2015. Portfolio

倀伀刀吀䘀伀䰀䤀伀 ㈀ ㄀ ㌀ 縀 ㈀ ㄀ 㔀

吀漀渀最 䌀栀椀渀最 䰀椀渀 ⼀⼀ 䤀渀搀甀猀琀爀椀愀氀 䐀攀猀椀最渀

愀甀琀漀洀漀琀椀瘀攀 搀攀猀椀最渀Ⰰ 瀀爀漀搀甀挀琀 搀攀猀椀最渀

吀唀一䜀ⴀ䌀䠀䤀一䜀 䰀䤀一ᤠ匀 倀伀刀吀䘀伀䰀䤀伀

䘀漀爀 洀攀 椀琀 椀猀 昀甀渀 琀漀

渀攀瘀攀爀 昀椀渀椀猀栀

猀攀琀 栀椀最栀

挀漀洀洀甀渀椀挀愀琀攀

戀爀椀渀最 琀栀漀甀最栀琀猀

昀椀渀搀 猀漀氀甀琀椀漀渀猀

氀攀愀爀渀椀渀最

琀愀爀最爀琀

眀椀琀栀 漀琀栀攀爀猀

漀渀琀漀 瀀愀瀀攀爀

☀ 椀搀攀愀猀

䔀䐀唀䌀䄀吀䤀伀一 一愀琀椀漀渀愀氀 吀愀漀礀甀愀渀 匀攀渀椀漀爀 䠀椀最栀 匀挀栀漀漀氀 ⠀䜀攀渀攀爀愀氀 䌀漀甀爀猀攀⤀ ㈀ 㠀⼀ 㤀 縀 ㈀ ㄀㄀⼀ 㘀 ⠀最爀愀搀甀愀琀椀漀渀⤀ 䴀椀渀最 䌀栀椀 唀渀椀瘀攀爀猀椀琀礀 伀昀 吀攀挀栀渀漀氀漀最礀 ⠀䤀渀搀甀猀琀爀椀愀氀 䐀攀猀椀最渀⤀ ㈀ ㄀㄀⼀ 㤀 縀 ㈀ ㄀㔀⼀ 㘀 ⠀最爀愀搀甀愀琀椀漀渀⤀ 圀伀刀䬀 䔀堀倀䔀刀䤀䔀一䌀䔀 堀ⴀ䜀攀渀攀 䐀攀猀椀最渀⸀ ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ㄀ 礀攀愀爀 椀渀琀攀爀渀 ⠀嘀攀栀椀挀氀攀 䐀攀猀椀最渀⤀ 堀ⴀ䜀攀渀攀 䴀䔀䰀吀䄀 䌀漀⸀ ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ䘀甀爀渀椀琀甀爀攀 䐀攀猀椀最渀攀爀 ⠀㄀礀攀愀爀⤀ 匀䄀一 夀唀䄀一 䴀漀搀攀氀 䌀漀⸀ ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ匀琀礀氀椀渀最 䐀攀猀椀最渀攀爀 ⠀㌀洀漀渀琀栀猀⤀ 䌀伀䴀倀䄀䰀 䔀氀攀挀琀爀漀渀椀挀猀 䤀渀挀⸀ ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ䤀渀搀甀猀琀爀愀椀氀 䐀攀猀椀最渀攀爀 ⠀㤀洀漀渀琀栀猀⤀ 匀䬀䤀䰀䰀匀

4

倀爀漀ⴀ䔀Ⰰ 匀漀氀椀搀眀漀爀欀猀Ⰰ 倀栀漀琀漀猀栀漀瀀Ⰰ 䌀漀爀攀氀搀爀愀眀Ⰰ 䤀氀氀甀猀琀爀愀琀漀爀Ⰰ 䬀攀礀猀栀漀琀Ⰰ 䌀爀攀漀Ⰰ 䄀氀椀愀猀Ⰰ 匀欀攀琀挀栀唀瀀

䌀嘀 吀伀一䜀 䌀䠀䤀一䜀 䰀䤀一 ⼀

䌀伀一吀䔀一吀匀

㜀 䐀䨀 堀 䌀䄀刀 堀 䐀刀䤀䘀吀 ㄀㤀 䴀䤀一䤀 匀唀倀䔀刀䌀䄀刀

㈀㜀 䴀伀䈀䤀䰀䔀 吀刀䄀䘀䘀䤀䌀 䰀䤀䜀䠀吀 ㌀㜀 䜀䔀一吀䰀䔀 䌀伀一吀刀伀䰀䔀刀

㐀㄀ 䔀堀䠀䤀䈀䤀吀䤀伀一 䘀伀刀 娀䄀䠀䄀 㐀㜀 ㌀䐀 䴀伀䐀䔀䰀匀 ☀ 匀䬀䔀吀䌀䠀䔀匀

5

6

䐀䨀 堀 䌀䄀刀 堀 䐀刀䤀䘀吀

䄀 挀漀渀挀攀瀀琀 挀愀爀 昀漀爀 搀爀椀昀琀 猀栀漀眀Ⰰ 戀礀 挀漀洀戀椀渀椀渀最 琀栀攀 搀礀渀愀洀椀挀 ☀ 猀洀漀漀琀栀 洀漀瘀攀洀攀渀琀 漀昀 琀栀攀 搀爀椀昀琀 眀椀琀栀 琀栀攀 洀攀氀漀搀礀 漀昀 琀栀攀 猀漀甀渀搀 昀爀漀洀 琀栀攀 挀愀爀⸀ 䴀椀砀 琀栀攀 琀眀漀 搀椀昀昀攀爀攀渀琀 猀攀渀猀攀猀 琀漀 挀爀攀愀琀攀 愀 渀攀眀 琀礀瀀攀 漀昀 洀甀猀椀挀 搀椀猀瀀氀愀礀⸀

7

8

DJ X CAR DRIFT

MAIN IDEA By combining a huge directional audio and a normal audio with the vehicle.

The theory of directional audio normal

Mix Drift sound from directional audio

directional

A new type of drift show The drift driver choose a song and play it by normal audio

Drift movement Music from normal audio

Drift the car to make the sound effect(engine, exhaust pipe and tires) that play by directional audio in the back of the car to match the song

9

DJ X CAR DRIFT

The Result

key point1

Directional audio will project the sound effect along with the drift movement to interact with the crowd, also it will let the drift show become more powerful and more exciting.

CONCEPT key point2

The show can advance to a higher level that driver need to combine with the tempo & track when they are drifting, to increase the difďŹ culty and joy. The driver drives the car to mix the music and the sound of the car, just like DJ mix the music by the disc.

By combining the dynamic &

smooth movement of the drift with the melody of the sound from the car. Mix the two dif-

ferent senses to create a new type of music display.

That the drift driver has to consider how to drift the car to

10

match the song to create a special music.

䐀䨀 堀 䌀䄀刀 䐀刀䤀䘀吀

䘀爀漀渀琀 戀漀搀礀 欀攀礀 ⠀挀栀漀爀搀 椀洀愀最攀⤀

匀漀甀渀搀 眀愀瘀攀 椀洀愀最攀

䔀洀瀀栀愀猀椀稀攀 琀栀攀 爀愀爀攀 眀栀攀攀氀

䄀椀爀 昀氀漀眀 搀攀猀椀最渀

ᰠ䠀椀最栀氀椀最栀琀ᴠ 椀猀 琀栀攀 洀漀猀琀 椀洀瀀漀爀琀愀渀琀

䔀堀吀䔀刀䤀伀刀 嘀椀猀甀愀氀椀稀攀 琀栀攀 猀攀渀猀攀 漀昀 栀攀愀爀椀渀最

昀爀漀洀 洀甀猀椀挀 椀渀琀漀 攀氀攀最愀渀琀 ☀ 猀洀ⴀ 漀漀琀栀 氀椀渀攀猀Ⰰ 愀渀搀 愀氀猀漀 挀漀洀戀椀渀攀

眀椀琀栀 琀栀攀 漀爀椀最椀渀愀氀 瀀攀爀昀漀爀洀愀渀挀攀

挀栀愀爀愀挀琀攀爀椀猀琀椀挀 漀昀 搀爀椀昀琀 挀愀爀猀 琀漀 挀爀ⴀ

䴀愀椀渀 氀椀渀攀 ⠀匀漀甀渀搀 眀愀瘀攀⤀

攀愀琀攀 愀 挀愀爀 渀漀琀 漀渀氀礀 爀攀瘀攀愀氀 愀渀 吀栀爀攀攀 猀氀椀挀攀 戀漀搀礀 欀椀琀 ⠀吀漀 挀爀攀愀琀攀 猀甀爀爀漀甀渀搀椀渀最 昀攀攀氀椀渀最 ☀ 愀搀搀 琀栀攀 愀椀爀 甀渀搀攀爀 瀀爀攀猀猀甀爀攀⤀

攀氀攀最愀渀琀 猀漀甀氀 戀甀琀 愀氀猀漀 欀攀攀瀀 愀

瘀椀漀氀攀渀挀攀 猀瀀椀爀椀琀 昀爀漀洀 琀栀攀 渀漀爀洀ⴀ 愀氀 搀爀椀昀琀 挀愀爀⸀

䰀䔀一䜀吀䠀㨀㐀㠀㈀㐀 ⼀ 圀䤀䐀䔀㨀㈀㄀㄀㈀ ⼀ 䠀䔀䤀䜀䠀吀㨀㄀㄀㈀㠀 ⼀ 圀䠀䔀䔀䰀䈀䄀匀䔀㨀㈀㤀 㐀

11

Final 3D model

DJ X CAR DRIFT

EXTERIOR Visualize the sense of hearing

from music into elegant & smooth lines, and also combine

with the original performance

characteristic of drift cars to cr-

eate a car not only reveal an

elegant soul but also keep a

violence spirit from the normal drift car.

12

LENGTH:4824 / WIDE:2112 / HEIGHT:1128 / WHEELBASE:2904

DJ X CAR DRIFT

INTERIOR Three seats design is the main idea. Trying to put all the wei-

ght on the center of the car to

offer better handling and counter weight.

LENGTH:4824 / WIDE:2112 / HEIGHT:1128 / WHEELBASE:2904

13

DJ X CAR DRIFT

SCENARIO Drift the car to make the sound effect (engine, exhaust

pipe and tires) that play by

directional audio in the back

of the car to match the song.

The driver drives the car to

mix the music and the sound

of the car, just like DJ mix the music by the disc.

14

DJ X CAR DRIFT

Take reference from others and make the idea model

Check the 3D surface

Test the tires and redesign the chassis

MODEL MAKING 1.Make idea model Clay model : model the lines & curves

2.Make clay model Final check and correct all the problems

3.Scan the clay model into 3D 4.Model aero packages in 3D 5.CNC the whole model 6.Redesign the chassis

7.Assemble all the elements

15

䐀䨀 堀 䌀䄀刀 䐀刀䤀䘀吀

䘀䤀一䄀䰀 䴀伀䐀䔀䰀 ㄀⸀䴀愀欀攀 椀搀攀愀 洀漀搀攀氀 ㈀⸀䴀愀欀攀 挀氀愀礀 洀漀搀攀氀

㌀⸀匀挀愀渀 琀栀攀 挀氀愀礀 洀漀搀攀氀 椀渀琀漀 ㌀䐀 㐀⸀䴀漀搀攀氀 愀攀爀漀 瀀愀挀欀愀最攀猀 椀渀 ㌀䐀 㔀⸀䌀一䌀 琀栀攀 眀栀漀氀攀 洀漀搀攀氀 㘀⸀刀攀搀攀猀椀最渀 琀栀攀 挀栀愀猀猀椀猀

㜀⸀䄀猀猀攀洀戀氀攀 愀氀氀 琀栀攀 攀氀攀洀攀渀琀猀

16

The division of responsibilities

Tong-Ching Lin 林東慶

Exterior & Interior design / Idea model / Clay model / Chassis Redesign / 3D Modeling

Lung-Chang Lin 林隆盛

Idea model / Clay model / Chassis Redesign / Exhibition Stage design

DJ X CAR DRIFT

MEMBERS 1.Make idea model

Bo-Shi Kuo 郭柏熙

Idea model / Clay model / Chassis Redesign / Process the data for App

2.Make clay model

3.Scan the clay model into 3D 4.Model aero packages in 3D 5.CNC the whole model 6.Redesign the chassis

7.Assemble all the elements

17

18

䴀椀渀椀 匀甀瀀攀爀挀愀爀

䌀爀攀愀琀攀 愀渀 愀氀氀 渀攀眀 洀漀搀攀氀 漀昀 䴀椀渀椀⸀ 䘀爀漀洀 攀砀琀攀爀椀漀爀 琀漀 椀渀琀攀爀椀漀爀Ⰰ 昀漀氀氀漀眀椀渀最 琀栀攀 猀瀀椀爀椀琀 漀昀 䴀椀渀椀 搀攀猀椀最渀 䐀一䄀⸀

19

20

The go-kart handling for which MINI is famed is the product of having its wheels mounted at each corner of the car – similarly to a go-kart.

EXTERIOR Over the years, the styling of

Mini Supercar

Design DNA

MINI design is based on a clear formal language that is defined by the play of lines, seams, circles and ellipses.

Front end

Wedge shape (Shoulderline)

MINI cars has produced a

host of design icons which

have become synonymous with the brand as a whole

and, in some cases, signature

features of individual models.

ele Collectively, these iconic ele-

ments have helped shape the identity of the brand and its cars.

Floating roof

Stance on the wheels

21

Mini Supercar MINI design is based on a clear formal language that is defined by the play of lines, seams, circles and ellipses.

Floating roof

EXTERIOR

Front end

Over the years, the styling of MINI cars has produced a

host of design icons which

have become synonymous

Wedge shape (Shoulderline)

with the brand as a whole

and, in some cases, signature

features of individual models.

ele Collectively, these iconic ele-

ments have helped shape the identity of the brand and its cars.

22

Stance on the wheels

Mini Supercar

Proposal 1 : Center-oriented (Wing Structure)

Transfixion

Slice

INTERIOR

Wing structure image

Eye-catching accents are cre-

ated by elliptical forms reect-

ing the language of the exteri-

Suspension feeling

or circular elements within the

cabin as well.

23

Mini Supercar

Proposal 2 : Center-oriented (Extended & Wrapping)

Wrapping

INTERIOR Eye-catching accents are cre-

ated by elliptical forms reect-

Center direction

Vitality

ing the language of the exteri-

or circular elements within the

cabin as well.

Tensility

24

Mini Supercar

Proposal 3 : Driver-oriented

The cockpit is fully orientated towards the driver

Surrounding driver

INTERIOR Eye-catching accents are cre-

ated by elliptical forms reect-

Spiral idea

ing the language of the exteri-

or circular elements within the

cabin as well.

Opposite

25

26

䴀漀戀椀氀攀 吀爀愀昀ǻ挀 䰀椀最栀琀

吀栀椀猀 瀀爀漀搀甀挀琀 椀猀 愀 猀攀琀 漀昀 琀礀瀀攀Ⰰ 挀愀渀 挀漀渀渀攀挀琀 眀椀琀栀 攀愀挀栀 漀琀栀攀爀 愀渀搀 椀渀搀甀挀琀 瘀攀栀椀挀氀攀猀 椀渀 愀渀搀 漀甀琀 戀礀 椀渀昀爀愀爀攀搀 椀渀搀甀挀琀椀漀渀 琀漀 椀渀昀漀爀洀 搀爀椀瘀攀爀猀 琀栀攀 椀渀昀漀爀洀愀琀椀漀渀 眀栀攀渀 琀栀攀礀 挀漀渀昀爀漀渀琀 眀椀琀栀 琀栀攀 漀渀攀ⴀ眀愀礀 琀爀愀昀ǻ挀 爀漀愀搀⸀

27

Mobile Traffic Light

BEFORE

PROBLEMS When confronting with one-

go go go!

way traffic road road, if the road is too long or there are blind

corners, the driver will not kn-

ow whether there is a coming car or not. So it is often to see two workers with walkie- talki es directing traffic at the be-

ginning and end of the road.

28

stop!

AFTER

Mobile Traffic Light

STEP1: The seconds of the green light can be set, according to traffic flow at different times.

STEP2: The seconds of the red light change, depending on the sensor detection.

Moving vehicle Stopping vehicle Leaving vehicle Blocked area after 30 seconds (can be set)

after all the cars exit, change to green

CONCEPT This product is a set of type,

can connect with each other

Operation of the system

and induct vehicles in and out by infrared induction, so the numbers of the vehicles in

one-way traffic road can be

understood clearly, and then

inform drivers the traffic inforinfor mation they need by traffic light signal.

29

Mobile TrafďŹ c Light

Proposal 1

Led panel (Lifting & descend

Solar panel (for charging)

Handle

Hoisting button

Infrared sensor

Adjustable stand:

When confronting with a slope or road bumps, four stands can stretch inde-

pendently to prevent the dumping.

30

EXTERIOR

Mobile TrafďŹ c Light

Proposal 2

Led panel

Infrared sensor

EXTERIOR

Adjustable stand:

When confronting with a slope or road

bumps, two stands can turn down independently to prevent the dumping.

Power button

Piezoelectric crystal plate (for charging)

Close

Open 31

Mobile TrafďŹ c Light

Proposal 3

Led panel

EXTERIOR Infrared sensor Put most of the weight here

Swing stand: Power button

When confronting with a slope, the body can

swing to avoid collapsing if the center of gravity is on the bottom of the body.

32

Mobile Traffic Light

Final Proposal

560mm

270mm

Handle(for hoisting)

900mm

1500mm

Infrared sensor

Power button

EXTERIOR

Strap

The exterior is about design-

Close

ing a style that is enough to

Connecting hole:

catch drivers’ eyes. So, I try to

For Piezoelectric crystal plate

Adjustable stand:

When confronting with a slope or road

bumps, four stands can turn down inde-

design a traffic light that shape looks like a human body.

Open

pendently to prevent the dumping.

33

Mobile Traffic Light

Final Proposal

560mm

270mm

Can open 1500mm

900mm

Infrared sensor

EXTERIOR

Power button

The exterior is about designing a style that is enough to

catch drivers’ eyes. So, I try to

Adjustable stand:

design a traffic light that sha-

When confronting with a slope or road

bumps, four stands can turn down independently to prevent the dumping.

34

Strap

pe looks like a human body.

Mobile Traffic Light

Final Proposal

Structure Elastomer

pressure

Main material Outside case Piezoelectric crystal plate

Car movement pressure

Charging eletricity

Turn & Pull

ENERGY SOURCE The mobile traffic light needs to working for a long time, so

Put in

Roll it up

it need to have a “Renewable

Energy System” to maintain its own energy.

Storage space:

For Piezoelectric crystal plate

35

36

䜀攀渀琀氀攀 椀欀攀礀

椀 欀攀礀 椀猀 洀漀爀攀 琀栀愀渀 眀栀愀琀 礀漀甀 琀栀椀渀欀 縀 䤀琀ᤠ猀 渀漀琀 漀渀氀礀 愀 洀愀挀栀椀渀攀 琀漀 猀琀愀爀琀 礀漀甀爀 挀愀爀Ⰰ 椀琀 挀愀渀 愀氀猀漀 戀攀 愀 氀甀砀甀爀礀 椀琀攀洀 漀昀 瀀攀漀瀀氀攀 琀漀 猀栀漀眀 琀栀攀椀爀 猀琀愀琀甀猀⸀

37

38

Gentle ikey Extra key (Mechanism Design) Speed Form

Step1 : Turn

Step2 : Push

SCENARIO A car ikey should not only a machine to start your car, it

can also be a luxury item of

people to show their status.

For example, like watch or fountain pen.

39

40

䔀砀栀椀戀椀琀椀漀渀 䘀漀爀 娀愀栀愀

䄀渀 攀砀栀椀戀椀琀椀漀渀 昀漀爀 猀栀漀眀挀愀猀椀渀最 琀栀攀 愀爀挀栀椀琀攀挀琀ᤠ猀 眀漀爀欀猀⸀ 䤀渀 漀爀搀攀爀 琀漀 欀攀攀瀀 琀栀攀 猀愀洀攀 ˻愀瘀漀爀 眀椀琀栀 琀栀攀 愀爀琀攀昀愀挀琀猀Ⰰ 甀猀椀渀最 猀漀洀攀 漀昀 琀栀攀 昀攀愀琀甀爀攀猀 漀昀 栀攀爀 眀漀爀欀猀 琀漀 挀爀攀愀琀攀 琀栀攀 猀瀀愀挀攀 猀琀礀氀攀 漀昀 琀栀攀 攀砀栀椀戀椀琀椀漀渀⸀ 伀渀 琀栀攀 漀琀栀攀爀 栀愀渀搀Ⰰ 甀猀椀渀最 猀漀洀攀 挀漀渀琀爀愀挀琀椀渀最 攀氀攀洀攀渀琀猀 琀漀 瀀漀瀀 琀栀攀 愀爀琀攀昀愀挀琀猀 漀甀琀⸀

41

A. feeling of shape:

The shape of the exhibition space (cases, table,s panels) will be square to pop the artefact out because most of the

Exhibition For Zaha

works’ shape are Fluidic Sculpture and keep the feature of unit form structure to make sure the same flavor.

FLAVOR DISPLAY & THE FLAVOR OF THE EXHIBITION SPACE.

In order to keep the same

flavor with the artefacts, using some of the features of her works to create the space style of the exhibition.

42

B. Color feeling:

In the use of color, most are earth tone

Exhibition For Zaha

FLAVOR DISPLAY & THE FLAVOR OF THE EXHIBITION SPACE.

In order to keep the same

flavor with the artefacts, using some of the features of her works to create the space style of the exhibition.

43

C. Texture and feeling of space:

Zaha Hadid's architectural works appeared to be rough. Its texture and space are from the effect of the space transparent and Humanities moving line arrangements.

Exhibition For Zaha

FLAVOR DISPLAY & THE FLAVOR OF THE EXHIBITION SPACE.

In order to keep the same

avor with the artefacts, using some of the features of her works to create the space style of the exhibition.

44

Exhibition For Zaha

45

46

匀欀攀琀挀栀攀猀 ☀ ㌀䐀 䴀漀搀攀氀猀

伀琀栀攀爀 猀欀攀琀挀栀攀猀 愀渀搀 ㌀䐀 洀漀搀攀氀猀

47

Sketches & 3D Models

3D MODELS Dyson DC37

48

Sketches & 3D Models

3D MODELS Eton radio

49

Sketches & 3D Models

3D MODELS Philips ID9371 Dect phone

50

Sketches & 3D Models

3D MODELS Speaker

51

Sketches & 3D Models

3D MODELS Bike

52

匀欀攀琀挀栀攀猀 ☀ ㌀䐀 䴀漀搀攀氀猀

匀䬀䔀吀䌀䠀䔀匀

53

䐀甀爀椀渀最 挀漀氀氀攀最攀 氀椀昀攀Ⰰ 䤀ᤠ瘀攀 氀攀愀爀渀攀搀 琀漀 ᰠ䈀攀 昀愀椀琀栀昀甀氀 琀漀 洀礀猀攀氀昀ᴠ⸀

吀䠀䄀一䬀 夀伀唀

䘀 伀 刀 夀 伀 唀 刀 刀 䔀 䄀 䐀 䤀 一 䜀

㤀㌀ 㔀㄀㜀㔀㜀 ⼀ ㌀ⴀ㌀㠀 㜀 㔀 愀氀瘀椀猀氀椀渀㄀㄀㜀䀀最洀愀椀氀⸀挀漀洀