Crown Lounge Issue 1

Bentley Auckland (09) 360 3200 www.Auckland.BentleyMotors.com

Chellingworth Bentley (08) 9273 3131 www.Chellingworth.BentleyMotors.com

Bentley Sydney (02) 8338 3988 www.Sydney.BentleyMotors.com

A welcome from the CEOs

W E LC O M E TO T H E AU T U M N 2 01 5 E D I T I O N O F C R O W N G R O U P L O U N G E M AG A Z I N E

It was Chinese poet Lao Tze who aptly said, “A journey of a thousand miles begins with one step.”

We are pleased to say since we established Crown Group in 1994 we’ve expanded our operation in Sydney and globally. Today we have offices in Jakarta, Surabaya, Bali and Singapore.

As we continue our growth we remain steadfast in our commitment that “It’s not bigger first, then better, but better first and the bigger will follow.”

Since we launched Crown Group Platinum Club two years ago, we’ve seen it grow rapidly from just a few hundred to more than 4000 members.

Our vision to create a premium club—a club that goes above and beyond other membership clubs with premium rewards, stunning events and genuine benefits—has become a reality.

We are delighted to introduce a magazine created entirely for our members, the inaugural edition of Crown Group Lounge.

Among these pages you’ll find the best of the best in property, fashion and lifestyle, alongside inspiring personal interviews, stunning luxury brands and company highlights.

We have been overwhelmed with warm wishes from our members in the lead-up to the launch and we would like to thank you for your support.

We invite you to continue to join us on our journey and we look forward to welcoming you to our next Platinum Club event.

Iwan Sunito and Paul Sathio CEOs, Crown Group

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Welcome

IN THIS ISSUE INTRODUCTION

ARCHITECTURE & DESIGN

Welcome A welcome from Crown Group’s CEOs

Enterprising innovations Highlights from the recent Grand Designs Live expo

LEADERSHIP & INVESTMENT Time Warner Wonder Woman High-flying executive Bonnie Boezeman shares her philosophy on success and social responsibility Disclaimer: Crown Group Lounge is published by Business Essentials Pty Ltd trading as Edge on behalf of Crown Group Holdings Pty Ltd (ABN 47 125 413 443), Level 29/1 Market Street, Sydney NSW 2000, tel (02) 9925 0088, fax (02) 9925 0598. Copyright © 2015. All rights reserved. Printed by SOS Print + Media. Reproduction in whole or in part without prior written permission is strictly prohibited.

Opinions expressed are those of the individual contributors, and are not necessarily those of the Publisher or Crown Group Holdings Pty Ltd. Information provided was believed to be correct at the time of publication.

All reasonable efforts have been made to contact and acknowledge copyright holders.

How best to invest GM of NAB Private Wealth, Jason Murray, gives his insight into Sydney’s property investment market T R AV E L & I N D U L G E Singapore swing Crown Group’s move into Singapore, plus where to stay, eat and play Absolute power The uber-impressive Bentley Mulsanne Splash about The world’s best hotel rooftop pools

Privacy Policy: This issue of Crown Group Lounge is published by Edge on behalf of Crown Group Holdings Pty Ltd. Edge may use and disclose your information in accordance with our Privacy Policy, including to provide you with your requested products or services and to keep you informed of other Crown Group publications, products, services or events. Our Privacy Policy is located at www.crowngroup.com. au/privacy-policy. It also sets out how you can access or correct your personal information and lodge a complaint. Crown Group may disclose your personal information offshore to its owners, joint venture partners, service providers and agents located throughout the world, including in Indonesia, China, Malaysia, USA and the European Union.

If you require further information, please contact Crown Group’s Privacy Officer either by email at privacy@crowngroup.com.au or mail at Crown Group, Level 29/1 Market Street, Sydney NSW 2000.

Autumn 2015­| Crown Group

From top to bottom: Waterloo’s newest addition, Viking by Crown, is nearly complete; National Development Director Pierre Abrahamse presenting the President’s Award at the 2014 UDIA NSW Awards; the Sydney by Crown model is unveiled aboard the Starship on 30 October.

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Luxe living Fiona Spence, the genius behind homewares and interior design company Spence & Lyda Let’s be Frank A look inside the Vitra Campus, a design and tourist hotspot T H E C R OW N CO L L ECT I O N A secret oasis Crown Ashfield apartments are stealing the spotlight in Sydney’s Inner West Experience of the senses Let Crown Suites be your new home away from home Crown Group evolution A fascinating history

A R T S & FA S H I O N

Executive connection Crown Group’s unique Platinum Club executive rewards and networking program

Sense and space Profiling artist Mika Utzon Popov

Crown Group community What’s happening on the social calendar

Akira à la mode Behind the scenes with this celebrated fashion icon

Moments to remember A look at the milestones on-site at V by Crown, Parramatta

WINE & DINE

Crown Group collection A map of Crown Group developments

A place to call home Parramatta: city of the future Oliver’s twist on Jamie’s Italian The latest outpost from the British chef, set to launch in Parramatta

A vertical village Western Sydney’s newest piazza draws on traditions of the past Last word Take time out to discover something new Must-reads and contributors Book some downtime

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In This Issue

WONDER WOMAN T I M E WA R N E R

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F R O M B E I N G AWA R D E D A N O F F I C E R O F T H E O R D E R O F AU S T R A L I A , TO A PA PA L O R D E R O F K N I G H T H O O D, B O N N I E B O E Z E M A N H A S A DAU N T I N G L I S T O F AC C O M P L I S H M E N T S TO H E R N A M E .

P E R H A P S M O S T C E L E B R AT E D F O R H E R 1 2 -Y E A R T E N U R E A S M A N AG I N G D I R E C TO R A N D C H A I R M A N O F T I M E L I F E AU S T R A L I A W I T H I N H E R 2 3 -Y E A R C A R E E R AT T I M E WA R N E R , THIS SEEMING WONDER WOMAN C H AT S W I T H R I L E Y PA L M E R A B O U T L I F E , I N S P I R AT I O N , A N D H O W T H E W O R L D LO O K S F R O M T H E TO P O F THE EXECUTIVE LADDER.

Early in your career, did you have a mentor or someone from whom you sought advice?

When I started with Time Life International in Amsterdam in 1974, I didn’t have a mentor. So the way I developed a career trajectory was by investing my time after work to learn new skills from the publishing and music departments. The Managing Director (Europe) was eventually a very big supporter of my advancement. He took on board my suggestions about ways the other departments could save money while becoming more efficient. Everyone loved the ideas and things really grew from there.

In Australia, we don’t yet have gender equality in the workplace. What advice do you have for women?

To persevere, be the very best you can, and put in the hard work—you will ultimately be recognised. If you’re unfortunate enough to work for a company that doesn’t pay men and women equally for the same work, then leave. You need to work for fair and equitable leaders.

The CEOs of companies need to be diligent to ensure equality for both men and women.

Is it important to gain business experience outside of your home country?

Yes, indeed. I’m far richer as a director, chairwoman and mentor with my experience in many countries—their cultures and local customs. It helps you to be a better marketer and to develop solid communication skills.

Leadership & Investment

How has the digital age changed your approach to business?

I love the digital age! It’s an absolute dream to have access to online databases, and using the digital sphere as a vehicle to buy and sell products is amazing. There have been strategic changes, too; for example, direct marketing was frowned upon in my early career, but now digital marketing, which employs the same principles, is everywhere.

What prompted you to devote so much of your time and influence to philanthropy?

I was born and raised in the US, in a struggling Catholic family of five children. I saw that the other side of life can be very challenging. Over the course of about 30 years I’ve worked with more than 15 philanthropic organisations. And because I always wanted to have children, but physically couldn’t, I’m particularly drawn to helping youth in fields such as education, the arts, music, illnesses and sports. It can make such a difference—not just to write a donation cheque, but to actually give your skills pro bono.

Do you believe corporations have a responsibility to society to be philanthropic?

I’ve debated with many corporate CEOs about donating some of their profits to worthy causes.

Many insist the profits are shareholder funds. But, if in the constitution the company is allowed to give a percentage away to a charitable foundation, it’s really a win-win situation.

TIPS FOR MAKING IT TO THE TOP How do corporations benefit from being philanthropic?

In places like the US many large corporations donate a percentage of their profits to worthy foundations and engage in corporate matching programs. It’s a generous philosophy and their companies flourish because of the positive feelings it gives their investors and employees.

L AUG H , LOVE A N D D E L IG H T IN OTH E R S’ H AP P IN E S S AS WE LL AS YOUR OWN .

If you were to retire, what would you do with your downtime?

I’d still devote a fair amount of time to philanthropy.

I haven’t jumped into playing bridge yet, but I’d definitely find more time for golf!

What are your proudest achievements?

There are two that are top of mind. The first is a series of books, Australians At War, which I published in 1987. The series comprises 16 hardcover books that cover the entirety of Australia’s military history. The books became a bicentenary-supported project and are still used as a reference, including for TV documentaries and films. The second achievement is producing the official song/DVD/album for World Youth Day in 2008. It was the largest peacetime activity ever held in Sydney, with more than 800 million people watching it on TV.

“PEOPLE ARE THE NUMBER-ONE KEY TO SUCCESS. BRING PEOPLE WITH YOUR VISION ALONG WITH YOU ON THE JOURNEY.”

S UC C E S S IS N OT ALWAYS MONE TA RY. G IVE TO OT HE R S.

IN S P IRAT ION , E N T H US IAS M A N D MOT IVAT ION I S L IF E ’S E L IXI R .

DA R E TO D R E A M .

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HOW BEST TO INVEST C H A RT E R E D AC C O U N TA N T JA S O N M U R R AY I S G E N E R A L M A N AG E R O F N S W N A B P R I VAT E W E A LT H . H AV I N G H A D A S U C C E S S F U L CA R E E R I N F I N A N C E A N D I N V E ST M E N T B A N K I N G , A N D B E I N G A N AV I D P R I VAT E I N V E STO R I N R E S I D E N T I A L P R O P E RT Y F O R 2 5 Y E A R S , JA S O N I S W E L L E Q U I P P E D TO S H E D L I G H T O N T H E F I N E R D E TA I L S O F SY D N E Y ’S P R O P E RT Y I N V E ST M E N T M A R K E T.

How does a capital gain on a property investment compare with the interest accrued on a term deposit?

Not only have the long-term returns from residential property investment been more than 4.6 per cent per annum over a 10-year period— and 9.3 per cent in the past year for Sydney—but investors are currently able to derive a tax deduction for gearing against property in their own name. Ultimately, both property and term deposits have a place in a well-balanced portfolio.

Which areas of Sydney currently have good growth potential?

At NAB Private Wealth we finance investors in almost every suburb in Sydney. Provided you have done your research and you buy a good property at the right price, most areas of Sydney will perform over the long term. The important thing is to ensure you select the individual property well, based on its relative value. This means taking into account far more than just the suburb. For instance, find out if there are high-end developers investing in the area, and what the local council’s priorities are in terms of infrastructure, transport, local amenities and so on. Relative value can be a really good indicator of growth potential.

The latest housing finance figures released by the ABS indicate a fairly stable market with a moderation in investor activity. Does this mean it’s a good time to invest?

Property is harder to ‘trade’ in and out of, compared with stocks or bonds, although some investors do successfully take advantage of market timing. I prefer to see property as part of a long-term investment strategy to protect against inflation. With that view in mind, it’s nearly always a good time to buy good property at a fair price.

Long-term fixed interest rates happen to be very attractive right now, too.

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Why are Australian home owners some of the most heavily indebted, despite our government debt being comparatively low? Should this be deterring people from investing in property?

First, Australia is right up there alongside the UK and the US as a nation of proud home owners—in many ways our culture makes it a rite of passage.

Second, investors’ experiences with property investment over time have been good overall— there are very few wealthy families without extensive property portfolios. Third, with negative gearing, a strong banking sector and low historical levels of defaults, it’s not surprising that debtfunded property investment is such an important part of the national economy.

Dwelling values are much greater in Sydney than in other Australian capital cities. Why do you think that is, and is it set to continue?

Although the exact ratios may differ, it’s no different when you compare New York City house prices with elsewhere in the US; London with other cities in England; or Tokyo with other cities in Japan. The situation in Australia will continue unless governments adopt an aggressive policy of decentralising the population out of the metropolitan cities. However, considering how centralised our economy is, that’s highly unlikely. So, yes, considering the demand for housing in Sydney, prices are likely to remain high.

However, it’s important to recognise that other key metropolitan cities are growing fast, particularly Melbourne and Brisbane.

What are the benefits for existing property owners of purchasing an investment property?

Primarily, a track record (if borrowing is involved), plus experience in dealing with a physical investment such as property (regarding maintenance, management and so on).

With interest rates so low, it’s tempting for the already indebted household sector to add to its debt. Aside from interest rates, what other factors should someone thinking about investing consider?

Number one: affordability. Property investment generally works best when held for the medium to long term. This means investors need to have the financial wherewithal to withstand bumps in the road. Number two: rental yields. Sometimes these can be very low, making debt-funded property investment harder to finance.

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Leadership & Investment

JASON’S TOP 10 TIPS

Buying an investment property

FOR INVESTING

“ SYDNEY WILL PERFORM OVER THE LONG TERM. THE IMPORTANT THING IS TO ENSURE YOU SELECT THE INDIVIDUAL PROPERTY WELL, BASED ON ITS RELATIVE VALUE.”

1 D o your research by suburb and property type. Get all the data you can in advance.

2 S urround yourself with good advisers, particularly those who have a holistic view of your investment objectives and are not just interested in the next transaction.

3 View several properties before you commit to buying anything.

4 W here borrowing is involved, start the conversation early.

5 When planning ahead regarding cash flow, be conservative. Plan for tenancy gaps and set aside a safety net for unexpected repairs and maintenance.

6 Don’t fall into the trap of purchasing a property if the economics stack up only on the assumption of short-term capital gain, no matter how likely that may seem.

7 When purchasing from a developer, ensure they have a good track record. Find out the price and performance of developments they have previously completed.

8 S ome investors buy in one suburb and become local experts; with multiple properties, that can be easier to manage. Others diversify across suburbs, states and even countries, and they put in place strong managing agents. Think about your own philosophy upfront when deciding which type of investor you are. enerally plan to hold onto a 9 G property for at least five years.

10 Don’t ever buy a property on impulse, particularly at auction.

Autumn 2015­| Crown Group

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Available at

201 Macquarie Street Cnr Martin Place, Sydney Te l . 6 1 2 9 2 3 1 3 6 2 2

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I N 2 0 1 4 , C R OW N G R O U P OPENED AN OFFICE AT S U N T E C TOW E R T WO I N S I N GA P O R E , T H E T H I R D I N A S I A A F T E R T H O S E E STA B L I S H E D I N T H E I N D O N E S I A N C I T I E S O F JA K A RTA A N D S U R A B AYA I N 2 0 1 3 .

SINGAPORE SWING

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A city on the move, both economically and culturally, Singapore is seeing established developers opening sales offices in its city centre as high property prices and prohibitive cooling measures continue to drive local investors to look overseas for better investment opportunities.

The move signals a foothold for Crown Group and the provision of better services for its existing and potential customers in the Singapore market, as well as customers from regional markets such as Hong Kong, China and Malaysia.

Crown Group CEO Iwan Sunito noted that Australia is geographically, politically, educationally and culturally attractive to Singapore-based investors.

“The grand launch of our Singapore office is an exciting step for Crown Group,” he said.

Research published by HSBC in February 2014 shows more than one-third of affluent Asians have overseas property investments, with Australia ranked as the most sought-after destination regionally.

Travel & Indulge

EAST MEETS WEST Mention Singapore, Asia’s bustling cosmopolitan city-state, and for many it will elicit images of everything from ultra-modern streetscapes and skyscrapers, to heritage precincts and tree-lined avenues. Singapore offers a smorgasbord of experiences. Its cosmopolitan population is a natural result of Singapore’s geographic position and commercial success.

Confidently fusing elements of the East and West, Singapore is one of Asia’s most diverse cities, boasting world-class dining, modern accommodation, luxury shopping and a bustling city centre.

THE TOP FIVE

W H E R E T O E AT Restaurant André Singapore’s burgeoning dining scene has reached new heights, embracing new dining territory and a kaleidoscope of multicultural cuisines. The eponymous Restaurant André by chef André Chiang sets the bar high for Asian fusion cuisine. It’s a leading example of a restaurant that’s satisfying Singapore’s cosmopolitan palate.

Raised in Taiwan and trained in France, Chiang blends delicate southern French flavours with strong Asian cuisine.

41 Bukit Pasoh Road, +65 6534 8880 W H E R E T O S TAY Marina Bay Sands An oldie but a goodie, the Marina Bay Sands hotel is an established abode that has retained its place at the top of travel lists, and for good reason. Towering over the bay, its infinity pool is the largest and highest in the world, offering its guests spectacular views of Singapore’s financial district.

10 Bayfront Avenue, +65 6688 8868

Top to bottom: Grace Teo (Vice President of CIMB Private Bank) and Iwan Sunito; the crowd at Crown Group Singapore launch; Priscilla Cheong (Executive Director of Bank of Singapore Private Bank), Iwan Sunito, Terence Seow (Managing Director of Bank of Singapore Private Bank) and Karen Chia.

Autumn 2015­| Crown Group

W H E R E TO S H O P Orchard Road Singapore’s Orchard Road is a distinctive boulevard spanning more than 2.2 kilometres. Flanked by dining options, lavish hotels and myriad world-class shopping malls selling everything from high-end designs to street fashion, this crowd-pleaser ensures you won’t leave disappointed or empty-handed. orchardroad.org

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1 R ide the Singapore Flyer.

At 165 metres high, this observation wheel is the biggest in the world.

It’s well worth the half-hour ride for the 360-degree views of Singapore.

2 Enjoy a Singapore Sling amid the ambience of Raffles Hotel’s 1920s Malay plantation-style bar, the home of the famous cocktail.

3 V isit Little India for a sensory experience that’s guaranteed to add spice to your trip.

Explore the many temples and shrines along Serangoon Road and pick up a sari before visiting the 24-hour shopping mecca, Mustafa Centre.

4 See

the country’s last village charmingly caught in the nostalgia of the 1960s on Pulau Ubin. Visit the abandoned stone quarries that earned the isle the name ‘Granite Island’.

5 For respite from the hustle and bustle, take a trip downtown to Singapore’s Botanic Gardens, a welcome oasis of calm.

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ABSOLUTE POWER

N OT H I N G S I G N A L S YO U R A R R I VA L THE SPECS

Q U I T E L I K E A B E N T L E Y, S AY S R O D E R I C K E I M E .

Autumn 2015­| Crown Group

Easing my bottom onto the diamond-quilted hide seats is the first instalment of my all-sensory introduction to the mighty Bentley Mulsanne.

Remember that ‘new car’ smell from childhood, when we all too willingly subjected ourselves to the pungent aromas of plastic, vinyl and sundry acrylic sealants?

Well, in the Bentley Mulsanne my nasal passages are delicately caressed by the nuances of century-old burled walnut and perfumed Scandinavian leather.

My hands embrace the steering wheel, itself wrapped in hand-stitched hide against a backdrop of highly polished solid wood panelling. The dashboard, while replete with every conceivable visual aid, still pays homage to the golden age of motoring with delicately replicated ‘organ stops’ in the air vents. These push/pull actuators are even meticulously tuned to simulate the look and feel of a vintage stopper.

You could easily spend an hour or longer consuming the dizzying array of goodies within arm’s reach while the custom Naim 1.1kW, 13-channel audio system rouses you with Bach, Bolan or Bacharach.

While that figure is impressive, it’s the 377kW exuded from the massive 6.8-litre twinturbocharged V8 that will get your pulse racing.

Even in a massive vehicle that weighs in at more than 3 tonnes, the Mulsanne can certainly get up and go.

The huge L-Series power plant traces its heritage back to 1959 and, now, at the peak of its development, produces multiple times the power

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and torque of its predecessors while reducing emissions to forensic levels. That said, when urged, you can reach the legal speed limit in about 5 seconds while on your way to the (highly illegal) top speed of almost 300km/h.

You may have heard the quaint old saying that if you need to ask about the fuel economy, then you can’t afford a Bentley. But, for the record, a carefully driven Mulsanne will consume a comparatively frugal 10L/100km on the open road.

S TA R A P P E A L Clearly, Bentley is a brand that attracts colourful individuals and the rollcall of luminaries who own and drive a Bentley is vast. Of the most visible, David Beckham stands tall in his Continental; Hollywood heart-throb and tough guy Mark Wahlberg has a Mulsanne; and Paris Hilton can be spotted showing off on Rodeo Drive in her custom pink GT Coupe.

While some outlandish personalities may be attracted to Bentley, there are also members of sober society who take comfort in the marque’s unrivalled prestige and workmanship. HRH Queen Elizabeth II is the proud owner of a custom-built State Limousine, while her grandkids, Prince William and Catherine, the Duchess of Cambridge, were seen alighting from a sparkling Flying Spur for a red carpet event.

With Bentley approaching its centenary, the simple guiding principles instilled by founder Walter Owen ‘WO’ Bentley remain true to this day, perhaps even more so: to build “a fast car, a good car, the best in its class”.

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Model Bentley Mulsanne (Australian test vehicle) Engine 6752cc twin-turbocharged V8 with cam phasing and variable displacement Driveline and transmission 8-speed automatic gearbox with electronic shift interface, sport mode and steering wheel-mounted paddle shift; rear-wheel drive Max power 377kW @ 4200rpm Max torque 1020Nm @ 1750rpm Max speed 296km/h Acceleration 0–100km/h in 5.3 secs Price AU$870,557 (including taxes and on-road costs) Contact Trivett Prestige Automotive Group, Sydney (02) 8338 2151 or www.trivett.com.au

Travel & Indulge

SPLASH ABOUT

DALL A S , U SA The Joule Located in a historical 1920s building, The Joule is as much a work of art as it is a hotel. Luxury abounds in this perfect union between old-world charm and contemporary design— perhaps nowhere more so than on the 10th floor, the site of the iconic hanging pool. Jutting out 2.5 metres beyond the building’s edge, not only is this cantilevered marvel a thrilling swimming experience, it also provides a magical view from the plexiglass window at the far end of the pool.

Here, swimmers can look down at Main Street below, but pedestrians can also look up, so make sure you’re wearing your best swimmers!

If swimming ‘off the edge’ isn’t your thing, the pool attendants will take you under their wing, spritzing you with lavender mist while you lounge on the daybed. thejouledallas.com S ÃO PAU LO, B R A Z I L Hotel Unique Unique is an accurate if not slightly understated way to describe São Paulo’s quirkiest, most eclectic hotel. In this building that resembles Noah’s Ark while incorporating modern design features, the rooftop pool is its crowning glory.

Illuminated crimson at night, the pool is outfitted with an underwater sound system that seems to beckon the hotel’s patrons indiscriminately.

The pool offers expansive views of the São Paulo skyline and Ibirapuera Park and is conveniently next to Hotel Unique’s renowned Skye bar and restaurant. hotelunique.com.br

R O O F TO P P O O L S A R E A L L A B O U T LUX U R Y A N D I N D U LG E N C E .

T H E S E U R B A N OA S E S A R E S A N C T UA R I E S F R O M T H E B U S T L I N G C I T Y B E N E AT H , W I T H M AG I C A L V I E W S TO B O OT. H E R E A R E 1 0 O F O U R FAVO U R I T E R O O F TO P P O O L S A R O U N D T H E WO R L D.

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U DAI PU R , I N D IA Hotel Udai Kothi The rich history of the Rajasthan town of Udaipur is nowhere more visible than from Hotel Udai Kothi’s rooftop pool. Located on the top floor of the intricately designed hotel, the pool provides an unparalleled view of famous Lake Pichola, the Aravalli Hills and the old city’s palaces and temples. The pool is surrounded by cushioned alcoves that provide a cosy setting to sit and sip cocktails or have a meal, giving you absolutely no reason to be anywhere else in the world. udaikothi.com

B A R C E LO N A , S PA I N Grand Hotel Central What better place to watch Barcelona’s cityscape unfold than from the luxury of an infinity pool?

Aptly named, the Grand Hotel Central is located right in the heart of Barcelona. With incredible views of the Gothic Quarter and Barcelona Cathedral, the hotel’s eighth-floor rooftop is just high enough to experience the city’s atmospheric buzz without being immersed in it. The poolside lounges are the perfect place to catch some sun between dips, all the while sipping on cocktails and listening to some gentle chill-out music. grandhotelcentral.com VI C TO R IA HAR B O U R , H O N G KO N G InterContinental Luxury knows no bounds at Hong Kong’s acclaimed InterContinental. Its effortlessly landscaped third-floor pool terrace accommodates one of the city’s largest outdoor swimming pools. But it’s the three infinity spa pools that really make this rooftop an indulgent oasis. Maintained at various temperatures (hot, warm, cold), the spas appear to flow seamlessly into Victoria Harbour below. Set against the ambient backdrop of Hong Kong’s skyline, the pool terrace evokes the sublime while you literally soak in your surroundings. hongkong-ic.intercontinental.com TO RO NTO, CANADA Thompson Hotel Exclusivity has a curious way of heightening the already remarkable experience of being atop the Thompson’s 16th-floor rooftop terrace. Restricted to residents, hotel guests and a few hand-picked individuals, the rooftop resembles a scene from a Hollywood A-list party. Gliding into the heated infinity pool, you’re surrounded by a chic array of striped cabanas and lounges, the decor every bit as refined as the rooftop’s patrons. But what sets this experience apart is its unparalleled outlook: a sweeping 360-degree panorama of the Toronto skyline and Lake Ontario. thompsonhotels.com/hotels/thompson-toronto

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Travel & Indulge

M A R I N A B AY, S I N G A P O R E Marina Bay Sands No list would be complete without Marina Bay Sands’ infinity pool—perhaps the world’s most renowned rooftop pool. Designed by architect Moshe Safdie, the 150-metre pool is set into a cantilevered platform on the 57th floor of this Singapore hotel. Venturing to the seemingly unconstrained edge of the pool is comparable only to ‘falling off the edge of the world’ back when people thought it was flat. But the fear is unfounded and well worth overcoming for the spectacular view of the city skyline and the financial district of Marina Bay. marinabaysands.com PO RTO, PO RTUGAL The Yeatman Positioned on the hillside on the River Douro’s south bank, The Yeatman hotel incorporates the history of the region’s local wine trade into its overall aesthetic and decor. As such, its outdoor pool is decanter-shaped. Diving into the crystalclear water, you’ll find the boundless illusion of the infinity pool immerses you in the UNESCO World Heritage Old Town of Porto, which is just across the river. And if you happen to tire of the cool water lapping against your skin, the pool is surrounded by a sun terrace where you can laze away while marvelling at the picture-perfect panorama before you. the-yeatman-hotel.com

R AV E L L O , I TA LY Belmond Hotel Caruso Expanding the definition of rooftop to encompass cliff-top, Belmond Hotel Caruso’s pool is located at the highest point above the Italian coastal town of Ravello. The infinity pool overlooks the turquoise waters of the Mediterranean Sea, making it the perfect vantage point for soaking up the heritage and history of Italy’s Amalfi Coast. An architectural work of art, the hotel is a restored 11th-century palace. While it retains much of its original decor, it has undergone a complete refurbishment, making it the ideal setting to indulge in contemporary luxury. belmond.com/hotel-caruso-amalfi-coast H VA R , C R O AT I A Hotel Adriana Overlooking the dazzling Adriatic Sea, Croatia’s ancient city and the Paklinski Islands, the view from Hotel Adriana’s The Top lounge bar is not something you’ll tire from while you relax in the hotel’s indoor/outdoor seawater pool. Perched on Hotel Adriana’s rooftop, the pool is only enhanced by its proximity to refreshing cocktails, cabanas for massage and, for those in the mood, a raging dance floor. suncanihvar.com/adriana-hvar-spa-hotel.html

LEASING PRESTIGE

Executive Service.

Our elite team of Property Managers have a reputation for efficiently securing and renting properties, ensuring that each property is marketed to attract the most suitable tenant and understands the importance of communicating with clients throughout the process. Crown Leasing also has a wide range of apartment sizes and types available for lease now from $500 per week in Waterloo, Ryde, Ashfield and Rhodes.

1800 857 322 | crowngroup.com.au Autumn 2015­| Crown Group

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SENSE AND SPACE M I K A U T ZO N P O P OV ’ S W O R K S E N C A P S U L AT E T H E S E N S O R Y E X P E R I E N C E O F M OV I N G T H R O U G H S PAC E A N D T I M E

What’s something that would surprise people to learn about you?

I am very stubborn and therefore don’t like being rushed into an idea or concept.

Who was most influential early in your career?

My maternal grandfather, Jørn, who taught me to trust what I do and always remain open.

Assuming time, travel and money are no barrier, what’s your dream project?

A large-scale sculpture that can be assembled, disassembled and reassembled in different locations around the world. In fact, it’s a project I’m working on getting off the ground at the moment.

A N D D E V I AT I N G F R O M T H E E X P E C T E D, W R I T E S I S L A S O LO M O N .

Artist Mika Utzon Popov’s DNA is programmed with creativity, passion and a unique way of seeing the world—genetic traits he inherited from his grandfather, Jørn Utzon, who designed the Sydney Opera House; his mother, designer Lin Utzon; and his father, architect Alexander Popov.

“Although I considered different aspects of the creative process, like fine art, design and architecture, I never considered doing anything outside of the creative realm,” says Mika. His unwavering dedication to his craft is what makes his work so compelling.

Variously labelled a sculptor, draughtsman, printmaker, painter and installation artist, Mika certainly doesn’t fit the mould. “It’s more about the process I’m in, which then ultimately dictates the material I use,” he explains.

“My work is the process of exploring and articulating my response to the conditions and environment around me as honestly as I can. That, combined with my inherent curiosity, leads me to constantly explore new materials and forms of expression.”

Indeed, Mika’s body of work is incredibly diverse, from his sculptural installation, ‘First Movement’, a 3600cmx600cm stainless-steel display of birds taking flight, to ‘Recollecting Place’, a series of landscapes sketched in willow charcoal on paper.

Commended at the CCAA Public Domain Awards at the Sydney Opera House in 2012, ‘Coast’ is Mika’s self-proclaimed proudest creation to date, and ‘beautiful’ barely begins to describe it.

“It was a unique opportunity for me to try something I hadn’t tried before,” he says.

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Commissioned to create an artwork for a North Bondi apartment block designed by Adam Haddow from SJB architects, Mika drew upon the naturally occurring patterns etched into North Bondi’s coastal cliffs to produce six equally measured but visually and texturally unique concrete panels spanning 7.2 metres across.

“The solution very much came out of a long process of investigation, consideration and finding something completely unexpected,” he says, quickly adding, “and deviating substantially from the original brief.”

Working again with Adam, Mika has been commissioned to create an artwork for Crown Group’s new development on O’Dea Avenue in Waterloo, Sydney.

“The work partly takes its form from the landscape’s original sandstone base and waterways,” Mika says.

“We tried to work on the idea of water carving out part of the building and forming its volume, but in the end we decided to create a grid of hand-sculpted concrete panels across the southern entry wall, which will allow the facade to respond to light and weather throughout the day and night.”

Emboldened by Adam’s commitment to the collaborative design process and Crown Group’s unwavering support, Mika has used this design brief as a guide to explore and develop an idea, rather than as a rigid framework. “The key with a commission is to have a client who is willing to take a risk with you, to share your vision,” he says. This creative scope allows Mika to uphold what he believes is the responsibility of the artist to be a ‘map-maker’: “Our job is to step off the known map and report back what we find.”

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“What makes the female body beautiful is actually the woman’s confidence—it’s got a lot to do with her state of mind.” pausing before adding, “I do enjoy visiting Japan, but living there is different.”

Despite his continental shift, there are parts of Japan and its history that Akira has never let go of. “I source inspiration for the textile design—for example, texture, colours and the techniques I can use—from my Japanese upbringing,” he says.

This influence is ever-present in the delicate silks and oriental motifs that underpin many of Akira’s recognisable designs.

“I most enjoy the process of textile design,” he says—an admission that isn’t surprising considering the centrality of tactility to his overall aesthetic. “Textile design is something I love doing. Sometimes, I think, without designing form, I could just continue designing textile.”

This, in essence, is exactly what he has done in his collaborative work with Designer Rugs. “The rug is a flat piece, so it’s just a matter of finding the right colours and the right texture without designing a form,” he says.

Teaming with Designer Rugs for the first time in 2005, Akira has launched three rug collections with the company. “It’s been going on now for nearly a decade and I really treasure our relationship,” he says. Primarily made from wool, the rugs have something intrinsically ‘Akira’ about them—perhaps the way the oriental patterns meld so seamlessly with vibrant shades of turquoise and vermilion.

Akira has also collaborated with Sydney Dance Company and The Australian Ballet, recently making the costumes for Graeme Murphy’s dynamic rendition of Romeo and Juliet. “The dancers can’t be restricted by the design,” he says. “We have to take into consideration things like the length of the skirts or the way a garment is fastened.”

Visualising the mobility required for the intricate pas de deux of the star-crossed lovers, or even a simple grand jeté, it’s apparent that Akira had his work cut out for him. “I remember I wanted to apply press-studs,” he recalls, “but they said definitely no, because they can easily come apart. So we had to make sure every single fastener was a zipper.”

Currently, Akira is working on his own brand, conceiving ideas for his autumn/winter 2015 collection. “At the moment I’m sourcing inspiration and particular techniques I’d like to apply,” he says, giving very little away. Asked to go into more detail, he says, “I’d like our winter collection to be luxurious, but I don’t want the garments to feel so precious that they’re untouchable.

I want it to be a collection of real clothes.”

We may just have to wait until next February to see which ‘luxurious but not overly precious’ garments materialise on the runway in Paris. Whatever intricate synthesis of textile and form is on show, it is bound to be ethereally beautiful and undeniably ‘Akira’.

A K I R A I S O G AWA’S JA PA N E S E - I N S P I R E D G A R M E N T S A R E W O R K S O F W E A R A B L E A R T, E AC H O N E A D E L I C AT E A M A LG A M O F T E X T I L E A N D F O R M . R I L E Y PA L M E R G A I N S I N S I G H T S I N TO T H E I N N E R W O R K I N G S O F T H I S FA S H I O N I C O N W H O, M O R E T H A N 2 0 Y E A R S A F T E R E S TA B L I S H I N G H I S L A B E L , I S S T I L L TA K I N G T H E W O R L D BY S TO R M .

From explosions of vibrant colours and textures, to softly embellished ashen tones, Akira Isogawa’s garments are nothing short of transcendent. His collections are not only coveted by savvy consumers and the fashion industry, they are also deservedly esteemed in the arts, including dance. Exhibitions at Sydney’s Powerhouse Museum and Museum of Contemporary Art and Melbourne’s National Gallery of Victoria have celebrated the unique aesthetic of his work.

Akira is internationally lauded, especially in the world’s fashion mecca, Paris, where he presents collections twice a year. Here in Australia, which he has called home for almost 30 years, he is something of a national treasure. Having grown up in a conservative family in the traditional Japanese city of Kyoto, it’s not difficult to imagine that Akira’s life could have turned out very differently.

“It was quite a big decision to make,” he says of moving to Sydney to study fashion design at the Sydney Institute of Technology. “None of the members of my family have ever done anything like it, so when I applied for residency in Australia, I think my family was truly shocked. They never saw it coming.”

Fortunately, Akira’s mother and eventually his father were quite supportive. “I’m really thankful I made that decision because I can’t picture myself living in Japan, really,” Akira says,

Autumn 2015­| Crown Group

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Arts & Fashion

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A PLACE TO CALL

A BOOM IN BUSINESS One of Australia’s earliest settlements, Parramatta has long been the gateway to Western Sydney. More than 4.1 million people—the majority of Sydney’s population— live within a 30-kilometre radius of Parramatta.

The city’s strategic location has attracted major business and multinational organisations, including Deloitte, Westfield, GE Money, AMP, Bankwest, Commonwealth Bank of Australia, QBE, Sydney Water and Suncorp, with Deloitte’s Parramatta office expanding from 65 to 280 staff in the past nine years.

Parramatta is highly accessible by public transport, boasting express bus connections to Sydney’s northwest and south-west and the world’s fourth-busiest train station, with more than 30,000 people arriving by train each working day.

The Western Sydney Light Rail Network will support the economic growth of the region and its growing population. The NSW Government recently announced the $11.5-billion WestConnex road project to relieve traffic congestion in Sydney.

F O R Q UA L I T Y O F L I F E I T ’S H A R D TO B E AT PA R R A M AT TA . T H E H I S TO R I C A L W E S T E R N SY D N E Y S U B U R B I S I N T H E M I D S T O F A T R A N S F O R M AT I O N A S I T FA S T B E C O M E S A H OT S P OT F O R B U S I N E S S E S A N D U R B A N P R O F E S S I O N A L S .

CITY OF THE FUTURE With $15 billion in gross regional product (GRP), forecasts of strong economic and population growth, express public transport links, high-quality schools and universities, and a wide variety of entertainment and shopping options, Parramatta has attracted the attention of astute property investors and owner-occupiers.

Parramatta’s population grew by an impressive 14 per cent from 2007 to 2012, and today about 180,000 people (10 per cent of Western Sydney’s population) live in Parramatta. By 2031, Parramatta City is expected to be home to more than 260,000 people.

Parramatta has the best health facilities in NSW, including the state’s largest health district, the Westmead Health and Medical Research Precinct. The precinct encompasses four major

Autumn 2015­| Crown Group

hospitals, employs 16,000 health professionals and researchers, and treats one million patients annually.

Parramatta City Council forecasts the Westmead Health and Medical Research Precinct will generate 7000 new jobs and employ 21,000 people by 2036, ensuring residents continue to have access to the best health facilities.

Nearby, the University of Western Sydney, one of Parramatta’s leading educational institutions, has a reputation for excellence in research and teaching, offering 100 programs to about 40,000 students.

Parramatta also hosts the University of New England’s FutureCampus and is home to some of the state’s most reputable schools, including The King’s School, James Ruse Agricultural High School and Tara Anglican School for Girls.

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By 2036, Parramatta’s Westmead Health and Medical Research Precinct is forecast to generate 7000 new jobs and employ 21,000 people.

C U LT U R A L H U B With more than half of the city’s residents born overseas, Parramatta offers exciting food, flavour and entertainment from around the globe.

From the Chinese Lunar New Year festivities and Australia Day celebrations, to the South-East Asian festival Parramasala and the Arab Film Festival, the city’s calendar is packed with events for everyone.

Parramatta has more than 300 restaurants, bars and cafés, including Circa, The Sydney Morning Herald’s Best Café for 2013, and dozens more along its famous eat street, Church Street.

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Wine & Dine

OLIVER’S T R AT TO R I A I N PA R R A M AT TA P R O M I S E S A C A S UA L , FA M I LY- F R I E N D LY V I B E . R I L E Y PA L M E R E X P LO R E S W H AT T H I S À L A C A R T E R E S TAU R A N T H A S I N S TO R E F O R PA R R A M AT TA’ S F LO U R I S H I N G F O O D S C E N E .

Family, community and food—these words resonate with the values underpinning a burgeoning Parramatta and the ethos of celebrity chef Jamie Oliver. A perfect fit, the pair’s junction is already underway, with Jamie’s Italian Trattoria planned to open on the corner of Macquarie and Church streets in early 2015.

Imagine sipping on a smooth, full-bodied coffee while sitting under a parasol at an alfresco table among Parramatta’s newly developed, aesthetic Centenary Square. That’s the vision that Pacific Restaurant Group (which holds the franchise for Jamie’s Italian in Australia and New Zealand) has for Sydney’s second Oliver-inspired Italian. Open from 7am to midnight, seven days a week, the Trattoria will align itself with the thriving, community-centric vibe that Parramatta City Council is driving.

Karen Westfield, general manager of Jamie’s Italian Australia, says, “Jamie’s Italian Trattoria is different from the other Jamie’s Italian restaurants around the world. It’s more stripped back, rustic and simple.”

That doesn’t mean the food won’t be as delectable and queue-worthy as that served at Jamie’s Italian in Pitt Street, Sydney. “Customers of the Trattoria will experience the same high quality of food they have come to know at Jamie’s Italian, albeit with a slightly more casual appeal. It will serve the local community with everything, from their morning coffee and pastries, to early evening aperitivo-style drinks and nibbles.”

David Clarke, executive chef of Jamie’s Italian Australia, says the consistent standard across all of the Jamie’s Italian restaurants is largely regulated

by Jamie himself, in addition to chef Gennaro Contaldo (Jamie’s mentor and co-founder of the original Jamie’s Italian in Oxford in 2008).

“Jamie is largely involved with, and has a huge influence on, every menu launched at Jamie’s Italian in Australia,” Clarke says. “Every few months he sits

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TWIST

A R U S T I C A D D I T I O N TO T H E JA M I E ’S I TA L I A N F R A N C H I S E , T H E

P E N N E A R R A B B I ATA S e r v e s Fo u r

Ingredients

50g sourdough or ciabatta breadcrumbs ½1 /2 bunch mixed fresh herbs (sage, rosemary, thyme), leaves picked and chopped 7 cloves garlic, peeled and finely chopped olive oil, to taste 3 or 4 fresh red chillies, finely chopped 2 x 400g tins quality chopped tomatoes 200ml organic vegetable stock 400g penne 1 bunch fresh basil, leaves picked and torn 25g Parmesan cheese, shaved ¼Scotch bonnet chilli, very finely chopped (optional)

down with Gennaro and his team of chefs in the UK and creates lots of amazing new dishes that we see on our menus. Our team in Australia works super hard sourcing the most amazing produce to ensure it’s up to Jamie’s standards and ethos.”

Diners at the Trattoria can expect a Jamieand Gennaro-certified à la carte menu offering generous plates of antipasti, more-ish bowls of fresh, handmade pasta, and a range of deliciously topped pizza planks that are perfect for sharing.

The Jamie Oliver brand is an incredible drawcard, and one that any savvy community would willingly adopt. Jamie is not just an affable chef but also a symbol of hope for the underprivileged, a revolutionary for health and a role model for doing what you love.

Outstanding food is something that Sydney has in spades, but Jamie Oliver has come to mean a great deal more than simply fine food. With the extent of his involvement in all of his restaurants, it’s no surprise they have similarly come to represent a lot more than the exquisite dishes they plate up.

Method 1 To prepare pangrattato, combine breadcrumbs, mixed herbs, 1 clove of finely chopped garlic and a lug of olive oil in a bowl. Tip onto a baking tray, then spread out evenly and toast under the grill for 2 to 4 minutes or until lightly golden, giving the tray a jiggle occasionally for even cooking. Leave aside.

2 To make arrabbiata sauce, put a splash of olive oil in a large pan over medium heat, then add red chillies and 6 cloves of finely chopped garlic and cook for 1 or 2 minutes or until softened and aromatic. Pour in tomatoes and vegetable stock and bring to a simmer.

3 Meanwhile, add pasta to a pan of boiling salted water and cook according to packet instructions.

When pasta is al dente (still offers resistance to the teeth), drain, reserving a cup of cooking water.

4 T ip the pasta and most of the basil into the arrabbiata sauce, then cook for a further minute or so, adding a splash of reserved cooking water to loosen, if needed.

5 D ivide between plates, top with Parmesan, remaining basil leaves, a sprinkling of Scotch bonnet chilli (optional) and crunchy pangrattato.

Finish with a drizzle of olive oil and serve immediately.

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Wine & Dine

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Details define us and set us apart. The Enlightenment Collection embodies this, with the Australian South Sea pearl set against the fine detail of GuillochĂŠ. Discover pieces as becoming of style and elegance as those who wear them.

A pearl becomes you. Kailis jewellery is exclusively available at select stockists. Visit kailisjewellery.com.au Autumn 2015­| Crown Group

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I NSP I R ED BY THE U N IV E R S A L LY ADO R ED T V SER I ES , G RA N D DE S IG N S LI VE—HELD I N SY DN E Y F R O M The grandest designs

24 –26 O CTO BER —S HOWCA S E D THE

ENTERPRISING

FR O M M O R E THAN 20 0 BRA N DS .

INNOVATIONS

NEW EST AND FR E S HE ST DE S IG N S

T I M B E R D O L LY B E D S I D E S

By Milkcart “We wanted to fill the void between cheap mass-produced furniture and out-of-reach designer furniture by creating beautiful, accessible handcrafted pieces that complement the lightfilled interiors of Australian homes. Our pieces are constantly evolving and developing, and we try to make them so they can also evolve within the home—a Skinny Dolly Hall Stand may become a desk in another room, a bedside may be used as a side table by the lounge.” Marnie McKnight milkcart.com.au

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B E S P O K E S U R FAC E D E S I G N

By The Strutt Sisters “We are crazy about colour and design and love working with our clients to create something for their space they can be crazy about too!” The Strutt Sisters, twin sisters Catherine and Jennifer Strutt, make each panel tile on your entirely custom-made surface with love—and their hands. thestruttsisters.com N G A L AWA TA B L E B A R

By Kwetu Living Handcrafted from the raw materials of a Zanzibar dhow boat, this Ngalawa Table Bar reinvents a historical artefact to create a contemporary piece of functional art. Crafted by a Tanzanian designer, the Ngalawa Table Bar is completely unique, not to mention hardy, having weathered the salty waters of the Indian Ocean for two decades. facebook.com/kwetuliving B O L E F LO O R

By Mint Floors & Shutters Bole [bohl], noun: the trunk of a tree.

The unique form of each and every Bolefloor promises to be as individual as the tree from which it came. Using optimisation technology, this curved-length hardwood flooring follows the tree’s natural growth, making it a more sustainable flooring option and, above all, beautifully aesthetic. mintfloors.com.au/bolefloor

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Clockwise from top left: Bespoke Surface Design; Zero Fire Pit

by Ak47; Bolefloor by Mint Floors; Royal Wolf’s Outdoor Room; Harden Up Cups by Design Twins; Shibori Wallpaper; Milkcart Dolly Bedsides.

WA L L PA P E R

By Shibori Hand-dyed before being digitally printed on paperback vinyl wallpaper, Pepa Martin and Karen Davis’ wallpapers breathe new life into the ancient Japanese art of shibori. Lose yourself in their kaleidoscopic designs or make a statement with their bold stripes. shibori.com.au OUTDOOR ROOM

By Royal Wolf Studio, retreat, bedroom or office—you are limited only by your imagination when it comes to Royal Wolf’s Outdoor Room. Bringing new meaning to the functionality of a shipping container, these 20-foot modulars come with power, lighting, air conditioning and glass sliding doors, giving you the scope to custom-fit them as you please. royalwolf.com.au ZERO BY AK47

By Space Australia AK-47, noun: the most popular assault rifle in history, designed by Russian military engineer Mikhail Kalashnikov in 1947. “Creating a setting for fire springs from the desire to offer man a single element that enhances both space and pleasure” —Ivano Losa for Ak47. Much like the weapon that inspired their provocative name, Ak47’s outdoor fire pits are flawlessly fashioned and designed to withstand the test of time. Manufactured in Italy, their designs are both sophisticated in their beauty and practical in their functionality. ak47space.com.au HARDEN UP CUPS

By Design Twins From the concrete jungle that is Crystal Bailey and Mitchel Lindsay’s beachside workshop comes a collection of unconventional cups “made with love … and a touch of craziness. Concrete in its rawest form has an abundance of textural characteristics like no other, and we use that to transform simple everyday items into beautiful pieces of art. These vessels are designed to have a multitude of uses—from pots and vases, to pen or toothbrush holders. The pieces are created and designed for the owner to do with them what their imagination allows them to conjure.” designtwins.com

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Architecture & Design

LUXE LIVING “When creating an interior we aim to convey certain ideas and evoke certain feelings in people.”

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FIONA SPENCE, FOUNDER OF F U RN I T U RE A N D H O M E WA RE S RE TA I L E R A N D WH O L E S A L E R S P E N C E & LY DA , H A S E A RN E D A RE P U TAT I O N F O R C RE AT I N G ST U N N I N G , H I G H LY L I VA B L E I N T E RI O RS AC ROS S AU ST RA L I A A N D I S K N OWN F O R S O U RC I N G T H E B E ST F U RN I T U RE A N D D E S I G N P I E C E S F RO M A RO U N D T H E G LO B E . WE CAU G H T U P WI T H T H E B U SY D E S I G N G U RU TO F I N D O U T M O RE A B O U T H E R JO U RN E Y A N D I N S P I RAT I O N F O R T H E P E N T H O U S E AT V I K I N G BY C ROWN .

How did you come to work in homewares and interior design?

I started my career in costume design.

I studied design and spent many hours printing, sewing and dying silks and other fabrics. At first I sold my creations at Paddington Markets in Sydney, but as my career took off I found myself spending more and more time working in costume design on TV, film and music videos.

I worked between Sydney and LA for about seven years in the 1980s, which was a great experience. Music videos were becoming much more elaborate at the time, pushing the boundaries of costume design and also set design. I found myself increasingly working with props and sets, bringing in colour and creating theatrical effects that would have dramatic appeal on screen. I worked on styling music videos for the likes of Michael Jackson and Phil Collins.

I developed a love of interior styling and great design pieces. I also found myself travelling more and finding amazing, unique pieces and suppliers along the way.

What led you to establish your own business?

In the late 1980s I decided to set down my roots and work exclusively here in Australia.

I’d been thinking about starting my own

furniture and design business for a while, so after I had my daughter, Marlo, I decided to take the plunge. I started Spence & Lyda when Marlo was just nine months old.

timber, hand-thrown ceramics, hand-knitted and woven textiles, ultra-fine cottons and tungsten lights—golden and warm against a backdrop of great art.

Are you surprised by Spence & Lyda’s success?

When I reflect on how far we’ve come I’m proud of what we’ve achieved. I started the business in a small 89m2 shop in Holt Street, Surry Hills, when the area was almost entirely industrial wholesale rag trade businesses.

Today we have a 750m2 showroom on Chalmers Street selling a huge range of homewares and furniture pieces.

What elements of the apartment did you work with?

The huge outdoor area allowed us to incorporate architectural pots and outdoor pieces. The idea of bringing the view and the outside world inside is a very important part of the appeal of such a wonderfully large outdoor area.

What inspired your selections and design at Viking by Crown?

When I first walked into the apartment I was drawn to the living room and the outdoor space. We were standing there as the sun went down and I was struck by the amazing quality of natural light.

When creating an interior we aim to convey certain ideas and evoke certain feelings in people who come into the apartment—our key words in styling the Viking by Crown penthouse were organic, casual comfort, timber, tactile and textured, subtle and soft.

How did you select the materials, colours and textures?

We feel that a coherent visual is essential so we put together a mood board to form the foundation of our work.

Truth in materials is important to us, so we used natural materials, all the while tempting the senses with the desire to touch. Natural

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Tell us about some of the pieces you used.

We selected an eclectic combination of one-of-a-kind pieces, including an old Javanese wooden cart refashioned into a coffee table, and woven wicker chairs sourced from Denmark.

The art in the living and dining rooms is

by Guy Maestri and Camie Lyons from the Olsen Irwin gallery, while Spence & Lyda’s new lighting range, Dancing Lights, made from hand-thrown porcelain by Melbourne ceramicist Colin Hopkins, is used in the kitchen and dining areas.

Shadow bedside pendants made from hand-blown glass by Brokis and wallpaper

by Scottish company Timorous Beasties are used in the master bedroom.

The living and dining rooms are furnished with Line entertainment units by Nathan Yong and a Light Extension Table and Hepburn Sofa by Matthew Hilton.

Throughout the apartment we’ve used the 2014 Missoni Home textile collection and paint from Porter’s.

Architecture & Design

LET’S BE

FRANK

N E ST L E D I N T H E PI CT URE S Q UE EURO PE A N CO UN T RYS I D E , A S M A L L G E RM A N TOW N IS AT TRACTIN G PEO PL E I N T H E I R D ROV E S T H A N KS L A RG E LY TO A N A RC H I T ECT F RO M CA L I FO RN I A . K AT E PRI DEAUX D I S COV E RS H OW T H I S UN L I KE LY S M A L L TOW N H AS T RA N S FO RM E D I N TO A TO URI ST HOTSP OT.

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Clockwise from below: The Vitra Design Museum; VitraHaus; the famous Eames Lounge Chair Manufacturing in Vitra Atelier; UTS Building in Sydney; and Walt Disney Concert Hall in Los Angeles.

THE MAN BEHIND T H AT WA L L

Famous for his experimental architecture—including Vitra Museum in Germany, Guggenheim Museum in Spain and Walt Disney Concert Hall in Los Angeles—Canadian-born Frank Gehry is the architect behind the now famous ‘crumpled paper bag’ building at the University of Technology, Sydney.

Opened in February 2015, the $180-million building attracted attention for its unique curved facade constructed from more than 320,000 hand-placed bricks and glass slabs.

On a freezing blue-sky morning in an industrial town in Germany, a haphazard line of fashionable design students walk briskly past empty lots and factories. The uber-cool bunch is seemingly out of place on these streets traditionally inhabited by overall-clad men and women disappearing through the oversized doors of the town’s textile factories.

But this is Weil am Rhein, a once-stagnating town near the Swiss border that has taken the attention of the world’s design community.

Weil am Rhein is home to the Vitra Campus, a sprawling campus founded by family-owned Swiss furniture company Vitra, centred on its now famous museum.

Opened in 1989, the Vitra Museum was designed

by Californian architect Frank Gehry, famous for his experimental approach to design. Gehry’s designs are widely regarded as the most important pieces of contemporary architecture, including the titanium-clad Guggenheim Museum in Spain; Weisman Art Museum in Minneapolis; Dancing House in Prague; Cinematheque Francaise in Paris; and 8 Spruce Street in New York City.

Gehry’s first building in Europe, the Vitra Museum, is a continuously changing swirl of white

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shapes, each without apparent relationship to the other; it’s filled with 750 square metres of dramatic interior spaces.

The museum’s exhibitions break new ground, many developed with renowned designers, covering cutting-edge themes such as future technologies and sustainability, and questioning mobility and social awareness.

The museum employs 21 staff and attracts university students from across Europe, while the broader campus employs hundreds more designers, artists, craftspeople and furniture makers at the forefront of their industry.

The latest addition to the Vitra Campus, now home to several multipurpose architecturally designed buildings, VitraHaus opened in 2010 as the company’s flagship store.

Pushing the boundaries of a traditional furniture store, the showroom sets connect two themes repeated in the oeuvre of the Basel-based architects: the theme of the archetypal house and the theme of stacked volumes.

Not to be mistaken for a passive collection of concept stores where people stand idle while design pieces languish in corners, the

The design challenges the traditional sandstone university buildings of the past, replacing traditional lecture halls with undulating walls, circular classrooms and a grand chrome-silver staircase. While UTS’ vice-chancellor admitted to a degree of trepidation about it, Gehry’s design has been praised by many, including Australia’s Governor-General, Peter Cosgrove.

Vitra Campus also houses a living, breathing factory. Made on eclectic factory floors, Vitra furniture and design pieces are some of the most coveted in Europe and now sit in homes as far away as North America and the Asia-Pacific.

Each year, the campus and its museum attract thousands of tourists to the town, which is near the intersection of the Swiss/French/German borders.

To reach the campus, visitors and employees first pass through an industrial area, a somewhat fitting passage to reach the now-popular precinct that has evolved from a humble furniture factory that opened in 1957.

Factories eventually give way to an expanse of green space, which marks the campus edge, and its array of white and grey angular buildings that create eye-catching shapes against the brilliant blue sky and green grass.

In June 2014 the striking and playful Vitra Slide Tower opened to the public, joining the half a dozen buildings on the Vitra Campus.

Gehry took his inspiration from Sydney’s colonial sandstone buildings and chose to work in amber-coloured brick as a tribute to that culture. “It’s the idea that you can humanise a building,” Gehry told the media earlier this year.

“I won’t do this building anywhere else,” he said.

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Architecture & Design

Mondial ‘Paradiso’ including Rare Blue Argyle Heart Shape ‘Tender’ Diamond

2014 IPOH RETAILER OF THE YEAR

THE CROWN GROUP

Collection R E D E F I N I N G T H E PA RA M E T E R S O F I N N OVAT I O N

A U S T R A L I A’ S L A R G E S T S E L E C T I O N O F A R G Y L E P I N K & N AT U R A L C O L O U R E D D I A M O N D S www.mondial.com.au Autumn 2015­| Crown Group

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THE EXPERTS

A SECRET OASIS SET TO BE A TRAN Q U IL S A N CTUA RY IN SYDN E Y’S T HR IV IN G IN N E R W E ST, CR OW N ASHFI ELD HA S PR OV E D PO PU L A R W IT H BU YE R S F R O M A L L WA L KS O F LI FE . W E P I NNE D DOW N THR E E E X PE RT S F R O M CR OW N G R O U P TO FI ND O UT W HAT I T TA KE S TO CR E AT E A N U R BA N OA S IS .

GARY CORY This development struck a chord with the market.

What makes it so popular? Do you think buyers today are searching for something unique?

The position is unbelievable. This development comprising one- and two-bedroom apartments with luxury finishes and well-designed common areas is perfectly suited to the Inner West market; it’s just the right type of development for the area.

Its internal atrium is a huge drawcard for buyers; it will create an open and spacious feel throughout the whole building. More buildings should have an open-air atrium; it gives people a feeling of peace and tranquility.

What makes architecture good architecture?

Thinking outside the square and not just creating a box. Don’t get me wrong—you don’t want a design that is impossible to build; it has to be practical for builders—but good architecture finds

Autumn 2015­| Crown Group

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a balance between beautiful form and a builderfriendly design. If the architectural design is right from the start, building materials and finishes will have a more luxurious feel in the end. Simple and functional with consideration of the finished product­—that’s what makes good architecture.

Crown Group seems to have a knack for it.

What’s your favourite secret oasis?

In Australia it has to be Uluru in the Northern Territory. The area is very stark but it has something very special; you can feel the atmosphere, it talks to you. Overseas you can’t go past Tuscany in Italy; I particularly love the hills around the small town of Lucca. The trees, the people, the buildings, the Italian attitude ... you can’t explain it. It’s unreal.

KIRSTY BRADLEY This development struck a chord with the market.

What makes it so popular? Do you think buyers today are searching for something unique?

For any person, your home is close to your heart, so naturally it should be unique. Crown Ashfield is the epitome of unique and allows every apartment to be customised in its own way. More importantly, apartment living became largely popular due to the ‘lock-and-go lifestyle’, but over time people increasingly wanted the luxuries of a house and the convenience of an apartment; wanting to be close to amenities and transport without the noise; wanting easy maintenance while still having lush, green surroundings; wanting the city buzz but ample space to relax … We set out to create this environment and I believe we succeeded.

Crown Ashfield truly is a secret urban oasis.

With more and more people trading their house and backyard for apartment living, do you think it’s still important to those buyers to feel connected to the outdoors? Why? Absolutely. Sure, a backyard serves a purpose, but as cities grow, so do the number of recreational parks and open, green spaces, creating less of a need for a backyard. However, that doesn’t mean we should live in concrete boxes. There is something about lush, green surroundings and a sense of nature when you come home that helps you to leave the busy day behind.

What’s your favourite secret oasis?

In the traditional sense an oasis is found in the Sahara Desert where water, flora and fauna exist.

More importantly, when found it becomes a connecting point for all transport routes. It’s interesting to remember this because while Ashfield has very little similarity to a desert, Crown Ashfield features flowing water and green surrounds while also being close to multiple amenities, shops and transport hubs. Crown Ashfield sits on a geographical ridge in Sydney, a historical landmark point, so it’s not only on a main transport route, it’s also at the pinnacle overlooking our beautiful city. With that said, can I be biased and say my favourite secret oasis is Crown Ashfield? *laughs*

PIERRE ABRAHAMSE This development struck a chord with the market.

What makes it so popular? Do you think buyers today are searching for something unique?

The Inner West is a desirable place to live for owner-occupiers and offers strong returns for investors. People are looking for proximity to the city, and Crown Ashfield is just 9 kilometres from the CBD and an easy walk to Ashfield station, Ashfield mall and a number of prestigious government and private schools. The views from Crown Ashfield are among the best in the entire suburb and the upper levels have unobstructed views of the city skyline and Sydney Harbour Bridge. Inside the building, we’ve added a soaring 10-storey internal atrium with a sculptural water element at the base. The double-height entry lobby, lounge, piano room and theatrette create the feeling of a five-star hotel.

Kirsty Bradley Head of Marketing & Communications

Pierre Abrahamse Head of Development

What makes architecture good architecture?

Good architecture is efficient and innovative, but most of all creative. It’s architecture that uses all available space, adds visual appeal to the surrounding area and ultimately becomes something to be proud of. A good architectural design built by a reputable developer leaves a longstanding legacy in the city in which it’s built.

What’s your favourite secret oasis?

It has to be Annecy, a small town in the French Alps; they call it the Venice of the Alps. The town centre is built around a 14th-century chateau and has maintained its medieval feel. It sits next to a turquoise lake surrounded by snow-capped mountains. After that I’d say anywhere along the east coast of Australia where there’s a great beach and, even better, a coffee shop nearby.

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Gary Cory Head of Construction

The Crown Collection

EXPERIENCE OF THE

SENSES

CR OW N G R O U P CE O IWA N S U N I TO

W H AT ’ S

IS CA N DIDLY O PE N A S HE R E F L E CT S

transition from heritage-inspired red brickwork at

O N T RAV E L — ITS M AG N E T IS M A N D

Crown Suites’ first location. It’s this contradiction of

ITS POW E R TO IN S PIR E —A N D W H Y CR OW N S U ITE S IS O N HIS AG E N DA .

Cutting-edge design and palatial atriums may have their charms, but for Iwan Sunito nothing quite satisfies like the feeling of a home away from home.

Delightfully laid-back and alluringly picturesque, Sydney is a hotspot that consistently stays on the

NEXT

modern skyscraper with rustic, industrial roots that captures Sydney’s core—a young city still maturing.

Iwan suggests his guests will start their day

As the developer boosts

Despite its lavish eight-storey through-site link

with Australian coffee, stroll along the historical

its portfolio to $4.8 million

and impressive architecture, the atmosphere at the

Triptych paved laneway linking King and Kent

and adds locations to its

first Crown Suites will be deceptively relaxed.

streets, and enjoy breakfast tucked away from the

growing repertoire,

peak-hour traffic. The artisan area is expected to

Crown Group enthusiasts

It’s this upgrade to the everyday experience that is expected to convert travellers to Crown Suites, and Iwan is optimistic that it will attract those ready to embrace laid-back luxury.

Suites will open in several

sensed a gap in the market where travel trends

“Some of travel’s greatest value can be found

from bland, Sydney has promised more hidden

at a place of residence that offers plenty of action

experience with homage to run-of-the-mill

laneways, architectural towers, shopping hubs and

alongside luxury and flexibility,” Iwan says.

comfort. It’s this savvy attitude for recognising

He is determined that Crown Suites will be

In the coming years Crown

With the frequent traveller in mind, Iwan

radar. A city of superlatives with an outlook far

fancy gastronomy in the near future.

can expect to see more.

bustle with activity from dawn to well past dusk.

locations, from Sydney’s

had eclipsed the needs of the traveller—indulgent

second CBD in Parramatta, to Green Square, the thriving Inner West and abroad.

opportunity that has seen Iwan succeed in a

Tucked away from the central spectacle of

“unlike anything seen before in Sydney”. Expected

Clarence Street is the Parisian-chic Skittle Lane

to clinch guests’ penchant for the accommodation

As is Iwan’s way, Crown Suites will arrive at

travel tip rolling off your tongue

—the future entrance to the first Crown Suites

are the premium resort-style facilities combining

precisely the right time, with hotel occupancy in

when recommending luxury

location. It’s the perfect place to stay and enjoy the

the exclusive privacy of a high-end apartment with

Sydney and Melbourne at 90 per cent or near

to a friend—all accompanied

pace of the city from a safe remove.

five-star guest services and amenities, including

capacity several nights a week, according to 2014

a pool, gym and concierge.

figures from Deloitte Access Economics.

Set to open for service in 2017, Crown Suites will be a part of Crown Group’s iconic $250-million

Basking in its city-centric location, Crown Suites

Crown Suites will be the next

crowded marketplace.

Charming, interesting and logistically stress free,

Clarence Street development, Sydney by Crown.

will be a mecca for architecture, shopping and

Sydney is a destination to add to any traveller’s

The plushest experiences are best united with

fine dining. Crown Suites at Sydney by Crown

bucket list. Already a native? Sydneysiders can

nostalgia for the familiar, according to Iwan. Behind

will be within walking distance to Sydney’s new

book a night away in their own city when they feel

this thinking is the vision for a collection of short-

waterfront precinct at Barangaroo, the new

like an easy escape that has all the sensations of

stay suites within residential towers, set to reframe

Sydney Convention and Exhibition Centre,

a serendipitous trip away.

a modern-day stay in Sydney.

Wynyard station, Darling Harbour, Pitt Street Mall

The presence of Crown Suites inside the group’s

and plenty more.

by familiar comfort.

Sydney by Crown will open for service, welcoming travellers, from early 2017.

residential towers will turn upside down the concept of a ‘local’ and a ‘visitor’, blending routine lifestyle and travel in the one location.

“Everything is incongruous in Sydney,” says Iwan. “There is this blend of high-end and laid-back casual, a relaxed vibe that is distinctive to this city.

“If you wander up through the CBD you will see

Sydney’s new icon NOW SELLING

casual eateries and cafés alternating with high-rise buildings and classy restaurants, and then it will change again to heritage-inspired facades—all that in one stroll,” Iwan explains. “But it works,” he adds.

An architectural masterpiece expressed as a series of soaring arcs, these luxury Sydney by Crown residences and their resort-style facilities tempt residents from the atrium to rooftop.

With inbound visitors expected to double by 2020, Crown Group will look to capture the influx of travellers when opening its Crown Suites.

Located at 161 Clarence Street, Sydney CBD

“I want to add to the Sydney experience, mixing

FROM $900,000 Roy Marcellus 0406 680 116

modern and classical elements, bringing something new to the table,” Iwan says.

It’s a sentiment that will see silhouettes from a dozen modern glass-and-steel rooftop spires

Autumn 2015­| Crown Group

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Endorsed by

Suites

Retail

EVOLUTION CROWN GROUP

In 1994, two ambitious young men dared to form an enterprise to deliver their dream: a new style of luxury living for Sydney. Today, Crown Group’s developments are occupied by hundreds and are a distinctive part of the city’s transforming metropolis experience.”

It’s 18 years young, but Crown Group continues to mature alongside its co-founders as it nears the completion of its second decade.

Crown Group is an established company with a rich heritage and multiple influences. Its founders, still active CEOs, are both business partners and lifelong friends. Iwan Sunito and Paul Sathio have grown an enterprise with a portfolio of more than $4.8 billion. Together, Iwan and Paul have pioneered resort-style living in Australia, delivering a level of amenity in residential living that is within reach for many.

To appreciate the company’s success, we look back at its humble beginnings.

Iwan Sunito grew up in modest circumstances— his father was a plywood trader in Kalimantan, Indonesia. However, it was Iwan’s father who provided his first platform for success.

Iwan’s father offered him the benefit of private tutorials in English every week when in junior school. “[My father] did want to give us the freedom to choose what we wanted to be,” Iwan says.

In 1984 he paid for Iwan and his brother, Nisin, to leave Indonesia for greater opportunities in Sydney.

Refining his English along the way, Iwan completed a Bachelor of Architecture with Honours and a Master of Construction Management at the University of NSW (UNSW).

Iwan’s commitment to his education paid off in 1992 when he was awarded the UNSW Eric Daniels Prize in Residential Design.

Paul Sathio graduated with a bachelor’s degree in Civil Engineering from the University of Technology, Sydney (UTS) and a Master of Engineering Science from UNSW. After university, Paul worked as an engineer, including on a Bakrie Brothers project in West Java, before he returned to work in Australia’s thriving steel industry. The two successfully formed Crown Group with a third business partner in 1996.

As their vision has evolved, so too has their thinking. Rather than thinking of growth in terms of getting bigger, Crown Group’s founders are passionate about delivering the experience of SPACE to their customers: Substance, Prestige, Architecture, Commercial and Experience.

“IT’S ABOUT PROVIDING MORE THAN AN APARTMENT. CROWN GROUP DELIVERS AN EXPERIENCE.”

Clockwise from right: Crown Group CEOs Iwan Sunito and Paul Sathio; Top Ryde City Living’s breathtaking viewing platform; resort-style pool at V by Crown in Parramatta; the contemporary glass archways of Sydney by Crown; and Crown Green Square’s bustling retail plaza.

Autumn 2015­| Crown Group

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It’s an acronym for success that resonates with Iwan and Paul.

“It’s about providing more than an apartment,” Iwan says. “Crown Group delivers an experience.”

The company has a renewed sense of vision as it looks ahead to its ambitious upcoming developments in Sydney: Sydney by Crown on Clarence Street, and Crown Green Square within the new Green Square Town Centre.

“We are logical in our approach, but we’re willing to spend more than most people are willing to spend to make something that stands out and becomes something beautiful.

“Whether building apartments, serviced apartments or a hotel, that’s what Crown Group stands for,” Iwan says.

Beyond delivering an appealing lifestyle, Iwan and Paul are passionate about educating their customers and keeping clients informed in the often perplexing property landscape.

“The property landscape is rife with sweeping statements, judgements and promises. These generalisations leave buyers confused and can have the secondary consequence of buyers acting on advice of a general nature,” Iwan explains.

To address these concerns, Iwan and Paul pledged to create Crown Group’s Platinum Club.

Now an active division of the business, the Platinum Club provides its members with market intelligence and information from respected property specialists.

“It’s about equipping our loyal members to make informed decisions,” Iwan says. “We make the information available to them in a comfortable, open dialogue.”

Iwan is proud of the company’s achievements so far but is determined not to rest on his laurels.

“I’m proud of how far we’ve come, but it’s important to never settle,” he says. “We will always strive to deliver more.” crowngroup.com.au

The Crown Collection

EXECUTIVE CONNECTION Autumn 2015­| Crown Group

Q &A w i t h C ro w n G ro u p Head of Private Clients

P R I S C A E DWA R D S

What does it mean to be the first to know?

As they say, “The early bird catches the worm.” The savvy investor looks at a prospective property purchase early in the game to secure the lowest price possible.

We are seeing more and more demand for off-the-plan projects. Now it’s more important than ever before to assess the options ahead of the pack. Our Platinum Club members are kept informed with the latest up-to-date information, gaining

C R O W N G R O U P ’ S P L AT I N U M C LU B E X E C U T I V E P R O G R A M I S A M O N G T H E F I R S T LOYA LT Y P R O G R A M S I N T H E P R O P E R T Y I N D U S T R Y, P R OV I D I N G M E M B E R S W I T H E V E N M O R E WAY S

Where do you travel to the most? visit and I’ll occasionally travel to our

First in, best dressed We’re always doing something new, and now Platinum Club executive members can, too.

Access the best opportunities that Crown Group has to offer regarding its developments and be assured you’re the first to know. It’s an exclusive key to the investment realm, as Platinum Club members can avoid the public rush and are the first to consider our latest selection of new apartments.

Get connected Whether you’re looking to purchase again or simply wanting to connect, our Platinum Club members are always valued. For simply making your first sales referral you’re eligible to receive $2500. For every referral after that you’ll receive 0.5 per cent of the purchase price, simply by alerting others to the breadth of investment opportunities available through Crown Group.

We’re in it together Join like-minded people and peers for exclusive networking functions, such as Business After Five, where you can enjoy champagne and conversation and discuss everything, from opportunities and investment, to your favourite canapé on the menu!

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before the general public.

My family lives in Indonesia so I regularly

TO N E T W O R K A N D B E R E WA R D E D.

For more information call 1300 827 038 or visit crowngroup.com.au/theplatinumclub

access to Crown Group’s developments

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offices in Jakarta, Surabaya and Bali. Given it’s not too far away, I’ll visit not only for work but for much-needed downtime.

If you could choose any destination to visit tomorrow, where would it be?

I have never had the chance, but I have always wanted to take a trip to Paris.

I would love to experience the culture and perhaps have the excuse to overindulge in a few too many croissants from all the amazing boulangeries.

What do you love about travelling?

Learning about how people can do the same thing completely differently.

The Crown Collection

SOUNDS AS beAUtifUl AS it lOOKS

SYDNEY

The new BeoVision Avant. 55” of great sound

2 1 1 -2 2 3 PAC I F I C H I G H WAY, N O RT H SYDN EY

Your

Residences

LAST CHANCE An Ultra High-Definition, 4K TV with iconic sound and amazing movement designed to provide exceptional viewing flexibility.

Listen to the new BeoVision Avant in stores now. From $11,100.

Limited stock available.

A small selection of luxurious apartments remain in this internationally award recognised masterpiece, which boasts a rooftop infinity pool rivalling the quality reserved for five-star resorts.

Don’t miss your last chance to buy in the most sought after development in Sydney.

Brought to you by Crown Group and:

Located at 211-223 Pacific Highway, North Sydney

Find nearest store at http://www.bang-olufsen.com/en/store-locator

CONSTRUCTION COMMENCED Roy Marcellus 0406 680 116

bang-olufsen.com 1800 888 800 CROWNGROUP.COM.AU *Recommended price for BeoVision Avant 55” includes BeoRemote One. Price excludes placement option on either wall or floor starting from $1,425. Energy class B.

facebook.com/crowngroup

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instagram.com/crown_group

COMMUNITY Autumn 2015 ­| Crown Group

From left to right: 1. Angela Bevitt-FagerstrĂśm, Julian Farren Price, Janine Forbes and Fiona Cao 2. Adam Mitchell & Ralf Diepolder 3. Julia Zhang and Ally Chen 4. Frank Boross and Chris Laktaridis 5. Kirsty Bradley, Peter Valentine, Anthony Denman and Joanna Croftie 6. Piper Reid, Evie Hillar and Georgia Rousselot 7. Scott Rudgley and Sam Cameron

From left to right: 1. Michael Sonneveld, Kym Rogers, Michael Signal, Roger Moresi, Anna Pallossi and Christian Bowie 2. Georgia Wilson, Michiru Cohen and Pascale Roberts 3. Jane Eyles and Victoria Isles 4. Tony Paskell and Chris Ling 5. Brian Marr and Emil Dimitrov 6. Rebecca Wood and Eliza Williams 7. Nino Tang, Amelia Chu, Eric Ren, Canaan Lim and Lillian Li 8. Paul and Matthew Richardson 9. Osco Olfri, Dewi Angraeny and Ruth Samaria 10. Roy Marcellus and Jimmy Sutanto

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The Crown Category Collection Type

COMMUNITY

From left to right: 1. Iwan Sunito and Hugo Llorens 2. Elisabeth and Anton Salim 3. Gary and Narelle Cory 4. Frans Simarmata, Jon Soemarjono, Paul Sathio and Andrew Kusnadi 5. Echo Liu, Carolyn Teague, Ellie Corrigan, Silvi Makmur and Emma Campbell 6. Angus Kapman, Kristian Stavropoulos and Henry Sturrock 7. Rose Zhao, Anthony Falas, Ally Chen, Prisca Edwards, Amelia Chu, Andri Tjung and Max Xue 8. Majed Jarboue and Sam Pappas

From top left to right: 1. Joanna Luhrs and Lilah Deguitre 2. Ronald, Paul and Hillary Sathio 3. Eli Tal, Yosi Tal and Akira Isogawa 4. Roy Marcellus and Ronny Kosari 5. Kate Prideaux, Tyas Soedaryomo, Bagus Sukmana, Haig Conolly, Michael Ginarto, Andrew Kusnadi and Prisca Edwards 6. Dallas Whitehead and Iwan Sunito 7. Katie Llewelyn, Charlie Glinka and Tom Moin

Autumn 2015 2015足|足|Crown CrownGroup Group

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The Crown Category Collection Type

M MENTS

“We are not just designing and building for the future, but creating history within our geographic landscape.”

TO REMEMBER

Left-hand side clockwise: TJ, Paul Sathio, Mark Druhan and Steve Gray.

PAUL SAT H I O CEO, Crown Group

Right-hand side clockwise: Dominic Miller, George Mizzi, George Gil, Gus Ramadan and Ant Midson, Ping Zhi Huang and Donny Tjen.

VIEW ALL THE CROWN GROUP MOMENTS ON OUR SOCIAL MEDIA

V by Crown, Parramatta V by Crown’s construction is well and truly in full swing with so much happening.

Once the first half of level 4 was poured, things really started to heat up on-site.

The safety screens were being made up on-site and stacked ready to install at the same time as we were forming up and placing reinforcement to the second half of level 4.

On the completion of level 4, V by Crown was then ready for precast panels. The first to arrive were the external walls of level 4, and as soon as the precast panels were installed, the site became a concrete jungle that got everyone excited.

Autumn 2015­| Crown Group

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One of the biggest milestones for V by Crown’s construction to date came when the two cranes were erected to their next height stage, an enormous 59 metres.

Standing on the scaffolding at level 5 you can now see the Parramatta skyline, which was a highlight for Contract Administrator Majed Jarboue.

“Working on-site, you don’t realise the spectacular view surrounding you until you get to see it for yourself,” he said.

What’s the next moment that Majed is looking forward to at V by Crown?

“The main entry foyer area is being carefully stripped away at the moment,” he said. “We all can’t wait to see the foyer come to life.”

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The Crown Collection

M2 MOTORW

AY (TOLL R OAD)

18 19

The Crown, Bondi Junction

22

15

Norton Terrace, Ashfield

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Citiview, Ashfield

16

Eko, Newington

24

Millenium, Homebush

8

22 24

15 5

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RD

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Icon, Homebush

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Sanctum, Rhodes

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Viking by Crown, Waterloo

BONDI BEACH

10 GREAT WESTERN HWY

SOUTHERN CROSS DRIVE

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BOTAN Y R D

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Crown on the Hill, Pennant Hills

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Parramatta Road, Five Dock

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Crown Group Collection

Category Type

A VERTICAL VILLAGE W I T H I T S A R C H I T E C T U R A L LY D E S I G N E D P I A Z Z A AT

G R O U N D L E V E L , V BY C R OW N I N PA R R A M AT TA I S S E T TO AT T R AC T V I S I TO R S F R O M A L L OV E R T H E C I T Y. K AT E P R I D E AUX F I N D S O U T W H Y T H E M E D I A A R E C A L L I N G T H I S LU XU RY R E S I D E N T I A L PA R R A M AT TA D E V E LO P M E N T ‘A V E R T I C A L V I L L AG E ’ .

Autumn 2015­| Crown Group

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The Crown Category Collection Type

Buttressed by the magnificent heritage-listed Parramatta Park and the thriving Parramatta town centre, the Piazza at V by Crown is set to become the most talked-about new meeting place in Parramatta. It’s home to two iconic V-shaped columns, each standing a whopping three storeys tall, five dining and retail tenancies and a state-ofthe-art archaeological showcase.

Just beyond the Piazza’s edge, less than 200 metres away, lies Parramatta Square, the focal point of Parramatta City Council’s multibillion-dollar revitalisation of the city centre, boasting a new library with cutting-edge technology, an art gallery, pedestrian links to a major transport interchange and a vibrant open public space earmarked for community events and festivals.

Koichi Takada Architects, founded and led by renowned Japanese-Australian architect Koichi Takada, and Allen Jack + Cottier Architects—the teams behind the Piazza’s stunning concept design —have woven natural elements of granite and wood throughout the space, creating a seamless transition from the pavement to the Piazza and into V by Crown’s grand foyer.

Contemporary materials, including perforated titanium-zinc mesh used on columns, corners and edges, will create a fresh, youthful feel, while horizontal natural curved timber beams divide the Piazza’s public space and cafés to create more intimate zones.

“It’s the perfect place to meet friends and business clients for coffee or dinner; you are close to everything but still tucked away from the hustle and bustle of Parramatta’s streets in a relaxed, modern setting,” explains Anthony Falas, Crown Group’s Project Sales and Commercial Manager.

Autumn 2015­| Crown Group

Pierre Abrahamse, Crown Group’s National Development Director, says the Piazza has been designed with Parramatta’s growth in mind.

Voted Sydney’s most livable suburb last year by the Urban Development Institute of Australia, Parramatta is forecast to grow in population by 40 per cent to 201,000 people by 2031.

The city is responsible for an impressive $15 billion in gross regional production every year and is home to the regional offices of Deloitte, Westfield, GE money, AMP, Bankwest, Commonwealth Bank, QBE, Sydney Water and Suncorp.

“We’re seeing more and more large Australian and international corporations coming here.

Parramatta is arguably Sydney’s second CBD and is growing fast,” Pierre says.

“The V by Crown Piazza will be one of the most central, easily recognised meeting points in Sydney and we’re excited to see this amazing space come to life,” he adds.

Now in stage two of construction with completion scheduled for 2017, Crown Group’s V by Crown includes 590 apartments and five-star resort-style residents’ facilities, including landscaped gardens, a private pool deck, a wine room and a stunning 25-metre lap pool.

An archaeological showcase will display artefacts from the historical Wheatsheaf Hotel, one of Sydney’s oldest pubs, uncovered during site excavation.

The Piazza at V by Crown will be located at the corner of Macquarie and Marsden streets.

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“The Piazza will become a visual attraction in its own right.”

1 6 8 LI VE R P O O L R OAD, ASH F I E LD

A vision of

Residences

PROSPERITY Own your personal oasis.

The design of Crown Ashfield draws on oasis inspired living with innovative home solutions.

Offering studios, one and two bedroom apartments, this new outlook on living goes to market in mid 2015.

Each apartment offers living areas filled with natural light and uniquely designed kitchens with Miele appliances.

Project Gallery opening soon at Market Street, Sydney CBD EXPRESSIONS OF INTEREST NOW OPEN Anthony Falas 0419 866 677

1800 888 800 CROWNGROUP.COM.AU

184 Chalmers St Surry Hills NSW 2010

Autumn 2015足| Crown Group

|

Ph: (02) 9212 6747 68

|

www.spenceandlyda.com.au

facebook.com/crowngroup

twitter.com/crown_group

instagram.com/crown_group

Autumn 2015足| Crown Group

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Category Type

LAST WORD C R E AT I V E PURSUITS

Capture colour, celebrate difference and embrace nature with these latest innovations in design.

S WAT C H M AT E C U B E Designers, photographers, artists and DIY-ers, take note. Melbourne-based start-up SwatchMate has developed the Cube, a colour-capturing tool that acquires colour samples with the preciseness of the visual spectrum of light. As the name suggests, the gadget is a small, portable cube. It records the colour of any surface you place it on and sends the sample to your smart phone via Bluetooth.

The Cube can output colours in RGB, CMYK and L*a*b* and integrates with Photoshop. The Cube Companion app can advise you of your colour sample’s closest colour codes from several major paint brands. Now in its final prototype, the Cube is available to pre-order online. watchmate.com ODD PEARS Redefining your wardrobe, three socks at a time, Odd Pears takes creativity, innovation and fashion to a superbly odd place. You may be surprised to learn the lesser-known definition of the word pear: “a grouping of three socks; two that match and one that is slightly (inversely) odd.” Not only is Odd Pears expanding the English language and brightening up bleak boardrooms, it’s subverting social norms, calling into question why we do what we do from the moment we put on matching socks in the morning. Odd Pears’ boldly coloured, patterned socks are turning a fashion faux pas into a fashion statement. oddpears.com STO R M Y CA ST L E A contemporary marvel that goes by the name of Stormy Castle has recently been named Britain’s best new house by the Royal Institute of British Architects (RIBA). Located in the lofty and, at times, unforgiving natural wilderness of Wales’ Gower Peninsula, this residential home boasts a landscape-oriented raw external aesthetic, which is offset by the polished concrete floors, full-height glazing and white ceilings of its contemporary interior. Proving that sustainability and design can work symbiotically, Stormy Castle incorporates various energy, recycling and heating strategies— a rare feat in the quest for stunning aesthetics, and one that architects Loyn & Co couldn’t be more proud of. loyn.co.uk | Image credit: Charles Hosea

Autumn 2015­| Crown Group

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