simplex

Tobias Fandel simplex (2020)

for String Quartet score

dedicated to Wendy Lee and the Cong Quartet

Instrumentation String Quartet single-channel click track (optional)

Duration: 7 minutes

Performance Directions e String Quartets Metaphorismus and simplex are intended to be performed together. e order can be chosen by the performers, whereas the pieces should not be presented as a single, uninterrupted composition, but rather as two movements. Both pieces use the same scordatura and a retuning in-between should be avoided.

Although not required for simplex, especially for a performance together with Metaphorismus, the use of the click track is preferred. Besides a regular stage setup, the quartet can also be placed in a circle, surrounded by the audience, with each player directed to the outside. For recordings, the successively playing of all instruments is suitable.

Technical Requirements and Setup e optional click track for simplex consists of a single channel, with the same tempo structure for each player. e technical setup must provide all players with headphones, earphones or in-ear monitors. Both wired and wireless synchronisation methods are feasible and equally suitable. e best possible setup ensures that: all performers are able to follow the click track e ortlessly without the clicks being perceived by any other player or the audience, while still being able to hear all the instrumental sounds. e concrete click samples have a major in uence on the aforementioned considerations. Dry and gentle resonating samples carry the clicks e ectively without interfering. In case a player follows the click track with one ear only, the audio playback shall be allocated to this particular output channel, with the other side being muted. e click track audio and midi les are available upon request and can be modi ed and adjusted to meet the players’ needs.

Scordatura e scordatura is based on a concert pitch A4 of 444 Hz and should not be transposed. All deviations are given in absolute frequencies with the relative di erences stated in cents (¢), relating to an equidistant well tempered tuning in 444 Hz. e scordatura was carefully designed to enable speci c acoustical beatings of natural harmonics and to facilitate certain intervals and therefore should be prepared as precisely as possible. All resulting micro di erences of the same notated pitches are intended as such and should not be compensated.

Violin 1

Violin 2

Viola

Violoncello

E5 = 669.248 Hz (+10¢) A4 = 440.000 Hz (-16¢) D4 = 296.334 Hz (0¢) G3 = 198.780 Hz (+9¢)

E5 = 661.248 Hz (-10¢) A4 = 448.000 Hz (+16¢) D4 = 294.334 Hz (-11¢) G3 = 197.780 Hz (0¢)

A4 = 444.000 Hz (0¢) D4 = 298.334 Hz (+12¢) G3 = 196.280 Hz (-13¢) C3 = 134.002 Hz (+26¢)

A3 = 223.000 Hz (+8¢) D3 = 144.167 Hz (-47¢) G2 = 099.890 Hz (+17¢) C2 = 066.001 Hz (0¢)

Universal Tempo markings, changes and processes (accel. - accelerando, rit. - ritardando) should be followed as precisely as possible, additional tools might complement and aid rehearsals, performances, and recordings.

For prolonged sections subjected to a single tempo process, the targeted tempo is given alongside the starting tempo. e process should be as continuous and steady as possible, until the tempo marking for the aimed tempo is indicated.

All durations should be realised as precisely as possible, without added processes of timbres or dynamics unless indicated. Grace notes should always be played before the beat, curtailing the previous sound if necessary.

Each accidental a ects only the subsequent note and each note always has one accidental attached to it, with the exception of pitchless, tied, or successively repeated notes.

Quarter-tone accidentals, denoting tempered quarter-tone steps implemented into the twelve-tone equal temperament.

Eighth-tone accidentals, either indicating contextual micro alterations relative to the tempered quarter-tone grid, or applied to approximate representations of partials and multiphonics.

Noteheads which di erentiate speci c playing techniques are only applied as crotchets or smaller note values. Minims or semibreves are not used for these noteheads.

Single diamond-shaped noteheads representing harmonics are applied to all note values, except for minims. For harmonics depicted with the fundamental tone, the small sized regular notehead di erentiates between crotchets and minims, so that all values can be distinguished without exception.

Vibrato of any intensity should only be applied if explicitly stated. (vibrato, poco vibrato, molto vibrato, exaggerated vibrato) For all trills (harmonics, bisbigliando, tremolo), the auxiliary notes are always indicated, except for certain timbre and multiphonic trills speci ed by ngerings.

All glissandos should begin immediately and connect from start to nish as evenly as possible with constant speed. notehead, or by a relative distance, as stated by the added accidentals.

e distance is either indicated by a targeted

Slurred glissandos in a single motion and articulated glissandos with intermediate attacks.

Even and seamless transitions of articulations or playing techniques, also in combination with glissandos. msfz - mezzo-sforzato, sfz - sforzato, s z - sforzatissimo: subtle, strong, or very strong accents with emphasis, independent of the surrounding dynamics.

Targeted dynamic marks on a rest sign, suggesting the loudness of an imagined sound and implying its virtual physicality.

Accented rests imply an active and metrical interruption of the previous sound, or a metrical "weight" as a physical impulse for the following playing action.

Muting sign, used for metrically damping of the prior produced sound, or for muting of speci ed strings for particular techniques.

Smaller sized dynamic markings in parentheses attached to regular dynamic markings indicate the e ective loudness of certain techniques that require distinctly more physical energy for the production of this sound than the result would imply. e ordinary dynamic marking hints at the player’s e ort.

Crescendo dal niente. Diminuendo al niente.

Dashed hairpins indicate a sounding process in contradiction to the physical e ort required.

Hairpins in parentheses hint at a musical connection, although the implied process is not audible.

Dashed slurs denote a best possible legato, di ering from the technical execution.

String Instruments (1/4)

bridge clef - depicting the position of the bowing contact and the transitions in between

P - ponticello, very close to the bridge, on the bridge poco

- poco sul ponticello, close to the bridge ord. - ordinario, ordinary bowing contact position T - tasto, fretboard GF - in touch with the tip of the stopping finger (greifender Finger)

open, muted, muted (string indicated), muted (all strings)

T-P brushing tremolo - fast alternating the contact position of the bow between fretboard and bridge, all strings muted

bridge, edge, scroll - pitchless bowing, notated over the 5th staff line and without accidentals, always as crotchets bridge (pitchless bowing directly on the bridge) edge (bowing on the edge of the instrument body) scroll (bowing on the scroll)

String Instruments (2/4)

bridge (slow, overpressure) - pitchless bowing right on the bridge with overpressure, indefinite squeaking noise

flaut. GF - flautando, tip of the stopping finger is touched by the bow hair while bowing

bow glissando - shifting the bowing contact while bowing as indicated with GF - T - ord. - P

split tone - "carving out" high partials by subtle changes in the bowing position (poco, P)

crunch - crunching, cracking or squeaking sounds, slow bowing with severe overpressure, on indicated open or muted strings,

and on stopped tones, indicated by square noteheads, over the fretboard (T) dry and pitchless, near and over the bridge (poco, P) strident with spectral components

String Instruments (3/4)

harmonic pizzicato - releasing the harmonic touch in the instant of plucking

pitchless Bartók pizzicato on indicated string, all strings muted while snapping

pizzicato behind the bridge on indicated string

natural harmonics - specified with small numbers in brackets, always referring to the corresponding open string as fundamental:[2]=octave; [3]=octave+fifth; [4]=2 octaves; … ; [8]=3 octaves; [9]=3 octaves+second; … ; [x]=very high but undifined harmonics

harmonic trill (two variants): a - root of artificial harmonic is released slightly to create a natural harmonic in the same position; b - unlike ordinary trills, both fingers must touch and release the string, to enable two natural flageolets to occur

timbre harmonic trill - fast alternating of harmonic touch and slightly releasing touch (open string), so that both the harmonic and the open string gets hardly enough time to resonate, with the velocity depending on the specific resonances

String Instruments (4/4) M - multiphonic1: finger contact similar to natural harmonics, bowing slowly and with slightly more pressure, "deep" in the string with ord. or poco sul tasto contact point, using all hair (not the edge) and bowing strictly parallel to the bridge might enhance stability; present harmonics indicated similarly to natural harmonics

The following chart depicts the touching positions and resulting pitches of natural harmonics and multiphonics on the Violoncello C-string for the lower octave. For all the other strings and on all other string instruments, the positions and resulting pitches can be derived by transposition.

Maurer, Barbara. Saitenweise: Neue Klangphänomene auf Streichinstrumenten und ihre Notation - Eine Anleitung. Wiesbaden, Breitkopf und Härtel, 2014.

Fallowfield, Ellen. Cellomp. https://cellomap.com/ [accessed: Jun 29, 2021].

1

Tobias Fandel

simplex (*1986)

q=73 rit. > q=47

° 4 4

P

bridge

≥

edge

≤

) Violin 1

≤

[8]

)

)

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

6

6

6

6

6

6

6

Œ

Œ

4 ¢& 4 Ó kO

nœ

O

O

O ff (=mp)

ff (=mp)

o mf

° 4 4

poco

P

P

edge

æ 6æ

M [4-11-7-3]

Violin 2

4 ¢& 4 n O

O

nµ OE

OE ™™

mp

mf

æ 6æ

æ 6æ

æ 6æ

[8]

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

kO

o ff (=mp)

µO

nœ

f (=p)

o mf

° 4 4

P

bridge III

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

M [6-11-5]

Viola

4 n~ B ¢ 4 n~

nœ

O O

O O

O O

)

)

III

kO

O

nB Oe

~%

[8]

IV p

ff (=mp)

mp mf

mf p pp

° 4 4

o

poco

GF III M

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

IV III Violoncello

? 4 n~ ¢ 4

O

nO

O Œ

Œ nO nœ [9]

mf

[5-9-4]

µO

Œ

nµOE

[9]

p p p mf

2

°

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

M

bridge

[4-11-7-3]

) Vln. 1

¢& Ó

Œ

nµOe

Oe

OE ™™

Oe

mf

p

#O

kO nœ [x]

)

kO o

[x] [5]

p

)

ff (=mp)

mf mf pp

°

M M [4-11-7-3]

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [4-11-7-3] Vln. 2

µ~ ¢& n %

Oe

ΠnO kO

nœ

nµ Oe

Oe

OE ™™

mp mf [4] [x]

p

p mf

o mf

°

P

P

poco

poco

GF

“” III I

µœ

nO

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vla.

¢B B O nœ

ΠkO

[11]

Œ

kO ~

O

[x] [x]

o

ff

mf pp

°

P

poco

bridge III M

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [6-11-5] ?

Vlc. ¢ nB ~%

OE

)

)

)

) Œ

kO

nœ

kO o

[8] [x]

ff (=mp)

mp ppp 5

p f

Ó

O

3

°

poco

poco

P

poco

II [2]

II

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

[x]

nO nO

[3]

III Vln. 1

¢& nn~~ [9]

O O

Œ

Œ

kO

O

O

¿

O O

~ ~

[3]

o

o f

III p

f

IV pp mf

°

P poco

P

edge

≥

≤

6 Vln. 2

¢& Ó

6

6

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

6

[x]

[5]

bridge

)

)

)

ΠkO

mf (=pp)

nO nœ

ff (=mp)

o ff (=mp) ppp

°

P poco

M

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [9]

kOI Vla.

˜O nœ

[5-9-4]

n˜ OE ™™

n˜ ~%

Oe

¢B

Œ

Ó

)

)

[9]

[x]

p

mp

mf ff (=mp)

° GF III M bridge IV

? nœ

[3-11-8]

nO

Vlc.

¢

µO ne

O™ E™

O e

O E

)

)

)

)

[3]

o

mf

o ff (=mp)

9

pp

p mf

4

A °

bridge

III [3]

) Vln. 1

)

µ ≤˙ n˙

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

) nO [9] n O

¢& o

ff (=mp)

¿ ¿

O O

O O

O O

µµOe

##Oe

Œ

Ó

o p IV Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ff mf

°

P

poco

GF I [4]

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

IV II [x]

II

nœ Vln. 2

nO nœ

¢&

œ

kO

O

O

O

Œ

Œ

nO nO

mf pp

o

[9]

ff

nœ nœ

~ ~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

mf II f ff

° M

edge

æ 6æ Vla.

I

æ 6æ

[4-11-7-3]

æ 6æ

[4]

nn OO

~~

OO

nµ OE ™™

OE

¢B

Ó o

o

[3] II

ff (=mp) mp

f

f mf

°

poco

M

M

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [5-9-4] [6-11-5]

? nkO nœ

˜nOE ™™

˜O Œ

OE ™™

µnOe

Oe

OE ™™

Œ

Vlc.

¢ [x]

[9]

mp f

o 13

mp

5

B °

P

T T [2]

crunch

¡

I

nO

µµ OE

O

O

O

O

…

, Vln. 1

IV

,

,

,

,

,

, Œ

¢& ff

. ,

mf ff

fff f

°

P

T

T pizz. + sfz

P

T

T

crunch

IV (arco)

[5]

Vln. 2

¢

3

…

˜nœ˙ #˙

& #nOE

œ œ

Π. ,

. ,

. ,

. ,

. ,

n6

r n6

k6 n6

n6 k6

fff

o mf ff mf

°

P

poco

T

P

T

crunch

[2]

nO

fff

ff

(arco)

O

I¡ IV

, Vla.

¢B

…

, Œ

n6 k6

. ,

. ,

. ,

. ,

Œ n6 k 6™

#6

ff ff f f ff f ff

°

P

poco

P

poco

T

T

T IV

crunch crunch

I

…

µ6

IV

nk6

…

¡

n6

Œ

Vlc.

¢

., mf

ff

.,

.,

I

6

6

6 ∏∏∏∏∏

[11]

? µnOE

.,

…,

¡,

,,

ff f

17

f fff mf

ff

6

°

P

T

poco

P

P

P

T

T

T I II [4]

¡

I

III

Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~

bridge crunch (slow, overpressure)

crunch

ord.

IV [9]

IV

[3]

3

n O nO

[2]

…

, Vln. 1

n6

¢&

nO

,

,

O

¿

. n6 n 6 ,

. ,

nO ™ ¿

œ µµOe µœ Œ nœ

µœ

Œ

)5

n6

)5

)5 n6

n6

f ff

mp p

3

ff

ff f

o f

f ff mf

ff

°

P

poco

P

poco

T

T

T crunch

crunch

I ord.

¡

I

¡

pizz.

[3]

IV

[4]

+ nµ œœ œœ nœ.

[9]

…

Vln. 2

¢&

≈ , ™

. ,

. ,

. ,

. nO ,

,

,

, ™

nO O

nO

O

O, ™

(arco)

Œ nœ œ

O f

mf f

3

ff (=mp)

o

ff

sfz

ff f

°

P

poco

P

T

P

P

T

T

T

I

bridge ord. III (slow, overpressure)

crunch

… ord.

Ÿ~~~~~~~~~~~~~~~~~~~~~~ [x]

crunch

¢B

. ,. nœ ™

œ kO

nO nO. k 6

¿

nO

3

Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

[5]

3

Vla.

[3] [5] [3]

n6 nO

¿

O

kO ¿

O

3

…

O n6 k 6

. ,

mf

ff

)5 )5 . ,

‰ nO.

. , ™

ΠnO.

o ff

[4] [5]

o ff

[x]

ff f ff

f

mf ff

°

P

P

poco

poco

P

P

poco

T ord.

II 3

? nœ nœnb œœ œœ ‰

bridge

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~

(slow, overpressure)

[x]

ord.

M crunch

)5

)5

)5 kO ¿

[8] [6]

[5] [6-11-5]

kO n O. # O µnOe

[11]

OE

Oe µ O ™

I…

,

. . nœ ™ n 6 n 6 6 n O , , n6 nO nœ ¡

Vlc.

¢ I

o

3

f

3

3

f

o

f f ff ff ff 21

mf ff

µœ

7

° T

P

P

poco

poco

T

T

T arco

P

poco

T

ord. crunch

bridge

pizz.

…

Vln. 1

crunch ord.

3

[4]

+ nœ. ‰

[5]

¡

I

(slow, overpressure) [x] crunch

3 [5]

,

[3]

)5

)5

, nO#O

)5

)5 n#OO OOn O ™ n œ µœ

)5

kO.

¢& . ,

n 6 µ6

œ œ

[9]

n6

[4]

n6

nn Oe Oe

Oe

nO

mf

sfz

ff mf ff

p ff

o

mf f

ff ff ff

°

P

poco

P

P

poco

poco

T bridge II

II

I [3] crunch

Ÿ~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~

M

ord. III

(slow, overpressure)

ord.

[5]

[9]

…

[11] [x] [4] [4-11-7-3]

3

Vln. 2

¢& nœ nO kO nœ [4]

O nO µnOE

OE

#O ™™ k O O

µO kO nœ

Oe

O O

3 [5]

[x]

)5

)5

)5 n O ™

)5

‰ . , nO O kO f

[8]

mf mf

f

f

ff f mf

ff

ff

P

°

poco

poco

T

T

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~

crunch

ord. crunch

Ÿ~~~~~~~~~~~~~~ [3]

M

ord. crunch

Ÿ~~~~~~~~~~~~~~~~~~~~

[3]

I

[5-9-4]

[4]

[4] [5]

I

#6 Vla.

poco

P

#O

O

nO

O

O

¿

O n O nœ

[9]

≈ µnœ>œ ™

˜ Onœ

…,

™ œœ

O

n˜ Oe

Oe

Oe

Oe n O ™ nO

¢B

ord.

I

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ O …, [9] nO nœ O 3

3

o

o p

ff

o

f

f

ff

ff ff

°

P

poco

poco

poco

P

T

T T

bridge crunch ord.

I

Ÿ~~~~~~~~~~~~~~~~~~~~

M

crunch

(slow, overpressure) [4] [9]

)5

)5

[11]

crunch ord.

[11]

III

Ÿ~~~~~~~~~~~~

)5 ™

…

[6] [6-11-5]

n O µnOe

[9]

3

[5]

?

Vlc.

¢ nO O

.,

nO

O

nnOO ¿¿

[9]

IV

OO n6 J

n6

nO

Oe

Oe ™™ µ O O

µ O nœ

[8]

n6

nO kO

#6

µ6

‰

O 3

ff mf [3]

Ÿ~~~~~~~~~~~~

ff

ff

mf

ff

ff mf

ff

o

mf f ff

f

f ff

25

n6

8

C P

°

P

poco

P

poco

poco

T

poco

P

T bridge I bridge (normal pressure) [3]

(slow, overpressure)

[4]

Ÿ~~~~~~~~~ Vln. 1

ord.

crunch 3

[3] [x]

¢& nO O n6 n6

k O™ nœ

k O.

ff mf

mf

…

)5

. ,

ff

)5

)

) nO

)

[3]

nO

)

)

n~

O o mf (=pp)

mf (=pp) pp

o

mf ff

°

P

T bridge bridge rib crunch ord.

(slow, overpressure)

æ )æ

[3] [4]

I¡

, Vln. 2

Oe n O

n O µµOe

)5

)5

)5

bridge

æ )æ

[4]

nO ‰ nO [3]

¢& 3

)

)

6æ

6

6

6

6

6

æ 6æ

o

o

f

O

3

mf (=pp)

ff (=mp)

ff (=mp) mf f

ff ppp

°

poco

P

P

P

poco

P

poco

T bridge ord.

bridge

(slow, overpressure)

IV

I [5] crunch

II 3

)5 )5

[5]

…

Vla.

¢B

[5]

)5 # O

)5

[9]

) nO

nO

n6

µ6

. ,

O

. , kO

nO ™ pp mp

ff

)

)

)

[9]

O O

nO

O

O

o

f

pp

o mf (=pp)

ff

ppp

mf

mf (=pp)

ff

°

P

P

poco

P

P

poco

GF GF I

crunch

bridge

n6

(slow, overpressure)

5 ) ?

)5

)5

n6 n œ n œ nO nO ™ n6 n6

nœ

[11]

bridge

œ

I

œ )

)

B

)

)

µO

)

O

?

Vlc.

¢ 3

ppp mf

ff p mf

29

ff

mf ppp

mf (=pp)

mf (=pp)

pppp

9

°

P

poco

GF

µµ ~% Vln. 1

GF

“”> µ ˙™

~%

#w

œ

¢& o

o

pp

°

P

pp

o

o

p

pppp

P

poco

P

poco

bridge

) Vln. 2

)

)

µµ ~%

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

)

Œ

¢& [x]

k~

O

nœ

O

O

o

ppp

o o ppp

°

poco

P

poco

T I II

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Vla.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

III

[x]

[9]

k~ ¢B

nœ

O

O

Ó

k[x]O

n~

O

o

pp

o

P

O

O o

o p

p

°

nœ

poco

P

GF

IV III [9]

n˙ ™

?

œ

B

Vlc.

¢

n˙ n~

O

˙

˙

O p

o o

33

o

ppp

pppp

pp

o

10

°

P

poco

bridge

rib

I

≥

[5]

#O Vln. 1

≤

O

)

)

)

)

)

)

6

6

6

6

6

6

6

6

¢& o

pppp

o

o

p

ppp

° bridge bridge

) Vln. 2

)

)

)

)

)

)

>

(slow, overpressure)

(normal pressure)

)5

)

(normal)

æ )

)

)

)

)

æ )æ

)

¢& o

°

o

o

p

p

o

ppp

poco

P

T GF IV

GF III

ææ #˙ ™

IV [2]

B n~

µw

w

æ

Vla.

¢ ppp

o

kœ

o ppp

o

°

P

GF bridge rib (normal pressure)

nw

w

æ 6æ

æ 6æ

æ 6æ

æ 6æ

)

)

(slow, overpressure)

)5

(normal)

)

B Vlc.

¢ pp 37

o p

o

o p

11

°

P

P

poco

T bridge III IV (normal pressure)

(slow, overpressure)

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vln. 1

5

5

)

)

¢&

[x]

)

)

[4] [3]

n~

~

nO

nœ

k~

p

o o p

o

pppp

°

poco

” “GF I

nw

w nn ~%

Vln. 2

[3]

n~ n~

#O

¢& [4] [5]

o pp

pp II

°

poco

P

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o p

P

poco

poco

T III

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

II Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ŸI ~~~~~~~~~~~~~~~~~~ [3] [5]

[5]

nO

[4]

Vla.

¢B nn~~

nO

~

O

O

O

k[x]O nœ

O

nO

OO

OO

[3]

o

o

p

o

p

mp

pp

°

P

P

poco

T

T

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ III

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I [5]

[x]

# OE

[4]

?

nO

Oe

OE ™™

Ó

Vlc.

¢

k~

nœ

O

O

O

O o

o p

o

o

41

pp

12

°

P

poco

poco

rib II

>

6 Vln. 1

[5]

6

6

6

#O #O

Ó

¢&

nO

~ ~

O O

O O

O O

Ó

o

p

[5] [4]

III

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o p

°

P

P

poco

GF [3]

bridge

µB ~%

>

æ )æ Vln. 2

æ )æ

OE

n˙

mp

ppp

˙

nO nE

Ó

¢& o

p

o

o

p

°

P

poco

bridge I (normal pressure)

(slow, overpressure)

)5 Vla.

)5

)5

)5

)5

)

)

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

k[x]~ nœ

)

¢B

nn OE

o

p

[5]

OE

p

o

o

pp

°

P

poco

T rib

> bridge

ææ 6 ?

6

6

æ 6

)

[11]

)

)

)

Vlc.

¢ p

o

µ~>

~

pp

o

pp 45

o

13

D °

P

T

T I

crunch

III [x]

IV

Ÿ~~~~~~~~~~~~~~~~~~~~~~

…

¡

, Vln. 1

¢& kO nœ

O

. ,

. ,

. ,

. ,

. ,

. ,

,

,

,

,

,

,

, ff

f

o ff

ff

°

P

T

T I rib crunch

¡

≤

6 Vln. 2

6

IV

…

,

,

,

,

,

,

¢&

. ,

mf fff

. ,

. ,

. ,

. ,

. ,

. ,

. ,

fff

fff f

° T

T I

crunch

III

¡

[x]

IV

Ÿ~~~~~~~~~~~~~~~~~~~~~~

,

,

…

Vla.

¢B kO

nœ

O

. ,

. ,

. ,

. ,

. ,

,

,

,

,

,

,

. , fff

fff

o ff

ff

°

P

T I crunch

IV

¡

IV [x]

Ÿ~~~~~~~~~~~~~~~~~~~~~~

…

,

,

,

,

,

,

,

,

?

Vlc.

¢ k O nœ

O

.,

.,

.,

.,

.,

., ff

49

o f

f

ff

14

E °

P

T

P

T ord.

IV

…

IV Vln. 1

¢& n6 k6

. ,

[6]

. ,

. ,

. ,

nb OE ™™

~%

f

o

ff fff

°

f

fff

P

P

T ord.

I

…

IV Vln. 2

¢& n6

n6

. ,

. ,

. ,

. ,

n˙ ™

w

o

p

fff f

°

fff

P

P

T

T ord.

M [4-11-7-3]

Vla.

¢B n6

nµ OE ™™

…

IV

k6

. ,

. ,

. ,

~%

. , mf

f fff f

°

fff

P

P

T ord.

M [6-11-5]

µnOE ™™

IV

…

? n6

Vlc.

¢ k6

.,

.,

.,

~%

., mf f

53

fff f

fff

o

15

°

II II

III

[2]

n~

O

O

[7]

µO Vln. 1

[8]

O

O

O

¢&

kO

O

O

O

O

µœ #œ O nœ œ œ œ œ œ

o ff

7

pp p

f

°

I II

IV [6]

[5]

[8]

nO Vln. 2

#O ™ ¢& n E ™

Oe

mp

ff

O

O

OE kO

O

O

O

O

nœ O µœ nœ œ œ œ œ

O 6

ff

p f

p

° M M M [7-10-13-3]

5

I [4-11-7-3] [5-9-4]

ln ~% Vla.

OE

nµ OE

OE

n˜ OE

OE ™™

¢B mp f

f

f

Oe ˜nœœ œ œ bœœ ≈ II p f

° M M M

I [7-10-13-3] [3-11-8] [4-11-7-3]

µ~ ? n%

OE

lnOE

OE

LnOE

OE ™™

Oe bnœœ œ œ ˜œ ≈

Vlc.

¢ mp

mp ff

57

II f

16

° f

Vln. 1

##Oe # œ nn Oe nœ µ œ œ œ œ œ œ œ œ ≈ nœ œ œ

#œ µœ n œ ¢& nœ œ œ œ œ œ œ œ nœ

f

ff II O nO nO

I II #O ˜œ nœ ® nœ œ œ œ œ œ ‰ nO

‰

3

nIO

III 3

3

nn Oe nO

ff

µµ Oe O µµ Oe II ## Oe nO ≈ nœ œ œ Œ

‰ µµOe

3 3

7

pp

p

pp

p p

p

f

fff f

p

ff

f

p p f

f

ff

p f

f

°

Vln. 2

µœ µœ #œ µ œ nœ # œ µœ #œ µ œ µœ ≈# œ #œ ˜˜Oe ¢& nœ œ œ œ œ œ œ ® œ œ œ œ œ œ œ œ œ œ œ ≈ nœ œ œ œ ≈ nœ œ œ œ œ œ œ œ œ nœ œ œ œ

µœ #œ ≈ nœ œ œ œ

## Oe

# œ nœµµ Oe ≈ nœ œ œ

nO

5 5

7

5

5

5

5

5

fff

7

p p

p

pp p

f

f

pp f

p

p

ff

p

f

f

p f

f

ff

ff

°

Vla.

II nœ # œ n O # œ II nœœ œ œ œ œ œ œ œ œ œ œ n œ ≈n œ œ œ œ œ B ¢ 6

nO nOe ≈ µµ Oe ##Oe n e

# Oe # ≈

µµOe

˜ Oe ˜ ≈

nO µO I II n O O nnOe nO µe ‰

µµOe ## Oe

3

3

6

6

I f

nIO

p ff

pp

ff f

ff

f

ff

ff

f p ppp

f

p f

ff

°

5

5

I

nnœœ œ œ œ nœœbnœœ œ œ œ µœœ nO n O ? ‰ Vlc. ¢ II

3

II n O n O O

II nIIœ µœ #œ ˜ œn O ≈ nœ œ œ œ œ ≈ nœ œ œ œ œ

n OI

O

nIIO

I I

#œ nœ ≈ nœ œ œ œ œ

[8]

II [9]

kO

O

nO

O

nO

‰

3

p f

p f

61

p ff f

I 6 p f

fff

6

6

f

f ff p p

p p

p f

f

17

q=71 accel. > q=113

q=47

° Ÿ~~~~~~~~~~~~~~~~~~~ I II

Vln. 1

nn Oe

µ œ ˜œ ##Oe ¢& ≈ nœ œ œ

µµ Oe

nO ne

nœ #œ GPŒ nœ œ œ œ œœ œ œ

Œ

µœ # œ ˜œ µ œ ˜œ #œ ˜œ nœ #œ nœ nœ œ œ œ nœ nœ œ œ œ nœ nœ R 5 5

#œ µœ nœ

fff 5

pp pp pp f

f

µœ ˜œ

I

nœ

µnœœ nœ ff

f

f

ff

p

p f

°

µœ

#œ

I

6

II II III

nO nO

3

Vln. 2

¢& ≈#nœœ nœ nµœµ œœ ‰ nn Oe nO O #œ

GP

Œ

nœ œ œ œ œ œ nœ Œ

Œ

#nœœ n˜ œ.œ

‰

3

nœ ˜nœœ œ œ œ œ B œœ µœ µnœœ nœ œ œ œ œ œ nœ

#œ nœ µœ ‰ n œ µnœœ #nœœ µœ nœ nœ Ÿ~~~~~~~~~

3 7

f

f

ff

p

f p

ff

p

ff p f

III f IV

p

°

6

I

nO ##Oe nn Oe ¢B ‰ II

Vla.

nnOe Œ

‰

nnOe

3

fff ff

f

nbœœ œ œ œ œ µœœ GP bœ µœ Œ II III p

Œ

# œ. ˜ œ. ‰ nµœœ n#œœ

nœ nœ

œ

œ

Ÿ~~~~~~~~~~~ µ œ µ œ nœ n œµ œ # œ. œ nœ œ œ nœ

3

3

n œ. µ œ. ‰ µœ nœ

3

3

p

ff

mf f

ff

p

f

ff mf

° I III

nO

O

nIIO

µœ #œ nœ œ œ œ œ

[9]

II Vlc.

? ¢ ‰

nO Œ

GP

Œ

nO

Œ

≈ µœ ˜œ nœ œ nœ

µœ nœ œ œ œ

µœ # œ n œ ˜Ÿœ ~~~~~~~~~~~~~~~~ µœ œ œ œ œ nœ ≈ nœ œ nœ œ

p

f

5

f

p f

p ff

ff 64

p

p f

ff

F 18

°

P

P

P

poco

poco

T crunch

Vln. 1

#œ œ œ

#œ µœ n œ œ œ ≈ & ¢ nœ œ nœ

µœ œ œ nœ ‰ œ œ œ

crunch

…

. ,

ord. crunch 3

3

. ,

. ,

µ˙ # 6 #˙

‰ n6

ord.

#6 n6

n6

˜n ˙˙

˙™ ˙™

nµ˙˙ ™™

k6 mf

ff

mf ff ff

f

p

ff

f

ff

°

P

T

poco

poco

T I+II

T

crunch 3

I+II crunch

ord.

Vln. 2

µœ µœ µ œ ≈ µœ ¢& nœ œ œ nœ

#œ µœ

µœ µœ.

µnœœ

crunch

…

Ÿ~~~~~~~~~~~~~~

. #6 , µ 6 µ6

ord.

¡

…

µ6,

#6 ,

. ,

n, 6

nµœœ ˜œ œœ Ÿ~~~~~~~~~~~~~~~~~~~~~

n6 ,

nµœœ ˙˙

#˙ µ˙

II

mf ff mf

5

ff ff p

p

mf

ff

f

f

ff

°

P

P

poco

P

P

µ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

T

T

T

crunch

IV III

…

Vla.

nb œœ

œœ #œ n#œœ II Ÿ ~~~~~~~~~~~~~~~~~~~~~~ µ œ.

¢B ‰

µœ

. ,

. ,

#I+II 6 n 6 µœ , ≈ , , ,

n6 ,

IV

#6 ,

…

‰

n6 #6 . #6 µ6 ,

. ,

. ,

ff

mf

ff

P

poco

ff mf

ff

f

mf ff f mf

°

ff

P

poco

P

P

P

T

T

T

crunch

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ IV 6 …

I+II

Vlc.

3 … # œ. µ Ÿœ ~~~~~~~~~~~~~~~~~~ œ ? ‰ nœ nœ #œ µ œ œ µnœœ ¢ ., ., n œ 3 . p 67

#6 µ6 ‰ , ,

n6

‰

n 6 µ6 ,

.,

III+IV

, ,

,

,

µ6 ,

#6 ,

3

f f f ff

mf

ff

mf ff

fff

19

°

P

P

poco

poco

poco

T

T

T

crunch

IV III+IV

Vln. 1

…

…

¢& . ,

. ,

¡

…

¡

…

µ6 #µ 66 ™™ # 6 µ6

˜6

#6 #6 ™

µ6 . ,

#6 µ6

. ,

µ6 ™

˜6

n6

µ6

µ6

µ6 ™

f

mf

fff ff f

ff

mf

°

mf

poco

P

poco

P

P

poco

poco

T

T

T

T

crunch

IV

I¡

…

III+IV

…

III+IV

…

Vln. 2

∏∏∏∏∏∏

, ¢&

, .,, ,

µ6 ™

#6

# 6 µ6

µ6 n6

f

f

µ6 #µ 66 ™™ # 6

. ,

#µ66 #6

˜#66

n6

µ6

#6 ™

µ 6 .,

mf fff ff

ff

mf

fff

f

mf mf f

°

poco

poco

P

P

poco

poco

T

T

T

crunch

IV III+IV

…

Vla.

#6 ™

¢ B µ6

µ6 B 6

,,

k6

III+IV

¡

˜6

#µ66 ™™ µnk66 µ6

#6

#6

µ6

#IV6 ,

…

n6 ,,

µ6

B6

III

ff mf mf ff

mf

ff

mf ff

°

P

poco

T

T

P

P

P

poco

T

P

poco

T

poco

T

crunch

IV

…

Vlc.

¢

™ k 6 #µ 66 ™ ˜# 66

µ6

…

III+IV

? n6 ™

µ6 ™ #6 ™

,

µ6

µ6

˜6

#6

n6

µ6 ™

˜6

…

…

µ6 ,

,

,

,

ff f 70

f mf f fff

fff mf

ff

#6

˜6

20

°

P

poco

P

P

P

poco

T

T

P

poco

T

I IV

¡

IV

… …

µ6 #6

˜œ

µ6 ™

µ6 ™

µ6

…

,

, .,, ,

∏∏∏∏∏∏

Vln. 1

¢& n6

n6 . , mf

# 6 µ6 µ6

µ6

#6 ™

µ6 # 6 ™

. µ6 ,

µ6 ™ f

ff

fff

ff mf ff f ff f

°

poco

P

poco

P

P

poco

P

T

poco

T I

¡

IV

¡ Vln. 2

¢& µ 6

n6 #6

,

#6 ™

˜6

µ 6 .,

µ6

#6 ™

Ÿ~~~~~~~~~~~ ¡

µ6

…

#6

,

I+II

Ÿ ˜µ66 #6

µ#66 ™™ ,

~~~~~~~~~~

˜6 ™ k6

µ6

#6

ff mf

f ff fff

ff

f

°

P

P

poco

T

poco

T

T

I IV

… …

¢

µ6

n6 µ6 #6 ™ ,

ff

mf

∏∏∏∏∏∏

µ6 n6

Vla.

#6 ™

,,

n6 , ,

∏∏∏∏∏∏∏

B #6 ™

,,

,,

,,

k6™

#6

µ6

~~~~~~~~~

nŸ6 µ6

#6 ™

µ6

,, ff

f

f f fff

°

poco

P

f

P

P

poco

P

T

T

T

P

poco

I

¡

…

#6 ™

n6 ™ µ6

?

#6 µ 6

Vlc.

¢ ,

,

,

∏∏∏∏∏∏

…

IV

,

, ,,

,

,

…

#6 ™

k6 µ 6 ,

¡

µ6

Ÿ~~~~~~~~~~~~~

#6

n6

µ6

˜6

, fff f

mf

ff

74

ff

f

ff

f

n6

21

°

P

poco

T

poco

P

T

T

T

IV

…

Vln. 1

…

#6

n6

#6 ™

¢& . ,

…

µ6

. ,

n6

µ6

˜6

#6 ™

#6

µ6

#6

. ,

k 6™

µ6

#µ III+IV 66 µ#66

#6 n6 ™ mf ff

ff ff mf f mf

ff

ff mf

°

P

T

P

poco

T

T

T

IV III+IV

III+IV

…

µ6 # 6 Vln. 2

¢& # 6 ™

µ6 #µ66

˜#66

µ6 ™

µ6

µ6 #6

# 6 ˜6 ™

n6 ™

n6 µ6

. ,

µ6

µ6 #6

nµ66

µ6 #6

ff mf

mf ff

mf ff mf

mf ff

°

poco

P

P

T

T

T

T

I

¡

#6 µ6 µ6 ™ Vla.

…

#6 ,

µ¡6

IV

#6 ™

…

k6 ,

¢B

,,

…

#6 ™ ,,

ff

ff

…

µ6

n6

n6

µ6 ™

B 6 #6

,

fff

,

ff f f mf

mf ff

°

P

P

poco

T

P

T

T

T

T

I

¡

¡

#6 ™

µ6 ,

…

¡

,

µ6

µ6 #6

µ6

¡

…

µ6

…

¡

,

,

,

,

µ6

#6 ,

?

Vlc.

¢ fff mf 78

ff

mf

…

#6 ™ f

fff

f

ff

,

G 22

°

P

poco

P

P

poco

T crunch

rib rib IV

6

III+IV

…

Vln. 1

¢ & #6 ™

bridge

æ 6æ

rib T P

6

æ nnOeæ

)

µ6 . ,

µ6 ™

n 6 µ#66 ff (=mp)

mf (=pp)

6 nO ne

æ nn Oeæ

æ nnOeæ

T P

nO ne

6

nO ne

ff (=mp)

ff (=mp)

pp pp f

mp

fff

mp fff f

°

poco

P

poco

poco

poco

P

bridge crunch

bridge rib IV

)

III+IV

Vln. 2

¢ & µ6 ™

µ6 ˜6 #6

n 6 µ#66

n6 ™ ff (=mp)

6

æ 6æ

T P

nO ne

æ nn Oeæ

æ nOæ ne

æ )æ

T P

nO ne

æ nn Oeæ

æ nn Oeæ

æ n Oæ ne

)

ff (=mp)

mf (=pp) fff ff

f pp pp mp

pp

pp mf

f

°

P

poco

P

poco

P

T crunch

bridge T P

IV

#6

III+IV

#6 Vla.

¢B #µ66 ™™

nµ66 µ6

µ6 ™

æ )æ

æ 6æ

rib

)

6

æ nn Oeæ

nO ne

n6 ™

bridge

rib

T P

nnOe

æ nnOeæ

) nO ne

æ nOæ ne

6

mf (=pp) ff (=mp) ff (=mp) pp ff

ff (=mp)

ff (=mp)

fff mp

f

mf

mp

°

P

P

T

poco

poco

P

mp

poco

T bridge

crunch

T P

rib

rib

bridge IV

…

? ,, ¢ ,, ∏∏∏∏∏∏

Vlc.

)

#6 ™ k6 ,

T P

, ff (=mp)

æ nn Oeæ

nn Oe

æ nn Oeæ

6

æ nn Oeæ

ææ nnOe

nO ne

æ )æ

æ nOæ ne

ff (=mp) pp

mp ff (=mp)

ff (=mp) mf 82

ff

ff

pp mf

ff

mp

p f

6

æ 6æ

23

H °

“”

T P Vln. 1

nO ¢& n e

nO ne

æ nOæ ne

nIIO

nO ne

k˙

nœ

mp

µœ mf

Kœ

nœ

p

µœ

nœ

mf

Kœ p

kœ

Bœ

mp

f f pp mp

mp

°

poco

P

“”

æ nOæ

T P Vln. 2

ææ n O ¢& n e

æ nnOeæ

nO ne

k IIœ Œ

µœ

nœ

f

p

nœ

kœ

kœ

p

f

kœ

nO nE

Bœ

Kœ

#œ

Bœ

Œ

ne

mf

mp

f

p pp f f mp

°

poco

“” T P Vla.

¢B nnOe

nO ne

æ nOæ ne

ææ nO ne

f

pp

k˙

nœ

mf

mp

nœ

Kœ

mf

mf

#œ

f

Kœ

mp

K˙

mf

mp

°

poco

T P

?

Vlc.

¢ nn Oe

ææ nO ne

nO ne

ææ nO ne

nn Oe

pp mp f

kk Oe

kk Oe

nn Oe

KK Oe

KK Oe

Oe

B

Œ

Πmf

mf mp 86

nn OE p

f

mf

mp

f

## Oe

24

°

poco

:“;

˜œ Vln. 1

kœ

Kœ

#œ

˜˙

nœ

µœ

¢& ff

mp

p

mp

. . µ œ. ˜ œ. . n œ. # œ. µ œ. n œ. ˜ œ ≈ ≈ ≈ ≈ ‰™

# œ. ˜ œ. ‰™ ≈ ‰

n œ.

µ œ. n œ. ≈≈

‰

≈

p mf

°

poco

:“;

nœ Vln. 2

˜œ

#œ

˜œ

µœ

nœ

#œ

# œ. . n œ.

µœ ≈

¢&

µ œ. ≈

# œ. ‰

‰

˜ œ. . µ œ. µ œ. ≈ ≈ ‰ ≈‰

n œ. # œ. ˜ œ. ≈ ‰

. ˜ œ. . n œ ≈

f p

mp

p

mf mf

°

poco

:“;

Bœ Vla.

µœ

kœ

˜œ

kœ

Kœ

n œ.

˜˙

¢B

≈ ff

mf

p

f

p

µ œ. ‰

‰™

˜ œ. # œ. ≈ ≈ ‰

µ œ.

# œ. µ œ. ≈ ‰™ ≈ ‰

n œ. ≈

µ œ. n œ. ‰

‰

f mf

°

poco

µµ Oe

KK Oe

µµ OE

˜˜ Oe

nn Oe

µµ Oe

µµ Oe

B

. ## Oe ≈ ‰

Vlc.

¢ f

mp f

f

mp

90

mf

. ## Oe ≈ ‰

. . nn Oe nn Oe ‰ ≈ ‰™

. nn Oe Œ

‰

. µµ Oe ≈‰

. . nn Oe. ˜ O ˜ e ≈≈

I °

poco

25

P

P

P

:“;

# œ. . n œ.

Vln. 1

¢&

# œ. . µ œ. ˜ œ. ≈ ≈ ‰™

˜ œ. ≈ ‰

n œ. ‰

n œ. n œ.

# œ. ≈ ‰™

≈

II IV

III

˜ œ. # œ. ≈≈ ≈ ≈

rib bridge [x]

‰

) ™ ‰

[x] [x]

>6

≈

‰

kO.

≈ kO.

‰™

≈ Œ

nO ‰ n O ≈ ≈ n O ‰ n e. n e. n e.

k O.

mf

ppp mp (=ppp)

ppp mf

°

poco

P

:“;

# œ.

Vln. 2

n œ. . µ œ. ≈

‰™

¢&

µ œ. n œ. µ œ. . . # œ. ≈ ≈ Œ

P

rib n œ. n œ. ˜ œ. # œ. µ œ. >6 6 6 6 ≈ ™ ‰ ≈ ≈≈ ≈ ‰™

mf

IV

III

[x]

[x]

≈

‰

≈

Œ

≈ nO ‰ n e.

kO.

kO.

mp (=ppp)

‰

nO B O ‰ nnOeµµOe ≈ n e B e ≈ p pp

ppp mf

°

poco

poco

P

P

P

:“;

# œ. . µ œ.

Vla.

n œ. µ œ. ≈

¢B

n œ. ‰

˜ œ. # œ. ‰™

‰

# œ. ˜ œ. ≈ ‰ ‰™

Œ

˜ œ. µ œ.

I II rib

bridge

bridge [x] [9] rib O n O k [x] ) ) ) k O 6 6 ) ) ) . ≈ ≈ ‰ ™ kO ‰ ‰ ≈ ≈ ≈ ≈ nOe n . ppp [8]

>6

≈

‰

‰ mp (=ppp)

mf

ff (=mp) mf

°

P

poco

. . . B O. . µµ Oe. . nn Oe. B B Oe . µµ Oe. B e ## Oe B ≈ ‰ ‰™ Vlc. ¢

poco

P

I II [x] [8]

?

‰™

[9]

kO. ≈ nO. ‰ ‰

kO. O. ≈ kO. O. ≈ ≈ kO [8]

[x]

k[8]O ™ ‰

bridge

rib

≈) ‰

>6

ppp mp (=ppp) mf

94

bridge

6 6 ≈ ™ ) ‰ ‰ n O ≈ ≈nnOe ‰ . n e.

f ff mf

≈ nO ‰ n e.

26

K °

poco

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

bridge

bridge

rib Vln. 1

¢& µ O µe

[5]

nO O ™ ne e ™

rib

6 6 6 ≈≈

) ) ≈

6 6 ≈

‰ ™ nO ‰ ™ n e.

‰

## Oe

) ) ™ ‰

nnOe. ‰

nnOe J nnOeJ n O ™ n e™

œ [5]

j # O ne

nn Oe

o

mf

mp

p

ff (=mp) p

µœ ™

p

ff (=mp)

mp mf

°

P

poco

[9]

n O n O n O n[6]O

bridge rib

6 6 Vln. 2

) )

nO ™ ‰ ‰ ne e e e n e

‰

¢&

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

. nn Oe ≈ ‰ nO ne

‰ ™ nO ≈ ‰ n e. nn Oe.

[5]

II senza vibrato

˜œ

j Oe nœ ™

œ

œ o

o

Oe n#Oe

nnOe

p

mp

Œ

p mp

mp

ff (=mp) mf mp

°

P

poco

poco vibrato molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

[9] [7]

nO nO b O

# ˙™ rib

˙ nn Oe ™™

rib III

) ) Vla.

¢B

6 6 ‰

‰™

µµOe Œ

≈ kkOe

≈≈ ne

6 6

e e

nnOe ‰ .

nO ‰ ne

Oe

‰ mp

o

mf

p ff (=mp)

mp ff (=mp)

ff (=mp) mf

mp

°

poco

P

T molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

[9] b O nO nO

poco vibrato

[7]

µœ bridge

? µµOe

nnOe ≈ bridge ) ) ‰

rib

œ

œ ˜ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œ œ œ

senza vibrato

6 6 6 ≈

≈

‰

Vlc.

¢ ne

) )

e e

p

‰ nnOennOe ≈ n O ‰ n e. p

ff (=mp) ff (=mp)

98

mf mp

≈ µœ ™

[5]

n#Oe

‰ ˙

œ o

o

p

o

p p

p

27

°

poco

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ [5]

nn Oe

[5]

Vln. 1

¢& Œ

j n#Oe ™™ Oe

‰ n#Oe

nn Oe ™™

nnOe

Oe J

µœ

œ [5]

n#Oe

‰ o

Oe J

pp

mf f

mp

[5] j ‰ nO n e nn Oe ™™

nn Oe

mf ff

mf ff

mf

pocoP

°

poco

poco

P

T poco vibrato molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

#œ

œ

œ Bœ

˙

œ

œ

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

senza vibrato

µœ Vln. 2

¢& Œ

œ

nnOe

œ

‰ pp

o

pp

o

f

œ

o

pp

[5]

nnOe ™™ o

µœ j nn Oe

mf

j Oe nn Oe ™™

f mp ff

°

P

P

poco

poco

poco vibrato molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

µœ ™ [5]

Vla.

n#Oe ™™ B ‰ ¢

˜œ ™

œ J

B˙

œ J

pp

o

mf

o p

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ senza vibrato

œ nO ™ J ne ™

˙

o ff

°

µ˙ o

œ [5] #O ™ J n e™ mf

f

ff

poco

P

T poco vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

poco vibrato molto vibrato

senza vibrato

#œ ™

œ

µ˙

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

œ nO

? Œ Vlc. ¢

nnOe ™™ mp

Oj µ œ ™

˙

˙

Ϫ

nOj

& o

mp

o

ne mf

e

o

ff

ne

102

ff f

?

28

°

poco

P

T molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

#œ

senza vibrato

nO Oe neJ µœ ™ J o

[5]

Vln. 1

#O ¢& ‰ n e

œ

nO ne

œ

O e

I (senza vibrato)

‰ o

Œ

nnOe

Œ

Oe

n˙

œ

o

mf

pp

mf f

mp mf ff

°

poco

P

poco

T

µœ Vln. 2

œ

nO ne

O nO e ne J

¢& Œ o

pp

poco vibrato

molto vibrato

(senza vibrato)

I

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

j µœ

˙

œ

nœ ™

j nnOe œ

o

mp f

°

P

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

Vla.

Ϫ

¢B Œ µ˙

o

f

poco

poco

poco vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ “”

œ [5] n œ ™ J n#Oe J

œ

œ

o

o

ff

ff

molto vibrato

senza vibrato

Bœ

œ nnOe

˙™

œ f

nn OE

nnOE

nn Oe nnOe

ff ff

mp

mp mf

o mp

°

P

poco

poco

poco vibrato molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

Bœ

senza vibrato senza vibrato

#œ ? Œ Vlc. ¢

‰ o

106

Ϫ

œ J mp

µ˙ o

œ

œ mf

o

˙

œ

œ nO ne

O [5] # e nOe nnOe ™™

[5]

nn Oe ™™ f

mp

29

°

poco

T senza vibrato

nœ J

[5] [5]

Vln. 1

j nnOe ™™ Oe

¢& ‰ n#Oe ™™

Oe ™ J nnOe ™

n#Oe ™™

nnOe J

ff

mf

Oe ™™

Ϫ

molto vibrato

o

œ J

µ˙

mf

o

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

œ nO ™ J ne ™ mf p

ff mf

°

poco

poco

P

senza vibrato

IV molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ [5]

Vln. 2

¢& Œ

#œ J

nO ™ n e™

nn Oe

˙

œ

o

nO ne

O e

µœ ™

œ

o

mp

#˙

œ [5]

n#Oe

n#Oe ™™ o

ff mp

f mf ff

mf ff

°

P

poco

poco

poco

T molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ “”

III

Vla.

¢B Œ

‰ nœ

#˙

j œ

Ϫ

o o

senza vibrato molto vibrato

œ µœ ™ J

poco vibrato (sul C)

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

senza vibrato

mp

œ

œ J

o

mf

œ µÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ n Oe œ ™ œ n J

n˙ ‰ o

mf

o

f mp

mp

°

P

poco

poco

T poco vibrato

poco vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

µIII˙ ? ‰ ˜œ ™ Vlc. ¢ o

œ

nO ne

mp

O e

III ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

nO ™ ‰ ne ™

o

O

#œ

œ

œ

œ

[5] # n Oe ™™

e o

mf

mf ff

110

ff f

‰

30

°

poco

poco

poco

T

T molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

µ˙

nO

œ

molto vibrato

senza vibrato [5]

nnOe B œ Vln. 1

Ϫ

œ J

¢& Œ mf

# O µœ ‰ ne

ne

œ

œ nO ne

[5]

Oe

‰ n#Oe

nn Oe ™™

o

o

o

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

mf

mp

mf

ff

mf ff ff mf

°

P

poco

T molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Vln. 2

nnOe œ

senza vibrato

[5]

µœ

¢& Ó

œ

Oe

#œ

nn Oe

˙

o o

µœ

˙

œ [5] n#Oe

œ o

ff

ff f

f mp

ff

°

poco

T molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

Vla.

¢B Ó

j nO ne

nn Oe ™™

j [5] O nnOe ™™ e

µœ J

nn Oe ™™

œ

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

œ nOe ™™ n nnOe

µœ J

[5]

[5]

‰ nn Oe ™™

œ

œ [5] n#Oe

o

mp

mf

ff

o

mp

mf

ff ff mf

p

ff

°

poco

poco

P

P

poco

senza vibrato poco vibrato

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

“”

#œ ™

µœ ™ ? Ó

˙

œ

œ J

‰

molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

œ

B œ™ ‰

œ J

Vlc.

¢

nœ ™ o

114

f

o

o

j œ nn Oe ™™

mp

f

o

mp

mf

31

q=113

°

poco

P

T

T

molto vibrato ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

µœ

œ

œ µœ œ

poco vibrato

poco vibrato [5]

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Vln. 1

¢& Œ

j #œ ™ Oe o

‰ #œ ˙ o

°

nn Oe

œ

˙

œ

œ nO ne

‰ o

p

o

nnOe ™™ ‰ mf

p

f

nnOe nnOe ™™ J p

mp

ff mf

P

poco

T molto vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

poco vibrato

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

µœ ˙

œ

nœ ™

œ [5]

Vln. 2

¢& Œ

‰

nnOe Oe

n#Oe ™™ nn Oe

œ nO J ne

[5]

µ ˙™

Oe

œ

‰

Œ

œ o

pp

o mp ff

o

f

f

ff mf

°

P

poco

poco

poco

P

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