Skip to main content

TorontoHye Newspaper Volume 7, #12-83 - September 2012

Page 1

Armen Krikorian Sales Representative

1

I N T E R N AT I O N A L

Direct: 416-885-8345 akrikorian@trebnet.com www.armenhomes.com

Volume 7, No. 12 (83), September 2012 APPRAISING, LISTING & NEGOTIATING Toronto Armenian Community Newspaper REALTY EXECUTIVES EXPERTS INC.

¾. î³ñÇ ÂÇõ 12 (83), ê»åï»Ùµ»ñ 2012 Øß³ÏáõóÛÇÝ, ÀÝÏ»ñ³ÛÇÝ, ²Ûɳ½³Ý ä³ñµ»ñ³Ã»ñÃ

Brokerage, Independently Owned and Operated

POM Prepares for its 7th Season with World Premiere of Jamie Kennedy Blockbuster

by Roubina Shnorhokian

The Hamazkayin Cultural and Educational Society of Toronto announced the launch of its 7th Annual Pomegranate Film Festival (POM VII) from October 18-21. This year the festival will include the World Premiere of the highly anticipated motion picture Lost and Found in Armenia. This blockbuster comedy stars the hilarious Jamie Kennedy (Scream, Three Kings) and the beautiful Angela Sarafyan (Twilight series). Director Gor Kirakosian's (Big Story in a Small City) latest film was shot in Armenia, and captures the humourous intercultural exchanges between an unexpected American visitor (Jamie

Kennedy) and the inhabitants of a small Armenian village. Kennedy promises to gratify those in search of a hearty laugh, based on his history of comedic talent and versatile film characters. He has garnered acclaim for his many works, including Malibu's Most Wanted, The Jamie Kennedy Experiment, and The Ghost Whisperer. Festival attendees will also relish Lebanese director Nadine Labaki s Where Do We Go Now? The director's dramatic masterpiece has gained many international accolades, having been screened at the Cannes Film Festival within Un Certain Regard, and the Toronto International Film Festival, where it captured the People s Choice Award. Lara Chekerjian served as see page 21

6-ñ¹ ØÇç-Ù³ëݳ×ÇõÕ³ÛÇÝ ´³Ý³ÏáõÙÇ ÁÝóóùÇÝ

Jamie Kennedy and Angela Sarafian in a scene from Lost and Found in Armenia.

¶³Ý³ï³ÛÇ Ð©Ø©À©Ø©Á ²ñųݳí³Û»Éûñ¿Ý ÏÁ Üß¿ Ð³Û êϳáõïáõû³Ý 100-³Ù»³ÏÁ ø³Ãdz î¿ñ Úáí³ÏÇÙ»³Ý гñÇõñ ï³ñÇÝ»ñ ³Ýó³Í »Ý ë÷ÇõéùÇ Ù¿ç ëÏǽµ ³é³Í Ñ³Û ëϳáõï³Ï³Ý ß³ñÅáõÙÇÝ: гñÇõñ ï³ñáõ³Ý ÝáõÇñáõÙª Ù»ñ Ùß³ÏáÛÃÇÝ, É»½áõÇÝ, ÇÝùݳÏñÃáõû³Ý, ѳÛñ»ÝÇùÇÝ, ³½·ÇÝ ëϳáõï³Ï³Ý ß³ñÅáõÙÇ ÑÇÙݳ¹Çñª Èáñï èáåÁñà ä¿ÛïÁÝ ö³áõÇÉÇ ³é³ç³¹ñ³Í ³åñ»É³Ó»õÇÝ: гñÇõñ³Ù»³Û ïûݳϳï³ñáõÃÇõÝÁ Ýß»Éáõ ѳٳñ ÂáñáÝÃáÛÇ« ØáÝÃñ¿³ÉÇ »õ ¶¿ÛÙåñÇ×Ç Ù³ëݳ×ÇõÕ»ñáõ ëϳáõï³Ï³Ý ËáõÙµ»ñÁ« ЩةÀ©Ø©Ç ØÇç-سëݳ×ÇõÕ³ÛÇÝ 6-ñ¹ ëϳáõï³Ï³Ý µ³Ý³ÏáõÙÁ Ýá-

õÇñ»óÇÝ ³Ûë ï³ñ»¹³ñÓÇÝ: 300-¿ ³õ»ÉÇ ëϳáõïÝ»ñ Ù³ëݳÏó»ó³Ý ÇÝÝûñ»³Û µ³Ý³ÏáõÙÇݪ ê¿Ýà ¶³ÃñÇÝ½Ç àõ¿Ã³ëùÇáõÇÝ µ³Ý³Ï³í³ÛñÇÝ Ù¿ç« ÚáõÉÇë 14 - 22: سëݳÏÇóÝ»ñáõ Û³ïϳÝß³Ï³Ý ³Ûë ÃÇõÁ ÷³ëï»ó« áñ áã ÙdzÛÝ Ñ³Û êϳáõï³Ï³Ý ß³ñÅáõÙÁ Û³Õóѳñ³Í ¿ ųٳݳÏÇ ¹¿Ù å³Ûù³ñÁ« ³ÛÉ ³õ»ÉÇݪ ¹³ñÓ³Í ¿ ³õ»ÉÇ Ñ½ûñ ï³ñÇÝ»ñáõ ÁÝóóùÇÝ: ¶³Ý³ï³ÛÇ ÙÇç-Ù³ëݳ×ÇõÕ³ÛÇÝ 6-ñ¹ µ³Ý³ÏáõÙÇ Ù³ëݳÏóáõû³Ý ÃÇõÁ ³ÝݳËÁÝóó ¿ñ© í»ó ëϳáõï³Ï³Ý ß³ñ. ï»ë ¿ç 5

êϳáõï³Ï³Ý µ³Ý³ÏáõÙÇÝ Ù³ëݳÏóáÕ Ð.Ø.À.Ø.Ç ÁݹѳÝáõñ ËáõÙµÁ


2

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

¶Ç￱Çù ÿ ³ÕÙ³Ý »õ ¹Ç³Ï³½ÝÙ³Ý Í³Ëë»ñÁ ·ñ»Ã¿ ÝáÛÝÝ »Ý »õ ϳ˻³Éª ÁÝï³ÝÇùÇ Ï³ï³ñ³Í ÁÝïñáõûݿÝ

´³ñ»õ« »ë ×áÝ ø¿ÛÝÝ »Ùª R.S.Kane Funeral Home-Ç Ý³Ë³·³ÑÁ: ºÃ¿ Û³õ»É»³É û·Ýáõû³Ý å¿ïù áõÝÇù« Ëݹñ»Ù ϳåáõ»ó¿ù Ù»½Ç Ñ»ï Ð»é© 416-221-1159 γ٠e-mail: info@rskane.ca


êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

3


4

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

ÂàðàÜÂàÐ²Ú Îº²Üø

гٳ½·³ÛÇÝÇ §¾ñ»µáõÝǦ å³ñ³ËáõÙµÇ ³ÝÙáé³Ý³ÉÇ áõÕ»õáñáõÃÇõÝÁ ¹¿åÇ Ð³Û³ëï³Ý« ²ñó³Ë »õ ìñ³ëï³Ý

²ÉÇÝ îûݳå»ï»³Ý

ÚáõÝÇë 26, Ï¿ëûñ¿ »ïù ųÙÁ 4:00Ý ¿ñ: гõ³ùáõ³Í ¿ÇÝù ÂáñáÝÃáÛÇ Pearson û¹³Ï³Û³ÝÁ` ÍÝáÕÝ»ñ« ѳñ³½³ïÝ»ñ« H³Ù³½·³ÛݳϳÝÝ»ñ »Ï³Í ¿ÇÝ µ³ñÇ ×³Ý³å³ñÑ Ù³ÕûÉáõ гٳ½·³ÛÇÝÇ §¾ñ»µáõÝǦ å³ñ³ËáõÙµÇÝ: §Ð³Û³ëï³ÝÁ ÏÁ ϳÝ㿦 ï³ñ»Ï³Ý »ÉáÛÃÇ µ³ó³éÇÏ Û³çáÕáõÃ»Ý¿Ý ù³ç³É»ñáõ³Íª ä³ñ³ËáõÙµÁ ׳ٵ³Û åÇïÇ »ÉÉ¿ñ ¹¿åÇ ºñ»õ³Ý« г۳ëï³ÝÇ ê÷ÇõéùÇ Ý³Ë³ñ³ñáõû³Ý Ññ³õ¿ñáíª Ù³ëݳÏó»Éáõ §ÆÙ г۳ëï³Ý¦ ö³é³ïûÝÇÝ: ²ÙÇëÝ»ñáõ ɳÛݳͳõ³É Íñ³·ñáõÙÁ Ç ·áñÍ ¹ñáõ»ó³õ, »ñµ µ³ñÓñ ïñ³Ù³¹ñáõû³Ùµ« ˳ݹ³í³é áõ »é³Ý¹áõݪ ËáõÙµÁ« ׳ٵ³Û »É³õ ¹¿åÇ Ð³Û³ëï³Ý: Ø»ñ áõÕ»õáñáõû³Ý ëÏǽµ¿Ý ÇëÏ ÛÇß³ï³Ï»ÉÇ å³Ñ»ñÁ ³Ýå³Ï³ë ¿ÇÝ: ö³ñǽ ѳë³Ýù© Charles de Gaulle û¹³Ï³Û³ÝÇÝ Ù¿ç« ³Ý³ÏÝÏ³É ÙÁ ÁñÇÝù å³ñ³ËáõÙµÇ ïÕáóÙ¿ª ܳñ»Ï ¶³ë¿Ù×»³ÝÇÝ: Ö³Ùµáñ¹áõû³Ý ûñÁ ÏÁ ½áõ·³¹Çå¿ñ ܳñ»ÏÇ »ñÏñáñ¹³Ï³ÝÇ íϳ۳ϳÝÇ Ñ³Ý¹Çëáõû³Ý ûñáõ³Ý: ²ÝÙ³ëÝ ãÓ·»Éáõ ѳٳñ ܳñ»ÏÁ ³Ûë ϳñ»õáñ ³ñ³ñáÕáõûݿݫ ³ñ³ñáÕáõÃÇõÝ ÙÁ Ù»'Ýù ÁñÇÝù ³õ³ñï³Ï³Ý ϳñ·Ç ·É˳ñÏÁ ·ÉËáõÝ ½»ï»Õ»Éáí: ö³ñǽ¿Ý »ïù« ³Ýѳٵ»ñª í³ÛñÏ»³ÝÝ»ñÁ ѳÙñ»Éáõ ëÏë³Ýù« »ñµ û¹³Ý³õÁ г۳ëï³ÝÇ »Ã»ñÁ Ùáõïù ·áñÍ»ó£ 27 ÚáõÝÇëÇ ·Çß»ñÁ û¹³Ý³õÁ ¿çù ϳï³ñ»ó ºñ»õ³ÝÇ §¼áõ³ñÃÝáó¦ û¹³Ï³Û³ÝÁ© ³Û¹ å³ÑáõÝ« µáÉáñÇë Ûá·ÝáõÃÇõÝÁ ³ÝÑ»ï³ó³õ: §´³ñÇ ¶³Éáõëï г۳ëï³Ý¦Á µáÉáñÇë Ûáõ½ÙáõÝù å³ï׳é»ó© ÇëÏ êñµ³½³Ý È»éÁ ³ÝÝϳñ³·ñ»ÉÇ ½·³óáõÙáí ÙÁ å³ï»ó µáÉáñë: ÌÇñ³ÝÝ»ñ Çñ»Ýó Ó»éùÇݪ Ù»½ ¹ÇÙ³õáñáÕÝ»ñÁ §Hye Art Production¦ ѳëï³ïáõû³Ý ïÝûñ¿Ýª §¾ñ»µáõÝǦ å³ñ³ËáõÙµÇ Ý³ËÏÇÝ å³ñáõëáÛóª Ù»½Ç ͳÝûà ²ñë¿Ý ²õ»ïÇ뻳ÝÝ áõ µ³ñ»Ï³ÙÝ»ñÁª ØÇñáÝ »õ ¶³ñÉáëÝ ¿ÇÝ© ÇëÏ Ù»ñ í³ñáñ¹Çݪ ¶³ñÇÏÇÝ, Ñ»ï ³ÝÙÇç³å¿ë Ùï»ñÙ³ó³Ýù: Þ³ï ã³Ýó³Í« ºñ»õ³ÝÇ Éáõë³õáñ ÷áÕáóÝ»ñ¿Ý ³ÝóÝ»Éáí ѳë³Ýù Ù»ñ ³é³çÇÝ Ñ³Ý·ñáõ³ÝÁª Üáñ Òáñ³µ»ñ¹ å³Ý¹áÏ: ´áÉáñë ëáí³Í ·³ÛÉ»ñáõ å¿ë ³ÝÙÇç³å¿ë Ý»ïáõ»ó³Ýù ÁÝÃñÇùÇ ë»Õ³ÝÇÝ: Àëï ëáíáñáõû³Ý« ϻݳóÝ»ñÁ ͳÛñ ³éÇÝ áõ ß³ñáõݳÏáõ»ó³Ý ÙÇÝã»õ ³éïáõ³Ý å½ïÇÏ Å³Ù»ñÁ: ²é³õûïáõÝ« ºñ»õ³ÝÇ å³ÛÍ³é ³ñ»õÇÝ ï³Ï ݳ˳׳߻ɿ »ïù« ³é³çÇÝ ³éÇÃáí ³Ûó»É»óÇÝù ê. ê³ñ·Çë »Ï»Õ»óÇ« áñÙ¿ »ïù áõÕÕáõ»ó³Ýù ¹¿åÇ Ø³ï»Ý³¹³ñ³Ý« áõñ ï»ÕõáÛÝ å³ßïûÝ»³Ý ï»Õ»ÏáõÃÇõÝÝ»ñ ÷á˳Ýó»ó Ù»ñ óÝϳ·ÇÝ Ù³ï»³ÝÝ»ñáõÝ Ù³ëÇÝ: ijÙÁ ѳë³Í ¿ñ áñ å³ñ³ËáõÙµÁ í»ñ³¹³éÝ³Û å³Ý¹áÏ« å³ïñ³ëïáõ»Éáõ ѳٳñ §ÆÙ г۳ëï³Ý¦ ö³é³ïûÝÇ µ³óáõÙÇÝ: úñÁª 29 ÚáõÝÇë© áõÕÕáõ»ó³Ýù ¹¿åÇ §Î³ëϳ¹¦« µ³óáõÙÇÝ í³ÛñÁ« áõñ ѳõ³ùáõ³Í ¿ÇÝ µ³½Ù³ÃÇõ ³ÛÉ å³ñ³ËáõÙµ»ñ« ½³Ý³½³Ý »ñÏÇñÝ»ñ¿ ųٳݳÍ: ²Ýµ³ó³ïñ»ÉÇ Ññ×áõ³Ýùáí Ù»ñ ßáõñçÁ ÏÁ ¹Çï¿ÇÝù: Ð³Û »ñÇï³ë³ñ¹Ý»ñáõ ÑëÏ³Û ÷³Õ³Ý· ÙÁ ѳõ³ùáõ³Í ¿ñ© ù³ç ·Çï¿ÇÝù áñ ß³ï ã³Ýó³Í ö³é³ïûÝÇ µ»ÙÁ åÇïÇ Ãݹ³ñ áõ Ãݹ³óÝ»ñ ºñ»õ³ÝÁ: §¾ñ»µáõÝǦ å³ñ³ËáõÙµÇ å³ñáÕÝ»ñÁ ³é³çÇÝ ³Ý·³Ù ÁÉɳÉáí« Ñ³Ûñ»ÝÇ ÑáÕÇÝ íñ³Û åÇïÇ å³ñ¿ÇÝ© Ûáõ½áõÙÇ« Ñå³ñïáõû³Ý« áõñ³Ëáõû³Ý ½·³óáõÙÝ»ñÁ Çñ³ñ ß³Õ³Ëáõ³Í ¿ÇÝ: ä³ñ³ËáõÙµ»ñáõ ïáÕ³ÝóùÁ ͳÛñ ³é³õ£ îûÝ³Ï³Ý Ñ³Ý¹¿ë ¿ñ©©© µ³óûû³Û µ»ÙÇÝ íñ³Û Çñ³ñ Û³çáñ¹áÕ Ñ³Ýñ³-

ͳÝûà »ñ·ÇãÝ»ñ« å³ñ³ËáõÙµ»ñáõ »ñϳñ ß³ñ³Ý ÙÁ©©©: øÇã ³Ýó« øáã³ñÇÇ »Õ³Ý³ÏÝ»ñÁ ˳éÝáõ»ó³Ý µÝáõû³Ý Ó³ÛÝ»ñáõÝ©©© áñáïáõÙÝ áõ ï»Õ³ï³ñ³÷ ³ÝÓñ»õÁ ³Ý³ÏÝϳÉÇ µ»ñ³Í ¿ÇÝ µáÉáñÁ: ê³Ï³ÛÝ áãÇÝã Ïñݳñ ˳ݷ³ñ»É »É»Ïïñ³Ï³Ý³ó³Í ÙÃÝáÉáñïÁ: ä³ñáÕÝ»ñÁ« Ï»ÝëáõÝ³Ï áõ ϳÛï³éª ÏÁ ß³ñáõݳϿÇÝ Çñ»Ýó å³ñ»ñÁ: ì»ñç³õáñáõû³Ý« »Õ³Ý³ÏÇÝ Ñ»ï µ»Ù¿Ý í³ñ ·³Éáí« §¾ñ»µáõÝÇ¦Ý Ùdzó³õ ÙÇõë ËáõÙµ»ñáõÝ »õ Ù¿Ï áÛÅ ¹³ñӳͪ ѳݹÇë³ï»ëÝ»ñáõÝ Ñ»ï ß³ñáõݳϻó å³ñ»É ÙdzëÝáõû³Ý å³ñ ÙÁ« áïÝ Ç ·ÉáõË Ãñçáõ³Íª ë³Ï³ÛÝ Ñ³ëï³ï ϳÙùáí« ÙdzëÇÝ: Úáõ½ÙáõÝùÇ ½·³óáõÙÁ Ù»½ å³ï»ó ³Ù¿Ý ï»Õ« ³Ù¿ÝùÇ Ñ»ï£ Ú³çáñ¹ ûñª ºé³µÉáõñÇ íñ³Û« »ñµ §ì¿ñù¿ñáí ÈÇ¦Ý Ï'»ñ·¿ÇÝù« ÌÇÍ»éݳϳµ»ñ¹Ç Ïñ³ÏÇÝ ßáõñçª »ñµ Éáõñ« ·ÉËÇÏáñ Ï'³ÕûÿÇÝù« å³ïÙ³Ï³Ý »õ ׳ñï³ñ³å»ï³Ï³Ý ³ñÅ¿ù Ý»ñϳ۳óÝáÕ ¶³éÝÇÇ ï³×³ñÇÝ áõ ¶»Õ³ñ¹Ç í³ÝùÇÝ ßáõñç« ²ñ³ñ³ïÇ Ñáí³ÝÇÇÝ Ý»ñù»õ« »ñµ ÑÙ³Ûáõ³Í Çñ Ù»Íáõû³Ùµª Ù»Ýù Ù»½ áñù³¯Ý µ³Ëï³õáñ ÏÁ ½·³ÛÇÝù: ÊáõÙµÇ ³Ý¹³ÙÝ»ñÁ Çñ³ñáõ Ñ»ï Ù¿Ï ÁÝï³ÝÇù ¹³ñÓ³Í ¿ÇÝ© ³ٳñÁ áõñ³Ë ¿ñ Çñ §åáÝãÇϦáí áõ §ý³Ý¹³¦áí« Î³ñÇÝÁ, ØáÝÇù³ÝÝ áõ ¸³õÇÃÁ »ñÏñÇ ·»Õ»óÏáõû³Ùµ ÑÙ³Ûáõ³Í ¿ÇÝ« γñ¿ÝÁ ³Ù¿Ý ù³Ûɳ÷áËÇÝ Ñ³ñóáõÙ ÙÁ áõÝ¿ñ ÇëÏ î³ñûÝÁ Ññ³å³ñ³ÏÇ ß³ïñáõ³ÝÝ»ñáí ï³ñáõ³Í ¿ñ: ÊáõÙµÇÝ Û³çáñ¹ »ÉáÛÃÁ ¶ÇõÙñÇÇ Ù¿ç ¿ñª 1 ÚáõÉÇëÇÝ: àëïÇϳÝáõû³Ý »õ ê÷ÇõéùÇ Ý³Ë³ñ³ñáõû³Ý ³é³çÝáñ¹áõû³Ùµ« ³ÛÉ å³ñ³ËáõÙµ»ñáõ Ñ»ï áõÕÕáõ»ó³Ýù ¹¿åÇ ¶ÇõÙñÇ: ºÉáÛÃÇ ³õ³ñïÇÝ« §¾ñ»µáõÝÇ¦Ý ÛáÛÅ ·Ý³Ñ³ï³ÝùÇ ³ñųݳݳó³õ ѳݹÇë³ï»ëÝ»ñáõÝ ÏáÕÙ¿: ¶ÇõÙñÇ¿Ý »ïù« 2 ÚáõÉÇëÇÝ ³Ûó»É»óÇÝù ú߳ϳݫ ³å³ ê»õ³Ý³ ÉÇ× áõ ÙdzëÇÝ ÁÝÃñ»óÇÝù ²Õóٳñ ׳߳ñ³ÝÇÝ Ù¿ç: úñÁ ѳë³Í ¿ñ ÙdzݳÉáõ Ù»ñ ëÇñ»ÉÇ ²ñó³ËÇÝ: 3 ÚáõÉÇëÇ ³é³õûï ϳÝáõ˪ ׳ݳå³ñÑáõ»ó³Ýù ¹¿åÇ ²ñó³Ë: гÛñ»ÝÇ É»éÝ»ñáõÝ ËáñÑáõñ¹Ý áõ ·»Õ»óÏáõÃÇõÝÁ áã Ù¿Ï ³ÛÉ ï»Õ ¿: Ö³Ùµáõ íñ³Û ѳݹÇå»ó³Ýù Üáñ³í³Ýù« ׳߳ϻóÇÝù ÆßË³Ý ÓáõÏÁ µ³óûû³Û ׳߳ñ³ÝÇ ÙÁ Ù¿ç« çáõñÇÝ »½»ñùÁ« É»éÝ»ñáõÝ ·ÇñÏÁ: Ø»ñ ëÇñ»ÉÇ ¶³ñÇ·Á« ³ÛÝù³Ý í³ñå»ï å¿ïù ¿ ÁÉɳñ, áñ ³Û¹ áÉáñ³åïáÛï ׳ٵ³Ý»ñ¿Ý« Û³ÝϳñͳÏÇ Ï³ñÏáõïÇÝ ï³Ï ѳݷëïûñ¿Ý ùß»ñ©©©: Ø»ñ Û³çáñ¹ Çç»õ³ÝÁ ÞáõßÇÇ ·»Õ»óÇÏ Grand Hotel-Ý ¿ñ: ¶³ÝÓ³ë³ñÇ û¹Ý áõ çáõñÁ í³Û»É»É¿ »ïù« Ù»ÏÝ»ó³Ýù ¹¿åÇ ÞáõßÇÇ ê© Ô³½³Ýã»óáó »Ï»Õ»óÇÝ£ ²Ù¿Ý ³Ý·³Ù áñ ÙáÙ í³é»óÇÝù« ÛÇß»óÇÝù Ù»ñ ݳѳï³Ï ³½³ï³Ù³ñïÇÏÝ»ñÁ, ³Ûó»É»óÇÝù êï»÷³Ý³Ï»ñïÇ §¼áÑáõ³ÍÝ»ñÇ Â³Ý·³ñ³Ý¦Á, áõñ å³ñ³ËáõÙµÁ ³éÇà áõÝ»ó³õ ²ñó³ËÇ Ù¿ç ½áÑáõ³Í ³½³ï³Ù³ñïÇÏÝ»ñáõ Ù³ëÇÝ Û³õ»É»³É ï»Õ»ÏáõÃÇõÝÝ»ñ ëï³Ý³Éáõ: î³ïÇÏ áõ ä³åÇÏÇ ßáõñç åïï»É¿ »ïù« Öïéïáõ½Ç ËáñÑñ¹³õáñ É»éÝ»ñáí ϳ˳ñ¹áõ³Íª Û³çáñ¹ ûñª 4 ÚáõÉÇëÇÝ« áõÕÕáõ»ó³Ýù ¹¿åÇ êÇëdzݫ ¼ûñ³ó ø³ñ»ñ« áñÙ¿ »ïùª êÇõÝÇùÇ Ù³ñ½: ì»ñç³å¿ë« î³Ã»õÇ ³ß˳ñѳÑéã³Ï ×áå³ÝáõÕÇÝ Ýëï»ó³Ýù »õ ê³ï³ÝÇ Î³ÙáõñçÇÝ íñ³Ûáí ѳë³Ýù µ³ñÓñáõÝùÇÝ Ã³é³Íª î³Ã»õÇ í³ÝùÁ: ØÇ³ÛÝ ÑáÝ ·ïÝáõáÕÁ ÏñÝ³Û ÁÙµéÝ»É Ù»ñ »ñÏñÇ ·»Õ»óÏáõÃÇõÝÁ: ºÏ»Õ»óÇÝ»ñ¿Ý áõ É»éÝ»ñ¿Ý ³ÝóÝ»Éáí ѳë³Ýù Þ³ù¿Ç çñí¿ÅÁ©©©ÑáÝÏ¿ æ»ñÙáõÏ áõ ·Çß»ñÁª å³ñ³ËáõÙµÁ Ý»ñÏ³Û »Õ³õ §´³ñ»Ï³ÙáõÃÇõݦ å³ñ³ÛÇÝ Ñ³ÙáÛÃÇ »ÉáÛÃÇÝ« ú÷»ñ³ÛÇ ëñ³ÑÇÝ Ù¿ç: ²å³« Üáñ Òá-

§¾ñ»µáõÝǦ å³ñ³ËáõÙµÇ ³Ý¹³ÙÝ»ñ »õ å³ï³ë˳ݳïáõÝ»ñ ¶³éÝÇ î³×³ñÇÝ ³éç»õ£

ñ³µ»ñ¹Ç Ù¿ç ïûÝ»óÇÝù Ù»ñ å³ñ³ËáõÙµÇ ³Ý¹³ÙÝ»ñ¿Ýª ³ÉÇÝ ²õ³Ý¿ëÇÇ ï³ñ»¹³ñÓÁ: 6 ÚáõÉÇë ³é³õûï»³Ý ³ñß³ÉáÛëÇÝ ×³Ùµ³Û »É³Ýù ¹¿åÇ ÂÇýÉÇë© ×³Ý³å³ñÑÇÝ ³Ûó»É»óÇÝù ê³Ý³ÑÇÝÇ å³ïÙ³Ï³Ý í³ÝùÁ: ÂÇýÉÇëÇ Ù¿ç Ùdzó³Ýù Ù»ñ å³ñ³ËáõÙµÇ ³Ý¹³ÙÝ»ñ¿Ýª ²ñÃÇõñ ¶ñÇ·áñ»³ÝÇÝ: ²ñáõ»ëïÇ Ñ³Ù»ñ·³ëñ³ÑÇÝ Ù¿ç« §¾ñ»µáõÝǦ å³ñ³ËáõÙµÁ »ÉáÛà ÙÁ áõÝ»ó³õ ³ÛÉ å³ñ³ËáõÙµ»ñáõ Ñ»ï: ÂÇýÉÇëÇ »ÉáÛÃÁ ϳ½Ù³Ï»ñåáõ³Í ¿ñ Hye Art Production-Ç ÏáÕÙ¿: ºÉáÛÉÃÇ ³õ³ñïÇÝ« ïÝûñ¿Ýª ²ñë¿Ý ²õ»ïÇë»³Ý íϳ۳·ÇñÝ»ñáí »õ ½³ñ¹³ë»ÕÝ»ñáí å³ñ·»õ³ïñ»ó å³ñáÕÝ»ñÁ: ´áÉáñ å³ñ³ËáõÙµ»ñÁ ÙdzëÇÝ ÁÝÃñ»É¿ »ïù« ·Çß»ñÁ ׳ݳå³ñÑáõ»ó³Ýù ¹¿åÇ ê»õ Ìáí: Î'³ñÅ¿ Ýß»É, áñ ÂÇýÉÇëÇ Ù¿ç ³Ûó»É»óÇÝù ê© ¶¿áñ· »Ï»Õ»óÇÝ »õ ê³Û³Ã Üáí³ÛÇ ßÇñÙ³ù³ñÁ: ê»õ Ìáí¿Ýª ä³ÃáõÙÇ« ³å³ æ³õ³Ëùª 8 ÚáõÉÇëÇÝ: æ³õ³ËùÇ ëñï³×ÙÉÇÏ Çñ³íÇ׳ÏÁ Ûáõ½»ó µáÉáñë© ê© Ê³ã »Ï»Õ»óÇÇ Ù¿ç ³Õûûɿ »ïù« سݳ뻳ÝÇ ï³Ý Ù¿ç ѳ׻ÉÇ áõ Ùï»ñÙÇÏ ÙÃÝáÉáñïÇ Ù¿ç ÁÝÃñ»É¿ áõ µ³½Ù³ÃÇõ ϻݳóÝ»ñ¿ »ïù« §¾ñ»µáõÝǦ å³ñ³ËáõÙµÇ ³Ý¹³ÙÝ»ñÁ á·»õáñáõ³Íª ÷áÕáóÇÝ Ù¿ç ßáõñç å³ñ µéÝ»óÇÝ©©© ÙÇÝã ѳÛáñ¹ÇÝ»ñ ѳõ³ùáõ³Íª Ñ»ï³ùñùñáõû³Ùµ ÏÁ ¹Çï¿ÇÝ: æ³õ³ËùÁ Ù»ñ ëñï»ñáõÝ Ù¿çª áõÕÕáõ»ó³Ýù ¹¿åÇ Ì³ÕϳÓáñ: ²é³õûïáõÝ« ̳ÕϳÓáñÇ ·»Õ»óÏáõÃÇõÝÁ í³Û»É»óÇÝù ×áå³ÝáõÕÇÝ Ýëï»Éáí: λã³éÇë

»Ï»Õ»óõáÛ ßñç³÷³ÏÇÝ Ù¿ç« §µ³ñÇ ï³ñ»¹³ñÓ¦ »ñ·»óÇÝù ³Ûë ³Ý·³Ùª èáõåÇݳ ê³ñ·Ç뻳ÝÇÝ: ²å³ í»ñ³¹³ñÓ³Ýù ºñ»õ³Ý« áõ ³Ûó»É»óÇÝù ê³ñ¹³ñ³å³ï« ê© ÐéÇ÷ëÇÙ¿« ê© ¾çÙdzÍÇÝ« Êáñ ìÇñ³å« ê© ¶ñÇ·áñ Èáõë³õáñÇã »õ ³ÛÉ ÛÇß³ï³Ï»ÉÇ í³Ûñ»ñ: ö³é³ïûÝÇ ÷³ÏáõÙÁ êáõݹáõÏ»³ÝÇ ³ Ýáõ³Ý ³½·³ÛÇÝ Ã³ï»ñ³ëñ³ÑÇ Ù¿ç ¿ñ: г׻ÉÇ ¿ñ ï»ëÝ»É ÂáñáÝÃáÛ¿Ý Í³ÝûÃÝ»ñ, áñáÝù »Ï³Í ¿ÇÝ ëñ³Ñ« ä³ñ³ËáõÙµÇ »ÉáÛÃÁ ¹Çï»Éáõ: ö³ÏÙ³Ý Ñ³Ý¹Çëáõû³Ý ÁÝóóùÇÝ« §¾ñ»µáõÝǦ å³ñ³ËáõÙµÇ å³ñáõëáÛó áõ ·»Õ³ñáõ»ëï³Ï³Ý ջϳí³ñª ÈáéÇ Ü³×³ñ»³Ý ·Ý³Ñ³ï³·Çñ ÙÁ ëï³ó³õ ê÷ÇõéùÇ Ý³Ë³ñ³ñª Ðñ³ÝáÛß Ú³Ïáµ»³ÝÇ Ó»é³Ùµ: 12 ÚáõÉÇëÇ ³é³õûﻳݫ ³Ûó»É»óÇÝù гٳ½·³ÛÇÝÇ ºñ»õ³ÝÇ ·ñ³ë»Ý»³ÏÁ« áõñ ͳÝûóó³Ýù ïÝûñ¿Ýª ÈÇÉÇà ¶³ÉëﻳÝÇ »õ ·ñ³ë»Ý»³ÏÇ ³ÝÓݳϳ½ÙÇÝ Ñ»ï: ²å³ ³Ûó»É»óÇÝù ê÷ÇõéùÇ Ý³Ë³ñ³ñáõû³Ý ·ñ³ë»Ý»³Ï »õ Éñ³·ÇñÝ»ñáõ Ñ»ï ѳñó³½ñáÛóÝ»ñ áõÝ»ó³Ýù: гë³õ 13 ÚáõÉÇëÇ ³é³õûïÁ© ²ñó³ËÇ Ñ½ûñ É»éÝ»ñÁ« æ³õ³ËùÝ áõ г۳ëï³ÝÁ Ù»ñ ëñï»ñáõÝ Ù¿çª ºñ»õ³ÝÇ Ññ³å³ñ³ÏÇ ß³ïñáõ³ÝÝ»ñáõÝ Ó³ÛÝÁ Ù»ñ ³Ï³ÝçÝ»ñáõݪ »ñ³Ëï³·Çïáõû³Ý ½·³óáõÙÝ»ñáí É»óáõݪ Ññ³Å»ßï ïáõÇÝù ²ñë¿ÝÇÝ« ØÇñáÛÇÝ« ¶³ñÉáëÇÝ« ²ñ³ÙÇÝ« ¾ïϳñÇÝ, ºñáõ³Ý¹ÇÝ, ¶³ñÇ·ÇÝ« Ù»ñ êñµ³½³Ý È»ñ³Ý áõ ³Ï³Ù³Û áõÕÕáõ»ó³Ýù ¹¿åÇ ¼áõ³ñÃÝáó û¹³Ï³Û³Ý« »ñ¹áõ»Éáí í»ñ³¹³éÝ³É Ùûï ³å³·³ÛÇÝ:

гٳ½·³ÛÇÝ ÂáñáÝÃáÛÇ §¶É³Óáñ¦ سëݳ×ÇõÕ

¶ñ³¹³ñ³Ý-¶ñ³ï³ñ³Í

àõÝÇÝù Ñ»ï»õ»³É Ýáñ Ññ³ï³ñ³ÏáõÃÇõÝÝ»ñÁ. 1- ¶³Éáõëï ä³å»³ÝÇ Éáõë³ÝϳñÝ»ñáõ ³ÉåáÙÁ. §Retrospective. Ü»ñ³ß˳ñÑÇë àëåÝ»³Ï¿Ý¦ $50.00 2- Chris Bohjalian-Ç "The Sandcastle Girls" $25.00 3- Franz Werfel-Ç "Forty Days of Moussa Dagh" $30.00 4- Ú³Ïᵠγñ³å»ÝóÇ Ñ³õ³ù³Íáݪ §ØïáñáõÙÝ»ñ¦$30.00 ¶ñ³¹³ñ³ÝÁ µ³ó ¿ ³Ù¿Ý àõñµ³Ã, »ñ»ÏáÛ»³Ý 8-10 »õ ÎÇñ³ÏÇ, 11-2 Ï.». гëó¿ª Ð³Û Î»¹ñáÝ, 45 Hallcrown Place, Toronto, ON, M2J 4Y4


¶²Ü²î²Ð²Ú κ²Üø

¶³Ý³ï³ÛÇ Ð©Ø©À©Ø©Á ... ËáõÙµ»ñáí »õ 60 ËÙµ³å»ïÝ»ñáí« ëϳáõïÝ»ñÁ ѳëï³ï»óÇÝ áã ÙdzÛÝ å³ñ½ ÁÝÏ»ñ³ÛÇÝ Ï³å»ñ« ³ÛÉ Û³é³ç³óáõóÇÝ ³½·³ÏóáõÃÇõÝ: ЩةÀ©Ø©Ç ¿áõû³Ùµ« ã߳ѻó³Ý ÙdzÛÝ Í³ÝûÃáõÃÇõÝÝ»ñ« ³ÛÉ Ñ³ñëï³ó³Ý Áݹ³ñÓ³Ï ÁÝï³ÝÇùáí ÙÁ« ï³ñ³Íáõ³Í »ñÏáõ ݳѳݷݻñáõ Ù¿ç: ´³Ý³ÏáõÙÁ ÇÝùÝÇÝ ÛÇß»óáõó ЩةÀ©Ø©Ç ¿áõÃÇõÝÁ »ñµ Ù¿Ïï»Õ»ó Ùï³ÛÇÝ »õ ýǽÇù³Ï³Ý ¹³ëïdzñ³ÏáõÃÇõÝÁ: ´³Ý³ÏáõÙÁ Ýß»ó Ñ³Û ëϳáõïáõÃÇõÝÁª ǵñ ÙÇç³½·³ÛÇÝ Ï³½Ù³Ï»ñåáõÃÇõÝ, ûٳ áõݻݳÉáíª §Ð©Ø©À©Ø©Á ²ß˳ñÑÇ ï³ñ³ÍùÇݦ: ²ÛëåÇëáí, í»ñ ³é³õ ·³ÕáõóÛÇÝ ëϳáõïáõû³Ý ϳñ»õáñáõÃÇõÝÁ »õ ëϳáõïáõû³Ý ¹»ñÁ ¶³Ý³ï³ÛÇ ù³Õ³ù³óÇÝ»ñ å³ïñ³ëï»Éáõ Ù¿ç: Àëï ëáíáñáõû³Ý, µ³Ý³ÏáõÙÁ Çñ Íñ³·ÇñÇÝ Ù¿ç Áݹ·ñÏ»ó ·áÛ³ï»õÙ³Ý ÑÙïáõÃÇõÝÝ»ñ, µÝáõû³Ý Ù¿ç ˳ջñ áõ Ù³ñ½³ÝùÝ»ñ, Ó»é³ÛÇÝ ³ß˳ï³ÝùÝ»ñ, ¹³ëïdzñ¹³Ïã³Ï³Ý ¹³ë³ËûëáõÃÇõÝÝ»ñ »õ ³Ýßáõßï ˳ñáõϳѳݹ¿ëÝ»ñ, µáÉáñÁ Ï»¹ñáݳó³Í µ³Ý³ÏáõÙÇ Ã»Ù³ÛÇÝ ßáõñç: §Ð³Û³ëï³ÝÇ úñ¦áõ³Ý ³Ý³ÏÝÏ³É ÑÇõñÝ ¿ñ ЩةÀ©Ø©³Ï³Ý »Õµ³Ûñª Êáñ¿Ý Øáõñ³ï»³ÝÁ, áñ ˳ݹ³í³é»ó ˳ñáõϳѳݹ¿ëÁ ³½·³ÛÇÝ-Û»Õ³÷áË³Ï³Ý »ñ·»ñáí: ÚáõÉÇë 19-ÇÝ, ëϳáõï³Ï³Ý µáÉáñ ËáõÙµ»ñÁ ¹³ßﳷݳóáõÃÇõÝ ÙÁ áõÝ»ó³Ý ¹¿åÇ üáñà Öáñ×, Ýß»Éáõ ѳٳñ ³Ýáñ »ñϹ³ñ»³Û ï³ñ»¹³ñÓÁ: 1812Ç ²Ù»ñÇÏ»³Ý áõÅ»ñáõ ¹¿Ù å³ï»ñ³½ÙÇ ÁÝóóùÇÝ, ³Ûë 鳽ٳ׳ϳïÁ »Õ³Í ¿ ²Ý·ÉÇ³Ï³Ý µ³Ý³ÏÇ Ï»¹ñáݳï»ÕÇÝ: ²Ûó»Éáõû³Ý ÁÝóóùÇÝ, µ³Ý³ÏáÕÝ»ñÁ ³Ï³Ý³ï»ë »Õ³Ý Ññ³ó³Ý³Ó·áõû³Ý ϻݹ³ÝÇ Ï³ï³ñÙ³Ý »õ ²Ý·ÉÇ³Ï³Ý ¹ñûß³ÏÇ ³ñ³ñáÕáõû³Ý: ²å³ µ³Ý³ÏáÕÝ»ñÁ áõÕÕáõ»ó³Ý Üdzϳñ³ üáɽ: ´³Ý³ÏáõÙÁ Çñ ³õ³ñïÇÝ Ñ³ë³õ 21 ÚáõÉÇëÇÝ« å³ßïûÝ³Ï³Ý ¹ñûß³ÏÇ ³ñ³ñáÕáõû³Ùµª Ù³ëݳÏóáõû³Ùµ ЩةÀ©Ø© ÂáñáÝÃáÛÇ ÷áÕ»ñ³ËáõÙµÇÝ »õ Ý»ñϳÛáõû³Ùµ ÍÝáÕÝ»ñ¿áõ »õ ·³ÕáõÃÇë »ñ»õ»ÉÇ ³ÝÓݳõáñáõÃÇõÝÝ»ñáõÝ »õ Ñá·»õáñ ѳÛñ»ñáõª ÎáÙÇï³ë ²õ³· ùÑÝÛ. ö³Ýá뻳ÝÇ, Ñá·»õáñ ÑáíÇõ ê. Üß³Ý Ð³Û³ëï³Ý»³Ûó ²é³ù»É³Ï³Ý »Ï»Õ»óõáÛ (¶¿ÙåñÇ×) »õ гÛñ Ø»ÕñÇÏ Ìñ·© ìñ¹© ´³ñÇù»³ÝÇ« Ñá·»õáñ ÑáíÇõ ê© ²ëïáõ³Í³ÍÇÝ Ð³Û³ëï³Ý»³Ûó ²é³ù»É³Ï³Ý »Ï»Õ»óõáÛ (ÂáñáÝÃû) áñ Çñ ϳñ·ÇÝ ÷á˳Ýó»ó Ëñ³ËáõëÇã ëñïÇ Ëûëù ÙÁ« í»ñ ³éÝ»Éáí ЩةÀ©Ø©Ç ϳñ»õáñ ¹»ñÁ Ñ³Û »ñÇï³ë³ñ¹Ý»ñáõ ¹³ëïdzñ³Ïáõû³Ý Ù¿ç: ö³ÏÙ³Ý ³ñ³ñáÕáõû³Ý ݳ»õ Ý»ñÏ³Û ¿ÇÝ ¶³Ý³ï³ÛÇ êϳáõïÝ»ñáõ Ø»ÍÝ ÂáñáÝÃáÛÇ ÊáñÑáõñ¹Ç Ú³ÝÓݳϳï³ñª ïdzñ ÂÇÙ ØÁùÝáÃÁÝ« ØáÝÃñ¿³É Ø»ÃñáµÉÇÃÁÝ Â»ÙÇ êϳáõïÝ»ñáõ ÊÙµ³Ïóáõû³Ý Ú³ÝÓݳϳï³ñª èáå»ñà üÇÉǵµÇ« àõ»ÉɳÝï ßñç³ÝÇ Üáñ ¸»ÙáÏñ³ï³Ï³Ý Îáõë³Ïóáõû³Ý ÊáñÑñ¹³ñ³ÝÇ ³Ý¹³Ùª ïdzñ سÉùáÙ ²ÉÉÁÝ áñ ½ûñ³Ïó³Ï³Ý Ëûëù áõÕÕ»ó ݳ»õ: ÀÝóóùÇÝ, ÁÝûñóáõ»ó³Ý ݳ»õ ЩةÀ©Ø© ¶³Ý³ï³ÛÇ Þñç³Ý³ÛÇÝ êϳáõï ÊáñÑáõñ¹ÇÝ áõÕÕáõ³Í Ð³Û êϳáõïáõû³Ý Çñ»Ýó ½ûñ³ÏóáõÃÇõÝÁ ÷á˳ÝóáÕ Ý³Ù³ÏÝ»ñª àõ»ÉɳÝïÇ Üáñ ¸»ÙáÏñ³ï³Ï³Ý Îáõë³Ïóáõû³Ý ݳѳݷ³ÛÇÝ ËáñÑñ¹³ñ³ÝÇ ³Ý¹³Ùª êÇÝïÇ üáëÃÁñ¿Ý, ê¿Ýà ¶³ÃñÇݽ ßñç³ÝÇ ²½³ï³Ï³Ý Îáõë³Ïóáõû³Ý ݳѳݷ³ÛÇÝ ËáñÑñ¹³ñ³ÝÇ ³Ý¹³Ùª ÖÇÙ äñ³ïÉÇ¿Ý, »õ úÝóñÇáÛÇ ì³ñã³å»ïª

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

5

ß³ñ. ² ¿ç¿Ý

î³ÉÃÁÝ ØÁùÎÇÝÃÇ¿Ý: ¶Ý³Ñ³ï³ÝùÇ Ûáõß³ï³Ëï³ÏÝ»ñ ëï³ó³Ý ´³Ý³ÏáõÙÇ ÀݹѳÝáõñ ÊÙµ³å»ïáõÑǪ ùáÛñ êÇñáõÝ Â¿É»³Ý« ²ÕçϳÝó µ³ÅÝÇ ËÙµ³å»ïáõÑǪ ùáÛñ ì³É»ñÇ úå¿×Ç »õ ïÕáó µ³ÅÝÇ ËÙµ³å»ïª »Õµ© ì³ã¿ ܳ׳ñ»³Ý: Úáõß³Ýáõ¿ñÝ»ñ ëï³ó³Ý ݳ»õ §²Ù¿Ý³É³õ ´³Ý³ÏáÕ¦ ïÇïÕáëÇÝ ³ñųݳó³Í ùáÛñ»ñÝ áõ »Õµ³ÛñÝ»ñÁ« ²ñÍáõÇÏÝ»ñáõ »ñ³Ù¿Ýª ùáÛñ ܳóÉÇ ¼³ñ³ë»³Ý« ¶³ÛÉÇÏÝ»ñáõ ìáÑٳϿݪ ¼³ñÉÁ½ ö³÷³½»³Ý« ²ñ»ÝáÛßÝ»ñáõ ËáõÙµ¿Ýª ùáÛñ ܳóÉÇ ê¿Ã»³Ý« ²ñÇÝ»ñáõ ËáõÙµ¿Ýª ØÑ»ñ ¶³ñ³×»³Ý« ä³ñÙ³ÝáõÑÇÝ»ñáõ ö³Õ³Ýù¿Ýª γñÇÝ¿ øáɳëáõñïû« ºñ»óÝ»ñáõ ö³Õ³Ýù¿Ýª ܳñ»Ï äáÛ³×»³Ý »õ §Ð©Ø©À©Ø©Á î³Õ³Ý¹ àõÝǦ ˳- ´³Ý³ÏáõÙÇ ËÙµ³å»ïÝ»ñáõ ËáõÙµÁ ÕÇ Û³ÕÃáÕª ¶ñÇ·áñ ²ÛÝóåÉÇ: Æñ»Ýó ïùݳç³Ý ³ß˳ï³ÝùÇÝ ³éÁÝûñ« ϳñ· ÙÁ Ù³ëݳÏÇóÝ»ñ µ³ÅÝ»óÇÝ Çñ»Ýó ïå³õáñáõÃÇõÝÝ»ñÁ µ³Ý³ÏáõÙÇ Ù³ëÇÝ »õ ÷á˳Ýó»óÇÝ Çñ»Ýó ݳ˳ëÇñ³Í å³ÑÁ. ì³½·¿Ý àëÏ»³Ý - ºñ»óÝ»ñáõ öáË-ÊÙµ³å»ï (ØáÝÃñ¿³É) §²õ³ñï³Ï³Ý ˳ñáõϳѳݹ¿ëÁ óáÛó ïáõ³õ ß³µÃáõ³Ý ÁÝóóùÇÝ Ù»ñ Ùß³Ï³Í ÁÝÏ»ñáõÃÇõÝÁ: ì»ñçÇÝ Ë³ñáõϳѳݹ¿ëÇ ÁÝóóùÇÝ ¿ñ áñ Ïñó³Ýù ѳëï³ï»É, ÿ µ³Ý³ÏáõÙÁ Û³çáÕ³Í ¿ñ¦: ê³ñÇÝ ê³ñÙ³½»³Ý - ä³ñÙ³ÝáõÑÇÝ»ñáõ öáË-ÊÙµ³å»ï (¶¿ÛÙåñÇ×) §ø¿ýÇ ·Çß»ñÁ µáÉáñë Çñ³ñ ß³Õϳå»ó ß³µÃáõ³Ý ëÏǽµÁ: î»ë³Ýù ÇÝãå¿ë Ù»ñ Ïñïë»ñ ùáÛñ»ñÝ áõ »Õµ³ÛñÝ»ñÁ ѳÛÏ³Ï³Ý ßáõñçå³ñ å³ñ»óÇÝ, ÑdzݳÉÇ ¿ñ »õ ÷³ëï»ó, ÿ Ù»ñ Ð.Ø.À.Ø.³Ï³Ý ϳٳõáñÝ»ñ Ùß³ÏáÛÃÁ ï³Ï³õÇÝ í³é ¿¦: ¶¿áñ· äáÛ³×»³Ý - ¶³ÛÉÇÏÝ»ñáõ ÊÙµ³å»ï (ØáÝÃñ¿³É) §î»ëÝ»É ³Ûëù³Ý ѳÛáñ¹ÇÝ»ñ Ù¿Ïï»Õáõ³Í ÝáÛÝ µ³Ý³Ï³í³ÛñÇÝ Ù¿ç: Ðå³ñï ¿Ç »ñµ ï»ë³Û, áñ ëϳáõïáõÃÇõÝÁ ï³Ï³õÇÝ ·³Ý³ï³Ñ³Û»ñáõ ³éûñ»³ÛÇÝ Ù»Í Ù³ëÝ ¿¦: ²ÉÇݳ Âáù³ÃÉ»³Ý - ²ñ»ÝáÛßÝ»ñáõ öáË-ÊÙµ³å»ï (ÂáñáÝÃû) §Þ³ñųå³ïÏ»ñÇ »ñ»ÏáÛÇ ÁÝóóùÇÝ Ñ³×»ÉÇ ¿ñ ï»ëÝ»É µáÉáñ ËáõÙµ»ñÁ Ù¿Ïï»Õáõ³Íª ¹Çï»Éáõ ѳٳñ ß³ñųå³ïÏ»ñ ÙÁ ³ëïÕ»ñáõ ÉáÛëÇÝ Ý»ñù»õ¦: ì³Ñ¿ Þ³ÑÇÝ»³Ý - ²ñÇÝ»ñáõ ÊÙµ³å»ï (ØáÝÃñ¿³É) §²é³çÇÝ ¹ñûß³ÏÇ ³ñ³ñáÕáõû³Ý ÁÝóóùÇÝ »ñµ ³é³çÇÝ ³Ý·³Ù µ³ñÓñ³óáõóÇÝù ëϳáõï³Ï³Ý ¹ñûßÁ (êϳáõïÝ»ñë Ù»Í ç³Ýù ó÷³Í ¿ÇÝù ³Û¹ óáÕÁ ϳݷݻóÝ»Éáõ Ù¿ç), µáÉáñë Ñå³ñï ¿ÇÝù ³Û¹ ï»ë³ñ³Ýáí¦: ÂÇݳ î³ñï³ñ»³Ý - ²ñÍáõÇÏÝ»ñáõ ÊÙµ³å»ïÇ ú·Ý³Ï³Ý (ØáÝÃñ¿³É) §¶³ÛÉÇÏ-³ñÍáõÇÏÝ»ñáõ ÷ÝïéïáõùÇ ³ñß³õÝ ¿ñ (Scavenger Hunt), »ñµ ³é³çÇÝ ³Ý·³Ù ÁÉɳÉáí, Ù»Ýùª ËÙµ³å»ïÝ»ñë, ï»ë³Ýù ³ÛÝ ÁÝÏ»ñ³Ï³Ý ϳåÁ, ½áñ ѳëï³ïáõ³Í ¿ñ µ³Ý³ÏáõÙÇ ÁÝóóùÇÝ: ØáÝÃñ¿³É¿Ý, ÂáñáÝÃáÛ¿Ý Ã¿ ¶¿ÙåñÇ׿Ý, µáÉáñÝ ³É ³ß˳ï»ó³Ý Ù¿Ï ËáõÙµáí¦: Úáíë¿÷ â³ÙÇã»³Ý - ¶³ÛÉÇÏÝ»ñáõ ÊÙµ³å»ïÇ ú·Ý³Ï³Ý (ÂáñáÝÃû) §ì³ñ¹³í³éÇ Ë³ÕÁ, áñ áõÝ»ó³Ýù ·³ÛÉÇÏÝ»ñáõÝ Ñ»ï, ³ÏÝÛ³Ûï ¿ñ ë»ñï ϳåÁ ·³ÛÉÇÏÝ»ñáõÝ »õ ËÙµ³å»ïÝ»ñáõÝ ÙÇç»õ¦:

Ð.Ø.À.Ø.Ç ý³Ýý³ñÇ ËáõÙµÁ

Èdz î¿ñï¿ñ»³Ý- ä³ñÙ³ÝáõÑÇ (ÂáñáÝÃû) §ì»ñçÇÝ §ØÝ³ù ´³ñÇݦª ¶¿ÙåñÇ×Ç »õ ØáÝÃñ¿³ÉÇ Ñ»ïª ïËñáõÃÇõÝÁ áñ ½·³óÇÝù ÷³ëï ÙÁÝ ¿ñ áñ áõÝ»ó³Í »Ýù Ýáñ ë»ñï ÁÝÏ»ñÝ»ñ Ù»ñ Ï»³ÝùÁ Çñ»ÝóÙáí ѳñëï³óÝ»Éáõ ѳٳñ¦: ²ñ¿Ý î³ÕÉ»³Ý- ºñ¿ó (ØáÝÃñ¿³É) §ì»ñçÇÝ å³Ñ³ÏáõÃÇõÝë ǵñ ³ñÇ, ݳËù³Ý »ñ¿ó ÷³Õ³ÝùÇÝ ÷á˳ÝóáõÇÉë. ËÙµ³Ïë, ǵñ Ù¿Ï ³ÙµáÕçáõÃÇõÝ, ³ñÃáõÝ ÑëÏ»ó ³ÙµáÕç ·Çß»ñÁ »õ ѳë³õ Çñ Ýå³ï³ÏÇݪ å³Ñå³Ý»Éáí ¹ñûß³ÏÁ: Ƶñ ËáõÙµÇ ³é³çÝáñ¹, Ñå³ñï ¿Ç ÁÝÏ»ñÝ»ñáíë, áñáÝù ѳϳé³Ï Çñ»Ýó Ñá·Ýáõû³Ý, ÝáõÇñáõÙ óáõó³µ»ñ»óÇÝ ³Û¹ ·Çß»ñ¦:

è³ýýÇ ¶ÁÉÁåá½»³Ý - ²ñÇ (ÂáñáÝÃû) §²Ûë µ³Ý³ÏáõÙÁ Û³ïáõÏ ¿ñ ÇÝÍÇ Ñ³Ù³ñ, áñáíÑ»ï»õ ßñç³Ý³ÛÇÝ ¿ñ »õ Ýáñ ÁÝÏ»ñÝ»ñ áõÝ»ó³Û: êÏǽµÁ, ã¿Ç áõ½»ñ Ù³ëݳÏóÇÉ, µ³Ûó ÑÇÙ³ áõñ³Ë »Ù »õ Ñå³ñï áñ »Ï³Û ³Ûë µ³Ý³ÏáõÙÇÝ, áñ ïûÝ»ó Ð³Û êϳáõïáõû³Ý 100-³Ù»³ÏÁ¦: î³ñûÝ î¿ñï¿ñ»³Ý - ºñ¿ó (ÂáñáÝÃû) §´³½Ù³ÃÇõ µ³Ý³ÏáõÙÝ»ñáõ Ù³ëݳÏó³Í »Ù ǵñ ëϳáõï, µ³Ûë ³Ûë Ù¿ÏÁ ³Ù¿Ý³É³õÝ ¿ñ: ´³Ý³ÏáõÙÇ ÁÝóóùÇÝ Í³Ýûóó³Û Ýáñ ÁÝÏ»ñÝ»ñáõ Ñ»ï, ѳݹÇå»ó³Û ÑÇÝ ÁÝÏ»ñÝ»ñáõë Ñ»ï »õ Ùdzëݳµ³ñ ѳ׻ÉÇ ÷áñÓ³éáõÃÇõÝ Ó»éù Ó·»óÇÝù¦:


6

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

ÂàðàÜÂàÐ²Ú Îº²Üø

гٳ½·³ÛÇÝÇ ·ñ³ë¿ñÝ»ñáõ ËÙµ³ÏÇ ¾© ѳõ³ùÇ ÝÇõÃÁª ³ٳñ îûݳå»ï»³Ý ì³Ñ³·Ý ¸³õû³Ý ¶ñáÕÇ ÙÁ í³ëï³ÏÇÝ ³ñ¹³ñ ÁÉɳÉáõ ѳٳñ« ݳ»õ ³ñ¹³ñ ÁÉɳÉáõ ѳٳñ ϳ½Ù³Ï»ñåáÕ ÙÇáõû³Ý »õ Ç í»ñçáÛª ËݹñáÛ ³é³ñÏ³Û »ñÇï³ë³ñ¹ÇÝ« ϳñ»õáñ ÏÁ ѳٳñ»Ýù áñ гٳ½·³ÛÇÝÇ ·ñ³ë¿ñÝ»ñáõ ËÙµ³ÏÇ Ñ³õ³ùÝ»ñÁ µÝáñáßáõÇÝ ³ÛÝå¿ë ÇÝãå¿ë áñ »Ý: гõ³ùÝ»ñÁ ·ñáÕÇ ÙÁ §ÝáõÇñáõ³Í Ó»éݳñϦݻñ ã»Ý© ³Ûɪ ë»ÕÙ ÙÇç³í³ÛñÇ Ù¿ç« ·ñ³ë¿ñÝ»ñáõ ÙÇç»õ ½ñáÛóÝ»ñª ·ñáÕÇ ëï»Õͳ·áñÍáõÃÇõÝÝ»ñáõÝ Ù³ëÇÝ« ѳٻëï ù³ÛÉ»ñª Ñ³Û »ñÇï³ë³ñ¹Ý áõ Ñ³Û ·ñ³Ï³ÝáõÃÇõÝÁ ϳÙñç»Éáõ: ÎÇñ³ÏÇ« سñï 18-ÇÝ« ѳõ³ùáõ³Í ¿ÇÝù гÙû ê³Ñ»³ÝÇ Ù³ëÇÝ ½ñáõó»Éáõ© ê³Ñ»³Ý Ý»ñϳ۳óÝáÕÁ гٳ½·³ÛÇÝÇ ·ñ³Ï³Ý Û³ÝÓݳËáõÙµÇ ³Ý¹³Ùª ػջ¹Ç ØÝ³ó³Ï³Ý»³ÝÝ ¿ñ: ػջ¹ÇÇ ß³Ñ»Ï³Ý Ý»ñϳ۳óáõÙÁ ˳ݹ³í³é»ó Ù»ñ ·³ÕáõÃÇ »ñÇï³ë³ñ¹Ý»ñ¿Ýª γñÇÝ º³·áõ廳ÝÁ: ÆëÏ »ñµ ê³Ñ»³ÝÇ »õ ì³Ñ³·Ý ¸³õû³ÝÇ ëï»Õͳ·áñÍáõÃÇõÝÝ»ñáõÝ ÙÇç»õ ½áõ·³Ñ»éÝ»ñáõ Ù³ëÇÝ ÏÁ Ëûëáõ¿ñ« γñÇÝÇ Ñ»ï³ùñùñáõÃÇõÝÁ ³ñÃÝó³õ ì³Ñ³·Ý ¸³õû³ÝÇ ·ñáõÃÇõÝÝ»ñáõÝ Ýϳïٳٵ: ²Û¹ ûñáõÁÝ¿« γñÇÝ áñáß»ó ¸³õû³Ý ϳñ¹³É »õ ûñ ÙÁ Çñ ïå³õáñáõÃÇõÝÝ»ñÁ µ³ÅÝ»É ³Ýáñ ëï»Õͳ·áñÍáõÃÇõÝÝ»ñáõÝ Ù³ëÇÝ: úñÁ ѳë³õ© 19 ú·áëïáë« Û»ïÙÇçûñ¿Ç ųÙÁ 2:30-Ý ¿: ÊáõÙµ ÙÁ ³Ý¹ñ¹ñáõ»ÉÇ ·ñ³ë¿ñÝ»ñ гٳ½·³ÛÇÝÇ §Ú³ñáõÃÇõÝ Ø³ÝáõÏ»³Ý¦ ·ñ³¹³ñ³ÝÁ ѳõ³ùáõ³Í »Ý© Çñ»Ýó ¹ÇÙ³ó« ·ñ³ë»Õ³ÝÇ ÏáÕùÇÝ« »éáï³ÝÇÇ ÙÁ íñ³Û ½»ï»Õáõ³Í ¿ ì³Ñ³·Ý ¸³õû³ÝÇ ¹ÇÙ³ÏݳñÇ ÝϳñãáõÃÇõÝÁ: øÇã ³Ýó« Ç Û³Ûï Ïáõ ·³Û áñ ÝϳñãáõÃÇõÝÁ ·áñÍÝ ¿ ÝáÛÝÇÝùÝ Î³ñÇÝ º³·áõ廳ÝÇ© ³Ý ³ÛÝù³Ý Û³÷ßï³Ïáõ³Í ¿ ¸³õû³ÝÇ ·ñáõÃÇõÝÝ»ñáí« áñ áñáß³Í ¿ Çñ ϳñáÕáõÃÇõÝÝ»ñÁ Ç ·áñÍ ¹Ý»É ïå³õá-

ñÇã ÝϳñãáõÃÇõÝ ÙÁ Ñ»ïÁ µ»ñ»Éáí ѳõ³ùÇÝ: 18-³Ù»³Û γñÇÝ º³·áõ廳ݫ ·ñ³ë¿ñÝ»ñáõ ËÙµ³ÏÇ ï³ñÇùáí ³Ù»Ý¿Ý »ñÇï³ë³ñ¹ ³Ý¹³ÙÝ ¿: гٳ½·³Ûݳϳݫ ÐÚ¸ ¶ºØ-³Ï³Ý« ÐØÀسϳݪ ³Ý ÍÝ³Í ¿ ÂáñáÝÃû: ØÇÝã»õ 8ñ¹ ¹³ë³ñ³Ý Û³×³Ë³Í ¿ ÐúØÇ ³Ù¿Ýûñ»³Û í³ñųñ³ÝÁ© ³å³« Ñ»ï»õ³Í ¿ Senator O Connor College School-Ç Ñ³Û»ñ¿ÝÇ ß³µ³Ãûñ»³Û ¹³ëÁÝóóÝ»ñáõÝ: ²ÛÅÙ« ÂáñáÝÃáÛÇ Ð³Ù³Éë³ñ³ÝÇ »ñÏñáñ¹ ï³ñ»ßñç³ÝÇ ³ß³Ï»ñï ¿: гõ³ùÇ Ãáõ³Ï³ÝÁ ÏÁ ѳÙÁÝÏÝÇ ¸³õû³ÝÇ ÍÝݹ»³Ý 90-³Ù»³ÏÇÝ: γñÇÝ Ïáõ ï³Û ѳÏÇñ× Ï»Ýë³·ñ³Ï³ÝÁ« ÙÇÝã Ý»ñϳݻñÁ å³ëï³éÇ íñ³Û ÏÁ ¹Çï»Ý Éáõë³ÝϳñÝ»ñáõ ѳõ³ù³ÍáÛ ÙÁ ³Ýáñ Ï»³Ýù¿Ý ³éÝáõ³Í© ì³Ñ³·Ý ¸³õû³Ý ÍÝ³Í ¿ ²ñ»õÙï»³Ý Ð³Û³ëï³ÝÇ ²ñ³µÏÇñ ·ÇõÕ³ù³Õ³ùÁ« 1922-ÇÝ£ 1950-³Ï³Ý Ãáõ³Ï³ÝÝ»ñ¿Ý ëÏë»³É ÙÇÝã»õ Çñ Ù³ÑÁª 21 ö»ïñáõ³ñ 1996« ³åñ³Í ¿ ºñ»õ³ÝÇ ²ñ³µÏÇñ ßñç³ÝÇÝ Ù¿ç: 1948-ÇÝ ³õ³ñï³Í ¿ ºñ»õ³ÝÇ å»ï³Ï³Ý ѳٳÉë³ñ³ÝÁ: ºÕ³Í ¿ ËÙµ³·Çñ ½³Ý³½³Ý ûñûñáõ »õ ݳ˳·³Ñª г۳ëï³ÝÇ ¶ñáÕÝ»ñáõ ØÇáõû³Ý: Æñ ·ñÇãÇÝ ÏÁ å³ïϳÝÇÝ Ùûï 40 µ³Ý³ëï»ÕÍ³Ï³Ý ÅáÕáí³ÍáõÝ»ñ« ·ñ³Ï³ÝÑñ³å³ñ³Ï³Ëûë³Ï³Ý Ûû¹áõ³ÍÝ»ñáõ ·Çñù»ñ« Ù³ÙáõÉÇ Ù¿ç Ññ³ï³ñ³Ïáõ³Í ·ñ³ËûëáõÃÇõÝÝ»ñ »õ Ûáõß³·ñáõÃÇõÝÝ»ñ: Æñ ·É˳õáñ ûٳݻñÁ ÏÁ ϳ½Ù»Ý Ù³ñ¹Ý áõ ѳÛñ»ÝÇùÁ: ´³½Ù³ÃÇõ Ùñó³Ý³ÏÝ»ñáõ ¹³÷Ý»ÏÇñ ¿: γñÇÝ Ï'ÁÝûñó¿ Çñ ÁÝïñ³Í µ³Ý³ëï»ÕÍáõÃÇõÝÝ»ñ¿Ý §úñ ³é³çÇݦ »õ §úñ ºûûñáñ¹¦Á© ³Ý ÏÁ µ³ó³ïñ¿, áñ ½ÇÝù ·ñ³õáÕÁ ¸³õû³ÝÇ ÷ÇÉÇëá÷³Û³Ï³Ý« ݳ»õ ѳÛñ»Ý³ëÇñ³Ï³Ý çÇÕ»ñÝ »Ý: ²å³ Ý»ñϳݻñÁ ï»ë³ÑáÉáí³ÏÇ Áݹٿç¿Ý Ñ»ÕÇݳÏÇÝ Ï³ï³ñáõÙáí Ï-

γñÇÝ º³·áõå»³Ý ÏÁ Ý»ñϳ۳óÝ¿ ì³Ñ³·Ý ¸³õû³ÝÁ

'áõÝÏݹñ»Ý §Ð³Û ÅáÕáíñ¹ÇݦÁ: ²Ý ÏÁ ß³ñáõݳϿ Çñ Ý»ñϳ۳óáõÙÁ ϳñ¹³Éáí §Ð³õ³ïáõÙ »Ù ù»½¦« §Øûñë ÛÇß³ï³ÏÇݦ »õ è¿íùǿ٠(Requiem) µ³Ý³ëï»ÕÍáõÃÇõÝÝ»ñ¿Ý µ³ÅÇÝÝ»ñ© Ûáõ½áõ»Éáí áõ Ûáõ½»Éáí Çñ ËáÑ»ñÁ ÏÁ µ³ÅÝ¿ Ý»ñϳݻñáõÝ Ñ»ï: γñ»ÉÇ ã¿ Ï³ñ¹³É è¿íùÇ¿ÙÁ »õ ã÷ß³ù³ÕÇÉ ¸³õû³ÝÇ Ýáõñµ« ùÝùßûñ¿Ý ÑÇõëáõ³Í« å³ïÏ»ñ³õáñ áõ ³½¹»óÇÏ ïáÕ»ñáí: ÀÝûñóáõÙÝ»ñáõÝ ÏÁ Û³çáñ¹¿ ºñ»õ³ÝÇ ²ñ³µÏÇñ ßñç³ÝÇÝ Ù¿ç« ¸³õû³ÝÇ Ûáõß³ï³Ëï³ÏÇ µ³óáõÙÇÝ Ù³ëÇÝ ï»ë³ÑáÉáí³Ï ÙÁ: ºñµ Ý»ñϳ۳óÝáÕÁ ÏÁ Û³ÛïÝ¿ ÿ ß³ï åÇïÇ ÷³÷³ù¿ñ ¸³õû³ÝÇ Ñ³Ý¹ÇåÇÉ« Ý»ñϳݻñ¿Ý èá½³ î¿ñ Ú³ñáõÃÇõÝ»³Ý ÏÁ µ³ÅÝ¿ µ³Ý³ëï»ÕÍÇÝ Ù³ëÇÝ Çñ ïå³õáñáõÃÇõÝÝ»ñÁ« ³Û¹ µ³Ëï³õáñ ѳݹÇåáõÙ¿Ý, ½áñ ÇÝù áõÝ»ó³Í ¿ñ ·ñáÕÇÝ Ñ»ï« Â»Ññ³ÝÇ Ù¿ç: î¿ñ Ú³ñáõÃÇõÝ»³Ý ¸³õû³ÝÁ ÏÁ Ýϳñ³·ñ¿ áñå¿ë ѳٻëï« ËáݳñÑ ³ÝÓݳõáñáõÃÇõÝ: ²Ý ÏÁ Ýß¿ áñ ¸³õû³Ý

§Ï³åáÛï¦ µ³éÁ Û³×³Ë ·áñÍ³Í³Í ¿ Çñ µ³Ý³ëï»ÕÍáõÃÇõÝÝ»ñáõÝ Ù¿ç »õ »ñµ »Ññ³Ý ³ÛóÇÝ ¸³õû³ÝÇ Ñ³ñóáõó³Í »Ý ÿ DZÝã ÏÁ ËáñÑñ¹³Ýß¿ §Ï³åáÛï¦Á« ³Ý Áë³Í ¿. ϳñûï©©© ϳñûïª ³ÏáõÝùÝ»ñáõÝ« ÍÝݹ³í³ÛñÇÝ: Ü»ñϳݻñÁ ¸³õû³ÝÇ ëï»Õͳ·áñÍáõÃÇõÝÝ»ñáõÝ ³ÏݳñÏ»Éáí ݳ»õ ¹Çï»É Ïáõ ï³Ý ÉáÛëÇ »õ ѳõ³ïùÇ Ý»ñϳÛáõÃÇõÝÁ« ·»ñÇßËáÕ ÷ÇÉÇëá÷³Û³Ï³Ý ËáÑ»ñÝ áõ ³Ýù³Ïï»ÉÇ Ï³åÁ Çñ ³ÏáõÝùÝ»ñáõÝ Ñ»ï: гõ³ùÇ ³õ³ñïÇÝ« ì© Â»ù»³ÝÇ Ñ³ïáñÝ»ñ¿Ý ÙÇÝ áñå¿ë Ûáõß³Ýáõ¿ñ ÏÁ Û³ÝÓÝáõÇ Î³ñÇÝÇÝ« ³é Ç ·Ý³Ñ³ï³Ýù Çñ ï³ñ³Í ³ß˳ï³ÝùÇÝ: ÐëÏ³Û áõ Éáõë³õáñ ³ß˳ñÑ ÙÁÝ ¿ ¸³õû³Ý© ³Ù÷á÷ í³ÛñÏ»³ÝÝ»ñáõ Áݹٿç¿Ý ¸³õû³Ý í»ñÉáõÍ»ÉÁ ϳñ»ÉÇ ã¿: ²ñ¹³ñ»õ« Ñå³ÝóÇÏ ³ÏݳñÏ ÙÁ ϳñ»ÉÇ ¿ Ïáã»É ³Ûë ѳõ³ùÁ« ë³Ï³ÛÝ ù³ç³É»ñ»ÉÇ »õ ۳ݹáõ·Ý ù³ÛÉ ÙÁ γñÇÝÇ ÏáÕÙ¿ »õ Ý»ñϳݻñ¿Ý ß³ï»ñáõ ѳٳñ ÙÕáõÙª ¸³õû³Ý ϳñ¹³Éáõ:


êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

êàôðƲвÚàôÂÆôÜ

7

êáõñdzѳۻñáõÝ àõÕÕáõ³Í êå³éݳÉÇù, ²å³ª лñùáõÙ ú·áëïáë 24-ÇÝ §Þ»Ù ³ÛÙ½¦ Éñ³ïáõ ³ÕµÇõñÁ Û³ÛïÝ»ó, áñ êáõñÇáÛ Ú»Õ³÷áËáõû³Ý ¶»ñ³·áÛÝ ËáñÑáõñ¹Á Ññ³å³ñ³Ï³Í ¿ Û³Ûï³ñ³ñáõÃÇõÝ ÙÁ, áñáí ëå³éݳó³Í ¿ ëáõñÇ³Ñ³Û Ñ³Ù³ÛÝùÇݪ §³Õ¿ï »õ ³õ»ñÝ»ñ ·áñͻɦ£ ²ÕµÇõñÁ ¹Çï»É ïáõ³õ, áñ ³Ûë ëå³éݳÉÇùÝ»ñÁ Çñ³Ï³Ý »Ý, áñáíÑ»ï»õ Áݹ¹ÇÙ³¹ÇñÝ»ñáõÝ ÃÇÏáõÝù ÏÁ ϳݷÝÇ ÂáõñùdzÝ, áñ ϳݳã ÉáÛë ïáõ³Í ¿ ³ÝáÝóª ѳۻñáõÝ íñ³Û Û³ñӳϻÉáõ£ ÊáñÑáõñ¹Á Çñ Û³Ûï³ñ³ñáõû³Ý Ù¿ç «áñáß Ñ³Ûáñ¹ÇÝ»ñ» Ù»Õ³¹ñ³Í ¿ §²ë³ïÇ áõÅ»ñáõÝ Ñ»ï ·áñͳÏó»Éáõ, ëå³ÝáõÃÇõÝÝ»ñáõ å³ï×³é ¹³ñÓ³Í ·áñÍáÕáõÃÇõÝÝ»ñáõÝ Ù³ëݳÏó»Éáõ, ÇÝãå¿ë ݳ»õ 鳽ٳϳÝûñ¿Ý ëáõñÇ³Ï³Ý í³ñã³Ï³ñ·ÇÝ ë³ï³ñ»Éáõ Û³Ýó³Ýùáí¦£ Àëï §Þ»Ù Â³ÛÙ½¦Çª ëáõñdzóÇ ³åëï³ÙµÝ»ñÁ ¹Çï»É ïáõ³Í »Ý, áñ ѳۻñÁ ëáõñÇ³Ï³Ý Ï³é³í³ñ³Ï³Ý áõÅ»ñáõÝ ë³ï³ñ³Í »Ý гɿåÇ, ȳóùÇáÛ »õ ø»ë³åÇ Ù¿çª ½·áõß³óÝ»Éáí §³Û¹ ï³ññ»ñÁ Çñ»Ýó ³ñ³ñùÝ»ñáõÝ Ñ»ï»õ³ÝùÝ»ñ¿Ý¦£ ²Ûë ÉáõñÁ, µÝ³Ï³Ý³µ³ñ, ï³ñ³Íáõ»ó³õ ѳٳó³ÝóÇÝ íñ³Û£ ²Ûë ·Íáí §²ñÙ¿Ý÷ñ¿ë¦ ϳå ѳëï³ï³Í ¿ ´»ñÇáÛ Ã»ÙÇ ²½·³ÛÇÝ ³é³çÝáñ¹³ñ³ÝÇ µ³Ýµ»ñ ÄÇñ³Ûñ è¿ÛÇ뻳ÝÇ Ñ»ï, áñ ¹Çï»É ïáõ³õ, ÿ êáõñÇáÛ Áݹ¹ÇÙáõû³Ý ÏáÕÙ¿ ѳÛÏ³Ï³Ý Ñ³Ù³ÛÝùÇÝ áõÕÕáõ³Í ëå³éݳÉÇù µáí³Ý¹³ÏáÕ å³ßïûÝ³Ï³Ý Û³Ûï³ñ³ñáõÃÇõÝ ·áÛáõÃÇõÝ ãáõÝÇ£ è¿ÛÇë»³Ý Û³ÛïÝ»ó. §êáõñÇáÛ Ù¿ç ѳٳó³Ýó ãϳÛ, áõëïÇ ï³ñ³Íáõ³Í Éáõñ»ñáõÝ å¿ïù ã¿ ³Ï³Ýç ï³É£ ÜÙ³Ý ï»Õ»Ï³ïáõáõû³Ý Ù³ëÇÝ êáõñÇáÛ Ñ³ÛáõÃÇõÝÁ áõÝÇ Ûëï³Ï ¹ÇñùáñáßáõÙª ѳϳٳñïáõû³Ý Ù³ëݳÏÇó áñ»õ¿ áõÅÇ ÃÇÏáõÝù ãϳݷÝÇÉ£ Ø»ñ Û³ñ·³ÝùÝ áõ ½ûñ³ÏóáõÃÇõÝÁ áõÕÕáõ³Í ¿ êáõñÇáÛ »õ ³Ýáñ ÅáÕáíáõñ¹ÇÝ, áñ áõÝÇ Ù¿Ï Ýå³ï³Ïª êáõñÇáÛ Ù¿ç ˳ճÕáõÃÇõÝÁ í»ñ³Ñ³ëï³ï»É¦£

ÜÙ³Ý Û³Ûï³ñ³ñáõÃÇõÝÝ»ñáõ ï³ñ³ÍÙ³Ý Ù¿ç è¿ÛÇë»³Ý ãµ³ó³é»ó ÂáõñùÇáÛ ¹»ñ³Ï³ï³ñáõÃÇõÝÁ£ «Úëï³Ï ¿, áñ Áݹ¹ÇÙ³¹Çñ ÏáÕÙÁ áõÕÕ³ÏÇûñ¿Ý ÏÁ í³Û»É¿ ÂáõñùÇáÛ Ñáí³Ý³õáñáõÃÇõÝÁ, ë³Ï³ÛÝ ÝÙ³Ý Éáõñ»ñ ϳñ»ÉÇ ã¿ ßáõïáí å³ßïûݳϳݳóݻɣ ²ëÇϳ ÏñÝ³Û Ñ³Û-³ñ³µ µÝ³Ïãáõû³Ý µ³ñ»Ï³Ù³Ï³Ý Û³ñ³µ»ñáõÃÇõÝÝ»ñÁ ˳óñ»Éáõ ÷áñÓ ÁÉɳɻ, Ýß»ó ´»ñÇáÛ Ã»ÙÇ ²½·³ÛÇÝ ³é³çÝáñ¹³ñ³ÝÇ µ³Ýµ»ñÁ£ ²õ»ÉÇ áõß êáõñÇáÛ Áݹ¹ÇÙ³¹Çñ §²½³ï µ³Ý³Ï¦Ç ½ÇÝáõáñ³Ï³Ý ËáñÑáõñ¹Ç ݳ˳·³Ñ Øáõëóý³ ²É Þ¿ÛË Ñ»ñù»ó ëáõñdzѳۻñáõÝ ¹¿Ù Çñ»Ýó ÏáÕÙ¿ áõÕÕáõ³Í áñ»õ¿ ëå³éݳÉÇùÇ Ï³Ù Û³Ûï³ñ³ñáõû³Ý ·áÛáõÃÇõÝ£ §²ñ³ådz¦ å³ïÏ»ñ³ë÷ÇõéÇ Ï³Û³ÝÇÝ ÙÇçáóáí ϳï³ñ³Í Û³Ûï³ñ³ñáõû³Ý Ù¿ç ²É Þ¿ÛË ¹Çï»É ïáõ³õ, áñ ѳۻñÁ êáõñÇáÛ Ù¿ç ϰ³åñÇÝ ï³ëݳٻ³ÏÝ»ñ¿ Ç í»ñ »õ áã Ù¿Ï ËݹÇñ Û³é³ç³óáõó³Í »Ý£ §êáõñÇáÛ Ù¿ç ÅáÕáíáõñ¹Á ѳۻñáõ, ùñÇëïáÝ»³Ý»ñáõ »õ ³ÛÉ Ñ³Ù³ÛÝùÝ»ñáõ Ñ»ï áã Ù¿Ï Ñ³ñó áõÝǦ, Û³ÛïÝ»ó ²É Þ¿ÛË£ ²Ý ݳ»õ ѳëï³ï»ó, áñ á°ã Ý»ñϳÛÇë, áã ³É ³å³·³ÛÇÝ ³åëï³ÙµáÕ áõÅ»ñÁ Ùï³¹Çñ »Ý Û³ñÓ³ÏáõÙ ·áñÍ»Éáõ ѳۻñáõÝ ¹¿Ùª Çñ»Ýó ³ÝáõÝáí ï³ñ³Íáõ³Í Û³Ûï³ñ³ñáõÃÇõÝÁ Ýϳï»Éáí ѳϳé³Ïáñ¹Ý»ñáõ ÏáÕÙ¿ ë³ñ¹³Ýù£ ØÇõë ÏáÕÙ¿, Ëûë»Éáí гɿåÇ Ù¿ç ïÇñáÕ Ï³óáõû³Ý Ù³ëÇݪ è¿ÛÇë»³Ý Û³ÛïÝ»ó, áñ ùñÇëïáÝ»³Ý»ñáí »õ ѳۻñáí µÝ³Ïáõ³Í гɿåÇ Ã³Õ³Ù³ë»ñÁ ÏÁ ß³ñáõÝ³Ï»Ý ÙÝ³É µ³Ý³ÏÇÝ ÑëÏáÕáõû³Ý ï³Ï£ ²Ýáñ ѳٳӳÛÝ, 23 ú·áëïáëÇ ·Çß»ñÁ å³ÛÃáõÙÝ»ñáõ Ó³ÛÝ»ñ »õ Ïñ³ÏáóÝ»ñ Éëáõ³Í »Ý ѳÛÏ³Ï³Ý Ã³Õ³Ù³ë»ñáõÝ Ù¿ç, µ³Ûó »õ ³ÛÝå¿ë ÑáÝ Ù»Í ·áñÍáÕáõÃÇõÝÝ»ñ ï»ÕÇ ã»Ý áõݻݳñ£ §²Ù¿Ý ï»Õ ËÇëï ÑëÏáÕáõÃÇõÝ Ï³Û, ѳõ³Ý³Ï³Ý ¿, áñ áñ»õ¿ ï»Õ, áñ»õ¿ óÕÇ Ù¿ç µ³ËáõÙÝ»ñÁ í»ñëÏëÇÝ£

Ð³Û »ñÇï³ë³ñ¹Ý»ñ ÏÁ Ù³ùñ»Ý гɿåÇ Ñ³ÛÏ³Ï³Ý Ã³Õ³Ù³ë»ñÁ

Ü»ñÏ³Û ¹ñáõû³Ùµ »É»Ïïñ³Ï³ÝáõÃÇõÝÝ áõ Ñ»é³Ó³ÛݳÛÇÝ Ï³åÁ ëÏë³Ý ·áñÍ»Éáõ£ ä»ïáõÃÇõÝÁ Çñ ϳñ»ÉÇÝ Ï°ÁÝ¿, áñå¿ë½Ç µÝ³Ïãáõû³Ý ϳñ»ÉÇ »Õ³ÍÇÝ ã³÷ »É»Ïïñ³Ï³ÝáõÃÇõÝ Ñ³ÛóÛÿ »õ Ñ»é³Ó³ÛݳÛÇÝ ¹ñáõÃÇõÝÁ ³å³Ñáí¿¦, ¹Çï»É ïáõ³õ è¿ÛÇ뻳ݣ §üñ³Ýë öñ¿ë¦Ç ѳٳӳÛÝ, é³½Ù³Ï³Ý ·áñÍáÕáõÃÇõÝÝ»ñÁ Û³ïϳå¿ë ï»ÕÇ Ï°áõÝ»Ý³Ý Ñ³Û»ñáí µÝ³Ïáõ³Í êáõÉ¿ÛÙ³ÝÇÛ¿ »õ ÂÇÉ³É ßñç³ÝÝ»ñáõÝ Ù¿ç£ §üñ³Ýë öñ¿ë¦ ·ñ³Í ¿, áñ µ³Ý³ÏÇÝ »õ ³åëï³ÙµÝ»ñáõÝ ÙÇç»õ ï»ÕÇ áõÝ»ó³Í ϳï³ÕÇ Ù³ñï»ñáõÝ ³õ³ñïÇÝ ùñÇëïáÝ¿³Ï³Ý óճٳë»ñáõÝ ÑëÏáÕáõÃÇõÝÁ ³Ýó³Í ¿ ï»Õ³Ï³Ý ÇÝùݳå³ßïå³Ý³Ï³Ý çáϳïÝ»ñáõÝ£ §²Û¹ µáÉáñÁ ³ÛÝù³Ý ³É ɳõ ϳ½Ù³Ï»ñåáõ³Í ã»Ý, µ³Ûó Ï³Ý »ñÇï³ë³ñ¹Ý»ñª Ù³ëݳõáñ³µ³ñ ѳÛÏ³Ï³Ý Ã³Õ³Ù³ë»ñáõÝ Ù¿ç, áñáÝù ÏÁ ÑëÏ»Ý Ï³éáÛóÝ»ñáõݪ å³ßïå³Ý»Éáí ½³ÝáÝù Ýáñ Ý»ñ-

ê÷ÇõéùÇ Ü³Ë³ñ³ñáõû³Ý Øûïª êáõñdzѳۻñáõ гõ³ù-ÊáñÑñ¹³ÏóáõÃÇõÝ ú·áëïáë 22-ÇÝ ÐÐ ê÷ÇõéùÇ Ý³Ë³ñ³ñáõû³Ý Ùûï ϳ۳ó³Í ¿ ѳõ³ù-ËáñÑñ¹³ÏóáõÃÇõÝ, áñáõÝ ÏÁ Ù³ëݳÏó¿ÇÝ Ð³Û³ëï³Ý ·ïÝáõáÕ ³õ»ÉÇ ù³Ý 100 ëáõñdzѳۻñ »õ ëáõñdzѳۻñáõ ÑÇÙݳËݹÇñÝ»ñáí ½µ³ÕáÕ ·»ñ³ï»ëãáõÃÇõÝÝ»ñáõ Ý»ñϳ۳óáõóÇãÝ»ñ: ê÷ÇõéùÇ Ý³Ë³ñ³ñ Ðñ³ÝáÛß Ú³Ïáµ»³Ý ѳݹÇåÙ³Ý Ù³ëݳÏÇóÝ»ñáõÝ ï»Õ»Ï³óáõó³Í ¿ ϳï³ñáõ³Í ³ß˳ï³ÝùÝ»ñáõÝ Ù³ëÇÝ, Ýß³Í ûñ³ËݹÇñ ѳñó»ñÁ: ܳ˳ñ³ñÁ Áݹ·Í³Í ¿, áñ ëáõñdzѳۻñáõÝ Ñ³ñó»ñáí ϳ۳ó³Í ËáñÑñ¹³Ïóáõû³Ý ÁÝóóùÇݪ ³ñ¹¿Ý Ó»éù µ»ñáõ³Í »Ý ѳٳӳÛÝáõÃÇõÝÝ»ñ: Ú³Ïáµ»³Ý Ýß³Í ¿, áñ ëáõñdzѳۻñÁ Çñ»Ýó ³ßËáÛÅ Ù³ëݳÏóáõû³Ùµ ٻͳå¿ë Ï û·Ý»Ý ͳ·³Í ËݹÇñÝ»ñáõ ÉáõÍáõÙ³Ý Ñ³Ù³ñ ׳ݳå³ñÑÝ»ñ ·Áï-Ý»ÉáõÝ »õ ³ß˳ï³ÝùÝ»ñÁ Ñݳñ³õáñÇÝë ³ñ¹Çõݳõ¿ï ϳ½Ù³Ï»ñå»ÉáõÝ: ܳËáñ¹ ³ÙÇëÝ»ñáõÝ ÁÝóóùÇÝ Çñ³Ï³Ý³ó³Í ³ß˳ï³ÝùÝ»ñáõÝ Ù³ëÇÝ ëáõñdzѳۻñáõ ÑÇÙݳËݹÇñÝ»ñáí ½µ³ÕáÕ ³ß˳ï³Ýù³ÛÇÝ ËáõÙµÇ ³ÝáõÝáí ½»ÏáÛóáí ѳݹ¿ë »Ï³Í ¿ ë÷ÇõéùÇ Ý³Ë³ñ³ñáõû³Ý ³ß˳ï³Ï³½ÙÇ Õ»Ï³í³ñ ü. ¼³ù³ñ»³Ý: ²Ý Ýß³Í ¿, áñ ݳËáñ¹ ³ÙÇëÝ»ñáõÝ

ÉáõÍáõ³Í »Ý ³ÛÝåÇëÇ ÁݹѳÝñ³Ï³Ý ËݹÇñÝ»ñ, ÇÝãå¿ëª ëáõñdzѳۻñáõÝ ÐÐ ù³Õ³ù³óÇÇ ³ÝÓݳ·ñ»ñ êáõñÇáÛ Ù¿ç »õ ÙáõïùÇ ³ñïûݳ·ñ»ñ г۳ëï³ÝÇ ë³ÑÙ³ÝÇÝ Ùûï ïñ³Ù³¹ñ»Éáõ ѳñó»ñÁ: Ú³é³çÇϳÛÇÝ ÉáõÍáõÙ åÇïÇ ëï³Ý³Û ݳ»õ ëáõñÇ³Ï³Ý í³ñáñ¹³Ï³Ý Çñ³õáõÝùÇ íϳ۳ϳÝÇ ÑÇÙ³Ý íñ³Û ѳ۳ëï³Ý»³Ý í³ñáñ¹³Ï³Ý Çñ³õáõÝù ïñ³Ù³¹ñ»Éáõ ѳñóÁ: ²éáÕç³å³Ñáõû³Ý ÷áËݳ˳ñ³ñ гÛÏ ¸³ñµÇÝ»³Ý Ýß³Í ¿, áñ ëáõñdzѳۻñáõ Ññ³ï³å ÉáõÍáõÙ å³Ñ³ÝçáÕ µáÉáñ ¹ÇÙáõÝ»ñÁ åÇïÇ µ³õ³ñ³ñ-õÇÝ, ÇëÏ Ù³ëݳ·Çïáõû³Ùµ µÅÇßÏÝ»ñáõÝ åÇïÇ ³é³ç³ñÏáõÇÝ Ñ³Ù³å³ï³ëË³Ý ³ß˳ï³ÝùÝ»ñ: ²ÝÓݳ·ñ»ñáõ »õ ÙáõïùÇ ³ñïûݳ·ñ»ñáõ í³ñãáõû³Ý ï»Õ³Ï³É ²ñÙ¿Ý Ú³Ïáµ»³Ý Ýß³Í ¿, áñ ëáõñdzѳۻñÁ ÏÁ ëå³ë³ñÏáõÇÝ ³é³çݳѻñÃáõû³Ý ϳñ·áí »õ ÏÁ ÷áñÓáõÇ Ñݳñ³õáñÇÝë Áݹ³é³ç»É ѳñó»ñáõݪ Ëáõë³÷»Éáí ųٳݳÏÁ ³Ýó³Í ³ñïûݳ·ñ»ñáõ å³ñ³·³ÛÇÝ ïáÛÅ»ñáõ Ý߳ݳÏáõÙ¿Ý: ä»ï³Ï³Ý »Ï³ÙáõïÝ»ñáõ ÏáÙÇï¿Ç Ý»ñϳ۳óáõóÇã γñ¿Ý ´»·É³ñ»³Ý ¿, áñ ë÷Çõéù³Ñ³Û»ñáõ ÏáÕÙ¿Ý »ñµ»ÙÝ-»ñµ»ÙÝ ³ñï³Û³Ûï³Í ¹Å·áÑáõÃÇõÝÝ»ñÁ ³ñ¹ÇõÝù »Ý ûñ¿Ý-

ùÇ ãÇÙ³óáõû³Ý: γñ»õáñáõÃÇõÝ ïñáõ³Í ¿ »ñ»Ë³Ý»ñáõÝ ¹åñáóÝ»ñ ï»Õ³õáñ»ÉáõÝ: êáõñÇñ³Ñ³Û»ñÁ Ùï³Ñá· »Ý ¹³ë³õ³Ý¹Ù³Ý É»½áõÇ` ³ñ»õ»É³Ñ³Û»ñ¿ÝÇ ¹ÁÅ- õ³ñáõÃÇõÝÝ»ñ Û³ñáõó»Éáõ ѳñóáí: γÝË»Éáí Ùï³Ñá·áõÃÇõÝÁ` ݳ˳ñ³ñ Ú³Ïáµ»³Ý Ýß³Í ¿, áñ Þ³ÑáõÙ»³ÝÇ ³Ýáõ³Ý ¹åñáóÇÝ Ù¿ç ëáõñÇ³Ñ³Û »ñ»Ë³Ý»ñáõÝ Ñ³Ù³ñ ï»ÕÇ Ï'áõÝ»Ý³Ý ³ñ»õ»É³Ñ³Û»ñ¿ÝÇ áõëáõóÙ³Ý ³ñ³· ¹³ëÁÝóóÝ»ñ, áñáõÝ ³ñ¹¿Ý ÇëÏ Ù³ëݳÏó³Í ¿ ßáõñç 50 »ñ»Ë³Û: Ú³Ïáµ»³Ý Ù³Ýñ³Ù³ëÝ Ý»ñϳ۳óáõó³Í ¿ ݳ»õ ëáõñÇ³Ñ³Û ¹ÇÙáñ¹Ý»ñáõ` ÷³ëï³ÃáõÕûñáõ µ³ó³Ï³Ûáõû³Ý å³ñ³·³ÛÇÝ å³ßïûÝ³Ï³Ý ÷³ëï³ÃáõÕÃáí ³ÝÓÝ³Ï³Ý ·áñÍ»ñáõ ÁݹáõÝÙ³Ý Ñ³ñóÁ, íϳ۳ϳÝÝ»ñáõ ÝáÛݳϳݳóÙ³Ý, ѳٳÉë³ñ³ÝÝ»ñáõ í³ñÓ³í׳ñÝ»ñáõ ½»ÕãÙ³Ý, ¹åñáóÝ»ñáõ Ù¿ç »ñ»Ë³Ý»ñáõ ÁݹáõݻٳÝ, ëáõñÇ³Ï³Ý Íñ³·ñáí ¹³ë³ñ³ÝÝ»ñáõ µ³óÙ³Ý Ñ³ñó»ñ: êï»ÕÍõ³Í ¿ ëáõñdzѳۻñ¿Ý µ³Õϳó³Í ³ß˳ï³Ýù³ÛÇÝ ËáõÙµ, áñ ë÷ÇõéùÇ Ý³Ë³ñ³ñáõû³Ý åÇïÇ û·Ý¿ ëáõñdzѳۻñáõ ѳٳñ ï³ñáõáÕ ³ß˳ï³ÝùÝ»ñáõÝ:

ËáõÅáõÙ¿£ ²ÝáÝóÙ¿ áÙ³Ýù ½ÇÝáõ³Í »Ý, å³ïñ³ëï »Ý áñ»õ¿ í³ÛñÏ»³Ý ¹ÇÙ»Éáõ µ³Ý³ÏÇÝ, áñå¿ë½Ç ѳñÏ »Õ³Í å³ñ³·³ÛÇÝ ÙÇç³Ù₩£ ê³Ï³ÛÝ è¿ÛÇë»³Ý Áë³õ, áñ ½áõï ѳÛÏ³Ï³Ý ÇÝùݳå³ßïå³ÝáÕ³Ï³Ý çáϳïÝ»ñ ãÏ³Ý Ð³É¿åÇ Ù¿ç£ §Â³Õ³Ù³ë»ñáõÝ Ù¿ç ëï»ÕÍáõ»ó³Ý ï»Õ³Ï³Ý å³ßïå³Ý³Ï³Ý Ù³ñÙÇÝÝ»ñ, áñáÝó ³Ý¹³Ù³Ïó»ó³Ý ѳë³ñ³Ï ù³Õ³ù³óÇÝ»ñ, »õ ³ÝáÝó ûûõ ï»ë³ÏÇ ½¿Ýù»ñ µ³ÅÝáõ»ó³Ý£ γñ· ÙÁ ѳۻñ, ÇÝùݳϳÙ, ³é³Ýó áñ»õ¿ ÏáÕÙÇ å³ñï³¹ñ³ÝùÇÝ, Ù³ë ϳ½Ù»óÇÝ ³Û¹ ËÙµ³õáñáõÙÝ»ñáõÝ »õ ½¿Ýù ëï³ó³Ý£ ²ÝáÝó ½¿Ýù Ïñ»Éáõ ³Ûë ù³ÛÉÁ á¯ã Ù¿Ï Ñ³ÛÏ³Ï³Ý Ñáí³Ý³õáñáõÃÇõÝ ÏÁ í³Û»É¿£ гÛÏ³Ï³Ý ÏáÕÙÁ ÁݹѳÝñ³å¿ë ½¿ÝùÇÝ ¹¿Ù ¿, Ù»Ýù ÏáÕÙ »Ýù ˳ճÕáõû³Ý í»ñ³Ñ³ëï³ïٳݦ, Ýß»ó è¿ÛÇ뻳ݣ

¸³Ù³ëÏáëÇ Ø¿ç 6 Ðá·Ç¿ ´³Õϳó³Í Ð³Û ÀÝï³ÝÇù ØÁ »õ 3 ²ÛÉ Ð³Û»ñª êå³ÝÝáõ³Í ¸³Ù³ëÏáëÇ ¼³Ù³Éù³ÛÇ ³ñáõ³ñÓ³ÝÇ Ù¿ç ѳõ³ù³Ï³Ý ç³ñ¹Ç ÁÝóóùÇÝ Ñ³Û ÁÝï³ÝÇù ÙÁ ëå³ÝÝáõ³Í ¿: ÀÝï³ÝÇùÇ 6 ³Ý¹³ÙÝ»ñáõ ¹Ç³ÏÝ»ñÁ Û³Ûïݳµ»ñáõ³Í »Ý Ù½ÏÇÃÇ ÙÁ Ù¿ç: ÆëÏ ¸³Ù³ëÏáëÇ Öáå³ñ óճٳëÇ Ù¿ç ³ÝÛ³Ûï å³ÛÙ³ÝÝ»ñáõ Ù¿ç ¹³ñÓ»³É »ñ»ù Ñ³Û ëå³ÝÝáõ³Í ¿: ÈáõñÁ ѳëï³ï³Í ¿ñ ¸³Ù³ëÏáëÇ Ð³Ûáó ²é³çÝáñ¹³ñ³ÝÁ »õ ï»Õ»Ï³óáõó³Í, áñ ëå³ÝÝáõ³ÍÝ»ñÁ 49-³Ù»³Û ä»ïñáë, 46-³Ù»³Û ¶¿áñ· »õ 22³Ù»³Û È»õáÝ Ø³Ãá뻳ÝÝ»ñÝ »Ý »õ ³é³çÝáñ¹³ñ³ÝÁ ÏÁ ç³Ý³Û ³ÝáÝó Ù³ñÙÇÝÝ»ñÁ ѳϳٳñïáõû³Ý ï³ñ³Íù¿Ý ѳݻÉ:

êáõñÇ³Ñ³Û ÀÝï³ÝÇùÇ ÙÁ ÂáÛÉ âÇ îñáõÇñ г۳ëï³Ý Øáõïù ÂáõñùÇáÛ íñ³Ûáí ºñ»õ³Ý Å³Ù³Ý³Í ëáõñÇ³Ñ³Û ÁÝï³ÝÇùÇ ÙÁ §¼áõ³ñÃÝáó¦ û¹³Ï³Û³ÝÇÝ Ù¿ç ÃáÛÉ ã¿ ïñáõ³Í Ùáõïù ·áñÍ»É Ð³Û³ëï³Ý. ³ÝáÝù 3 ûñ »ïù ³ñï³ùëáõ³Í »Ý ¹¿åÇ Âáõñùdz: êáõñdzѳۻñáõ áõà Ñá·ÇÝáó ÁÝï³ÝÇùÁ` Ù»Í Ù³ÛñÁ, »ñÏáõ ¹áõëïñ»ñÁ »õ ÑÇÝ· ÃáéÝÇÏ»ñÁ, 3 ûñ å³Ñáõ³Í »Ý û¹³Ï³Û³ÝÇÝ ã¿½áù ï³ñ³ÍùÇÝ Ù¿ç: ê³Ñٳݳå³ÑÝ»ñÁ ÙáõïùÇ ÃáÛÉïáõáõÃÇõÝ ã»Ý ïáõ³Í, ù³ÝÇ áñ »ñ»Ë³Ý»ñÁ ³ñ³µ³Ï³Ý ³½·³ÝáõÝÝ»ñáí »Ý, ³ÝáÝó ѳÛñ»ñÁ ùñÇëïáÝ»³Û ³ñ³µÝ»ñ »Ý:


8

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

êàôðƲвÚàôÂÆôÜ

êáõñÇáÛ Ð³Ûáõû³Ý úųݹ³Ïáõû³Ý ¶³Ý³ï³ÛÇ Ð³Ù³¹ñÇã Ø³ñÙÝÇ Ú³Ûï³ñ³ñáõÃÇõÝÁ гÛñ»Ý³ÏÇóÝ»ñ, ²õ»ÉÇ ù³Ý ï³ñÇ ÙÁÝ ¿, áñ êáõñÇáÛ Ñ³ÛáõÃÇõÝÁ ÏÁ ·ïÝáõÇ ×·Ý³Å³ÙÇÝ ¹¿Ù۳ݹÇÙ³Ý »õ, ¹Åµ³Ëï³µ³ñ, µáÉáñ ݳ˳Ýß³ÝÝ»ñÁ Ï³Ý áñ ﳷݳåÁ ÏñÝ³Û ÁÉÉ³É »ñϳñ³ï»õ£ ²ÝÏ³Ë Ù³ñ¹Ï³ÛÇÝ ó³õ³ÉÇ ½áÑ»ñ¿Ý, ׷ݳųÙÁ ³Ý¹³Ù³ÉáõÍ³Í ¿ ݳ»õ »ñÏñÇ ïÝï»ë³Ï³Ý Ï»³ÝùÁ£ êáõñÇáÛ Ñ³Û ·³ÕáõÃÁ, áñáõÝ Ï³½Ù³Ï»ñå»³É Ï»³ÝùÇ ³ñÙ³ïÝ»ñÁ Ï »ñÃ³Ý ÙÇÝã»õ 1432 Ãáõ³Ï³Ý, ê÷ÇõéùÇ ³Ù»Ý³Ï»ÝëáõÝ³Ï ·³ÕáõÃÝ»ñ¿Ý ¿ »õ ÙÇßï ÉdzµáõéÝ Ù³ëݳÏó³Í ¿ Ù»ñ ѳٳ½·³ÛÇÝ µáÉáñ ݳ˳ӻéÝáõÃÇõÝÝ»ñáõÝ£ ²Ûëûñ ǯÝùÁ ÏÁ ·ïÝáõÇ Í³Ýñ ϳóáõû³Ý ³éç»õ »õ ϳñÇùÁ áõÝÇ Ù»ñ ³Ù»Ýáõë ûųݹ³Ïáõû³Ý£ ê÷ÇõéùÇ ï³ñ³ÍùÇÝ, h³Ù³Ñ³ÛÏ³Ï³Ý ·»ïÝÇ íñ³Û ³ñ¹¿Ý ÇëÏ ÁÝóóùÇ Ù¿ç »Ý áñáß Ý³Ë³Ó»éÝáõÃÇõÝÝ»ñ£ úųݹ³Ïáõû³Ý ³ß˳ï³ÝùÝ»ñÁ, áñ åÇïÇ Ï³ï³ñáõÇÝ ¶³Ý³ï³ÛÇ Ù¿ç, åÇïÇ Ñ³Ù³¹ñáõÇݪ êàôðÆàÚ Ð²Úàôº²Ü úIJܸ²Îàôº²Ü ¶²Ü²î²ÚÆ Ð²Ø²¸ðÆâ زðØÜÆÜ ÏáÕÙ¿£ γï³ñáõ»ÉÇù ݳ˳ӻéÝáõÃÇõÝÝ»ñáõÝ Ù³ëÇÝ Ó»½Ç åÇïÇ ï»Õ»Ï³óáõÇ Ù³ÙáõÉÇ »õ ï»Õ»Ï³ïáõ³Ï³Ý ³ÛÉ ÙÇçáóÝ»ñáí£ ìëï³Ñ »Ýù áñ ¶³Ý³ï³ÛÇ Ñ³ÛáõÃÇõÝÁ ËáõéÝ»ñ³Ù åÇïÇ Áݹ³é³ç¿ ݳ˳ӻéÝáÕ Ï³½Ù³Ï»ñåáõÃÇõÝÝ»ñáõ Ïáã»ñáõÝ »õ åÇïÇ Ï³ñ»Ý³Ýù Ù»ñ ɳõ³·áÛÝÁ ÁÝ»É êáõñÇáÛ Ù»ñ Ï»Ýë³Ï³Ý ·³ÕáõÃÇ ³Ûë Ý»Õ ûñ»ñáõÝ£

ÐúØÁ 100,000 îáɳñ ÎÁ Ú³ïϳóÝ¿ §êáõñÇ³Ñ³Û ì³ñųñ³ÝÝ»ñáõ úųݹ³Ïáõû³Ý üáÝï¦ÇÝ ÐúØÇ λ¹ñáÝ³Ï³Ý í³ñãáõÃÇõÝÁ Û³Ûï³ñ³ñ»ó, áñ ÙÇáõû³Ý ϳéáÛóÇ »õ µáÉáñ ÙdzõáñÝ»ñáõ Ý»ñ¹ñáõÙáí, 100,000 ³Ù»ñÇÏ»³Ý ïáɳñ ·áÛ³óáõó³Í ¿ §êáõñÇ³Ñ³Û í³ñųñ³ÝÝ»ñáõ ûųݹ³Ïáõû³Ý ýáÝï¦ÇÝ Ñ³Ù³ñ: ¶áõÙ³ñÇÝ ³é³çÇÝ Ýáõ³·Á åÇïÇ ÷á˳ÝóáõÇ êáõñÇ³Ñ³Û û·Ýáõû³Ý ˳ãÇÝ »õ ³ÙµáÕç³Ý³Û ³õ»ÉÇ áõß: Ú³ïϳóÙ³Ý ïÝûñÇÝáõÙÁ åÇïÇ Ï³ï³ñ¿ êáõñÇ³Ñ³Û ú·Ýáõû³Ý ʳãÇ Þñç³Ý³ÛÇÝ í³ñãáõÃÇõÝÁ` ÐúØÇ λ¹ñáÝ³Ï³Ý í³ñãáõû³Ý Ñ»ï ѳٳËáñÑáõñ¹, ·áñͳÏó»Éáí Ð³Û ²é³ù»É³Ï³Ý,

γÃáÕÇÏ¿ áõ ²õ»ï³ñ³Ý³Ï³Ý Û³ñ³Ýáõ³ÝáõÃÇõÝÝ»ñáõÝ Ñ»ï: ÜϳïÇ áõݻݳÉáí, áñ ³ÝóÝáÕ ûñ»ñáõÝ ÑÇÙÁ ¹ñáõ»ó³õ ëáõñdzѳÛáõû³Ý ûųݹ³Ïáõû³Ý ѳٳѳÛÏ³Ï³Ý Ý³Ë³Ó»éÝáõû³Ý, áñáõÝ Ù¿ç Ý»ñ³éáõ³Í »Ý ѳÛÏ³Ï³Ý ÏñûÝ³Ï³Ý »õ ³ß˳ñÑÇÏ µ³½Ù³ÃÇõ ϳéáÛóÝ»ñ áõ ϳ½Ù³Ï»ñåáõÃÇõÝÝ»ñ, Û»ï³Ûëáõ ÐúØÁ ëáõñdzѳÛáõû³Ý ûųݹ³Ïáõû³Ý Çñ ³ß˳ï³ÝùÝ»ñÁ åÇïÇ ß³ñáõݳϿ ѳٳѳÛÏ³Ï³Ý ³Û¹ ݳ˳ӻéÝáõû³Ý Áݹٿç¿Ý:

вÚò. ²è²øºÈ²Î²Ü ºÎºÔºòÆ Ð²Ú Î²ÂàÔÆÎ¾ ºÎºÔºòÆ Ð²Ú ²ôºî²ð²Ü²Î²Ü ºÎºÔºòÆ êàòÆ²È ¸ºØàÎð²î ÐÜâ²Îº²Ü Îàôê²ÎòàôÂÆôÜ Ð²Ú ÚºÔ²öàÊ²Î²Ü ¸²ÞܲÎòàôÂÆôÜ è²ØÎ²ì²ð ²¼²î²Î²Ü Îàôê²ÎòàôÂÆôÜ Ð²Ú ú¶Üàôº²Ü ØÆàôÂÆôÜ Ð²ÚÎ²Î²Ü ´²ðº¶àðÌ²Î²Ü ÀܸвÜàôð ØÆàôÂÆôÜ

§Ð³Û³ëï³Ý¦ гٳѳÛÏ³Ï³Ý ÐÇÙݳ¹ñ³ÙÇ ¸ñ³Ù³ïݳÛÇÝ Ð³ßÇõ` êáõñdzѳÛáõû³Ý гٳñ г۳ëï³ÝÇ »õ §Ð³Û³ëï³Ý¦ гٳѳÛÏ³Ï³Ý ÐÇÙݳ¹ñ³ÙÇ Ðá·³µ³ñÓáõÝ»ñáõ ÊáñÑáõñ¹Ç ݳ˳·³Ñ ê»ñÅ ê³ñ·ë»³ÝÇ ³é³ç³ñÏáí` ÑÇÙݳ¹ñ³ÙÇ Ñá·³µ³ñÓáõÝ»ñáõ ËáñÑáõñ¹Ç ݳ˳·³ÑáõÃÇõÝÁ áñáßáõÙ ïáõ³Í ¿ ëï»ÕÍ»É ³é³ÝÓݳóáõ³Í ¹ñ³Ù³ïݳÛÇÝ Ñ³ßÇõ ÙÁ ëáõñdzѳÛáõû³Ý ûųݹ³Ï»Éáõ ѳٳñ: ÐÇÙݳ¹ñ³ÙÇÝ í»ñ³ÑëÏáÕáõû³Ý Ý»ñù»õ Ïáõï³Ïáõ³Í ·áõÙ³ñÝ»ñÁ ³ÙµáÕçáõû³Ùµ åÇïÇ ÷á˳ÝóáõÇÝ êáõñÇáÛ Ù¿ç Ñ³Û Ñ³Ù³ÛÝùÇ ³½·³ÛÇÝ Çß˳Ýáõû³Ý »õ ³ÛÝï»Õ ëï»ÕÍáõ³Í ѳٳϳñ·áÕ Ù³ñÙÇÝÇÝ, áñ Áëï Ýå³ï³Ï³Û³ñÙ³ñáõû³Ý, åÇïÇ µ³ßË¿ ½³ÝáÝù` ͳ·áÕ ËݹÇñÝ»ñáõÝ ³õ»ÉÇ ³ñ¹Çõݳõ¿ï ÉáõÍáõÙ ï³Éáõ Ýå³ï³Ïáí: êïáñ»õª ѳßÇõÇÝ ÃÇõÁ, áñáõÝ Ï³ñ»ÉÇ ¿ ·áõÙ³ñ ÷á˳Ýó»É. HSBC Bank Armenia 9, V. Sargsyan Str. Yerevan Armenia SWIFT: MIDLAM22 ACC NO 001-002195-102(USD) ACC NO 001-002195-104 (EUR) ACC NO 001-002195-001 (AMD)

EXCEPTIONAL REAL ESTATE SERVICE, BROKERAGE*

Dr. Raffi Aynaciyan braces for children and adults

Sales Representative

Bus: 416-497-9794 Direct: 416-268-7766 Fax: 416-497-5949

D.D.S., M.Cl.D., F.R.C.D.(C)

Orthodontist Richmond Hill (Hillcrest Mall): 9350 Yonge Street, Suite 216 905-884-4161

www.bedrosianhomes.com rbedrosian@trebnet.com

Downtown Toronto: 11 King Street West, Suite C115 416-363-3018 *Each office is independently owned & operated

Ara Graphics

North York: 3333 Bayview Avenue, Suite 203 416-221-0660

3107 Sheppard Ave. E. Toronto ON M1T 3


êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

вڲêî²Ü

9

γëϳïÇ Üáñ ´Ý³ÏÇãÝ»ñÁ. ²ß˳ñÑÇ î³ñµ»ñ ÎáÕÙ»ñ¿Ý ø³Ý¹³ÏÝ»ñ ÏÁ гëÝÇ Ð³Û³ëï³Ý §¶³ý¿ë×»³Ý¦ ³ñáõ»ëïÇ Ï»ÝïñáÝáõÙ Ýáñ ³ñáõ»ëï³ÝÙáõßÝ»ñÇ Ñ³×»ÉÇ ï»Õ³ï³ñ³÷ ¿: ò³Ù³ùáí, Íáíáí »õ û¹áí, ³ß˳ñÑÇ ï³ñµ»ñ Ï¿ï»ñÇóª ÈáÝïáÝ, ö³ñǽ, ²Ùëï»ñï³Ù, ÜÇõ ºáñù, س۳ÙÇ »õ ÐáÝÏ øáÝÏ, г۳ëï³Ý »Ý ųٳÝáõÙ Ýáñ ù³Ý¹³ÏÝ»ñ, áñáÝóÇó ß³ï»ñÝ ³ñ¹¿Ý ÇëÏ ½µ³Õ»óñ»É »Ý Çñ»Ýó ï»Õ»ñÁ: ºõ ³Ûëå¿ë, ÖÇÙ ²ÝëáõáñÃÇ §ÎñÏ¿ë¦ ÙáÝáõÙ»Ýï³É ù³Ý¹³ÏÁ, áñÁ Ý»ñϳ۳óÝáõÙ ¿ ÏñÏ¿ëáõÙ ·ïÝáõáÕ »ñ»ù ÷ÕÇ, ï»Õ³¹ñáõ»É ¿ 50³Ù»³ÏÇ Ûáõß³ñÓ³ÝÇ Ñ³ñ»õ³Ýáõû³Ùµ: ÜáÛÝ Ñ³ñóÏáõÙ ¿ ·ïÝõáõ٠ݳ»õ öÇÃÁñ ÐÇÉ ÖáÝ½Ç §öáùñÇÏ ïݳÏÁ¦: Æñ³Ï³Ý ßÇݳÝÇõûñÇó å³ïñ³ëïáõ³Í ïݳÏÁ ׳ñï³ñ³å»ï³Ï³Ý ÙïùÇ ÷áùñÇÏ Ùáï»É ¿ª ßñç³å³ïáõ³Í ϳݳã ï³ñ³Íùáí, áñÝ ¿É ÇÝùÝÇÝ ¹³ñÓ»É ¿ ³ñáõ»ëï³ÝÙáõßÇ ÙÇ Ù³ëÁ: ¾ù½áÃÇù Ãéãݳù³Ý¹³ÏÝ»ñÇ ËáõÙµÁ ßáõïáí Ýáñ ·»Õ»óÏáõÃÇõÝ ÏÁ ѳÕáñ¹Ç ï»Õ³ÝùÇ Ï³Ý³ã ѳïáõ³ÍÇÝ: øáñ¿³óÇ ³ñáõ»ëï³·¿ï ÖÇ ºáÝÏ ÐáÛÇ §²éÇõÍ 2¦ÇÝ ¿ Ùdzó»É ãÇݳóÇ ³-

ñáõ»ëï³·¿ï ijáÑáõÇ ÈÇáõÇ ëåÇï³Ï Ù³ñÙ³ñ»³Û §´»õ»é³ÛÇÝ ³ñçÁ¦: λݹ³ÝÇÝ »Ï»É ¿ ÛÇß»óÝ»Éáõ, áñ ³ñáõ»ëïÁ µ³óÇ ·»Õ³·Çï³Ï³Ý ³ñÅ¿ù ÉÇÝ»Éáõó, ϳñáÕ ¿ ݳ»õ ³Ý¹ñ³¹³éÝ³É µÝáõû³Ý »õ ßñç³Ï³Û ÙÇç³í³ÛñÇ å³Ñå³ÝÙ³Ý ËݹÇñÝ»ñÇÝ: γëϳ¹Ç Ý»ñëáõÙª Þ³ñųë³Ý¹áõÕùÝ»ñÇ ëñ³ÑáõÙ, ÝáÛÝå¿ë ï»Õ³¹ñõáõÙ »Ý Ýáñ ³ß˳ï³ÝùÝ»ñ: ¸ñ³ÝóÇó »Ý ù³ÉÇýáñÝdzóÇ ³ñáõ»ëï³·¿ï ȳïÇ ÖáÝ îÇÉÇ »õ ²ñǽáݳÛÇó úÃÃû èÇϳÝÇ ù³Ý¹³ÏÝ»ñÁ: ²ñï³ëáíáñ ïǽ³ÛÝáí ëï»ÕÍáõ³Í ³ÃáéÝ»ñÇ »õ µ³½ÙáóÝ»ñÇ Ñ³õ³ù³ÍáõÝ ÏÁ ·ñ³õÇ ³Ûó»ÉáõÝ»ñÇÝ Çñ Çõñ³Û³ïáõÏ Ýáñ³ñ³ñáõû³Ùµ, ÙÇÝã Ýñ³Ýù ÏÁ ï»Õ³÷áËáõ»Ý ³Ûë óáõó³ëñ³ÑÇ ß³ñųë³Ý¹áõÕùÝ»ñáí: §¶³ý¿ë×»³Ý¦ ù³Ý¹³ÏÝ»ñÇ å³ñ�áõÙ ï»Õ³¹ñáõ»Éáõ ¿ ݳ»õ ùáÉáõٵdzóÇ ³ñáõ»ëï³·¿ï ü»ñݳÝïû äáï»ñáÛÇ ³Ù»Ý³Ï³ñ»õáñ ³ß˳ï³ÝùÝ»ñÇó Ù¿ÏÁª §ÌËáÕ ÏÇÝÁ¦: ´ñÇï³Ý³óÇ ³ñáõ»ëï³·¿ï ä³ñÇ üɳÝÁÏÁÝÇ »ñÏáõ ³ß˳ï³Ýùª

§ÂáõÙû¦ Ø¿Ï î³ñ»Ï³Ý ¾

14 ú·áëïáëÇÝ, §ÂáõÙû¦ ëï»Õͳ·áñÍ ³ñÑ»ëï³·ÇïáõÃÇõÝÝ»ñáõ Ï»¹ñáÝÁ Ýß»ó Çñ ³é³çÇÝ ï³ñ»¹³ñÓÁ£ λ¹ñáÝÇÝ Ù¿Ï ï³ñáõ³Ý ·áñÍáõÝ¿áõû³Ý ÁÝóóùÇÝ ³ÛÝï»Õ áõëáõÙ ëï³ó³Í »Ý 12-18 ï³ñ»Ï³Ý 6000-¿ ³õ»ÉÇ å³ï³ÝÇÝ»ñ: ÆëÏ ³Ù¿Ýûñ»³Û Ï»ñåáí λ¹ñáÝÁ ۳׳ËáÕÝ»ñáõÝ ÃÇõÁ ÏÁ ·»ñ³½³Ýó¿ ѳ½³ñÁ£ λ¹ñáÝÇÝ Ù¿ç å³ï³ÝÇÝ»ñÁ ÏÁñÝ³Ý Ó»éù µ»ñ»É ·Çï»ÉÇùÝ»ñ »õ ½³ñ·³óÝ»É ÑÙïáõÃÇõÝÝ»ñª ·Í³Ýϳñ ˳ջñáõ ëï»ÕÍÙ³Ý, ϳÛù¿ç»ñáõ Ùß³ÏÙ³Ý, Ãáõ³ÛÇÝ ÉáõÍáõÙÝ»ñáõ, Ù³ñ¹³Ù»ù»Ý³Ý»ñáõ Íñ³·ñ³õáñÙ³Ý »õ ³ÛÉ µÝ³·³õ³éÝ»ñáõÝ Ù¿ç, ݳ»õ ÷áñÓ³éáõÃÇõÝÝ»ñáõ ÷á˳ݳÏáõ٠ϳï³ñ»Éáí ï»Õ³óÇ »õ ûï³ñ Ù³ëݳ·¿ïÝ»ñáõ Ñ»ï:

§ÂáõÙû¦Ý áõÝÇ Ý³»õ ß³ñù ÙÁ ³ÛÉ Ý³Ë³·ÇÍ»ñ, áñáÝù ϳñ»ÉÇáõÃÇõÝ Ïáõ ï³Ý »ñÇï³ë³ñ¹Ý»ñáõݪ Ù³ëݳ·¿ïÝ»ñáõ û·Ýáõû³Ùµ ëï»ÕÍ»Éáõ ·Í³Ýϳñ³ÛÇÝ ï»ë³ÑáÉáí³ÏÝ»ñ: ²ëáñ ɳõ³·áÛÝ ûñÇݳÏÝ ¿ éáù »ñ·Çã ê»ñгݷ»³ÝÇ §²Ý¿×áõù¿ÛÃÁï ï»ÙáùñÁëǦ Ýáñ »ñ·Ç ï»ë³ÑáÉáí³ÏÁ, áñáõÝ å³ïñ³ëïáõû³Ý ³ß˳ï³ÝùÝ»ñÁ ϳï³ñ³Í »Ý §ÂáõÙû¦Ç 14-18 ï³ñ»Ï³Ý ËáõÙµ ÙÁ ë³Ý»ñ: Üß»Ýù, áñ λ¹ñáÝÁ ѳëï³ïáõ³Í ¿ §êÇÙáÝ»³Ý¦ ÏñÃ³Ï³Ý ÑÇÙݳ¹ñ³ÙÇ Ý³Ë³Ó»éÝáõû³Ùµ: ²ÝÇϳ ³Ýí׳ñ Ï»ñåáí ѳٳϳñ·ã³ÛÇÝ í³ñÅáõÃÇõÝÝ»ñáõ ³éÇà Ïáõ ï³Û 12-16 ï³ñ»Ï³Ý å³ï³ÝÇÝ»ñáõÝ:

§ºÃ¿ ´áÉáñÁ®¦ ijå³õ¿ÝÁ äÇïÇ Ü»ñϳ۳óáõÇ §úëù³ñ¦ÇÝ Ð³Û³ëï³Ý §ºÃ¿ ´áÉáñÁ®¦ (If Only Everyone) ýÇÉÙÁ Û³çáñ¹ §úëù³ñ¦Ý»ñáõ ßñç³ÝÇÝ åÇïÇ Ý»ñϳ۳óÝ¿ª §úï³ñ È»½áõáí ýÇÉÙ»ñ¦ ³Ýáõ³Ý³Ï³ñ·Ç ǵñ»õ ûÏݳÍáõ: ²Ûë ï³ñáõ³Ý ºñ»õ³ÝÇ §àëÏ¿ ÌÇñ³Ý¦ ØÇç³½·³ÛÇÝ ÷³é³ïûÝÇÝ Ý»ñϳ۳óáõ³Í ýÇÉÙÁ ³ñųݳó³õ §È³õ³·áÛÝ ¶»Õ³ñáõ»ëï³Ï³Ý ýÇÉÙ¦ Ùñó³Ý³ÏÇݪ §Ð³ÛÏ³Ï³Ý Ñ³Ù³Ûݳå³ïÏ»ñ¦ ³Ýáõ³Ý³Ï³ñ·Ç ßñç³Ý³Ï¿Ý Ý»ñë: ijå³õ¿ÝÇ µ»Ù³¹ñÇãÝ ¿ ܳóÉdz ä»É׳áõëù¿Ý, ÇëÏ ·É˳õáñ ¹»ñ³Ï³ï³ñÝ»ñÁª ØÇù³Û¿É äûÕá뻳Ý, ì³Ñ³·Ý êÇÙáÝ»³Ý, ØÑ»ñ È»õáÝ»³Ý, º-

ϳûñÇݳ ÞÇÃáí³: üÇÉÙÁ ³ñï³¹ñáõ³Í ¿ §ÂÇÙ öñáï³ùßÁݦÇ, г۳ëï³ÝÇ ²½·³ÛÇÝ ýÇÉÙ³ñáõ»ëïÇ Ï»¹ñáÝÇÝ »õ ØÇù³Û¿É äûÕá뻳ÝÇ ÏáÕÙ¿: г۳ëï³Ý ݳ˳å¿ë »ñ»ù ýÇÉÙ»ñ Ý»ñϳ۳óáõó³Í ¿ §úëù³ñ¦Ý»ñáõ ûÏݳÍáõû³Ýª »ñÏáõ ·»Õ³ñáõ»ëï³Ï³Ý ýÇÉÙ »õ Ù¿Ï Ï³ñ× í³õ»ñ³·ñ³Ï³Ý: §ºÃ¿ ´áÉáñÁ®¦ ѳÛñ»Ý³ëÇñ³Ï³Ý ˳ճճë¿ñ å³ïÙáõÃÇõÝ ÙÁÝ ¿: ²ÝÇϳ å³ïÙáõÃÇõÝÝ ¿ Ù³ñ¹áõ ÙÁ »õ ÏÝÏ³Û ÙÁ, áñáÝó Ï»³ÝùÁ »ñÏáõ ï³ëÝ»³Ï ï³ñÇÝ»ñ »ïùª ï³Ï³õÇÝ ³½¹áõ³Í ÏÁ ÙÝ³Û ²ñó³Ë»³Ý å³ï»ñ³½Ù¿Ý:

ijáÑáõÇ ÈÇáõÇ §´»õ»é³ÛÇÝ ³ñçÁ¦ »õ öÇÃÁñ ìáÛïáõÏÇ Ï³åáÛï §Kiwi¦Ý

§ø»Ýïñï 1/ø»Ýïñï 2¦Á ÏÁ ѳٳÉñ»Ý å³ñ�áõÙ ³éÏ³Û üɳÝÁÏÁÝÇ ÙÇõë ù³Ý¹³ÏÝ»ñÇ Ñ³õ³ù³ÍáõÝ. »ñÏáõ ÷ÕÇ íñ³Û Ï³Ý·Ý³Í »Ý ³ñáõ»ëï³·¿ïÇ ÏáÕÙÇó ëÇñáõ³Í ݳå³ëï³ÏÝ»ñÁ: ²Ù»ñÇϳóÇ ³ñáõ»ëï³·¿ï öÇÃÁñ ìáÛïáõÏÇ Ï³åáÛï §ÎÇíÇݦ, áñÁ »ñϳñ Å³Ù³Ý³Ï ·ïÝáõ»É ¿ ÜÇõ ºáñù ù³-

Õ³ùáõÙª äñáïáõ¿ÛÇ ì»ñïÇ Ññ³å³ñ³ÏáõÙ, ÏÁ ѳݷñáõ³ÝÇ §¶³ý¿ë×»³Ý¦ ù³Ý¹³ÏÝ»ñÇ å³ñ�áõÙª äáï»ñáÛÇ Ñ³Ýñ³Û³Ûï §Î³ïáõǦ ѳñ»õ³Ýáõû³Ùµ: Üß»Ýù, áñ µáÉáñ ù³Ý¹³ÏÝ»ñÁ ѳٳÉñáõÙ »Ý §Ö»ñ³ñï È.¶³ý¿ë×»³Ý¦ ѳõ³ù³ÍáõÝ:

ì³Ñ³·Ý ¸³õû³ÝÇ ÌÝݹ»³Ý 90³Ù»³ÏÇÝ ²éÃÇõª Úáõß³ù³ñ ´³Ý³ëï»ÕÍ ì³Ñ³·Ý ¸³õû³ÝÇ Ù³Ñ¿Ý 16 ï³ñÇ »ïù µ³Ý³ëï»ÕÍÇÝ ³åñ³Í ï³Ý Ù¿çª Ü³ÛÇñÇ ¼³ñ»³Ý 80 ѳëó¿áí, 15 ú·áëïáëÇÝ µ³óáõÙÁ ϳï³ñáõ»ó³õ ³Ýáñ ¹ÇÙ³ù³Ý¹³ÏÇÝ: ´³óáõÙ¿Ý ³é³ç ¸³õû³ÝÇ ³ñ-õ»ëïÇ »ñÏñå³·áõÝ»ñÝ áõ ѳñ³½³ïÝ»ñÁ ͳÕÇÏÝ»ñ ½»ï»Õ»óÇÝ ³Ýáñ ßÇñÇÙÇÝ íñ³Ûª ÎáÙÇï³ëÇ ³Ýáõ³Ý ½µûë³Û·ÇÇÝ Ù¿ç: г۳ëï³ÝÇ ¶ñáÕÝ»ñáõ ÙÇáõû³Ý ݳ˳·³Ñ È»õáÝ ²Ý³Ý»³Ý ³Ûë ³éÇÃáí Áë³Í ¿. §Üáñ ë»ñÝ¹Ç Ñ³Ù³ñ ÇÝûñݻóÛÇÝ ³Õµ³ÝáóÇ Ù¿çª ¸³õû³ÝÇ åá»½Ç³Ý í»ñ³¹³ñÓ ¿ ¹¿åÇ Ý³ËݳϳÝ, µ³ñáÛ³Ï³Ý ½áõÉ³É ³ÏáõÝùÝ»ñÁ¦: ì³Ñ³·Ý ¸³õû³ÝÇ ²ñ³µÏÇñ í³ñã³Ï³Ý ßñç³ÝÇÝ Ù¿ç ·ïÝáõáÕ ï³Ý Ù¿ç Ý»ñϳÛÇë ÏÁ µÝ³ÏÇÝ ³Ýáñ ¹áõëïñ»ñÁ »õ ÃáéÝÇÏÝ»ñÁ: §²Ûë ï³ñÇÝ»ñÇÝ Ý³ ϳñÍ»ë ³ÝÁݹѳï Ù»½ Ñ»ï ¿, ó³õûù ëñïÇ ³ÛÝåÇëÇ ÑÇõ³Ý¹áõû³Ùµ ¿ñ ÑÇõ³Ý¹, áñ ãϳñáÕ³ó³õ »ñϳñ ³åñ»É, áõñ³Ë »Ù, áñ 16 ï³ñÇ Û»ïáÛ Ûáõß³ù³ñ ÏÁ µ³óáõÇ Ù»ñ ï³Ý å³ïÇݦ, Û³ÛïÝ³Í ¿ µ³Ý³ëï»ÕÍÇÝ Ïñïë»ñ ¹áõëïñÁª Ú³ëÙÇÏ

1940. ì. ¸³õû³Ý (³çÇÝ) »õ Ú. ÞÇñ³½

¸³õû³ÝÁ:§¸ÇÙ³ù³Ý¹³ÏáõÙ ÷áñÓ»É »Ù ³ñï³Û³Ûï»É ³ÛÝ, ÇÝã ½·³ó»É »Ù, Ýñ³ ³ñÍáõ³ÛÇÝ Ñ³Û»³óùÁ, Ëáñ, ÇÙ³ëïáõÝ ³ãù»ñÁ: ¸³õû³ÝÁ Ùï³ÍáÕ ¿ñ, ÷ÇÉÇ-ëá÷³Û, ÇëÏ³Ï³Ý ³ñ³µÏÇñóǦ, Áë³Í ¿ ¸³õû³ÝÇ Ûáõß³ù³ñÇ Ñ»ÕÇÝ³Ï ù³Ý¹³Ï³·áñÍ È»õáÝ Âáùٳ绳ÝÁ: Úáõß³ù³ñÇ µ³óÙ³Ý ³ñ³ñáÕáõû³Ý Ý»ñÏ³Û »Õ³Í »Ý ºñ»õ³Ý ù³Õ³ùÇ ²ñ³µÏÇñ í³ñã³Ï³Ý ßñç³ÝÇ Õ»Ï³í³ñ Ðñ³Ûñ ²ÝïáÝ»³ÝÁ, Ùß³ÏáõóÛÇÝ »õ ѳë³ñ³Ï³Ï³Ý ·áñÍÇãÝ»ñ: ÎÁ ݳ˳ï»ëáõÇ ëï»ÕÍ»É §ì³Ñ³·Ý ¸³õû³Ý¦ ÑÇÙݳ¹ñ³Ù, ÇÝãå¿ë ݳ»õ Ññ³ï³ñ³Ï»É ³Ýáñ ó³ñ¹ ãÑñ³ï³ñ³Ïáõ³Í ·áñÍ»ñÁ:


2012 10¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83

²ðºôØî²Ð²Ú²êî²Ü

ê³ëáõÝóÇÝ»ñáõ Ø»Í îûÝÁª àõËﳷݳóáõÃÇõÝ ¸¿åÇ Ø³ñáõó ê³ñ ²ñ»õÙï³Ñ³Û³ëï³ÝÇ ê³ëáõÝÇ ßñç³ÝÇ Ø³ñáõó (سñ³ÃáõÏ) ê³ñÇ ³Ûë ï³ñáõ³Ý áõËﳷݳóáõû³Ý Ù³ëݳÏó³Í »Ý ѳ۳ëï³ÝóÇÝ»ñ, ê÷Çõéù¿Ý »õ ÂáõñùÇáÛ ï³ñµ»ñ í³Ûñ»ñ¿ Å³Ù³Ý³Í Ñ³Û»ñ: سñáõó ê³ñ µ³ñÓñ³Ý³Éáõ ³ñ³ñáÕáõÃÇõÝÁ ϳ½Ù³Ï»ñåáõ³Í ¿ñ §ê³ëáõÝÇ »õ ØáõïùÇÇ Ñ³Û»ñáõ ÙÇáõû³Ý¦ ÏáÕÙ¿: ´áÉáñ áõËï³õáñÝ»ñÁ Ïñó³Í »Ý ³é³Ýó ËáãÁݹáïÝ»ñáõ µ³ñÓñ³Ý³É »õ ϳï³ñ»É Çñ»Ýó áõËïÁ سñáõó ´³ñÓñ ²ëïáõ³Í³ÍÇÝ Ù³ïáõéÇÝ Ù¿ç, ѳϳé³Ï ³Ýáñ áñ Ãñù³Ï³Ý Ù³ÙáõÉÇÝ Ù¿ç ï»Õ»ÏáõÃÇõÝÝ»ñ ßñç³Ý ϰÁÝ¿ÇÝ, ÿ ê³ëáõÝÇ ù³Õ³ù³å»ïÝ áõ ·³õ³é³å»ïÁ åÇïÇ ³ñ·ÇÉ»Ý áõËïÇ ·áñͳ¹ñáõÃÇõÝÁ, áñáíÑ»ï»õ ³ÝÇϳ ÏÁ ѳÙÁÝÏÝÇ è³Ù³ï³ÝÇÝ£ ê³ëáõÝÇ ù³Õ³ù³å»ï³ñ³ÝÁ Ýß³Í ¿ñ, ÿ Ûëï³Ï ûñ áõÝ»óáÕ ïûÝ»ñÁ ã»Ý ÷áËáõÇñ£ ê³ëáõÝ Å³Ù³Ý³Í Ùûï 100 ѳۻñÁ 28 ÚáõÉÇëÇ »ñ»ÏáÛ»³Ý µ³ñÓñ³ó³Í »Ý سñáõó ë³ñÇ É³ÝçÁ, áõñ ÁÝÃñ³Í »õ ѳÛÏ³Ï³Ý »ñ· áõ »ñ³Åßïáõû³Ùµ ß³ñáõÝ³Ï³Í ïûÝ³Ï³Ý »ñ»ÏáÝ: ²é³õûﻳݪ ³é³çÇÝ ËáõÙµÁ ëÏë³Í ¿ í»ñ»ÉùÁ, áñáõÝ Ñ»ï»õ³Í »Ý ÙÇõëÝ»ñÁ: Øûï 2 ų٠»ïù áõËï³õáñÝ»ñÁ ѳë³Í »Ý سñáõó ²ëïáõ³Í³-

ÍÇÝ Ù³ïáõéÇÝ Ùûï, áñ ÏÁ ·ïÝáõÇ Ø³ñáõó ë³ñÇ ·³·³ÃÇݪ 2973 Ù»Ãñ µ³ñÓñáõû³Ý íñ³Û: àõËï³õáñÝ»ñÁ Ù³ïáõéÇÝ Ù¿ç ÙáÙ í³é»Éáíª ÙdzëÇÝ ³ÕûÃ³Í »Ý »õ Ñá·»õáñ »ñ·»ñ »ñ·³Í: àõËﳷݳóáõû³Ý ÏÁ Ù³ëݳÏó¿ÇÝ §Ø³ñ³ÃáõϦ ³½·³·ñ³Ï³Ý »ñ· áõ å³ñÇ Ñ³ÙáÛÃÁ, ê÷ÇõéùÇ »ñÇï³ë³ñ¹Ý»ñ: ê³ëáõÝ ·³õ³éÇÝ Ù¿ç ·ïÝáõáÕ Ø³ñáõó ë³ñÁ »Õ³Í ¿ ë³ëáõÝóÇÝ»ñáõÝ å³ßï»ÉÇ ë³ñÁ, áñ Ïáãáõ³Í ¿ ݳ»õ سñ³ÃáõÏ:

سñáõó ê³ñÇ ê. ²ëïáõ³Í³ÍÇÝ ºÏ»Õ»óÇÝ ²õ»ñáõ³Í ¿

ú·áëïáëÇ Éáõñ»ñáõÝ Ñ³Ù»Ù³ï Ø³ñáõó É»ñ³Ý íñ³Û ·ïÝáõáÕ ê. ²ëïáõ³Í³ÍÇÝ »Ï»Õ»óÇÝ áãÝã³óáõ³Í ¿£ ²Ûë ѳñóáí êóÙåáõÉÇ Ù¿ç ê³ëáõÝÇ Ñ³Û»ñáõ ÙÇáõû³Ý ջϳí³ñ ²½Ç½ î³Õ×Á ¹ÇÙ³Í ¿ ¹³ï³Ë³½áõû³Ý£ §Ø¿Ï ³ÙÇë ³é³ç Ù»ñ »Ï»Õ»óÇÝ Ï³Ý·áõÝ ¿ñ: ºñµ ÑáíÇõÝ»ñÁ Ù»½ ï»Õ»Ï³óáõóÇÝ, ·³óÇÝù »Ï»Õ»óÇ »õ ï»ëÝ»Éáí, áñ »Ï»Õ»óõáÛ ³éç»õÇ Ù³ëÝ áõ ³é³ëï³ÕÇ Ù¿Ï Ñ³ïáõ³Í ÷É³Í ¿, óÝóáõ»ó³Ýù¦, Áë³Í ¿ ³Ý:

سñ³ÃáõÏ ê³ñ µ³ñÓñ³óáÕ áõËﳷݳóÝ»ñÁ

²ÛÝáõÑ»ï»õ êóåáõÉÇ Ù¿ç ê³ëáõÝÇ Ñ³Û»ñáõ ÙÇáõÃÇõÝÁ ¹ÇÙ³Í ¿ ¹³ï³Ë³½áõû³Ý: §â»Ù ·Çï»ñ ÇÝã Ï áõ½»Ý Ù»ñ »Ï»Õ»óÇ¿Ý: ÚáõÉÇë 29-ÇÝ ï³ñµ»ñ í³Ûñ»ñ¿ ѳõ³ùáõ³Í ѳۻñÁ »Ï»Õ»óõáÛ Ù¿ç áõËﳷݳóáõû³Ý Ù³ëݳÏó³Í »Ý, Ù³ï³Õ Áñ³Í »Ý »õ Ýß³Í »Ï»Õ»óõáÛ ûñÁ: Ø¿ÏÁ ù³Ý¹³Í ¿ ½³ÛÝ, áñå¿ë½Ç Ñ³Û Ñ³Ù³ÛÝùÁ ãÏñÝ³Û ÏñûÝ³Ï³Ý ³ñ³ñáÕáõÃÇõÝ Çñ³Ï³Ý³óݻɦ, Áë³Í ¿ î³Õ×Á:

²Ý Ýß³Í ¿, áñ Éáõë³ÝϳñÝ»ñ »õ ³ÛÉ ³å³óáÛóÝ»ñ áõÝÇÝ, áñ »Ï»Õ»óÇÝ ÙÇÝã»õ Ù¿Ï ³ÙÇë ³é³ç ϳݷáõÝ »Õ³Í ¿: §Ø»Ýù ÏÁ å³Ñ³Ýç»Ýù, áñ »Ï»Õ»óÇÝ ù³Ý¹áÕÝ»ñÁ í³ÛñÏ»³Ý ³é³ç µ³ó³Û³ÛïáõÇÝ: ä¿ïù ¿ áõëáõÙݳëÇñáõÇÝ ÚáõÉÇë 29-ú·áëïáë 21 »ñϳñáÕ Å³Ù³Ý³Ï³Ñ³ïáõ³ÍÇ ³Ýíï³Ý·áõû³Ý ï»ë³ËóÇÏÝ»ñáõÝ Ó³Ûݳ·ñáõÃÇõÝÝ»ñÁ¦, Áë³Í ¿ î³Õ×Á:

²Ùñ³Ýª ¸¿åÇ ²ñ³ñ³ï

²Ù¿Ý ³Ùñ³Ý ²ñ³ñ³ï ÏÁ µ³ñÓñ³Ý³Ý µ³½Ù³ÃÇõ ѳۻñª Çñ³Ï³Ý³óÝ»Éáõ ѳٳñ ϳ٠áõËï ÙÁ ϳ٠³ÝÓÝ³Ï³Ý ³ñϳͳËݹñáõÃÇõÝ ÙÁ. ³ç¿Ý Ó³Ë. Éǵ³Ý³Ý³Ñ³Û »ñÏáõ ÐØÀسϳݪ ä»ïÇÏ ¶³ëå³ñ»³Ý »õ Ö¿ù ä¿ñå¿ñ»³Ý: §ÐØÀØ üñ³Ýë¦¿Ý Î³ñÇÝ¿ êÇë»é»³Ý »õ êÇ÷³Ý øûñûÕÉ»³Ý ê»õñÇ ¹³ßݳ·ÇñÇ 92ñ¹ ï³ñ»¹³ñÓÇ ûñÁª 10 ú·áëïáë 2012-ÇÝ, µ³ñÓñ³ó³Ý ²ñ³ñ³ï: ä¿ÛñáõÃÇ Ö»Ù³ñ³ÝÇ ßñç³Ý³õ³ñïÝ»ñª γñ¿Ý äûÕáë»³Ý »õ ²ñÙ¿Ý äã³ù×»³Ý:

²ÝÇÇ ºÏ»Õ»óÇÝ»ñÁ ÎÁ ì»ñ³Ýáñá·áõÇÝ Ø½ÏÇÃÇ ì»ñ³Íáõ³Í ê. ²é³ù»Éáó ºÏ»Õ»óõáÛ ¸éÝ»ñÁ ´³óª ØÇ³ÛÝ Ü³Ù³½Ç ijٻñáõÝ

г۳ëï³Ý-Âáõñùdz ë³ÑÙ³ÝÇÝ Ùûï ·ïÝáõáÕ å³ïÙ³Ï³Ý ²ÝÇ ù³Õ³ùÇ ³õ»ñáõ³Í »Ï»Õ»óÇÝ»ñÁ ëÏë³Í »Ý í»ñ³Ýáñá·áõÇÉ: ì»ñ³Ýáñá·Ù³Ý ³ß˳ï³ÝùÝ»ñÁ ÏÁ ϳï³ñáõÇÝ ²ÝÇÇ ²Ù»Ý³÷ñÏÇã »õ êáõñµ ¶ñÇ·áñ »Ï»Õ»óÇÝ»ñáõÝ Ù¿ç:

²ÝáÝù ϰÇñ³Ï³Ý³óáõÇÝ Úáõß³ñÓ³ÝÝ»ñáõ гٳß˳ñѳÛÇÝ ÐÇÙݳ¹ñ³ÙÇ, γñëÇ Øß³ÏáÛÃÇ áõ ½µûë³ßñçáõû³Ý í³ñãáõû³Ý »õ ÂáõñùÇáÛ Ù¿ç ØÇ³ó»³É ܳѳݷݻñáõ ¹»ëå³Ý³ï³Ý ýÇݳÝë³õáñáõÙáí: ²ß˳ï³ÝùÝ»ñÁ åÇïÇ ï»õ»Ý ÙÇÝã»õ 15 ê»åï»Ùµ»ñ: ì»ñ³Ýáñá·áõ³Í »Ý ݳ»õ ²ÝÇÇ ï³ñµ»ñ »Ï»Õ»óÇÝ»ñáõ ×»ÙáõÕÇÝ»ñÝ áõ ׳ٵ³Ý»ñÁ: ö³Ùáõùù³É¿ ѳٳÉë³ñ³Ý¿Ý ü³ÑñÇÛ¿ ä³Ûñ³Ù Û³ÛïÝ³Í ¿, ÿ ê. ¶ñÇ·áñ »Ï»Õ»óõáÛ Ù¿ç å»ÕáõÙÝ»ñ »õ í»ñ³Ýáñá·Ù³Ý ³ß˳ï³ÝùÝ»ñ åÇïÇ ß³ñáõݳÏáõÇÝ Û³é³çÇÏ³Û ï³ñÇÝ»ñáõÝ: 1036-ÇÝ ÚáíѳÝÝ¿ë-êÙµ³ï ó·³õáñÇÝ ÏáÕÙ¿ ϳéáõóáõ³Í »Ï»Õ»óÇÝ í»ñ³Ýáñá·áõ³Í ¿ 1291 »õ 1342 Ãáõ³Ï³ÝÝ»ñáõÝ: 1930-³Ï³Ý Ãáõ³Ï³ÝÝ»ñáõÝ Ï³ÛͳÏÇ Ñ³ñáõ³Í¿Ý ³ÝÇϳ »ñÏáõùÇ ÏÇëáõ³Í ¿: ²ÛÅÙ ù³Ý¹áõ³Í ÏïáñÝ»ñÁ ÏÁ ѳγñëÇ ³ÙñáóÇ Ùûï³Ï³ÛùÁ ·ïÝáõ³ùáõÇÝ »õ ÏÁ ѳٳÉñáõÇÝ: ºÏ»Õ»óõáÛ õáÕ êáõñµ ²é³ù»Éáó »Ï»Õ»óÇÝ í»ñ³í»ñ³Ýáñá·Ù³Ý ³ß˳ï³ÝùÝ»ñáõÝ Íáõ³Í ¿ Ù½ÏÇÃÇ, ë³Ï³ÛÝ µ³ó ¿ ÙdzÛÝ ùë³Ý Ù³ëݳ·¿ïÝ»ñ ÏÁ Ù³ëݳÏóÇÝ: ݳٳ½Ç ųٻñáõÝ, áñ ÏÁ ½³Ûñ³óÝ¿

ï»Õ³óÇÝ»ñÝ áõ ûï³ñ ½µûë³ßñçÇÏÝ»ñÁ, Áëï Sondakika ϳÛùÇÝ: §Î³ñë »ÏáÕ ï»Õ³óÇ »õ ûï³ñ ½µûë³ßñçÇÏÝ»ñÁ ³é³çÇÝ ³Ý·³Ù Ï ³Ûó»É»Ý γñëÇ ³Ùñáó, ë³Ï³ÛÝ ã»Ý Ïñݳñ »Ï»Õ»óÇ-Ù½ÏÇà ³Ûó»É»É, ù³ÝÇ áñ ³Ýáñ ¹éÝ»ñÁ ÷³Ï Ï ÁÉɳݦ, ·ñ³Í ¿ Éñ³ïáõ³ÙÇçáóÁ: 932-937-ÇÝ ²µ³ë ´³·ñ³ïáõÝÇ ³ñù³ÛÇÝ ÏáÕÙ¿ ϳéáõóáõ³Í »Ï»Õ»óÇÝ 1994-ÇÝ ³Ýáõ³Ý³÷áËáõ³Í ¿ »õ í»ñ³Íáõ³Í Ù½ÏÇÃÇ: ²Ûó»ÉáõÝ»ñÁ, ë³Ï³ÛÝ, ÏÁ å³Ñ³Ýç»Ý ½³ÛÝ ÙÇßï µ³ó å³Ñ»É:

Read TorontoHye Online @ www.issuu.com/Torontohye


Ð²Ú ¸²î

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

11

úñÑ³Ý ö³Ùáõù. §ÂáõñùÇáÛ Ü»ñϳ۳óáõóÇã ÀÉɳÉÁ ÆÙ Ø¿çÇ Ø³ÝáõÏÁ ÎÁ êå³ÝÝ¿¦

úñÑ³Ý ö³Ùáõù

¶ñ³Ï³Ýáõû³Ý Üáå¿É»³Ý Ùñó³Ý³Ï³ÏÇñ Ãáõñù íÇå³·Çñ úñÑ³Ý ö³Ùáõù µñÇï³Ý³Ï³Ý The Independent ûñÃÇÝ ïáõ³Í ѳñó³½ñáÛóÇÝ ÁÝóóùÇÝ ³Ý¹ñ³¹³ñÓ³Í ¿ ÙÇÝã»õ 2010 ÂáõñùÇáÛ §³ç¦ ûñûñáõÝ` Çñ ѳëó¿ÇÝ ÑÝã³Í ùÝݳ¹³ïáõÃÇõÝÝ»ñáõÝ, Ýß³Í, áñ Çñ ¹¿Ù ß³ñÅáõÙÝ»ñÁ ¹»é ÏÁ ß³ñáõݳÏáõÇÝ, ë³Ï³ÛÝ ÇÝùÁ ³ÛÅÙ ³õ»ÉÇ Ñ³Ý·Çëï ÏÁ í»ñ³µ»ñÇ ³ÝáÝó: §ÂáõñùÇáÛ Ó³ÛÝÁ ϳ٠ݻñϳ۳óáõóÇãÁ ÁÉɳÉÁ ãÇ á·»õáñ»ñ ½Çë: ²ïÇϳ ÇÝÍÇ ³õ»ÉÇ ³ÙãÏáï ÏÁ ¹³ñÓÝ¿: ÎÁ ëå³ÝÝ¿ ÇÙ Ù¿çÇ »ñ»Ë³Ý¦, Áë³Í ¿ ³Ý: Æñ µÝ³Ï³ñ³ÝÇÝ Ù¿ç ïá-

õ³Í ѳñó³½ñáÛóÇÝ ÁÝóóùÇݪ ö³Ùáõù Ýß³Í ¿, áñ ³é³çáõ³Ý ÝÙ³Ý Çñ ¹¿Ù ß³ñÅáõÙÝ»ñ Ï'Çñ³Ï³Ý³óáõÇÝ: §ê³Ï³ÛÝ ³ÛÅÙ ³õ»ÉÇ Ñ³Ý·Çëï ¿: гõ³Ý³µ³ñ ³ïÇϳ áñáß ã³÷áí ϳåáõ³Í ¿ Üáå¿É»³Ý Ùñó³Ý³ÏÇÝ Ñ»ï: ¿»õ »ñÏÇñÝ ³É ÷áËáõ³Í ¿: ºë Ï'³ç³Ïó¿Ç ÂáõñùÇáÛ ºõñáå³Ï³Ý ÙÇáõû³Ý ³Ý¹³Ù³Ïóáõû³Ý¦, Áë³Í ¿ ³Ý: ö³Ùáõù Ýß³Í ¿, áñ Ù³ñ¹ÇÏ Çñ»Ý Ï'ÁݹáõÝÇÝ Çµñ»õ ÂáõñùÇáÛ Ñ³Ù³ñ Çõñ³Û³ïáõÏ ¹Çõ³Ý³·¿ï ÙÁ, ë³Ï³ÛÝ ³Û¹å¿ë ã¿, ³ïÇϳ å³ñï³õáñ»óÝáÕ ¿: §ºë ã»Ù áõ½»ñ, áñ ³Û¹å¿ë ÁÉɳÛ: ÂáõñùÇáÛ Ó³ÛÝÁ ϳ٠ݻñ-

ϳ۳óáõóÇãÁ ÁÉɳÉÁ ³ÝÙ»Õ »õ áõñ³Ë³ÉÇ íÇ×³Ï ÙÁ 㿦, Áë³Í ¿ ·ñáÕÁ: Üáå¿É»³Ý Ùñó³Ý³Ï³ÏÇñ ö³Ùáõù í»ñç»ñë ѳñó³½ñáÛó ïáõ³Í ¿ ݳ»õ ·»ñÙ³Ý³Ï³Ý Die Zeit ûñÃÇÝ: ²Ý Ýß³Í ¿ñ, áñ ÂáõñùÇáÛ í»ñݳ˳õÁ ß³ï ÏÁ ½³Ûñ³óÝ¿ ½ÇÝù: §Î'³ï»Ù ³ÝáÝó ·áéá½áõÃÇõÝÁ: ²ÝáÝù Ý»Õ Ùï³Í»É³Ï»ñå áõÝÇÝ »õ ³ÝÓݳë¿ñ »Ý, µ³óÇ ³Û¹` Ï'³ï»Ý Çñ»Ýó ³½·Á¦, Áë³Í ¿ñ ³Ý: ²Ý¹ñ³¹³éݳÉáí ¹¿åÇ ºõñáå³ Ã»ùáõ³Í Ãáõñù µ³ñÓñ³ëïÇ×³Ý Ë³õÇ Ýϳñ³·ñáõû³Ý Çñ ëï»Õͳ·áñÍáõÃÇõÝ-

Ý»ñáõÝ Ù¿ç, ö³Ùáõù Áë³Í ¿. §²ÝáÝó ³åñ»É³Ï»ñåÁ ÇÙ ³åñ»É³Ï»ñåÝ ¿: ÜáÛÝ ¹³ë³ñ³Ý¿Ý, ÝáÛÝ ÷áÕáó¿Ý »Ýù: Ø»ñ ëáíáñáÛÃÝ»ñÁ ÝáÛÝÝ »Ý, ÝáÛÝ Ë³ÝáõÃÝ»ñ¿Ý ³é»õïáõñ Ï'ÁÝ»Ýù: ²ÝáÝó Ù³ëÇÝ ëÇñáí ÉÇ µ³é»ñ ³É ·ñ³Í »Ù, ë³Ï³ÛÝ Ý³»õ ͳÕñ³Í »Ù: äáõñÅáõ³½Ç³Ý ÏÁ ½³Ûñ³óÝ¿ ½Çë: ²ÝáÝó ٻͳÙïáõÃÇõÝÁ ѳ׻ÉÇ ã¿ ÇÝÍÇ Ñ³Ù³ñ: ²ÝáÝù »ë³ë¿ñ »Ý »õ Ï'³ï»Ý ë»÷³Ï³Ý ù³Õ³ù³óÇÝ»ñÁ, áñ »ë ã»Ù Ïñݳñ ÁݹáõÝÇÉ: ²ÝáÝó Ù¿Ï Ù³ëÁ í»ñ¿Ý ÏÁ ݳÛÇ ·É˳ßáñáí Ãáõñù ϳݳÝó: ²Û¹ å³Ñáõ³ÍùÁ ÇÝÍÇ ÏÁ ÛÇß»óÝ¿ гñ³õ³ÛÇÝ ²÷ñÇÏ¿Ç Ù¿ç ëåÇï³Ï Ù³ñ¹áó` ë»õ»ñáõÝ áõÕÕáõ³Í ѳۻ³óùÝ»ñÁ¦:

ò»Õ³ëå³Ýáõû³Ý ´³Ý³Ó»õÁ ÎñÝ³Û ¸³ñÓ»³É øÝÝáõÇÉ üñ³Ýë³ÛÇ Ø¿ç üñ³Ýë³ÛÇ ³ñï³ùÇÝ ·áñÍáó ݳ˳ñ³ñ Èáñ³Ý ü³åÇõë »ñÏáõß³µÃÇ, 20 ú·áëïáëÇÝ Û³ÛïÝ»ó, ÿ ãÇ µ³ó³é»ñ, áñ ö³ñÇ½Ç Ù¿ç ¹³ñÓ»³É ùÝÝáõÇ Ð³Ûáó ò»Õ³ëå³Ýáõû³Ý áõñ³óáõÙÁ ùñ¿³Ï³Ý³óÝ»Éáõ Ù³ëÇÝ ûñÇݳ·ÇÍ ÙÁ í³õ»ñ³óÝ»Éáõ ѳñóÁ: Âáõñùdz ϳï³ñ³Í Çñ ³Ûó»Éáõû³Ý ÁÝóóùÇÝ, ÂáõñùÇáÛ ³ñï³ùÇÝ ·áñÍáó ݳ˳ñ³ñ ²Ñٻà î³õáõÃûÕÉáõÇ Ñ»ï Ùdzó»³É Ù³ÙÉáÛ ³ëáõÉÇëÇ ÙÁ ÁÝóóùÇÝ ü³åÇõë å³ï³ë˳ݻó Éñ³·-

ñáÕÝ»ñ¿Ý Ù¿ÏáõÝ ³ÛÝ Ñ³ñóáõÙÇÝ, ÿ üñ³Ýë³ÛÇ Ù¿ç ǵñ»õ ÿ ÏÁ ËûëáõÇ ³ÛÝ Ù³ëÇÝ, áñ ÝÙ³Ý ûñÇݳ·ÇÍ ³ÛÉ»õë åÇïÇ ãÝ»ñϳ۳óáõÇ ËáñÑñ¹³ñ³Ý, ѳϳé³Ï ³Ýáñ áñ ݳ˳·³Ñ üñ³Ýëáõ³ ÐáɳÝï Û³Ûï³ñ³ñ³Í ¿ñ, ÿ µ³Ý³Ó»õÁ åÇïÇ í»ñ³¹³éÝ³Û ûñ³Ï³ñ·: Ƶñ»õ å³ï³ë˳Ý, Èáñ³Ý ü³åÇõë Ý³Ë ÛÇß»óáõó, áñ ݳËÁÝïñ³Ï³Ý ßñç³ÝÇÝ ÝÙ³Ý Û³Ûï³ñ³ñáõÃÇõÝÝ»ñ ϳï³ñ³Í »Ý ÿ° ÜÇùáɳ ê³ñùá½ÇÝ »õ ÿ ÐáɳÝïÁ, ³å³ ³õ»Éóáõó. §ÎÁ ѳõ³ï³Ù,

ê. ºððàð¸àôÂÆôÜ Ð²Úò. ²è²ø. ºÎºÔºòôàÚ ÌÊ²Î²Ü ÊàðÐàôð¸Æ ÞÜàðвôàð²Î²Ü ÊúêøÀ î¾ð ¼²ðºÐ ². ø²Ð²Ü²Ú ¼²ð¶²ðº²ÜÆ ø²Ð²Ü²Ú²Î²Ü Òºèܲ¸ðàôº²Ü ºô úÌØ²Ü 20-²Øº²ÎÆ ²èÂÆô êÇñ»ÉÇ µ³ñ»Ï³ÙÝ»ñ, êµ. ºññáñ¹áõÃÇõÝ Ð³Ûó. ²é³ù. ºÏ»Õ»óõáÛ Ñ³õ³ï³ó»³ÉÝ»ñáõ Ù»Í ÁÝï³ÝÇùÇ ³ÝáõÝáí Ïáõ ·³Ýù ÷³éù ï³Éáõ ²Ù»Ý³Ï³ÉÇÝ ²ëïáõÍáÛ, áñ Ù»½ ûñÑÝ³Í ¿ µ³ó³éÇÏ ÝáõÇñ»³É ÑáíÇõáí ÙÁª Û³ÝÓÇÝ î¿ñ ¼³ñ»Ñ ². øÑÝÛ. ¼³ñ·³ñ»³ÝÇ: ø³Ñ³Ý³Û³Ï³Ý Çñ ÏáãáõÙÇÝ Ñ³õ³ï³ñÇÙ ÙݳÉáí »õ Ñá·³Éáõ ѳٳñ Çñ µ³½Ù³Ý¹³Ù ÍáõËÇ ³Ýí»ñç³Ý³ÉÇ Ï³ñÇùÝ»ñÁ, Ù»ñ ëÇñ»ÉÇ ÑáíÇõÁ ÙÇßï Çñ å³ñï³Ï³ÝáõÃÇõÝÝ»ñ¿Ý ³õ»ÉÇÝ Ï³ï³ñ³Í ¿, ½áÑ»Éáí ³ÝÓÝ³Ï³Ý »õ ÁÝï³Ý»Ï³Ý ëáõÕ Å³Ù»ñÁ: Æñ í³ëï³Ï³ß³ï ͳé³Ûáõû³Ùµ, î¿ñ ¼³ñ»Ñ ²õ³· øÑÝÛ. ¼³ñ·³ñ»³Ý ¹³ñÓ³Í ¿ áÕݳëÇõÝÁ Ù»ñ ѳٳÛÝùÇÝ, í³Û»É»Éáí ë¿ñÝ áõ Û³ñ·³ÝùÁ µ³½Ù³ÃÇõ ѳõ³ï³ó»³ÉÝ»ñáõ: ÞÝáñÑÇõ î¿ñ Ðûñ ÇÙ³ëïáõÝ »õ µ³ñ»Ñ³ÙµáÛñ ³é³çÝáñ¹áõû³Ý, Ù»ñ êµ. ºÏ»Õ»óÇÝ ³ñӳݳ·ñ³Í ¿ ³Ýáõñ³Ý³ÉÇ »õ ³Ýݳ˳¹¿å Û³çáÕáõÃÇõÝÝ»ñ Ñá·»õáñ, µ³ñ»ëÇñ³Ï³Ý, ÏñÃ³Ï³Ý »õ Ùß³ÏáõóÛÇÝ Ù³ñ½»ñ¿Ý Ý»ñë: î¿ñ ¼³ñ»ÑÇ ç³Ýù»ñáí, ³ÝóÝáÕ ï³ñÇÝ»ñáõÝ »Ï»Õ»óõáÛ Ñáí³ÝÇÇÝ Ý»ñù»õ Ï»³ÝùÇ Ïáãáõ³Í »Ý µ³½Ù³ÃÇõ Û³ñ³ÏÇó Ù³ñÙÇÝÝ»ñ Ç Ýå³ëï Ñ³Û Ñ³õ³ïùÇ »õ ³½·³ÛÇÝ ³ñÅ¿ùÝ»ñáõ å³Ñå³Ýáõû³Ý: ²Ý Ù»Í Ý»ñ¹ñáõÙ áõÝ»ó³Í ¿ ÂáñáÝÃáÑ³Û Ñ³Ù³ÛÝùÇ »Ï»Õ»óÇÝ»ñáõ »õ ϳ½Ù³Ï»ñåáõÃÇõÝÝ»ñáõ ѳٳ·áñͳÏóáõû³Ý Ù¿ç, Ù³ëݳõáñ³µ³ñ ØÇç-Ú³ñ³Ýáõ³Ý³Ï³Ý سñÙÝÇ ·áñÍáõÝ¿áõÃÇõÝÝ»ñáõÝ, Çñ ³ñÅ¿ù³õáñ Ýå³ëïÁ µ»ñ»Éáí Ñ³Û Ñ³Ù³ÛÝùÇ ÙÇáõû³Ý ϳñ»õáñ ³ß˳ï³ÝùÝ»ñáõÝ: Æñ ѳٳÛÝù³ÛÇÝ å³ñï³Ï³ÝáõÃÇõÝÝ»ñáõÝ ³éÁÝûñ, î¿ñ гÛñÁ »ñϳñ ï³ñÇÝ»ñ¿ Ç í»ñ í³ñã³Ï³Ý ËáñÑáõñ¹Ç ³Ý¹³Ù ¿ ¶³Ý³ï³ÛÇ ºÏ»Õ»óÇÝ»ñáõ ÊáñÑáõñ¹ÇÝ, ÂáñáÝÃáÛÇ ºÏ»Õ»óÇÝ»ñáõ ÊáñÑáõñ¹ÇÝ, àõÕÕ³÷³é »õ ²ñ»õ»É»³Ý øñÇëïáÝ»³Û ºÏ»Õ»óÇÝ»ñáõ, ÇÝãå¿ë ݳ»õ úÝóñÇáÛÇ ´³½Ù³ÏñûÝ ÊáñÑáõñ¹ÇÝ: Ƶñ»õ ѳõ³ï³ó»³ÉÝ»ñ ûñÑÝáõ³Í ÏÁ ½·³Ýù áñ »ñϳñ ï³ñÇÝ»ñ¿ Ç í»ñ ÏÁ í³Û»É»Ýù î¿ñ Ðûñ ³ÝÓÝáõñ³ó »õ Ñá·³ï³ñ ͳé³ÛáõÃÇõÝÝ»ñÁ: ²ñ¹, ëÇñ»ÉÇ µ³ñ»Ï³ÙÝ»ñ, ³é Ç »ñ³Ëï³·ÇïáõÃÇõÝ î¿ñ Ñûñ ÏáãáõÙÇÝ áõ ÝáõÇñáõÙÇÝ, Ù»Í áõñ³Ëáõû³Ùµ ÏÁ Û³Ûï³ñ³ñ»Ýù, ÿ ê. ºññáñ¹áõÃÇõÝ Ð³Û³ëï³Ý»³Ûó ²é³ù»É³Ï³Ý ºÏ»Õ»óÇÝ åÇïÇ ïûݳËÙµ¿ ²ñÅ. î¿ñ ¼³ñ»Ñ ²õ³· øÑÝÛ. ¼³ñ·³ñ»³ÝÇ ù³Ñ³Ý³Û³Ï³Ý Ó»éݳ¹ñáõû³Ý »õ ûÍÙ³Ý 20-³Ù»³ÏÁ Û³é³çÇÏ³Û ÐáÏï»Ùµ»ñ 5,6,7 ß³µ³Ã³í»ñçÇÝ: êÇñáí ÏÁ Ññ³õÇñ»Ýù Ò»½ Ùdzëݳµ³ñ ïûݳËÙµ»Éáõ ³Ûë ϳñ»õáñ ѳݷÁñõ³ÝÁ: ²Ûë áõñ³Ë ³éÃÇõ »Ï»Õ»óõáÛë Ú³ñ³ÏÇó Ø³ñÙÇÝÝ»ñáõ »õ ѳõ³ï³ó»³ÉÝ»ñáõ Ù»Í ÁÝï³ÝÇùÇ ³ÝáõÝáí Ù»ñ ë¿ñÝ áõ »ñ³Ëï³·ÇïáõÃÇõÝÁ ÏÁ Û³ÛïÝ»Ýù »õ ÏÁ ßÝáñѳõáñ»Ýù î¿ñ ¼³ñ»Ñ ². øÑÝÛ. ¼³ñ·³ñ»³ÝÁ, Çñ»Ý ÙÇßï ½ûñ³íÇ·ª ëÇñ»ÉÇ ºñ¿óÏÇÝ Ü³ÛÇñ³Ý »õ Çñ»Ýó ëÇñ³ëáõÝ ½³õ³ÏÝ»ñÁª ܳñ»Ï, ²ñ»Ý »õ ²ñ³½: ÂáÕ ²ëïáõ³Í ûñÑÝ¿ ÝáõÇñ»³É ³Ûë ÁÝï³ÝÇùÁ »õ å³ñ·»õ¿ ³éáÕçáõÃÇõÝ »õ ³Ù»Ý³ÛÝ µ³ñÇù: ÌË³Ï³Ý ÊáñÑáõñ¹ ê. ºññáñ¹áõÃÇõÝ Ð³Ûó. ²é³ù. ºÏ»Õ»óõáÛ ú·áëïáë 23, 2012 - ÂáñáÝÃû

áñ ÏÁ ·ïÝáõÇÝ ÉáõÍáõÙÝ»ñ, áñáÝù ½áõñÏ »Ý ½·³ó³Ï³Ýáõûݿ¦` ãÑ»ñù»Éáí Ýáñ ûñÇݳ·ÇÍÇ ÙÁ ѳõ³Ý³Ï³ÝáõÃÇõÝÁ: üñ³Ýë³ÛÇ ËáñÑñ¹³ñ³ÝÝ áõ Í»ñ³ÏáÛïÁ í³õ»ñ³óáõóÇÝ Ð³Ûáó ò»Õ³ëå³Ýáõû³Ý ÅËïáõÙÁ ùñ¿³Ï³Ý³óÝáÕ ûñÇݳ·ÇÍ ÙÁ, ë³Ï³ÛÝ ³Ýó»³É ö»ïÁñõ³ñÇÝ, üñ³Ýë³ÛÇ ê³Ñٳݳ¹ñ³Ï³Ý ËáñÑáõñ¹Á ûñÇݳ·ÇÍÁ áã ë³Ñٳݳ¹ñ³Ï³Ý Ýϳï³Í ¿ñ:

Èáñ³Ý ü³åÇõë

HOLY TRINITY ARMENIAN APOSTOLIC CHURCH Parish Council s Congratulatory Message ON THE OCCASION OF REV. ARCHPRIEST FR. ZAREH ZARGARIAN S 20TH ANNIVERSARY OF THE ORDINATION TO PRIESTHOOD Dear Friends, On behalf of the large family of the faithful of the Holy Trinity Armenian Apostolic Church, we come to praise God Almighty for blessing us with our extraordinary and incomparable pastor in the person of Rev. Archpriest Fr. Zareh Zargarian. Remaining faithful to his calling, and to meet the endless needs of his parish, our dear Pastor has always gone beyond the call of duty, sacrificing personal and family time for the well being of his community. His unparalleled services and personal sacrifices to our community at large have earned him the deep respect and love of our faithful. Due to Fr. Zareh s wisdom and strong spiritual leadership, our Church has registered unprecedented success in the spiritual life of our parishioners, as well as in the humanitarian, educational and cultural life of our community. As a result of Fr. Zareh s direct personal efforts during the last few years, the existing auxiliary bodies operating within the Church have become stronger, and many new ones have been created to benefit the Church s spiritual life and the preservation of our cherished heritage. Fr. Zargarian continues to have, a positive and active involvement, in the life of our community, particularly in the Armenian Interdenominational Committee of Toronto by bringing his valuable share in unity of all Armenians. His firm Christian belief, in peace and unity amongst people, for the betterment of life has led him to become a long standing and active member of the governing boards of the Canadian Council of Churches, Eastern and Oriental Orthodox Council of Churches, Toronto Council of Churches, as well as Ontario Multi Faith Council. As faithful members of our Church, and for many years now, we truly believe to have been blessed by Fr. Zareh s unselfish and caring leadership. Therefore, in recognition for all his achievements and sacrifices in this community, it is with great joy that we announce, the Holy Trinity Armenian Apostolic Church will celebrate Rev. Archpriest Fr. Zareh Zargarian s 20th Priestly Ordination Anniversary during the week end of October 5,6,7, 2012. You are all invited to celebrate this important occasion with us. On this happy occasion, and on behalf of all the auxiliary bodies and the congregation, we would like to express our love and deep gratitude to Rev. Archpriest Fr. Zareh Zargarian, his pillar of strength Yeretzgin Naira, and their lovely children Nareg, Aren and Araz. May God Almighty bless all the members of this dedicated family, protect them and grant them good health. Parish Council Holy Trinity Armenian Apostolic Church


2012 12 ¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83


13

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83


2012 14 ¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83

PRIVATE SWIMMING LESSONS

Home/Life Vision

Realty Inc.-Realtor Member

> $20 for 30 minute / $40 for 45 minute > You come to OUR pool or we come to YOURS!! > Packages available! Visit WWW.SUNSWIM.CA > Over 7 years of experience > Certified with LIFESAVING SOCIETY > Lessons in Scarborough/Markham/Richmond Hill/Thornhill/North York > Our pool is heated, excellent maintenance and includes diving board

Call us at 416-898-7122 Visit WWW.SUNSWIM.CA for more information Email us at INFO@SUNSWIM.CA

̳Ýáõóáõ٠гõ³ùáÕ ÎÁ öÝïéáõÇ

Rimound Babaian A.Argiti

Cell: 416-897-8261

Sales Representative

Office: 416-383-1828

Independently owned and operated

$ 479 479,,900 $ 280,900

§ÂáñáÝÃáѳۦ ϳñÇùÁ áõÝÇ Í³ÝáõóáõÙÝ»ñ ѳõ³ùáÕÝ»ñáõª ÂáñáÝÃáÛÇ »õ ßñç³Ï³ÛùÇ Ù¿ç: лï³ùñùñáõáÕÝ»ñ¿Ý ÏÁ ËÁݹñáõÇ

BRADFORD Detached 4 + 1 3 washrooms

Ñ»é³Ó³Ûݻɪ 647 890 0762

Downtown (600 FLEET) 1 Bedroom maint: $391.90

LAWRENCE-WARDEN Dental Clinic

Dr. Sami Arshak Garabetian D.D.S.

in teeth whitening!

Family & Cosmetic Dentistary Dentures Crowns & Bridges New Patients Veneers Seniors Discount Student Discount

Welcome

OPEN MON- SAT. 9 AM TO 8 PM

Lawrence Ave.

Birchmount Rd.

See the results within 1 hour Warden Ave.

2:00 pm

& Associates

Latest Technology Pharmacy Rd.

1:00 pm

416-701-0600

CALL 2080B Lawrence Ave. E.


15

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83


2012 16 ¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83


17

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83


2012 18 ¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83

TORONTO ARMENIANS

The Georgetown Armenian Boys' Farm Home will be featured during Doors Open Ontario As a part of the Doors Open Ontario initiative of the Ontario Heritage Trust, when hundreds of heritage sites are open for public viewing free of charge, the Armenian National Committee, in co-operation with the Town of Halton Hills, will be organizing on September 29 the presentation of Cedarvale Community Centre and Park, formerly known as the Georgetown Armenian Boys Farm Home. Located at 181-185 Main Street South, Georgetown, Ontario, the site was formerly called the Georgetown Armenian Boys Farm Home and home to 109 Armenian boys who had been orphaned due to the Armenian Genocide between 1915- 1923. The project was realised due to the efforts of the Armenian Relief Association of Canada and the mass participation of Canadian Citizens who raised large sums. The story of the Georgetown Boys is an integral part of Canadian immigration history as it marked many firsts for Canada. It is a page in Canada s history that must be immortalized and preserved because it is one of the first instances of Canadian advocacy for the rights of those suffering overseas, the start of Canada s role as the protector of international human rights and justice. The Globe newspaper (predecessor to The Globe and Mail), participated in raising $300,000 dollars in the 1920s to provide humanitarian relief for Armenian orphanages throughout the region. It reported on the arrival of the first 46 boys on July 1, 1923 and described them as being the brightest and most determined boys ever seen. Snatched

from the Turk, given a chance to develop, and trained in Canadian methods, these bright eyed orphans will soon prove to be the greatest argument why more should be brought to Canada These Armenian Boys did become exemplary members of society and lived up to their expectations, thus Canada s Noble Experiment as this venture was known, was deemed successful, paving the way for further Canadian humanitarian initiatives. We can justly affirm that this very site is the birthplace of international humanitarianism in Canada. Thanks to the efforts of the Armenian National Committee and the Armenian Community Centre, the Cedarvale Community Centre, park and adjacent buildings were designated a historic site by the Town of Halton Hills on June 26, 2010. The site was also commemorated with a provincial plaque on June 27, 2011. The plaque reads: On July 1, 1923, a group of 50 Armenian boys arrived at this farm site from an orphanage in Corfu, Greece. The Georgetown Boys, as they came to be known, arrived in Canada between 1923 and 1927 109 boys in all. The orphans were survivors of the Armenian Genocide (1915-1923). Their plight touched the hearts of thousands of Canadians, who raised significant funds and lobbied the Canadian government to bring them here. Under the care and supervision of the Armenian Canadian Relief Fund s Farm and Home Committee, the children lived at Cedarvale Farm located on this property and were taught English and farming skills. By 1928, the

A Run to Remember: Be the Difference in a Child s Life A Run to Remember is an initiative of Homenetmen Toronto that, since its inauguration in 2008, has made its participation in the Scotiabank Toronto Waterfront Marathon a yearly tradition. Now in its fifth year, ARTR hopes to grow as a collective community coming in stronger and reaching out to a wider audience to encourage participation and further its charitable endeavors. This year the Scotiabank Toronto Waterfront Marathon will be held on October 14. You may choose to walk or run the 5k, or run the full or half marathon. ARTR is a completely non-profit initiative whose purpose is to make a positive impact and give back to the community. Over the years, they have done so by giving to a number of worthy charities. ARTR has participated in the Scotiabank Group Charity Challenge coming in strong every year as either the first or second place winners. This year the proceeds from ARTR will be distributed to charities whose main concern is the well-being of children: Sick Kids, ARS Sosse Kindergarten,

Orphans of the Genocide director Bared Maronian filming in front of the Georgetown Boys historical building. The plaque commemorating the Georgetown Boys story (inset).

orphans were placed with farm families in Southwestern Ontario. As adults, most of the Armenians became Canadian citizens and chose to remain in this country. By providing assistance to non-British Commonwealth refugees, the Armenian Boys Farm Home was the first humanitarian effort of its kind in Canada. The Georgetown farm serves as a constant reminder of the Armenian Genocide and the lessons we need to learn from history in hopes of preventing future cases of the crime. Canada's commitment to recognize this historic reality has been exemplary. Memorial sites such as the Georgetown

Armenian Boys Farm are vital components for collective remembrance of humanity's past. This allows us to go above and beyond the remembrance that occurs within the community of the victim group. Collective remembrance must incorporate humanity as a whole, especially in cases of genocide where international outrage is a vital part of preventing future cases. This collective remembrance prevents further victimization of members of past victims groups. To immortalize the memory of the Georgetown Boys is to immortalize the memory of the Armenian Genocide and the roots of Canada's humanitarian efforts.

Canadian Armenian Artist Armand Tatossian Passes Away

ARS Day School, and Homenetmen Toronto. ARTR serves as a means for family and friends to honour and celebrate the life of their departed by running in their memory and wearing their names proudly through the duration of the run. Over the years ARTR has run in the memory of over 45 honourees who had been active and respected members of the community. Being under the auspices of Homenetmen Toronto, ARTR is one of the unique committees within the Armenian Community that also promotes a healthier lifestyle and, with its biweekly training sessions, encourages physical fitness. Everyone is encouraged to participate no matter what their physical capabilities. Last year the participants ages spanned from the young (9 years old) to the young at heart (77 years old). A Run to Remember is a rewarding experience that not only gives back to the community and charitable organizations, but gives the participant something as well. see page 22

Canadian Armenian renowned artist Armand Tatossian passed away suddenly on August 23, in Montreal. He was 60. Tatossian was a remarkable artist who had been the youngest member ever accepted into the Royal Canadian Academy of Arts (R.C.A.) in 1973. Born in 1951 in Alexandria Egypt, Tatossian was a descendant of a long line of artists: his grandfather was a painter and curator at the Alexandria Museum of Egypt. His uncle, Yeghiche Tatossian, was an Armenian landscape painter who traveled to Paris to study Post-Impressionism, ultimately returning to Armenia to bring the style home. And his father, Charles Tatossian, is a Canadian painter. Armand Tatossian's exuberant artistic energy was largely expressed in oil paintings. His subject matter varied: abstracts, landscapes, still life, tone on tone, and the ever so distinctive style dubbed "Tatossianisme". His unique vision and artistic style received international exposure through exhibitions and museum collections worldwide since 1968. In addition, numerous presidential as well as world private and corporate collections are

home to many Tatossian originals. Tatossian's work has graced the walls of the Musée du Quebec (Canada), National Gallery of Athens (Greece), Musée de SaintLazaro (Italy), the Fine-Arts Museum of the Republic of Armenia, the Presidential Library (Washington DC.), and the Armenian Museum of America (Massachusetts). Several National Galleries in North America have featured his creations, including the National Galleries of Canada, Washington DC, Chicago Illinois.

Osana Mksy-Artinian AMP Mortgage Specialist

mobile: 416-315-7310 office: 416-490-0607 osana.mksy-artinian@bmo.com

S e r v i n g t h e A r m e n i a n C o m m u n i t y f o r 2 0 Ye a r s

Ara Graphics

ds e nee g a g t or our m rates y l l a ve For petiti m o c les t Bes ir Mi A 0 0 5 up to


19

êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

TORONTO ARMENIANS

Toronto Memorial Police Refuse To Prosecute Harsnakar Owner, Gathering for Vahe Avetyan Toughen Charges Against Suspects

Ruben Hayrapetian (RFE/RL) The Armenian police have toughened criminal charges against six men arrested for beating up to death a military doctor at a Yerevan restaurant in June. The men, most of them security guards working at the Harsnakar restaurant, were initially charged under one article of the Criminal Code dealing with deliberate physical injuries. They risked between five and ten years imprisonment. Arsen Ayvazian, a high-ranking official from the police Inspectorate General of Criminal Investigations, said

investigators formally accused them of three counts of assault that could result in lengthier prison sentences. One of the accusations relates to violent attacks resulting in deaths. Ayvazian attributed the police decision to the fact that the victim, Vahe Avetian, died in hospital about two weeks after the June 17 incident. Avetian and two other army medics were beaten up at Harsnakar and hospitalized in still unclear circumstances. The police have been facing calls from opposition groups and civic campaigners to prosecute not only the assailants but the restaurant s government-linked owner, businessman Ruben Hayrapetian. Police investigators say there is no evidence of Hayrapetian s direct involvement in the incident. The lawyers, Tigran Yegorian and Lusine Hakobian, accused the police investigators of refusing to give them copies of the criminal case in breach of Armenian law. Yegorian and Hakobian visited the powerful police unit during the demonstration. They said afterwards that they were finally given access to the documents. No prosecution for Hayrapetyan Meanwhile, police reaffirmed their refusal to prosecute businessman Ruben Hayrapetian, a lawyer said.

Vahe Avetian family lawyers had petitioned police investigators to formally treat the influential tycoon as a suspect in the high-profile case. But the petition has been rejected. Investigators have also refused to transcribe Hayrapetian s phone conversations during the incident that were recorded by mobile phone operators. Hayrapetian has strongly denied allegations of involvement, while accepting his moral responsibility for the incident that shocked many Armenians. He resigned as parliament deputy representing the ruling Republican Party of Armenia shortly after Avetian died in hospital later in June. He was questioned by the police as a potential witness in early July. But investigators indicated there was no evidence of his involvement. Yegorian criticised the police inquiry, saying that it has been deeply flawed. He said that the police have examined only some transcripts of the arrested suspects phone calls. He said they have also inexplicably failed to question anyone over a phone call that was made by one of the suspects to a fixed-line number registered in the name of Hayrapetian s father.

More than 30 Toronto Armenians attended the candlelight vigil held in memory of Vahe Avetyan, on August 7, 2012 at the Holy Trinity Church in Toronto. The gathering marked the 40 days since Avetyan s death in Yerevan during a scuffle where the military doctor was fatally beaten by a bodyguard of the Harsnakar restaurant owner and former MP Ruben Hayrapetyan . Archpriest Fr. Zareh Zargarian officiated the liturgy service at the Holy Trinity Armenian Church. After the religious ceremony, which was unrelated to the civic action, people gathered in the church courtyard. Speakers condemned Avetyan's murder and said the brutal act reflected the lawlessness that prevails in Armenia. They said that Armenia s problems are the problems of all Armenians, and it is our own responsibility to put our house in order. Some participants stressed the fact that the Diaspora establishments should be more involved in bringing to an end the culture of violence and of impunity in Armenia.

Genocide Widely Recognized In Israel, Says Israeli Minister

Israeli Public Diplomacy and Diaspora Affairs Minister Yuli-Yoel Edelstein visits Dzidzernagapert on August 24.

The 1915 mass killings and deportations of Armenians in Ottoman Turkey are widely recognized as genocide in Israel, an Israeli cabinet minister said after visiting the genocide memorial in Yerevan on August 24. Public Diplomacy and Diaspora

Affairs Minister Yuli-Yoel Edelstein also drew parallels between the Jewish Holocaust and the Armenian Genocide. True, there is no state law [in Israel recognizing the genocide,] said Edelstein. But I think that in Israel, in view of our common

history and some similar elements and moments, you will hardly find people who will deny the genocide, who will say, like we unfortunately hear, that all this is fabrications and lies. So I think that unfortunately I stress, unfortunately in this area our peoples have quite a lot in common, quite a lot for mutual understanding, he said. Citing the strategic character of Israel s relationship with Turkey, successive Israeli governments have resisted domestic calls for Armenian genocide recognition. An Israeli Foreign Ministry official reaffirmed this stance during landmark hearings on the issue that were organized by an Israeli parliament committee last December. Support for Armenian genocide recognition appears to have grown within the Israeli parliament, the Knesset, and the government since

Data On Syrian Armenian Migration Released By Government

(RFE/RL)- There are currently about 2,000 Armenians from Syria residing in Armenia after having mostly fled violence in the Middle Eastern state, the Ministry of Diaspora in Yerevan said. Most of them have come to Armenia in recent months amid increasingly heavy fighting between Syrian government troops and rebels. The influx appears to have intensified since the fighting reached the northern city of Aleppo, the cultural and economic center of Syria s 80,000-strong Armenian community. Armenia s Foreign Ministry says its diplomatic missions in Aleppo and Damascus have issued visas to over 3,000 Syrian nationals this year. According to immigration authorities in Yerevan, roughly 6,000 Syrian Armenians have applied for dual Armenian citizenship since the start of the Syrian crisis early last year.

The Ministry of Diaspora data suggests that most of those applicants still have no plans to settle in Armenia. And many of the reported 2,000 immigrants do not seem intent on making the country of their ancestors their new permanent home. Firdus Zakarian, a senior ministry official dealing with the matter, said only about 300 Syrian Armenians plan to stay there for good. One Syrian Armenian family has settled in Nagorno-Karabakh and several others plan to follow suit, he said. Zakarian agreed that Armenia s lingering socioeconomic woes and high unemployment in particular weigh heavily on many members of the mostly affluent Diaspora community. He said a lack of jobs and business opportunities is the main problem facing Syrian Armenian immigrants.

2010. Some observers link that to Israel s worsened relations with Turkey, which vehemently denies the genocide. Israel s Environment Minister Gilad Erdan, a close ally of Prime Minister Benjamin Netanyahu, publicly called for the Jewish state to formally recognize the Holocaust perpetrated against the Armenian people during further Knesset discussions on the sensitive issue in June. Erdan acknowledged that the Israeli government has not changed its policy yet. Edelstein, who is also a member of Netanyahu s Likud party, laid a wreathe at the genocide memorial on Yerevan s Dzidzernagapert memorial during what was the second trip to Armenia by an Israeli government member in four months. Agriculture Minister Orit Noked visited Yerevan and paid her respects to genocide victims in April.

Edelstein arrived in Armenia to attend, together with Armenian Culture Minister Hasmik Poghosian, an event marking the 20th anniversary of an organization representing the country s small Jewish community. He also held separate talks with Poghosian. When it comes to cultural exchanges, there are benefits to both sides involved, Edelstein told RFE/RL s Armenian service. That is why I hope this is not just a visit but perhaps also a change to some different phase in at least cultural ties between us. I am sure that such meetings and contacts will continue and we will turn our relations from being just good and normal to relations that will fully realize the potential for cooperation between our countries, added the Ukrainian-born minister.


2012 20¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83

ARMENIA

Trying to capture the history of a beloved city

A look at photojournalist Hayk Bianjyan s dedication to doomed historical buildings in Yerevan by Betty Panossian Taking a look at the work that defines Hayk Bianjyan as a young photo journalist from Yerevan, the first think that strikes you is the idea that to him photography is just a means of looking after his beloved Yerevan. About a decade ago Hayk put his love of photographing old, historical buildings in the central quarters of Yerevan into action. But as one photo shoot followed another, a project that threatened the very existence of the ancient buildings came to life. Heavy construction started in the Central Districts of Yerevan in early 2004. The project of the Northern Avenue, albeit far away from what and how Tamanyan had designed it to be, came to life. Construction started touching other central streets as well. Dozens of ancient buildings that had historical significance for the city but had been left to their fate to decay started disappearing one after the other. Hayk found himself in a race of capturing the final hours of his beloved buildings and quarters. I would go inside those buildings and take pictures of their every detail and every corner, recalls Hayk. But that coincided with the plans of knocking down those buildings to make space for new luxurious ones and my work sort of became a chase. I could not stop taking photos because in a short while the buildings were gone. Sometimes I captured the photos and the very next day they were brought down. Excavators were tearing up the historical buildings in broad daylight. It was at that point that he realized he had fallen in love with his pet project. Hayk went on to study the city archives and everything he found there made him even more upset. I started comparing archival photographs and contemporary ones and it pained me to ask questions of the whereabouts of very important historical buildings in the very center of Yerevan, says Hayk.

The historical building of the Africians Club. An architectural jewel on Teryan 11, this building is now demolished from inside. Its fate remains unclear, although its façade stones are numbered to be preserved. If completely demolished, the Africians Club will be the 30th historical building dating from late 19th-early 20th century to completely disappear in Yerevan during the past eight years. The Africians were one of the most influential families in the early 20th century Yerevan who provided the city with a drinking water system. Photo by Hayk Bianjyan.

While carrying out his work, Hayk started to get to know the people, the families who still dwelled in the ancient buildings on the Teryan, Byuzand and other central streets. I used to go into their homes, hear and appreciate their stories, look at their photo albums, recalls Hayk. All the while Hayk just kept taking photos and while doing so he felt that his dear city was letting part of its history disappear. His huge photo archive came to a wider audience in 2011 when Hayk screened his documentary titled Disappearing Memory at the Northern Avenue, steps away from the setting of his photos and stories. Through photo stories the film narrates about seven ancient buildings and seven families who lost their homes to excavators. It was only after making and screening the film that I realized that after all my photos served a cause as many people saw the film and even felt they had their share of guilt in allowing their city to be reconstructed in this manner. But unfortunately the film has yet to reach those who are directly responsible for distorting the character of Yerevan, says Hayk. Born and raised in Yerevan, Hayk connects his whole existence to his beloved city. I know a bomb had not fallen upon Yerevan, but to me something of that magnitude started happening back in 2001 when

Numbered stones from the façade of a historical building in the central streets of Yerevan can be seen in the construction debris on an empty lot. The back side of buildings on the Northern Avenue are in the backdrop. Photo by Hayk Bianjyan.

The fate of another historical building in the center of Yerevan. An excavator is devouring the façade stones, in spite of the fact that the stones are numbered to be transported to another site and reconstructed. Photo by Hayk Bianjyan.

Bianjyan looking at Yerevan with its older districts and massive new quarters.

a huge construction projects in the historical districts of the capital were launched. Projects that looked at the city only in terms of square metres of construction and high profits, says Hayk. Could the luxury buildings and the pedestrian Northern Avenue be what Yerevan is now? Could that be the natural answer to the modern demands? Bianjyan is not the only Yerevantsi who says that whenever they walk through the Northern Avenue they feel dwarfed by the line of massive buildings that seem to be falling one after the other. This summer Yerevan can boast

shops. The tourists come to enjoy the unique and historical districts of a city, not tour the shops that resemble those in their own country, Hayk thinks. With a group of friends Hayk is working on raising awareness of the issue of preserving and restoring the historical features of Yerevan. Yerevan is not only a viewpoint for Ararat or a place to enjoy good food. The ideal would be for individuals to understand the importance of preserving the historical buildings, purchasing them from the government and restoring them, Hayk adds.

polished flower beds, a renovated retro water fountain, some flower sculptures here and there and mostly with the decorative paintings of dalans, the archways that lead to side streets or to building courtyards. Such cosmetic interventions surely look good. But when you decide to renovate or even change your house, you still keep some souvenir from your past and eventually the old items find their functional role in the new, renovated place. It is unforgivable to construct the new at the expense of the historical one. We cannot attract tourists with the hideous buildings of Northern Avenue or the high end

To Infinity and Beyond: Armenians in the Mars Rover Curiosity Project

by Shantal Der Boghosian

Since the beginning of time, Space has been a source of mystery for man a mystery they sought to decipher. Thanks to the scientific curiosity of Ptolemy, Galileo Galilee, and Isaac Newton, man has discovered numerous planets, landed on the Moon, and has even captured ancient images of space with the Hubble telescope that shine light on the Big Bang. Scientists know that our planet Earth has the perfect components for life, but as Earth begins to feel the effects of global warming and human overpopulation, it is only natural that scientists start looking to Space for answersparticularly from our neighbor, Mars. August 5, 2012 at 10:31p.m.

PDT, the Mars Rover Curiosity successfully descended on parachute and landed upright on Martian soil. Curiosity is part of NASA s Mars Exploration Program, a long-term robotic exploration of the red planet so close to our own home! Curiosity was designed to assess Mars s habitability, and to see if it ever had the proper environment to support small life-forms called microbes. The rover carries the largest, most advanced suite of instruments ever sent to Mars and will analyze samples scooped from the soil and drilled from rocks. Any planet s geology record is essentially stored in rocks and soil- particularly in the formation, chemical composition and

structure. Curiosity has an on-board laboratory and it will study rocks and soil in order to detect any chemical building blocks of life in order to piece together Mars s past. One of the most impressive features is Curiosity s power source. The rover carries a radioisotope system that generates electricity from the heat of Plutonium s radioactive decay. Radioactive decay is the process by which an atomic nucleus of an unstable atom loses energy by emitting ionizing particles. In turn, an ion is created when an atom gains or loses a charged particle, such as an electron or a proton. This power source is strong enough to give Curiosity a life-span of one Martian

L to R: Toorian, Gharakhanian, Sarkissian, Ohanian, Hartounian, Khanoyan, Gorjian, Zadourian, Aintablian, Demirjian, and Karapetian

year, or 687 Earth Days, and also gives Curiosity more operational flexibility and greater mobility than any previous Mars mission. According to JPL, Curiosity represents a huge step in Mars surface science and exploration because it demonstrates the ability

to land a very large and heavy rover to the surface of Mars, as well as demonstrating the ability to land more precisely in the calculated landing circle. This is a large feat! Not only am I proud as a scientist, but I m also proud to know that there were see page 25


êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

ARTSAKH/AZERBAIJAN

21

Baku uses a violent video game to raise Karabakh awareness among it s people

Azerbaijan: Video Game Revisits Nagorno-Karabakh War By Nino Gojiashvili (EurasiaNet )- Just over 20 years ago, during the spring of 1992, Armenian forces captured the city of Shusha in NagornoKarabakh, marking the turning point in the armed conflict between Armenia and Azerbaijan for control of the territory. Today, youngsters in Azerbaijan have the opportunity to alter history via a video game called Under Occupation. The objective is to recapture Shusha from Armenian forces. Gamers assume the role of an Azerbaijani soldier who engages in virtual firefights with Armenian soldiers in house-to-house combat. The game is the brainchild of Farid Hagverdiev, a 19-year-old student at Baku s State Oil Academy. Hagverdiev based Under Occupation on popular first-person, shoot- em-up games, such as Call of Duty and Counter-Strike. Working with a team of developers recruited from among his classmates at the oil academy, he said the game took two years to go from rough concept to finished product. Hagverdiev added that the development team relied on self-financing (with generous parental subsidies), used home computers, and relied on a trial-and-error creative process. It is reportedly the first video game developed solely by Azerbaijani citizens. Hagverdiev acknowledged that the motivation for developing the game went beyond a simple desire to entertain. There was also a political element to the project. By creating the game we wanted to support the patriotic spirit in our youth, which I hope we accomplished successfully, he told

EurasiaNet.org. The game, which can be downloaded for free, has gotten a successful reception from Azerbaijani gamers. While the video game may have been an independent initiative, government officials have latched onto it, viewing it as a means of raising awareness about the NagornoKarabakh issue among Azerbaijani young people, and of mobilizing support for ongoing governmental efforts to recover the territory. In a sign that the game enjoys the full approval of President Ilham Aliyev s administration, the Ministry of Youth and Sports organized a formal presentation of Under Occupation. The event, which occurred earlier this summer, was held at the Hyatt Regency, one of Baku s swankiest hotels. Talks on a political settlement for NagornoKarabakh have long been stalemated. In recent years, Azerbaijani rhetoric concerning the territory has grown increasingly bellicose. The video game dovetails with the government s effort to keep the patriotic mood at a slow boil. Under Occupation is not for the faint of heart: there s lots of killing and computergenerated gore. To a great extent, it s a celebration of violence: to advance, players must handle a variety of tasks, including shooting lots of Armenian enemies, rescuing a wounded Azerbaijani soldier, retrieving a document and blowing up a building in the town of Shusha. The game s scenery closely resembles to Shusha s actual appearance. Prominent landmarks, including the House of Culture, the Govhar Agha Mosque, Vafig Mausoleum and the city gate, all make an appearance. Although

Baku Illegally Settling Shahumian and Getashen The Nagorno-Karabakh Republic s Foreign Ministry recently issued a statement in which it condemned Azerbaijan s illegal practice of settling the region of Shahumian and Getashen, whose Armenian residents were savagely deported by Azeri forces during the Karabakh war and remains an occupied territory by Azerbaijan. The Foreign Ministry s announcement came in response to a complaint filed by Azerbaijan with the OSCE, claiming that Armenians were resettling within the territory of the Nagorno-Karabakh Republic. The foreign ministry called Baku s appeal to the OSCE an effort to destabilize the region and further impede the peace process. Despite the obvious reality that the Nagorno-Karabakh Republic has a sovereign right to accept any individual on its territory, the misinformation carried out by Azerbaijan is absolutely groundless since the monitoring

of the situation in these territories, carried out by the OSCE Assessment Mission in 2010, can prove otherwise, said the Karabakh foreign ministry statement. Stepanakert also pointed to a statement by the OSCE Minsk Group co-chairmen, who found no signs any clear organized resettlement and did not determine that the resettlement resulted from a deliberate policy . In this context, we consider it necessary to once again draw the attention of the Organization on Security and Cooperation in Europe to the fact that Azerbaijan continues a policy of resettlement in the Shahumian region, Getashen sub-region and other NagornoKarabakh Republic regions that are under the occupation of Azerbaijan, said the Foreign Ministry. The ministry also emphasized that Azerbaijan, over the years, has refused to cooperate and provide access to OSCE monitors.

In the video game §Ishgal Altinda: Shusha¦ (Under Occupation: Shusha) a player fights as an Azerbaijani soldier. (Screen grab from official game trailer)

born after the city s capture by Armenian troops, and the subsequent expulsion of Azerbaijani residents, Hagverdiev managed to recreate the city by relying on old photographs. Whether or not the video game can have a tangible effect on the Karabakh peace process is the subject of debate. Some experts doubt that a video game can cause a substantive spike in aggressive sentiment in Azerbaijan. Not enough research is available to suggest that shooter games promote any more active hostility than the current events

POM Prepares...

themselves, said Tom Parker, a former policy director at Amnesty International. Hagverdiev and his fellow developers, meanwhile, are now contemplating a new game-related venture, one that would aim to make them some money. We re graduating college soon, and we do not wish to mooch off our parents forever, he said. --------------------------------------Nino Gojiashvili served as an editorial associate at EurasiaNet.org

from page 1

the Executive Producer for this cinematic treasure, which examines the tensions between the Christian and Muslim population in an isolated Lebanese village. Fans of Labaki s film Caramel will not be disappointed with her latest contribution to the big screen. Hamshen Director Ozcan Alper s Future Lasts Forever also makes an exciting addition to this year s festival program. All of Alper s past work (Momi, Moto Guzzi) have been presented at POM, including Autumn, which received Best Feature Film at POM IV. Alper s newest film is set in Bolis as well as Diyarbakir, the historical Tigranakert for the Armenian community. The film reflects a poignant tale of journey and discovery, dealing with the life story of a researcher of music who travels to south-east Turkey, where she must confront the past. Future Lasts Forever made its World Premiere at TIFF and should not be missed, as the Director s talent in delivering poetic, personal narratives is mesmerizing. POM VII is also proud to screen the World

Premiere of Memories without Borders, the most through film to date to assess the independence of Artsakh and its effect upon the already strained relationship between Armenia and Turkey. The film is the collective work of several directors including Mehmet Binay (Whispering Memories, Talking Pictures), who was the first Turkish director to attend the Pomegranate Film Festival in 2008. His new project involved piecing footage together from - Armenia, Artsakh, Azerbaijan, Turkey and the United Kingdom - to culminate in an intellectual masterpiece. Torontonians will also have their first opportunity to see the North American Premiere of Director Arsen Gasparyan's film New Julfa. The well researched documentary beautifully details the rich history of the Armenian community in Iran which continues to thrive to the present time. It will be Gasparyan's third film at POM following Towards My Country (2007) and From Home to Home (2009).

Your Most Reliable Transportation Partner To/From Armenia & Worldwide · Ocean, Air & Land

·

METRAS

SHIPPING & FORWARDING INC.

2175 Sheppard Ave. E. Suite 215 Toronto ON, M2J 1W8

Tel.: 416-497-0377 Fax: 416-497-0783 info@metrasshipping.com www.metrasshipping.com

Ara Graphics

· · · ·

Int'l Transportation Door to Door Services Available 20', 40', LCL and Break-Bulk Insurance Coverage Export Documentation, Letters of Credit Handling and Banking Negotiations Dedicated Agency Network Worldwide


2012 22 ¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83

by Georgiy Saakov

DIASPORA ARMENIANS

Vardavar Sketches from Uzbekistan

Every year the Uzbekistan Armenian community celebrates the joyful and beloved holiday of Vardavar. This ancient holiday is quite timely in the mid-July summer heat, when the thermometer index in the region regularly inches over 40°C (more than 100°F). Young people become its major participants. Armed with the basins, buckets, and other containers, they spill water on each other with cheerful merriment. According to tradition, our first Catholicos, St. Gregory the Illuminator, after adopting Christianity, did not deprive the people of this memorable summer tradition, which dated back centuries. In Armenian churches today, services on the occasion of the Feast of the Transfiguration of Our Lord Jesus Christ are held, and the holiday is traditionally celebrated on the successive 14th Sunday (98th day) after Saint Easter. The parish priest of the Uzbekistan Armenian Apostolic Orthodox Holy Church, Ter Garnik Loretsyan, is a great advocate of the summer ritual. (There are two Armenian churches in this Central Asian country, Samarkand St. Virgin and Tashkent St. Philippos.) As a rule, the generous first splash comes from Loretsyan, and only then can the young parishioners of the local Armenian Cultural Center turn into inveterate irrigators. They suddenly burst into tantrums, rendering everyone they meet on the road astonished, confused, and wet. Many nations in the world have holidays similar to Vardavar. For example, the Dai ethnic minority group in south-west China, Yunnan province, hold three days of the traditional Water Splashing Feast to commemorate the beginning of the Buddhist New Year. On the eve of Easter Day, the Poles refer simply to Wet Monday. And on July 7, the Slavic Orthodox tradition marks Ivan Kupala Day with any kind of water, including morning dew, believed to be endowed with healing powers. Children and teenagers lift barrels of water over their heads, pouring them to bless all with a happy life and good health. Yet, it s a shame that nowadays, in the urban bustle, the Armenian elders usually

refrain from participating in Vardavar. They cannot be inspired to become targets of the water that rains down around them. In vain, they try to avoid it. According to legend, however, the Vardavar water symbolizes a purification of the soul, to rinse away human minds from evil spirits; almost every adult has an abundance of them. Therefore, it s not the immeasurably joyful children, but the adults, who need that bucket of water on their heads to guarantee their piety and spiritual harmony. I propose introducing this ancient Armenian tradition to various parts of the world as part of a humanitarian exchange. For instance, to another power-hungry minister whose actions aren t geared towards improving the lives of his ordinary citizens; or to an important politician who incites massacres in Syria and other hot places; or to some terrorist who is prepared to use his infernal machine against innocent people. It s possible that the miraculous properties of the water may work wonders. The history of Vardavar tells us that our ancestors, with a two-day supply of food, started their way to the sanctuaries, taking with them the decorated sacrificial animals, relying on the mercy of the gods, and above all, Astghik goddess. The holiday is intimately connected with this goddess. According to the legend, the Armenian showering roses goddess of love and beauty sowed the seeds of love in all the Armenian country, and her beloved fearless Vahagn guarded the seeds from the forces of evil. That is why pilgrims always place bouquets of roses on a sacred place on the feast day and sacrificed in Astghik s temple. The holiday is related to the Great Flood, as well. In memory of the flood Noah, who found his refuge on Mt. Ararat, ordered his sons to pour water on each other. Thus water and roses became symbols of the national feast. Water! You are tasteless, colorless, odorless. You can not be described. You re enjoyed. We cannot say you re needed to live. You are that very life! Antoine de Saint-Exupery once said. During his time, science could

Every year the Uzbekistan Armenian community celebrates the joyful and beloved holiday of Vardavar. already show that water wasn t just a chemical so little. And the remarkable tradition is structure with one oxygen and two hydrogen expressed today through the primitive picnic atoms contained in its molecule. Essential to where the spiritual hunger is satisfied by the humans, this vital substance plays a crucial tasteful dishes accompanied by the fiery Rabizrole as custodian of the world. Healers relate style music. Having spilled water, with a sense to water as the indispensable healer of bodies of duty we get a portion of emotional wealth and souls. While noting that the structure of for a while (those who desperately resist do water changes every month, they claim that not get it) while keeping God-loving qualities at the beginning of July water begins to circle o f o u r h e r i ta g e b y o u r o w n w a y. the energy on Earth, from the beauty and But there is a tiny need to stand still, alone, harmony to the peace of mind. They add that with nature next to that very river in the in July, the frozen water s hexagonal crystal countryside that no longer freezes in winter is characterized by faith, hope, compassion, and violently floods in the summer. You may and kindness. The holiday, then, not only see, perhaps, our globally dim mind will be hardens the body but positively affects internal clarified again and harmony in human relations human energy. will recover. And perhaps as from immemorial Nevertheless we successfully ignore the time, a pair of adorable white pigeons will circle scientific information, only because we used above in the sky. That is another admirable to consider the real secular values through symbol of Vardavar. their outer side not noticing the principal ones. (Armenian Weekly) In our daily routine, we have come to deprive Georgiy Saakov is the editor of the Depi ourselves of the awareness our ancestors on Apaga Uzbekistan-Armenian magazine. His the highlands had achieved for millennia. We articles have been published in Uzbekistan regularly go to church, stay for the Divine Today, Golos Armenii, and Armenian Liturgy, leave it with a sense of duty, and learn newspapers.

One Man s Attempt to Capture Ethiopian Armenians Dying Legacy historical and musical contributions Armenians have had in Ethiopia and bear witness to their current situation, he explains. Tezeta is a song form famous in Ethno-Jazz. In Amharic However, the bleak situation of the diminishing Armenian (the language of Ethiopia), it translates to my memory, but it community is acknowledged though several examples, such means much more. It conveys a sense of nostalgia that can as the country s only Armenian church, St. Kevork, lacking a be lost in translation, describes Aramazt Kalayjian, an priest and a sermon. The deacon of St. Kevork s is Vartkes independent documentary filmmaker living and working in Addis Nalbandian, the son of Nerses Nalbandian a jazz musician Ababa, Ethiopia. His documentary, Tezeta [The Ethiopian and instructor who wrote the first anthem of the African Union, Armenians], explores the collective memory of Ethiopian- and the great-nephew of Kevork Nalbandian, composer of the Armenians from their own perspectives, as well as others first Ethiopian national anthem, which was played until 1974 touched by their profound legacy. He aims to reveal the when the socialists overthrew the monarchy. contributions Armenians have made to Ethiopian culture through Corresponding to the Armenians rich involvement in the the narrative of music and the large role they played in modern nation s music scene, a few Ethiopian musicians have spoken Ethiopian jazz. candidly about the legacy of the Armenians, with warm words Despite his disconnection physically and genealogically about the pint-sized community and its vast accomplishments. to Ethiopia, Kalayjian feels a profound connection to all Armenian Alèmayèhu Eshèté, a prominent jazz singer endearingly called communities in exile from their nonexistent homeland in Turkey. the Elvis Presley of Ethiopia, gave glowing praise to his mentor, The unique history of Armenians in Ethiopia namely, the story the aforementioned Nerses Nalbandian, whom he considered of the Arba Lijoch, the 40 Armenian orphans of the genocide as his second father. who were adopted by King Selassie to be his imperial orchestra, Unfortunately, Eshèté remains in the minority. Most and their contribution to modern Ethiopian music ignited Ethiopian lay people, as well as Armenians outside of Ethiopia, Kalayjian s curiosity. I am not a descendant of the Arba Lijoch, are simply unaware of the incredible contributions of Armenian he told the Armenian Weekly, but I am a passionate and Ethiopians on Ethiopian culture, Kalayjian disappointedly profound music lover, which is one of the factors driving me to notes. Some Ethiopians see an Armenian and assume they The Boyadjian family in 1921 produce this documentary. are either European, American, or any other Faranji (literally people on the street won t assume their generational presence Kalayjian says that his intention is not to prevent the meaning French, used to describe a foreigner, or odar in inevitable, that is, the decline of the number of Armenians in Armenian). Armenians see this as a nuisance because in their in Ethiopia, the filmmaker says. Kalayjian seeks to herald and preserve the great Ethiopia. My documentary simply seeks to tell the phenomenal heart, they feel Ethiopian and have lived [in Ethiopia] all of their contributions Armenians have impressed on the cultural, story of the Armenians of Ethiopia. It will describe the great lives. The only difference is the color of their skin and many musical, and historical landscape of Ethiopia through his documentary, which stands a tough chance of being broadcasted. from page 18 In order for the documentary to meet its budget for production, Kalayjian needs to meet his fundraising goal of Perhaps this experience is best described by ARTR Chair run. When my body is tired and telling me to slow down and $10,000 by August 9. Contributors may pledge varying amounts, and two-time cancer survivor Sam Manougian. stop, they are there to pick me up and give me the strength with different prizes at each benchmark, on the project s I can t explain the incredible feeling I get when I am and energy I need to finish the race. As we cross the finish personal webpage, where preliminary interviews for the running to honour the memory of my friends and family. I feel line, I can hear them say Thanks for being with me . a special closeness, feeling their presence throughout the documentary are also posted.

by Lilly Torosyan

A Run to Remember...


êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

23


2012 24 ¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83

ÎÜàæ²Î²Ü

î³ïÇÏÇ ÊáѳÝáó êáÝdz ³ß×»³Ý

äàð²ÜÆ

Àëï å³ñëÏ³Ï³Ý ³õ³Ý¹³½ñáÛóÇ, ä³ñëÇÏÝ»ñáõ ê³Ý³ë³ñ»³Ý Êáëñáí ³ñù³ÛÇ ¹áõëïñÁ` äáõñ³Ý¹áõËïÁ Ù³ÍáõÝ ß³ï ÏÁ ëÇñ¿ñ »õ »ñµ ÇÝùÁ ·³Ñ µ³ñÓñ³ó³õ, Ù³ÍáõÝáí ׳߳ï»ë³ÏÝ»ñÁ ³Ýáñ ÛÇß³ï³ÏÇÝ Ïáãáõ»ó³Ý §äáñ³ÝǦ: ¿ áñù³Ýáí ×Çß¹ ¿ ³Ûë µ³ó³ïñáõÃÇõÝÁ, áã áù ãÇ Ïñݳñ ѳõ³ëï»É. µ³Ûó ³ÛÝ, áñ ³ÙµáÕç ï³ñ³Í³ßñç³ÝÇÝ Ù¿ç ·áÛáõÃÇõÝ áõÝÇÝ åáñ³ÝÇ ³ÝáõÝáí ï³ñµ»ñ ׳߳ï»ë³ÏÝ»ñ, ³ÛÝ ÷³ëï ¿: ä³ñëÇÏÝ»ñÝ áõÝÇÝ Ñ³ñáõëï ËáѳÝáó³ÛÇÝ Å³é³Ý·áõÃÇõÝ. ï³Ï³õÇÝ ÙÇçݳ¹³ñáõÝ áõÝ»ó³Í »Ý å³É³ï³Ï³Ý ËáѳÝáó³ÛÇÝ Ùß³ÏáÛÃ, ÝáÛÝÇëÏ Ëáѳ·Çñù: ²ÛÅÙ å³ñëÏ³Ï³Ý ËáѳÝáóÇÝ Ù¿ç Ï³Û (ÇÙ ÇÙ³óáõû³Ùµ` »ñÏáõ) ï³ñµ»ñ ï»ë³ÏÇ åáñ³ÝÇÝ»ñ, ³ýÕ³Ý³Ï³Ý »õ íñ³ó³Ï³Ý ËáѳÝáóÇÝ Ù¿ç »õë Ï³Û Ù³ÍáõÝáí å³ïñ³ëïáõ³Í åáñ³ÝÇ ×³ß³ï»ë³Ï: гÛÏ³Ï³Ý ³õ³Ý¹³Ï³Ý ËáѳÝáóÇÝ Ù¿ç ÙÇÝã ³ÛÅÙ Û³Ûïݳµ»ñ³Í »Ù ï³ñµ»ñ ï»ë³ÏÇ åáñ³ÝÇÝ»ñ, ³ÙµáÕç å³ïÙ³Ï³Ý Ð³Û³ëï³ÝÇ ï³ñ³ÍùÝ»ñ¿Ý ù³Õáõ³Í: ²ÝáÝó µáÉáñÇ ÝáÛÝáõÃÇõÝÁ Ù³ÍáõÝÇ û·ï³·áñÍáõÙÝ ¿ ׳ßÇ, ³Õó³ÝÇ Ï³Ù ï³å³Ï³ÛÇ íñ³Û: Ø¿Ï ³é Ù¿Ï ³Ý¹ñ³¹³éݳÝù ³ÝáÝó: ºñ»õ³ÝÇ Ù¿ç 1951Ã.-ÇÝ Ññ³ï³ñ³Ïáõ³Í §¶Çñù гÛÏ³Ï³Ý ²½·³ÛÇÝ Î»ñ³ÏáõñÝ»ñÇ Ø³ëÇݦ ·ñùÇ Ù¿ç Ï ³é³ç³ñÏáõÇ ù³ÝÇ ÙÁ ï»ë³Ï Ùë³ÛÇÝ åáñ³ÝÇÝ»ñ, áñáÝù ÏÁ å³ïñ³ëïáõÇÝ áã˳ñÇ Ï³Ù Ñ³õÇ ÙÇëáí, ÉáõµÇ³Ûáí ϳ٠ëÙµáõÏáí, ½³ñÝáõ³Í ѳõÏÇÃáí, Ù¿Ï ï³ñµ»ñ³ÏÇÝ Ù¿ç ݳ»õ ë»ñÏ»õÇÉ. ÏÁ Ù³ïáõóáõÇÝ Ù³ÍáõÝ-ëËïáñáí: Þ³ï Û³ÛïÝÇ ¿ àõñý³ÛÇ ËáѳÝáóÇ Ùë³ÛÇÝ åáñ³ÝÇÝ, ½áñë »Ýó¹ñ³µ³ñ ѳñë³Ý»Ï³Ý ϳ٠ïûÝ³Ï³Ý ×³ß ¿ »Õ³Í »õ ëïáñ»õ Ïñݳù ϳñ¹³É µ³Õ³¹ñ³ïáÙëÁ:

¶³ÝÓ³ÏÇ åáñ³ÝÇÝ Ï³Ý³ã ÉáõµÇ³ÛÇ ï³å³Ï³Û - Óáõ³Í»Õ ¿, íñ³Ý Ù³ÍáõÝ-ëËïáñ É»óÝ»Éáí Ï áõï»Ý: ²ñó³ËÇ åáñ³ÝÇÝ Ùëáí, ϳݳã ÉáõµÇ³Ûáí ϳ٠¹¹áõÙáí ×³ß ¿, ÏÁ Ù³ïáõóáõÇ Ù³ÍáõÝ-ëËïáñáí: ´³ë»ÝÇ Ï³Ù ²ÏÝÇ åáñ³ÝÇÝ Ë³ß³Í ¹¹áõÙÇ Ëáñ³Ý³ñ¹ÇÏÝ»ñáõ íñ³Û Ù³ÍáõÝ »õ ãáñ ³Ý³ÝáõË ÏÁ É»óÝ»Ý: Üáñ æáõÕ³ÛÇ åáñ³ÝÇÝ µ³½áõÏáí »õ µ³½Ï³ï»ñ»õáí, í³ñ¹³·áÛÝÇ Ñ³×»ÉÇ »ñ³Ý·áí Ù³Íݳ³åáõñ ¿: ÞÇñ³ÏÇ ï³ñµ»ñ³ÏÁ Ë³ß³Í »õ ï³åÏáõ³Í µ³½Ï³ï»ñ»õÇÝ Ï³Ù ¹¹áõÙÇÝ íñ³Û ÇõÕ »õ Ù³ÍáõÝ-ëËïáñ Ï ³õ»ÉóÝ»Ý: ²Ù³ëÇáÛ ï³ñµ»ñ³ÏÝ ¿ ß³ï Ñ»ï³ùñùÇñ. »é³óáÕ çáõñÇÝ Ù¿ç ÏÁ É»óÝ»Ý Ñ³ñ³Í ѳõÏÇÃÁ, Ï ³õ»ÉóÁÝ»Ý ³é³ï Ù³ÍáõÝ »õ ÏÁ Ù³ïáõó»Ý ÇõÕÇ Ù¿ç ï³åÏáõ³Í ³Ý³ÝáõËáí: ºõ ³Ñ³ ï³ñµ»ñ ßñç³ÝÝ»ñ, å³Ñå³Ý»Éáí ѳݹ»ñÓ §åáñ³ÝǦ ³Ýáõ³Ý ÑÝãÇõݳ÷áËáõ³Í Ó»õ»ñÁ, ³é³Ýó Ù³ÍáõÝÇ µ³Õ³¹ñ³ïáÙë»ñ »Ý: Øáõë³É»é³Ý ¹¹ÙÁ åáõñ³ÝÁÝ ÏÁ å³ïñ³ëïáõÇ ¹¹áõÙáí, áëåáí, ëÇë»éáí ¨ ÉáÉÇÏÇ Ù³ÍáõÏáí: Ô³ñ³ï³ÕÇ Ï³ÃÝáí åñ³ÝÇÝ, ϳÃÇ Ù¿ç »÷áõ³Í Ù³Ýñáõ³Í ¹¹áõÙÝ ¿, ÇëÏ Ù³ßáí åñ³ÝÇÝ` ÉáõµÇ³Ûáí (Ù³ß) ¨ ¹¹áõÙáí ×³ß ¿: ²å³ñ³ÝÇ åáñ³ÝÇÝ Ï »÷áõÇ Ë³ß»Éáí ×»ñÙ³Ï ×³ÏÁݹ»ÕÁ Ëáßáñ ÏáñÏáïÇ Ñ»ï, ³å³ ³õ»ÉóÁÝ»Éáí ëá˳é³Í: º½ñ³Ï³óÝ»Éáí, åáñ³ÝÇÇ Í³·áõÙÁ ÿ»õ å³ñëÏ³Ï³Ý ¿, ë³Ï³ÛÝ ³ÛÝ É³ÛÝ ÏÇñ³éáõÃÇõÝ ¿ áõÝ»ó³Í г۳ëï³ÝÇ µáÉáñ ßñç³ÝÝ»ñáõÝ Ù¿ç. ³ÝϳëÏ³Í ×³ßÇ ·³Õ³÷³ñÁ »õ ³Ýáõ³ÝáõÙÁ Ù»½Ç ³Ýó³Í ¿ å³ñëÏ³Ï³Ý ïÇñ³å»ïáõû³Ý Å³Ù³Ý³Ï »õ ï³ñ³Íáõ»Éáí ÇÝùݳµ»ñ³µ³ñ Ýáñ ï»ë³Ï³ÝÇÝ»ñ »Ý ëï»Õͳ·áñÍáõ³Í:

àôðü²ÚÆ äàð²ÜÆ ´³Õ³¹ñáõÃÇõÝÁ -1 ϳå ëå³Ý³Ë -200 Ïñ³Ù ÇõÕáï ÙÇë -1 ·³õ³Ã ݳ˳å¿ë Ãñç³Í ëÇë»é -2 ·³õ³Ã Ù³ÍáõÝ -1 å×»Õ ëËïáñ -¹³÷Ý»ï»ñ»õ -ϳñÙÇñ »õ ë»õ åÕå»Õ -³Õ ÏáÉáɳÏÇ Ñ³Ù³ñ -1 ·³õ³Ã Ù³Ýñ ÏáñÏáï -1 ·³õ³Ã Í»Í³Í ÙÇë -1 ëáË -1 å×»Õ ëËïáñ -1 ³åáõñÇ ¹·³É ³ÉÇõñ -ӿà ϳ٠ÇõÕ -ϳñÙÇñ »õ ë»õ åÕå»Õ -ùÇÙÇáÝ, ³Õ ä³ïñ³ëïáõÃÇõÝÁ 1.-سÝñ³óÝ»É ÙÇëÁ, Ñ³Ù»Ù»É »õ Ë³ß»É ëÇë»éÇ Ñ»ï ÙdzëÇÝ: 2.- ÎáÉáɳÏÝ»ñÁ å³ïñ³ëï»Éáõ ѳٳñ ×½Ù»É ëáËÝ áõ ëËïáñÁ, ˳é-

ØÇßï â¿ àñ êÝݹ³Ï³ÝáÝÝ»ñÁ ÖÇß¹ Ò»õáí ÎÁ γï³ñáõÇÝ ø³ñɳ º³ñïÁÙ»³Ý

êÝݹ³Ï³ÝáÝÁ å¿ïù ¿ ï³Û Çñ »ñϳñ³ï»õ ³ñ¹ÇõÝùÁ »õ ³Û¹ å³ï׳éáí å¿ïù ¿ ¹ñáõÇ ³Ùáõñ ÑÇÙ»ñáõ íñ³Û: êÝݹ³Ï³ÝáÝÇ ¹³¹ñ»óáõÙ¿Ý »ïù ÝáÛÝÇëÏ å¿ïù ¿ Ñ»ï»õÇÉ ëÝݹ³Ï³Ý ³éáÕç Íñ³·ñÇ, áñå¿ë½Ç ëÝݹ³Ï³ÝáÝÁ ³ñ¹ÇõݳõáñáõÇ:

øÇã æ»ñÙáõÅ ä³ñáõݳÏáÕ êÝݹ³Ï³ÝáÝÁ

ºÃ¿ ѳßáõ»Ýù ûñ³Ï³Ý ëå³éáõáÕ ç»ñÙáõÅÇÝ (calorie) ù³Ý³ÏÁ »õ ³Û¹ ù³Ý³Ï¿Ý Ýáõ³½ ëÏëÇÝù ëå³é»É ϳ٠áõï»É, µÝ³Ï³Ý³µ³ñ Ù»ñ ͳÝñáõÃÇõÝÁ ÏÁ Ýáõ³½Ç: ºÃ¿ ³Ûë ï»ë³ÏÇ ëÝݹ³Ï³ÝáÝÇ åÇïÇ Ñ»ï»õÇÝù, ³å³ å¿ïù ¿ ѳݷÇëï Ó»õáí ϳï³ñ»Ýù, ³ÛëÇÝùÝ ¹³Ý¹³Õûñ¿Ý åÇïÇ Ýáõ³½»óÝ»Ýù Ù»ñ ͳÝñáõÃÇõÝÁ: ²é³õ»É³·áÛÝÁ ß³µ³ÃÁ Ù¿Ï ùÇÉáÏñ³Ù å¿ïù ¿ Ýáõ³½»óÝ»Ýù Ù»ñ ͳÝñáõûݿÝ: Àëï ëÝݹ³·¿ïÝ»ñáõ, ³Ûë ëÝݹ³Ï³ÝáÝÁ ³ñ¹Çõݳõáñ ¿, áñáíÑ»ï»õ ÇÝùݳµ»ñ³µ³ñ Ï ³ñïûÝ¿ ëÝݹ³Ï³Ý ɳõ ëáíáñáõÃÇõÝÝ»ñáõ Ó»éùµ»ñÙ³Ý: ØÇ»õÝáÛÝ ³ï»Ý ÏñݳÝù ëå³é»É ½³Ý³½³Ý ï»ë³ÏÇ áõï»ÉÇùÝ»ñ` Ýáõ³½»óÝ»Éáí ß³ù³ñÇ »õ ׳ñåÇ ù³Ý³ÏÁ: àã Ù¿Ï Ý»ÕáõÃÇõÝ Ï³Ù ×Ýßáõ³ÍáõÃÇõÝ ÏÁ ½·³Ýù, áñáíÑ»ï»õ ¹Çõñ³õ ϳñ»ÉÇ ¿ Ñ»ï»õÇÉ ³Ûë ëÝݹ³Ï³ÝáÝÇÝ: ²Ûë ëÝݹ³Ï³ÝáÝÇÝ Ñ»ï»õ»Éáí` ݳ»õ ÏÁ ·Çï³ÏóÇÝù ݳ˳å¿ë ϳï³ñ³Í Ù»ñ ëÝݹ³Ï³Ý ë˳ÉÝ»ñáõÝ »õ ³ÛëåÇëáí Ó»éù ÏÁ µ»ñ»Ýù ëÝݹ³Ï³Ý ѳõ³ë³ñ³Ïßéáõ³Í ëáíáñáõÃÇõÝ, áñ ÏñÝ³Û Û³ñ³ï»õ»É: Ø»ñ ÷³÷³ù³Í ͳÝñáõû³Ý ѳëݻɿ »ïù ÏñݳÝù ¹³¹ñ»óÝ»É í»ñáÝß»³É ëÝݹ³Ï³ÝáÝÁ, ë³Ï³ÛÝ å¿ïù ¿ ³Ùñ³åݹ»É áõ ÙÝ³É Ù»ñ ÝáÛÝ Í³Ýñáõû³Ý íñ³Û: ÎÁ ß³ñáõݳϻÝù ûñ³Ï³Ý ÑÇÙÝ³Ï³Ý »ñ»ù ׳߳µ³ÅÇÝÝ»ñáõ ëå³éáõÙÁ` ½³Ý³½³Ý ï»ë³ÏÇ áõï»ÉÇùÝ»ñ áõï»Éáí, ³é³Ýó Ñ»é³óÝ»Éáõ ϳÃÝ áõ ϳÃݻտÝÝ»ñÁ, ë³Ï³ÛÝ ÁÝïñ»Éáí ùÇã ׳ñå (fat)áõ Ù»Í ù³Ý³Ïáõû³Ùµ ù³ÉëÇáÙ å³ñáõݳÏáÕ ï»ë³ÏÝ»ñÁ: ÎñݳÝù ݳ»õ ëå³é»É ûûõ ׳ñå áõÝ»óáÕ` light áõï»ÉÇùÝ»ñ:

âáõëáõÙݳëÇñáõ³Í êÝݹ³Ï³ÝáÝÝ»ñÁ

ܳËù³Ý áñ»õ¿ ëÝݹ³Ï³ÝáÝÇ ëÏëÇÉÁ, å¿ïù ¿ ·ÇïÝ³É ³Ýáñ ¹ñ³Ï³Ý »õ µ³ó³ë³Ï³Ý ÏáÕÙ»ñÁ: Ü»ñϳÛÇë ½³Ý³½³Ý ï»ë³ÏÇ ëÝݹ³Ï³ÝáÝÝ»ñ ·áÛáõÃÇõÝ áõÝÇÝ` µÝ³ëåÇïÝ»ñáí (÷ñáÿÇÝáí) ѳñáõëï ëÝݹ³Ï³ÝáÝÁ, ùÇã ç»ñÙáõÅ å³ñáõݳÏáÕ ëÝݹ³Ï³ÝáÝÁ, ùÇã ׳ñå å³ñáõݳÏáÕ ëÝݹ³Ï³ÝáÝÁ, »õ ³ÛÉÝ: êÝݹ³Ï³ÝáÝÇ »ñϳñ³ï»õ Û³çáÕáõÃÇõÝÁ ϳ˻³É ¿ áõï»ÉÇùÇ ëå³éÙ³Ý ù³Ý³Ï¿Ý: οëûñ¿ »ïù, ųÙÁ ãáñëÇ ßáõñç, »ñµ

³ÝûÃÇ ½·³Ýù, ÏñݳÝù ëå³é»É Ù¿Ï ß»ñï ûûõ ׳ñå å³ñáõݳÏáÕ å³ÝÇñ, Ù¿Ï ß»ñï ѳóáí, ϳ٠·³õ³Ã ÙÁ ϳÃ` åïáõÕáí å³ïñ³ëïáõ³Í ÏñÏÝ»÷áí: ä¿ïù ¿ íëï³Ñ ÁÉɳÝù, áñ ³ÙÇëÁ ϳ٠ù³ÝÇ ÙÁ ³ÙÇëÁ ³Ý·³Ù ÙÁ ׳߳ñ³Ý »ñóÉÁ Û³Ýó³·áñÍáõÃÇõÝ ã¿, ë³Ï³ÛÝ å¿ïù ¿ ѳõ³ë³ñ³Ïßé»É áõï»ÉÇùÇ ëå³éÙ³Ý ù³Ý³ÏÁ:

´Ý³ëåÇïÝ»ñáí гñáõëï êÝݹ³Ï³ÝáÝÁ

²Ûë ëÝݹ³Ï³ÝáÝÁ µ³Õϳó³Í ¿ µÝ³ëåÇïÇÝ ÷áßÇ¿, áñ ÏÁ ѳÉÇ çáõñÇÝ Ù¿ç: ´Ý³ëåÇïÇÝ ÷áßÇÝ ÏÁ ëå³éáõÇ Çµñ»õ Ù¿Ï ×³ß³µ³ÅÇÝ: ²Ýáñ ÏáÕùÇÝ å¿ïù ¿ ëå³é»É ÙdzÛÝ Ï³Ý³ã»Õ¿Ý: ´Ý³ëåÇïáí ѳñáõëï ëÝݹ³Ï³ÝáÝ ãÇ Ý߳ݳϻñ ÙdzÛÝ µ³õ³ñ³ñáõÇÉ µÝ³ëåÇïÇÝ ÷áßÇáí, ³ÛÉ å¿ïù ¿ ³ÙµáÕç³Ï³Ý ׳߳µ³ÅÇÝ ÙÁ ݳ»õ ëå³é»É, áñ µ³Õϳó³Í å¿ïù ¿ ÁÉÉ³Û ³é³Ýó ׳ñåÇ ÙÇë¿ Ï³Ù ÓáõÏ¿, µ³Ýç³ñ»Õ¿Ý¿, Ù¿Ï ·³õ³Ã ûûõ ׳ñå å³ñáõݳÏáÕ Ï³Ã¿ ϳ٠ϳÃݻտݿ: ºñÏáõ Ýå³ï³Ï ϰÁݹ·ñÏ¿ ³Ûë Ù¿ÏÁ. ݳË, ³é³çÇÝ` áñå¿ë½Ç Ù³ñÙÇÝÁ å³Ñå³Ý¿ ÙϳݳÛÇÝ ÏáÛïÁ, »ñÏñáñ¹` áñå¿ë½Ç ëïÇåáõÇ û·ï³·áñÍ»É ³Ùµ³ñáõ³Í ëÝáõݹÁ: ²Ûë ëÝݹ³Ï³ÝáÝÁ µÅÇßÏÇ óáõóÙáõÝùáí å¿ïù ¿ ϳï³ñáõÇ, áñå¿ë½Ç »ÝÃ³Ï³Ý µ³ñ¹áõÃÇõÝÝ»ñáõ ãѳݹÇåÇ: ´Ý³ëåÇïÇ ëÝݹ³Ï³ÝáÝÁ ÙdzÛÝ »ñÏáõ ß³µÃáõ³Ý ѳٳñ ¿ »õ áã ³õ»ÉÇ: ²Ûë ëÝݹ³Ï³ÝáÝÁ ¹³¹ñ»óݻɿ »ïù Ñ»ñÃ³Ï³Ý áõ µÝ³Ï³ÝáÝ Ó»õáí å¿ïù ¿ í»ñ³¹³éݳÝù áõï»ÉÇùÇ ëå³éÙ³Ý` ÙÇßï å³Ñ»Éáí ù³Ý³ÏÇ Ñ³õ³ë³ñ³ÏßéáõÃÇõÝÁ:

Fundraising Concert for Surp Giragos Church Ý»É ÙÇëÝ áõ ÏáñÏáïÁ, Ñ³Ù»Ù»É ¨ ß³Õ»É: سïÝ»ñÝ ³ÝÁݹѳï Ãñç»Éáí ÷áùñ ·Ý¹ÇÏÝ»ñáõ í»ñ³Í»É: 3.- î³åÏ»É ÏáÉáɳÏÝ»ñÁ, ³å³ ÉóÝ»É ³åáõñÇ íñ³Û: 4.- ²õ»ÉóÁÝ»É Ù³Ýñáõ³Í ëå³Ý³ËÁ »õ ß³ñáõÝ³Ï»É »é³óÝ»É »õë 5 ñáå¿: 5.- سïáõó»É Ù³ÍáõÝ-ëËïáñáí:

Pianist and Surp Giragos Reconstruction committee member Raffi Bedrosyan will perform works by classical and Armenian composers on September 10, 2012 at Surp Giragos Armenian Church, Diyarbakir, Turkey. (donations to Surp Giragos Reconstruction Fund accepted) Info: Turkey 0532 622 8694, USA 212 764 8730, Canada 416 587 5083


êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

25

Need a live-in nanny to take care of 5 month old twins and 3 y.o girl.

see answers reversed in this page

Please e-mail Laura at lchano@hotmail.com

To Infinity and ... from page 20

¶ñ»ó¿ù Ù»½Ç HOME IMPROVEMENT

RENOVATE IMPROVE CHANGE Parseh Margarosyan

60 Deerbrook Trl., Toronto Direct: 647-224-6668 Res.: 416-491-6668 parma@sympatico.ca

Free Estimate

§ÂáñáÝÃáѳۦ Çñ ÁÝûñóáÕÝ»ñ¿Ý ³ÝÓÝ³Ï³Ý ·ñáõÃÇõÝÝ»ñ, ÇÝãå¿ë ݳ»õ ËÙµ³·ñáõû³Ý áõÕÕáõ³Í ϳñÍÇùÝ»ñ ÏÁ ëï³Ý³Û Ù»ù»Ý³·ñáõ³Í »õ áõÕÕáõ³Í Ñ»ï»õ»³É »É»ÏïñáÝÇù ѳëó¿Çݪ Email: torontohye@gmail.com

ÊÙµ³·Çñ

Torontohye Newspaper Publisher Torontohye communications Inc. 45 Hallcrown Place Willowdale, ON M2J 4Y4 Email:torontohye@gmail.com Phone: (416) 491- 2900 ext. 3215 Fax: (416) 491- 2211

γñÇÝ ê³ÕïÁ×»³Ý

fourteen Armenians who collaborated in this project s success! Arbi Karapetian, a group supervisor at JPL, joined the project during the design and implementation phase. He was a Test Conductor during Assembly, Testing and launch. When asked how he felt about the project s success, Arbi said As an engineer you re aware of statistical analysis and reliability. Every engineer understands that you do the best you can, but there s always room for failure. This project was exponentially more complicated than any previous project because of the advances in engineering. The complexity was so high that you could no longer have one engineer, the work had to be spread amongst many engineers, which allowed more room for error. Arbi was very proud of the team s accomplishment, and the success was the greatest reward for all the long, arduous hours they put into the project. If you love doing

ì³ñã³Ï³Ý ä³ï³ë˳ݳïáõ ÚáíÇÏ ê³ñ·Çë»³Ý Ð»é.ª 647-890-0762

²ß˳ï³ÏÇóÝ»ñ ²ñßû ¼³ù³ñ»³Ý ̳ÝáõóáõÙÝ»ñ ä»ÃÇ ö³Ýáë»³Ý ê»õ³Ï Ú³ñáõÃÇõÝ»³Ý ³ٳñ îûݳå»ï»³Ý лé.ª 416-878-0746 ø³Ãdz î¿ñ Úáí³ÏÇÙ»³Ý sales.torontohye@gmail.com

¾ç³¹ñáõÙ

²ñ³ î¿ñ Ú³ñáõÃÇõÝ»³Ý

what you do, then you ll never work a day in your life. There are very long hours which are taxing on everything you do. If this is really your passion, then all of that lines itself up, and it s not hard to get motivated to do what it takes. The following Armenians made significant contributions to the success of the MSL (Mars Science laboratory) Project: Avo Demirjian, Vache Vorperian, Alfred Khashaki, Felix Sarkissian and Hrair Aintablian in the field of Electronics; Garen Khanoyan and Richard Ohanian on the Landing Radar System; Serjik Zadourian and Vazrik Kharakhanian in Assembly Test and Launch; Gayaneh Kazarians in Biology; Hanry Hartounian in Flight Software; Armen Toorian in Mechanisms and Testbeds; and Zareh Gorjian in Computer Animation. (Armenian Weekly)continue

Editor

Karin Saghdejian

Administrator

Hovig Sarkissian (647-890-0762)

Advertisements

Sevag Haroutunian (416- 878-0746)

Design & Graphics: Ara Ter Haroutunian


2012 26 ¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83


êºäîºØ´ºð 2012 ¾. î²ðÆ, ÂÆô 83

Armenia 60th In Olympic Medal Count

The medalists are welcomed like national heros at the Zvartnots airport

Armenia won one silver and two bronze medals at the Olympic Games in London, finishing 60th in the overall medal standings alongside Belgium and Finland. The rather modest performance was an improvement over the country s place in the medal count of the previous Olympics held in Beijing four years ago. The Armenian Olympic team ranked 80th at the time, winning only three bronze medals. A silver medal won by Greco-Roman wrestler Arsen Julfalakian is what made the difference this time around. Julfalakian, whose father and coach Levon became an Olympic champion in 1988, was narrowly defeated by a Russian rival in the final bout of his weight class. Earning Armenia the two other medals were another wrestler, the 20-year-old Artur Aleksanian, and female weightlifter Hripsime Khurshudian. Despite the higher place in the 2012

standings, the performance of the 25 athletes that represented Armenia at London is widely regarded as disappointing by Armenian sport fans. Despite Khurshudian s bronze medal, the national team has caused greatest disappointment. Tigran Martirosian, a world champion and Armenia s arguably biggest hope for Olympic gold, suffered an injury just days before the start of the games. All other weightlifters except Khurshudian fared very poorly, triggering a storm of criticism at home. Some of that criticism has been directed at Gagik Tsarukian, the businessman-turnedpolitician, the head of Armenian National Olympic Committee. Yuri Vartanian, an Armenian weightlifting legend who had successfully competed for the Soviet Union, has openly held Tsarukian responsible for what he described as inadequate preparation of the weightlifters.

27


2012 28 ¾.êºäîºØ´ºð î²ðÆ, ÂÆô 83


Turn static files into dynamic content formats.

Create a flipbook
TorontoHye Newspaper Volume 7, #12-83 - September 2012 by Torontohye/Թորոնթոհայ - Issuu