Op 58, Voyager

Op .

58

I ns t r ume nt a t i o n: Pe r c us s i o nI : Ma r i mb a , Ra i ns t i c k , Me t a l Pi pe , To mDr ums( 3 ) r c us s i o nI I : Vi b r a pho ne , Ra t c he t , Sna r eDr um Pe Pe r c us s i o nI I I : Ma r i mb a , Ra i ns t i c k , Ti nCa n r c us s i o nI V: Ti mpa ni , Ha mme r , Be l l s Pe Pe r c us s i o nV: Sus pe nd e dCy mb a l , Tr i a ng l e , Go ng , Ra i ns t i c k , Ca b a s a , Me t a l Pi pe r c us s i o nVI : Ba s sDr um, Ra i ns t i c k , Tub ul a rBe l l s Pe Pl e a s ea d dy o urs c h e d ul e dpe r f o r ma nc et ot he c o mpo s e r ’ sc a l e nd a ra t www. t i mc o r pus . c o m/ e v e nt s o rb ye ma i l a t At t a c c a .

Pub l i s hi ng @g ma i l . c o m

f o rmo r ei nf o r ma t i o na nda ud i oc l i psv i s i t www. t i mc o r pus . c o m

© 20 15At t a c c aPu b l i s hi nga l l r i g ht sr e s e r v e d

Pr o g r a mNo t e s Vo y a g e rwa sc o mmi s s i o ne db yYo r k v i l l eMi d d l eSc ho o l a ndd i r e c t o rMi c ha e l Li pi ns k i i n2 01 5 .

Wh i l ewo r k i nga s Co mpo s e r i nr e s i d e nc ea t Yo r k v i l l eMi d d l eSc ho o l , Iwo r k e dwi t ht h es t ud e nt st of i nds u b j e c t ma t t e rt ha t t h e ywe r e i nt e r e s t e di npl a y i ngwi t h.

Dur i ngo urb r a i ns t o r mi ngt h es ub j e c t t h a t wa smo s t i nt e r e s t i ngwa saj o ur ne yt h r o ug hs pa c e .

I Th eVo y a g e r1pr o b ewa sl a unc h e do n f o undt hei nt e r s t e l l a rj o ur ne yo ft heVo y a g e r1pr o b ei nc r e d i b l yi ns pi r a t i o na l .

Se pt e mb e r5, 1977, f r o m Ca peCa na v e r a l Ai rFo r c eSt a t i o n, a b o a r daTi t a nI I I El a unc hv e hi c l e .Tot hi sd a t eVo y a g e r1 i st heo nl yHuma nMa c hi net opa s st hehe l i o s ph e r ea ndl e a v eo urg a l a x y .

I nApr i l 2 01 5Vo y a g e r1ha st r a v e l e d 19, 538, 075, 000k i l o me t e r sf r o mEa r t h.

Thepi e c ei sd i v i d e di nt of o urs e c t i o ns .

Ea c hs e c t i o nf e a t ur e sad i f f e r e nt i d e awi t ht hej o ur ne yo fVo y a g e r1. . . . a p r e s e nt f r o mas ma l l d i s t a nt wo r l d . . . wa si ns pi r e db yt h ed r e a mo fhuma ni t yt ouni t ea sac o mmuni t ya nds e nda no n j e c t t o t hef a rr e a c he do fs pa c e .

Thema i nt he mei spr e s e nt e di nt h eb e g i nni nga ndf i r s t f ul l yr e a l i z e da t r e h e a r s a l C. Bui l d i ng t h eMa c h i nef e a t ur e sme t a l a ndwo o di ns t r ume nt sa ndt h eb ui l d i ngo f ar h y t hmi cme l o d y .

Oneb yo nee a c hi ns t r ume nt e nt e r sb ui l d i ngt her e s ul t i ngr h y t hmo ft hee ns e mb l e .I nc l ud e di nVo y a g e r1i sag o l d e nr e c o r df e a t ur i ngt h es o und so f huma ni t y .

At r e he a r s a l QPe r c us s i o n2pr e s e nt st h eo pe ni ngo fTh eWe l l Te mp e r e dCl a v i e r , Bo o k2 , P r e l ud ea ndFug ue No .

1i nCma j o rb yJ .

S. Ba c h.

Thi swo r ki so neo fma nyi nc l ud e di nt heGo l d e nRe c o r do nVo y a g e r1.

Th ef i na l s e c t i o ni s Wh e r eNo neHa sGo neBe f o r e , ad r umd r i v e ne x c i t i ngf i na l e .

Thi smo v e me nt c e l e b r a t e st h ej o ur ne yVo y a g e rIh a sma d e a nda d v e nt ur et ha t ha st oc o me .

I . . . . ap r e s e nt f r o mas ma l l d i s t a nt wo r l d . . .

I I .

Bui l d i ngt h eMa c h i ne I I I .

AGo l d e nRe c o r d I V. Wh e r eNo neHa sGo neBe f o r e “ Thi si sapr e s e nt f r o mas ma l l d i s t a nt wo r l d , at o k e no fo urs o und s , o urs c i e nc e , o uri ma g e s , o urmus i c , o ur t h o ug ht s , a ndo urf e e l i ng s .

Wea r ea t t e mpt i ngt os ur v i v eo urt i mes owema yl i v ei nt oy o ur s .

Weho pes o me d a y , h a v i ng s o l v e dt h epr o b l e mswef a c e , t oj o i nac o mmuni t yo fg a l a c t i cc i v i l i z a t i o ns .

Thi sr e c o r dr e pr e s e nt so urho pea ndo ur d e t e r mi na t i o n, a ndo urg o o dwi l l i nav a s t a nda we s o meuni v e r s e . ”Pr e s i d e nt J i mmyCa r t e r

Vo y a g e ri sa ppr o x i ma t e l ys i x( 6 ) mi nut e sl o ng .

Voyager

Score

Percussion 1

Percussion 2

Percussion 3 Ptches G, C, D, E

Percussion 4

I. ...a present from a small distant world...

Slow ( D c. 60)) * Marimba

»

E

R M

/ Timpani

E M

»

* Marimba

»

O M

R

R

R

O M

E

R

E E

E

Percussion 6

f

Perc. 6

f

M

»

R

O

»

O

R

E

E

E

E

E

± O O OOO O O OO

M

E

± O O OOO O O OO

M E

( Bass Drum

O O O M

R

f

` E Wind Chimes

Perc. 2

Perc. 5

O

O

R

R

Perc. 1

Perc. 4

O

R

Perc. 3

O

E

f

O

' Vibraphone

Percussion 5

Timothy A. Corpus

R

R

E

O

O

O

^ Sus. Cym.

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Page |2 2

Voyager

A

Perc. 1

O

O

O O O R

OO

C

Perc. 2

Perc. 3

Perc. 4

O O O R O C OOO R

O

C

Perc. 5

f

Perc. 6

f O C

Perc. 1

Perc. 2

Perc. 3

Perc. 4

±

O C O

Perc. 6

O O R ±

±

± O O

± O O ±

OO

EE $ RR $

M »

OR O OO C

O O O

»

O R

O R

3

O O O O O O O O O O OOOOOO O O O O O O O O O O OOOOOO M M $ ±

O

R

»

R

± OO±

± O O

O C

R R M

R

± ±

O R

OO

O R

EE $ RR $

O

E $ E $

E M R

OO

O

EE M

O

OO 3

»

O

E $ R

C

E E M

E $

O

O C

O R R

E E M

f R .

O O R

»

8 Triangle O

Perc. 5

Gong

R R M

f

OO

R

B

E M

O

O

E E M

OO

O R

C

O

O O R

O

O O O R

O

R »

O

R

O O O

»