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Bridge for Design Spring 2016
Bridge for Design Spring 2016
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C R E AT O R S O F T H E W O R L D ’ S M O S T F A B U L O U S L I F E S T Y L E S
Chelsea Harbour Design Centre, Third Floor - South Dome, London SW10 OXE uk@christopherguy.com LOS LOS ANGELES ANGELES
NEW NEW YORK YORK
020 3397 2410 LAS LAS VEGAS VEGAS
www.christopherguy.com LONDON LONDON
PARIS PARIS
HONG HONG KONG KONG
SINGAPORE SINGAPORE
SHANGHAI SHANGHAI
WORLDWIDE WORLDWIDE
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One of the largest collections in the world
Furniture | Bath | Lighting | Textiles | rugs & accessories
www.coleccionalexandra.co.uk 01904 677 063
01904company 677 063 For more details on this click on the ad
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AN EXCEPTIONAL ROSEWOOD, INLAID AND BRASS STRUNG SIDE CABINET | Retail £2,805 inc vat
THIRD GENERATION CLASSICAL FURNITURE SPECIALIST WITH 1,500 DESIGNS IN STOCK TO INSPECT IN SITU PRIOR TO PURCHASE
HAND CARVED MAHOGANY AND PARCEL GILT SETTEE Retail £4,680 inc vat
GUÉRIDON AFTER A. WEISWEILER Retail £2,190 inc vat
CHINOISERIE LAMP TABLE Retail £1,275 inc vat
CHINOISERIE COMMODE Retail £2,420 inc vat
DORSET
LONDON
OXFORDSHIRE
York House . 61-63 Leigh Road Wimborne . BH21 1AE Telephone 01202 884613
608 King’s Road London . SW6 2DX Telephone 020 7610 9597
Kingston House . High Street Nettlebed . RG9 5DD Telephone 01491 641115
wimborne@brightsofnettlebed.co.uk
kingsroad@brightsofnettlebed.co.uk
nettlebed@brightsofnettlebed.co.uk
WWW.BRIGHTSOFNETTLEBED.CO.UK
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Introducing your new
Little Black Book Access the worlds finest products Complimentary sourcing Exclusive Trade pricing Bespoke commissions Effortless logistics www.luxdeco.com
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Bespoke Lighting and Furniture The Millfield Chandelier D1100mm x H350mm (plus hanging rod) Bespoke shapes and sizes are available
Here pictured in polished nickel with crystal prisms. Other metal finishes available upon request.
16 Bridge for Design Spring 2016 Workshop and offices at 2 Harlequin Avenue, Brentford, TW8 9EW, info@phillipsandwood.co.uk, www.phillipsandwood.co.uk, t. 020 8222 8117
Left: Presenting the Barrington wall light Right: Detail Patinated bronze casing with alabaster front panel Lit with dimmable LED ribbon Bespoke sizes available.
Left: Presenting the Beekman wall light. Right: Detail Hand textured brass with hand chipped glass. Lit with dimmable LED ribbon Bespoke sizes available
Workshop and offices at 2 Harlequin Avenue, Brentford, TW8 9EW, info@phillipsandwood.co.uk, www.phillipsandwood.co.uk, t. 020 8222 8117 Bridge for Design Spring 2016
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KITCHENS, DRESSING ROOMS, STUDIES AND WINE ROOMS
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Bridge for Design Winter 2015
Bridge for Design Winter 2015
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CONTENTS 28 48 56 58
60 64
66 68 70
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Design News 10 pages of the latest from the world of interior design Fabrics & Wallpaper New collections from Guy Goodfellow, Blendworth, de Le Cuona, Lindwood Fabric and more Rugs & Floors Latest from Deirdre Dyson, Stepevi, Veedon Fleece and Roger Oates Outdoors Outdoor kitchen from Gaze Burvill, Krios from Summit Furniture, new garden furniture from Mazzaro Home and more Kitchens Latest from Espresso Design, Stone Age, Caesarstone and more. We profile Christopher Peacock Bathrooms Le Bateau Foix by Catchpole & Rye, The Torino from Hurlingham, Sbordoni Palladio basin from AJP Bathrooms and a new collection from Duravit Lighting Delightfull’s graphic lamp collection, modern Italian chrome fittings from Christopher Wray and more Design Trends Michael Amato says that when it comes to fine design, it’s what it’s made of that counts California Design Project Luxury Beach House transformation - from a Tuscan vibe to a light, airy beach one Glorious Goodwood Celebrated as England’s greatest sporting estate, Goodwod hosts the annual Festival of Speed Weekend Getaway Two California transplants find serenity at a property that wasn’t all what they were looking for
Cover story: An office with a wood papered ceiling and a breathtaking view Read more on page 70
dorya interiors exclusively available through interio uk www.interio.co.uk 555 Kings Road, London SW6 2EB, sales@interio.co.uk
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PUBLISHER
Martin Trowbridge
FELIX 03
From £7,500 to £125,000
Wigmore Street W1 · Harrods SW1 · King’s Road SW10
+44 (0)20 7493 4444
Martin@bridgefordesign.com
EDITOR
Rob Cork
Rob@bridgefordesign.com EDITOR’S ASSISTANT
EDITORIAL CHIEF SUB-EDITOR COPY-EDITING
The world’s most comfortable bed, hand made in London
Tammi Bell Tammi.B@bridgefordesign.com Katy Briscoe
ADVERTISING ADVERTISEMENT DIRECTOR
UK ADVERTISING US ADVERTISING
Vivien Brockwell +44 (0)173 246 1090 +44 (0)786 754 7712 Vivien@bridgefordesign.com Simon Hemsley +44 (0)791 937 5159 Simon@bridgefordesign.com Shelba Cornelison 001 336 869 2528 Shelba@bridgefordesign.com
CONTRIBUTORS DR ROSA OTERO LYNNE MCARDLE THOMAS O’BRIEN LARRY LASLO MARK MOUSSA TINA NICOLE CHRISTOPHER GUY DOMINIC WOOD MICHAEL AMATO ANDREA SCHUMACHER DENISE RICHARDS
www.salem.edu www.aldenparkes.com www.centuryfurniture.com www.chaddockhome.com www.arteriorshome.com www.nafurniture.com www.christopherguy.com www.phillipsandwood.co.uk www.urbanelectricco.com www.andreaschumacherinteriors.com www.drichardsinteriors.com
ACCOUNTS FINANCE DIRECTOR ACCOUNTS
SLEEP BEAUTIFULLY
Kelly Davies Kelly.D@bridgefordesign.com
Sara Davies sara@bridgefordesign.com Cisca Cowling Cisca@bridgefordesign.com
SUBSCRIPTIONS BRIDGE FOR DESIGN
Subs@bridgefordesign.com +44 (0)189 266 7600
www.bridgefordesign.com 16 Sybron Way, Jarvis Brook, East Sussex, TN6 3DZ, United Kingdom T: +44 (0)1892 667 600 F: +44 (0)1892 667 007 E: enquiries@bridgefordesign.com
savoirbeds.co.uk
Design Spring 28 Bridge for London Paris New2016 York
Hong Kong
Shanghai
Copyright 2015 BRIDGE FOR DESIGN, TROWBRIDGE Gallery, ISSN 1764-4404. Printed by Pureprint Group, Bellbrook Park,Uckfield, East Sussex TN22 1PL, T: 01825 768811. Published quarterly. All rights reserved. Reproduction in whole or in part without prior written permission is strictly prohibited. The views expressed by contributors are independent and are not necessarily those of BRIDGE FOR DESIGN
Makers of fine contemporary furniture and interior joinery | Bedrooms | | Dressing Rooms | | Libraries | | Kitchens | | Offices | | Cinemas | | Media Rooms | | Wine Rooms | | Console Tables | | Interior Doors |
01743 464080 enquiries@isis-furniture.co.uk www.isis-furniture.co.uk Bridge for Design Spring 2016
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design news
NAILHEAD MOTIFS, twinkly lucite, glossy lacquer, eye-popping orange, horsehead finials and ebonized oak - storage just got sexy, thanks to Jonathan Adler. From the Danish modernist-inspired Antibes to the light and lively Rider via the sleek and chic Berlin, the imposing Crawford and the newly customisable Turner, the latest launches from the master of Modern American Glamour make tidying a treat. www.uk.jonathanadler.com
ROBERTO GIOVANNINI’s new collection will give you a remarkable experience full of emotions. The chest of drawers with bronzed handles is finished in ‘Prestige’. Prestige looks for the right balance between antique black and gold. Very elegant is the combination with the red silk on the oval back chair Louis XVI style. www.robertogiovannini.com
THE HAND-CRAFTED Petite Chair from Delcor’s luxurious new SS16 Collection is upholstered in a striking William Yeoward Indigo Bleu List. Featuring a design that is contemporary with a hint of cosy classic, this will be a welcome addition to any design scheme. www.delcor.co.uk
CREATING LUXURY QUALITY handmade furniture from concept design through to delivery of product, Bespoke Sofa London have established themselves as one of the UK’s leading bespoke furniture manufacturing companies. T: +44 (0) 207 736 9900
www.bespokesofalondon.co.uk 30
Bridge for Design Spring 2016
Directoire Collection
f i n d yo u r i n n e r p e ac e
MAISON DE DÉCORATION London 594 Kings Road - SW6 2DX 0207 935 7000 / grangelondon@grange-home.com WWW.GRANGE-LONDON.COM
022016_DIRECTOIRE_SAM_2016.indd 1
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27/01/2016 11:59:48
THE PALAZZETTI PELLET-BURNING stoves bring a stylish yet practical way to heat your home which will guarantee to be a centrepiece of any room. Its tasteful ceramic structure oozes elegant appeal and will make a bold statement in any installation. www.palazzetti.fr
BOCA DO LOBO’S Pixel honours the union between design and craftsmanship. The 1088 triangles that complete this piece represent the dedication and creativity of those who built it - with a diverse range of finishes never seen before. The polished brass base gives Pixel a unique personality and a strong, sophisticated character. www.bocadolobo.com
THE SQUAMA FAMILY was inspired by the idea of regeneration, where each piece is formed by the leftover material from the building process. This console structure by Bitangra is made entirely of wood, with an addition of four panels of glass fibre on all of its sides to create this complex lacquered skin. www.bitangra.com
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Bridge for Design Spring 2016
DAVID HARBER’s Mantle is made out of hundreds of verdigris bronze petal shapes, the underside of each one gilded with 23 carat gold leaf. As an interior piece it is scaled accordingly and internally lit, creating a rich, magical light source. www.davidharber.co.uk
K R I O S by Conrad Sanchez M o n t e re y
L o s
A n ge l e s
S a n
SUMMITFURNITURE.com Fra n c i s c o
L o n d o n
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M o n a c o
design news
IN VIBRANT TURQUOISE straw marquetry, Simon Orrell’s Cellini bedside table evokes the glamour of the Art Deco era and features intricate patterns and a blackened steel base. www.simonorrelldesigns.com
THE HERITAGE WARDROBE COMPANY’S collection of wardrobe door designs and luxury bespoke wardrobes are defined by their unique blend of traditional elegance and stylish modern design. Crafted with a meticulous attention to detail each wardrobe is primed and hand painted to create a unique styled piece of furniture.
T: +44 (0) 203 355 8575 | www.theheritagewardrobecompany.com
CREATING A GRAND entrance with bespoke, hand-finished natural stone tiles. Pictured is Kensington Grey limestone - just one of a number of hand-crafted stone floors available from Natural Stone Consulting. T: +44 (0) 845 521 8700 www.naturalstoneconsulting.co.uk
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Bridge for Design Spring 2016
BESPOKE UPHOLSTERY specialist Wesley-Barrell offers a timeless collection of classic and contemporary English sofa and armchair styles. Handcrafted from the best quality materials in their Oxfordshire workshop by skilled craftspeople to order using techniques handed down through generations to create beautiful furniture for any interior. T: +44 (0) 207 629 2019 | www.wesley-barrell.co.uk
J U L I A N
C H I C H E S T E R
London
+44(0) 20 7622 2928 1-3 Queen’s Elm Parade, Chelsea sales@julianchichester.com @julianchich
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New York
đ&#x;“žđ&#x;“ž+1(646) 293 6622 NYDC, 200 Lexington Ave, #604 sales@julianchichesterusa.com @jchichesterusa
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Luccio side chairs
julianchichester.com
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news
DAVID SEYFRIED LTD, founded over 30 years ago, is a leading supplier of exemplary, upholstered furniture. The range includes, sofas, chairs, coffee tables, bar stools, foot stools and dining chairs in both contemporary and traditional designs. T: +44 (0) 207 823 3848 www.davidseyfried.com
CLEYNDERT & BARR has become established as a formost quality manufacturer of free standing furniture, both traditional and modern. This carved and glazed bookcase is a recently made bespoke piece in Mahogany with silk interiors and LED lighting, the adjustable glass shelves sit behind the carved and graduated glazing bars. A fine example of high quality bespoke crafsmanship. T: +44 (0) 160 378 3665 | www.cleyndertandbarr.com 36
Bridge for Design Spring 2016
LONDON
+44 (0) 333 011 3333
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design news
SOFA WORKSHOP are delighted to launch the Ives chair in store with its own trend-led fabric story. Inspired by rich jewel-toned velvet, the soft and tactile new range of House Velvet is the perfect pairing for Liberty’s latest Secret Garden fabric collection. www.sofaworkshop.com
THE NEW Birgit Israel signature collection is based on a modern interpretation of neoclassical and art deco styles. Pieces like her HENRYK cabinet showcase this strength and image perfectly. Birgit has designed and curated the collection personally, giving it her usual ‘ahead of the game’ feel. www.birgitisrael.com
A CLASSIC modern design look by Robicara, the Ugo Console Exotique - with both genuine shagreen and parchment - can be custom in size and finish. Wall photography by renowned artist Iran Issa Khan. Photo by Ken Hayden T: 001 305 375 7713 | www.robicara.com
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Bridge for Design Spring 2016
SKYLINE DESIGN produce top quality and unique pieces for the world’s best hotels, restaurants, spas and private residences the world over. This elegant and contemporary white lounger brings a touch of class to any outdoor space, making comfort a real design feature. T: +44 (0) 116 236 6726 | www.sky-linedesign.co.uk
To experience furniture at its finest visit us in store 0191 237 1303
WWW.DELCOR.CO.UK
NORTHUMBERLAND | LONDON | LINCOLNSHIRE | CHESHIRE
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design news
THE FORMAL living room’s first decision was to create an environment, making you feel like you never want to leave it. Setting the tone of comfortable furnishings and calm yet aristocratic colour schemes, Marmeh LTD has designed a glamour tailor-made interior, proving the thought that no room is a lost cause in the hands of a gifted designer.
www.marmehdesign.com
HYPNOS PRESENTS its Regal Collection, featuring industry leading comfort and the ultimate in firmness and total body support. For additional luxury, the bed can also be personalised with a loose comfort layer packed with sumptuous Alpaca wool, giving the sleeper the most comfortable night imaginable. www.hypnosbeds.com 40
Bridge for Design Spring 2016
L A MAISON LONDON Artisans of Finely Crafted Furniture
Showroom & Atelier No.1 Old Oak Lane London NW10 6UD By Appointment
020 3538 4310 info@lamaisonlondon.com
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design news |
inspiration
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3
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SAY IT WITH STRIPES
1. Six rush-bottomed chairs surround a table which is draped in a pristine white cloth with a crystal chandelier suspended from the ceiling. Simon Upton/The Interior Archive 2. A turquoise and yellow painted kitchen features a scrubbed wooden table flanked by a built-in upholstered banquette. Stefano Scata/The Interior Archive 3. A collection of 18th century portraits hangs on the striped walls of an ante-room. Marc van Praag/The Interior Archive 4. A theatrical striped banquette designed by Anthony Collett dominates one of the gilded walls. Mark Luscombe-Whyte/The Interior Archive
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Bridge for Design Spring 2016
Iconic design establishing a new era in the interiors. In constant search for finest fabrics, rarest finishes, creating unique bespoke cabinetry through highest levels of craftsmanship, following the last innovations, MARMEH DESIGN delivers globally-inspired houses looking towards new perspectives. Our design is not just a design, it’s an experience www.marmehdesign.com | T: +44 (0) 771 533 3353
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design news
SEAHORSE - the symbol of strength, power and protection, this pretty repeat of kissing couples is available in gold on charcoal or soft coal on eau de nil from Barneby Gates. www.barnebygates.com
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Bridge for Design Spring 2016
SURFACE, London’s leading retailer of tiles, mosaic, stone and wood, has merged with its sister company to become one consolidated brand: Domus. They added wood to their portfolio last year providing designers with a single reference point when working with these diverse surface materials. www.domustiles.co.uk
OASIS | ww.oasisgroup.it | info@oasisgroup.it | Showroom | Brompton Quarter | Knightsbridge | 9 Thurloe Place | London SW7 2RZ - UK | Tel. +44 207 584 7002 Bridge for Design Spring 2016 45
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news
LA MAISON LONDON make beautiful hand crafted furniture and offer a fully bespoke service. Their finishes, include the antique gilded and French walnut patinas seen here on these carved wood pieces, all from their Signature range. Their work is crafted using traditional methods and materials with meticulous attention to detail. T: +44 (0) 203 538 4310 | www.lamaisonlondon.com
AT LAST - a stylish contemporary take on a classic wing chair providing great support for the head and neck, Beaumont & Fletcher’s Theodore will be at home in both a modern or classic setting. T: +44 (0)207 352 5594 | www.beaumontandfletcher.com
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design news
MARSHALL & STEWART’s master craftsmen create the ultimate luxurious sleeping environment, using the finest materials that nature has provided. Hand made in the UK and available from the Westend Bed Company, Sheen, or from Simon Horn, Chelsea. www.marshallandstewart.com
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GALLERY MURO has just published its Spring 2016 catalogue of original and very limited edition contemporary art. Interior designers and other property professionals can download the catalogue and see a wide range of work to buy, commission or rent. Themes range from Abstract and Architecture to Landscapes and People. www.murofineart.com
10 Designers More than 200 bath ideas 332 pages
Order Orde d r fo fforr free fr f ee on on www www.duravit.co.uk .duravit duravit.c
CAPE COD The new bathroom series by Philippe Starck. info@uk.duravit.com, www.duravit.co.uk
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FABRICS & WALLPAPER
A NEW TALENT to the Graduate Collection portfolio - Eleanor Walton. Eleanor’s graduate collection, Saddle Up, brings the theme of equestrianism into the modern home. www.graduatecollection.co.uk
THE SAPHIRA COLLECTION by Romo finds inspiration in the beautiful blossoms of Spring, brought to life through delicate watercolour floras infused with exquisite tonal hues. Three new elegant shades of luxurious jade, wistful orchid and serene blush help create this compilation of rich blooms and gentle tones. www.romo.com
ETTA BY VILLA NOVA is a modernist collection of inventive prints and weaves. Featuring simple cut-out shapes, fluid organic forms and assertive mark-making, printed with solid blocks of colour to capture a bold exuberance in Art Deco inspired shades. www.villanova.co.uk 50
Bridge for Design Spring 2016
NEW TO THE Guy Goodfellow fabric collection is Garsington - a block printed large scale floral with unusual striped leaves and a fabulous tree of life repeat inspired by a vintage French fabric. Perfectly complemented by the newly coloured Fez Weave and Fez Print with their Moroccan influences. www.redlohhousefabrics.com
㔀㔀㤀 䬀椀渀最ᤠ猀 刀漀愀搀 䰀漀渀搀漀渀Ⰰ匀圀㘀 ㈀䔀䈀 ㈀ 㜀㜀㌀㘀㤀㤀 眀眀眀⸀戀攀猀瀀漀欀攀猀漀昀愀氀漀渀搀漀渀⸀挀漀⸀甀欀 椀渀昀漀䀀戀攀猀瀀漀欀攀猀漀昀愀氀漀渀搀漀渀⸀挀漀⸀甀欀
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design news | fabrics & wallpaper
RICH JEWEL TONES are experiencing a revival and Blendworth’s range of plain and patterned fabrics and wallcoverings is perfect for creating a statement look. Pair these hues with gold toned neutrals or use as an accent for a pop of vibrant colour. www.blendworth.co.uk
FOR A TOUCH of Spring colour, the brand new Hermitage fabric Collection by Charlotte Gaisford is full of pale blues and fresh greens. Originally inspired by hand painted wallpaper discovered in an old Northumberland house, Charlotte uses a mix of fresh bright ochres, pale blues and zesty greens in her designs. www.charlottegaisford.co.uk
HERITAGE TWEED gets a modern makeover in the hands of Bernie de Le Cuona who reinvents this classic cloth for stylish interior accessories. The tweed and quilted accessory collection captures the pioneering spirit of de Le Cuona, in a daring display of colourful chic. www.delecuona.co.uk 52
Bridge for Design Spring 2016
JENNIFER SHORTO’s new ‘bug’ wallpapers are delightfully appealing at any level. Visually stunning from a-far, the striking, kaleidoscopic designs reveal an intricate and delicate charm when viewed up-close. T: +44 (0) 207 371 7787 | www.redlohhousefabrics.com
LONDON SHOWROOM
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60 an s 016 -2
design
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«Pomme» et «Dahlia» © 2015 THG - Photo Didier Grieu
Bath & Art de Vivre
Bathrooms International
Designed and made in France
www.bathroomsint.com
«Pomme» & «Dahlia»
Ma
Collection
4 Pont Street London SWI X9EL Tel. +44 (0) 20 7838 7788 sales@bathroomsint.com
d
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in F ra n c e
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design news | fabrics & wallpaper
THE NEW MEMENTO collection from Linwood is a versatile range inspired by Grand Tours across Europe. This wonderful eclectic collection of prints, weaves and wallpapers sees printed cottons and velvets sit alongside recycled leathers for an eclectic mix and match look with a luxury finish. www.linwoodfabric.com
THE PARTERRE COLLECTION by New Ravenna is a collection of 18 designs that evoke the royal gardens at Versailles and Kensington Palace. Arabesque, geometric and floral patterns are defined with handcut mosaic, shell and aluminium which can be installed on both vertical and horizontal surfaces, indoors and out. www.newravenna.com
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Bridge for Design Spring 2016
ZINC’S VERY first stand-alone print collection features a confident selection of 11 unique designs, realised as foiled and digitally printed velvets and faux silks. An intoxicating mix of bold designs are presented in a neutral palette with bursts of electric blue and deep purple, inspired by some of the world’s most legendary clubs where the great and the good partied and relaxed. www.zinctextile.com
MARK ALEXANDER’s Folk collection is a contemporary expression of an eclectic and diverse range of culturally distinctive designs. Taking inspiration from everything from Mayan stonework to traditional Kashmiri paisley, this diverse collection captures the exotic feel in very modern neutral and clean pastel tones. www.markalexander.com
SINCE 1800
T R U LY B E S P O K E D R A P E RY H A R D W A R E
www.tillysinteriors.com
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design news | fabrics
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Bridge for Design Spring 2016
1 New blues from Manuel Canovas include Coutras, Duras and Grimaud. www.manuelcanovas.com 2 Fans of de Le Cuona’s finely woven paisleys will be delighted to hear that two new designs have been launched in the latest collection called Rugged Elegance. www.delecuona.co.uk 3 Curtains in Selby grey and blue from Larsen. www.larsenfabrics.com 4 Ian Mankin’s new blues include Acton and Brompton Navy. www.ianmankin.co.uk
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MADE IN ENGLAND
HAND SCREEN PRINTERS AND WEAVERS OF FINE FABRICS AND WALLPAPERS 53 Chelsea Manor Street London SW3 5RZ 路 + 44 (0) 20 7352 5745 路 www.bernardthorp.com 路 sales@bernardthorp.com
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design news | rugs
& flooring
RAJNI, VEEDON FLEECE’s first Mughal Indian design, originally woven in pashmina for the elite few. This timelessly elegant design, so in keeping with the current trend for classical India, has been sensitively recoloured for 2016. T: +44 (0) 148 357 5758 www.veedonfleece.com
CONTEMPORARY RUG brand Stepevi has been inspired by Turkish roses for the designs in its latest collection, Pixel. A simple flower design is transformed into an abstract and pixelated pattern, woven with different layers and heights achieved. The resulting design is a more geometric and contemporary version of the classic rose silhouette. www.stepevi.com
INSPIRED BY folk embroidery and the naive designs created using just two colours, Roger Oates has created a traditional two-tone herringbone weave evocative of folklore and have given it a smart contemporary twist with the addition of a bold border. T: +44 (0) 207 351 2288 www.rogeroates.com 58
Bridge for Design Spring 2016
DEIRDRE DYSON is located at 554 Kings Road with a recently renovated gallery set over 4 floors, showcasing the most recent designs. Carpets are hand made to order, from the finest, luxurious materials and from a palette of over 2,000 colours using wool and silk combinations. T: +44 (0) 207 384 4464 | www.deirdredyson.com
walking on art
www.deirdredyson.com
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OUTDOORS
WITH THE DELIGHTS of Spring just around the corner, get garden ready for alfresco dining with Mazzaro Home’s collection of timeless stone and hand-forged garden furniture. This bistro-style Stone Table and Veranda chairs will create a laid-back and informal setting.
www.mazzarohome.com
BIG ON STYLE and large in scale, Krios – by teak furniture maker Summit is designed for casual comfort with a hip yet grown-up lounge style. Its modern aesthetic will transport the essence of quintessential California living to homes around the world. www.summitfurniture.com
THIS LUXURIOUS and contemporary horse’s head ornament by Cavendish Stone has been faithfully sculpted in the UK and cast in an antiqued reconstituted bath stone finish. The piece has been aged by hand employing a special process to enhance the final textural appearance and finish. It’s suitable for both indoor and outdoor use and available with a small or large plinth. T: +44 (0) 174 784 2214 | www.cavendishstone.com 60
Bridge for Design Spring 2016
AN A LA CARTE outdoor kitchen from Gaze Burvill is so easy to install that it is small wonder that more clients than ever want a kitchen outside, whether they be in the South of France, Martha’s Vineyard, or the Cotswolds on the way. www.gazeburvill.com
Britain’s Finest Outdoor Furniture & Kitchens Outdoor Kitchens | Dining Tables & Chairs | Loungers | Benches | Tree Seats | Outdoor Sofas
UK: +44 (0)1420 588444
USA: 1.844.337.3445
E: info@gazeburvill.com
www.gazeburvill.com
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design news |
kitchens
MAGISTRA IS A product from Aran Cucine with a modern and metropolitan touch; combinations that recall past eras, but placeable in many settings. It’s an extremely friendly kitchen for the users. www.arancucine.it
THE ROSSANA KITCHEN is softened with rounded edges making it a sculptural work of art in itself; the organic form challenges preconceptions of contemporary high-end kitchen design. Made purely from steel to emphasise its solidity and durability, the craftsmanship surpasses traditional artistry and successfully marks the arrival of a new touchstone in kitchen design. www.rossana.it
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People:
Christopher Peacock Specialising in outstanding designs for the home, Christopher Peacock has been featured in many of the world’s most luxurious private estates across the globe writes Katy Briscoe. Beginning his career in London during the early eighties, founder Christopher Peacock worked at Terence Conran furniture store, London. After accepting an offer to work in the United States, he travelled first to Boston, Massachussetts, where he worked at the Boston Design Centre and then on to New York City. He launched Christopher Peacock Cabinetry initially with a single kitchen display inside a local interior design store in Greenwich, CT. The room vignette drew the attention of architects, designers and a discerning clientele. Christopher
Peacock Cabinetry soon proved its worth, quickly establishing itself as the paradigm of beautiful, custom, hand-crafted English classic cabinetry, but made to order in the United States. Since those early days in Greenwich, CT, seven equally distinctive showrooms have been opened in Chicago, Boston, San Francisco, New York City, Millburn and in Cannes, Cote D’Azur, France. Additionally, November 2015 saw the opening of a London showroom. Christopher explains the success “The company philosophy has always been to produce handcrafted cabinetry of the highest quality, using the finest materials and offering an unparalleled level of professional service to its’ clientele.” Today, there are many hundreds of rooms of beautiful cabinetry gracing homes in the United States and internationally. The classic understated elegance that has become the mark of his work and has allowed him to complete numerous projects for many high profile clients, from the world of arts, sports and business. Included in this list are nine rooms of cabinetry designed for President William Jefferson Clinton, and Secretary of State Hillary Clinton at their Chappaqua, NY private residence. www.peacockhome.com
espresso live cook sleep
enquiries@espressodesign.co.uk www.espressodesign.co.uk
149 St Johns Hill London SW11 1TQ 0207 078 9912
120 Church Street Bo Kaap Cape Town + 27 21 422 5283
203 Design Centre East Chelsea Harbour SW10 0XF 0207 078 9912
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design news |
kitchens
THIS BEAUTIFUL bookmatched marble island created by Stone Age for Artichoke Kitchens provides the centrepiece for a stunning bespoke kitchen. The stone used is honed statuary marble. T: +44 (0) 207 384 9090 | www.stone-age.co.uk
DESIGNER FERRUCCIO LAVIANI has taken his sober elegance to the Beluga range for Rastelli. Considering light as the fourth dimension of space, he has tastefully combined light and shade, voids and volumes, and metals with natural essences to really bring the room to life. www.rastellicucine.it
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ESPRESSO SPECIALISES in contemporary kitchens and interiors. Their awardwinning design teams work closely with clients to create beautiful, personalised spaces that combine the latest technology with Italian style. www.espressodesign.co.uk
AS PART OF an extensive property renovation Misty Carrara from Caesarstone was specified throughout this spacious, light-filled kitchen, its open-plan seating areas, boot room and five bathrooms. Misty Carrara enhances a wide range of schemes and looks as good with hand painted cabinetry as it does with natural wood. www.caesarstone.co.uk
LIT BY GEOMETRY The Astro Parma wall light is a study in clean, simple lines. Only high-grade plaster produces such a smooth finish with edges that give the crisp appearance of a just ironed shirt. Combine this with its striking beam pattern and the Parma brings an architectural purity to any interior. Because good design demands simplicity.
Model: Parma
Leading trade supplier of since 1997 Trade showroom at: 11 Quayside, William Morris Way London, SW6 2UZ Monday to Friday 10.30 AM - 6.00 PM
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BATHROOMS
THE TORINO STAINLESS steel bath by Hurlingham is the perfect blend of ultramodern materials designed with a nod towards classic cast iron baths with military or aircraft inspired rivets. Fully customisable, it can be painted to either accentuate the unique industrious look, or drive home its clean futuristic design. www.hurlinghambaths.co.uk LE BATEAU FOIX by Catchpole & Rye stands on four exquisite cast-iron feet, creating sense of perfect symmetry. This roll-top bath retains all of its beauty and still allows full access to plumbing without disturbing the floor.
www.catchpoleandrye.com
OUTSTANDINGLY ELEGANT Sbordoni Palladio basin by AJP Bathrooms, vanity unit, taps and accessories all available from AJP Bathrooms 137 Kings Road. www.ajp-bathrooms.co.uk 66
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THE NEW ME by Starck collection from Duravit puts the spotlight on individuality. Created by the French designer, Philippe Starck, this unique collection satisfies the desire for pure aesthetics and focuses on the essentials. With its minimalist design, it places you and your sense of style at the centre of the bathroom. T: +44 (0) 845 500 7787 | www.duravit.co.uk
Designed and made in France
LONDON SHOWROOM Bathrooms International 4 Pont Street London SWI X9EL Tel. +44 (0) 20 7838 7788 sales@bathroomsint.com
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www.bathroomsint.com
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design news |
lighting
FRANKLITE are delighted to present a product from their brand new Mosaic range. The ceiling light belongs to an impressive suite of chrome finish fittings with hexagonal crystal glass plates. T: +44 (0) 190 869 1818 | www.franklite.net
DELIGHTFULL’s Graphic Lamp collection takes lighting into a typographic form with these bold and contemporary illuminations in the form of letters, numbers or symbols. Ideal for hotels, restaurants, clubs - and also available for outdoor - these floor, table and wall fixtures add strong design presence to any space. www.delightfull.eu
MODERN ITALIAN chrome finish fittings by Christopher Hyde with 24% lead crystal glasses and Swarovski spectra crystals on the end of the central rods which appear to be independently suspended. T: +44 (0) 207 351 0863 | www.christopherhyde.com
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MR.LIGHT well known for supplying modern well designed lighting to the specification market have recently expanded their offering of modern picture lighting incorporating frame and surface mounting options, bronze, nickel, polished chrome and brushed brass, dimmable LED, fluorescent, halogen capsule and conventional incandescent. T: +44 (0) 207 352 7525 | www.mrlight.co.uk
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lighting design trends | viewpoint
TANGIBLE CHARACTER Michael Amato says that when it comes to fine design, it’s what it’s made of that counts
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he modern eye doesn’t have to go far for inspiration. With the touch of a finger, our smart phones can transport us to faraway worlds and back again in mere moments. While platforms like Instagram are effective tools for sharing inspiration, differentiation in design becomes more crucial in order to stand out in a sea of posts and hashtags. In this visually oversaturated market, using dynamic materials that tell a story in a unique way is crucial when it comes to creating an impactful product. Ultimately, interior designers and consumers look for quality, creativity and personality in furnishings. To stand out in all three categories, it’s necessary for product designers to explore unique materials that ultimately define how a fixture takes place. I’ve seen a resurgence of high-quality, natural materials being used in design. Brass, once a thing of the 1970s, is on its way back in a big way. In home décor, it’s being used in its natural form, not just coated or plated. It can be hewn or polished, and I think that versatility, along with its durability, adds to its appeal. Marble, once reserved for floors and countertops, is now being used as an accent. More frequently I see fixtures where stone is used as an accent. The design aesthetic of a product can be heightened by the mixing of different materials. For example, antique brass can be combined with mirrored glass and tell a completely different story than if it was paired with say, British leather. Thinking limitlessly about mixing materials is a way to ensure constant design innovation. Admirable design pioneers like Milo Baughman and Hans Wegner are premier examples of this approach. In today’s landscape, the reappearance of copper is notable, but what’s more significant is how it’s mixed with other materials like glass or marble. There are a lot of designers I admire who are mixing materials and have helped shape the current design landscape. I’m a big fan of French-American industrial 70
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designer Raymond Loewy, who made incredible design innovation contributions across various industries. His “nolimits” approach to design exists in today’s environment still. In present day, Alessandro Michelle, creative director at Gucci, is a great example of an artist who is creating products with mixed materials. I just saw some amazing Gucci handbags he designed that were leather and needlepoint. Another design trend becoming increasingly important is the ability for a product to tell a compelling design story, and the sourcing of materials comes into play here. I was introduced to a company in Tuscany where fourth and fifth generation glassmakers make glass the old fashioned way. When a client has their glass in their home, they are not only preserving a centuries-old art form, but they are able to feel personally connected to a special family tradition. The origin of that material adds an intimate storytelling component that goes beyond form or function. It’s personal. The impact materiality has on product is both practical and visual. To an educated, design-savvy eye, well-sourced materials look fundamentally better than those that are mass-produced. Sometimes I have to educate my clients about the importance of well-sourced materials, but once they understand that natural materials tend to have a better lifespan, they understand the value and want the best resources from the best source. At the end of the day, people’s homes are personal, and the pieces they invest in to put in them should be too. I hope that manufacturers and customers alike will continue to place emphasis on origin and materiality. I travel frequently and when I do, I am constantly gathering inspiration for new lighting fixtures. I’m very pleased that there is no lack of creativity around the globe, past or present.
Michael Amato, The Urban Electric Co. www.urbanelectricco.com
Bridge for Design Winter 2015
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California Design Project
MODERN BEACH HOUSE
Luxury Beach House transformation - from a Tuscan vibe to a light, airy beach one WORDS DENISE RICHARDS | PHOTOGRAPHS TAMARA LEIGH 72
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ABOVE: The grand dining area looking out onto the ocean LEFT: The glamorous entrance hall sets the scene of the luxurious interior of the house
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his house was newly constructed when the clients saw it. They fell in love with the floor plan and beach location. However, they had a few concerns from the beginning. Although the house was on the beach, it had a heavy Tuscan vibe. They wanted a more beach like feel. Lighter in scale than the existing motifs, writes Denise Richards. We took this information, and working closely with the clients, went about transforming the home into something a bit more modern, with a strong beach influence. We changed all the fireplaces from heavy cast concrete mantles and surrounds, to something lighter and not so bulky. We were able to achieve this by removing over 15 tons of concrete, and adding interesting stone, tile and wood elements. We then added floating shelving, and changed the granite topped kitchen island to thick lighted glass with stainless steel trim - the effect was dramatic. In fact, changed anything that was not in keeping with our new vision for the home. We begin the transition into the residence with a small exterior vignette of seating and plants. We then added a mirror and clever light fixtures to create an inviting mood, before entering the home. The effect is captivating, especially when the light fixtures are turned on. The drama continues into the
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HURLINGHAM The Bath Company
GALLEON Cairngorm Slate Fabric www.hurlinghambaths.co.uk For Stockists: T: 01400 263310 E: sales@hurlinghambaths.co.uk
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ABOVE: The master bedroom with Tete de tete chaise has a wall of glass RIGHT: A stunning kitchen with lighted glass island and John Pomp light pendants
interior entry - with its Mimi London wood table on clear acrylic legs, set-off by a beautiful coral specimen. Continuing on, we pass by the powder room and its mother-of-pearl clad walls and ceiling surrounding the white lacquer wall cabinet and lighted Grey Cloud onyx counter top. Further into the entry we pass by the bar and fireplace seating areas. With a spectacular ocean view. We enter the main part of the Great Room. With its three shell-covered mirrors, that reference portholes on a ship. The seating, all from A. Rudin, is comfortable and elegant, but not stiff or uninviting. It welcomes you in to sit, and enjoy the surroundings. The dining room contains a fireplace that is the mirror image of the one in the living room seating area. The room is set-off by a John Pomp cluster light fixture. The dining table is Berman Rosetti, as are the dining chairs with their sapphire mohair covering. The coordinating banquettes are by A. Rudin. We used the dining banquettes as an interesting detail, and to expand the limited seating area. We were able to get in two additional places this way. Additionally the table contains a bronze metal “lazy susan�, providing access to the hard to reach places. We added two freestanding buffets, one under each window on either side of the fireplace. The design picked-up the same motif as that in the kitchen cabinets. Atop each buffet is a beautiful lamp made 76
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C&B PubblicitĂ
simply different robertogiovannini.com
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ABOVE: A sophisticated office with a wood papered ceiling and a breathtaking view LEFT: A floating table with an elegant coral sculpture welcomes you into the beach house, and perfectly sets the tone for the light and airy ocean feel inside
of slices of blue agate. The effect is glamorous and unique - just what the clients wanted. The kitchen was modified by changing the granite counter top with its thick ogee edge to lighted glass with stainless steel trim and the cabinets were updated by adding lighted glass panels. We completed the transformation by adding single drop John Pomp light pendants over the island. Continuing upstairs, we encounter the study with its beautiful desk and chairs from Planum of Italy. The ceiling is paneled with Maya Romanoff’s thin veneered wood on paper backing. It is applied to the ceiling like wall covering but gives the illusion of parquetry. The window covering is a wide striped silk, with an under drapery of linen. The chromed chandelier is from Global Views and the artwork is the client’s own. Adjacent to the study is the master suite. Here we went all in for the glamorous edge. We decided to use genuine silver foil wall covering, both flat and pinched. The bed, nightstands, lounge chairs, and tete de tete chaise are from A. Rudin. In the master bathroom, there is an oversized shower and tub area. We carried through the wall covering into this room and added large faceted chandeliers that were, at the same time, beautiful and practical which flood the room with luxury and light. One floor down is the guest bedroom. We used Berman Rosetti’s Tansu collection furniture for its clean lines and attention to detail, all set on a 78
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A luxury townhouse, as seen on the BBC’s The Apprentice by Rebekah Caudwell Design
NBB Design created a vibrant, open-plan family home in Chelsea
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A colourful flat designed by Collett Zarzycki
Restoring stunning classical details in Project Pearl by 1508 London
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ABOVE: Wicker backed chairs and natural fabrics keep this cosy seating area light and airy, whilst chunky floating shelves make an artistic geometric display space LEFT: The drama of the exterior is really highlighted at dusk when you can sit outside with the company of a theatrical fire ribbon wall
hide rug from AGA John. The bedding is custom made. We decided on a more masculine look for this room despite guest bedrooms traditionally having a more feminine edge to them. We chose this route, because we so liked the furniture, which leans towards the masculine side. We can’t forget the exterior of this home. After all, outdoor living is a prerequisite for living on the beach. This particular residence has many outside levels which we exploited to their maximum usage. The first level, outside the family room, is where we decided to put a kitchen and bar area. This area is functional as well as beautiful with its custom lighted glass panel and blue granite top. The barstools are by Royal Botania. Adjacent to the kitchen/bar area is the exterior dining, complete with its outdoor chandelier and fire ribbon wall. Again, we used Royal Botania furniture. So inviting. Just inside the glass walls is the family room. Here, comfort and durability are the watch words. 80
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CLOCKWISE FROM TOP LEFT: Making themselves at home – even the pets adore the stunning sea views from the master bedroom. The subtle beach theme is picked up in driftwood style tables and displayed shells in this cosy living area with fireplace and seating. Dramatic lighting shows off the splendour of the architecture even at night. The functional outside kitchen/bar area with its custom lighted glass panel and blue granite top
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THE ART OF FLAME Phoenix Wharf, Eel Pie Island, Twickenham TW1 3DY Tel: 020 8891 5904 Email: gabrielle.platonic@gmail.com www.platonicfireplaces.co.uk
@Platonic_Fires
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ABOVE: The terraced exterior space has a generous swimming pool LEFT: Luxurious master bathroom with expansive shower and oversized bath, beautifully lit up by the large faceted chandelier and silver foiled walls.
We selected furniture and fabrics that are attractive and practical. After all, this is the first area you enter upon leaving the beach or pool. Practicality is important. Beauty is necessary. The sofa seating area is filled with rush seat and back furniture from A. Rudin. The oak brushed coffee table with its barnacle specimen, and the end tables are from A. Rudin. The “rag” rug and table lamps are from Mimi London. The game table and hide rug are from Mimi London. And, the sofa and game chairs are A. Rudin. The artwork is the Client’s own The clients are very happy with the result. They enjoy and use each area to its fullest The overall design is transitional, with contemporary elements. The effect is stunning, comfortable, and inviting.
dRichards Interiors T: 001 310 333 0794 | www.drichardsinteriors.com 84
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Remarkable Rais Exclusively Robeys
Rais Visio 1 inset fireplace with sliding glass door
The remarkable Rais Visio 1 inset wood burning fireplace combines a classically simple design with exceptional heat output. An all glass door, which can be raised and lowered, provides a stunning view of the fire and will become a real focal point in your home. Exclusively available from Robeys, Visio 1 will inspire you to take your interior design ideas to a new level. Come and see Visio 1 and the extensive range of Rais wood burning stoves at our showrooms in Belper, Derbyshire.
A PASSION FOR QUALITY Robeys Ltd, Riverside, Goods Road, Belper, Derbyshire, DE56 1UU. Tel: 01773 820940. info@robeys.co.uk www.robeys.co.uk
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Great Houses
GLORIOUS GOODWOOD Celebrated as England’s greatest sporting estate, Goodwood hosts the annual Festival of Speed WORDS SARAH BULLEN | PHOTOGRAPHS JAMES FENNELL / The Interior Archive
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oodwood lies at the foot of the South Downs, its three façades with copper-domed turrets looking out across a well-wooded park where sheep safely graze. It has been the seat of the Dukes of Richmond, since the late seventeenth century, when the first Duke of Richmond, an illegitimate son of Charles II by his French mistress Louise de Keroualle, came here to enjoy fox hunting in the nearby village of Charlton. Little remains of the original hunting lodge that the young Duke of Richmond rented and later brought in 1697. It had been built in the second decade of the seventeenth century by the ‘Wizard’ Earl of Northumberland from nearby Petworth, and gabled wings had subsequently been added. Sash windows soon graced the front of the house and it was given a classical makeover when the second Duke of Richmond employed the architect Roger Morris to remodel the Jacobean hall (known as the Long Hall) in 1730. Roger Morris designed a classical banqueting house in the park, its elevated position taking in the far-reaching views to the south coast and the Isle of Wight. It was named Carne’s Seat because it replaced a cottage in which Louise de Keroualle’s old retainer had lived. The house was hung with new works of art commissioned by the duke, including six paintings of his horses by leading equestrian TOP: The paintings on the grand staircase include full-length portraits by Sir Peter Lely of Frances Stuart, Duchess of Richmond (top left) and Barbara Villiers, Duchess of Cleveland (directly below chandelier) LEFT: The Egyptian dining room, restored to its former glory in the late 1990s. The walls are scagliola. It was originally designed by James Wyatt for the 3rd duke of Richmond between 1802 and 1806 Bridge for Design Spring 2016
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ABOVE: The yellow drawing room, with its striped, golden yellow walls and matching soft furnishings. State portraits of King George III and Queen Charlotte by Alan Ramsay flank the doorway LEFT: A private dining room hung with paintings collected on the Grand Tour. A portrait of Louise de Keroualle, mother of the first duke of Richmond, hangs above the mantelpiece
painter John Wootton and a pair of magnificent views of London by Canaletto, designed to hang over the chimneypieces in the Long Hall. The architect Matthew Brettingham was employed by the second duke to extend Goodwood House to the south by building a pedimented façade aligned with the spire of Chichester Cathedral. Alas, the duke died suddenly in 1750, leaving the new wing unfinished. The present appearance of Goodwood owes most to the third duke of Richmond. A short postings as ambassador to the Court of Louis XV at Versailles resulted in a gift from the French king of four Gobelins tapestries depicting scenes from Cervantes Don Quixote. On his return to Goodwood, the duke commissioned the young James Wyatt to design a room around them and sculptor John Bacon to carve a beautiful figural chimneypiece. Horses remained a central feature of life at Goodwood in the second half of the eighteenth century. Not long after he came of age, the third duke commissioned Sir William Chambers to design a new stable block. With its Doric-columned triumphal arch and pristine flintwork, the resulting building was so grand that it outshone the house. In 1801, toward the end of his life, the duke held a private race meeting up in the Downs. It was such a success that the following year he decided to make it a public meeting, and racing has taken place at Goodwood ever since. In addition to the north wing, which included the tapestry drawing room, James Wyatt designed the Orangery; Molecomb house for the duke’s disgraced sister Lady Sarah; the Kennels to house the duke’s 90
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Custom-Made in USA Inspired by the World
www.NorwalkFurniture.com
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ABOVE: The library, the painted panels above the fireplace and doorways were painted by Charles Reuben Riley in the 1770s LEFT: A brightly coloured flower arrangement enlivens the white marble fire surround in the tapestry drawing room
foxhounds; two lodges for whippers-in; and the two lodges either side of the road at Pilley Green. Tragically, Richmond House burned down in 1791, although much of the great art work collection was saved. Wyatt designed two new wings to house the art, and work began at the start of the nineteenth century. Designed in the picturesque manner to take advantage of the sweeping view beyond Boxgrove Priory to the sea, the wings were angled away from existing house. They included a new entrance hall with a screen of Guernsey granite columns, brought across the Channel on the duke’s yacht. The hall serves as the backdrop for three paintings by George Stubbs of scenes on the estate: Racehorses Exercising at Goodwood, The Charlton Hunt, and Shooting at Goodwood. To the west of the entrance hall is the Egyptian Dining Room with its striking scagliola walls and Egyptian motifs. The Yellow Drawing Room is found to the east of the hall; is is hung with eighteenth century portraits of British monarchs and family members. The fifth duke developed the racecourse, and the annual Raceweek, dubbed ‘Glorious Goodwood’ by the press of the day, became a popular addition to the English social season. Today, Goodwood is celebrated as England’s greatest sporting estate. It is the first estate on which cricket was regularly played. In addition to the horse racing, there is golf, flying (the Aerodrome is a former World War 92
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photography Jill Tate
The Astonian bathroom
Aston Matthews
order online at www.astonmatthews.co.uk visit our showroom 141-147A Essex Road, Islington, London N1 2SN 020 7226 7220 sales@astonmatthews.co.uk
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FROM TOP: The grand ballroom and banqueting hall is often used for large celebratory events. In the pale blue music room, a grand piano stands on a smooth marble floor. Closeup of a marble statue of two sleeping dogs entwined in front of the tapestry drawing room fireplace
II fighter station), and motor sport, which brings hundreds of thousands of spectators in the park, and the Goodwood Revival which takes place at the Circuit. Goodwood House is lived in by the present Duke of Richmond’s son and heir, the Earl of March and Kinrara, and his family. He and his wife were responsible for the compete redecoration of the house, including the state rooms, after they moved in in 1994. The Large Library is one of the most beautiful rooms in England; its bookcases and ceilings are delicately ornamented with classical figures painted by Charles Reuben Riley. The small Library is a perfectly appointed gentleman’s study, fitted out in the early nineteenth century with a balcony that runs around the room. Next door is the private dining room, a circular space in one of the corner turrets, densely hung with pictures bought on a Grand Tour, including two exquisite Venetian scenes by Canaletto painted on copper. Lord March believes passionately that the family should always live in the house: “Everything we do here is centred around the house and ensures that the family can remain here for generations to come”. The estate’s stunning setting, magnificent art collection, and prestigious sporting activities all come together to give credence to the traditional epithet ‘Glorious Goodwood’. Goodwood House www.goodwood.com 94
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www.boldstonesculpture.co.uk info@boldstonescupture.co.uk
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A Long Island House
WEEKEND GETAWAY
Two California transplants find serenity at a property that wasn’t all what they were looking for WORDS MICHAEL OWENS | PHOTOGRAPHS WILLIAM WALDRON / The Interior Archive 96
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hen you start looking for a weekend house, you typically have a shortlist of requirements,” Dan MacDonald says. “And eventually most of them turn out to be not that important.” In the case of MacDonald and his partner, Gregg Kaminsky, Manhattan residents who enthusiastically scouted the South Fork of Long Island for a suitable perch – in part, they cheerfully admit, so their friends wouldn’t have to put them up all the time. At the top of their list was a house within walking distance of a village, so they could stroll to markets and restaurants. The property the couple fell in love with, however, didn’t come close, figuratively or literally. Known as Cow Pond Farm, the four-acre spot is just far enough away from the historic town centre of Water Mill, New York, to require transportation. The 1960s gambrel-roofed house and matching barn, now a guest cottage, are as charming as storybook illustrations, but they have no neighbours nearby and are buffered by wetlands and the eponymous body of water, adding to the atmosphere of isolation. Yet these conditions turned out to be major pluses once the men began considering the general spirit of their weekends-to-be. “We have some very loud friends,” Kaminsky says with a laugh, as the couple’s 19-yearold Jack Russell terrier, Papochino, curls up beside him. “And we’re not always so quiet either.” Life in this particular corner of the Hamptons may be boisterous at times, but the interiors the two California transplants – MacDonald is an independent film and theatre producer, while Kaminsky works for R Family Vacations, a gay-family tour operation he cofounded with Kelli
LEFT: The converted barn contains a spacious living room where a mezzanine situated under the double-height provides a private sleeping area TOP: Dan MacDonald and Gregg Kaminsky with their Jack Russell terrier Papochino Bridge for Design Spring 2016
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ABOVE: The stone-clad front entrance of the guest cottage at Cow Pond Farm, small garden sculpture dogs stand on the patio
O’Donnell – enjoy here are more soothing than their high-rise city digs overlooking Central Park. “The apartment I did for them in New York City is clubby and full of the modern art Dan and Gregg have been collecting for years,” says Kathleen Clements, a Beverly Hillsbased interior designer known as Queenie. “This time around they wanted light and airy. So I went to the Water Mill, and when I saw the staircase in the barn, I was inspired to do everything in white.” Encased in a snowy plaster that gives it the appearance of a slowly uncoiling ribbon, the ascent in question rises from the barn’s open living area to a cosy mezzanine sleeping alcove. For privacy, the nook can now be closed off with sliding doors that replicate those on the front of the building. When friends with children visit, MacDonald and Kaminsky relinquish the main house and cross the gravel court to temporarily bunk in the barn, which also serves as a lounge when 98
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they host parties. Expansive new windows flood the living area with sunlight; their rectangular shapes and leafy views complement the plein-air subjects of the room’s simply framed photographs, most of them regional beach landscapes by Tria Giovan and grandly scaled vintage images of railroads. Though the barn staircase is white - shiny, in fact, thanks to several coats of high-gloss paint – the blanched décor Clements spun off it is scarcely one-note. In both buildings, the palette is all about whisperpale shades rather than stark white: stone accents, muted fabrics, woods that look sun-bleached. A Louis XVI-style armchair is upholstered in natural linen made by Belgian tastemaker Axel Vervoordt. A slipcover of the same flaxen material traditionally used for French rain sacks hugs the curves of a wing chair, while actual vintage grain sacks have been recycled into large throw pillows. The humble fabrics were made
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CLOCKWISE FROM TOP LEFT: A secluded dining area at the side of the barn is furnished with garden chairs and tables in weathered wood. By the garden door is a collection of baskets on rustic shelves beneath a framed photograph of Andy Warhol. The entrance hall/living room of the guest cottage is furnished with two antique linen-covered armchairs and a 19th century trestle table. The exterior of the converted barn is clad in grey-painted clapboard and a life-size sculpture of a cow stands at one side of the drive
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ABOVE: In the garden tall mature trees shade a table and chairs arranged on the wooden decking under a pergola
ever more inviting by washing them multiple times to achieve the perfect level of softness before they were used for upholstery. In the main house, the master bedroom is painted flannel-grey and the neoclassical dining chairs are covered in light-blue hemp. “There’s something about those subdued tones that just make people feel good,” says Clements, who brought everything into sharp focus by incorporating strong, dark accents, including ebonized picture frames and a broad-shouldered Chesterfield sofa of button-tufted black leather. Adds MacDonald, “I always gravitate to materials that aren’t fussy, like stone, leather, and wood – so does Queenie.” The great outdoors was upgraded as well. A large deck, crowned with a pergola, banked with potted Boston ferns, and overlooking 102 Bridge for Design Spring 2016
the bucolic Cow Pond, was added to one side of the main house for alfresco dining. The exteriors have been altered too, the wood siding going from a dull greyish-green to serene shades of blue-grey that look crisp and cool against the lush green trees. “This is a very peaceful place,” MacDonald says, plainly pleased with how weekends on the South Fork have turned out. Kaminsky nods in agreement, then quietly says, “Snapping turtles.” His partner looks startled and notes, “I’d forgotten about those. Which means we have a great pond, but nobody can swim in it.” Every paradise has its drawbacks. Designer: Kathleen Clements www.clementsdesign.com
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28 June - 3 July 2016 Preview 27 June For details & tickets visit www.olympia-art-antiques.com
Olympia London, Hammersmith Road, Kensington, London W14 8UX Bridge for Design Spring 2016 105
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good Morning ! we believe that day and night are one. sleep well, live better with a Vispring bed.
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!RCHITECTURAL (ERITAGE
&INE 'ARDEN /RNAMENT &OUNTAINS 0LANTERS
Bridge for Design Spring 2016 109
!RCHITECTURAL (ERITAGE 4HANK YOU FOR YOUR INTEREST IN !RCHITECTURAL (ERITAGE 7ITH OVER 40 YEARS EXPERIENCE THIS CATALOGUE REPRESENTS THE CULMINATION OF TWO GEN ERATIONS OF OUR FAMILY S COMMITMENT TO PRODUCING WHAT WE BELIEVE TO BE THE ямБNEST GARDEN ORNAMENT COLLECTION ON THE MARKET TODAY 7E PRIDE OUR SELVES ON SUPPLYING OUR CLIENTS WITH A CAREFULLY CURATED RANGE OF GARDEN ORNAMENT TO CLASSIC DESIGNS MADE IN TRADITIONAL HIGH QUALITY MATERIALS BY CRAFTSMEN WHO CARE ALONGSIDE A SERVICE THAT IS SECOND TO NONE 4HIS YEAR S EXCITING ADDITIONS TO OUR CATALOGUE INCLUDE THE 1UERCUS 2OBUR 'ARDEN $INING 4ABLE n HAND CRAFTED IN %NGLISH /AK TO A DESIGN INSPIRED BY THE #OTSWOLD !RTS #RAFTS 3CHOOL THIS TABLE REPRESENTS A NEW DEPARTURE FOR US INTO WOODEN GARDEN FURNITURE 9OU WILL ALSO SEE AN EXTENSION TO OUR RANGE OF THE EVER POPULAR COPPER PLANTERS ALONGSIDE TWO NEW HAND CARVED NATURAL LIMESTONE SUNDIALS BOTH SIMPLE AND ELEGANT AND ABLE TO SUPPORT OUR BRONZE SUNDIAL PLATE OR CHOICE OF ARMILLARY SPHERE )N PARALLEL TO OUR REPRODUCTION RANGE WE ARE PROUD TO BE CONSIDERED ONE OF THE WORLD S LEADING EXPERTS AND PURVEYORS OF ANTIQUE GARDEN ORNAMENT AND STATUARY /UR EVER CHANGING INVENTORY SHOWCASES THE VERY BEST OF 18TH 19TH AND EARLY 20TH CENTURY GARDEN ANTIQUES AVAILABLE ON THE MARKET TODAY &OR CLIENTS WHO HAVE VISITED US HERE AT 4ADDINGTON YOU WILL KNOW THAT ALL ITEMS IN THE CATALOGUE ARE ON DISPLAY IN THE GALLERIES AND GROUNDS WITH OUR COMPLETE INVENTORY AVAILABLE TO VIEW VIRTUALLY VIA OUR CONTINUALLY UPDATED WEBSITE )F YOU HAVE NOT ALREADY REGISTERED PLEASE DO SIGN UP ON LINE TO RECEIVE OUR MONTHLY LATEST STOCK EMAIL UPDATES 4O PLACE ORDERS PLEASE CALL OR EMAIL AND WE WILL BE HAPPY TO PROVIDE YOU WITH A QUOTATION TO DELIVER EITHER JUST AROUND THE CORNER OR TO THE OTHER SIDE OF THE WORLD ) VERY MUCH LOOK FORWARD TO BEING OF SERVICE 7ITH KIND REGARDS
!LEX 0UDDY /WNER
&INE 'ARDEN /RNAMENT &OUNTAINS 0LANTERS
0LANTERS
;3= ;2=
4HE #IRCULAR #OPPER 0LANTERS
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO IMITATE THE 6ICTORIAN ANTIQUE ORIGINALS
4HE 3MALL #IRCULAR #OPPER 0LANTER
(EIGHT 1| 1Ð ;35 CM= $IAMETER 1| 9 ;54 CM=
4HE -EDIUM #IRCULAR #OPPER 0LANTER
(EIGHT 1| 5Ð ;45 CM= $IAMETER 2| 3 ;68 5 CM=
4HE ,ARGE #IRCULAR #OPPER 0LANTER
(EIGHT 1| 11 ;60 CM= $IAMETER 2| 11 ;89 5 CM=
4HE 6ERY ,ARGE #IRCULAR #OPPER 0LANTER
(EIGHT 2| 5 ;73 5 CM= $IAMETER 3| 3Ð ;101 CM=
;5=
4HE 3MALL #IRCULAR #OPPER 0LANTER
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO IMITATE THE 6ICTORIAN ANTIQUE ORIGINALS (EIGHT 1| 1Ð ;35 CM= $IAMETER 1| 9 ;54 CM=
;7=
4HE -EDIUM #IRCULAR #OPPER 0LANTER
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO IMITATE THE 6ICTORIAN ANTIQUE ORIGINALS (EIGHT 1| 5Ð ;45 CM= $IAMETER 2| 3 ;68 5 CM=
;9=
! 0AIR OF ,ARGE #IRCULAR #OPPER 0LANTERS
; 10 =
4HE ,ARGE #IRCULAR #OPPER 0LANTER
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO IMITATE THE 6ICTORIAN ANTIQUE ORIGINALS (EIGHT 1| 11 ;60 CM= $IAMETER 2| 11 ;89 5 CM=
; 11 =
4HE 6ERY ,ARGE #IRCULAR #OPPER 0LANTER
4HE #IRCULAR #OPPER 4REE 0LANTER
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO IMITATE THE 6ICTORIAN ANTIQUE ORIGINALS (EIGHT 2| 5 ;73 5 CM= $IAMETER 3| 3Ð ;101 CM=
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO IMITATE THE 6ICTORIAN ANTIQUE ORIGINALS (EIGHT 1| 9 ;55 CM= $IAMETER 4| 2 ;127 CM=
; 12 =
; 13 =
4HE 3QUARE #OPPER 0LANTERS
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO ECHO THE 6ICTORIAN ANTIQUE ORIGINALS
4HE 3MALL 3QUARE #OPPER 0LANTER
(EIGHT 1| 1Ð ;35 CM= 7IDTH $EPTH 1| 9 ;54 CM=
4HE -EDIUM 3QUARE #OPPER 0LANTER
(EIGHT 1| 5Ð ;45 CM= 7IDTH $EPTH 2| 3 ;68 5 CM=
4HE ,ARGE 3QUARE #OPPER 0LANTER
(EIGHT 1| 11 ;60 CM= 7IDTH $EPTH 2| 11 ;89 5 CM=
4HE 6ERY ,ARGE 3QUARE #OPPER 0LANTER
(EIGHT 2| 5 ;73 5 CM= 7IDTH $EPTH 3| 3 ;100 5 CM=
; 17 =
! 0AIR OF ,ARGE 3QUARE #OPPER 0LANTERS AND ! 3INGLE ,ARGE 3QUARE #OPPER 0LANTER OPPOSITE
; 19 =
4HE 3MALL 2ECTANGULAR #OPPER 0LANTER
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO ECHO THE 6ICTORIAN ANTIQUE ORIGINALS (EIGHT 1| 11 ;60 CM= ,ENGTH 3| 11 ;120 CM= !VAILABLE IN TWO DEPTHS .ARROW 1| 8 ;52 CM= 7IDE 2| 3 ;69 CM=
; 21 =
4HE -EDIUM 2ECTANGULAR #OPPER 0LANTER
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO ECHO THE 6ICTORIAN ANTIQUE ORIGINALS (EIGHT 1| 11 ;60 CM= ,ENGTH 5| 10Ð ;180 CM= !VAILABLE IN TWO DEPTHS .ARROW 1| 8 ;52 CM= 7IDE 2| 3 ;69 CM=
; 23 =
4HE ,ARGE 2ECTANGULAR #OPPER 0LANTER
(AND CRAFTED FROM HEAVY GAUGE COPPER RIVETED TOGETHER AND THEN VERDIGRIS PATINATED TO ECHO THE 6ICTORIAN ANTIQUE ORIGINALS (EIGHT 1| 11 ;60 CM= ,ENGTH 7| 2 ;220 CM= !VAILABLE IN TWO DEPTHS .ARROW 1| 8 ;52 CM= 7IDE 2| 3 ;69 CM=
; 25 =
! 0AIR OF .AUNTON 0ARK 0LANTERS
; 26 =
4HE .AUNTON 0ARK 0LANTER
! HAND CARVED NATURAL LIMESTONE PLANTER OF SQUARE TAPERED FORM (EIGHT 1| 10Â… ;57 CM= 7IDTH 2| ;60 CM= $EPTH 2| ;60 CM=
; 27 =
4HE #OTSWOLD ,ION ,EAD 0LANTER
! LEAD PLANTER OF CIRCULAR FORM HAVING APPLIED LION MASKS BELOW THE RIM $RAINAGE HOLES TO BASE (EIGHT 1| 8Â… ;51 CM= $IAMETER 2| ;61 CM=
; 29 =
4HE #OTSWOLD ,ION ,EAD 0LANTER AND 4HE 3MALL #OTSWOLD ,EAD 0LANTER
; 30 =
4HE 3MALL #OTSWOLD ,EAD 0LANTER
! LEAD PLANTER OF CIRCULAR FORM WITH DRAINAGE HOLES TO BASE (EIGHT 1| 8Â… ;51 CM= $IAMETER 2| ;61 CM=
; 31 =
4HE -EDIUM #OTSWOLD ,EAD 0LANTER AND 4HE 3MALL #OTSWOLD ,EAD 0LANTER
; 32 =
4HE -EDIUM #OTSWOLD ,EAD 0LANTER
! LEAD PLANTER OF CIRCULAR FORM WITH DRAINAGE HOLES TO BASE (EIGHT 2| ;61 CM= $IAMETER 2| 6Â… ;76 CM=
; 33 =
4HE ,ARGE #OTSWOLD ,EAD 0LANTER
4HE 2ECTANGULAR ,EAD 0LANTER
! LEAD PLANTER OF CIRCULAR FORM WITH DRAINAGE HOLES TO BASE (EIGHT 2| 6 ;75 CM= $IAMETER 3| ;91.5 CM=
! LEAD PLANTER ORNAMENTED WITH RECESSED SQUARE PANELS (EIGHT 1| 7Ð ;50 CM= 7IDTH 3| 4 ;101 5 CM= $EPTH 1| 7Ð ;50 CM= #USTOM SIZES AVAILABLE
; 34 =
; 35 =
3EATS "ENCHES 4ABLES
; 37 = ; 36 =
4HE 1UERCUS 2OBUR 'ARDEN 3EAT
!N !RTS #RAFTS INSPIRED GARDEN SEAT CARVED FROM 6 YEAR OLD AIR DRIED %NGLISH /AK 1UERCUS 2OBUR OF PLANK CONSTRUCTION WITH KEYED MORTISE AND TENON JOINTS (EIGHT 2| 2½… ;67 CM= 7IDTH 6| 6… ;198 CM= $EPTH 2| 5… ;74 CM=
; 39 =
4HE #URVED .EO #LASSICAL 3EAT
! HAND CARVED NATURAL LIMESTONE PARK SEAT OF CURVED FORM HAVING PANELLED BACK WITH CENTRAL ROUNDEL SCROLLED ARM SUPPORTS AND VOLUTE FEET (EIGHT 3| 3Â… ;100 CM= 7IDTH 9| 9Â… ;313 CM= $EPTH 1| 9Â… ;53 CM=
; 41 =
4HE .EO #LASSICAL 3EAT
4HE 'EORGIAN 3EAT
! HAND CARVED NATURAL LIMESTONE SEAT HAVING PANELLED BACK WITH CENTRAL ROUNDEL DENTIL MOULDED ARM SUPPORTS AND FEET WITH INSWEPT PLINTH BASES (EIGHT 3| 4 ;102 CM= 7IDTH 5| 5 ;166 5 CM= $EPTH 1| 8 ;51 5 CM=
! HAND CARVED NATURAL LIMESTONE SEAT HAVING CLASSIC CORBEL ARM AND FOOT SUPPORT 4HE INSET CENTRE TABLET IN LEAD BAS RELIEF DEPICTS A GOAT WITH CHERUBS AT PLAY (EIGHT 3| 5 ;105 CM= 7IDTH 6| ;183 CM= $EPTH 2| ;61 CM=
; 42 =
; 43 =
4HE ,ARGE #LASSIC #URVED 3TONE "ENCH
4HE ,ARGE #LASSIC 3TRAIGHT 3TONE "ENCH
! HAND CARVED NATURAL LIMESTONE BENCH HAVING FLUTED SUPPORTS AND SHAPED SEAT (EIGHT 1| 7 ;48 CM= 7IDTH 9| 2 ;280 CM= $EPTH 1| 3Ð ;40 CM=
! HAND CARVED NATURAL LIMESTONE BENCH HAVING RECTANGULAR TOP ON FLUTED SHAPED SUPPORT (EIGHT 1| 7 ;48 CM= 7IDTH 9| 2 ;280 CM= $EPTH 1| 3Ð ;40 CM=
; 44 =
; 45 =
4HE #LASSIC #URVED 3TONE "ENCH
4HE #LASSIC 3TRAIGHT 3TONE "ENCH
! HAND CARVED NATURAL LIMESTONE BENCH HAVING FLUTED SUPPORTS AND SHAPED SEAT (EIGHT 1| 7Â… ;48 CM= 7IDTH 4| 7Â… ;140 CM= $EPTH 1| 4Â… ;41 CM=
! HAND CARVED NATURAL LIMESTONE BENCH HAVING RECTANGULAR TOP ON FLUTED SHAPED SUPPORT (EIGHT 1| 7Â… ;48 CM= 7IDTH 4| 7Â… ;140 CM= $EPTH 1| 4Â… ;41 CM=
; 46 =
; 47 =
4HE $ECORATIVE #URVED 3TONE "ENCH
4HE $ECORATIVE 3TRAIGHT 3TONE "ENCH
! HAND CARVED NATURAL LIMESTONE BENCH HAVING EGG AND DART DECORATION TO THE SEAT WITH VOLUTED SCROLL LEGS (EIGHT 1| 7Â… ;48 CM= 7IDTH 4| 5Â… ;135 CM= $EPTH 1| 4Â… ;41 CM=
! HAND CARVED NATURAL LIMESTONE BENCH HAVING EGG AND DART DECORATION TO THE SEAT WITH VOLUTED SCROLL LEGS (EIGHT 1| 7Â… ;48 CM= 7IDTH 4| 7Â… ;140 CM= $EPTH 1| 4Â… ;41 CM=
; 48 =
; 49 =
4HE 1UERCUS 2OBUR 'ARDEN $INING 4ABLE
! FINE %N LISH 6 YEAR OLD AIR DRIED CARVED OAK TABLE JOINED BY THE DISTINCTIVE PEGGED MORTISE AND TENON JOINTS A TRADEMARK OF 4HE !RCHITECTURAL (ERITAGE 1UERCUS 2OBUR 2ANGE 4HIS FINE T BLE IS MADE TO LAST OUTSIDE AND WILL WEATHER IN TIME TO A SILVER GREY (EIGHT 2| 4Â Â… ;72.5 CM= $EPTH 3| 4Â… ;102 CM= ,ENGTH OPTIONS 6| ;183 CM= SEATS 8 9| ;274 CM= SEATS 10 11| ;335 CM= SEATS 12
; 51 =
4HE %NGLISH /AK 'ARDEN $INING 4ABLE WITH !RABESQUE -ARBLE 4OP
! MORTISE AND TENONED %NGLISH /AK BASE SUPPORTING A SOLID )TALIAN !RABESQUE MARBLE TOP (EIGHT 2| 4 ;71 CM= ,ENGTH 6| 10Ð ;210 CM= $EPTH 2| 11 ;90 CM=
; 52 =
; 53 =
4HE %NGLISH /AK 'ARDEN $INING 4ABLE WITH .ATURAL ,IMESTONE 4OP
! MORTISE AND TENONED %NGLISH /AK BASE SUPPORTING A SOLID NATURAL LIMESTONE TOP (EIGHT 2| 4 ;71 CM= ,ENGTH 6| 10Ð ;210 CM= $EPTH 2| 11 ;90 CM=
; 54 =
; 55 =
3UNDIALS !RMILLARIES
; 57 = ; 56 =
4HE )NVERTED 3UNDIAL 0EDESTAL
! HAND CARVED NATURAL LIMESTONE SUNDIAL PEDESTAL OF TAPERING FORM AVAILABLE WITH CHOICE OF ARMILLARY SPHERES
)LLUSTRATED WITH :ENITH !RMILLARY 3PHERE ABOVE LEFT
/VERALL HEIGHT 5| 10┬Е ;178 CM= 3QUARE AT BASE 1| 1┬а┬Е ;34 CM= 3PHERE DIAMETER 1| 6┬╜┬Е ;47 CM=
)LLUSTRATED WITH 'REENWICH !RMILLARY 3PHERE ABOVE MIDDLE /VERALL HEIGHT 6| 6┬Е ;198 CM= 3QUARE AT BASE 1| 1┬а┬Е ;34 CM= 3PHERE DIAMETER 2| 3┬╜┬Е ;70 CM=
)LLUSTRATED WITH (OLBORN !RMILLARY 3PHERE WITH 'RIямГN ABOVE RIGHT /VERALL HEIGHT 7| 6┬Е ;229 CM= 3QUARE AT BASE 1| 1┬а┬Е ;34 CM= 3PHERE DIAMETER 3| 1┬Е ;94 CM=
; 59 =
4HE :ENITH !RMILLARY 3PHERE
! VERDIGRIS BRONZE ARMILLARY SPHERE PIERCED WITH AN ARROW AND CALIBRATED WITH THE HOURS -OUNTED UPON A BELL SHAPED SUPPORT /VERALL HEIGHT 2| 5┬Е ;74 CM= 3PHERE DIAMETER 1| 6┬╜┬Е ;47 CM= $IAMETER AT BASE 6┬а┬Е ;17 CM=
4HE 'REENWICH !RMILLARY 3PHERE
! VERDIGRIS BRONZE ARMILLARY SPHERE PIERCED WITH AN ARROW AND CALIBRATED WITH THE HOURS -OUNTED UPON A BELL SHAPED SUPPORT /VERALL HEIGHT 3| 1┬Е ;94 CM= 3PHERE DIAMETER 2| 3┬╜┬Е ;70 CM= $IAMETER AT BASE 6┬╜┬Е ;17 CM=
4HE (OLBORN !RMILLARY 3PHERE WITH 'RIямГIN
4HE 4HOMAS 7RIGHT $IAL 0LATE
! VERDIGRIS BRONZE OVERSIZED ARMILLARY SPHERE PIERCED WITH A DECORATIVE ARROW AND CALIBRATED WITH THE HOURS 3URMOUNTED BY A GRIямГN RAISED UPON A BELL /VERALL HEIGHT 4| 1┬Е ;125 CM= 3PHERE DIAMETER 3| 1┬Е ;94 CM= $IAMETER AT BASE 6┬╜┬Е ;17 CM=
! FAITHFUL COPY FROM THE ANTIQUE ORIGINAL 4HE ENGRAVED CIRCULAR BRONZE DIAL PLATE SIGNED @4HO S 7RIGHT )NSTRUMENT -AKER TO (IS -AJESTY (EIGHT INCLUDING GNOMON 8┬Е ;20 CM= $IAMETER 1| ;31 CM=
; 60 =
; 61 =
4HE %QUINOX 3UNDIAL 0EDESTAL
4HE ,ARGE %QUINOX 3UNDIAL 0EDESTAL
! HAND CARVED NATURAL LIMESTONE SUNDIAL PEDESTAL OF ELEGANT BALUSTER FORM ! CHOICE OF DIAL PLATE OR ARMILLARY SPHERE IS AVAILABLE &EATURED HERE WITH 4HE :ENITH !RMILLARY 3PHERE /VERALL HEIGHT 5| 10Â… ;178 CM= 3QUARE AT BASE 1| 2Â… ;36 CM=
! LARGE SCALE HAND CARVED NATURAL LIMESTONE SUNDIAL PEDESTAL OF BALUSTER FORM ! CHOICE OF DIAL PLATE OR ARMILLARY SPHERE IS AVAILABLE &EATURED HERE WITH 4HE 4HOMAS 7RIGHT 3UNDIAL 0LATE /VERALL HEIGHT 4| 9Â… ;145 CM= $IAMETER AT BASE 1| 8Â… ;51 CM=
; 62 =
; 63 =
4HE 7ILLIAM )6 3UNDIAL 0EDESTAL
!N AGE PATINATED ARTIFICIAL STONE SUNDIAL PEDESTAL AVAILABLE WITH CHOICE OF ARMILLARY SPHERES
)LLUSTRATED WITH 'RIямГN !RMILLARY 3PHERE ABOVE
/VERALL HEIGHT 7| 3┬Е ;221 CM= 3QUARE AT BASE 2| 3┬Е ;68 CM= 3PHERE DIAMETER 3| 1┬Е ;94 CM=
)LLUSTRATED WITH :ENITH !RMILLARY 3PHERE OPPOSITE
/VERALL HEIGHT 5| 5┬Е ;165 CM= 3QUARE AT BASE 2| 3┬Е ;68 CM= 3PHERE DIAMETER 1| 6 ┬╜┬Е ;47 CM=
; 65 =
&OUNTAINS 0OOL 3URROUNDS
; 67 = ; 66 =
4HE 4WO 4IER &OUNTAIN
! TWO TIER FOUNTAIN IN AGE PATINATED ARTIFICIAL STONE TA EN FROM AN 18TH CENTURY ORIGINAL EACH BOWL HAVING EGG AND DART CARVING TO THE RIM RAISED UPON BALUSTER PEDESTALS WITH CARVED FOLIAGE 4HE UPPER BOWL IS SURMOUNTED BY A PINEAPPLE FINIAL /VERALL HEIGHT 8| 7Â… ;262 CM= /VERALL DIAMETER 4| 6Â… ;137 CM= 3QUARE AT BASE 2| 2Â… ;67 CM=
4HE ,ARGE 3INGLE 4IER &OUNTAIN
! LARGE SINGLE TIER FOUNTAIN IN AGE PATINATED ARTIFICIAL STON THE BOWL HAVING EGG AND DART CARVING TO THE RIM RAISED UPON A BALUSTER PEDESTAL CARVED WITH ACANTHUS FOLIAGE WITH CIRCULAR FOOT AND SQUARE BASE 4HE BOWL IS SURMOUNTED BY A SPOUT IN THE FORM OF A PINEAPPLE /VERALL HEIGHT 5| ;152.5 CM= /VERALL DIAMETER 4| 5Â… ;135 CM= 3QUARE AT BASE 2| 2Â… ;67 CM=
)NSTALLATION AND PHOTOGRAPH BY #OTSWOLD %STATES AND 'ARDENS ,TD
; 68 =
; 69 =
4HE 3INGLE 4IER &OUNTAIN
! SINGLE TIER FOUNTAIN IN AGE PATINATED ARTIFICIAL STON THE BOWL HAVING EGG AND DART CARVING TO THE RIM RAISED UPON A BALUSTER PEDESTAL CARVED WITH ACANTHUS FOLIAGE WITH CIRCULAR FOOT AND SQUARE BASE 4HE BOWL IS SURMOUNTED BY A SPOUT IN THE FORM OF A PINEAPPLE /VERALL HEIGHT 4| 1Â… ;125 CM= /VERALL DIAMETER 2| 7Â Â… ;80 CM= 3QUARE AT BASE 1| 6Â… ;45 CM=
; 71 =
4HE 'REAT 7ESTWOOD 0OOL 3URROUND
! LARGE AND IMPRESSIVE AGE PATINATED ARTIFICIAL STONE POOL SU ROUND AT 6 METRES DIAMETER %XTERNAL DIAMETER 19| 8 ;6 M= (EIGHT 1| 1Ð ;35 CM=
4HE $ECORATIVE #IRCULAR 0OOL 3URROUND
!N AGE PATINATED ARTIFICIAL STONE CI CULAR POOL SURROUND HAVING EGG AND DART DECORATION %XTERNAL DIAMETER 14| ;426 CM= )NTERNAL DIAMETER 12| ;366 CM= (EIGHT 8| ;22 CM= )NSTALLATION AND PHOTOGRAPH BY #OTSWOLD %STATES AND 'ARDENS ,TD
; 72 =
; 73 =
4HE 3QUARE 0OOL 3URROUND
4HE #IRCULAR 0OOL 3URROUND
4HIS AGE PATINATED ARTIFICIAL STONE POOL SU OUND HAS MANY POSSIBILITIES SQUARES RECTANGLES AND RILLS )LLUSTRATION SHOWS STANDARD SIZE /VERALL WIDTH 8| 7Â… ;262 CM= (EIGHT 11Â… ;28 CM=
!N AGE PATINATED ARTIFICIAL STONE CI CULAR POOL SURROUND /VERALL DIAMETER 10| 2Â… ;310 CM= (EIGHT 11Â… ;28 CM=
; 74 =
; 75 =
4HE 0ARTERRE 0OOL 3URROUND
4HIS AGE PATINATED ARTIFICIAL STONE POOL SU ROUND HAS MANY POSSIBILITIES )LLUSTRATION SHOWS STANDARD SIZE /VERALL DIAMETER 12| ;363 5 CM= (EIGHT 11┬Е ;28 CM=
; 76 =
4HE /NSLOW 0ARK 7ALL &OUNTAIN WITH ,EAD 3POUT
! HAND CARVED NATURAL LIMESTONE WALL FOUNTAIN HAVING A LEAD SPOUT CENTRED TO THE CLASSICAL BACK PLATE ! BESPOKE ямБBREGLASS LINER TINTED TO MATCH THE STONE AND PUMP PACK ARE AVAILABLE /VERALL HEIGHT 5| 5┬Е ;165 CM= /VERALL WIDTH 4| 7┬Е ;140 CM= (EIGHT OF BOWL 1| 7┬Е ;48 CM= /VERALL DEPTH 2| 10┬Е ;86 CM=
; 77 =
4HE 7ALL &OUNTAIN WITH ,ION -ASK
! WALL FOUNTAIN IN AGE PATINATED ARTIFICIAL STON HAVING ARCHED BACK PLATE INSET WITH A LEAD LION MASK SPOUT RAISED ABOVE A @$ SHAPED BOWL WITH STEPPED RECTANGULAR BASE /VERALL HEIGHT 5| ;151 CM= /VERALL WIDTH 2| 7Â… ;80 CM= /VERALL DEPTH 1| 8Â… ;51 CM=
; 79 =
3TATUARY /RNAMENT
; 81 = ; 80 =
4HE 2ECLINING &AWN
4HE 2USTY "LOOMS
!N ARTIFICIAL STONE ST TUE DEPICTING A RECLINING FAWN WITH RAISED HEAD ALERT EARS AND SMALL LEAD ANTLERS /VERALL HEIGHT 2| 6Â… ;69 CM= /VERALL LENGTH 3| 4Â… ;102 CM= /VERALL WIDTH 1| 4Â… ;41 CM=
!N ASSEMBLAGE OF RUSTY IRON TULIPS WITH STEMS AND LEAVES CREATING A FL XIBLE SCULPTURAL INSTALLATION (EIGHT 4| ;122 CM=
; 82 =
; 83 =
@$OLLY 4HE 2USTY 'ARDEN 3HEEP
4HE 7OODLAND 0AN
!VAILABLE SINGULARLY OR AS A FLO K (EIGHT 1| 8Â… ;51 CM= 7IDTH 1| 9Â Â… ;55 CM=
! DELIGHTFUL ARTIFICIAL STONE ST TUE OF 0AN THE 'REEK 'OD OF THE WOODS AND FIELD 0AN IS PORTRAYED SEATED UPON A TREE STUMP PLAYING THE 3YRINX THE REED PIPES ARRANGED IN A ROW OF ASCENDING LENGTH )VY LEAVES AND BUNCHES OF GRAPES DECORATE THE FIGU E (EIGHT 2| 4Â… ;71 CM= 7IDTH 1| ;30.5 CM=
; 84 =
; 85 =
4HE "IRD "ATH WITH %QUATORIAL 3UNDIAL
4HE 4REE OF ,IFE $ECORATIVE -ETAL 7ALL 0ANEL
!N AGE PATINATED ARTIFICIAL STONE BIRD B TH THE SHALLOW CIRCULAR BOWL SUPPORTS AN EQUATORIAL DIAL CALIBRATED WITH THE HOURS RAISED UPON AN ORNATE PEDESTAL HAVING ACANTHUS DECORATIONS WITH A CIRCULAR FOOT AND A SQUARE BASE /VERALL HEIGHT 4| 6Â… ;137 CM= $IAMETER 2| 7Â Â… ;80 CM= 3QUARE AT BASE 1| 6Â… ;45 CM=
! HAND PUNCHED AND FINISHED DECO ATIVE WALL PANEL INCORPORATING A TREE WITH BIRDS OF PARADISE $IAMETER 2| 10Â… ;86.5 CM=
; 86 =
; 87 =
0LEASE NOTE THAT THIS ITEM WILL RUST IN TIME WHEN OUTSIDE
4HE /CTAGONAL 6INE 7ELLHEAD
4HE 0ERGOLA
! HAND CARVED NATURAL LIMESTONE WELLHEAD WITH STONE STEP WROUGHT IRON OVERTHROW PULLEY AND CHAIN /VERALL HEIGHT 8| 4Â… ;254 CM= /VERALL WIDTH 4| 8Â… ;142 CM=
! NATURAL LIMESTONE AND %NGLISH /AK PERGOLA THE HAND CARVED COLUMNS SURMOUNTED BY A TRADITIONAL TREILLAGE CONSTRUCTED FROM GREEN OAK /VERALL HEIGHT 7| 4Â… ;224 CM= /VERALL WIDTH 8| 8Â… ;264 CM= /VERALL LENGTH 23| ;699 CM=
; 88 =
; 89 =
3PHERES &INIALS
; 91 = ; 90 =
4HE 7INGED ,EAD 0UTTI &INIALS
; 92 =
4HE 7INGED ,EAD 0UTTI &INIALS
! PAIR OF WINGED LEAD 0UTTI SEATED UPON ARTIFICIAL STONE SPHE ES AFTER THE 18TH CENTURY ORIGINALS /VERALL HEIGHT 2| 10Â… ;86 CM= /VERALL WIDTH 2| ;61 CM=
; 93 =
4HE (ERITAGE &INIAL
!N AGE PATINATED ARTIFICIAL STONE LI DED URN HAVING CIRCULAR SOCLE AND SQUARE BASE 4HE CAMPANA SHAPED BODY HAVING LOBED DECORATION TO THE BOWL THE SHAPED LID SURMOUNTED BY A FINIAL (EIGHT 2| 9Â Â… ;84 CM= $IAMETER 1| 10Â… ;56 CM= 3QUARE AT BASE 1| ;30 CM=
; 95 =
4HE 3PHERE
!N AGE PATINATED ARTIFICIAL STONE SPHE E HAVING A SLIGHTLY ROUGH TEXTURE 0ERFECT FOR DRIVEWAY EDGING OR FINIAL $IAMETER 1| 3Â… ;38 CM=
; 97 =
4HE ,ARGE 3PHERE
4HE ,ARGE 3PHERE &INIALS
!N AGE PATINATED ARTIFICIAL STONE SPHE E HAVING A SLIGHTLY ROUGH TEXTURE $IAMETER 1| 10Â… ;56 CM=
!GE PATINATED ARTIFICIAL STONE SPHE ES RAISED UPON SQUARE WAISTED SOCLES (EIGHT 2| 7½… ;80 CM= 3PHERE DIAMETER 1| 10… ;56 CM= 3QUARE AT BASE 1| 3… ;38 CM=
; 98 =
; 99 =
0RODUCT )NFORMATION
4HE ,ARGE 3PHERE #ANNONBALL 3TACK
&OUR AGE PATINATED ARTIFICIAL STONE SPHE ES ARRANGED AS A CANNONBALL STACK (EIGHT 3| 4Â… ;101 CM= 7IDTH 3| 7Â… ;110 CM=
; 100 =
; 101 =
!GE 0ATINATED !RTIямБCIAL 3TONE
(AND #ARVED .ATURAL ,IMESTONE
#ONTINUING A TRADITION BEGUN IN THE EARLY 19TH #ENTURY BY !USTIN AND 3EELEY THE !RCHITECTURAL (ERITAGE COLLECTION OF ARTIямБCIAL STONE ORNA MENT HAND MADE HERE AT OUR 4ADDINGTON MANUFACTORY IMITATES THE PATINA OF AGED STONE 4HIS UNIQUE LOOK IS ACHIEVED BY HAND ямБNISHING AND AGE PATINATING TO OUR OWN FORMULA IN A FOUR STAGE PROCESS WHICH WHEN COMPLETED EямАECTS THE LOOK AKIN TO OLD WEATHERED GARDEN ORNAMENT !GE PATINATED ARTIямБCIAL STONE ORNA MENT IS WELL SUITED FOR WATER FEATURES DUE TO ITS STRENGTH AND RESILIENCE IN EXTREME TEMPERATURES
4HE !RCHITECTURAL (ERITAGE COLLECTION OF HAND CARVED NATURAL LIMESTONE GARDEN ORNAMENT TAKES ITS INSPIRATION FROM THE RARE 18TH AND 19TH #ENTURY ANTIQUE ORIGINALS IN WHICH WE HAVE DEALT FOR THE PAST 40 YEARS !BOVE ARE THREE STAGES OF NATURAL WEATHERING ACQUIRED WITHIN TWO YEARS
; 102 =
; 103 =
.ATURAL
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!N %XAMPLE OF OUR ,ETTER #UTTING 3ERVICE
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; 104 =
; 105 =
&INE 2EPRODUCTION 'ARDEN /RNAMENT
-ODERN 3CULPTURE
0ERIOD !RCHITECTURAL %LEMENTS
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!RCHITECTURAL (ERITAGE ALWAYS SEEKS TO SOURCE THE FINEST EXAMPLES OF 18TH 19TH AND EARLY 20TH CENTURY GARDEN STATUARY ORNAMENT AND WATER FEATURES AVAILABLE WITH A STRONG EMPHASIS ON AESTHETIC VALUE PROVENANCE AND HISTORICAL INTEREST
4AKING INSPIRATION FROM THE ANTIQUE IN WHICH WE HAVE DEALT FOR OVER 40 YEARS !RCHITECTURAL (ERITAGE PRESENTS FINE REPRODUCTION GARDEN ORNAMENT FOUNTAINS AND STATUARY BASED ON PERIOD DESIGNS MADE BY CRAFTSMEN USING TRADITIONAL TECHNIQUES
!S A NATURAL PROGRESSION FROM DEALING IN PERIOD SCULPTURE !RCHITECTURAL (ERITAGE IS NOW PLEASED TO PRESENT TO CLIENTS INTERESTING AND EXCITING WORKS OF MODERN AND CONTEMPORARY SCULPTURE FROM WELL KNOWN AND EMERGING ARTISTS ALIKE
7ITH OVER 40 YEARS EXPERIENCE WE ARE IN A UNIQUE POSITION TO SOURCE CONSERVE AND PRESENT FINE EXAMPLES OF OUR ARCHITECTURAL HERITAGE DISPLAYING PANELLED ROOMS STAIRCASES AND PERIOD FI E SURROUNDS IN THE 17TH CENTURY BARNS AT 4ADDINGTON -ANOR
!RCHITECTURAL (ERITAGE UNDERTAKES COMMISSIONS TO CARVE BESPOKE FI E SURROUNDS IN NATURAL LIMESTONE TO CLIENTS REQUIREMENTS UTILISING TRADITIONAL STONE MASONRY TECHNIQUES AND CRAFTSMANSHIP TO ACHIEVE THE HIGHEST STANDARDS OF WORK
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110 Bridge for Design Spring 2016
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!RCHITECTURAL (ERITAGE
4ADDINGTON -ANOR 4ADDINGTON .R #UTSDEAN 'LOUCESTERSHIRE %NGLAND gl54 5ry %MAIL PUDDY ARCHITECTURAL HERITAGE CO UK 7EB WWW ARCHITECTURAL HERITAGE CO UK 4EL 44 ;0= 1386 584 414 &AX 44 ;0= 1386 584 236 9.00AM n 5 00PM -ONDAY &RIDAY 10.30AM n 4 00PM 3ATURDAY #LOSED 3UNDAYS AND "ANK (OLIDAYS
$ESIGNED TYPESET BY ET AL DESIGN CONSULTANTS 0RINTED IN 'REAT "RITAIN BY 4HE 7ESTDALE 0RESS ,IMITED ON !RCOPRINT #OPYRIGHT Ú !RCHITECTURAL (ERITAGE 2016 !LL RIGHTS RESERVED .O PART OF THIS PUBLICATION MAY BE REPRODUCED TRANSMITTED OR STORED IN A RETRIEVAL SYSTEM IN ANY FORM OR BY ANY MEANS WITH OUT PERMISSION IN WRITING FROM !RCHITECTURAL (ERITAGE
Bridge for Design Spring 2016
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