of pieces in his own beloved 1740’s hunting lodge country home in Hampshire, his fascinating collection is a celebration of Gothic revival, injecting interiors with glamour and magic. www.okadirect.com

FASHION brand, French Connections’, foray into the home furnishings market continues with a winter collection which embraces chalet chic, mixing muted earthenware with chunky blankets and patinated metal.

Shown: Quirky Fling Lime

www.frenchconnection.co.uk

AMERICAN brand Waterworks, best known for its luxury kitchen and bathroom designs, has branched out into lighting. Its debut collection, Watt, comprises of glass wall and pendant lights. www.waterworks.com

FASHION designer, Alice Temperley, has created a limited edition collection of ten green bottles for Gordons Gin, inspired by her collection of vintage clothes and jewellery. www.gordons-gin.co.uk

See 18our new runner collections online at www.alternativeflooring.com T: 01264 335111

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FABRIC and wallpaper company Linwood celebrates this Sporting Life with a new collection this winter. Sporting Life is a quirky new collection which embraces all things quintessentially English from Queensberry boxing rules to Country Hunting scenes in a series of 15 designs and 64 different fabric options and coordinating wallpaper. www.linwoodfabric.com

The Tate Modern showcases work by Paul Klee, a giant of 20th century art and one of the great creative innovators of the time, in an exhibition which runs www.tate.org.uk until March 9th.

LIGHTING

WARMTH & COLOUR Belle de Nuit Chandelier 24 porcelain shades · Multicolor 100 x Ø80 cm

With all the warmth of porcelain and a wide range of bright colours the ceiling lamps in the Belle de Nuit collection update the classic chandelier in a new language.

Like all Lladró creations, Belle de Nuit lamps are handcrafted at the brand’s workshops in Valencia (Spain).

Lladró Boutique 194 Piccadilly · London W1J 9EX · 0207 494 0407 · london-pi@uk.lladro.com · www.lladro.com

HODKIN & JONES Ltd.

DESIGN NEWS

EST. 1868

Bernhardt’s mood is sexy Ron Fiore, US furniture maker Bernhardt’s Creative Director, is excited about their new ‘downright sexy’ collections which, he says are for people who are strong, confident and powerful. The collections feature dark woods, plush hides and golden metals and mark a return to a mood of sophistication and lushness in home furnishings. “It’s fresh, clean and traditional with a bit of an edge,” says Ron. www. bernhardt.com

THERE is a new innovation in paint sampling – the iPatch. It

has been designed to replace painted patches on the wall. The iPatch is A4 and is painted on one side with a low tack adhesive on the back to allow you to attach and re-attach to any wall.

www.colourandpaint.com

An award winning range of outstanding fibrous plaster mouldings Bespoke and installation also available.

For a free copy of our brochure contact our sales office 01246 290890 or email sales@hodkin-jones.co.uk www.plastermouldingsonline.com

The Home of Fibrous Plaster 24

DESIGNER Christopher Dezille, of Honky, has been working with Simpsons Mirrors and Furniture to produce the new Byzantine Collection of furniture and mirrors. Mirror Mirror and Bourbon are the result of their first collaboration.

Luxurious materials and finishes are used for the contemporary furniture and striking ‘sculpture’ mirrors. www.simpsonsmirrors.com

www.colourandpaint.com

DESIGN NEWS

A sleek contemporary interior by Danny Cheng

And the Oscar for interior design goes to ...

VICTORIAN WOODWORKS, specialists in fine antique, reclaimed and new wood floors has launched a collection of patterned wood flooring called the Jewelmark Collection. Patterns include chevron, herringbone as well as an original concentric end grain oak design. It offers engineered wood floors in a range of sizes, finished according to the look and feel of the space. www.victorianwoodworks.co.uk

Martin Waller’s passion for good design led him to launch the Interior Designer of the Year award in 1996, described as the Oscars of the interior design world.

The awards attract entries from designers worldwide, and each year the best work is published in the influential Interior Design Review book now in its 17th year and described as the bible for the interior design world. This year’s book features work from the world’s leading designers of 2013 including winner of the Andrew Martin Interior Designer of the year award Rose Uniacke.

“Her work is a masterclass in how her austere restraint underpins the haunting beauty of her rooms,” said Martin.

A striking entrance hall by Nikki Hunt

Andrew Martin Interior Design Review is published by teNeues priced £45. www.andrewmartin.co.uk

JONATHAN SAINSBURY has just launched his latest furniture and mirrors called the Decadence Collection. It contains 50 pieces based on celebrated designs of the great masters of 18th and 19th century furniture. They include carved side-tables, colossal side-tables, chairs covered in elegant fabrics and gilt and aged painted mirrors.

“Our new collection shows that it is possible to create pieces that are historically accurate and visually stunning,” said Jonathan. www.jonathan-sainsbury.com

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A green and white bedroom by Ana Cordeiro

A stylish sitting room by Jimmie Martin

DESIGN TRENDS

The boom of the outdoor room

By Luis Blasini

“P

ERHAPS ONE OF THE STRONGEST TRENDS I have witnessed in the 15 years I have been in the furniture business has been the boom of the “outdoor room”. I have seen a huge movement in the US to expand living space to the outdoors. This comes with a realisation that outdoor rooms not only have the potential to add value to the property, but more importantly, to enhance the quality of life. Ultimately, it is also about creating another social space where people meet and create shared experiences.

This shift has also made consumers think about the longterm when choosing outdoor furniture, landscaping and accessories. They are more willing to allow the budget for quality pieces that will last through the test of time and the elements. When looking for outdoor furniture, they need to ask many questions about the quality of the frames, other raw materials and cushion construction and to think about their durability and impact on the environment. The trend is to look for pieces that are made from recycled or recyclable materials.

For teak furniture, to make sure the wood can be traced to a sustainable source. The answers to these questions will give a strong indication of the product’s quality.

The range of quality outdoor products in the market today offers the homeowner a great palette of colors and materials.

The myth that good design has to be sacrificed for comfort has also been debunked. The development of new weather resistant materials and fabrics has allowed designers to create truly unique pieces.

Emily chair

The huge wave of all-weather wicker that flooded the market a few years ago has somewhat subsided and there has been a re-emergence of a variety of materials like aluminum, mesh, cement, teak and synthetic wood. More and more outdoor companies are evening out their offering with these diverse materials.

As far as colour trends, there has been a movement away from the ever-popular brown frames to greys and taupes. They offer designers and homeowners the possibility to explore complex textures and neutral colour palettes as a core. The upholstery fabrics can now be used to inject a pop of colour as an accent.

The main colour trend at the moment is blue. It is the colour of loyalty and confidence that becomes particularly attractive in times of political or economic instability. It is a relaxing colour that has often been associated well with the outdoors, especially by poolside or by the shore. Other tones on the scene now are violet, cayenne and orange. These offer a warm counterpoint to the blues. I like to encourage people to play with colour outdoors. Changing the colour of cushion covers or throw pillows is an easy way to give your outdoor space a quick makeover.

People are also looking to integrate fire and water features into outdoor designs. The use of fire pits or outdoor fireplaces has extended the amount of time in the year these spaces are being enjoyed and they create a warm, welcoming environment. Water features like fountains or ponds provide a focal point and provide a calming effect.

In short, the outdoor room has become a second family room.

The backyard, patio or balcony is no longer an afterthought, but a calculated design choice. The boundary dividing the indoors to the out has been erased.

St. Barths chair Rhone Table

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Luis Blasini Kannoa USA 14810 NW 24 Ct. Miami Florida 33054 T: (1) 305 651 9655 www.kannoa.com

From decorative casegoods to tailored upholstery, Alden Parkes reinterprets and remasters the icons that define gracious living.

Visit our NEW SHOWROOM or scan our QR code to discover High Point’s best-kept secret.

High Point Showroom: 200 North Hamilton Street, Suite #207.

Located in the prestigious Hamilton-Wrenn Design District on the 2nd Floor in the NORTH COURT of the 200 Building.

Showroom Phone # 336-883-0221. www.aldenparkes.com

DESIGN TRENDS

Upcycling can be a beautiful thing

by Mandy Shanahan

“W

HEN I WAS YOUNGER MY MUM HAD A burgeoning fabric and drapery business which gave me an appreciation for colour and trend at a very young age. Whether I knew it or not, this influenced my design sensibility and I quickly learned I had a passion for creativity. While attending university I began noticing and gravitating towards sustainable trends. What I later found is it would be a focus of my design career.

There are many layers to sustainability. Using post-consumer recycled materials is the first layer but as you dig deeper you realise it opens an entire new way of looking at design. Why not upcycle and showcase the product rather than melt it down and just use the material?

You may have already seen this trend in architecture and fashion. While studying for my Masters in Interior Architecture I attended a lecture on this subject. Architects were just starting to use shipping containers to invent wonderful new structures. They were stacking them to create buildings. This left a bold impression on me. Likewise, fashion houses have used discarded truck tarps and tires to create messenger bags, wallets, and in some cases, dresses.

You can see a lot of upcycling happening in home furnishings.

Chairs, side tables and room dividers fashioned out of discarded bicycle rims, wall discs made from decommissioned oil drums, and shards of glass that are formed into thick slabs and used as the tops for coffee tables.

You would be shocked by just how many bicycles are thrown out every year. Rather than melting down and using the base material, why not showcase the various components in a sophisticated and modern way?

Another great example of this are products created from old oil drums. While they can no longer be used for their original purpose, they can be transformed into a wide range of home furnishings, using every last bit of material and leaving nothing to waste. I saw the beauty in showcasing the lid and after some experimentation, learned that I can yield 11 total discs from a single 55 gallon drum. I wasn’t satisfied because there were rims and rings that were still left over. We thought about how to connect those and ended up with some stunning room dividers, tables and pedestals.

An emerging trend is upcycling glass in a way that leaves some indication of its previous life. This year I designed a collection of tables that are generously proportioned and all employ a sustainable theme of melted down pieces of glass.

The process is simple but the result is a soft ‘sea glass’ effect that has been very well received.

Designers find inspiration everywhere and we are all very excited to have access to an entirely new material category.

I’m excited to see the evolution of this movement in the years to come. Sustainable design is no longer a trend but surrounds every aspect of our lives. People not only want to buy green products, but they are demanding it. Nevertheless, the most important thing for a client is that the item they are purchasing is beautiful. If it can resonate with them on another level, you’ve truly hit a home run.”

Mandy Shanahan is Lead Designer at The Phillips Collection

Mandy Shanahan Lead Designer The Phillips Collection 916 Finch Avenue, High Point, NC 27263 Tel: 336 884 9287 www.phillipscollection.com

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made in america made to order made to last

Moduluxe Bedroom

copelandfurniture.com

Audrey Dining

PROMOTION

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DESIGN INSPIRATIONS Anthony introduces fresh and exciting product 1 Nathan designs inspired by personal travels, art, fashion and

architecture – such as this sleek, contemporary sofa called Charming. Its unusual fabric choices allow a wide array of modern looks with the elegance of times past. Charming’s elongated seat cushions combine style with comfort.

Tel: +001 323 584 1315 www.nafurniture.com

deeply splayed legs producing dramatic cantilevers, 2 With the Astrid bedroom is an engineering feat that defies expectations and inspires a sense of possibility. The collection is crafted in solid cherry, maple or walnut hardwood and is made to order in several finishes. The simple, clean lines provide a sophisticated look.

Tel: +001 802 222 9282 www.copelandfurniture.com

handsome panel sleigh bed features a rich mahogany elegant Mario sideboard is veneered in cluster elm 3 The 4 This finish and eye-catching details that evoke an aura of and features split circular recessed brass accents. One of many designs from the widely diversified line of home furnishings by John-Richard, known for its innovative and fashion forward styling, this hand-polished cabinet is a striking 72” wide.

Tel: +001 662 453 5809 www.johnrichard.com

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comfortable sophistication. As part of Biltmore by Find Furniture Design, this is one of seventy plus unusual items inspired by George and Edith Vanderbilt, curated to work beautifully together or stand alone.

Tel: +001 336 883 9918 www.biltmorefinefurniture.com

F I N E A R T L A M PS CONSTRUCTIVISM COLLECTION DA LLA S | MIA MI | HIGH P OI NT | MOSCOW Origin al ligh tin g design s h an dcrafted in A merica and specified worldwide since 1940 | www.fineartlamps.c om

PROMOTION

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DESIGN INSPIRATIONS stylish English firegrate is beautifully finished in satin The straight lines of the Tiffany cabinet take their 1 This nickel, one of many unusual fireplace designs by Homefires, 2 inspiration from Danish design. Offered in a gloss white well known as a great source for quality fireplace equipment.

More than just functional grates, these designs are decorative pieces of art. Homefires is America’s exclusive distributor for Real Flame Dowding Metalcraft.

Tel: +001 704 376 9747 www.homefireusa.com

finish with gold accents and two adjustable shelves.

Meticulously cast patterned brass hardware and polished gold brass with stylish stiletto legs accentuate the sophisticated cabinet.

Tel: +001 904 279 1617 www.aldenparkes.com

balance of feminine and masculine features defines the most elegant and graceful shape for a diamond 3 Perhaps 4 The the relationship between the upholstered ottoman and is the marquise, formed by two curves intersecting. This is the inspiration for Fine Art Lamps’ new collection.

Available in Florentine brushed gold leaf, platinised silver leaf or antique hand–rubbed bronze.

Tel: +001 305 821 3850 www.fineartlamps.com

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the console. American designer Peggy Norris lets curved forms meet with linear surfaces, yielding a balanced, harmonious interplay.

Tel: US +001 336 885 2239 UK +44 (0) 1273 385 255 www.selva.com

Produced under license by Fine Furniture Design.

BiltmoreŽ by Fine Furniture Design is inspired by George and Edith Vanderbilt’s comfortable approach to gracious living and hospitality. Visit BiltmoreFineFurniture.com

Inspired by Allison Paladino

INSPIRED BY

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AILED AS ONE OF THE FRESHEST FACES ON the design scene today, internationally acclaimed designer Allison Paladino is known for creating exquisite residential interiors that exude a soft and modern elegance.

She owns and runs Palm Beach-based firm, Allison Paladino Interior Design and is also the creative force behind Allison Paladino Collections, her exclusive lines of luxury home furnishings.

Allison’s mother was a designer and she grew up surrounded by design. “I grew up in a fabulous old Mediterranean home in Palm Beach. The house was so beautiful and it had an amazing atrium in the centre. All the rooms opened up and were connected to the atrium by French doors.

It was built in the 1920s and I was very taken with it as a child.

It even had two secret rooms with hidden buttons in the wood panelling to open them up. I used to love hide and seek. My friends would never find me,” laughs Allison.

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Allison was a rebellious child and by the time she went to college she didn’t want to follow in her mother’s footsteps: “I was stubborn and decided to do a course in PR and marketing.

I lasted one year and then switched to interior design. Now I can’t imagine doing anything different, it’s very rewarding. My mother is now living vicariously through my career and it’s fun to share the honours I have received with her.”

Alison left university with a BA in Interior Design and by chance she quickly got her first big break.

She had to drop off a package at the offices of the then, relatively unknown, Thomas Pheasant, now a renowned designer.

“I was very bold and asked Thomas what he did. I even had the audacity to ask if I could see his portfolio. He kindly showed me and then replied ‘you’ve seen mine now show me yours.’

I always carried my portfolio around and rushed to the car to retrieve it.”

Thomas offered Allison a job. “It was serendipity, it was simply meant to be. I was like a sponge and absorbed everything Thomas could teach me.”

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She stayed with Thomas, under his tutelage, for four years and learned about interior architecture and customising furniture.

“Thomas really got my creative juices going. He owns the largest collection of Baker Furniture and he was the one who finally encouraged me to design my own furniture collection.”

At the end of four years Allison returned to Florida to work for Jennifer Garrigues. “She was the antithesis of Thomas. Jenny liked collections and she had an incredible eye for colour and a passion for antique rugs that added a whole new dimension to my experience.”

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With eight years experience under her belt Allison decided to set up on her own. She worked from home to begin with but a few years on opened her first studio and retail shop in Palm Beach and she has not looked back.

Allison has regularly been included in Andrew Martin’s Interior Design Review which annually profiles the world’s leading designers and has been named ‘One of America’s Top 25 Young Designers by House Beautiful.

Her furniture collections are inspired by her love of modernism, 1930s Art Deco and the exotic woods used at the time. She

Caption. Photo ?

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306 Eastman / Greenwood, Mississippi 38930, USA 866.389.6642 / w w w.johnrichard.com / Follow Us 7 Wessex Trade Centre / Ringwood Road / Parkstone Poole Dorset BH12 3Pf / P: +44 (0) 1202 717017

INSPIRED BY

loves to work with walnut and mahogany and parchment materials that were popular during this period.

“I like mixing them with polished nickel. I am currently introducing metal pieces for the first time. I also love to go organic and I’m currently working on a cocktail table inspired by branches. It will be available in gold and silver leaf.”

Allison finds it hard to let go: but also very sad. The clients to know them intimately. I feel last day but it’s great to return own work.”

“It’s great to finish a project become friends and you get very reluctant to leave on the for drinks and appreciate my

Allison Paladino Interior Design allison@apinteriors.com Tel: +00 1 561 741 0165 www.apinteriors.com 98 100

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MADE IN THE USA

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available through to-the-trade showrooms, architectural Firms and select Fine Furniture retailers Š 2013-2014 Nathan Anthony Furniture. All rights reserved.

Inspired by Patrick Sutton 114

INSPIRED BY

P

ATRICK SUTTON’S UNIQUE childhood helped shape the passionate and romantic interior designer he is today. He grew up in New York with a wellknown travel journalist for a father and fashion model mother but spent much of his younger years travelling around the world to exotic locations. “As a boy I would travel to the most beautiful locations with my family,” remembers Patrick.

“We’d visit some of the most fantastic places in the world and they certainly left an impression on me.”

“We could be in Como, Italy at a most elegant palazzo and I used to wander around the halls and the gardens, taking it all in. I began to get an understanding for proportion, light and romance. All of these things started to come to me intuitively.”

Photographs by: Gordon Beall and Erik Kvalsvik

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Following his childhood experiences, it was no surprise that Patrick went on to study architecture. “Being an architect meant I could understand the complex nature of making a building. As an architect you often need to remove yourself from the people inhabiting the building and look at it analytically and objectively. For interior designers it’s very different, they need to engage into the story of the life of the people living there.�

Patrick naturally eased into interior design. As an architect he would visit clients to design their homes but rather than just look at where the building might be sited on the property he would imagine the dinner party going on.

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“I would think about the life inhabiting the space, not just about the structure. I became more drawn towards the interior project rather than the architecture.” But he also had the eye of the architect - one could say the best of both worlds.

“When you look at designing the interior of a house, you look at the overall project and the location.”

“You want to capture the spirit of the place. For example we just finished an apartment in Manhattan overlooking central park – a city whose ethos is about art and culture.”

“Yet when we arrived the whole apartment was beige. We updated the design to reflect the exciting, vibrant city that is New York. We added colour and fantastic art. We made it bright, happy, interesting and chic.”

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“Another one of our clients had purchased a penthouse in the mountains of Utah. We researched the area and discovered it had once been a thriving silver mining town.

Our approach to the interior therefore, was to treat it like a luxurious Bond-villain hideout crafted from the rafters of an abandoned mine and adorned with the latest high tech gadgetry and creature comforts. It really suited the client. You want to make the place feel like it belongs to the area, and this was our way to weave in the local story.”

He prefers to stay clear of trends: “A very successful client of mine shared with me that one has to be in constant vigilance about not becoming complacent. It’s very easy to jump onto a new trend and follow it but to me that isn’t so inspirational.

What I think is trending is more about lifestyle and attitude than a popular colour or aesthetic.

“After being barraged by digital media and information overload, people are tending to look to quality products that have the hand of man evident in its making and connect them to nature. They look to engage with their humanity through bespoke fixtures or furnishings and seek out products to help express and integrate tthem into a culture looking for of calm and respite.”

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MADE

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TA B L E V I C T O R I A , d e s i g n T I Z I A N O B I S TA F FA C H A I R D O L LY, d e s i g n P E G G Y N O R R I S

phone USA 336 885 2239

phone UK 01273 385 255

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London New York Miami San Francisco Chicago Los Angeles Boston Dubai Abu Dhabi Moscow St. Petersburg Warsaw Singapore Bucharest Almaty Berlin D端sseldorf Munich Vienna Den Haag Zurich Geneva Belgrade Shanghai Suzhou Tallinn Helsinki Rome Milan Seoul

INSPIRED BY

“Another interesting movement within interior design is that the line between men and women is becoming closer. Men are becoming more engaged in family life and as a result are accepting their feminine side. No longer do men choose the mahogany paneled rooms and the woman the lace. There is much more convergence among the sexes.�

Patrick continues in his pursuit of creating a fully integrated design experience, from concept to detail, which has been a core value of his work. Through his background of travel he manages to create modern, elegant, romantic and comfortable interiors that have earned him commissions worldwide.

Patrick Sutton Associates 1000 Light Street Baltimore, MD 21230 United States Tel: 00 1 410 783 1500 ps@patricksutton.com www.patricksutton.com

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Leather : Parquet de Versailles

583 Kings Road, Chelsea, London SW6 2EH United Kingdom www.deferranti.com | ask@deferranti.com T +44 (0) 20 7384 4424

TROWBRIDGE www.trowbridgegallery.com

TROWBRIDGE Spring 2013

Summer 2013

Autumn 2013

Photography catalogue

Fine Art catalogue

Jumbo catalogue

Triptych catalogue

Beach catalogue

Museum catalogue

Nine great catalogues for you to read online or to download

To view any of our catalogues click on an image above

DESIGN TRENDS

Why chrome is cold and gold adds glamour

By Cheryl Gurner

T

HE TREND FOR GOLD AND BRONZE HAS re-established itself of late, but used sedately rather than in a bling manner. The 90’s interiors were dictated by, and known as, the Philippe Starck era – less was more, functionality was king and minimalism ruled the design roost.

The stripped back style of curtainless windows, limestone floors and muted palettes transcended across all industries – simplistic hotel styles and retail store designs knocked onto the fashion industry, leaving everything chrome and cold. Pattern was deemed pointless – frills, frivolous.

Although it did not take long before this new and modern look began to age (as ‘modern’ tends to do) the conception of minimal living appealed to the majority. It is strangely calming and cleansing to de-clutter.

As such, and that the look was easy and could be relatively inexpensive to emulate, its popularity was maintained for some years.

Flick through a magazine of any genre today, and it pleases me greatly to see that we are certainly saying goodbye to such lifeless and personality-less design, a movement kick started by the hotel industry which was forced to concede that stripped back interiors and a warm, inviting environment are, more often than not an oxymoron.

Gold has offered a stepping stone in this rejuvenation – the iconic Burj al Arab’s opulent furnishings and accessories have been interpreted worldwide, albeit on a lesser scale, and from these iconic interiors, the trend has been adopted and adapted into other industries.

Monochrome no longer says home, and design – both interiors and fashion – has gone back to the future. We see the return of more fabric, more patterns, more colour introduction but the trend seems to be more elegant and understated. In that light, gold will enhance the look rather than fight it.

As a secondary support colour, it adds glamour, warmth and richness to a design and is softer to the eye. Its ‘yellow’ tones enrich every colour in the spectrum as opposed to white metals which are harsher.

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Papillion basin

The starkness of the grey/black palette is vastly softened with gold/bronze and the brown palette is elevated with this introduction.

Gold doesn’t have to be an over the top declaration – it is an extended colour in the spectrum and, used properly, it is quite beautiful. It demands attention, but doesn’t dominate an aesthetic and can instantly warm a room.

The look is classically modern but retains something learned well from the Stark days. There are still art adorned walls, glass sculptures, arrays of objet d’arts well placed to warm space. But overall there remains less clutter. It’s a formidable combination of styles The rise of designers such as Tom Dixon – whose work hinges on copper and gold tones, is indicative of a return to statement over stripped-back function. While stainless steel offered a stark surface across both kitchens and bathrooms in the past, more recent designs are going bold with gold – and I for one am so pleased.

Cheryl Gurner Creative Director Bathrooms International 4 Pont Street London Tel: +44 (0)20 7838 7788 www.bathroomsint.com

BATHROOMS

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1. Villeroy & Boch’s new Joyce collection offers a first: the first bathroom collection with Apps – exchangeable accessories that you can use to change your bathroom to your heart’s content.

Whether as a vase or stackable bowls, the different Apps can be used individually and help keep your home neat and tidy. Matching furniture also allows lots of scope for creativity.

T: +44 (0)20 8871 4028 www.villeroy-boch.co.uk 2/5. AJP Bathrooms offers eco collections by Italian company Falper who specialise in the design and production of elegant and modern bathroom furniture, washbasins, bathtubs and accessories. Each element has eco certification and all the finishes are water-based.

T: +44 (0)20 3544 4002 www.ajp-bathrooms.co.uk

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3. Inspired by late night jazz parties, cocktails and the social rascals of London town, Bagno Design has launched the Bloomsbury Collection. Emulating the air of elegant London living from the turn of the century, through the roaring 1920’s and the classic era of the 1950’s, the Bloomsbury Collection is perfect for bringing luxury and opulence to the modern day, T: +44 (0)20 7553 6999 www.bagnodesign.co.uk

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4/6. Catchpole & Rye, has opened their first London showroom, bringing their luxury bathrooms to the capital. Prominently positioned on the Fulham Road, the 1,500 square foot showroom displays their selection of cast iron and metal baths, range of ceramic and marble washbasins, and iconic La Cage showers.

T: +44 (0)1233 840 840 www.catchpoleandrye.com 7. The New Matki Boutique walk-in shower with hinged panel is the perfect solution for creating that wet room look in the bathroom. Water is kept within the enclosure by a clever hinged panel that can be rotated through 180 degrees, this allows the panel to be stored against the main panel when not in use.

T: +44 (0)1454 322 888 www.matki.co.uk

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8. Bathroom designer CP Hart recently opened its ninth showroom in Chelsea. The in-house design team worked in partnership with retail design consultancy i-am Associates to create a space that would inspire through layout, product selection and technology.

Complementing all this is a sculpture in water and light by Jason Bruges, created specifically for the showroom.

T: +44 (0)20 3617 0821 www.cphart.co.uk

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Exclusive to

Designed by KEECH GREEN Exclusively supplied by Bathrooms International

Retail Showroom: 4 Pont Street London SW1X 9EL Telephone: +44 (0)20 7838 7788 Facsimile: +44 (0)20 7838 7789 www.bathroomsint.com

PROMOTION

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BATHROOM INSPIRATIONS Gallery specialises in the manufacture and The BAGNODESIGN portfolio encompasses 1 Limestone installation of bespoke stonework of all kinds of limestone, 2 everything needed to create luxurious bathroom spaces, marble, granite and onyx, providing unique luxury materials to a global clientele for residential and commercial work including solid bathtubs and basins, flooring, kitchens and swimming pools.

Tel: +44 (0)20 7828 6900 www.limestonegallery.com

including several sanitaryware ranges, washbasins in a variety of materials, furniture, freestanding baths, brassware and accessories. From the sleek and contemporary to the elegantly classic.

Tel: +44 (0)20 7553 6999 www.bagnodesign.co.uk

d-rail from Bard & Brazier holds true to the ethos unusual fully glazed steam shower from DrĂśm UK 3 This 4 The of innovation and Made in Britain. It dispenses with is a minimalistic enclosure which is easily incorporated into any bathroom. The room is finished with Bisazza pale pink mosaics dripping with 24-carat gold leaf and accessorised with a timeless gold finish Mimi shower head and mixer from Gessi.

Tel: +44 (0)1932 3556555 www.dromuk.com

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the need to buy or fit radiator valves. The patented controls are seamlessly and invisibly fitted into the legs of the bottom rail. Each rail can be made to client’s requirements.

Tel: +44 (0)121 270 2222 www.bardbrazier.co.uk

Bathrooms will never be the same again

137 Kings Road, Kingston Surrey KT2 5JE Telephone: 020 3544 4002 | email: sales@ajp-bathrooms.co.uk www.ajp-bathrooms.co.uk

Five generations of fine bathrooms

The F ine A rt of Br it ish E ng ine ering {

www.bardbr azier.co .uk

CATCHPOLE & RYE KENT ENGLAND

NEW LONDON SHOWROOM OPENING DECEMBER 2013

Showrooms London

WWW.CATCHPOLEANDRYE.COM T +44 (0) 1233 840 840 Showrooms & Workshops Kent

Chelsea Walk 282-284 Fulham Road London SW10 9EW

Saracens Dairy Pluckley Road Pluckley Kent TN27 0SA

PROMOTION

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BATHROOM INSPIRATIONS sleek minimalism with a statement aesthetic, Bathrooms feature Gessi Goccia - an innovative 2 AJP 1 Combining the Naos tap is an elegant focal point for the most design, inspired by the fluid and natural shape of water. contemporary of bathrooms. At the forefront of modern design, Naos is defined by its long, slim spout and compact single lever mixer – at only 15mm thick, this shape is utterly unique.

Tel: +44 (0)20 7838 7788 www.bathroomsint.com

The Goccia collection opens the way for limitless elegant settings due to the option of freestanding mixers, ceiling mounted spouts and a range of furnishing items, encompassing an impressive mix of models and finishes.

Tel: +44 (0)203 544 4002 www.ajp-bathrooms.co.uk

Double Panel Hinged Bath Screen from Matki expert Catchpole & Rye will be opening their 3 Bathroom 4 New combining the luxury of 10mm safety glass with the first London showroom this December. Prominently positioned on the Fulham Road, the showroom will showcase their beautiful selection of cast iron and metal baths, as well as their range of ceramic and marble washbasins, iconic La Cage showers and bespoke cisterns.

Tel: +44 (0)1233 840840 www.catchpoleandrye.com

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sheer convenience of a folding bath screen. Extending to 1000mm in the showering position to offer ideal splash protection, whilst folding in a space saver when stored against the fixed panel.

Tel: +44 (0)1454 322811 www.matki.co.uk

Defined luxury

DrÜm UK creates bespoke saunas, steam rooms, feature showers, wet rooms and all types of wellbeing rooms – from concept to reality - combining shapes and forms, colours and textures, lighting and scents.

+44 (0)1932 355655 www.dromuk.com

DECOREX REVIEW

A journey through Decorex with Kit Kemp

by Jim Evans

I

N AN EAST MEETS WEST theme of The Silk Route, the honour of designing the entrance to Decorex International was handed this year to Kit Kemp (left).

Picking up the mantel after Nicky Haslam and Dame Vivienne Westwood last year, we were given a masterly class of up-scaling for the luxury sector with all the bold trademarks expected by the renowned Firmdale Hotel founder and interior designer Kit Kemp.

She has an eclectic style that when dissected has many believing they can take on the elements of vintage finds and art installations, inject tactile and vibrant new fabrics and wallpaper and bring it all together with aplomb. But the trick, dare I say genius, is that she obtains an overall high-end luxury result every time. Not so much shabby as always chic.

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Kit Kemp’s Silk Route stand

It’s the UK’s essential calendar event for any budding designer looking for the very best in international craftsmanship and quality, with many established names rubbing shoulders with new and up and coming names, making for an exciting medley.

I couldn’t help but be affected by many eager faces of visitors trying to contain their intoxicating excitement.

Now in its 36th year, this interiors and luxury design exhibition was relocated to the Royal garden of Kensington Palace, allowing space for an expansion of more than 300 exhibitors in two new tents.

I took a trip around some of the highlights as pointed out by Kit Kemp. The show is becoming such a treasure trove of proudly presented home inspiration that even when you think you’ve covered it all thoroughly you find that through the eyes of someone else, another layer is peeled back to unearth beauties one could have missed. Here’s the briefest list of discoveries that she found:

A touch of the exotic on the And so to Bed stand

Kit Kemp looks at new fabrics on the Ian Sanderson stand

Lighting that speaks for itself... info@franklite.ltd.uk

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www.franklite.net

•

T: +44 1908 691818

DECOREX REVIEW

The well-dressed dining table on the Harlequin stand which won the best stand prize

Exquisite hand painted wallpapers from De Gournay, as featured in the shooting hall gallery of Kit’s own Haymarket Hotel, here displaying a delicate garden setting with hues of gold leaf flicking the birds out to grab your attention.

On to Teasel England’s stand, Kit smoothes a hand over the softest wools and dares us not to fall in love with the touch alone. A bright magenta silk shade from Julian Chichester captured our attention like a beacon and brought our eye down to the vibrant ethnic-styled fabric armchair, which Kit caressed.

Swiftly moving to the amazing new boundaries being pushed by stone specialists Lapicida where they declared surfaces can be modeled to suit your needs. A wall of white carrara marble was cut with a repeat quilted pattern resembling the back of a Chesterfield sofa complete with buttons, giving the effect of such softness that a touch was required to reaffirm the real marble qualities.

A view of the Ochre stand

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Harlequin of London took first prize for best stand and bravely showcased an array of almost priceless objet d’art, along with two floors of achingly beautiful tableware in zingy sweet-like colours guaranteed to put a smile on the face of all the big kids there. Bert & May’s stand delivers a kick of reclaimed and antique tiles as well as exotic handmade reproductions, and the seed packets design on Ian Sanderson’s looked set to be included in Kit’s next project.

For lighting inspiration, Kit nodded towards the British manufacturers CTO Lighting’s new Bell pendant and OCHRE’s latest triple Seed Cloud wall lights with cast-bronze buds each housing a tempered glass drop. All complemented by traditional handles and cabinet fitting details from Chloe Alberry.

Our tour has resulted in an injection of motivation, like a shot of concentrated inspiration. “Decorex is like a horizontal human ant hill of excellence. Every stand has endeavoured to produce a brilliant storefront of design related products.

We’ve all gone home buzzing with ideas,” enthused Kit. Jim Evans Director UBER Interiors Chelford Road Ollerton Knutsford www.uber-interiors.com 01565 621620

MADE IN ENGLAND

www.marshallandstewart.com

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99 CRAWFORD STREET, LONDON W1H 2HN

AV

0800 211 8372

AI 8 LO -64 LA N 0K BL D IN O E N G’ SW S R AT O 6 A 2D D U ,

There is nothing so beautiful as a thing well made

Chelsea Design Quarter partners AND SO TO BED www.andsotobed.co.uk BAZAAR VELVET www.bazaarvelvet.com BEST AND LLOYD www.bestandlloyd.com BRIGHTS OF NETTLEBED www.brights-interiors.com

CHALON www.chalon.com CHANNELS www.channelsdesign.com CHARLES EDWARDS www.charlesedwards.com CHRISTOPHER WRAY www.christopherwray.com DE FERRANTI LIMITED www.deferranti.com DECORUM EST www.decorumest.co.uk DEIRDRE DYSON www.deirdredyson.com EGGERSMANN www.eggersmannlondon.com GATLEY www.gatleylondon.co.uk GEORGE SMITH www.georgesmith.co.uk GO MODERN www.gomodern.co.uk GUINEVERE www.guinevere.co.uk INTERIO www.interio.co.uk JAB ANSTOETZ www.jab-uk.co.uk JOHN CULLEN www.johncullenlighting.co.uk JULIA BOSTON ANTIQUES www.juliaboston.com KNOTS RUGS www.knotsrugs.co.uk LAPICIDA STONE GROUP www.lapicida.com LEATHER CHAIRS www.leatherchairs.co.uk

MATTHEW WAILES www.matthewwailes.com MEGAN’S DELICATESSEN www.megans.co.uk NYA NORDISKA TEXTILES www.nya.com ORCHID www.orchidfurniture.co.uk PARIS CERAMICS www.parisceramics.com ROCA LONDON www.rocalondongallery.com

RUPERT CAVENDISH www.rupertcavenish.co.uk SAVOIR BEDS www.savoirbeds.co.uk SIMON HORN www.simonhorn.com TATIANA TAFUR LTD www.tatianatafur.com THE JAM TREE www.thejamtree.com THE RUG COMPANY www.therugcompany.com THOMPSON’S www.thompsonscontemporary.co.uk TROWBRIDGE www.trowbridgegallery.com

VENTIQUE FLOORING www.ventique.co.uk VILLAVERDE www.villaverdeltd.com WATERWORKS www.waterworks.com

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London’s newest Design district

H

AILED AS LONDON’S newest design district, The Chelsea Design Quarter, is an interiors mecca.

With more than 30 companies covering interiors necessities such as bespoke kitchens, contemporary lighting, luxurious rugs, one of a kind furniture designs, vast libraries of photographic prints, original art collectibles, beautiful accent ceramics and the most decadent fabrics to add that finishing touch, this is quickly becoming the first stop for all interior designers.

Rising stars of the interiors scene such as bespoke flooring designers, Ventique, and sleek European furniture retailers, Go Modern, are found next door to renowned designers Sally Storey, George Smith and Deidre Dyson.

Classic and traditional sit cheek by jowl with contemporary and modern.

Iconic French bed designs are prevalent in Simon Horn’s showroom while you can find the intriguingly simplistic seating designs of Samuel Chan at Channels; Villaverde cater for your sophisticated traditional lighting needs where John Cullen will design hidden lighting for the whole home; The Rug Company are combining old techniques with the newest innovative and brightly coloured designs for their vast roomencompassing rugs.

However relaxed and serene, or bizarre and innovative the brief, that key design feature can be found in The Chelsea Design Quarter. www.chelseadesignquarter.co.uk

Textile company is a family affair

F

ABRIC COMPANY NYA Nordiska is truly a family affair and its 40 years of success is down to innovative products and outstanding design. Their often pioneering textiles reveal new perspectives in the sphere of interior design and have been internationally recognised as ground breaking. Many of their fabrics have been awarded prestigious design prizes.

Heinz Röntgen founded the line in 1964 and was head designer for nearly 30 years, giving the Nya Nordiska Collection its unmistakable character.

His wife and their children have continued to follow in his footsteps, ensuring his visionary design philosophy is a constant.

Remo Röntgen explains how “We think about how high textiles can

Agata Barcinska, Head of Sales UK

bring sensuality into architecture. Big contemporary topics in architecture are materials and surfaces. Architects want the fabric to be able to provide sensual functions in a technical surrounding.

At one recent project, in a museum, the fabric managed to change light, shadow and even sound.”

Their new Nashiba collection support this sculptural quality. Large and brightly coloured, patterned, printed designs are on tightly woven cotton poplin reminiscent of Pop Art. www.nya.com/en

Sally’s magical world of light Profile by Natalie Lucas

S

ALLY STOREY, DESIGN DIRECTOR OF John Cullen Lighting, is one of the country’s leading lighting experts with 30 years experience in the business. She has written three very successful books on the subject of lighting and is regularly asked to speak at top interior design events.

By the time Sally (above left) got to Bristol University to study architecture in the early eighties, she had become fascinated by how light shaped and penetrated a building. Her thesis was naturally on light and this drew her into the world of lighting.

In her second year at university she contacted many architects to see if she could work with them over the summer, and John Cullen was the first to respond. “When I went to visit John he was working on his own, he simply pointed to the showroom opposite and asked if I’d design that for him. Slightly speechless, I of course accepted.”

The minute Sally left university she went to work for John full time. Lighting became Sally’s passion and she tries to make the source of the light as neat, small and discreet as possible. “When I’m designing I always think about how I want to present the light, how it will change the mood. I use minimal fixtures to create the effect. It’s the effect of the light that I’m interested in, not the source.”

“Interior designers work closely with visual objects like wall lights, chandeliers and table lamps. We want to provide a whole layer of lighting that defines a space, so in the end the light is created magically somewhere else and not actually from the visual object.”

Photo courtesy of Todhunter Earle

“By lighting the walls in different ways, the room can look completely flat and lifeless, or textured - it can appear very small or very big. It’s amazing what you can create with light.”

Sally loves working on both listed and contemporary buildings: “With lighting we can work across the spectrum from historical buildings to a brand new building development.”

Sally describes her style as timeless: “As you become older you become a better editor. Each job is influenced by the client and what they want to achieve. I want to transform their space and make it live beyond their expectations.”

A recent project for the Lapicida Showroom in Lots Road, won the Small Retail awards at the National Lighting Design Awards.

“Using light to experiment with texture at the showroom was amazing,” says Sally. Other projects include private homes in London and the Caribbean, and chalets in the Alps.

As she travels the world with work and she sees lighting on a grand scale she imagines how she can bring that into the home.

Her client list is certainly impressive and includes the Savoy, London, The Four Seasons, Marrakesh, The Four Seasons, Geneva, The Ritz Carlton, Hong Kong and Claridges, London.

She gets to see what is at the cutting edge of lighting and bring those ideas back home to John Cullen Lighting.

This magic of light has excited Sally over the years. “You can almost create a window in a basement with the right light,” Sally enthuses. Still excited by lighting, Sally generally has a smile on her face: “I love having a job I love. Life is certainly too short not to enjoy what you do.”

www.johncullenlighting.co.uk Photo courtesy of Todhunter Earle

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An early start to a life-long passion Profile by Jane Chappell

J

ULIA BOSTON GREW UP IN A HOUSE full of antiques and from an early age was taken to museums and haunted the markets in Bermondsey and Portobello.

While her friends were saving their pocket money for toys, Julia (above left) was saving her pocket money to buy antiques. She bought her first pieces, a pair of bronze Marly Horses, at the age of eight, and she still has them today.

So it was only natural that after she left school she took herself off to the V&A Museum to ask for work.

“They didn’t offer me a job but they introduced me to the Greek picture restorer, Stavros Mihalarias,” said Julia and she spent the next 18 months as his assistant helping him to restore icons frescos.

After learning how to gild, Julia set up a bespoke framing business working with interior decorators and private clients.

A love of antiquarian prints and the ability to frame them was the start of Julia becoming an antiques dealer.

Nancy, Julia’s whippet lies in front of a commode

paintings, lighting and hand framed antique prints. She also has her own collection of contemporary table lamps.

“As a dealer you spend a lot of your time running from fairs to auctions, mostly abroad and more often than not in France.

I like furniture from Louis XIV up to early 19th, to the time of Napoleon Bonaparte and the restoration of the French monarchy. Basically not much after 1835.

Julia had a passion for bigger pieces and after moving to a large warehouse showroom, it was a natural progression for her to start buying large pictures and furniture. She became one of the very first dealers in 19th century tapestry cartoons. “I had to make sure the doors were big enough to get the large pieces through.”

Julia prefers the simplicity of the lines from the beginning of the eighteenth and nineteenth centuries. And she only buys what she likes: “You can’t sell a piece you don’t like. I like grown up furniture that is stamped by the maker. The designer would become a member of a guild and by the stamp you can date it fairly accurately.”

Since 2002, her base has been her shop at 588 King’s Road.

Here she stocks early 18th and 19th century French and English furniture, (commodes, chairs and consoles by some of the best French furniture makers) as well as tapestries,

Julia’s customers are predominately interior decorators and private customers, looking to add to collections or doing up houses. We have a great website and they can find out a lot of information about the object before they buy it.”

Julia is not planning retirement anytime soon and simply doesn’t see the point. “I love objects and the pleasure of owning them for the time before I sell them on. The hunt is truly tremendous. The discovery is immense. I am lucky enough to spend my life surrounded by wonderful things and I have a great collection of prints and furniture at home.”

If you do pop along to Julia’s shop on the King’s Road make sure you say hello to Nancy the Whippet, who is usually sunbathing in the window watching the world go by.

www.juliaboston.com Louis XV commode

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Empire chairs

Mortlake tapestry

586 King’s Road, Chelsea, London, SW6 2DX 020 7731 1456 www.gatleylondon.co.uk

PROMOTION

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INSPIRATIONS Simon Horn introduced the ‘lit bateau’ to the UK is a new showroom on Lots Road 2 Colbourns 1 Inand1982 set the ball rolling for a successful revival of French specialising in beautiful hand tufted rugs and carpets. period bed frames. Continuing its enviable reputation for innovating and updating classic styles for today’s market, the latest range includes two bed frames which, taking influence from aircraft design of the twenties and thirties, recreates the lit bateau with a zinc finish.

Tel: +44 (0)20 7731 3555 www.simonhorn.com

The quality of yarn and craftsmanship of the product will add a luxurious aspect to any room. Colbourns also offer a bespoke design service so you can create a totally unique rug for your home or project.

Tel: +44 (0)20 7352 8335 www.colbourns.com

three floors and displaying the most recent designs. Using the finest and luxurious materials, carpets are made to order from a palette of over 2,000 colours using wool and silk combinations.

Tel: +44 (0)20 7384 4464 www.deirdredyson.com

at the leading edge of interior design and work with the finest craftsmen, materials and designers, including Emily Todhunter, Anthony Critchlow and Adrien Bonaventure, to produce beautiful lamps for today’s finest interiors.

Tel: +44 (0)20 7610 9191 www.bestandlloyd.com

The oldest lighting manufacturer in Britain with a design Dyson has now been located at 554 Kings Road 3 Deirdre for over eight years, with a dedicated showroom set over 4 heritage that dates back to 1840, Best & Lloyd remain

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PROMOTION

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INSPIRATIONS hand crafted contemporary furniture from Portugal SLIEKER is known for an eclectic range 2 CASPER 1 MAB, since 1978, have now opened at 535 Kings Road. The of lamp bases and for giving expert advice on their MAB family is dedicated in creating the most unique designs in the market place today, offering 80 finishes with a bespoke service available to fine furniture stores, interior designers and specifiers.

Tel: +44 (0)20 7351 9821 www.mab.pt

reputation for stunning fine art 3 TROWBRIDGE’s prints and photography is unsurpassed. Constantly

commissioning artists and photographers to create new imagery means their pieces cannot be found anywhere else and enables them to keep pace with the latest interior design trends.

Tel: +44 (0)20 7371 8733 www.trowbridgegallery.com

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bespoke lamp shades. The company supplies German made touch dimmer floor lamps and offers a restoring and rewiring service available for UK, EU and USA lamps.

Tel: +44 (0)20 7751 5577 www.casperslieker.com

are specialists in the design, manufacture 4 Gatley and installation of the finest hand crafted kitchens,

bedrooms, libraries and media rooms, all beautifully made in Britain. Traditional or contemporary style, the outstanding quality really has to be seen to be fully appreciated.

Tel: +44 (0)20 7731 1456 www.gatleylondon.co.uk

PROMOTION

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INSPIRATIONS is the ultimate resource for chic antique and 1 Guinevere 20th century furniture and accessories sourced from

around the world. This inspiring and unique emporium has furnished the homes of the elite and fashion-conscious worldwide since it first started trading on the King’s Road in 1963.

Tel: +44 (0)20 7736 2917 www.guinevere.co.uk

So To Bed’s latest design, the Isadore, is a 2 And Baroque masterpiece inspired by Louis XIV. The

bed’s richly carved frame has details gilded with 24 carat gold leaf. Custom upholstery is one aspect of the bespoke service offered at the new trade sales department in their Kings Road showroom.

Tel: +44 (0)20 7731 3593 www.andsotobed.co.uk

a selection of the latest products, in addition to lighting is hand crafted and made in Italy, 3 Villaverde’s 4 Displaying the prestigious Armani/Roca collection, the Roca London for clients worldwide. Claudio Gianfranceschi designed the new Chelsea wall light, which is available in various finishes. Silk and cotton shade palettes available to view online. Please contact their design team who will be happy to talk you through their lighting.

Tel: +44 (0)20 7610 9797 www.villaverdeltd.com

Gallery offers a wealth of bathroom solutions to suit all design briefs. The elegant Armani/Roca design concept features superior finishes and exclusive materials, elegantly projecting the Armani style in a bathroom space.

Tel: +44 (0)20 7610 9503 www.rocalondongallery.com

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PROMOTION

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INSPIRATIONS the finest material from around the UK, expert 1 Using manufacturers of fine furniture, Bespoke Sofa London,

collaborations with some of the world’s leading 2 Featuring designers, JAB’s new rug collection, Characters, showcases

a wide range of newly quarried and antique 3 Offering reclaimed stone and terracotta, Paris Ceramics is

in bespoke high-end surfaces for interior 4 Specialising and architectural applications, De Ferranti offers unique

draw on the highest standards of British craftsmanship at their London workshop to ensure an unrivalled collection with long-lasting appeal. Whatever a customer’s requirements, quality is assured.

Tel: +44 (0)20 7736 9900 www.bespokesofalondon.co.uk

the one stop shop for surfaces that ooze character. From classic black and white marble squares to textured natural limestone, there is something very special for both contemporary and traditional interiors.

Tel: +44 (0)20 7371 7778 www.parisceramics.com

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an array of different textures and motifs, from three dimensional patterns to abstract designs in over 130 colours.

Made from 100% pure New Zealand wool and the finest silk available, these luxurious rugs are all hand-tufted.

Tel: +44 (0)20 7348 6620 www.jab-uk.co.uk

solutions for residential and commercial projects sourced from around the globe. Many of the rare and unusual materials are made using ancient techniques that have been revived albeit with a fresh, contemporary spin.

Tel: +44 (0)20 7384 4424 www.deferranti.com

PROJECT

Seen at night the low single storey pavilion is bathed in light

A creative collaboration inspired by light

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HE INSPIRATION FOR DEVELOPING THIS stunning extension to a Grade II listed townhouse was the clients love of natural light and affinity with water.

A beautiful family home set in the heart of West London created the back drop for a contemporary extension that would allow their love of art, theatre and entertaining to sit centre stage.

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“An existing covered swimming pool was less well used than it could have been. A conversation about the possibility of putting a temporary floor over the pool led to how a new pool with a rising floor could enable the room to accommodate other uses,� said Alan

Alan Higgs Architects, a full service architectural practice with whom the clients had worked with extensively previously, was asked to design the extension to provide a larger, more purpose designed kitchen, dining and living space with greater natural light and a more emphatic connection to the garden.

The final brief was to provide a kitchen suitable for a serious cook incorporating an Aga, a large pantry / scullery for storage and washing-up; a generous guest WC; reworked study and coat store in the existing house; relaxed family living area with fireplace and walls for large paintings; a dining space that felt part of the garden and an underground wine cellar with controlled environment.

Rebecca Weir, of Light IQ Ltd, was brought in to ensure that this multi-functional space received a multi-layered lighting design which could be as flexible as the space itself.

The indoor swimming pool with rising floor was to allow other functions for the space such as a playroom for the children, a dynamic dance floor and a cinema.

An over sized floor lamp hangs over an outside dining table

The floor of the swimming pool raises up

PROJECT

The long bay window

The interior swimming pool converts into a dance floor

The garden elevation showing the Grade II listed house

The well stocked wine cellar

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PROJECT

Looking across the dining area

The pool lit at night

“We made no attempt to be groundbreaking or innovative for its own sake, but to use elements of well-established modernist language to create a contemporary object that sits comfortably in the garden while connecting lightly and sensitively to the existing fabric’. The new building does not disturb the historic fabric and makes a clear aesthetic counterpoint.

The clients love of art and enormous respect for some of the world’s greatest lighting artists led to a natural discussion of James Turrell and his use of lighting spaces to create site specific installations. “This was where much of the fun began,” said Rebecca.

The plan was for a simple pavilion with long internal vistas alongside three service pods. Raised ceilings and roof lights define areas and flood the spaces with daylight. Externally the main garden elevation is mostly full-height glass, screened with timber fins. Internal lighting achieves dramatic effects.

The internal spaces are flooded with natural light and allow a close connection to the garden, changing skies and the sun’s passage. Materials include stone, marble, teak and mosaics, all forming a cohesive whole.

The initial concepts for the discrete integration of lighting into the fabric of the building was received perfectly by the client who understood that the living space was all about the optimisation of daylight.

The subtle detailing of the installation ensures that when no artificial light is required none of the light sources in the pool space are visible. The quirk of the lighting piece was when the clients favorite saying ‘ All these things that we have done’ was translated into Braille which was then further translated into light points concealed by frosted glass set within a mother of pearl mosaic wall. The sentence sparkles and shimmers reflecting its secret thought a thousand times in reflections.

With the pool often transformed into a party space it was important that the lighting could be ramped up and controlled to suit all occasions, from a low key party for 20 to a rocking house party for 100.

The wonderful movement of light, the cast of shadows would ensure a naturally dynamic environment in which to wake, rest and play. It was the task of the artificial light to blend seamlessly into this naturally focused environment when required from dusk.

To further embrace the client’s love of color as well as to compliment the interior space, linear lighting was slotted in to the exterior deck boards to create a personal linear ‘skyline’.

Meticulous attention to detail was observed at every stage of the project to ensure a seamless integration of the desired effect.

This is a fun, sophisticated living environment for a fast moving family whose bravery for embracing such cutting-edge design is clearly rewarded.

The lighting of the pool was to be very functional, a scheme that would cater for swimming lessons, Pilates classes and a great game of ping pong. However, it was the desire for creating something exceptional that really ensured a journey of dedication from all parties.

The project has been a finalist in many International Lighting Awards, as well as shortlisted for a RIBA award recognising its integration of cutting edge technology seamlessly integrated into a cohesive, family-led design with close collaboration of all parties involved.

Alan Higgs Architects 77 Ashmill Street London NW1 6RA +44(0)20 7723 0075 mail@alanhiggsarchitects.com The garden elevation of the extension

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Light IQ Ltd 77 Rylett Crescent London W12 9RP +44(0)20 8749 1900 enquiries@lightiq.com

Vessel Gallery

Balustrade Collection

Vessel Gallery liGhtinG editions specialists in unique & handblown bespoke liGhtinG

114 Kensington Park Road London W11 2PW • + 44 020 7727 8001 • www.vesselgallery.com

LIGHTING TRENDS

Keeping classic lighting up-to-date

By Christopher Hyde

“I

HAVE BEEN A LIGHTING MAN VIRTUALLY ALL my working career and have seen a fair few decorating styles come and go. In some instances they re-emerge but with a twist – much like fashion.

We specialise in traditional-styled lighting and you would have thought this would be immune to the latest décor trends. However, even classic lighting needs to reflect current market demands. We take our lead from the luxury fabric and wallpaper companies and we are also influenced by the architectural style found in our clients’ houses.

Chandeliers are a very good example of changing styles.

For many, the stereotypical image of a chandelier is a huge candelabra creation, dripping in crystal and gold. However, we are noticing a revival in Edwardian lighting styles, as upand-coming city folk snap up the large, high ceilinged houses built around the 1910’s and 1920’s.

The architectural style and room sizes lend themselves to large central chandeliers, but certainly not mid-19th century crystal and gold candelabra affairs. They are looking for a more architectural and structured centrepieces made of metal and glass with less ‘flashy’ finishes.

Wimbledon chandelier

While antique bronze and nickel plate finishes work well in an Arts and Crafts and Edwardian setting, the current fabric trends have swung the pendulum in favour of silver for many other period styled chandeliers, wall sconces, ceiling lights and lanterns.

Chinoiserie has been one of those styles which in reality has never gone out of fashion for certain clients. Certainly, you only have to peruse today’s leading interior design magazines to find Chinoiserie inspired projects, recently completed.

Details such as the fabric, colours and styling of shades are also important. The era of subtle, cream shades has passed and colourful Habatoi silk shades with contrasting balloon linings are now the most popular. The Habatoi silk has a wonderful sheen and attractive watermarked effect, which provides added texture and décor detail and is attractive regardless of the era or style of the lamp or light fitting.

So what is around the corner, in terms of classical lighting?

Will it be radically new? Of course not, as we are talking about lighting styles which capture the best of previous design eras and complement existing buildings. But, I can predict even classical lighting will stay abreast of current fashion – be it a reinvention of previous styles.

Berkeley urn lamp

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Cumberland sconce

Christopher Hyde Christopher Hyde Lighting 2/12 Chelsea Harbour Design Centre (2nd Floor Centre Dome) London SW10 0XE +44 0 1689 844020 www.christopherhyde.com

Furniture and lighting hand crafted in England Cox London design and make every piece of their furniture and lighting collection in London.

Each product is stamped and ďŹ nished by hand signifying the quality and artisanal craftsmanship applied to each design.

COX LONDON OFFER A COMPREHENSIVE BESPOKE SERVICE

+44 20 8880 3923

COX LONDON info@coxlondon.com

www.coxlondon.com

Bespoke Lighting

Telephone: +44 (0)1273 497070 Website: www.limehouselighting.com

leading suppliers of

since 1997

Browse on line or at the Fulham Road showroom

275 Fulham Road, London SW10 9PZ sales@mrlight.co.uk | www.mrlight.co.uk

Product featured: Artemis 900, IP44 rated

LIGHTING

Transformed – at the flick of a switch

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EVER BEFORE HAS LIGHTING BEEN MORE of a point of interest in a house than it is today.

There’s a range of people who are creating products that are more like art forms than they are functional objects.

It isn’t just about lighting, it’s about art.

Ever since Martin Creed won the Turner prize in 2001 for a lighting installation there has been a shift in the concept of light as art. One of Tracy Emin’s creations is a neon decoration, which is above a main entertainment room at Downing Street. The likes of Jarvis Cocker, the musician, have proclaimed themselves a fan of the subject matter. This is a medium many artists now use, such as Richard Wheater, a leading contemporary artist who plays with neon and also teaches others how to use it.

Like photography, neon and lighting art is going through a period of osmosis as people recognise that it can be used as an art form as well as an element for interior design. Kitchen units and garden designs are being transformed by the trend.

Lighting artist Martha Freud is another proponent of the trend: “I think of light as a material in its own right - it can create a relationship not only between objects themselves but also between that object and its surroundings. Light can also highlight details that would otherwise go unnoticed, create shadows that can spark the imagination, and transform its environment with a flick of a switch.” There are also sustainable lighting artists such as Guy Chevenix-Trench who use everything from skeletons to old Mercedes car vents to create lights from.

Cox London is known for blending contemporary style with traditional techniques. Originally sculptors, they turned to making furniture and lighting in 2005. They utilise their knowledge of materials with traditional craftsmanship to create elegant statement pieces.

The Lion Paw Centre Table (left) has four cast iron legs sculpted as stylised lions, each supporting a glass table top with guinea fowl feathers under the glass that is a signature Cox London design feature.

The Wrought Iron Lantern is glazed with restoration glass and can be finished in a range of patinas. www.coxlondon.com

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Artist Richard Wheater uses light in his installations

Then perhaps one of the most innovative and talented in terms of interiors is Helena Barrowcliff of TMO Lighting who creates art on a shade – literally. It’s a way of making people consider functional objects as an art form as she paints shades and is particularly gifted at understanding how light effects a shade when it is lit or unlit, using screen prints as well as hand-painted designs. There are also those who use light as a pure medium of art and only want to be seen as such, of which Bruce Munro is probably one of the UK’s biggest names. He has had illuminations at Salisbury Cathedral, outside his home in Somerset, and various key venues in New York.

Works by artists such as Munro, Emin, Wheater and Barrowcliff are beginning to be considered in terms of the way people thought about commissioning paintings and sculptures in the past. So lighting has not just become about a functional object we illuminate our houses with – it’s about art. In short, it is a subject that has immersed itself into interior design too.

Drawing upon his family’s 50 years of experience in the interior design world, Claudio Gianfranceschi opened VILLAVERDE in 2003 offering beautiful customised lighting, made in Italy offering a combination of tradition and craftsmanship, for classic and contemporary living. Claudio continues to create and introduce unique designs and finishes exclusive to VILLAVERDE like this handmade Murano chandelier (left) for international interiors throughout the world. VILLAVERDE celebrates its 10th anniversary in London, and will be opening a new showroom in New York in 2014. www.villaverdeltd.com

The Millfield Chandelier Made in brass and finished to order, here shown in polished nickel, and with lead crystal prisms.

Phillips & Wood are leading makers of range and bespoke lighting, furniture and accessories to the interior design trade.

Please send enquiries to info@phillipsandwood.co.uk for further details.

Workshop, showroom and offices.

2 Harlequin Avenue, Brentford, TW8 9EW Info@phillipsandwood.co.uk

www.phillipsandwood.co.uk

T. 020 8222 8117

PROMOTION

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LIGHTING INSPIRATIONS Hyde specialises in classically styled lighting & Wood have acquired new premises where the 2 Phillips 1 Christopher for period and prestigious residences. The Chateau workshops, offices and showroom are now open. Visitors Collection is mid Victorian in design and features both hanging and wall lanterns. Shown here in a matt black bronze finish, a choice of finishes is available to order, for delivery worldwide.

Tel: +44 (0)20 7351 0863 www.christopherhyde.com

Light’s bronze chandelier bench made from 3 Mr. solid brass in rich dark bronze or matt chrome with

an extra large shade available in a selection of colours.

Part of a collection of more than 500 lighting products including bathroom and exterior lighting.

Tel: +44 (0)20 7352 7525 www.mrlight.co.uk

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are welcome. For high quality lighting, furniture and accessories and to discuss bespoke interior designs, please contact one of the team at: 2 Harlequin Avenue, Brentford, TW8 9EW Tel: +44 (0)20 8222 8117 www.phillipsandwood.co.uk

Kornat Designs is thrilled to announce the 4 Andrew distribution of Bagues in the UK, only to the interior design trade. This famous Parisian company dating back to 1860, is one of the most sought after lighting brands in France specialising in handmade pieces in bronze, gilded iron and crystal using traditional manufacturing techniques.

Tel: +44 (0) 7738 080098 andrew@andrewkornatdesigns.com

Contemporary Hand Knotted

Rugs

Select from our large inventory or have a rug bespoke to your specification

Showroom: 2 New Kings Road, London, SW6 4SA Tel: 020 7736 9693 | Email: info@bazaarvelvet.co.uk | www.bazaarvelvet.com

FABRICS

Downton Abbey creates a luxury decadent effect The Curzon velvet sofa from Zoffany

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EXTILES SET THE TREND WHEN IT COMES TO colours and textures for home furnishings.The current trend for luscious colours in velvets and silks appears to have been sparked by the ‘Downton Abbey effect’.

The hit television series has encouraged us to be less neutral in our taste.

Think grand, think lustre, warmth, cosiness and understated luxury. Give it a bit of a twist with some metallic flavours and ethnic touches here and there and you are bang on trend.

We asked top textile companies what has been selling well this year and how that has influenced their next collections.

“It’s been about texture and luxury this season. The newlycreated Celestine series brings intense decoration and a vibrant flourish to prints, embroideries and jacquards. Of particular note is the subtle layering of appliqué velvet in Delano with its informal leaf pattern and the richness of the couched thread work in Bizet, featuring paisley-inspired motifs.”

Colefax & Fowler

“Implementing velvets in a room scheme has been our trend, with both plains and patterned pieces coming in to play. Sanderson has recently launched Icaria velvets in an array of neutral and jewel tones with a lovely texture perfect if you’re not looking for a ‘traditional’ plain velvet.”

Sanderson

“ We have noticed a strong trend towards velvets, especially silk velvets. The silk velvets give off a lovely shine, which lightens the room. They also come in an amazing array of colours.”

Beaumont & Fletcher.

“We are all about creative contrasts now. Smokey metallics seem popular, ethnic embroideries and luxurious silks are our portfolio of the moment. We describe it as relaxed sophistication.”

Jane Churchill

“Celadon and Dove Grey are two fresh, contemporary colours. These will be complementing our plain weave palette and we are adding a new twist to our classic collection of charcoal herringbone and blackberry plain weave.”

Volga Linen.

“We are finding that Blues and Greens have been the most popular enquiries this year. There is a movement towards a bit more colour.”

John Boyd Textiles

“Textile trends on the colour front this year have been palest celadon, charcoal grey and walnut brown was by far the most popular. It had a real run all year.”

Dyeworks

“The Curzon collection has just been launched by Zoffany by popular demand, featuring a wide range of sumptuous colours and a decadent feel. Tespi, the AW13 collection by Zoffany features laser cut, foil printed and digitally printed velvets, such as Tespi, Tadema and The Gondolier.”

Zoffany

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Sanderson’s Icaria velvets

FABRIC TRENDS

Drape Interiors with Soft Grey Hues

By John Kitching

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Zoffany’s Icaria velvets

HEN IT COMES TO THE FABRIC TRENDS OF 2013, tradition is slowly making its way back in vogue, infused with modern touches.

Grey is the new beige and velvet has overtaken some of the most popular fabrics of recent years.

Grey has been a dominant trend this year, be it in drapes, soft furnishings or upholstery, given its richness of colour.

Greys can be used to evoke a number of different moods, for example slate adds a strong, more powerful touch to an interior, whilst a light or smoky grey invokes a feeling of calm.

Velvet is one of the oldest fabrics in the world (the weaving technique has been traced back to approximately 2000 BC in Egypt) and was traditionally associated with nobility. It is sufficiently heavy to hang elegantly whilst falling gracefully over curves, making it suitable for drapes and upholstery along with formal clothing.

Royalty and nobility used to be dressed in clothing made purely from velvets and silks; it was so exclusive, it was rarely available outside these circles. Today, it is one of the most luxurious fabrics in the world and is increasing in popularity given its high durability, ability to smarten up a room and keep a house warm during the winter and cool in the summer.

It is not surprising that more people than ever are returning to curtains after years of preferring blinds.

Classic velvets are being used for both modern and traditional applications, showing the need for a more refined, sophisticated look even in contemporary settings. Mohair, silk, wool and cashmere blends have all taken prominence over their modern counterparts as more people realise the importance of having a good quality fabric in the home.

Better quality means better longevity and a higher chance of the fabric weathering daily wear and tear; investing in a good quality fabric such as velvet ensures you will have something that lasts for years.

Muted colours in the home have been known to help saleability, proving to be another good investment. If and when the time comes to sell a house (or even let it) buyers are more likely to look at one with neutral colours, giving them more opportunity to envisage what they could do with it.

Think of your home’s colour palette as an important backdrop which sets the stage for furnishings and decor – it is the thing that will give your home a unique feel whilst still offering buyers an idea of what they would or could do once they move in. The combination of contemporary and traditional has created stunning interiors and allows people to make a statement with their home – not just a physical one, but a statement of their personalities.

Velvet might conjure up childhood memories for some who might wish to add a modern touch to avoid an outdated look – investing in a grey coloured velvet fabric will ensure that the interior is on trend, whilst fulfilling the desire to include something from one’s childhood.

Grey, being a neutral colour, will also lend itself to remaining classic for years and will keep the home stylish. Adding a metallic grey velvet cushion to a sofa can instantly revamp whilst keeping it modern; upholstering an armchair in dark grey velvet adds a touch of sophistication and elegance to the living room; and adding a soft grey velvet throw to a bed creates a feeling of calm cosiness.

However you decide to use it, investing in greys and velvets is sure to keep your home in style.

John Kitching Northcroft Fabrics Highfields Grubwood Lane Cookham Dean Berkshire SL6 9UD www.northcroftfabrics.co.uk

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1

MY FAVOURITE ROOM

Sir Humphrey Wakefield – King James I Room

C

hillingham Castle’s King James I room is one of three Royal chambers between two Medieval Towers built to welcome the Scottish King on his way south to take his English Crown.

“When I came here in the 1980’s this room was a roofless, floorless ruin, its original architecture smothered with rotted Victorian plasterworks. But Elizabethan ceilings and mouldings sprang to life as we recovered the original gilded detail and plasterwork colours similar to those at Knole in

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Kent,” said Sir Humphrey.

“All my favourite 17th Century pieces found their rightful home here, along with a few marvellous replicas of great furniture from my project with the American Baker Furniture Company.

“How and why do so many differing nationalities, styles, lacquers, gildings, woods and materials mix so happily?

Simply because quality alongside quality produces its own synergy, regardless of nation, material or period. This attribute allows me to buy whatever I can afford in my world travels, since the King James I Room will always give it a warm welcome.”

Derry Moore is an acclaimed photographer whose work has appeared in Architectural Digest, Country Life and Vogue. His photographs are to be found in the collections of the Metropolitan Museum of Art, The National Portrait Gallery and the Royal Collection, among others.

His latest book An English Room is filled with perceptive portraits and striking interiors, in it some of Britiain’s most renowned figures share their favourite spaces through illuminating texts written in their own words.

An English Room by Derry Moore is published by Prestel £29.99

The Kitchen: by LINLEY designed and handmade in England

Fitted Cabinetry | Private Commissions | interior desiGn | FUrnitU re | Gi Fts & a CCessories

www.davidlinley.com/bridgefordesign

MY FAVOURITE ROOM

The Duke of Beaufort – The Hall, Badminton House

“

I

first visited Badminton at the end of the Second World War, when I was about 15. I remember having tea in the housekeeper’s sitting room but have no recollection of seeing this room, which was not surprising since most of the house was shut up and barely lived in at that time.”

“On that occasion Badminton seemed to me a cold and grim place. I remember that when my cousin the 10th Duke, who had no children, said: ‘I hope you’ll make this house your home’ I was horrified and thought how awful.”

“After his death in 1984 we moved into the big house and although we redecorated most of it, we never touched the hall which remains much as when it was originally designed

by William Kent in the early eighteenth century. It’s the only room in the house entirely designed by Kent, who also designed the furniture. It’s a wonderful room.”

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“Instinctive passion for strength

carving and love for culture,

and creativity, rigor and balance.

On these reasons I founded my life and my work.

C&B PubblicitĂ

I am living the present, preserving and sharing them so that

this art can live overtime�

www.robertogiovannini.com

MY FAVOURITE ROOM

Tino Zervudachi – Hydra, Greece

D

esigner Tino Zervudachi chose his home in Hydra, Greece, as his favourite room.

“This new house, in which I am so lucky to be able to begin to spend time in has been long in coming but, ever since I first came to the island some 27 years ago, I knew that here was a place where I felt good.”

“The process of acquiring the house, and then fixing it up, was progressive and happened in the most natural way. It was easy and pleasurable, and I hope that this is reflected in the result.

“Even though there are a lot of things that were acquired especially for the house, many objects and some pieces of furniture are ‘old friends’ that have come from other homes or from family. I wanted the peace of this island to be reflected in how the house feels to me. So it is cosy and yet it feels light.

The house is a refuge to me and the sounds that emerge from the small town below such as church bells chiming, cocks crowing, dogs barking or donkeys braying lull me into a comfortable feeling of connection to the place giving me a real sense of well-being.”

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Benedict Cumberbatch – The Garrick Club

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“As an actor accustomed to reading scripts consisting generally of photocopied pages roughly bound together, it is an incredible luxury to be able to read those same scripts in beautiful “I was still at school when I first visited the Garrick Club, my editions, frequently very early ones, printed on heavy paper and father took me to the library. In my memory it always featured in generous type.” as an enormous room, very grand and impressive,” he said.

“This place is an oasis of quiet; a stone’s throw from Charing he actor Benedict Cumberbatch, chose the Library at the Garrick Club as his favourite English Room.

“Visiting it now, years later, it appears quite small – which in fact it is. It still retains, though, a particular aura, which I sensed on my first visit.”

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Cross Road and the theatre district on one side, and from Covent Garden on the other. It is possible to sit here in silence, surrounded by volumes full of original playbills. It enable’s one to touch the past of the magic world of theatre.”

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Inspired by WISH London

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HE WISH LONDON TEAM HAS A PROVEN TRACK record for the design and delivery of bespoke five star hotels, restaurants, bars, and high end residential projects across the globe.

Their founder and Creative Director Caroline Smith has been working in professional practice for more than 20 years, a decade of this she spent working with Fox Linton Associates.

In 2009 she set up WISH London with the backing of GIA, a rights of light consultancy and building surveyors. Over the course of her career Caroline has designed interiors for Harrods, The Sultan of Brunei, Mansion Moscow, Sampoerna International and several International hotel operators.

So how did she get to run such a prestigious team: “My dad was an architect and he was old school, so while he worked at his drawing board, I would sit beside him doing little sketches on a chopping board.�

Five years ago Caroline got the opportunity to set up WISH London. They began as four and today they are 11.

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“The challenges of forming a new company in difficult markets has sharpened our design ethos which, coupled with our commercial acumen, has enabled us to deliver added value and depth to our schemes,” says Caroline.

Caroline says it’s different when you are working directly with the client rather than a developer: “You have to work at building relationships; it’s much more time consuming and it’s very personal. You practically become part of the family.”

Their original and fresh approach has enabled WISH to achieve vibrant and innovative solutions that have been received very positively by their ever expanding client base, which includes the luxury residential market.

WISH works free from a defined ‘house style’; the depth of their design knowledge means they always evaluate each project on its own merits as part of their design and design management process: “We are able to develop each project to suit its needs and its geographical context.”

“We are currently working on a private home in Hampstead which is over 30,000 square feet – it’s huge. A great deal of the house is underground and the project will take just over two years. When complete the property will be worth around £40 million. They have a huge spa, ball room, cinema and everything is being designed bespoke.”

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WISH’s commercial arm is strongly supported by Caroline’s background in hotels. “We have just finished a lovely boutique reception and office space in Covent Garden for Axa Real Estate which has been fairly fast track and was completed in eight months.

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We build relationships with the architects, contractors and clients. We work to budget and deadline and our challenge is to provide something creative and innovative. Getting involved in a project early is vital to the success so we can then maximize the potential of the spaces.”

Travelling is a big part of Caroline’s life and she has been fortunate to combine it with work experiences in countries such as Australia and Russia. She spent a very happy six months designing a luxury hotel in Antigua and when she spent a year in Brunei working for the Sultan she had a limitless budget.

One project WISH is proud of is the refurbishment of the In-Pensioners Club at the Royal Hospital, Chelsea, an iconic building, Grade I listed and designed by Sir Christopher Wren in 1692.

WISH focused on designing the bar, restaurant and recreational spaces for the Chelsea Pensioners. The aim was to improve the facilities, creating a more flexible and coherent private members club, while still preserving the architectural heritage. “It was quite a challenge seeing as the average age of the clients was 83. We did form some great relationships and made a lot of friends en route.”

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The future is bright for WISH London and their varied portfolio is growing. “We don’t like to be pigeon holed into any particular style or sector. It is all about good quality design and thinking very carefully about where we spend the client’s money.”

“WISH will soon be working on a large hotel in the Adriatic as well a major residential development in Fulham for Mount Anvil. Berkeley Homes are also on our radar and we have a number of commercial and residential projects coming up. We like the balance of having so many different projects in the studio at one time, it keeps it fresh.”

WISH London 91-93 Southwark Street London SE1 0HX Tel.: +44(0) 20 7803 1020 www.wish-london.co.uk

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NEW HANDMADE RUG COLLECTION ‘CHARACTERS’ Featuring collaborations with some of the world’s leading designers, JAB’s new rug collection Characters showcases an array of different textures and motifs, from three dimensional patterns to abstract designs in over 130 colours.

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or see the collection at JAB’s showroom at Imperial Wharf, or the And So To Bed Showrooms in Kings Road London and Harrogate.

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Stornoway Sofa & Chair shown here in Peat Herringbone Harris Tweed and Old Bard Hide

tetrad A perfect union of British quality and heritage

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DESIGN TRENDS

Interior designers are the new psychotherapists

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NTERIOR DESIGNERS GET TO HEAR MORE information about their clients’ lives than practically anyone else – except for hairdressers maybe. Bridge looks at their role as therapist and priest-like confessional, as well as designer.

When interior designers take on a project, they are not just in the business of selecting colours, fabrics or helping someone dress a house, they are also privy to the ‘interior’ workings of someone’s life.

They learn about an individual’s or family’s lifestyle, loves, marriage break-ups, children and such like. They take on the role of the priest and his confessional. A relationship of trust has to be established and the best interior designers are those who are able to be discreet but also ‘read’ what a client wants by understanding their family life and general lifestyle.

‘The relationship between client and designer is based on a synergy of trust and communication from the outset,’ concedes Louise Bradley, one of House & Garden’s top 100 designers. She is known for her perfectionism and for delivering a sleek, modern elegance, so it is hardly surprising that she tunes in to a client’s life as much as she can. ‘When a client approaches us to design their home, it is imperative that we embrace their entire personality and lifestyle to ensure that we can fully realise their vision. Not only do we have to listen to what our client requires, we also have to be intuitive in understanding what design elements will allow them to be truly comfortable in their beautiful home’.

Louise Bradley says the relationship between client and designer is based on trust

Celebrity designer Kelly Hoppen agrees. Her view is that designing an interior of a house is about creating a ‘sense of feeling. It is more than what it looks like.’ It becomes what she describes as a ‘melting pot of ideas’.

Caroline Senley, who is based in Knightsbridge, London, and is known for being able to work with historic properties, creating a stylish and chic scheme, has a similar view. ‘The intimacy of interior design is as much about the aesthetic as it is the ego and how others should perceive them via the taste of design for the home - the microcosm of our world.

‘Homes offer an insight into people’s beliefs, personalities, status, insecurities and pleasures - from outrageous project design briefs, to having a meeting in a darkened bedroom, and fabrics selected to suit skin tones and flatter are of great importance.’

Kate Sissons of the online emporium Insider Chic, which has Channel 4 broadcaster Simon Davis as a fan, goes so far to suggest that the relationship between an interior designer and a house is similar to: ‘a great facelift from a brilliant plastic surgeon. Discretion has to be our middle name. There is a lot to be learned between the covers of a Farrow & Ball catalogue which might not involve paint colours.’

She finds the level of intimacy depends on the client: ‘For many people, re-designing their house is the biggest expense of that decade, for others it is a regular occurrence. Lunches penciled in to discuss new loos and kitchens can turn into long and liquid confessionals.’ Susie Atkinson, who created the Cowshed Spa at Babington House and is another of House & Garden’s top designers, says she makes a point of ‘telling a story about a house’s owners’. She believes it is important to do this so that her clients feel comfortable in their living space.

So to be up close and personal to a client and confidante to almost more information than a person would choose to hear, is actually a key part of an interior designer’s job. And being perceptive is a major element in creating a truly excellent, much-loved home.

Caroline Senley says that homes offer an insight into people’s personalities

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Robeys are acknowledged as one of the leading suppliers of distinctive wood burning stoves and fireplaces. Offering designs from the highly acclaimed Piazzetta, Harrie Leenders and Rais, each one renowned for their style, functionality and exceptional quality to complement your lifestyle. The Panoramic Tallin, featured above, is highly efficient and its cutting edge design offers a 360º view of the fire. From traditional to contemporary models, available in in an array of colours, sizes and styles, you’re sure to find the perfect stove or fireplace from Robeys. To view our full collection please visit www.robeys.co.uk

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Inspired by UBER

INSPIRED BY

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imon Evans freely admits that he has had a career path based on him enjoying every minute of his working life and now, he says, “I can’t think of anything I’d rather be doing than designing fabulous homes around the world.”

Through his business, the Design Practice by UBER, he has built a reputation for a design firm which thrives on challenges. It’s a competitive mentality which has led to them winning many design awards since its inception. This year the team has been included in Andrew Martin’s annual Interior Design Review which features 100 of the world’s most influential interior designers.

“Design is about making beautiful things work harmoniously together,” said Simon.

“We find excitement in glamour and mood and enjoy changing the pace of a property.

Many clients will come to us with rooms that carry little more than labels. Getting stuck into space planning, challenging proportions, relationships and hierarchy of rooms are some of the most exciting parts of the process for us,” he said.

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“It’s like a great board game, a puzzle and a challenge that is so satisfying that the minute you know you’ve got it right you have the most incredible urge and excitement to present it to the client.”

“It’s a true before and after experience that has brought many of our clients to tears, literally overwhelmed with the lifestyle that is ahead of them.”

“We don’t believe in having only one house style, we thrive on differentiation and creating projects that challenge us.”

Travel plays a pivotal and inspirational role and collections of artefacts feature in many of the homes they create. “It helps to tell a story, to give the home some relevance and a sense of history and most importantly an insight into the life journey of a client. Our designs tend to be tactile, indulgent in sensory exploration at every turn and as interesting as we possibly can,” he said.

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“More than anything we love using natural and sustainable materials that in their original form could almost be overlooked but when combined with more modern production techniques absolutely come to life.

“We like to offer our clients the chance to push some boundaries throughout but particularly in zones such as relaxation and wellness, where spa-like influences abound, as well as bars and cinemas, where high end private members clubs often provide the leading inspiration.

“This is an opportunity to be playful and indulgent and we have enjoyed creating some incredible spaces including a Moulin Rouge themed theatre as well as an edgy gangster inspired cinema complete with floor to ceiling metal bullet caps to the walls in a lower ground leisure space.” They also added a jelliquarium and DJ booth.

He is particularly proud of a project they worked on at Gleneagles golf course for clients whose brief was to create an entertaining lodge capable of playing host to some large parties but at the same time capable of being a retreat for them.

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Reference to local styles and materials was key and it was equally important to capture the staggering views of the highlands beyond the golf course. They sourced and smoked the oak boards which clad many of the walls and used local flamed natural stones for floor and bathroom finishes as well as in heavy riven finishes to clad fireplace walls.

A secret snug was created accessed only by the touch of light switch which opened up part of the wall electronically. This provided a cosy space complete with log burning stove, a rooftop balcony dressed with chairs lavished with reindeer hides and, of course, a whisky bar.

One of their greatest planning successes to date came in the gains made to a Grade II listed vicarage in need of complete modernisation. They were asked to provide a turnkey solution bringing all of the space planning, design, architectural elements, construction and fit out together. They managed to gain a 150% increase in the building’s footprint, creating an entire leisure basement as well as a trophy garage for their client’s prized collection of cars.

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SIMPSONS M i r r o r s

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SIMPSONS M i r r o r s

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BYZANTINE SIDEBOARD 1/7 Design Centre Chelsea Harbour Lots Road, London SW10 0XE 01277 374541 info@simpsonsmirrors.com www.simpsonsmirrors.com

INSPIRED BY

His flamboyant personality was reflected in the exquisite finishes they put into the home, from leather clad baths, back lit quartz to laser cut basalt stone waterfalls. A day living space turned into a state of the art cinema at the touch of a button.

“Space, if you have it, opens up limitless possibilities but even if it’s at a premium, skilled design, layout and furnishing can transform everything,” said Simon.

“We’re excited to be opening offices in Surrey in readiness for the New Year and to support our already established London and Southern projects” says Simon, whose existing bases include offices in Cheshire and Hong Kong.

One thing is clear that detail is an obsession at UBER and they will continue to strive for perfection with a passion and throughout that process, they will enjoy every minute.

The Design Practice by UBER Cheshire - Surrey - Hong Kong T: +44 (0)845 077 832 www.thedesignpractice.com 94

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TOMMASO ELLI Interiors

KITCHENS

Happiness starts In your kitchen

by Melanie Cable Alexander

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HE SUBJECT OF HAPPINESS HAS BEEN PART of political discussion for some years now and now it has also crept into interior design vernacular. There is an emerging view that a well designed room isn’t just something that looks beautiful but also fits in with the concept of what makes a happy living space. Bridge launches a new series looking at Happiness as an ethos in design, beginning with the kitchen.

Johnny Grey is a pioneer of happiness. The leading kitchen designer and university lecturer has been on the case for some years, ever since he went on ‘a quest’ to understand which kind of environments make people feel happiest at home.

He says the kitchen is where it all starts and believes that the ‘future of kitchens is about satisfying our brains, bodies and emotions and not about cabinetry and appliances’.

It makes sense especially because the kitchen impacts on every other living space we have in a home. Not only is the kitchen a space for cooking, storing food and clearing-up, it has also become an emotional sanctuary and heavily-used social space.

As the role of the kitchen has evolved he says the importance of other rooms – the living room, hallway, and dining room - have fallen by the way side or have had to adapt.

Consequently he believes that the real drivers of home design are our hard-wired needs.

“A key social trend in families is the normality of both partners working. Time at home together is often limited.

Every house, therefore, needs a genuine, flexible ‘common’ room,” he says.

“As well as its traditional uses, the kitchen is where we mend bicycles, polish shoes, dump books and toys, listen to music, perch, talk, cook, snack, charge phones and do the ironing.’ In short, the kitchen is what he describes as a multiple platform.”

Sociologist Ray Oldenburgh agrees, calling the kitchen the ‘third space – an indeterminate setting for well-lived lives to take place.’

But in order to achieve this Grey says that we need to consider every aspect of design to make sure our kitchen spaces are happy ones. Here’s a checklist of things that he says will make the difference in the kitchen: create a sense of space so people feel they can move about freely without bumping into other people or objects; establish ‘chat zones’ such as a bar with stools where people can perch and talk to the cook, or bring in a table where the family can get together.

A central island, he says, is a must as it encourages the brain’s production of oxytocin and serotonin – hormones that are associated with bonding, relaxation and enjoyment.

If there is space, add a sofa to add some comfort to the room and a hang-out zone where kids can make a mess without parents worrying about it.

Build a hearth and create the traditional focus of a room – fill it with an Aga or Rayburn or maybe a wood burner or open fire. More basic tips include avoiding sharp corners on work islands and make sure worktops are the right height, as well as plan views through windows and ensure there is plenty of light.

If you follow these simple ideas he says you will have the perfect recipe for a happy and harmonious home.

www.johnnygrey.com www.rayburn_web.co.uk www.agaliving.com

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ART REVIEW

Timeless skills create modern masterpieces

By Charlotte Morgan

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T A HIGHLY REGARDED ARTISAN STUDIO IN France a master craftsman has established a collective of International artists work in an array of diverse prints.

This craftsman creates etchings, aquatints, and dry points directly on to copperplates, displaying skill that few technicians of trade hold. As the alumni of the Mourlot Studio in Paris, he represents true craftsmanship.

Since the 1650’s the printing method of aquatint has enabled the replication of detailed artworks, seeing the aquatints transfer lines and colours as perfectly.

Of course the quest for perfection means the plates have a temporary life, providing a limited edition run of the artworks.

This method has acted as a touchstone for the individuality of artists and has become widely liberated and diverse amongst post modernist ventures.

The studio’s collection of prints reflects the conceptual French enthusiasm for making art an every day commodity, built up from a time when Parisian art houses led the way in progressively contemporary exhibitions.

What strikes me is the collection’s ability to provide diversely palatable art in a range of styles. From the delicate broken colour and fading lines of Patrick Loste’s vastly expanding and open landscapes, to the monochromatic geometric abstraction of Andrea Malar’s shapes. Each processing characteristically unhinged experimentation, eclipsed with all the technical refinement of mature practising artists.

Godwin Hoffmann creates a statement piece

It is easy to enthuse about the collection, which is well equipped to offer varying subjective styles. Personal viewpoint sees a line drawn between the artists, the nonrepresentational and non-objective works offering art not based on external appearances but rather on abstract or idealised forms, such as geometric, mathematical subjects being the product of 20th century modernism. The second simply representational art, based on images which can be found in the objective world, or at least in the artist’s imagination; i.e. imagery that can be named or recognised as bodies or landscapes.

For myself, the draw is always the colour, with artist Matthew Tyson harmoniously balancing bright hues and shapes.

Displaying distinctive Rothko-like qualities, the simplicity is beautifully effective in encompassing the entirety of the print with the 1950’s method of colour-field printing.

Perhaps the opposition to Tyson’s harmonised abstracts is Ken Denning’s ghostly stylised landscapes, seeing the vivid perspective acting as a window in to the Danish-born artist’s world. Where Tyson’s pieces use colour as a thrilling statement, I feel Denning’s colours take a secondary, subtle back seat, simply allowing expansion to the overall narrative of his landscapes.

At this point it seems important to note the broad content of the collection features, what can only be described as, a subtle homage to a couple of late great artists.

Matthew Tyson balances bright hues and shapes

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ART REVIEW

I believe one of the most accessible names on this repertoire of artists is the recently late Godwin Hoffmann. His admiration for 19th century Dutch masters, Kandinsky and Braque and his passion for constructivism and the power of the brushstrokes led to several series of avant-garde angular abstracts. Laid upon the crisp and clean backing, the contrasting grisaille geometrics define an imaginary space; they are undoubtedly a statement piece.

This powerful notion of the brushstroke can also be seen within the artistry of Jean-Paul Turmel, whose heavy strokes and flair for colour offer up an exciting array of abstracts.

Notably, I see the love of sculpture in his prints, it is clear Turmel would have used drawing and painting as a method of realising his sculptural endeavours, the freehand shapes bringing an energy to the surface.

Feminine beauty can be seen within the botanical inspired artwork of Ann Loubert. I enjoy the still-life qualities the naturalistic shapes and tones create, with well thought composition and purposeful marks. Loubert embodies the delicate and wistful side of fine art printing, showing thought to depth of field in what marries traditionalist and modernist manifesto together.

It seems key to touch upon the penned limited edition each artwork possesses, with a limit to the print run crucial to the quality of the traditional printmaking techniques. This can of course mean there are as few as ten or twenty prints existing of an individual image, making the collective power of the fine art extremely desirable but at an obtainable cost.

The captivating quality these fine art pieces display is what could be described as a raw energy, the monochromatic shapes, the rusty oranges, burnt reds and russet greens leap

Patrick Loste’s expanding, open landscapes

from the prints. Simply put, it is artwork that you want to design the rest of your room around.

An amalgamation of new and old styles is a forefront priority of many postmodernist interior designers; the aim of accentuating classic features with tones of contemporary class seems the ‘right’ thing to do. Statement modern art plays a key part in this, with bold works standing the test of time and definitive uniqueness, however subjective, continuing to excite us as viewers.

A warped perspective of mine sees artistic uniqueness comparable to a fine wine or cheese – some things are quality no matter their age and many continue to get better.

Click here to see the Trowbridge Fine Art Catalogue These aquatints can be found at: Trowbridge Gallery, 555 Kings Road, London.

Tel: UK +44 (0)207 371 8733 Tel: US 1 404 816 861 2 www.trowbridgegallery.com/fineart Feminine beauty of Ann Loubert’s botanicals

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Charlotte Morgan

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firm Hotech. The radiator and plinth are finished in gold leaf and the basin is satinized aluminium. For more information regarding the ‘Stone’ radiator contact UBER Interiors.

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Workshop offer a wide and diverse collection of 4 Sofa British made sofas, chairs and footstools in traditional, classic and contemporary styles. Whatever your client chooses you can be sure it will be beautifully finished, well made and very comfortable.

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Nicholas A J White at Perfect Sculptures, designs and produces bespoke tables in granite and stone.

The British Isles table above, inspired by the Giant’s Causeway is created with an English apple tree root supporting Great Britain and layered granite spiraling up to form Ireland.

The Granite side table with oak line interiors below, suitable for contemporary bedroom or cinema room. The workshop also undertakes individual commissions.

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DESIGN INSPIRATIONS White at Perfect Sculptures, designs and Furniture are designers and makers of British 2 Woodstock 1 Nicholas produces bespoke tables in granite and stone. The British bespoke furniture for interiors. Using the finest materials Isles table, inspired by the Giant’s Causeway is created with an English apple tree root supporting Great Britain and layered granite spiraling up to form Ireland.

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and state-of-the art appliances they create contemporary and classic designs for distinctive quality kitchens, bedrooms, bathrooms and studies. Their Hampshire showroom and workshops are open by appointment.

Tel: +44(0)20 8876 0131 www.woodstockfurniture.co.uk

Mademoiselle, the latest lifestyle collection from Williams Design specialises in bespoke hand forged 3 Adam furniture with a contemporary look. Each piece is crafted to 4 Christopher Guy, is inspired by Coco Chanel and evokes order according to client specification in any size, in a choice of finish, and with stone, glass or wood tops. Commission work is welcomed.

Tel: +44 (0) 1749 830 505 www.adamwilliamsdesign.co.uk

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1930’s elegance. The collection is a contemporary interpretation of celebrated Parisian chic. Each piece is in the collection is made by expert craftsmen.

Tel: +44 (0)20 7893 8314 www.christopherguy.com

PROMOTION

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3

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DESIGN INSPIRATIONS distribute Luigi Bevilacqua’s stunning 1 Alton-Brooke fabrics. Luigi Bevilacqua set up his weaving shop in

Venice three centuries ago. Since then, the company’s expert weavers continues to transform natural fibres into Soprarizzi Velvets, Brocades, Lampasses, Damasks and Satins.

Tel: +44 (0)207 376 7008 www.alton-brook.co.uk

but with a classical style, that’s Roberto 2 Extravagant Giovannini. Nothing is ordinary and certainly nothing is

minimal. Like this Louis XV style armchair in a colonial finish enhanced by ZR Caleido silk fabric. This armchair is made for a hedonistic lifestyle of sustainable beauty and eccentric elegance.

Tel: +39 055 232 6270 www.robertogiovannini.com

Simpsons Mirrors and Furniture is at the forefront of is a revolving lounger which is suitable for indoor 3 Eclipse and outdoor use. It is very comfortable and has a unique and 4 design-led furniture manufacturing. The new Byzantine inspiring design. Featured in eco-leather combined with a soft leather seat, it is available in various colours and a wide range of fabrics. The base includes a 360° rotating metal plate. The lounger measures: H 200 x W 270 x D 90 cm.

Tel.: + 44 (0)20 8870 0235 www.vgnewtrend.it

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Collection includes exquisite leather finishes combined with antique metal legs and trims. All their pieces are handmade in England and they have a showroom in the Design Centre Chelsea Harbour.

Tel: +44 (0)1277 374541 www.simpsonsmirrors.com

PROMOTION

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DESIGN INSPIRATIONS & Stewart create the world’s most luxurious 1 Marshall and comfortable beds. They are handmade in England

using traditional craftsmanship and innovative designs.

Marshall & Stewart beds are the leading edge of luxury bed manufacturing. Their collection can be seen in Simon Horn’s showroom on the Kings Road, London.

Tel: +44 (0)20 7723 2925 www.marshallandstewart.com

Barreto has more than 15 years experience in 2 Ana interior and product design, supplying her own furniture collections and accessories to the trade and private clients. All her furniture is custom made by hand to an exceptionally high standard using luxury materials and finishes.

Tel: +44 (0)208 744 9777 www.anabarretointeriors.com

new Timorous Beasties Hunting Toile collection, Artcase Marquetry Inlaid Grand Pianos, such Glorious Twelfth, Open Season and Classic Hunt, is a 3 Beautiful 4 The as the Reborn Steinway illustrated, provide the crowning step out from dark Victorian tartan-clad Highland hotel touch in many interior settings. The RebornTM Range in The 1066 Piano Collection includes several such gems including some of the world’s finest pianos. Add a SelfPlaying System and they really come to life…

Tel: +44 (0)1223 881691 www.1066pianos.com

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drawing rooms, cluttered with guilt frames and claymores glinting in the firelight. Our simple tartan colour range, overlaid with white florid silhouettes, heralds hunting scenes on crisp bracken mornings.

Tel: +44 (0)20 7833 5010 www.timorousbeasties.com

PROMOTION

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DESIGN INSPIRATIONS collection of sofas, chairs and stools offer the 1 Tetrad’s warmth and style of the world renowned Harris Tweed,

Serpent Occasional Table, by Cox London, has 2 The been awarded the Best Contemporary Design by FX

the world with the beautifully made wine and 3 Travel cocktail cabinet from Jonathan Charles. With plenty of

unique levels of British craftsmanship allows you 4 Delcor’s the flexibility to define the size and style of your sofa or

with the hand crafted quality of their furniture; delivering long lasting, elegant upholstery. The stunning patchwork back Barra Chair is fully coil sprung with a feather and down seat cushion for maximum comfort.

Tel: +44 (0)1772 792936 www.tetrad.co.uk

storage room inside you can have great times enjoying a glass of wine. The exterior is patinated with antiqued leather and brass fittings.

Tel: +44 (0)114 245 2777 www.jonathancharles.com

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Magazine. The table is made by hand by experienced craftsmen, in the Cox London studio. Wrought and cast iron serpents clasp the Cox London signature table top of glass with guinea fowl feathers underneath.

Tel: +44 (0)20 8880 3923 www.coxlondon.com

armchair, exactly how you want it. And with over 10,000 fabrics you can express your ‘inner-designer’ and truly ‘live bespoke’.

Tel: +44 (0)20 7352 5551 www.delcor.co.uk

ARCHITECTS, INTERIOR DESIGNERS, STYLISTS, SPECIFIERS -

Best supplier-direct prices for trade members. Better service.

/ Best trade prices for industry professionals / Over 6,000 inspirational furniture and lighting products with additions daily / We can keep your order in our warehousing until you’re ready* / Full technical support and account management / “White labelling” delivery is available direct to your client, on request

www.uber-interiors.com +44 (0)845 0773280 *See website for full T’s & *See website for full T’sC’s & C’s

Adele-c Alivar Andrew Martin Antonello Italia Arketipo Ascension Latorre Atelier Alain Ellouz Baltus Baobab Collection Beau & Bien Bonaldo Brand van Egmond Buster + Punch Cattelan Italia Christopher Guy Creazioni CTO Lighting Dedon DK Home Dona Living Ego Paris Eichholtz Emu Fiam Fink Flos

Formenti Gallotti & Radice Giorgetti Giorgio Collection Glas Italia Gloster Henge I&I Il Pezzo Mancante Inspired by Design Justin Van Breda JNL Masiero Moda OCHRE Porada Porta Romana Royal Botania Scabetti Simpsons Mirrors Skyline Swan Italia Teckell Terzani Thomas Bramwell VG Newtrend Villiers +

Light &

Fragile...

Or

Heavy

& Huge

One of the key stages in any interior design project is the logistics of getting goods and materials to the right place on time, and here at Cargocall that’s exactly what we do.

Working with many famous names both here in the UK and overseas, be it importers, manufacturers or designers, Cargocall provide all transport solutions

Telephone:

0800 0787 747

under one roof. Whether it’s a single item or a complete refit we arrange and manage the movement of goods including packing services, documentation and insurance to ensure the logistics stage of your project is taken care of.

Call us to find out how we can help.

|

Email:

info@cargocall.com

|

www.cargocall.com

Traditional and contemporary Handtufted, Passmachine and Woven custom designed carpets and rugs from design to installation

www.customcarpetcompany.co.uk

Custom Carpet Company PO Box 167, Tadworth, Surrey KT20 6WH Tel.: + 44 (0)1737 830301 Fax.: + 44 (0)1737 833785 Email: info@customcarpetcompany.co.uk Web: www.customcarpetcompany.co.uk

Henry Blakes Advert_Layout 1 22/10/2013 11:03 Page 1

T: 01564 792312 | F: 01564 792332 | E: sales@courtyard-accessories.co.uk | www.courtyard-accessories.co.uk

Victor Hall & Sons Antiques Made in the traditional way with extreme emphasis on Quality

i

Inter ors des gn summit

11th March 2014

NEW VENUE NEW DATES NEW SPEAKERS Large walnut partners desk.

Sepentine shape with hand coloured leather top.

Hand dovetailed oak interior.

Polished in the traditional way to a wonderful finish.

We hold a good stock but can build anything to your requirements.

Our workshop/showroom is in Essex, only 30 miles from Central London.

Open seven days a week by appointment only.

Contact: Victor Hall. Tel: +44 (0) 1268 711777.

Email: info@victorhallantiques.com. www.victorhallantiques.com

The Interiors Design Summit a ‘must attend’ event for Interior Designers and purchasing professionals in the Hotel & Leisure industries who are actively looking for new innovations and solutions to help make a positive impact on their projects.

To confirm your place or to find out further information on attendees, speakers or suppliers contact Katie Kingsbury on 01992 374100 or ids@formevents.co.uk

Where next is now!

8 – 11. 1. 2014 heimtextil-trends.com

Don’t miss the globally unrivalled trend show, where you can experience the tension between the drivers of the coming season: REVIVE! and PROGRESS! Will the trend of revisiting the past in ever-changing contexts come out on top? Or will nature and technology merge into one? Immerse yourself in enthralling trend worlds and find out in detail about the cutting edge of textile interior design.

WWW.IMM-COLOGNE.COM

The event for bathrooms, flooring, wallcoverings, lighting at imm cologne.

CREATE. FURNISH. LIVE. THE INTERNATIONAL FURNISHING SHOW 13.–19.01.2014 See the trends, discover new products and do good business. imm cologne featuring LivingInteriors : Leading international brands will be exhibiting at the world’s most important furnishing event. In other words, you will have a great opportunity to do good business. Don’t miss out !

Buy your tickets now and save over 30 per cent. www.imm-cologne.com/ticketshop Koelnmesse GmbH, Messeplatz 1, 50679 Köln, Germany, Tel. +49 1806 913 131, Fax +49 221 821-99 1180, imm@visitor.koelnmesse.de

DIARY OF EVENTS

FAIRS & EVENTS January 9-12

January 21-26

Heimtextil

The Winter Decorative Antiques

Frankfurt, Germany

& Textiles Fair

Tel: +49 6975 75-0

Battersea Park

www.heimtextil.messefrankfurt.com

London Tel: +44 (0)20 7616 9327

January 12-15

www.decorativefair.com

February 15-18 San Fransisco International Gift Fair

Domotex Hanover, Germany

January 23-27

Moscone Centre, San Fransisco

Tel: +49 0511 89-0

Paris Deco Off

Tel: +1 678 285 3976

www.domotex.de

106, quai Louis BlĂŠriot

www.stigf.com

Paris January 14-20

Tel : +33 1 4520 2468

March 5-7

Imm Cologne

www.paris-deco-off.com

Ecobuild ExCel, London

Cologne, Germany Tel: +49 1806 913 131

January 26-30

Tel: +44 (0)20 7560 4461

www.imm-cologne.com

Las Vegas Market

www.ecobuild.co.uk

World Market Centre, Las Vegas January 15-21

Tel: +1 866 229 3574

March 5-9

Dallas Total Home & Gift Market

www.lasvegasmarket.com

MIFF Malaysia International Furniture Fair

Dallas Market Centre, USA Tel: +1 214 655 6100

February 1-6

Kuala Lumpur, Malaysia

www.dallasmarketcentre.com

NY Now

Tel: +603 2176 8788

Javits Convention Center, New York

www.miff.com.my

January 16-20

Tel: +1 212 204 1060

London Art Fair

www.nynow.com

Business Design Centre, London

March 9-12 International Furniture Fair

Tel: +44 (0)20 7288 6736

February 2-6

Singapore Expo, Singapore

www.londonartfair.co.uk

Spring Fair

Tel: +65 6569 6988

NEC Birmingham

www.iffs.com.sg

January 18-22

Tel: +44 (0)203 033 2144

Maison et Objet

www.springfair.com

Paris Nord Villepinte, France

March 11-14 Miami Cruise Shipping Show

Tel: +33 1 7621 1839

February 5-7

Miami Beach, Florida, USA

www.maison-objet.com

Surface Design Show

Tel: +1 609 759 4700

Business Design Centre, London

www.cruiseshippingmiami.com

January 19-22

Tel: +44 (0)20 7886 3000

Interiors UK

www.surfacedesignshow.com

NEC Birmingham

March 18-20 The Big Show (Buildings & Interiors)

Tel: +44 (0)8448 126 334

February 5-9

Muscat, Oman

www.interiorsuk.com

Stockholm Furniture Fair and Northern

Tel: 968 24660124

Light Fair

www.interiorsbuildex.com

January 19-22

Stockholm, Sweden

The Lighting Show

Tel: +46 (0) 8 749 4100

April 5-10

NEC Birmingham

www.stockholmfurniturefair.se

High Point Furniture Market

Tel: +44 (0)8448 126 334 www.interiorsuk.com/lighting

North Carolina, USA February 6-8

Tel: +1 336 869 1000

Australian International Furniture Fair

www.highpointmarket.org

January 21-23

Sydney, Australia

Hospitality

Tel: +61 1300 656 184

April 8-13

NEC Birmingham UK

www.aiff.net.au

I Saloni

Tel: +44 (0)20 7886 3066 www.hospitalityshow.co.uk

Milan, Italy February 7-11 Ambiente Messe Frankfurt, Germany

Tel: +39 02 725 941 www.cosmit.it

Tel: +49 69 75 750

Top: Light Collective - Guerrilla Lighting - Sclessin, Belgium from the Surface Design Show

www.messefrankfurt.com

Left: Hospitality, NEC Birmingham

Details correct at time of going to press. For details of trade/public days contact individual shows

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19-22 JANUARY 2014

NEC BIRMINGHAM

THE UK’S DEFINITIVE FURNITURE, LIFESTYLE AND DESIGN EVENT Register for your FREE ticket at www.interiorsuk.com Please quote promo code INT70

Trade only. No children.

DIARY OF EVENTS

EXHIBITIONS

A History of Photography Until Jan 1 The Photographs Gallery draws upon the V&A’s internationally renowned collection and chronicles the history of photography from the 1840s up to the 1970s. In 1852, the V&A became the first museum to collect photographs and in 1858, the first to hold a photography exhibition.

The Gallery showcases some of the most technically brilliant and artistically accomplished photographs in the history of the medium.

Victoria and Albert Museum Cromwell Road London SW7 2RL Tel: +44 (0)20 7942 2000 www.vam.ac.uk

Extraordinary stories about ordinary things Until January 4 Discover key designs that have shaped the modern world and be inspired by this fascinating exhibition of memorable objects from the Design Museum Collection. Six design stories offer a diverse look at design tracing the history and processes of contemporary design.

The show includes furniture, product, fashion, transport and architecture alongside a selection of prototypes, models and specially commissioned films. The exhibition will be on permanent display until 2015, with some elements being changed every year.

Design Museum Shad Thames London SE1 2YD Tel: +44 (0)20 7403 6933 www.designmuseum.org Paul Klee - Making Visible Until March 9 Paul Klee is a giant of twentieth-century art and one of the great creative innovators of the time. Witty, inventive, magical, his exquisite paintings resist easy classification. He is mentioned in the same breath as Matisse, Picasso and his Bauhaus contemporary, Kandinsky.

He cuts a radical figure in European modernism. And yet, for an artist of such stature, there is still so much to discover about him.

Tate Modern Bankside London SE1 9TG Tel: +44 (0)20 7887 888 www.tate.org.uk

Elmgreen & Dragset Until Jan 2 Enter the world of Norman Swann, elderly architect and proprietor of an elaborate apartment in South Kensington. This ambitious site-specific installation functions as a stage set for an unrealised drama, presenting a highlychoreographed environment of a grand domestic setting. Explore the relationship between sculpture, architecture and design as objects from the Museum’s collection are presented alongside artworks, furniture and every day items to create unexpected encounters.

Victoria and Albert Museum Cromwell Road London SW7 2RL Tel: +44 (0)20 7942 2000 www.vam.ac.uk

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Sensing Spaces Until 6 April Some of the most creative architectural minds from around the world are coming to the RA – and together they will give you an unforgettable experience. We’ve set them a challenge; to give you a new perspective on architecture. Using structures, textures, scents, lighting and colour they will transform the Main Galleries and ask fundamental questions about the nature of architecture. How do buildings make us feel? How does architecture influence how we live, what power does it have over us? As you explore different environments, different moods, touch, climb, sit, talk, walk, contemplate – you will bring this extraordinary exhibition to life.

Royal Academy of Arts 6 Burlington Gardens London W1S 3ET Tel: +44 (0)20 7300 8000 Chris Shaw and Moriyama: Before and After Night Porter Until 6 April This display brings together three photographic series by the British photographer Chris Shaw (born 1967) made from the 1980s to the present, with a selection of works by the Japanese photographer, Daido Moriyama, from the early 1970s. The presence of Moriyama demonstrates the influence of post-war Japanese photography on recent British black and white practice. Shaw’s earliest series, Sandy Hill Estate, documents life on a housing estate near Aldershot in the mid 1980s, while his best known series, Life as a Night Porter, was made from the early 1990s onwards during a period when Shaw worked in several London hotels.

Tate Britain Millbank London SW1P 4RG Tel: +44 (0)20 7887 8888 www.tate.org.uk Top left: Installation images courtesy the artists and Victoria Miro, London. © Elmgreen & Dragset. Photography: Stephen White Bottom: Paul Klee, Static-Dynamic Gradation, 1923, Tate Modern Top right: Extraordinary stories about ordinary things, Design Museum

Details correct at time of going to press.

WESTLAND

ST MICHAEL’S CHURCH LEONARD STREET, LONDON, EC2A 4QX

(OFF GREAT EASTERN ST) TUBE: OLD STREET, EXIT 4

LONDON

www.westlandlondon.com

TEL: +44 (0)207 739 8094

e-mail: westland@westlandlondon.com

OPEN: MON - FRI 9-6. SAT 10-5.

S TO R E S N AT I O N W I D E

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FREEPHONE 0808 144 4343

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andsotobed.co.uk