Issuu

CAME TO STAY S ÃO PAU LO I S A P U L S AT I N G

MEGALOPOLIS,

FA ST PAC E D,

HALF ROCK,

H A L F O P E RA . OW N E R O F PA RA D OX I CA L A D D R E S S E S A N D W I T H A C H A M E L E O N

VO C AT I O N , C A E TA N O V E LO S O ’ S S A M PA - O R M A R I A D E A N D RA D E ’ S F R E N Z I E D PAU L I C E I A - , AND MORE SQUARE

HUMAN CITY WITH OPEN ARMS. THIS IS THE CASE WITH

M E T E R T E R RA I N O F T H E O L D M ATA RAZ ZO H O S P I TA L , O N

D E V E LO P M E N T. T H E A R E A , W H I C H

IS LISTED BY THE

HISTORIC

H E R I TAG E

SINCE 1986,

“VERTICAL CONTINUITY” OF THE ORIGINAL LANDSCAPE, CHARACTERIZED BY THE 1 51 G U E ST R O O M S D E C O RAT E D BY P H I L I P P E AND FITNESS CENTRE.

STA R C K A N D 1 2 2

I N T H E G E N E R A L G R O U P, T H E C I D A D E

C U LT U RA L C E N T R E W I T H A T H E AT R E A N D AU D I T O R I U M 30

RECEIVES INTERVENTIONISTS WHO DREAM ABOUT A WELCOMING

F R E N C H M A N A L E X A N D R E A L L A R D, O W N E R O F T H E A L L A R D G R O U P, W H I C H

NONE OTHER THAN THE

P A U L I S T A AV E N U E , T O T R A N S F O R M

NOUVEL,

M ATA RAZ ZO - W H I C H

R E S T A U R A N T S A N D B A R , C AV I A R L O U N G E , T W O P O O L S ,

SHOULD BE

FOR PROJECTIONS AND LECTURES, AN

P A U L I S T A C O R N E R S F R I G H T E N S T H O S E W H O H AV E

OF TRANSFORMING

REALITY IN

MUCH

BASED ON THE

E X U B E RA N T V E G E TAT I O N A N D A R E S I D E N C E - H O T E L W I T H 2 5 F LO O R S ,

EXPOSITION

HALL,

MUSIC

POETIC GARDEN WITH 20 THOUSAND SQUARE

N O T B E E N WA R N E D,

S PA

I N A U G U R A T E D I N 2 0 1 9 - W I L L A L S O H AV E A C H A P E L , A ST U D I O, G A ST R O N O M I C A R E A W I T H METERS AND 15 TERRACES, AND

C O M M E R C I A L E STA B L I S H M E N T S W H I C H W I L L C O N S I ST O F A RT I S A N S A N D OV E R T WO H U N D R E D E STA B L I S H E D B RA N D S A N D O F F I C E S . POETRY OF THE

B O LT I S 28 0 0 0

I T I N TO A M U LT I C U LT U RA L

HAS A PROJECT BY THE ARCHITECT JEAN

SUITES, AS WELL AS THREE

R E STAU RA N T S , C A M P U S F O R C R E AT I V E T E C H N O LO GY D E V E LO P M E N T S ,

IF THE

I T I S I M P O RTA N T T O AC C E N T UAT E T H AT H O P E

HARD CONCRETE

I S ST I L L A G I F T CA PA B L E

SMOOTHER VERSES.

GROUPE ALLARD THE

PORTUALES HOTEL,

CORBUSIER,

B U I LT BY T H E A RT C O L L E C TO R GA B R I E L D E

IN 1930; THE

HIGH

FASHION

HOUSE

PA RT O F T H E G R O U P E A L L A R D P O RT F O L I O, THE

IRREVERENT CLASH

BETWEEN

DEVELOPMENTS. THE ALLARD GROUPE EXHIBITION,

“C R E AT I V E

IN 1835; THE BALMAIN

BOUGHT THE

L ’A R C H I T E C T U R E

D ’A U J O U R D ’ H U I

MAGAZINE

I N 1 9 4 1 ; A N D T H E O L D R O YA L M O N C E A U

RENEWING AND REVIVING TRADITIONAL BRANDS AND INSTITUTIONS,

R O O T S A N D T H E C O N T E M P O RA RY C R E AT I V E

ENERGY IS THE

RECIPE

PA L AC E

FOUNDED BY LE IN 1926, ARE ALL

ICONS IN THEIR SEGMENTS.

BEHIND SEVERAL OF THEIR REVOLUTIONARY

M ATA R A Z Z O H O S P I TA L I N 2 0 0 7, A N D S E V E N Y E A R S L AT E R , O R G A N I Z E D A C O N T E M P O R A R Y A R T

I N VA S I O N ” , C E L E B R A T I N G T H E

THOUSAND VISITORS HELPED TO GIVE WHICH

B A L M A I N , C R E AT E D BY P I E R R E

SPECIALIZED IN

HISTORIC

PORTUALES,

I N V E N T I V E N E S S O F SAO PAU LO I N T H E

L I F E TO T H E A BA N D O N E D S PAC E ,

IN OLDEN

I S B E I N G T RA N S F O R M E D I N T O A SY M B O L O F T H I S N E W E RA O F C R E AT I V E

M ATA RAZ ZO H O S P I TA L . A B O U T O N E

D AY S A S Y M B O L O F T H E G R E AT M A N U FA C T U R I N G

E C O N O M Y.

HUNDRED ARTISTS AND 120 E RA O F SAO PAU LO, A N D

I N O R D E R T O F I N D O U T M O R E A B O U T A L E X A L L A R D ’ S I D E A S , R O M E U T R U S S A R D I N E T O, T H E B U S I N E S S M A N , I N T E RV I E W E D H I M W I T H E XC L U S I V I T Y. CHECK IT OUT!

W H I C H WA S T H E IN

MAIN

REASON

FOR THE ALLARD GROUP TO INVEST

BRAZIL?

FOR OVER 20 YEARS

T H AT T H E R E WA S A L O T O F RECONSTRUCT THIS

HAS

IS NO INVESTMENT

BEEN ABANDONED

– AND AS A FRENCHMAN,

R E S P E C T H I S T O RY. A N D H E R E , W H E N

S AW T H E

LEARNED TO PLACE,

NOTICED

ENERGY AND ALSO A POSSIBILITY TO

B E AU T I F U L D EV E LO P M E N T.

STILL A CITY WHICH

NEEDS THE

ARE GOING TO OFFER, AND GIVEN

IT’S

B E L I E V E T H AT S ÃO

UNIQUENESS,

M OV I N G O F YO U R FA M I LY T O B R A Z I L H A P P E N ?

I T I S W H AT M Y W H O L E

FA M I LY D E S I R E D, A N D T H E R E F O R E

I M P O RTA N T F O R U S T O D O.

FOR ALL OF US,

JANEIRO HAS PROVED TO BE A UNIQUE

BECAME

MOVING TO RIO DE

EXPERIENCE.

IT NEEDS

W H AT M A K E S YO U

DISCONNECT WHEN YOU ARE

N O T I N T E N S E LY

FOCUSED ON WORK?

YO U A R E A G R E AT E N T R E P R E N E U R , A N D T H E

INVESTMENTS MADE

H I G H . CA N T H I S B E C O N S I D E R E D A S PA RT O F A B U S I N E S S

OR DO YOU

HOW DID THE

KIND OF COMPLEX WE

D I F F E R E N T I AT E D A N D C R E AT I V E AC T I O N S .

HERE ARE

P E O P L E W H O B E L I E V E T H AT T H E R E

WITHOUT DREAMING.

W E A R E TA L K I N G A B O U T A S PAC E W H I C H

PAU LO I S

OF THOSE

ENJOY THE GOOD THINGS RIO HAS TO OFFER,

PLACE TO RECHARGE THE

IT IS A WONDERFUL

B AT T E R I E S .

SEE YOURSELF AS MORE OF A DREAMER?

TO ME THERE

IS NO DIFFERENCE

BETWEEN A DREAM AND AN

I N V E ST M E N T. YO U CA N N OT D O S O M E T H I N G DREAMING. THERE ARE

P E O P L E W H O T R Y,

NECESSARY FOR ME TO DREAM T RA N S F O R M T H AT D R E A M

ACCESS THE QR CODE TO WATC H T H E COMPLETE

INTERVIEW.

P E R F E C T LY W I T H O U T BUT IN

MY JOB,

IT IS

S O T H AT L AT E R I A M A B L E T O

I N T O R E A L I T Y. A F T E R A L L ,

I AM ONE

“WE EACH

SELL A FILM

IN THREE

DIMENSIONS.

IN OTHER WORDS,

P E R S O N W H O WA L K S T H R O U G H T H E S E

SENSORIAL EXPERIENCE. THIS IS THE WHICH

D O O R S W I L L H AV E A

KNOWLEDGE OF TROUSSEAU,

IS A SPECIALIST IN THE ART OF MAKING ONE

ALEX ALLARD;

FEEL THINGS”,

P L AY

.INVERNO.1 7

plug.ged A d j . 1 . 1 . Tu r n e d o n 2 . C o n n e c t e d 3 . I n s e r t e d 4 . I n t r o d u c e d i n t o Ve r b 1 . To i n t e g r a t e

PLUGGED

HAPPINESS SONNET. EVERYONE

HAS

WHETHER

SONG

THE

SONG

CALL

T H AT

THEIR

OWN-

BECAME

WITH THESE SENSORIAL COMPOSITIONS WHICH

THE

CAST

OFF

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SOUNDTRACK TO YOUR FIRST LOVE OR THE ONE

HAS

SHARPENED

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THE

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CAPABLE

EVEN INTO

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WHICH

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THE COSIEST SEASON AROUND.

SAMBA AND

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CENTURY

INDIE,

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AND

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T H E D AY T O D AY I T I N E R A R Y. B O S S A N O VA , J A Z Z , CLASSIC

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ARE

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WITH

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BE BY

STILL JAMES

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P L AY A

PETE

OVER

FROM

PROFUSION

H AV E

ELECTED

SIX

STYLES

FROM

THE

WHICH

WILL

Alok

Ana Vilela

Derico

D i o g o No g u e i r a

Kiko Zambianchi

Rogério Flausino

C E R TA I N LY

P L AY O N YO U R P O D C A ST.

GUARANTEES THE NECESSARY TRANQUILLITY TO C H A N G E STAT I O N S . I N A M O R E R E A L I ST I C B E AT,

playlist trousseauoficial available

10.

electronic

mpb Alok | Electronic

Soul

Parallel universe F ro m t h e s t a t e o f G o ia s , 2 0 s o m e t h i n g y e a r s a n d a b re a t h t a k i n g t ra j e c t o r y . T h e d j a n d m u s i c a l p ro d u c er A l o k A c h k a c r Pe re s Pe t r i l l o w a s b o r n b e t w e e n t h e p a y t ra n c e b i t s , a b ra n c h o f e l e c t ro n i c m u s ic w it h f a s t er b ea t s , w h e re h i s p a re n t s w e re p re c u r s o r s . B y t h e w a y , d u e t o t h e i n c e n t i v e t h a t t h e b o y d evel o p ed a t a s t e f o r t h e p i c k u p s . He w a s e l e c t e d t h e b e s t D J i n t h e c o u n t r y b y a s p ec i a l is ed p u b l ic a t i o n i n 2 0 15 a n d t h e o n l y B ra z i l i a n t h e b e m e n t i o n e d a m o n g s t t h e t o p s i n t h e s eg m en t a ro u n d , h e h a s b e e n a c t i v e f o r o v e r a d e c a d e . He h a s b e e n f l y i n g s o l o s i n c e 2 0 1 0 - a f t e r a ver y s u c c es s f u l jo u r n e y w i t h h i s t w i n b ro t h e r - A l o k m i g ra t e o f t h e h o u s e m u s i c a n d f o u n d t i m e t o c rea t e h i s o w n l a b el , b a p t i z e d Up C l u b R e c o rd s , f o c u s e d i n f i n d i n g n e w t a l e n t s f o r t h e g e n re . A l t h o u g h m u s ic is h i s d a i l y f u e l , t o k e e p h i s e n e r g y a t i t s p e a k h e t e l l s u s t h a t h e l i k e s t o t ra v e l t o A l t o Pa ra is o i n G o i a s . “ T h a t i s m y b e s t re c i p e f o r re l a x i n g , t o g o s o m e w h e re w h e re n a t u re l i m i t s yo u r c el l p h o n e c o vera g e ”, h e s a y s . A n d w h e n h e ’s a t h o m e i n o rd e r t o a c y s t t h o u g h t h e p l a y s a s el ec t io n w h i c h i n c l u de s t h e Ir i s h b a n d U 2 a n d B r i t s C o l d p l a y .

“

C o m f o r t i s a n ec es s a r y w e l l - b e i n g .

12.

“

Ana Vilela | Mpb

Soul

Who knows how to dream

S h e a r r i v e d a t t h e m u s i c a l s c e n e l i k e a t ra i n - i f y o u w i l l f o r g i v e t h e p u n , s i n c e h e r s m a s h h i t , e v e n s u n g b y t o p m o d e l G i s e l e B u n d c h e n o n s o c i a l m e d i a , i s c a l l e d “ Tre m - b a l a ”. A n a V i l e l a i s o n l y 1 9 , a n d h a s u s e d t h e re c l u s i v e m o m e n t t y p i c a l o f t h e e x i t f ro m a d o l e s c e n c e t o w r i t e o n e o f t h e g re a t e s t h i t s o f t h e s e a s o n , a l re a d y d u l y v i ra l i z e d o n t h e i n t e r n e t . T h e Pa ra n á n a t i v e , b o r n i n L o n d r i n a , h a s e a r n e d o v e r f o u r m i l l i o n v i e w s o f h e r s o n g o n Yo u Tu b e , c o l l e c t e d 13 0 , 0 0 0 f o l l o w e r s o n i n s t a g ra m a n d a n o t h e r 2 15 , 0 0 0 o n f a c e b o o k . B u t d o n’ t t h i n k t h a t i s w h e re i t a l l e n d s . S h e i s a n a d m i re r o f t h e s i n g e r A d e l e a n d a n e n t h u s i a s t s o f t h e f i l m “ T h e Pe r k s o f B e i n g a Wa l l f l o w e r ”, a n d p a s s i o n a t e a b o u t h e r a c o u s t i c guitar - an instrument she has played since she was 12 thanks to the influence of her uncle - she a d m i t s t h a t m u s i c w o r k s a s a s o r t o f c o n d u c t i v e w i re : “ I b re a t h m u s i c a n d b e l i e v e t h a t I a m m o v e d b y i t . It e x e r t s s o m u c h p o w e r o v e r m e t h a t i t e v e n m o u l d s m y h u m o u r ”.

“

To re l a x , I t r y t o b e c l o s e t o f r i e n d s o r p e o p l e w h o d o m e g o o d . T h e n a l l t h a t i s l e f t i s t o t h i n k

a b o u t w h a t f u n w e w i l l h a v e : w h e t h e r w e a re g o i n g t o p l a y s o m e g a m e o r i f w e a re s i m p l y g o i n g t o play the acoustic guitar.

13.

“

jazz

samba Derico | Jazz Summertime

Soul

To b e s u c c es s f u l i n B ra z i l p l a y i n g j a z z i s n o e a s y t a s k . T h e i n s t r u m e n t a l i s t Jo ã o Fe d e r i c o , o r s i m p l y D er ic o , w h o f o r m o re t h a n t w o d e c a d e s h a s b e e n b e s i d e t h e p re s e n t e r Jo S o a re s i n h i s t el evis io n p ro g ra m s , k n o w s t h i s w e l l . Hi s f a t h e r , S é r g i o S c i o t t i , k e p t a n e y e o n h i s s o n’s a b i l i t y a n d a l w a ys b el i eved t h a t h e c o u l d m a k e a l i v i n g f ro m m u s i c j u s t a s h i s m o t h e r , t h e c o n c e r t p i a n i s t Merc ed es Ma t t a r d i d . Hi s b ro t h e r s – S e r g i n h o e G u t o S c i o t t i – a l s o h e l p e d h i m t o c o n s o l i d a t e a c a reer , a s w e l l a s E d C o r t e s , t h e s a x o p h o n e p l a y e r w h o w a s re s p o n s i b l e f o r m o u l d i n g h i s f ir s t c h o rd s . He w a s a n e x c e l l e n t f l u t e p l a y e r f ro m t h e a g e o f 5 , a n d s t u d i e d w i t h m a s t e r s o f t h e c a l ib re o f Jo a o D i a s e A n t o n i o C a r l o s C a r ra s q u e i ra , Je a n - No e l S a g h a a rd , L i d i a A l i m o n d a , Hec t o r C o s t it a a n d A m i l s o n G o d o y , a n d re c o rd e d 1 2 C D s . He i s a f a n o f Mo z a r t a n d S c h u m a n n , in h is s el ec t io n t h ere a re s u c c e s s e s f ro m b a n d s s u c h a s Ye s a n d E m e r s o n L a k e a n d Pa l m e r , a s w e l l a s S in a t ra a n d C a u b y Pe i x o t o . a t t u n e d t o t h e d e f i c i e n c y i n t h e n a t i o n a l m a r k e t , h e s p e a r h e a d e d t h e “ D er i c o Mu s ic Tr u c k” p ro j e c t , w h o s e o b j e c t i v e i s t o v a l u e i n s t r u m e n t a l m u s i c a n d t o g i v e t h e p u b l i c t h e o p p o r t u n i t y t o k n o w m o re a b o u t t h e r h y t h m . T h e re w i l l b e 3 0 p e r f o r m a n c e s i n p a r k s a n d m u n ic ip a l s qu a res i n t h e S a o Pa u l o a re a , w h i c h w i l l s t a r t o n t h e 2 8 t h o f Ma y i n 2 0 1 7.

“

To rel a x , I w h is t l e! I l o v e w h i s t l i n g , a n d h a v e d o n e i t s i n c e I w a s a b o y . My m o t h e r s a y s

Beyond the mirror

14.

Soul

D i o g o No g u e i ra t r i e d b u t w a s u n a b l e t o e s c a p e h i s d e s t i n y . T h e s o n o f a a r t i s t Jo a o No g u e i ra , t h e ex football player - he saw the lesion, which took him off the football fields, as an opportunity t o s t a r t f re q u e n t i n g t h e s a m b a r i n g s o n c e m o re . It w a s i n R i o d e Ja n e i ro , h i s h o m e t o w n , w h e re h e f o r m e d h i s f i r s t b a n d a n d s o o n l a u n c h e d h i s i n i t i a l a l b u m . A l re a d y i n h i s s o l o c a re e r a n d w i t h re l a t i v e re c o g n i t i o n i n t h e m a r k e t t h e m u s i c i a n re - re c o rd e d h i s f a t h e r ’s s u c c e s s e s a n d a l s o i n t ro d u c e d f a n s t o s o m e o f h i s o w n b ra n d n e w c o m p o s i t i o n s , w h i c h g a v e h i m a f re e p a s s t o t h e w i n g o f t h e Po r t e l a s a m b a s c h o o l , o n e o f t h e m o s t t ra d i t i o n a l C a r n i v a l p a r t i c i p a n t s i n t h e c o u n t r y , w h i c h b y t h e w a y h a s a l re a d y t a k e n t h i s a r t i s t s o n g s t o t h e c o m p e t i t i o n . D i o g o i s a n i n f u s i o n b y n a t u re a n d k n o w s h o w m u s i c c a n s t i l l t h e s e n s e s . “ It m o t i v a t e s m e t o l i v e a n d c re a t e . It a l s o h a s t h e Me l o d i e s w h i c h b r i n g b a c k m e m o r i e s a n d e m o t i o n s”, h e s a y s . W i t h a n e c l e c t i c t a s t e - h i s p l a y l i s t h a s a r t i s t s s u c h a s Ti m Ma i a , C a z u z a , B e t h C a r v a l h o a n d B o b Ma r l e y - h e c o n f e s s e s t h a t t h e m o m e n t s o f t ra n q u i l i t y h e l p h i m t o re l a x a s w e l l a s J i u - J i t s u i s h i s e s c a p e v a l v e t o e n j o y l i f e ’s B - s i d e .

“ “

The principal comfort is having an easy mind. I like silence, it helps to give me the balance

within.

s h e h ea rd m e w h i s t l in g w h e n I w a s j u s t a y e a r o l d ! A n d m y c h i l d re n a re t h e s a m e . It m u s t b e t h e w h is t l in g g en es !

Diogo Nogueira | Samba

“

15.

rock

pop

Kiko Zambianchi | Rock Everything is possible

Soul

Mu s i c en t ered K ik o Za m b i a n c h i ’s l i f e w h e n h e w a s s t i l l i n h i s i n f a n c y t h ro u g h h i s f a t h e r ’s

Rogério Flausino | Pop

in f l u en c e, a g rea t a d m i re r o f t h e c l a s s i c s t y l e . It w a s i n t h e c i t y o f R i b e i rã o P re t o , i n t h e i n t e r i o r o f S ã o Pa u l o , w h ere h e n o t i c e d h i s v o c a t i o n t o c o m p o s e a n d i n t e r p re t . A t 1 7, h e a l re a d y c o m p e t e d in a u d it io n s w i t h vet era n a r t i s t s a t c o m p e t i t i v e f e s t i v a l s - a n d e x p e r i e n c e d t h e s e n s a t i o n o f d o m i n a t in g t h e s t a g e. A l i t t l e a f t e r w a rd s , t h e s m a l l s h o v e t h a t w a s m i s s i n g c a m e i n t h e f o r m o f a c o m p l i m en t b y G i l b er t o G i l . P re s e n t l y B ra z i l g o t t o k n o w - a n d e n c h a n t i t s e l f - w i t h t h e m e l o d i c a n d w el l k n i t t ed l yr i c s o f K i k o Za m b i a n c h i . W i t h o v e r f o u r d e c a d e s o n t h e ro a d , t h e v i r t u o s o i s i n n o h u r r y t o ret i re f ro m t h e m i c ro p h o n e . T h e o w n e r o f b o m b a s t i c h i t s , s u c h a s “ R o l a m a s Pe d ra s” a n d “ P r i m eiro s Er ro s”, a l o v e r o f f o o t b a l l a n d a f a n a t i c s u p p o r t e r o f S a n t o s , n o w a d a y s h e i n v e s t s in t h e t a l en t o f h is d a u g h t e r A n a J u l i a , w h o h a s b e e n a h i g h l i g h t o f t h e M P B s c e n e . D u r i n g p er i o d s o f rel a x a t i o n b e t w e e n o n e j o b a n d a n o t h e r , Za m b i a n c h i l i k e s t o re s e a rc h p h i l o s o p h y , s p ir i t u a l i t y a n d s el f k n o w l e d g e , w i t h o u t e v e r t u r n i n g o f f t h e s o u n d o r p u t t i n g a w a y h i s a c o u s t i c g u i t a r . “ I l ik e t o l is t en t o n e w t h i n g s a n d e v e n p re f e r o t h e r p e o p l e t o c h o o s e w h a t m u s i c i s g o i n g t o b e p l a yed . T h a t w a y I h a v e a c h a n c e t o u p d a t e m y s e l f ”, h e s a y s . B u t w h e n t h e t i m e c o m e s t o w r it e s o m et h i n g n ew , h e c o n f e s s e s t h a t s i l e n c e i s f u n d a m e n t a l t o t u r b o - c h a r g e h i s i n s p i ra t i o n . “ Mu s ic g i ves m e p l ea s u re s I c a n’ t e x p l a i n . W h e n I a m c o m p o s i n g I f e e l a s i f I w e re c o n n e c t e d t o a p o w er f u l en er g y w h i c h h a n g s i n t h e a i r . It i s a s i f I w e re a b l e t o c a p t u re i t a n d t ra n s f o r m i t i n t o

Better days R o g é r i o F l a u s i n o f ro m t h e s t a t e o f Mi n a s G e ra i s h a s t h e r h y t h m o f t h e p o p b e a t s re c o rd e d i n t o h i s DNA , s o m u c h t h a t w h e n h e w a s 1 2 i n h i s c i t y o f o r i g i n , A l f e n a s , h e w a s a l re a d y p a r t o f t h e b a n d a l o n g s i d e h i s b ro t h e r W i l s o n S i d e ra l , a n d t w o c o u s i n s . A f t e r t h a t i t w a s t i m e t o p l a y i n t h e p a r t i e s w h i c h h a p p e n e d i n t h e re g i o n , a t t h e t i m e w h e n h e l e d t h e C o n t a t o Im e d i a t o g ro u p . A s y s t e m a n a l y s t b y g ra d u a t i o n , t h e s i n g e r w a s c h o s e n t o t a k e o v e r t h e v o c a l s f ro m t h e Jo t a Qu e s t b a n d , i n 1 9 93 . W i d e l y c o n s i d e re d t o b e o n e o f t h e b e s t i n t e r p re t e r s o f h i s g e n e ra t i o n - a n d a d e c l a re d f a n o f B ra z i l i a n R o c k a n d A m e r i c a n b l a c k m u s i c - R o g e r i o i s k e e n t o p o i n t o u t t h e i m p o r t a n c e o f m u s i c i n h i s l i f e . “ To m e i t i s s o m e t h i n g w h i c h i s f u n d a m e n t a l . It i s p l e a s u re a n d w o r k a t t h e s a m e t i m e . Mu s i c c a n t a k e y o u f ro m o n e p l a c e t o a n o t h e r i n s e c o n d s . It c a n d o y o u a l o t o f g o o d , c a l m y o u , e x c i t e y o u , i n s p i re y o u , m a k e y o u f e e l e m o t i o n a l … music is an extension of life” he says.

“

C o m f o r t i s b e i n g a t p e a c e w i t h y o u r s e l f w h e t h e r i t i s w i t h y o u r f a m i l y , f r i e n d s , o n t h e ro a d

The greater the harmony, the greater the comfort. That is the connection between what is physical and

what is mental.

16.

“

or on the stage.

p u re h a r m o n y”.

“

Soul

“

17.

PIANO - maximum regency-

F I N G E R I N G A N Y I N ST R U M E N T R E Q U I R E S T E C H N I Q U E A N D A LOT O F P E R S O N A L I T Y. THEREFORE, THE PIANO LINE MIXES THE CLASSIC AND MODERN WITH A GOOD D E A L O F U N P R E C E D E N T E D Q UA L I T Y. T H E S O L I D TO N A L I T I ES A P P EA R AS I F T H EY W E R E N OT E S F R O M A K E Y B OA R D, W I T H VA R I AT I O N S O F G R E Y , B L A C K A N D W H I T E . T H E M I D - G R E Y, T H E M I X E D - G R E Y A N D P I N K S M O O T H E N T H E S C E N E W I T H O U T L E AV I N G OUT ANY GLAMOUR.

19.

26.

RHYTHM - under the sound -

S H A R P S , F L AT S A N D C L E F S A R E E S S E N T I A L T O U N D E R S TA N D T H E R H Y T H M O F E A C H S O N G . I N B O S S A N O VA , F O R E X A M P L E , T H E N OT E S A P P E A R W I T H SY M M E T RY A N D R E G U L A R I T Y, W H E R E A S I N C L A S S I C ROCK, THE BASS AND TREBLE CAN BE E A S I LY I N T E R P R E T E D B Y T H E C O M P O S Ã‰ S SINGULARITY BETWEEN THE BLACK A N D G R E Y . T H AT I S T H E C L U E F O R T H E R H Y T H M L I N E , TO D R ES S T H E B E DS W I T H P AT T E R N E D V E LV E T I N G E O M E T R I C S H A P E S W H I C H R E M I T T H E M U S I C S H E E T, W I T H A DAS H O F I N FO R M A L I T Y A N D A LOT O F C O M F O R T.

SIMPHONY - son a ta n umbe r o ne -

THE WELL KNIT MUSICAL CHORDS AND C LAS S I C I ST CA D E N C E S O F DA N C E A R E C A PA B L E O F C H A N G I N G T H E H U M O U R A N D R E L A X I N G T H E M I N D . O N O T H E R S TA G E S , THE LITERAL ROMANTICISM OF THE MUSIC S H E E T C A N B E T R A N S L AT E D B Y T H E S U B T L E F LO RA L D ES I G N S O F T H E S I N FO N I A L I N E , W H I C H B R I N G S T H E E L E GA N T CO LO U R S , SUCH AS WHITE, AUBERGINE AND GREEN, T O P A R T N E R D E L I C AT E A N D I N N O VAT I V E SUPERIMPOSITIONS.

32.

35.

JAZZ - god bless -

T H E D E C O R G E O M E T R I Z AT I O N S TA R T E D I N THE 1920’S – AND CONTINUES AS A NEO CONTEMPORARY TENDENCY -

IT HAS MANY

INFLUENCES BORROWED FROM JAZZ , A RHYTHM W H I C H S H O O K F R O M N E W O R L EA N S TO C H I C A G O B E F O R E C R O S S I N G T H E AT L A N T I C . T H E I N T E R L E AV E D R E C TA N G L E S W H I C H G O T S O M U C H AT T E N T I O N I N B I L L I E H O L I D AY ’ S T I M E A R E T H E J A Z Z L I N E ’ S N O R T H S TA R , W I T H A D E L I C AT E J A C Q U A R D E F F E C T , W H I C H I S H E AV I LY I N V E S T E D I N B L U E P E R M E AT E D W I T H T H E C O N T R A S T O F T H E A C C E S S O R I E S I N M U S TA R D , A U B E R G I N E A N D B R O W N , W I T H VA N G U A R D P AT T E R N S I D E A L I Z E D I N V E LV E T .

41.

SOUL - oh, happy day! -

W H E N A R E T H A F R A N K L I N R E C O R D E D R E S P E C T, I N 1 9 67, T H E N O R T H A M E R I C A N R H Y T H M A N D B L U E S G A I N E D I T S M O S T P O W E R F U L D I VA . K E E P I N G A N EY E O N T H E P OW E R O F T H E ST Y L E , T H E S O U L C O L L E C T I O N WA S D E S I G N E D T O T RA N S FO R M T H E S I M P L E A N D P U R I ST E S S E N C E O F A S U P E R I N V I T I N G P L AT F O R M . T H E F R A G M E N T E D M I N I M A L I S M – A N D F R E E O F P AT T E R N S – B R I N G S BAC K T H E ST R E N GT H O F N E U T RA L I T Y S E E N A M O N G PA C E D M I D -TO N E S A LO N G W I T H ACC ES S O R I ES W H I C H A R E CO N N E CT E D TO T H E D E S I G N S A N D TO T H E ST R I K I N G CO LO U R S , B R OW N , B R O N Z E A N D G O L D, I N T H I S C A S E .

48.

ALLEGRO - happi ness, happi ness! -

T H E R E A R E T H O S E W H O S AY T H AT M E L O D Y I S T H E S O U L O F M U S I C. A W E L L CO N ST R U CT E D S U P P O R T P E R M I T S T H E D I V E R S I F I C AT I O N O F T H E A R R A N G E M E N T S – S U C H A S W H AT H A P P E N E D W I T H T H E S U C C E S S O F T O M J O B I M ’ S G A R O TA D E I PA N E M A , W H I C H H A S OV E R 5 0 0 V E R S I O N S O N P L AY L I S T S A R O U N D T H E W O R L D . I N T H E S A M E WAY , T H E A L L E G R O C O L L E C T I O N B E T O N B E D COV E R S , S H E E TS , D UV E TS A N D F LO RA L P I L LOW CAS ES TO L E N D A W E LCO M I N G A N D C H I C AT M O S P H E R E .

55.

DOUX - s we e t e n ch a n t m e n t -

IF IN MUSIC THE BLANK MUSIC SHEET IS T H E P E R F E C T I N V I TAT I O N F O R C R E AT I V I T Y T O GRACE ONE WITH ITS PRESENCE, IN DECOR T H E D Y N A M I C F O L LO W S T H E S A M E PA C E . T H I S I S W H AT C A N B E O B S E R V E D I N T H E D O U X B E D , WHICH UNFOLDS OVER AN ELEGANT BASE, WITH CUSHIONS AND FOOTBOARD MADE O U T O F V E LV E T W I T H D E S I G N S D R AW N F R O M N AT U R E . T H E L E AV E S A N D B U T T E R F L I E S A P P E A R I N I N T I M AT E N U A N C E S A N D I N M A X I M I Z E D PROPORTIONS.

THE

REFINEMENT,

SUPER-SPECIAL

TIMELESSNESS

RAW

M AT E R I A L S

AND T H AT

MAKE UP THE WHITE LUXURY COLLECTION H AV E S E R E N E F I N I S H E S T H AT C O N T R A ST H A R M O N I O U S LY THE THE

WITH

C O M B I N AT I O N S N AV O N A ,

AND RIGUE

SAN

THE

T H AT

BEAUTY

UNFOLD

MARCO,

NUOVO LINES.

PLUGGED

BRESCIA

BRESCIA - voices of the season -

W I T H O U T LOS I N G T H E TO N E , T H E B R ES C I A B E D S TA N D S O U T W I T H C A L M C O L O U R S I N PERFECT CONNECTION WITH THE WHITE. THE JACQUARD ACCESSORIES ARE MADE W I T H F R E N C H D E C O R AT I O N F A B R I C A N D P R E S E N T P R O P O R T I O N AT E G E O M E T R I E S A N D G R A D E S O F I V O R Y, B E I G E A N D B R OW N , W H I C H A L LU D E TO T H E A R C H I T E C T U R E O F T H E N O R T H I TA L I A N C I T Y, L O C AT E D AT T H E F O O T O F T H E A L P S , A N D W H I C H N A M E S T H I S C O M P I L AT I O N .

62.

SAN MARCO - a larger love -

J U ST L I K E M U S I C , A B E D M U ST U N I T E U N I Q U E E L E M E N T S T O B E C O M E A G R E AT S U C C E S S . D E TA I L S W H I C H F I G U R E IN THE SAN MARCO MODEL, WHICH C O O R D I N AT E S T H E L U X U R I O U S W H I T E W I T H DA R K CO LO U R E D C U S H I O N S A N D F O OT B OA R D, A S W E L L A S E X H I B I T I N G A T R I P L E F E STO N E F I N I S H O N T H E E D G E S A N D A N EXT RA S O FT TO U C H CO N F E R R E D B Y T H E N O B L E C O T T O N M A D E I N I TA LY .

68.

69.

N AVO N A - so t h e d ay br e ak s happily -

T H E P U R I T Y O F W H I T E I S P U N C T U AT E D B Y B O R D E R S O F N AV Y B L U E T O N A L I T Y IN A PROPOSAL WHICH UNITES MODERN AND TRADITIONAL. FROM THIS CHARMING A R R A N G E M E N T T H E P I A Z Z A N AV O N A N A M E WA S B O R N , A R O M A N S Q U A R E D E S I G N E D I N A N O VA L S H A P E , W H E R E C O N C E R T S A N D C U LT U R A L E V E N T S A R E H E L D . T O T O P OFF THE COLLECTION, THE ACCESSORIES H AV E B E E N M A D E I N I V O R Y C O L O U R , W I T H F A B R I C S T H AT H AV E A S M O O T H TEXTURE, WHICH REMIND ONE OF THE ELEPHANTS SKIN.

RIGHE NUOVO - daydreamer -

THE COMPOSITION IS COMPLETE WITH THE RIGUE N U OVO B E D W H I C H B R I N G S A TOTA L W H I T E LO O K , WITH

FINISHING

FROM

THE

NOBLE

THE

MADE

MOST

M A R K E T. FROM

THE

FIVE

FESTONES,

AND

REFINED

ACCESSORIES

INTENSE

BROWN

W E AV E D PERCAL

WHICH

ARE

COLOURED

FA B R I C G UA R A N T E E A S O P H I ST I C AT E D TO U C H TO THE

SCENE.

L E AT H E R

THE

HIGHLIGHT

BLANKET,

WHICH

ADDS

AMBIANCE, AND SHOWS THE WHICH TROUSSEAU

THE

SYNTHETIC

CHARM

TO THE

RESPECT AND CARE

HAS WITH THE ANIMALS.

78.

79.

STO N E WA S B O R N W I T H T H E O B J E C T I V E O F FA C I L I TAT I N G T H E F I L E O F T H E E N T R E P R E N E U R . I T I S PA RT O F A B RAZ I L I A N G R O U P O F CO M PA N I E S W H I C H A C T S I N T H E PAY M E N T M A R K E T F O R O V E R 1 5 Y E A R S . T H E C O N STA N T S E A R C H F O R N E W T E C H N O L O G I C A L S O L U T I O N S A N D E X T R E M E LY P E R S O N A L A N D AT T E N T I V E S E R V I C E A R E T H E I R M A I N D I F F E R E N T I A L S . STO N E B E L I E V E S T H AT TO YOU, THE ENTREPRENEUR, THE FOCUS MUST B E O N LY S E R V I N G Y O U R C L I E N T S W E L L . A N D F O R T H AT, T H E Y ST R I V E TO D E V E LO P P E O P L E AS PROFESSIONALS, COMMITTED TO WORK FOR YOUR SUCCESS. WHILE YOU LOOK AFTER YOUR CLIENTS, STONE LOOKS AFTER YOU. STONE.COM.BR

THANKS ACHEI O QUE

EU QUERIA

FÁBRICA IDEIAS

1 1 9 81 2 1 6 695

PARA CRIANÇAS

11 3031 3044

C ATATAU B R I N Q U E D O S E D U C AT I VO S 11

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ETC.

11 99666 6075

MARIANA SIMONETTI 11 97033 9396

TA N G O M U S I C 11 3064

0600

São paulo

T R O U S S E AU O F F - C ATA R I N A FA S H I O N O U T L E T

belo horizonte

A L A M E D A G A B R I E L M O N T E I R O D A S I LVA , 9 1 2

RUA FERNANDES TOURINHO, 941 31 3281

RUA ESCOBAR ORTIZ,

rio de janeiro

482

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MARKET PLACE

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Production

Journalist

Creative concept

LETICIA BAENA

SANDRO OBERHAMMER

PAT R Í C I A FAVA L L E

HEADS

FERNANDA RUSSO

PAU L A S ATO

PHOTOGRAPHERS

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MARCELA RAMIRES

ROMULO FIALDINI

LUCHO GALLARDO

PAULA BRANDÃO

AMANDA PEREIRA

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PROPAGANDA

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LEBLON

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TROUSSEAU OFF (PONTEIO LAR SHOPPING)

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21 3325 1001

5542 1797

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31 3291 9333

21 2287 4464

I G UAT E M I

0440

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RUA ANIBAL MENDONÇA, 135

11 3044 3582

SHOPPING

Marketing

4704

11 3083 4240

11 3812 1064

CREW

4130

MALL

21 3252 2537

R. JOÃO CACHOEIRA, 1184

T R O U S S E A U O F F - G ÁV E A T R A D E C E N T E R

11 3849 4638

Executive producer

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21 2511 1472

4496 7383

TROUSSEAU FRIENDS

HOTELS

- which offer a unique sleeping e x p e r i e n c e w i t h Tr o u s s e a u -

AL.

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67 3 3 2 1 3 1 6 2 CASA VISCONTI

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VILA KALANGO

AZURE

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R O YA L T U L I P

16 3289 4709

C R I STA L I N O LO D G E

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DPNY

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SOFTEL COPACABANA

65 3322

F L ( F L AT FA R I A L I M A )

MONTEVIDEO

P O R TO B AY R J

SOFTEL IPANEMA

GRAND MARQUISE

INSOLITO BOUTIQUE

POUSADA DO SANDI

SOFTEL JEQUITIMAR

GRAND MERCURE

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POUSADA SÃO FRANCISCO

TXAI

DO CORUMBAU

51 3328

H O T E L A R I A .T R O U S S E AU.C O M . B R A N D G E T T O K N O W T H E VA R I O U S OT H E R H OT E L S T H AT A R E T R O U S S E AU ’ S C U STO M E R S .

- CUIABÁ

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BIANCO HOME

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4820

LELÉ

DA CUCA -

PRES.

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0909

LIBÉLULA -

BELÉM

4953

DO RIO PRETO

- JOÃO PESSOA

83 98795

SPENGLER DECOR -

18 3623 6555

47 3366 2020

MAISON TRÓIS

FLORIANÓPOLIS

MARRAH

HOME

4782 BALNEÁRIO

SPENGLER DECOR -

BLUMENAU

47 3209 8160 -

FLORIANÓPOLIS

TECIDOS OUVIDOR -

48 3304 7753

8 5 3 2 67 6 3 6 4

M OREIRA E GLORINHA - GOIÂNIA

VERA TUYCHI & CIA.

62 3926 5221

34 3312 6535

11 S A LVA D O R

SÓ COLCHÕES

M A D A L E N A P R E S E N T E S - A R A Ç AT U B A

86 3222 9636 -

SÃO LUÍS

17 3225 5357

NADIA CONCEITO -

71 3272 1541

S ÃO PAT R Í C I O 98 3256 5100

S. J.

EMPÓRIO CASA BELLA - TERESINA

EXCLUSIVITÉ

PRUDENTE

4 8 3 3 3 3 3 67 1

D E C O R A V I T TA 91 3038

- VITÓRIA

27 3207 4939

65 3054

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C ATA R I N A E N X O VA I S 81 3040

PORTO ALEGRE

8900

BOX A DOIS

CASA PAROSCHI

54 3538 1011

8570

BENESSERE

81 3048

ACCESS

N ATA L

RIBEIRÃO PRETO

LONDRINA

43 3336 4568

KENOA

BEDDING

BRASÍLIA

18 3222 1155

CASA OBJETO -

HOTEL SENAC

61 3 24 8 76 65 RIBEIRÃO PRETO

16 3636 4057

BOBZ

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MOGI

47 2 6 678 4

DAS CRUZES

VILARÔ PRESENTES

F O R TA L E Z A

UBERABA

- GOIÂNIA

62 3241 2480

PÁT I O B AT E L - C U R I T I B A

VILLA PETIT -

41 3106 3220

63 3322

PALMAS

0304

- CUIABÁ

4 074

PARCELAMENTO EXCLUSIVO

SMALL CITIZENS THE

PETIT LINE

LANDS ON THE TROUSSEAU

N OV E LT Y. C H I L D R E N SUPER

CUTE

AND

S H E LV E S F I L L E D W I T H

FROM ONE TO SIX YEARS OF AGE COUNT ON

C O M F O R TA B L E

OPTIONS

AROUND

WITH

STYLE TO SPARE. FOR THE GIRLS, THE LITTLE PARTY DRESSES MADE FROM

COTTON AND WITH

BEEHIVE

E M B R O I D E RY, AS W E L L AS T H E

J U M P E R T R O U S E R S A N D T H E V E R S AT I L E S M O C K , A R E T H E S E A S O N S HITS.

FOR

THE

BOYS,

CUT TROUSERS

STA N D

THE

M ATC H I N G

SHIRTS

OUT ANYWHERE. THE

WITH

BRAND

I M P E C C A B LY ALSO

BET ON

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CRIB

SERIES,

WHICH

ENCHANTS

WITH

FOUR

KINDS

E M B R O I D E R Y, D I A P E R C H A N G I N G M AT S , B L A N K E T S , G I F T S , C U D D LY TOYS A N D H O M E W E A R M A D E W I T H H I G H Q UA L I T Y R AW M AT E R I A L S AND EXCLUSIVE

D E TA I L S .

PLUGGED

FILLED WITH CHARM T H E B R A Z I L I A N D E S I G N E R S I M O N E T U R I N I L E U L L I E R A N D T H E F R A N C H I S E M AT H E M AT I C I A N YA N N L E U L L I E R D E C I D E D T O I N V E S T I N A V E R Y O R I G I N A L E N D E AV O U R . T H AT WA S W H E N T H E Y S TA R T E D B O D O D O S E V E N Y E A R S A G O . T H E F U R N I T U R E A N D A C C E S S O R I E S B R A N D P R O P O S E S T O I N T E G R AT E T H E C O N T E M P O R A R Y A N D F U N C T I O N A L I N T H E R I G H T M E A S U R E T O S E R V E T H E L I T T L E C U S T O M E R S . T H E R E S U LT S C A N B E S E E N I N T H E E X C L U S I V E A N D M O D E R N C O N C E P T W H I C H F E AT U R E S H I G H Q U A L I T Y A N D C R E AT I V E W O O D W O R K . T H E P I E C E S H I G H L I G H T I N FA N C Y ’ S C U R I O U S O U T L O O K , W I T H O U T L E AV I N G B E H I N D T H E V E R S AT I L I T Y W H I C H T H E D AY- T O - D AY R O U T I N E D E M A N D S A N D T H E B E S T U P T O D AT E D E S I G N . T H E B R A N D I S A D A M A N T I N I T S U T I L I S AT I O N O F J E W E L R Y B U L L R U L E M AT E R I A L S E X T R A C T E D F R O M R E F O R E STAT I O N A R E A S , A S W E L L A S B E T T I N G O N S U C H I S S U E S A S S E C U R I T Y, A E S T H E T I C S A N D E R G O N O M I C S . “ O U R P R O D U C T S E X I S T T O P R O T E C T , I N S P I R E A N D E N E R G I Z E . W E H AV E R E A D Y T O D E L I V E R L I N E S A N D C R E AT E P R O J E C T S F O R B E ST, T O Y R O O M S A N D O F F I C E S ” S I M O N E P O I N T S O U T. B O D O D O.C O M . B R