TorontoHye Newspaper Volume 7, #9-80 - June 2012

Armen Krikorian Sales Representative

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I N T E R N AT I O N A L

Direct: 416-885-8345 akrikorian@trebnet.com www.armenhomes.com

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Volume 7, No. 9 (80), June 2012 APPRAISING, LISTING & NEGOTIATING Toronto Armenian Community Newspaper REALTY EXECUTIVES EXPERTS INC. Brokerage, Independently Owned and Operated

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& Charters Ltd.

Þñç³åïáÛï

Quebec City »õ Tadoussac

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Dr. Raffi Aynaciyan braces for children and adults

D.D.S., M.Cl.D., F.R.C.D.(C)

Orthodontist Richmond Hill (Hillcrest Mall): 9350 Yonge Street, Suite 216 905-884-4161 North York: 3333 Bayview Avenue, Suite 203 416-221-0660 Downtown Toronto: 11 King Street West, Suite C115 416-363-3018

Ara Graphics

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2012 14 ¾.ÚàôÜÆê î²ðÆ, ÂÆô 80

Lara°s Catering гÛÏ³Ï³Ý Ñ³ëï³ïáõÃÇõÝ,áõñ ÏÁ ·ïÝ¿ù ѳÛÏ³Ï³Ý »õ ÙÇçÇÝ ³ñ»õ»É»³Ý ½³Ý³½³Ý Ñ³Ù»Õ »õ Ù³ïã»ÉÇ ·ÇÝ»ñáí ѳõáõ ù»å³å, Ïáíáõ ù»å³å,ÔÇÙ³ ù»å³å,гÙáë, ³åáõÉ¿, å³å³Õ³ÝÝáõß, ɳåÝ¿, ÙáõѳÙÙ³ñ³, ÓÏݻտÝÝ»ñ, å¿ûñ¿ÏÝ»ñ »õ ï»ë³Ï³õáñ ³ÛÉ ×³ß»ñ:

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ÚàôÜÆê 2012 ¾. î²ðÆ, ÂÆô 80

15

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2012 16 ¾.ÚàôÜÆê î²ðÆ, ÂÆô 80

by Karin Saghdejian

TORONTO ARMENIANS

Kaloust Retrospective: A life in Photography

The photography book of photographer Kaloust Babian, who became world famous through his exclusive photos of Sergey Parajanov, was launched on May 3rd at the Toronto Armenian Community Centre s main hall to a capacity crowd. Among those present were Babian s friends: Canadian Armenian director Atom Egoyan and his wife actress Arsine Khanjian, stage director and producer Hrant Alianak and his wife Sheila, the Toronto Star illustrator Raffi Anderian, historian Isabel Kaprielian Churchill, guitarist Levon Ichkhanian, Father Yeghia Kirejian of St. Gregory Armenian Catholic Church, Archimandrate Meghrig Parikian of St. Mary Armenian Apostolic Church, Father Armen Ishkhanian and community members. The black and white photo book Kaloust Retrospective is a compilation of the photographer s lifelong pursuit in the field. It chronicles the artist s meetings with Armenian personalities in the diaspora, his visit to Armenia in the 1980s, and his most famous photos of Sergey Parajanov in Tbilisi in 1980. The first section, Diasporan Galaxy, includes 55 portraits of musicians, sculptors, actors, writers, filmmakers and clergymen who have made an impact on the Armenian life and who are personal friends of the photographer. The second chapter, Armenia in the 80 s, chronicles the realities of daily life in the country under Soviet rule and portraits of Armenian intellectuals. The third chapter, entitled With the Ever-vivid Color of Pomegranate, compiles the 25 photos he took that fateful day in September 1980 in Tbilisi of the multitalented genius Parajanov. Event MC Arsho Zakarian of Hamazkayin Toronto s Book Committee introduced Babian and his contribution to the cultural and intellectual life of the community. She said Babian s knowledge of Armenian language made him a reference in

the subject within the community. She spiced up her introduction with his precise diction of long Armenian words that Babian encouraged the members of the community to use instead of the easily accessible English ones. Zakarian also praised his unparalleled care and dedication to the preservation of Armenian culture. Three young members of the community Ari Garabedian, Aren Mnatsaganian and Lucine Movsissian read parts from the intros of the three chapters of the book. Renowned Canadian Armenian stage director and playwright Hrant Alianak took the stage to present the book and the artists behind it. A friend to Babian, with whom he has collaborated in several theatre pieces like the Hats of Mr. Zenobe, A Crooked Man, Crime, and Beast on the Moon, Alianak spoke of the person he came to know throughout the years and the artist whose work maps a lifetime of photographing. He said Kaloust is the definition of a pure Armenian with an unwavering dedication and knowledge of the Armenian life and culture. Showing a streak of adventure and exploration at an early age, Babian at 22 threw himself on a boat from Beirut to Marseille, then to New York before settling in Toronto. Starting out as a shirt maker, he soon bought himself a camera that became a life companion and a means to connect with his surroundings. Alianak spoke of Babian s gift as a photographer: what matters to him is not the visual impact of the photo but the connection he makes with his subjects to bring out their inner light and that s, he said, what differentiates him from a regular photographer. He characterized the photo album as the photographical depiction of his biography which encompasses his milieu with its vibrant personalities, Armenia with its hardships and its resolve, and his famous meeting with Parajanov which exposes the soul of the great

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The guests at the Armenian Community Centre. artist. Oscar-nominated director Atom Egoyan spoke of his first introduction to the Toronto Armenian community as a young and ambitious student from Victoria, BC, and how Kaloust stood out as a friend among those who embraced him. He said that throughout the years he always felt he knew closely one of his idols, Parajanov, and that s thanks to Babian s soul-revealing photos of the legendary director, muffled under the conditions of house arrest. He called that genuine transfer of the tortured soul of the film prodigy to

the viewer an inexplicable act. Father Meghrig Parikian spoke about Babian s upbringing in Lebanon by his devoted parents who raised their children as dedicated Armenians wherever they went and in whatever they did. He said in Babian s photographical work you see all the trials and tribulations of the Armenian life that were part of the photographer s lifelong journey. Babian thanked the Hamazkayin Cultural and Educational Society for the support and encouragement and all those who contributed in the preparation and publication of the

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book. Among many others he mentioned his dedicated editor Vrej Armen Artinian, the talented graphic designer Ara Der Harutyunian, his late translator Aris Sevag, Atom Egoyan and Garo Armenian for writing the introduction. He reserved special thanks to his wife Hasmig Babian for her meticulous work in making sure that the Armenian language runs flawless throughout the pages of the book. At the end, Babian signed copies of his book. *This article first appeared in Yerevan Magazine online.

TORONTO ARMENIANS

ÚàôÜÆê 2012 ¾. î²ðÆ, ÂÆô 80

17

My Old and New Fairy-Tale Shushi

Inga and Anush Arshakyan

The capacity crowd at the Global Kingdom Ministries chapel May 4, Toronto.

Vaheh Satourian and Lena Ouzounian

music they offered was a fusion of Armenian folk music, jazz and other genres of contem­ porary music performed with exceptionally strong voices. The duo s dazzling and high-spirited pro­ gram was an expression of Armenia s rich heritage, culture and creativity. The show featured the songs Harsanekan, Tamzara, Sarer, Vortegh Es, Kilikia, My Name is Armenia, My Love Yerevan, Jan-Jan, as well as songs by Komitas and highlighted renowned music director and composer Armen Martirosyan and the Sassoun Dance Ensemble, under the ar­ tistic direction of choreographers Joe and Sossy Avakian. Almost theatrical dance repertory of the Sassoun ensemble exhibited scenes of an Artsakh village, with silky and gliding female dance patterns blended with rustic bravura of male circle dances. The pictorial scenes were masterfully integrated into the program and added yet another layer of Armenian flare and poetic lyricism. The concert was a pure blend of enchant­ ing Armenian live ethno music and authentic dance. It contained an intriguing and exquisite set of carefully selected melodies. It combined sturdy and powerful patriotic songs with delicate and haunting a capella pieces with their drifting and charming arrangements. Strong classical training did come through and the Arshakyan sisters complimented each other s voices with personalities as amazing as their talents. Very often, we witness musi­ cians with bold showmanship, but not much inborn talent; or the opposite, subtle talent, but not enough expressiveness. Inga and Anush achieved an exquisite balance between show­ manship and instinctive musicality; their voices were passionate yet delicate, powerful and fragile at the same time, with just enough thrill and restraint. It was a professionally-staged and tasteful production. The entire auditorium was com­ pletely mesmerized by the Arshakyan sisters and by the waves of joyful and sad, romantic and patriotic, ethnic and contemporary songs. The excitement was palpable as close to 1,200

I wish he could see his Shushi free and reborn. I am sure he would have loved to tell that story. For the first time in our nation s history our tale ended with happily ever after. For Armenians young and old, for Arme­ nians from the past and of the future, for Ar­ menians at home and around the world striving to preserve our heritage and culture, searching for identity and sacrificing for a letter tomorrow - Shushi is a beacon of hope - a living, breathing true fairy- tale of what is possible when we unite for a common cause and purpose. By the time Inga and Anush Arshakyan, Armen Martirosyan and the Sassoun Dance Ensemble performed the culminating piece, Mer Anunn E Haykakan Banak, the festive cheering and clapping crowd was on its feet to give the performers a lengthy standing ovation. In our concerts either at home or abroad we try to connect with our audience and convey positive energy, which is contagious and which multiplies with every song, said Inga Arshaky­ an. As the end of the concert approaches, that positive, life-affirming energy culminates and has the power to transcend barriers, time and distance, it resonates with people long after the performance ends. Our ultimate goal is to create that magical connection. We hope that we ve given people some­ thing to not only enjoy but also to be proud of while creating a pleasing concert-going expe­ rience, pointed out CAAPA President, Lena Ouzounian. We also genuinely hope that the show attracted the attention of the eyes, the ears and the hearts of 1,200 attendees added AAT President, Vaheh Satourian. It was a beautiful tribute to our hard-fought liberation, a tribute to our grandparents, who kept our stories alive; to the masterminds of Shushi s liberation and the Wedding in the Mountain brilliant military operation; to all our martyrs, who gave their lives to liberate Shushi and for their invincible spirit, vision and supreme sacrifices. And last but not the least a tribute to young Armenians living in Shushi today who one day will tell their grandchildren the old and new fairy-tale of the beautiful city of Shushi.

by Aida Aydinyan The Canadian Armenian Association for the Performing Arts (CAAPA) and the Armenian Association of Toronto (AAT) jointly presented the acclaimed Armenian duo of Inga and Anush Arshakyan and the Sassoun Dance Ensemble on May 4 to an audience of over 1,200 at the Global Kingdom Ministries. The concert was organized under the auspices of the Primate of the Diocese of the Armenian Church of Canada, Bishop Bagrat S. Galstanian, and the Armenian Ambassador to Canada, Armen Yeganian. The show delivered what it promised a magnificent celebration of Artsakh s indepen­ dence and the 20th Anniversary of the liberation of the ancient capital city of Shushi. All the components were in place for a memorable evening: a packed house, CAAPA and AAT organizing committees, energetic volunteers, lively young dancers, and of course, the apex of the show the exceptional Armenian duo of Inga and Anush Arshakyan. As guests walked into the auditorium, they were greeted by members of the Sassoun Dance Ensemble. They received concert programs with inserted flags of Artsakh and were ushered to their seats by the volunteers. The concert began with Robert Amirkhanyan s Eraz Im Erkir playing in the background and a slideshow presented on both sides of the auditorium on big monitors with pictures recol­ lecting Shushi s liberation. The opening was a powerful beginning that set the stage for the next three hours of an exhilarating program. The Arshakyan sisters pulled everything together with forms of music that reflected the depth and diversity of the Armenian story by bringing new life to folk melodies. The duo has been recognized as one of Armenia s leading and innovative ensembles for their contempo­ rary adaptations and interpretations of tradi­ tional Armenian music, receiving rave reviews from audiences and musicians alike, as well as representing Armenia brilliantly on national and international stages. Inga and Anush have been singing and composing since childhood. They have been performing jointly on stage since 2000. The

spectators enthusiastically applauded and cheered the performers song after song. It was an emotional and memorable evening for me for many reasons. I am a grandchild of a Shushi genocide survivor. My grandfather, Abraham Aydinyan was forced to flee Shushi with his sister in March of 1920. His house and massive library were burned. He lost most of his family, his brothers and sisters to pogroms and mass killings. My grandfather s Shushi was home to many intellectuals, poets, writers and, espe­ cially, musicians. He was born in a city which was the most important industrial, commercial, cultural and educational center in the Caucasus at the time. My grandfather himself was an editor of one of the 20 Armenian newspapers published in Shushi at that time with their own printing house. He translated fables, legends and fairy-tales from eight languages. He be­ lieved that the Nation s fairy-tales contained its creative DNA and represented its collective dreams and inspirations. I grew up with my grandfather s beautiful fables, stories and fairy-tales. And the most beautiful fable of all was about Her Majesty Shushi, the heart and soul of Artsakh. I heard so much about Shushi that when I visited the city for the first time, while it was still in the ruins, with a Giumry local TV production team of three, I felt I had already been there and seen the beautiful city. I felt I had seen the invincible fort, the mulberry gardens, the Ghazanchetsots Cathe­ dral, the town bathhouse and the town shuka, the rectangular limestone houses with sidebalconies, patterned metal windows and slop­ ing roofs, the carpet-weaving and silk produc­ tion quarters, blacksmiths shops and bakeries, and the Armenian club where my grandfather and Shushinians watched Vahram Papazyan play Othello and Hamlet in Armenian in 1917. The pain of loss never left my grandfather and he died with the beautiful image of Shushi in his eyes. I returned from my Artshakh trip proud and inspired with a handful of sacred soil and a bottle of spring water for my grand­ father s gravestone from his majestic Shushi.

Osana Mksy-Artinian AMP Mortgage Specialist

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2012 18 ¾.ÚàôÜÆê î²ðÆ, ÂÆô 80

CINEMA

Filmmakers Confirm Meeting with Mel Gibson on Armenia Film Mel Gibson and Mikayel Israyelyan have met and discussed East of Byzantium with Los Angeles based filmaker Roger Kupelian, according to media reports. This follows the announcement by the Armenian President Serzh Sarkissian about the same project, made earlier this month.Gibson s interest in doing a project on an Armenian history was initiated by Mikayel Israyelyan, who is a good friend of the acclaimed director. The CEO of Muse Lifestyle Group set up the recent meeting between Gibson, Kupelian and writer Walt Kirn (who wrote the story for Clooney s Up in the Air ). Although the meeting was very positive, it was still preliminary (Gibson is looking to direct a Viking film this year, called Berserker ). Israyelyan was approached some months ago by President Sarkissian s representatives to do

a film on Vartanank. Israyelyan is excited to bring Roger Kupelian on board to collaborate with the team (Since Kupelian had already been developing East of Byzantium). Israyelyan, originally from Armenia, had presented Gibson with Kupelian s extensive materials, and this had prompted the meeting. Kupelian s East of Byzantium chronicles the history of Armenians from the adoption of Christianity as its state religion in 301 AD to the Battle of Avarayr in 451 AD East of Byzantium was conceived in New Zealand in 2002, when Kupelian was working on the Lord of the Rings Trilogy. The script made the rounds in Hollywood and released a trailer. Recently, the first graphic novel inspired by East of Byzantium, War Gods, was successfully released and is currently being translated into Spanish.

Armenian culture needs to embrace warrior-code based identity over one that focuses on its victimization, and this project that I have personally financed over the course of ten years has been shaped by that ideal, said Kupelian. Established in 2006, Fugitive Studios Entertainment was created by Roger Kupelian and his partners as a way to bring East of Byzantium and similar independent projects to quality widespread release, in a variety of media. Having honed its expertise by also producing quality visual effects and development work for mainstream entertainment, as well as a series of music videos for System of A Down s frontman, Serj Ta n k i a n , F u g i t i v e St u d i o s Entertainment is now focusing on bringing the series of Kupelian s graphic novels to a wider audience. A screenshot from "East of Byzantium"

Prominent Turkish Publisher Gets Armenian State Award (RFE/RL)- Ragip Zarakolu, a prominent Turkish human rights campaigner and book publisher, received an Armenian state award for what President Serzh Sarkisian called a remarkable contribution to international recognition of the 1915 Armenian massacres in the Ottoman Empire as genocide. Zarakolu was among more than two dozen mostly Armenian scientists, writers and artists chosen for annual presidential awards given by Sarkisian. He arrived in Armenia with his wife and daughter to accept the prize less than two months after being released from prison pending trial on controversial charges of aiding the outlawed Kurdistan Workers Party (PKK) in Turkey. His activities have been an exceptional mission, Sarkisian said at the awards ceremony held in the presidential palace in Yerevan. His struggle for conveying historical truth to the Turkish society is a brilliant example of high civic stance and courage. Your presence here and acceptance of this prize today is also an act of courage, he told Zarakolu. In his speech at the ceremony, Zarakolu reaffirmed his belief that the World War I-era

mass killings and deportations of Armenians were a genocide that must be acknowledged by modern-day Turkey. Turkey must accept historical truth, he said. Only in this way can Turkey regain its self-respect. Even after Turkey apologizes and compensates [Armenians,] Armenians and Turks can t be as before, he said. But we can look to the future together. Zarakolu, 63, rose to prominence in the 1970s as a newspaper columnist and editor highlighting human rights abuses committed in Turkey. He was twice imprisoned by military governments in Ankara before founding, together with other prominent Turks, the Human Rights Association of Turkey in 1986. Around that time, Belge began publishing books on taboo subjects such as the Armenian genocide. Belge has since translated into Turkish more than a dozen books by Diaspora Armenian authors challenging the official Turkish version of the 1915 events. At least two of those translations landed Zarakolu in court. A Turkish court ruled in June 2008 that the publication of one of those books insulted the institutions of the Turkish Republic. The publisher received a suspended

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Turkish publisher Ragip Zarakolu delivers a speech in Yerevan after receiving an Armenian state award from President Serzh Sarkisian, on 29 May 2012. five-month prison sentence. Zarakolu was again arrested by the Turkish police in October last year for knowingly aiding and abetting a terrorist organization together with dozens of other Turks. If convicted, he will face up to 15 years in prison. The European Union and international human rights groups have expressed serious concern over the case.

Zarakolu was honored at the Armenian National Library during his previous trip to Yerevan in February 2011. Its director, Davit Sargsian, handed a medal to the publisher, praising his decades-long activism and thanking him for donating dozens of books to the state-funded library.

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Be sure to include your ad this summer.

ÚàôÜÆê 2012 ¾. î²ðÆ, ÂÆô 80

ARMENIA

19

Stepanakert Marks 20th Anniversary of Shushi Liberation

More than 2,000 troops of the Nagorno-Karabakh Republic Armed Forces marched through the streets of Stepanakert on May 9. They were followed by tanks, anti-aircraft systems and other heavy artillery, including surface-to-surface ballistic missiles known as Scud-B, which have a firing range of up to 300 kilometers. Thousands attended the Stepanakert parade, which kicked off the official celebrations of the 20th anniversary of the Shushi Liberation. On May 9, 1992 soldiers of the Nagorno-Karabakh self-defense forces, in a harrowing operation, recaptured the ancient Armenian capital of Shushi and liberated it from Azeri forces, which had been using its perch to relentlessly shell Stepanakert and its population. The Shushi operation was adeptly followed by the liberation of Lachin and the opening of a land corridor to Armenia. More importantly, however, the liberation of Shushi became the driving force for victory in Artsakh and a crowning moment of the Armenian Liberation Struggle. NKR President Bako Sahakian was joined by his Armenian counterpart Serzh Sarkisian, His Holiness Karekin II, Catholicos of All

NKR Armed Forces march on May 9 through the streets of Stepanakert followed by tanks, anti-aircraft systems and heavy artillery. Armenians, former Armenian and Karabakh presidents Robert Kocharian and Arkady Ghoukasian, as well as other high-level dignitaries in watching the parade from atop a balcony in the city center. In his congratulatory remarks on this momentous occasion, Sahakian called the liberation of Shushi a celebration that has been sanctified with the blood of our sisters and brothers, thus becoming one of

the most cherished nationwide holidays. The defense army the most important guarantor of our nation s freedom and security, its pride and one of the greatest achievements was formed. The army was born in the crucible of the war. It accomplished and, today, continues with honor its sacred mission of to defend the homeland. It is also due to the Armenian army that peace and

Rhode Island Legislature Calls for US to Recognize Karabakh

Rhode Island Legislature The Rhode Island House passed a resolution on May 17 calling on the U.S. President and Congress to recognize the independence of the Nagorno Karabakh Republic. The resolution also encouraged the republic s continued efforts to develop as a free and independent nation, and praised Artsakh s constructive involvement with the international community and its efforts to reach a lasting solution to the existing regional problems. I thank the Rhode Island House for passing this resolution in support of Karabakh s aspirations for freedom, and hope that the legislature s commitment to our shared values of human rights and justice will set an example for other legislatures in the U.S. and beyond, said Robert Avetisyan, the permanent representative of NKR in the U.S. and Canada. The resolution was voted on the House floor in the presence of Avetisyan, whom House speaker Gordon Fox (D) warmly welcomed in his introductory remarks. Fox also welcomed a delegation from the local Armenian community accompanying Avetisyan: Chairman of the Armenian Cultural Association of R.I. Hagop Donoyan, youth advisor to the AYF of R.I. Levon Attarian, member of the board of trustees of the Sts. Vartanantz Church Stephen Elmasian, and member of the ARF Eastern U.S. Central Committee Ani Haroian.

stability in the whole region are secured, said Sahakian. Due to the support of Mother Armenia, our sisters and brothers from the Diaspora and Artsakh managed to not only recover from the wounds of war but also embarked on a path of stable development, added Sahakian. In his congratulatory remarks, President Sarkisian, who commanded a battalion during the

liberation of Shushi said: The liberation of Shushi once again opened new doors for our people s peaceful, creative work and the flourishing of the nation. This victory too was achieved through the greatest sacrifice of our people. Celebrations continued throughout the day, with cultural programs in Shushi and other gatherings attended by thousands of residents.

Swedish Parliament Rejects Anti-Karabakh Motion

The Swedish Parliament Dozens of local Armenian-Americans filled the gallery of the House during the session. Almost concurrently, on Capitol Hill, Congressmen James Langevin (D-R.I.) and Congressman David Cicilline (D-R.I.) made statements on the House floor in support of the people of NKR. Senators Sheldon Whitehouse (D-R.I.) and Jack Reed (D-R.I.), in turn, issued statements. It is more important than ever that the United States maintain a principled stand for peace in this region, show that democracy can be born from conflict, and support NagornoKarabakh, said Langevin. It is my sincerest hope that Nagorno-Karabakh s right to selfdetermination can be affirmed without further loss of life. 20 years ago, the people of Nagorno Karabakh fought and died for their independence from Soviet Azeri repression and discrimination, said Cicilline. I join the people of Nagorno Karabakh today in recognizing the 20th anniversary of their independence and the formation of the Republic s Army and the liberation of Shushi. Representative Avetisyan will continue his meetings in Rhode Island for several days, pursuing economic development opportunities for NKR. His visit concluded on May 20 with a community-wide celebration of the 20th anniversary of the liberation of Shushi.

The Parliament of Sweden on May 9 rejected an Azer-sponsored motion on the Nagorno-Karabakh conflict, which went against the principles set forth by the international mediators. The motion, introduced last year by Green Party member of parliament Mehmet Kaplan called for, among other provisions, Sweden s active involvement in the Karabakh conflict resolution process; demanded immediate and unconditional withdrawal of all Armenian military forces from occupied Azeri territory and that international organizations should work for guarantying the safety, security and self-rule of the Armenian minority in Nagorno-Karabakh within the territorial boundaries of Azerbaijan. The members of parliament, known as the Riksdag, found that the motion deviated significantly from the existing negotiated proposals, including the so-called Madrid Principles. Since the motion was signed by one Member of Parliament, was not allowed separate consideration and was voted rejected within a bundle of other legislation. Instead, the parliament adopted another motion, which contained wording put for by the legislature s Foreign Committee, which said: The Nagorno-Karabakh Conflict needs a peaceful resolution and there is a mechanism to handle the issue. This is the responsibility of the Minsk Group. The Committee supports

the efforts which are ongoing within the framework of OSCE. It must be noted that the measure that was adopted included language about the ongoing EU Eastern Partnership Program with the states in South Caucasus, especially in the spheres of democracy, freedom of press and respect for human rights. The adopted measure said, The Committee notes that the negotiations with the three countries in the association treaty with EU have continued and that Georgia and Armenia have made major progress while the negotiations with Azerbaijan have been more complicated. The aforementioned language was also drafted by the parliamentary Foreign Committee.

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2012 20¾.ÚàôÜÆê î²ðÆ, ÂÆô 80

ARTSAKH

Karabakh Mining Project May Lead To Village Relocation Lusine Musayelian (RFE/RL)- Authorities in NagornoKarabakh said that they could relocate several villages to pave the way for large-scale mining operations in the territory s northern Martakert district planned by a leading Armenian metal­ l u r g i c a l c o m pa n y. Under an agreement signed with the Karabakh government in March, the Liechtenstein-registered Vallex Group is to invest about $80 million in devel­ oping the Kashen copper and molyb­ denum deposit. Open-pit mining operations there are due to start by 2015, in time for the anticipated depletion of copper and gold reserves located elsewhere in Martakert. A Vallex Group subsidiary called Base Metals has exploited the Drmbon deposit for the past decade, producing some 20,000 tons of ore concentrates per annum.

If [Kashen] mines need to be lo­ cated close to houses there will have to be relocations, Ara Harutiu­ nian, the Karabakh prime minister, told RFE/RL s Armenian service (Azatu­ tyun.am). But all that can only be done in a way that would give the population no reason to be discontent. Harutiunian referred to villages located around Kashen. That [reloca­ tion] will depend on residents in the first instance, he said. We will reckon with the majority s opinion. If one per­ son refuses to move we will not leave our country s main economic project incomplete because of that person. Harutiunian argued that the Vallex Group operations will mark the single largest business project ever imple­ mented in Karabakh. He said it will result in thousands of new jobs and a sizable rise in the Karabakh govern­

Stepanakert Retirement Home Renovations on schedule

ment s budgetary revenues. The Drmbon operations already generate roughly 17 percent of those revenues. More than 1,000 people currently The mining activities in Martakert are the main reason why the Karabakh Armenians began building last year a second highway that will connect the disputed territory with Armenia. The 80-kilometer road will run from Martak­ ert to a railway station in eastern Ar­ menia through Kelbajar, one of the seven districts in Azerbaijan proper that were partly or fully occupied by Karabakh Armenian forces during the 1991-1994 war. Its ongoing construc­ tion is reportedly being financed by Vallex Group. The new road will also be used by a recently established coal mine which is also located in northern Karabakh.

The offices and production facilities of the Base Metals company in Drmbon

Fund opens Vaghuhas School and Stepanakert drinking water network...

Stepanakert seniors soon to move to a new facility The Hayastan All-Armenian Fund continues the reconstruction of the Stepanakert Retirement Home. Launched in June 2011, the project is made possible through a major donation by Moscow-based industrialist Armen Shakhazizy with additional support from the government of Artsakh. Currently some 80 seniors, many with physical disabilities, live at the Stepanakert Retirement Home. In addition, the staff provides various supportive services to about 150 retirees, including seniors with disabilities, at their residences. To date one of the facility s two buildings has been completely renovated and will soon be furnished. Other major improvements include the conversion of the events hall, into a cafeteria. Also, the grounds of the facility have undergone a complete makeover, featuring abundant greenery, widened pathways and a pavilion. The second phase of the project will see the reconstruction of the facility s first wing. Plans include the redesign of the entrance and lobby for optimal functionality and convenience.

And Gishi School and Martuni drinking water network

All-Armenian Fund Builds Drinking Water System in Karin Tak

The construction of Karin tag drinking system underway. Hayastan Fund is constructing a potable-water network in Karin Tak community of Shushi region, Nagorno-Karabakh. In mid Autumn, the community of 660 residents and 194 households will enjoy regular water in their houses. Sponsored by the Fund s Greece, Cyprus, Uruguay, Argentina, Brazil affiliates and ARS. The existing network has long fallen into disrepair and is currently used only for irrigation. The residents have to carry water from local springs for their daily needs. At present, around 3.8 km long pipeline and 4.5 km long internal network is being built. In addition, a100-cubic-meter 2 reservoirs, a water-collection tank and water-purification facilities are being installed. The Karin Tak village is attractive for the St.Virgin church of the 17th century and the cave called Mamrot karer which, according to the locals, contains healing waters.

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ARMENIA

21

ATP Plants More Than 230,000 Trees in 11 Regions of Armenia This Spring Armenia Tree Project (ATP) has recently completed its spring programs after planting a total of 233,466 trees throughout the country. The total includes 140,366 seedlings planted in the town of Saratovka in northern Armenia, 51,100 seedlings that were provided to communities to establish new forested areas, and 42,000 fruit and decorative trees planted at 118 sites in 11 regions. ATP continues to cooperate with new programs established in Armenia. In April, ATP provided seedlings and professional expertise in planting trees and shrubs in the yard of the new Ayb High School in Yerevan s KanakerZeytun district. Teachers, students, friends, and parents joined ATP to plant 905 trees and shrubs on the school grounds. The Ayb High School combines the best of Armenian schooling traditions and contemporary learning technologies. The school has built a new culture of learning to raise the competitiveness of Armenian education. This ambitious initiative is deeply valued by ATP, as it shares our mission of educating younger generations, explains Community Tree Planting program manager Arthur Harutyunyan, who led the tree planting at the school. One of ATP s other exciting projects was joining the Barekamavan Development Project on the Tavush border. Barekamavan Village is on the Azeri border and is extremely poor.

From 200 families, only half still live in the village, so it was a priority for us to start working in this village, notes Harutyunyan. With the help of the Armenian communities in Ireland and Dubai and the support of organizations such as AGBU and Macademias, three greenhouses were built for families in Barekamavan. With the income they get from the crops, they will be more encouraged to stay in the village, raise their children here, and ensure a strong presence in this strategic border community, adds Harutyunyan. ATP provided 206 pear, apple, almond, and cherry trees to families in Barekamavan, and 30 evergreens were planted around the local church yard. ATP has made it a priority to provide the majority of its fruit trees to people in the poorest and most disadvantaged communities, Harutyunyan emphasizes. ATP also provided fruit and nut trees to needy communities in Ghursali, Nerkin Khndzoresk, Lernamerdz, and Teghenik. ATP s SEEDS team established new forest areas in the northern community of Saratovka, located several miles from Stepanavan. ATP launched an exciting program in 2011 known as SEEDS, or Social, Economic, and Environmental Development for Sustainability. There were no trees or forested areas near Saratovka. Therefore, we hope the people here will make use of the fruit trees and enjoy

NGOs Criticize Road Project Implementation

ATP planted more than 42,000 fruit and decorative trees at 118 sites throughout Armenia this spring, including Ayb High School with the assistance of teachers, students, and parents. the greenery in their community, notes SEEDS program manager Vardan Melikyan. The new forest was established with oak, pine, ash, apple, and pear trees. It is located near a lake which will create beautiful scenery and serve as a shelter for various water birds. The planting in Saratovka was implemented by seasonal workers hired by

ATP from Vanadzor and neighboring villages, many of whom were Armenian refugees from Azerbaijan. Within the framework of ATP s community forests program, 41,100 tree seedlings were provided for planting in Teghenik, Karenis, and Tsakhkunq, and another 10,000 seedlings were provided to the city of Chambarak in the Gegharkunik region.

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Transport Minister Manuk Vartanian (L) and the chief executive of the Spanish company Corsan Corvian Construccion, Francisco Garcia Martin, at a news conference in Yerevan. (RFE/RL)- A grouping of Armenian nongovernmental organizations criticized the government for its handling of a multimilliondollar project to upgrade the country s road infrastructure. The organizations monitoring the project s implementation specifically expressed concern over the selection of a Spanish construction company tasked with rebuilding and expanding more than 90 kilometers of major Armenian highways as part of the scheme. T h e c o m pa n y, C o r s a n C o r v i a n Construccion, signed a $280 million contract with the Armenian Ministry of Transport and Communications late last month after winning an international tender called by the government last August. The Manila-based Asian Development Bank (ADB) will finance the bulk of that construction work from a $500 million loan which it pledged to provide to Armenia in 2009. Silva Adamian, who coordinates the monitoring team, claimed that the tender was not fair because Armenian firms were barred from participating in it. Our companies were not allowed to take part in this tender, she said. I don t consider this a tender. What kind of a tender is this? Besides, there is no information about that Spanish company, Adamian said. We don t know what kind of a company it is, where it has worked and what it has done.

I don t know who told Ms. Adamian that Armenian companies were banned from participating in the tender. There is no such thing, countered Ara Hovsepian, the government-appointed chief executive of the project implementation agency. Hovsepian said that Armenian firms were among 28 entities that showed a tentative interest in the tender last year. None of them eventually submitted bids, he said. No Armenian company has previously engaged in this scale of work required by bidding specifications, Hovsepian said. There hasn t been this scale of [road] construction work in our country before. This [Spanish] company was declared the winner because it met all bidding requirements and has ample experience in construction work, added the official. I can say that it is considered one of Spain s largest construction companies that does business not only in Spain but elsewhere in the world. The so-called North-South Project envisages the reconstruction of some 550 kilometers of highways stretching from the Armenian-Iranian border to one of the three Armenian-Georgian border crossings. The Armenian government says a key aim of the $1.5 billion project is to enable Iran to use Armenian and Georgian territory for largescale freight shipments to and from Europe.

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2012 22 ¾.ÚàôÜÆê î²ðÆ, ÂÆô 80

ARMENIAN GENOCIDE

International Academics Praise Zoryan Institute s Scholarly Work and Plead for Support We, the undersigned scholars, wish to express publicly our great appreciation for the International Institute for Genocide and Human Rights Studies and its parent organization, the Zoryan Institute ( the Institute ), for their thirty years of academic work in the field of genocide and human rights studies. In the face of the continuing problem of genocide in the twentyfirst century, the Institute is to be commended for its service to the academic community and is recognized by scholars for providing leadership and a support structure in promoting the cause of universal human rights and the prevention of genocide. We urgently call upon all foundations and organizations worldwide concerned with these issues, as well as individuals committed to preventing this heinous crime, to provide financial support for this world class academic institution. If the Institute is to continue its invaluable scholarly and educational undertakings, (see below), it must secure its financial foundation by raising funds for an endowment and its annual operations. For the past thirty years, the Institute has maintained an ambitious program to collect archival documentation, conduct original research, and publish books and periodicals. It also conducts university-level educational programs in the field of Genocide and Human Rights Studies, taking a comparative and interdisciplinary approach in its examination of the Jewish Holocaust, the Cambodian Genocide, and the Rwandan Genocide, among others, using the Armenian Genocide as a point of reference. In the process, using the highest academic standards, the Institute has strived to understand the phenomenon of genocide, establish the incontestable, historical truth of the Armenian Genocide and raise awareness of it among academics and opinionmakers. For the past ten years, the Institute has run an annual graduate-level university course on genocide and human rights, now offered in partnership with the University of Toronto. The course provides training and support for younger scholars entering the field and helps to prepare the next generation of genocide specialists. This program fills a big gap in the university curriculum. It is unique in treating genocide not only as a historical, political, legal and psychological study, but also by centering it within the study of human rights and by focusing on prevention. During the last six years, in partnership with the International Association of Genocide Scholars, the Institute has published Genocide Studies and Prevention: An International Journal (GSP). Its mission is to deepen our understanding of the phenomenon of genocide,

create an awareness of it as an ongoing scourge, and promote the idea of the necessity of preventing it. This highly respected journal has quickly become a leader in its field. GSP is co-published as the voice of the International Association of Genocide Scholars. This interdisciplinary, peer-reviewed journal is a resource for students, researchers, educators, practitioners, and governmental policy makers and a significant forum for scholarly discourse. The Institute also publishes the awardwinning Diaspora: A Journal of Transnational Studies, now in its twentieth year, dedicated to the multidisciplinary study of the history, culture, social structure, politics and economics of both the traditional diasporas Armenian, Greek, and Jewish and those transnational dispersions which in the past three decades have chosen to identify themselves as diasporas. These encompass groups ranging from the African-American to the UkrainianCanadian, from the Caribbean-British to the new East and South Asian diasporas. In an era of rapid globalization, the formal and informal power of border-crossing civil society networks is increasingly pertinent for policy-makers, business leaders, scholars and civil society. In this context, diasporas matter a great deal. They include a range of ethnic communities formed from various categories of people, such as political and war refugees, (im)migrants, and ethnic and racial minorities that have maintained a sense of collective identity away from their homeland, and they operate exemplary transnational networks between host states and homelands. While the present and potential importance of diaspora communities is gradually being recognized, the challenges they pose and the opportunities they represent for both their host countries and homelands are neither well enough understood nor sufficiently addressed. Diaspora strives to address these issues and more. It is amazing that such an enormous effort and so many tangible results have been achieved by this institute over the past thirty years without the resources of a large university or government backing. The Institute draws heavily on volunteer efforts all the editors of its journals are volunteers, for example, but the costs of publishing and printing are unavoidable. This work can only be achieved through the systematic and continued efforts of independent scholars, teachers, professional editors and translators, and support staff, which requires an organizational structure and appropriate financial resources. The challenge now is to guarantee the continuation of the Institute s invaluable scholarly and educational work. This will happen only if the Institute secures the required funding from those most concerned, worldwide. We, the undersigned scholars, therefore,

appeal to the global community, foundations, organizations, business leaders, and national and international institutions to show their tangible and generous support for this highly respected academic institution. We are keenly aware that the Armenian Genocide has not seen justice done, and the truth of this genocide continues to be denied. It is thus a moral responsibility that academic work continues to shed light on the Armenian Genocide and promote awareness of it through publications and university courses. It is equally a moral responsibility for the Armenian community worldwide, whose heritage of suffering has always driven the concern for other groups across the globe, to support this work generously. What better way to honor the victims of the Armenian Genocide than by bringing out the truth of this history; what better way to redeem their great suffering than to prevent other groups today from bearing the same horrific burden. Please show your support by sending your donation today to the Zoryan Institute, which is a registered charity in both the US and Canada. Donations will receive official income tax deductible receipts. We thank you in advance for your generosity and support. The Zoryan Institute 7 Central St, Suite 202 255 Duncan Mill Rd., Suite 310 416-250-9807 The Zoryan Institute Arlington, MA 02476 Toronto, Canada M3B 3H9 781-646-6713 I hereby declare that the permissions to list the names below are on file in my office. Affiliations are provided for identification purposes only. Dr. Herbert Hirsch, Professor of Political Science and Co-Editor, Genocide Studies and Prevention L. Douglas Wilder School of Government and Public Affairs Virginia Commonwealth University Richmond, VA Varouj Aivazian, University of Toronto, Alex Alvarez, Northern Arizona University, Joyce Apsel, New York University, Yair Auron, The Open University of Israel, Paul R. Bartrop, The Richard Stockton College of New Jersey, Maja Catic, Canadian Forces College, Frank Chalk, Concordia University Montreal, Israel W. Charny, Institute on the Holocaust and Genocide, Terry Cochran, Université de Montréal, Robin Cohen, University of Oxford, Vahakn N. Dadrian,

Zoryan Institute Conesus, New York, Alfred de Zayas, Geneva School of Diplomacy and International Relations, John Evans, Former US Ambassador to Armenia, Daniel Feierstein, Universidad Nacional de Tres de Febrero & Universidad de Buenos Aires, Amir Hassanpour, University of Toronto, Maureen Hiebert, University of Calgary, Herbert Hirsch, Virginia Commonwealth University, Tessa Hofmann, Freie Universität Berlin, Rhoda E. Howard-Hassmann, Wilfrid Laurier University, Adam Jones, University of British Columbia (Okanagan) Gregory Jusdanis, The Ohio State University, Theodosios Kyriakidis, St. George Peristereota Research Centre, David Konstan, New York University, Vassilis Lambropoulos, University of Michigan, Jason K. Levy, Virginia Commonwealth University, Henry Maitles, University of the West of Scotland, Armen Marsoobian, Southern Connecticut State University, Robert Melson, Purdue University, Linda Melvern, Kingston University, Simon Payaslian, Boston University, David C. Rapoport, University of California Los Angeles, Nicholas A. Robins, North Carolina State University, William Safran, University of Colorado at Boulder, Eliz Sanasarian, University of Southern California, William A. Schabas, OC MRIA, Middlesex University, Lisa Siraganian, Southern Methodist University (Dallas), Roger W. Smith, Emeritus, College of William and Mary, Gregory Stanton, George Mason University, Colin Tatz, Australian National University, Henry Theriault, Worcester State University, Khachig Tölölyan, Wesleyan University, Samuel Totten, University of Arkansas, Hannibal Travis, Florida International University College of Law, Ernesto Verdeja, University of Notre Dame , Alan Whitehorn, Royal Military College of Canada, Lusine Yeghiazaryan, University of São Paulo.

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ÚàôÜÆê 2012 ¾. î²ðÆ, ÂÆô 80

23

The Kernel that Led to The Sandcastle Girls

by Chris Bohjalian*

Sometimes my novels have positively elephantine gestation periods and even that, in some cases, is an underestimate. A mother elephant carries her young for not quite two years; I have spent, in some cases, not quite two decades contemplating the tiniest seed of a story and wondering how it might grow into a novel. Moreover, in the quarter-century I ve been writing books, I ve realized two things about a lengthy gestation period. First, the longer I spend allowing an idea to take root inside me, the better the finished book; second, the more time I spend thinking about a book, the less time I spend actually writing it. Here s a confession: The first draft of the novel for which I may always be known best, Midwives, took a mere (and eerily appropriate) nine months to write. Skeletons at the Feast, another book I will always be proud of, took only 10. But I spent a long time pondering both of these novels before ever setting a single word down on paper. Perhaps in no case has the relationship between reflection and construction between the ethereal wisps of imagination and the concrete words of creation been more evident than in the novel I have arriving this summer, The Sandcastle Girls. The novel has been gestating at the very least since 1992, when I first tried to make sense of the Armenian Genocide: a slaughter that most of the world knows next to nothing about. My first attempt to write about the genocide, penned 20 years ago now, exists only as a rough draft in the underground archives of my alma mater. It will never be published, neither in my lifetime nor after I m dead. I spent over two years struggling mightily to complete a draft, and I never shared it with my editor. My wife, who has always been an objective reader of my work, and I agreed: The manuscript should either be buried or burned. I couldn t bring myself to do either, but neither did I ever want the pages to see the light of the day. Hence, the exile to the underground archives. Moreover, just about this time, Carol Edgarian published her poignant drama of the Armenian Genocide and the Diaspora, Rise the Euphrates. It s a deeply moving novel and, it seemed to me, a further indication that the world didn t need my book.

And so instead I embarked upon a novel that had been in the back of my mind for some time: A tale of a New England midwife and a home birth that has gone tragically wrong. Over the next 15 years, all but one of my novels would be set largely in New England. Sometimes they would be about women and men at the social margins: homeopaths, transsexuals, and dowsers. Other times they would plumb social issues that matter to me: homelessness, domestic violence, and animal rights. The one exception, the one book not set in New England? Skeletons at the Feast, a story set in Poland and Germany in the last six months of the Second World War. That novel is, in part, about a fictional family s complicity in the Holocaust. Often as I toured on behalf of the book in 2008 and 2009, readers would ask me the following: When was I going to write about the Armenian Genocide? After all, from my last name it s clear that I am at least part Armenian. (I am, in fact, halfArmenian; my mother was Swedish.) I had contemplated the subject often, even after failing in my first attempt to build a novel around the Meds Yeghern. The Great Calamity. Three of my four Armenian great-grandparents died in the poisonous miasma of the genocide and the First World War. Moreover, some of my best and from a novelist s perspective most interesting childhood memories occurred while I was visiting my Armenian grandparents at their massive brick monolith of a home in a suburb of New York City. Occasionally, my Mid-Western, Swedish mother would refer to their house as the Ottoman annex of the Metropolitan, because it was at least by the standards of Westchester County in the middle third of the twentieth century so exotic. In 2010, my father s health began to deteriorate badly. He lived in Florida at the time, while I lived in Vermont. I remember how on one of my visits, when he was newly home after yet another long stay in the hospital, together we looked at old family photographs. I was trying to take his mind off his pain, but I also found the exercise incredibly interesting. In some cases, these were images I had seen on the walls of my grandparents or my parents house since I was a child, but they had become little more than white noise: I knew them so

well that I barely noticed them and they had grown as invisible to me as old wallpaper. Now, however, they took on a new life. I recall one in particular that fascinated me: a formal portrait of my father when he was five years old, his parents behind him. All of them are impeccably coiffed. My grandfather is seated in an elegant wooden chair in the sort of suit and tie and vest that he seemed always to be wearing when I was a boy, and my grandmother is standing beside him in a beautiful black dress with a white collar and a corsage. I can see bits of my daughter their great-granddaughter in my grandmother s beautiful, almond-shaped eyes. My father, a kindergartener at the time, is wearing shorts, a white shirt, and a rather badly knotted necktie with a cross on it. I knew almost nothing about my grandparents story. But that picture reminded me of those moments when, as a child myself, I would sit on my grandfather s lap or listen to him, enrapt, as he played his beloved oud. I recalled the wondrous aroma of lamb and mint that always wafted from their front door when I would arrive, and my grandmother s magnificent cheese boregs. I thought of their library filled with books in a language an alphabet I could not begin to decipher, even as I was learning to read English. And at some point, the seeds of my family s own personal diaspora began to take root. I had no interest in revisiting the disastrous manuscript that was gathering dust in my college archives. But I knew that I wanted to try once again to write about the Armenian Genocide. A good friend of mine, a journalist and genocide scholar, urged me on. Ironically, I was about 90 pages into my new book when Mark Mustian published his beautifully written and deeply thought-provoking novel, The Gendarme. I felt a bit as I had in 1994 when I read Carol Edgarian s Rise the Euphrates. Did the world really need my book when it had Mark s or, for that matter, the stories and memoirs that Peter Balakian, Nancy Kricorian, Micheline Aharonian Marcom, and Franz Werfel had given us? It might have been my father s failing health, or it might have been the fact that I was older now; it might have been the reality that already I cared deeply for the fictional women and men in my new novel. But this time I soldiered on.

I think The Sandcastle Girls may be the most important book I ve written. It is certainly the most personal. It s a big, broad, sweeping historical love story. The novel moves back and forth in time between the present and 1915; between the narrative of an ArmenianAmerican novelist at mid-life and her grandparents nightmarish stories of survival in Aleppo, Van, and Gallipoli in 1915. Those fictional grandparents are not by any stretch my grandparents, but the novel would not exist without their courage and charisma. Is the novel among my best work? The book opens with memories from my childhood in my grandparents home, what my mother referred to as the Ottoman Annex. In other words, it has been gestating almost my entire life. -Chris Bohjalian s novel of the Armenian Genocide, The Sandcastle Girls, arrives on July 17. *Chris Bohjalian is the author of fifteen books, including the New York Times bestsellers The Night Strangers, Skeletons at the Feast, and The Double Bind. His novel Midwives was a number one New York Times bestseller and a selection of Oprah s Book Club. His work has been translated into more than 25 languages, and three of his novels have become movies (Secrets of Eden, Midwives, and Past the Bleachers). He lives in Vermont with his wife and daughter. (The Armenian Weekly)

The story of Armenian Jerusalem to come to life in feature film The story of the Armenians of Jerusalem, a fascinating tale of courage, hope and endurance, sprinkled with the inevitable grains of turmoil and tragedy, is planned to be told, for the first time in a feature film. While there have been previous attempts to tell part of the story in a book or a film, the focus has always been too narrow to encompass the whole gamut of the Armenian presence in this city regarded by many as the centre of the world. Countless newspaper and magazine articles have been written about this dynamic community which gave the land its first photographic studio and printing press, and the world the great musician Ohan Durian. But, again, these essays touched only the periphery or pinpointed only passing or intriguing milestones along the journey. Those who hold Jerusalem dear to the heart are fond of saying this is where history is said to have begun: for the Armenians of Jerusalem, their story began more than 2,000 years ago, before the advent of the Christian era. Australian-Armenian journalist/foreign correspondent Arthur Hagopian, the former Press Officer of the Armenian Patriarchate of Jerusalem, who has been acting as consultant on a 3D IMAX film currently being shot in Jerusalem (www.jerusalemthemovie.com), is heading the project to bring the story of the Armenians of Jerusalem to the big screen.

"I have already had talks with leading film production companies and key players in the motion pictures industry, and they are ready to jump on board," Hagopian says. "They have the chutzpah, connections and expertise necessary to bring this project to life." A few years ago, Hagopian launched a website project (http://arthurhagopian.com/Armenians/Kaghakatzis) aimed at preserving and maintaining the history, culture and traditions of the "Kaghakatzi" (native/city dweller) Armenians of Jerusalem, one of the three groupings of Armenians in the city. The "Kaghakatzi" bear the distinction of being the first Armenians to settle in Jerusalem, staking out the Armenian Quarter of the OId City as their choice of domicile. The other major grouping are known as the "Vanketzi". They are mainly genocide survivors or their descendants and live within the confines of the convent ("vank") of St James, seat of the Armenian Patriarchate. The "Kaghakatzi" project is also tracing and cataloging the ancestry of the denizens of the Armenian Quarter, a community that is a genealogist's dream: every single "Kaghakatzi" is related to every other "Kaghakatzi," either directly or indirectly, in an unbroken chain that goes back centuries, according to Hagopian. The "Kaghakatzi" enterprise has so far netted over 3,000 names, culled from the official "domar"s (records) of the Armenian

Patriarchate, personal recollections, and the odd document or two: but at its peak, the whole Armenian contingent in Jerusalem, the "Kaghakatzi", "Vanketzi" and the small number of Catholic converts, totalled more than 15,000. That number has shrunk alarmingly over the years, the first major loss depletion occurring in 1948 in the wake of a mass reverse exodus to Armenia. Historical records are scant, but some scholars trace back the beginnings of the Armenian presence in Jerusalem to the days of empire of Tigranes II, whose armies had swept into the region circa 100-150 BCE. It is unclear whether Tigranes did actually seize Jerusalem, with the argument weighted heavily against the assumption that he did not. However, when the main body of his great army left on its mission of further conquests, he left behind sizeable garrisons and colonists some of whom eventually made their way to the provincial Judean city. They settled in the land of milk and honey and prospered. When some four centuries later Armenia became the first nation in the world to accept Christianity as its state religion, their numbers were augmented by the throngs of pilgrims who made the arduous journey from the mountains of the motherland, to come and pray at the birthplace and tomb of Jesus. The newcomers built churches and monasteries, embellishing them with breathtakingly crafted mosaics, some of which

still survive, resplendent in their undying colors. The latest, fortuitous, discovery was only made a few years ago, in the Musrara quarter outside the Old City, when workmen stumbled upon the ruins of another Armenian monastery. On a medallion, (the archaeological term for a circular mosaic), installed at its entrance, the artist priest had inscribed a humble plea: "I, Yevsdat (Eustacius) the priest, built this see page 24

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mosaic. You who enter here, remember me and my brother Ghougas (Lucas) to Christ." "Armenians have left an indelible mark on the annals of the golden city of Jerusalem," Hagopian remarks. "Their history is one of unbridled vigor and depthless vitality as manifested, for example, in the monuments they erected and the art they produced. The Cathedral of St James is unarguably the most magnificent Christian edifice in Jerusalem while their ceramics and pottery are incomparable in their artistry." "We are planning to tell our story through

the medium of a feature film that will delve deep into the soul of this unique segment of humanity and answer the question: what makes the Armenians of Jerusalem tick?" Hagopian states. Hagopian will be writing the script and is thinking of directing the film. "I don't think we will aim at an armchair travelog," he confides. "We will be telling a story that compels the audience and holds it spellbound." (Reporter.am)

ÚàôÜÆê 2012 ¾. î²ðÆ, ÂÆô 80

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»õ ëå³é»É ǵñ»õ åÇëï³Ï»Õ¿Ý: γñ»ÉÇ ¿ ½³ÛÝ ³õ»ÉóÝ»É åïáõÕÝ»ñáõ, ³Õó³ÝÇ, ϳÃݻտÝÝ»ñáõ »õ ³ÛÉ áõï»ÉÇùÝ»ñáõ íñ³Û: ʳß˳ßÇ ÑáõÝïÁ (poppy seed) ʳß˳ßÇ ÑáõÝïÇÝ û·ï³·áñÍáõÙÁ ÏÁ ѳݹ³ñï»óÝ¿, ÏÁ ÃáõɳóÝ¿ çÇÕ»ñÁ »õ ϳñ»ÉÇ ¿ ݳ»õ û·ï³·áñÍ»É Çµñ»õ ó³õ³½ñÏÇã: γñ»ÉÇ ¿ ½³ÛÝ ³õ»ÉóÝ»É ½³Ý³½³Ý ï»ë³ÏÇ áõï»ÉÇùÝ»ñáõ íñ³Û, ÇÝãå¿ë` ѳóÇ, ³Ýáõ߻տÝÝ»ñáõ, ϳñϳݹ³ÏÇ, ³Õó³ÝÇ »õ óó³ÝÇ. ûñÇݳÏ` ϳñ»ÉÇ ¿ ³õ»ÉóÝ»É ·³ñÇÇ Ã³ó³ÝÇÝ Ù¿ç: ºÃ¿ Ï áõ½»ë ûûõ ÁÝÃñÇù å³ïñ³ëï»É ݳËù³Ý ùݳݳÉÁ, Ñ»ï»õ»³ÉÁ Ï°û·Ý¿ ѳݷÇëï ùݳݳÉáõ: Î¿ë ·³õ³Ã ˳ß˳ßÇ ÑáõÝïÇÝ íñ³Û ³õ»Éóáõñ Ù¿Ï, ÷áùñ ¹·³É ß³Ùñ³, Ù¿Ï ÷áùñ ¹·³É Ù³Ýñáõ³Í ³½³ïù»Õ, Ï¿ë ѳï Ù³Ýñáõ³Í ëáË, Ù¿Ï ÷áùñ ¹·³É Ó¿Ã »õ ·³õ³Ã ÙÁ Ù³ÍáõÝ: ²Ûë µáÉáñÁ ˳éÝ¿ »É»Ïïñ³Ï³Ý ·áñÍÇùáí, ÙÇÝã»õ áñ ³ÙµáÕçáõÃÇõÝÁ í»ñ³ÍáõÇ Ã³ó³ÝÇ: ³ó³ÝÁ ³õ»Éóáõñ ѳ½³ñÇ Ï³Ù ³ÛÉ ï»ë³ÏÇ ³Õó³ÝÇ íñ³Û: ²Ûë ³Õó³ÝÁ ÏÁ ѳݷã»óÝ¿ Ù³ñÙÇÝÁ »õ ùݳݳÉáõ å³Ñ³ÝçÁ Ï°³õ»ÉóÝ¿: ÞáõßÙ³ÛÇ ÑáõÝïÁ ÞáõßÙ³ÛÇ ÑáõÝïÁ ÏÁ å³ñáõݳϿ 50 ³é ѳñÇõñ ãÛ³·»óáõ³Í, µ³½Ù³ï»ë³Ï³ÝÇ ÇõÕ: ²ÝÇϳ ÏÁ å³ñáõݳϿ ÷áùñ ù³Ý³Ïáõû³Ùµ betacarotene »õ Ï»Ýë³ÝÇõà E, ÇëÏ Ù»Í ù³Ý³Ïáõû³Ùµ Ñ»ï»õ»³É Ï»Ýë³ÝÇõûñÁ` B complex, B1, B3, B6, ýáÉÇù ÃÃáõ, åÇáÃÇÝ »õ ÷³ÝÃáûÝÇù ÃÃáõ: ÞáõßÙ³ÛÇ ÑáõÝïÁ ³ÕµÇõñ ¿ ù³ÉëÇáÙÇ, ýáëýáñÇ, »ñϳÃÇ, É»ëÇÃÇÝÇ »õ amino-acid-Ý»ñáõ: лï»õ³µ³ñ ßáõßÙ³ÛÇ ÑáõÝïÁ û·ï³Ï³ñ ¿ çÕ³ÛÇÝ ¹ñáõû³Ý »õ Ï û·Ý¿ ³éáÕç³å³Ñ³Ï³Ý ϳñ· ÙÁ ѳñó»ñáõ: ²ñ»õ³Í³ÕÇÏÇ ÑáõÝïÁ ¼³Ý³½³Ý »ñÏÇñÝ»ñáõ Ù¿ç ³ñ»õ³Í³ÕÇÏ Ï°³×»óÝ»Ý: ²ÝÏ¿ ÏÁ å³ïñ³ëïáõÇ ³ñ»õ³Í³ÕÇÏÇ ÇõÕ, áñ Ï°û·ï³·áñÍáõÇ ½³Ý³½³Ý áõï»ÉÇùÝ»ñáõ Ù¿ç, »õ áñ ãÛ³·»óáõ³Í ׳ñå ÏÁ å³ñáõݳϿ: ²ñ»õ³Í³ÕÇÏÇ ÑáõÝïÁ µ³õ³ñ³ñ ù³Ý³Ïáõû³Ùµ A »õ E Ï»Ýë³ÝÇõûñ ÏÁ å³ñáõݳϿ: ²ÝÇϳ ³ÕµÇõñ ¿ ϳñ· ÙÁ ѳÝù³ÛÇÝ ³Õ»ñáõ, Ù³ëݳõáñ³µ³ñ` »ñϳÃÇ, »õ 25 ³é ѳñÇõñ ÷ñáÿÇÝ ÏÁ å³ñáõݳϿ: ²ñ»õ³Í³ÕÇÏÇ ÑáõÝïÁ ϳñ»ÉÇ ¿ ˳ñÏ»É ï³å³ÏÇÝ Ù¿ç ϳ٠÷áõéÁ ½»ï»Õ»Éáí` Ññ³ÙóÝ»É ÁÝï³ÝÇùÇ ³Ý¹³ÙÝ»ñáõÝ, Ù³ëݳõáñ³µ³ñ ÷áùñ»ñáõÝ, áñå¿ë½Ç ûûõ »õ û·ï³Ï³ñ áõï»ÉÇù ëå³é»Ý` ÷áË³Ý ï³åÏáõ³Í ·»ïݳËÝÓáñÇ Ï³Ù ³ÛÉ íݳë³Ï³ñ áõï»ÉÇùÝ»ñáõ:

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RENOVATE IMPROVE CHANGE Parseh Margarosyan

60 Deerbrook Trl., Toronto Direct: 647-224-6668 Res.: 416-491-6668 parma@sympatico.ca

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Torontohye Newspaper Publisher Torontohye communications Inc. 45 Hallcrown Place Willowdale, ON M2J 4Y4 Email:torontohye@gmail.com Phone: (416) 491- 2900 ext. 3215 Fax: (416) 491- 2211

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ì³ñã³Ï³Ý ä³ï³ë˳ݳïáõ ÚáíÇÏ ê³ñ·Çë»³Ý Ð»é.ª 647-890-0762

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Editor

Karin Saghdejian

Administrator

Hovig Sarkissian (647-890-0762)

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Sevag Haroutunian (416- 878-0746)

Design & Graphics: Ara Ter Haroutunian

ÚàôÜÆê 2012 ¾. î²ðÆ, ÂÆô 80

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2012 28 ¾.ÚàôÜÆê î²ðÆ, ÂÆô 80