Solo Together House Programme

場地規則及進場須知 House Rules & Admission Notice 在節⽬進⾏期間所有入場觀眾必須佩戴⼝罩。

All audiences are required to put on their own masks before entering the venue.

場內嚴禁飲食。

No eating or drinking within the venue.

演出期間未經許可切勿拍攝及錄影。

No photography or video recording without prior permission.

請將⼿提電話轉為靜⾳模式，並關掉其他響鬧或發光的裝置，以免 影響節⽬。

To avoid disturbance, please set your mobile phone on silent mode and switch off other beeping or light emitting devices.

整個演出為時65分鐘，不設中場休息。

The duration of the performance is about 65 minutes with no intermission.

節⽬ Programme 雙⿂座 - 余巧兒 The Pieces - Carmen YU CoH Track00 by CoH

動⼒ / ⻄⻄弗斯 - 劉柏康 Momentum / Sisyphus - LAU Pak-hong

Cadenza for Piano and Electric Piano by Andrew Poppy

我的⾝體是不是等於我⾃⼰？- 袁澤森 Does My Body Represent My Whole Self? - Sam YUEN Paganini Caprice No.16 by Paganini Caprice Paganini Caprice No.20 by Paganini Caprice

貓 - 鄺彥璋 Cat - Eric KWONG

Microcosmos by Gioacchino Balistreri

橡膠遊戲 - 丘善⾏ Rubber Band Game - Simpson YAU Rausch by Komet Mas Delicato by Alta Plana

可不可以離開地球？- 曾詠暉 Can I Exit from This Earth? - TSANG Wing-fai Satin by Jay Haze 1899_ Melting by Cities and Memory

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編舞的話 - 李思颺 這是⼀個關於擴展與轉化的實驗、遊戲、與內在戰爭。 不停地做決定，不停地要有新想法，拆解了⼀個卡位，興奮了不夠 ⼀會兒，另⼀些難題⾺上出現。在排練室⽤左腦，回家⽤右腦；不 夠到位的東⻄重做幾次，直到作品變成我們喜歡的様⼦。 感謝每⼀位獨舞員的耐性與毅⼒，並以最開放的⼼態跟我相處。這 個過程對他們的腦袋與⾝體⽽⾔都是⼤挑戰，感謝他們願意被我拆 開再找⽅法合番埋（sorry呢幾個字⼀定要⽤廣東話），希望觀眾都 會看⾒並欣賞他們的努⼒及轉化。 忠於⾃⼰的動機，强化頭腦與⼼的信念。⽤獨⼀無⼆的⾝體，忠實 ⽽無畏地玩⾃⼰的遊戲。

Notes from Choreographer Justyne LI This project is an experimentation, a game and an internal struggle. It is all about expansion, extension and transformation.

Making decisions non-stop, keeping offering fresh ideas. I experienced short-term excitement after smoothening some blockages as more challenges kept coming. Using the left brain inside the studio, using the right brain when I continue to work at home. Repeat, repeat and repeat…… we polish the imperfections until we like it as it is now.

My sincere thanks to all soloists for their patience and endurance.

Thanks for collaborating together with a free and open mind. This has been a great challenge to both their brains and their bodies. I appreciate their willingness to be dissected by me for an alternative reconstruction. I hope audiences share the same appreciation and love their effort and transformation.

Staying true to the original intention and strengthening the faith in both the brain and the heart, we are being courageous and playing our own games genuinely with our unique bodies.

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獨舞者的話 - 鄺彥璋 多謝Justyne給予機會我做研究 天時地利⼈和 幾好，有機會得閒跳個舞，研究⾝體，搞下藝術，⼜難得有⼈肯⽀ 持個研究

Notes from Soloist Eric KWONG Thank you Justyne for the opportunity for me to research.

It is all about timing.

It is always good to have someone’s support, dance-freely, research on the body and create art.

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獨舞者的話 - 曾詠暉 感恩 刺激 學習 反思+建立

Notes from Soloist - TSANG Wing-fai Blessed Excited Learning Reflect and construct

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獨舞者的話 - 劉柏康 「為什麼舞？」「什麼是舞？」 藝術⼯作如同⽣命⼀般的奢侈，亦如同⽣命⼀般孤獨。 共同在題材上思考，在動作上探索給我動⼒，震撼著我的靈魂。 分享即快樂。 感謝Justyne給我如此難得亦具挑戰的機會。 感謝同台獨舞者的能量和啟發。 感謝。

Notes from Soloist LAU Pak-hong The exploration of the perplexing why and what in dance is extravagant and somewhat lonely, as in life.

But together, we go further. It motivates me and touches my soul in the discourse of the theme and exploration of movement.

Sharing is happiness.

Thanks to Justyne for the amazing and yet challenging opportunity.

Thanks to soloists for the energy and inspiration.

Thank you.

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獨舞者的話 - 丘善⾏ ⼗分感謝Justyne對我的信任和機會。亦感謝城市當代舞蹈團的批准 才可以到團外做這類非主流⾝體研究。我非常嚮往本次研究的過 程，希望可以⽇後繼續和Justyne合作，⼀齊玩遊戲，包容我這個任 性的分解者。我懷疑這樣的研究應該很少容許出現吧？

Notes from Soloist Simpson YAU To: Justyne Li Thank you so much for the opportunity and trust. I am very grateful to be in this team to research and I enjoyed the working process a lot. I suspect that this kind of research should be seldom approved to be seen? I can’t wait for the next game to play with you!

By: Very Annoying Decomposer Also I would like to thank City Contemporary Dance Company’s kind permission, allowing me to do this non-mainstream research with outside resources.

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獨舞者的話 - 余巧兒 獨舞並不是⼀個完結，⽽是開始。 能夠參與及成為是次創作其中⼀位獨舞者，我感到很榮幸，縱然因 疫情⽽延期，但創作過程並沒有因此⽽中斷。舞蹈應是⼀直不斷尋 找的過程，⽽獨舞更甚是。 在尋找過程⼜像是了解⾃⼰更多，或是在剖析⾃⼰，「我作為表演 者可以做到什麼？我可以去到幾盡？我聯想到什麼？動作對我來說 是什麼？」問題不⼀定需要答案，需要的是在過程中傾盡所有，挑 戰⾃⼰，這才是獨舞有價值的地⽅。

Notes from Soloist Carmen YU This solo is not an end but a beginning.

I feel the great honor to participate as one of the soloists. Even though being rescheduled with the pandemic, the creation process has been extended throughout. Dance should always be an ongoing process of research, especially dance solos.

During the creative process, I understand myself better and I analyze myself further. “As a performer, what can I do? What is my maximum? Ｗhat are my associations? What does movement mean to me?” I am not expecting a definite answer. The precious value of a dance solo is that I dedicate my all for the challenges.

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獨舞者的話 - 袁澤森 今次的作品除了挑戰我的⾝體，亦開發了更多潛能。編舞同我⽤了 好多時間去探索⾝體的可能性，研究過後，需要組織再跳出來的時 候，⾝體最⼤的挑戰就是要做到亂中有序，要有意識地無意識的 跳。Justyne好巧妙的⽤了不同的⽅法和我⼀起解構同研究，引導我 去完成今次的作品。好感謝Justyne邀請我⼀同創作今次的演出，我 過程中獲益良多，亦希望觀眾欣賞完會有所得着的離開。

Notes from Soloist Sam YUEN This solo challenges my physicality and opens me up to more potential. Choreographer and I spent a great deal of time exploring multiple possibilities of the body. It has been the greatest challenge to consciously show my body dancing unconsciously, orderly in chaos after all the experimentations.

Justyne facilitated our co-creation with a variety of methods. I really appreciate being invited to the project. I had a fruitful journey. I wish audiences will leave the theatre with some insights.

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創作團隊 Creative Team 編舞 Choreographer：李思颺 Justyne LI 演出 Soloists：鄺彥璋 Eric KWONG*、劉柏康 LAU Pak-hong、 曾詠暉 TSANG Wing-fai、丘善⾏ SimpsonYAU*、 余巧兒 Carmen YU、袁澤森 Sam YUEN** 燈光設計 Lighting Designer：賴詠珊 Bie LAI Wing-shan ⾳樂設計 Music Designer：王丹琦 WONG Tan-ki 服裝設計 Costume Designer：趙婉妏 Tracy GIU 舞台監督 Stage Manager：徐偉康（⼤寶） TSUI Wai-hong 執⾏舞台監督 Deputy Stage Manager：吳嘉雯 NG Ka-man 助理舞台監督 Assistant Stage Manager：張煒⽂ CHEUNG Wai-man 宣傳設計 Publicity Designer：秦紹良 Ziv CHUN 宣傳錄像 Promotional Video：王丹琦 WONG Tan-ki 票務 Ticketing：梁晞藍 Helen LEUNG、何德貞 HO Tak-ching 監製 Producer：劉天明 LAU Tin-ming

*承蒙城市當代舞蹈團批准參與是次節⽬ *By kind permission of City Contemporary Dance Company **承蒙香港⾺戲團批准參與是次節⽬ **By kind permission of Hong Kong Circus

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這是示例⽂字

創作團隊簡歷 李思颺 編舞 李思颺畢業於香港演藝學院舞蹈學院，曾任香港芭蕾舞團及奧地利 格拉茲舞蹈團成員，及巴⾺海港舞團（德國）獨舞員。於2010年與 王丹琦創辦舞團 Neo Dance HK。現為獨立舞者、編舞及舞蹈教 師。 近作包括：《鹹⿂遊戲》、《快樂頌》（城市當代舞蹈團）、 Galatea & Pygmalion （⻄澳州芭蕾舞團及香港芭蕾舞團重演）、 《其實落雨⼜有乜好怕喎》（跳格國際舞蹈影像節 2019）、 《地⼼》、《凝體術》、《分割》。 獎項包括：作品《其實落雨⼜有乜好怕喎》獲頒葡萄牙InShadow電 影節2020最佳演出評審獎、愛爾蘭Light Move Festival 2021、 Light Move編舞及演出優異獎，以及印度Manifest Dance Film Festival 最佳影⽚獎；作品《分割》獲得第七屆耶路撒冷國際編舞 比賽⾸獎；作品《地⼼》獲得第四屆香港國際編舞節⼆獎；作品 Galatea Ｘ 獲得2014香港舞蹈年獎最值得表揚編舞，及最值得表揚 女舞蹈員獎項；作品 Galatea & Pygmalion 獲得2011香港舞蹈年獎 最值得表揚獨立製作，及獲提名最值得表揚女舞蹈員獎項。

Biography of the Creative Team Li Sze Yeung, Justyne Choreographer A graduate of the Hong Kong Academy for Performing Arts School of Dance, Justyne LI is an independent dancer and choreographer. She previously danced with the Hong Kong Ballet and Tanz Graz (Austria) and was a soloist with Ballett Bremerhaven (Germany) before establishing Neo Dance HK with Wong Tan Ki in 2010.

Her recent choreographies/projects include Salted Fish Game; Ode to Joy (City Contemporary Dance Company); Galatea & Pygmalion (restaging for the West Australian Ballet & the Hong Kong Ballet respectively); Come Rain or Shine (Jumping Frames International Dance Video Festival 2019); The Shift; Soul Casting; Division (CDE Springboard 2017, Yokohama Dance Collection 2019, M1 Contact Festival 2019, the 7th Jerusalem International Choreography Competition, the 34th Inter national Choreographic Competition Hannover).

Her choreographic work Division received first prize at the 7th Jerusalem International Choreography Competition, and her dance film Come Rain or Shine received several awards at the InShadow Festival(Portugal), Light Move Festival(Ireland), and Manifest Dance Film Festival. Other accolades include numerous Hong Kong Dance Awards, like Outstanding Choreography and Outstanding Performance by a Female Dancer for Galatea X and Outstanding Achievement in Independent Dance for Galatea & Pygmalion.

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鄺彥璋 獨舞者 鄺彥璋畢業於香港演藝學院，主修當代舞。2019年加入城市當代舞 蹈團，現為舞蹈藝術家。他曾參與由CCDC舞蹈中⼼主辦之現代舞 培訓及演出計劃「彩⾊⻘春」及「舞蹈⻘年」，及後在學院期間深 受歐洲當代舞啟蒙，曾到意⼤利、奧地利、葡萄牙藝術節感受衝 擊。鄺⽒在學期間曾獲得香港特別⾏政區政府獎全額獎學⾦，亦曾 隨校到加拿⼤交流。 曾合作編舞家包括：Laura Aris Alvarez、尹德勳、余載恩、克⾥斯 汀．古澤⾥斯、Iratxe Ansa、Shani Garfinkel、麥麗娜、李咏靜、 桑吉加、林偉源等。鄺⽒熱衷與世界各地不同藝術家合作，並希望 能在香港推廣當代舞。

Eric KWONG Soloist Eric KWONG graduated in Contemporary Dance from The Hong Kong Academy for Performing Arts. He joined CCDC in 2019 as a dance artist, having formerly been a participant of CCDC Dance Centre dance training scholarship schemes “Teens of Colour” and “WuDaoQingNian”. Inspired by European contemporary dance, he has attended Italian, Austrian and Portuguese art festivals to experience their influences. He received a HKSAR Government Scholarship and studied in Canada with The HKAPA. Eric has worked with choreographers such as Laura Aris Alvarez, Jaime Redfern, John Utans, Christine Gouzelis, Iratxe Ansa, Shani Garfinkel, Leila McMillan, LI Yongjing, SANG Jijia and Allen LAM. Passionate about working with artists from different places, he now hopes to encourage more people to get interested in contemporary dance in Hong Kong.

劉柏康 獨舞者 劉柏康是⼀名⾃由舞者，在科隆⾳樂和舞蹈⼤學舞蹈系畢業。他曾 與不同藝術家和團體合作包括TS Crew、多空間、Folded Paper Dance and Theatre、東邊舞蹈團、新約舞流、誇啦啦藝術集匯、 Make a Move Collective、MichaelDouglas Collective及 Kammeroper Köln。 他曾以合唱歌⼿⾝份參與香港歌劇院及香港管弦學團的合唱和歌劇 製作。他亦曾在香港⼩童群益會及新⽣會擔任導師。劉柏康是會計 師，POLESTAR® Pilates Mattress教練並擁有物理學學⼠和碩⼠學 位。 LAU Pak-hong Soloist LAU Pak-hong is a freelance dance artist graduated from the Cologne University of Music and Dance majoring in contemporary dance. He collaborated with different artists and ensembles including TS Crew, Y-Space, Folded Paper Dance and Theatre, ESide Dance Company, Passoverdance, The Absolutely Fabulous Theatre Connection, Make a Move Collective, MichaelDouglas Collective and Kammeroper Köln.

He participated as a chorus member in productions with Opera Hong Kong and the Hong Kong Philharmonic Orchestra. He also taught in organizations including Boys’ and Girls’ Club Association and New Life Psychiatric Rehabilitation Association to share his movement philosophy and somatic practices. He is an accountant, a certified POLESTAR® Pilates Mattress trainer and holds a bachelor and master degree in Physics.

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曾詠暉 獨舞者 曾詠暉畢業於香港中⽂⼤學建築系。2021年獲得香港賽⾺會⾳樂及 舞蹈信托基⾦全額資助，現就讀於香港演藝學院研究⽣課程⼆年 級，主修編舞。她⾃六歲起習舞，現為⾃由⾝編舞及舞者，⼀直活 躍於街舞及當代舞，近年積極參與劇場創作演出。 2019年她於康⽂署主辦及香港舞蹈聯盟製作「舞蹈新鮮⼈」系列中 發 表 ⾸ 個 個 ⼈ 作 品 《 合 ⼗ 》 。 其 他 個 ⼈ 創 作 包 括 《 S t re t c h 》 (2022)、《第⼗⼀條》(2019)。去年曾獲邀於⻄九⽂化區「舞・樂 互碰2022」編舞及演出。其他近年參與演出包括2022年城市當代舞 蹈團譚之卓編舞的《加速次元》，2021年香港藝術節中馮樂恆編舞 的《在不明確的世界中尋找意義》，另外分別於2018及2019年參與 邱加希編舞的⼤館《198491牆後的赤裸信息》的《圄》及 《I.I.I》。街舞比賽⽅⾯，曾獲冠軍獎項包括2017年JBS Open side 4 on 4，2015年的Endless Rolling Funk style 1 on 1，Dancing King Funk Style 2 on 2，和The Queen 2 on 2等。 她希望建立屬於⾃⼰的舞蹈詞彙，以舞蹈創作回應動盪不安的時 代。

TSANG Wing-fai Soloist TSANG Wing-fai has been dancing since the age of 6. After graduating from Architectural Studies at CUHK, she has been a freelance dancer and choreographer, from street dance to different theater performances in recent years. She received a full scholarship from the Hong Kong Jockey Club Music and Dance Fund in 2021 and is currently studying MFA in Dance, specializing in choreography at the Hong Kong Academy for Performing Arts.

She staged her first personal work Infiltrated in the “New Force in Motion” Series presented by the Leisure and Cultural Services Department and produced by Hong Kong Dance Alliance in 2019, and choreographed solo pieces The 11th, Stretch in 2019 and 2022 respectively. She also participated in the “Choreographer and Composer Lab” from West Kowloon in 2022. Other than choreography, she was also involved in different performances, such as Accelerating Dimension by Zelia TAN from CCDC in 2022, Finding Meaning in an Uncertain World by Victor FUNG in 2021, and Confine and I.I.I by KT YAU in 2018 and 2019 respectively. She was also awarded champions in street dance battles, such as “JBS Open side 4 on 4” in 2017, “Endless Rolling Funk style 1 on 1”, “Dancing King Funk Style 2 on 2”, and “The Queen 2 on 2” in 2015.

She wishes to reorganize and build up her uniqueness in creation with her diversified dance background to respond to the shaken values and uncertain world.

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袁澤森 獨舞者 袁澤森2021年畢業於香港演藝學院，主修現代舞。畢業後曾與不同 的藝術團體合作包括：東邊舞蹈團、動藝、TS Crew等。2021年發 表個⼈編舞作品《無氧份》。 他亦涉獵不同的藝術範疇包括雜耍、氣球佈置、攝影和戲劇等。 2022⾄今他⼯作於香港⾺戲團，為⾒習舞蹈員。 Sam YUEN Soloist Sam YUEN graduated with a major in Contemporary Dance from the Hong Kong Academy for Performing Arts in 2021. Upon graduation, he collaborated with multiple dance companies including E-Side Dance Company, DanceArt and TS Crew. In 2021 he debuted the first solo I Can’t Breathe.

Sam practices a variety of artforms including juggling, balloon twisting and decoration, photography and drama etc. Since 2022, he has worked as an intern dancer in Hong Kong Circus.

丘善⾏ 獨舞者 ⽣於香港，⼀級榮譽畢業於香港演藝學院舞蹈學院，主修當代舞。 他曾獲取「香港賽⾺會獎學⾦」及「⻘年精英舞蹈課程獎學⾦」及 代表學院到法國演出及交流；亦曾到不同國家深造。他曾參與城市 當代舞蹈團獎學⾦培訓計劃「612未來舞⼠」、「彩⾊⻘春」及 「舞蹈⻘年」，2020年畢業後正式加入市當代舞蹈團。在團期間曾 參與多個編舞的作品，包括：黎海寧、⾦在德、伍宇烈、桑吉加、 李思颺等。他亦在近期發表編舞創作: “When we talk about dance…”及與李思颺合作的《頹》-《癈》舞蹈錄像。 Simpson YAU Soloist Born in Hong Kong, Simpson YAU graduated with First-class Honors from The Hong Kong Academy for Performing Arts, majoring in contemporary dance. He was the recipient of The Hong Kong Jockey Club Scholarship and The Gifted Young Dancer Programme scholarship and represented the Academy to perform in France. Also, he was a member of CCDC’s Dance Training Scholarship Scheme “612 mini dancers”, “Teens of Colors” and “WuDaoQingNian”. He officially joined City Contemporary Dance Company after graduating in 2020. He has performed different works by renowned choreographers Helen LAI, KIM Jaeduk, Yuri NG, SANG Jijia, Justyne LI, etc. His recent choreographic work includes When we talk about dance… and the video Decomposer – Valueless in cooperation with Justyne LI.

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余巧兒 獨舞者 余巧兒，⾃由⾝舞蹈藝術⼯作者，畢業於香港演藝學院當代舞系。 曾參與創作包括城市當代舞蹈團 合家歡當代舞蹈劇場《Ben sir 百 舞感忌⼘⼘齋》、《Ivana X Serrini Fairy Nice to Meet You Live 2022》、⼩⿓鳯舞蹈劇場社區⽂化⼤使2022《城市漫遊步⾏演出— 城市漫舞》、英姿舞團《Dansations 舞聲舞息》IV 階段呈現（澳 ⾨） 《在，不在》、⻄九⽂化區梅⽥宏明《密不可分》、鄧樹榮戲 劇⼯作室《哈姆雷特》、舞蹈劇場《當打之年》及《賞味期限》 （於內地巡演）、《HINS LIVE IN HONG KONG THE NEXT 20 張 敬軒演唱會》、⼩息跨媒介創作室《未來表演實驗室#1》、多空間 《四圍跳—元朗舞蹈⾃由⾏》、⼀舖清唱《阿⾶正轉》（任導演助 理）、香港舞蹈聯盟「舞蹈新鮮⼈」系列2021、東邊舞蹈團《圍 ⼀》、香港藝術節賽⾺會當代舞蹈平台《沒有⼤象》（曾於內地巡 演）、流⽩之間《4分33秒》、舞⻘DNA2019《玩下啫！》、不貧 窮藝術節2019《記憶⽅糖》（曾於恆春演出和交流）。

Carmen YU Soloist Carmen YU is a freelance dance artist who graduated from The Hong Kong Academy for Performing Arts with a degree in Contemporary Dance. Her recent works include City Contemporary Dance Company’s Ben Sir’s Dancing Academy – from taboo to BENboo, Ivana X Serrini Fairy Nice to Meet You Live 2022, Siu Lung Fung Dance Theater’s Community Cultural Ambassador 2022 City Ramble and Dance, Macau Ieng Chi Dance Association “Dansations IV - incubation project (work in progress presentation)” Exist, or not, West Kowloon Cultural District Phygital D: Hiroaki Umeda – indivisible substance, MW Dance Theatre’s The Formidable Year and Shelf Life (Mainland China tour); The Next 20 Hins Live in Hong Kong 2022; Littlebreath Creative Workshop’s Future Performing Arts Lab #1; Y-Space’s Dancing All Around Yuen Long; Yat Po Singers’ Pica Pica Choose (as Director Assistant); Hong Kong Dance Alliance’s “New Force in Motion" Series 2021; E-Side Dance Company’s Duality; The Hong Kong Jockey Club Contemporary Dance Series Elephant in the Room; Blank Space Studio’s 4’33”; CCDC’s WuQing DNA 2019: Play What!; and Let’s Be Together Arts Festival 2019’s Memory of Sugar (later toured to Hengchun, Taiwan).

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賴詠珊 燈光設計 賴詠珊參與各個舞蹈藝術節，擔任燈光設計及技術統籌。包括香港 比舞台2022、橫濱國際表演藝術會2020、愛丁堡藝穗節2019、布 ⾥斯班當代舞蹈節 2019、斯德哥爾摩藝穗節2018 、衛武營開幕季 臺灣舞蹈平台2018。畢業於香港演藝學院，主修舞台燈光設計。 燈光設計作品包括：不加鎖舞踊館《品品》、陳偉洛《愛若有如 果》、前進進戲劇⼯作坊《在新的⼀天，我們繼續往理想前進》 《2021誰殺了⼤象》、TS Crew《咁執⽣囉》、香港藝術節賽⾺會 當代舞蹈平台⼗週年 (編舞：廖⽉敏)《煉⾦》、香港演藝學院《⾶ 吧！臨流⿃，⾶吧！》 ( 2019 臺灣廣藝廳⿊盒⼦藝術節)、天台製 作《復仇變奏曲》《不是女僕》、香港舞蹈團⼋樓平台《⼀彈指 頃》、香港話劇團《順風•送⽔》(⾸演) 等。 Bie LAI Wing-shan Lighting Designer Bie LAI Wing-shan participated in different art festivals including Hong Kong Dance Exchange 2022, TPAM 2020, Edinburgh Festival Fringe 2019, Supercell 2019: Festival of Contemporary Dance Brisbane, Gothenburg Fringe Festival 2018, Stockholm Fringe Festival 2018 and Weiwuying Taiwan Dance Platform 2018.

She holds a BFA in Lighting Design From The Hong Kong Academy for Performing Arts. She has designed for dance and theatre. Her theatre work includes Six Mouths (Unlock Dancing Plaza), Reverie. (Chan Wai Lok), On a New Day, Who Killed The Elephant ( On & On Theatre Workshop), Gum…Save Yourself Lor (TS Crew), Hermetic Diode choreograph by Sudhee Liao (Hong Kong Jockey Club Contemporary Dance Series 10th Anniversary), Myth of Archaeology Bird (Hong Kong Academy of Performing Arts), The Furies Variations, Not The Maids (Rooftop Productions), In An Instant (Hong Kong Dance Company), Invisible Men (HKREP).

王丹琦 ⾳樂設計、宣傳錄像 現為舞者、編舞及錄像設計，乃Neo Dance HK創辦⼈之⼀。作品 《分割》獲得第七屆耶路撒冷國際編舞比賽第⼀名；《Galatea and Pygmalion》及《Galatea X》分別於2011年及2014年獲得年香港 舞蹈年獎最值得表揚獨立舞蹈制作及最值得表揚編舞。2012年IDO 踢躂舞世界錦標賽中獲得男⼦獨舞第三名。2015年獲得香港藝術發 展獎 - 藝術新秀獎。錄像作品《其實落雨⼜有乜好怕喎/Come Rain Or Shine》於Manifest Dance-film Featival 2022中獲得最佳攝影獎 及最佳影⽚獎。 WONG Tan-ki Music Designer, Promotional Video WONG Tan-ki currently works as a freelance dancer, teacher, choreographer and multimedia designer. His creation Division was awarded the 1st prize at the 7th Jerusalem International Choreography Competition. His other creation Galatea & Pygmalion received Hong Kong Dance Award for Outstanding Achievement in independent Dance in 2011 and Galatea X received the Outstanding Choreography in 2014. Wong himself had received the Award for Young Artist at The Hong Kong Arts Development Awards in 2015. He also got the 3rd place of male solo in IDO World Tap Dance World Championships 2012. His video work Come Rain Or Shine received the Outstanding Cinematography Award & Outstanding Film Award in Manifest Dance-film Festival 2022.

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趙婉妏 服裝設計 趙婉妏畢業於香港演藝學院舞台及製作藝術學院，獲學⼠(榮譽)學 位，主修佈景及服裝設計。 曾參與佈景及服裝設計作品包括：香港話劇團《中女7號》、香港 演藝學院《天真與世故之歌》、香港舞蹈團⼋樓平台 《境Jing》、 ⾳樂劇作 《Come Out！形體 · 卡巴萊》、第⼗屆華⽂戲劇節《⾺ 克⽩》（佈景設計）等。 服裝設計作品包括： 同窗⼩說類劇場《久天長地》（執⾏服裝設 計）、Paprika studio《所有記憶都是潮濕的》、香港演藝學院⾳樂 劇《最好先⽣Charlie Brown》、天邊外劇場新導演計劃《傷逝如 她》等。CCDC 城市當代舞蹈團《42.36.42》，獲香港舞蹈年獎 2022 「傑出中型場地舞蹈製作」。 Tracy GIU Costume Designer Tracy GIU graduated with a Bachelor of Fine Arts (Honours) Degree in Theatre and Entertainment Arts from The Hong Kong Academy For Performing Arts.

Tracy is currently a freelance designer, specializing in theatre set and costume design, as well as costume design and styling for film production.

Her recent work include: Female N°7 by Hong Kong Repertory Theatre, HKAPA: Songs of Innocence and Experience, Musical You're a Good Man Charlie Brown, Opera Magic Flute, Breathe Sound 3.0 by Rick Nodine, Osmosis by Jonathan Watkins, Come Out - Physical Cabaret by Musical Trio, “A Kind of Eternity” by Schoolmate.cc, 42.36.42 by CCDC, 8/F Platform Jing by Hong Kong Dance, Mourning Becomes Electra by Theatre Horizon, etc.

徐偉康 (⼤寶） 舞台監督 先後畢業於香港城市⼤學⽇本應⽤研究副學⼠學位課程以及香港演 藝學院藝術、項⽬及舞台管理系學⼠學位課程。早年曾於香港海洋 公園擔任全職演員並參與各種不同類型雜技製作。演藝學院畢業 後，現在除了以劇場⾃由⼯作者⾝份活躍於各種幕後⼯作及幕前演 出外，並發展射箭藝術，更考獲本地認可⼀級射箭教練資格。從 2010年開始，更專注於探討及學習台灣原住⺠部落⽂化，並於當地 進⾏各類藝術創作。 近年以製作經理、 技術顧問及舞台監督⾝份參與多個本地製作，包 括： Kingsley Ng 伍韶勁 - 《⼤禹之後》、 Kingsley Ng 伍韶勁 《To the Moon》、 HKYAF - Arts in the park2010 - 2018、 HKYAF - HKYAF Musical2018 《FAME》、 HKYAF x British N a t i o n a l T h e a t r e Yo u t h D r a m a - 《 F L O O D 》 、 Orleanproject2018 - 《Songs of Portraits》、 The Hong Kong Jockey Club Music and Dance Fund and its Awardees Association - Performance 2018、 梅廣釗博⼠ - 沙灘中樂演出 - 《千帆並舉耀 香江》、 HDX 香港比舞 2018、 MaD 2019、風⾞草劇團-《回憶的 香港》⾸演、 Frankie Ho Dance performance 2019 - 《STAY / AWAY》、 楊春江 -《舞。獅》、 HDX 香港比舞 2020、 藝術⾏ X 南豐紗廠 - 《我們之間》、HDX 香港比舞 2022、藝術展覽 《香。校變奏》...... 等等各⼤⼩不同類型的表演藝術及視覺藝術製 作。 ⾃2018年10⽉，創辦【⼩鳳製作】後，提供各類型舞台製作管理及 技術⽀援服務。⾃2019年開始，亦成為太古坊 Artistree 長期合作 伙伴，專⾨負責場地管理及技術⽀援。此外，近年亦開始發展藝術 展覽的製作及技術⽀援服務。

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TSUI Wai-hong Voyu Stage Manager TSUI Wai-hong Voyu graduated from the Applied Japanese Studies in associate degree of City University of Hong Kong and the Arts, Event and Stage Management in Bachelor of Fine Arts Degree in Theatre and Entertainment Arts of The Hong Kong Academy for Performing Arts. After graduating he was a full time performer in Ocean Park Hong Kong and now he is a freelance working backstage and performing and recently, he started developing archery arts. Moreover, his art group “Daai Bou Zaap Gei Tyun” keeps visiting and studying Taiwan tribes and starts doing community arts in that region since 2010.

吳嘉雯 執⾏舞台監督 吳嘉雯畢業於香港演藝學院，獲頒藝術學⼠（榮譽），主修藝術、 項⽬及舞台管理。在學期間曾參與製作包括﹕《⽩⾊極樂商場漫 遊》、《⽺泉鄉》、《電⼦城巿》、《⼈間煙火》。畢業後與不同 劇團合作，包括⼀路⻘空、⼤細路劇團、香港話劇團、中英劇團、 愛麗絲劇場實驗室、7A班戲劇組及前進進戲劇⼯作坊，劇場以外， 亦參與過不同類型項⽬製作，現為⾃由⾝劇場⼯作者。 NG Ka-man Deputy Stage Manager NG Ka-man graduated with a Bachelor of Fine Arts (Honours) Degree in Theatre and Entertainment Arts from The Hong Kong Academy For Performing Arts, majoring in Stage & Event Management. She participated in A Hong Kong Shopping Mall Odyssey, Fuente Ovejuna, Electronic City and The Happiest Day I Lost during school. Upon graduation, she worked with The Radiant Theatre, Jumbo Kids Theatre, Hong Kong Repertory Theatre, Chung Ying Theatre Company, Alice Theatre Laboratory, Class 7A Drama Group Limited and On and On Theatre Workshop. She participated in a variety of productions apart from drama. She is currently a freelance theatre practitioner.

張煒⽂ 助理舞台監督 ⾃由⾝舞台⼯作者，參與製作包括影話戲《⽩⾊的影⼦》（⾸ 演）；社區⽂化發展中⼼《深⽔埗窿⼈、我們的葉問2》；⿊暗劇 場，藝造⼈才《冇眼睇，有計仔》；《巨⼈》（Dynamic Concert 2022: Diaspora ；前進進《案內⼈》、《普羅⽶修斯》、漫遊者劇 場《逝⾔書》，《執⾏舞台》。曾擔任佈景及道具製作、舞台監 督、舞台助理、助理舞台監督等等。 CHEUNG Wai-man Assistant Stage Manager CHEUNG Wai-man is a stage work freelancer. He participated as Set and Props Maker, Stage Manager, Assistant Manager and Crew in productions of Cinematic Theatre, Centre for Community Cultural Development, Artscompana, On and On Theatre and Flâneur Theatre.

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劉天明 監製 畢業於香港⼤學藝術學系，哲學碩⼠論⽂發表關於香港九⼗年代當 代舞發展歷史的研究。⾃2006年起積極參與舞蹈創作策劃，曾任職 城市當代舞蹈團，協調CCDC舞蹈中⼼的成立，亦曾參與舞團教育 及外展、宣傳及推廣的⼯作。與李智偉、何德貞共同推⾏的香港藝 術發展局多項計劃《六翻⾃⼰》，與六位舞蹈家張學良、許俊傑、 郭曉靈、梁芷茵、⿈靜婷及王丹琦合作，計劃獲香港舞蹈聯盟頒發 2011年舞蹈年獎（最值得表揚舞蹈教育、社區舞蹈、學術及服 務）。 曾任香港兆基創意書院署任校長、康樂及⽂化事務署舞蹈及跨媒體 藝術⼩組委員，2017年獲香港⺠政事務局局長嘉許計劃推動⽂化藝 術發展傑出⼈⼠，致⼒推動⻘少年創意藝術教育。 LAU Tin-ming Producer LAU Tin-ming graduated from the University of Hong Kong majoring in Fine Arts and Comparative Literature. His master thesis focused on the development of Contemporary Dance in Hong Kong in 1990s. Since 2006, he has been very active in the local arts and culture ecosystem, taking part as curator, choreographer and advisor of dance-related projects and arts education. His curated project Positioning received Hong Kong Dance Award 2011 in the environmental and educational category. From 2013 to 2018, he was a member of LCSD Art Form Panel (Dance and Multi-Arts).

Tin-ming has been a teacher, Vice Principal and then Principal of the HKICC Lee Shau Kee School of Creativity (HKSC) from 2006 to 2018. His contributions in the arts and education was recognized in the Secretary for Home Affairs Commendation Scheme in 2017.

Neo Dance HK www.facebook.com/NeoDanceHK NEO DANCE HK由編舞家李思颺和王丹琦創立，兩⼈編演兼善， 作品探索並展現屬於香港的精神。 Neo Dance HK is formed by Justyne LI & WONG Tan-Ki making contemporary dance exploring the Hongkonger spirit.

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