SEPTEMBER 9, 2019 I VOL. 48 I #36
Arts & ENTERTAINMENT PREVIEW
A Rundown of 40 Concerts, Exhibits, Films, Events and More Coming to Downtown Beginning on Page 2
Holiday Parties & Catering SEE PAGE 4
John Leguizamo performs his one-man show Latin History for Morons at the Ahmanson Theatre.
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A Roundup of 40 Concerts, Exhibits, Films, Events and More Coming to Downtown photo courtesy Creep L.A.
By Jon Regardie, Sean P. Thomas and Nicholas Slayton cused collective Creep L.A. is back for its fifth year, this time with a 75-minute excursion dubbed Haus of Creep. The pop-up installation in Row DTLA is a multimedia experience full of shocks and ghastly sights. It also, according to its own description, is a “darkly satirical and terrifying send-up of social media-driven culture,” so think twice about that Instagram post. The experience includes 20 actors and a puppet show in a 5,000-square-foot space. There’s also a lounge, so when not jumping in terror, guests can enjoy beer and wine. At 777 S. Alameda St. or creepla.com.
TY SEGALL RESIDENCY HAUS OF CREEP Sept. 12-Nov. 3 at Row DTLA alloween is still more than a month away, but Downtown is getting a jump on getting spooky. Horror-fo-
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Sept. 13, 20 and 27 at the Teragram Ballroom f you haven’t seen Ty Segall live at the Teragram, there’s still time. The local alt-rock musician is in the home stretch of a 10-week run where he plays at the City West venue every Friday night. Each evening he performs two full albums, starting with his new one First Taste, before digging into his standout catalogue. With a large
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SEPTEMBER 9, 2019
green “Salad Head” mask behind him on stage, Segall rocks out, backed by his Freedom Band. He doesn’t limit himself to just the guitar, as he gets behind the drum set. Segall’s music blends intense, hardcore beats with melodic riffs and vivid lyricism. At 1234 W. Seventh St. or teragramballroom.com.
ART OF TELEVISION COSTUME DESIGN Through Oct. 26 at FIDM Museum an’t get enough of your favorite TV shows? Then glimpse the costumes from those programs up close at the Fashion Institute of Design & Merchandising’s annual show. The 13th installment includes more than 100 outfits, and they run the gamut, from the fantasy duds of “Game of Thrones” to the gear created for the chorographer/dancer drama “Fosse/Verdon.” The exhibit includes costumes from 10 Emmy Award-nominated shows, including “The Marvelous Mrs. Maisel,” “Pose” and “Good Omens.” Visitors also get a look at costume development, with a selection of sketches and info on fabric choices made by some of the designers. At 919 S. Grand Ave. or fidmmuseum.org.
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THE MOUNTAIN GOATS Sept. 14 at The Belasco ndie rock icon John Darnielle and the gang are returning to Downtown, this time in support of their latest album In League With Dragons, which happens to be inspired by Dungeons & Dragons. The genre-busting band has come a long way since the days when Darnielle recorded songs solo on a boombox, but The Mountain Goats still mix raw emotion with clever lyrics. If you have never seen a Mountain Goats show, get ready for at least two full sets, hilarious stories, songs that swing from folk bal-
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Oct. 19-20 at Row DTLA owntown continues its emerging role as a destination for electronic music festivals with the return of All My Friends. Also known as AMF, it will fill the Industrial District’s Row DTLA complex (there’s plenty of onsite parking). The two-day happening, from HARD events founder Gary Richards, features about 10 acts each day. Highlights and headliners include Justice, Black Coffee, Kaz James, Destructor and Blond:ish. Also on the bill is Stringer Bell and John Luther himself, Idris Elba. The actor also moonlights as a DJ and rapper. There are single day and full-weekend tickets. At 777 S. Alameda St. or amfdtla.com.
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NATURAL HISTORY OF HORROR Opening Oct. 10 at the Natural History Museum his fall, Downtown’s default destination for dinosaurs and dioramas is getting downright spooky. The Natural History of Horror exhibit dives into the science and impact of some of the world’s most famous movie monsters. The exhibition is partly inspired by the 1930s and classic horror films from Universal Studios. So expect objects and artifacts from offerings such as Dracula, Frankenstein and Creature From The Black Lagoon. The show will include interactive experiences as well as informational displays on galvanism, mummification and more. At 900 Exposition Blvd. or nhm.org.
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lads to near-metal, and audience members singing along to anthems of young adult angst, drugs, optimism and the best-ever death metal band in Denton. At 1050 S. Hill St. or thebelasco.com.
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hat better way to prepare for Halloween than to watch other people in masks and fancy garb toss one another around the squared circle? Downtown’s resident wrestling show returns this fall with a bill dubbed “Fiesta Fantasma.” As usual, a whole cascade of grapplers will enter the ring, including Rey Fenix, Pentagon Jr., the sleazy Joey Ryan, the energetic Lucha Chickens and the ultra popular Li’l Cholo. This will be interspersed with burlesque dancers such as Michelle L’amour and Karis, and there will be a consistent, ribald comedy track from the announcers. Pro tip: Unless you want to get hit with 200 pounds (or more!) of wrestler, when the security guards say move, you move. At 1038 S. Hill St. or luchavavoom.com.
ALL-STAR CHEF CLASSIC TOM SEGURA Sept. 20-21 at the Orpheum Theatre ith a string of Netflix comedy specials to his credit, the hit podcast “Your Mom’s House,” which he does with his wife Christina Pazsitzky and regular radio slots, comedian and actor Tom Segura is a busy man. He’s also in demand, as evidenced by his 38-city “Take It Down Tour.” Although his special “Disgraceful” only arrived last year, Segura already has enough new material for a fresh show, and he’s dropping by the lovely Orpheum on Broadway to riff on scenes from his life, everything from a conversation on an airplane, to becoming obsessed with a television show and his two children. At 842 S. Broadway or tomsegura.com.
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LUCHA VAVOOM Oct. 23-24 at the Mayan Theatre
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Oct. 2-5 at L.A. Live ave you ever wanted to experience the skills of a world-renowned chef? How about 40 chefs? If the answer to either question could not be heard because your stomach is rumbling, then head to L.A. Live for the sixth All-Star Chef Classic. Taking place within a specially crafted temporary venue known as Restaurant Stadium, the four-day culinary happening includes seven chef-led dining events. Among the highlights are the meat-centric Carneval, the seafood-focused Grill and Chill and the Korean Master Dinner. The chefs hail from around the globe, but you can catch a few local favorites, among them Broken Spanish’s Ray Garcia and Wes Avila of Guerrilla Tacos. At 800 Olympic Blvd. or lexusallstarchefclassic.com
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KISS Sept. 20 at Staples Center f you can tell the difference between the man behind The Starchild and the man behind The Catman, then
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you probably already know that Kiss is calling it quits soon. For everyone else, surprise! Kiss is purportedly taking off the makeup and hanging up the sequin jump suits and platform boots after completing the final leg of their ongoing “End of the Road” world tour (though, to be fair, the band has staged goodbye shows before). Paul Stanley, Gene Simmons, Eric Singer and Tommy Thayer will belt out Kiss classics such as “Rock and Roll All Nite,” “Detroit Rock City,” “Love Gun” and “Calling Dr. Love.” At 1111 S. Figueroa Blvd. or staplescenter.com.
to just 34 people, and the theme and philosophy of the show is built around chance and chaos. This is up-close and very personal magic, but even with the proximity, you won’t have any clue how the impeccably dressed Tieber does it. At 113 E. Eighth St. or atlasobscura.com/events/red-thread-oct-2019.
BAI HOLIDAY ICE RINK PERSHING SQUARE
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Opens Nov. 14 he opportunity to glide on ice under palm trees and sunny skies returns to Pershing Square this fall. The 60-by-120-foot rink will be open seven days a week, and in addition to one-hour skate sessions there will be a roster of activities ranging from curling lessons (yes, the Olympic sport with the big stone and the brooms) to Thursday evening DJ sets. There will also be a slate of Friday night concerts. The Pershing Square rink is always an amazing sight, drawing a mix of graceful figure skaters and newbies white-knuckling the walls for support. At 532 S. Olive St. or holidayicerinkdowntownla.com.
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SIEGFRIED TIEBER: RED THREAD Oct. 3-Nov. 10 at Pskaufman Gallery subterranean art space becomes the site of a closeup magic spectacle when Tieber returns to Downtown Los Angeles. The Ecuador-born magician specializes in jaw-dropping tricks — he stumped Penn & Teller with a card trick on their TV show — that he executes right in the faces of audience members. Performances are limited
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HARVEST FESTIVAL Sept. 28 at San Antonio Winery he century-old winemaking facility on the edge of Downtown welcomes the harvest at its third annual fall celebration. Yes, we all know seasonal crops are in short supply in the Downtown environs, but who cares? The facility owned and operated by the Riboli will have copious amounts of beer, wine, food, performances and dancing. There’s even a charity grape stomp. When’s the last time you stomped grapes in Downtown? The event is 21-plus. At 737 Lamar St. or sanantoniowinery.com.
DTLA HALLOWEEN FESTIVAL Oct. 31 at Grand Hope Park owntown’s biggest and best family-friendly Halloween celebration unfolds again this year on the lawn at FIDM. This is all about the kids, with face painters, bounce houses and arts and crafts stations. Organizers make up for the Central City’s lack of single-family homes with numerous trick-or-treat doors, providing plenty of opportunity to fill candy bags. The wee ones always come out in costume, and adults are encouraged to do so as well. At 919 S. Grand Ave. or downtownla.com. Continued on page 8
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HOLIDAY PARTIES & CATERING
Holiday Parties Holiday Catering 50
Great Places to Party People might be bracing for the impending end of summer, but in Los Angeles, early September is prime holiday party-planning time. While you may not have contemplated your Halloween costume, event organizers are already locking down choice weekend dates in November and December.
Bar Alta at Hotel Figueroa.
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SEPTEMBER 9, 2019
HOLIDAY PARTIES & CATERING
The Natural History Museum provides a memorable party spot like no other.
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DTLA’s Premiere Event Location
photo courtesy Natural History Museum
In the following pages we run down 50 top Downtown party places. Consider this just a snapshot, as there are many other restaurants, hotels and event spaces prepared to host a memorable party. The community has a bevy of unique spaces, and there is something for every taste and budget. Start making your calls now. Rossoblu — the homerun Italian spot in City Market South offers farm-fresh vegetables and handmade pastas, and can handle as many as 1,000 people for a cocktail reception. Alameda Supper Club — part of the expansive Tartine Manufactory, the Row DTLA space offers both intimate seated dinners, as well as open spaces for mingling. Le Grand — this Grand Avenue spot specializes in dishes from across the Mediterranean as well as an extensive wine and cocktail list. Natural History Museum — one of the region’s most unique party spots — seriously, how often do you drink and dance amid dioramas and dinosaur bones? Preux & Proper — the New Orleans-style
InterContinental Los Angeles Downtown — the hotel in the Wilshire Grand Center has an astounding number of options for corporate or social events, while the 73rd floor Sky Deck is literally unmatched. Au Lac — creative vegan dishes on Bunker Hill, and you can wash down the food with organic wine and cocktails. Yxta Cocina Mexicana — authentic Mexican cuisine and plenty of margaritas ensure you will be smiling when you leave the Industrial District destination. Blue Jam Café — the pretty spot in the Spring Arcade Building has indoor and outdoor eating areas and can do plated, traypassed or buffet service. L.A. Live — there are small spaces, huge spaces, indoor spaces, outdoor spaces and food from the Wolfgang Puck empire. Border Grill — take in the festive decor, the patio and the reliable modern Mexican cuisine. DoubleTree by Hilton — enjoy drinks and Asian-fusion fare while wandering through a hidden garden in this Little Tokyo hotel. Broken Spanish — chef Ray Garcia’s elegant South Park spot reinvents modern Mexican
Kyoto Gardens rooftop at DoubleTree by Hilton Los Angeles.
photo courtesy DoubleTree by Hilton Los Angeles
establishment in the Fashion District has casual fare on the ground floor and a more elaborate menu on the second level. L.A. Grand Hotel — the Figueroa Street spot was beautifully modernized and has flexible ballrooms that can host up to 1,000 people. The staff is friendly and experienced. Plan Check — the comfy City West joint stands out for its burgers, and also offers a smart selection of beverages. Beelman’s — affordable food packages, well-crafted drinks and a great jukebox in the Historic Core.
cuisine in a comfy, lively space. Escape Room L.A. — hang out with some friends in a locked room and try to solve clues and escape in an hour. Follow it up with drinks and eats at a nearby bar or restaurant. Oviatt Building Penthouse — Downtown’s gorgeous Art Deco destination, with an al fresco atmosphere and an amazing view. The Edison — throw a bash in a former boiler room that looks like no other place in L.A. Redbird — Neal Fraser’s cooking draws raves, and so does the room with the retractable ceiling in a former cathedral rectory. Continued on page 6
Gran Sala The focal point of the hotel’s meeting and ballroom facilities is Gran Sala. The traditional elements of Spanish Colonial architecture feature an original limestone fireplace from the 1920s. Fully functional bars can be placed anywhere in the room. This space offers a multitude of configurations for functions. Tall French glass doors allow natural light into the room, as it captures a perfect view of the pool deck with downtown Los Angeles in the background. 2,091 square feet. Capacity: Standing: 150, Seated: 120, Seated w/ dance floor: 80
Rick’s The upper level of Rick’s is private outdoor space with a perfect view of the hotel’s pool and downtown skyline. The outdoor terrace is an oasis that offers the sound of running water coming off of a custom, built-in fountain. A wood trellis with lush greenery provides shade on a sunny day, ideal for brunch gatherings and luncheons. In the evenings or on cooler days, the patio is warmed by a white-plastered Spanish-inspired fireplace, creating the perfect atmosphere for seated dinners or cocktail receptions. Upper Rick’s: 1,485 square feet Capacity: Standing: 75, Seated: 50 Lower Rick’s: 1,211 square feet Capacity: Standing: 100, Seated: 40
Tangier Located in the lower level of the hotel is Tangier. It is the one space within the hotel that maintains elements of the previous Moroccan design. Antique brass lanterns lend a touch of Moorish influence to the lounge. The focal point of Tangier is a coved ceiling connecting the main bar on the west and a DJ booth on the east. It is equipped with built-in audio-visual accessories perfect for live music and presentations. 3,024 square feet Capacity: Standing: 200, Seated: 100 HOTELFIGUEROA.COM/MEETINGS-EVENTS
939 S. Figueroa Street, Los Angeles, California 90015 Ameliana Kamstra, Sr. Director of Catering | akamstra@hotelfigueroa.com | (213) 660-3019
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HOLIDAY PARTIES & CATERING
PARTY PLACES, 5
DTLA
Blue Cow — the Bunker Hill destination offers nifty drinks, a coterie of dishes prepared with super-fresh ingredients, and a fun outdoor dining area. Perch — it still offers one of the best views in L.A., and if the weather is nice, the outdoor patio is like no other. Church & State — the French bistro has been in the Arts District for a decade. Hang out indoors or take your event to the patio. Millennium Biltmore Hotel — one of Downtown’s classiest and most historic properties can handle events of any size. Prank — The airy South Park spot has innovative cocktails, extensive vegan and vegetarian options and three party areas. Plum Tree Inn — it’s hard to go wrong at the Chinatown staple that offers a private room and addictive honey walnut shrimp. The Palm — classic martinis, giant lobsters, plenty of private spaces and caricatures of Downtown’s best and brightest.
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strong cocktails and seafood-heavy Japanese cuisine with elaborate art. The Reserve — party inside an old bank vault in this multi-room venue that includes three bars, multiple DJ booths and plenty of places to dance. Firehouse — chef Ashley Abodeely’s outdoor restaurant at the Arts District’s Firehouse Hotel boasts a seasonal New American menu in a rustic setting, plus a private dining space room. X Lanes — you can drink, you can bowl, you can eat, you can play pool, or you can go crazy in the video game arcade. South Park Center — the 32nd floor in the former AT&T Center has some of the best views in Downtown, and can host a wedding, party or corporate event. Tom’s Urban — 62 TVs, sticky belly street tacos, a menu of fun drinks and an L.A. Live location. Farmers & Merchants Bank — if you haven’t been to a party at ground zero of the Old Bank District revival, then you’re not really a Downtowner.
The ballroom at the Los Angeles Athletic Club.
photo courtesy Los Angeles Athletic Club
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Maddalena Restaurant at San Antonio Winery — the venerable working winery serves Italian food under a barrel-shaped ceiling. Birds & Bees — an elegant Broadway destination offers an exciting and creative cocktail menu. Grand Park — rent a chunk of Downtown’s best park, a green expanse with fountains, pink furniture and an awesome splash fountain. J.W. Marriott — 15 event rooms, a capacity of up to 2,800 people, and a crack team of planners makes the L.A. Live hotel one of Downtown’s most flexible spaces. Lucky Strike Lanes and Lounge — who doesn’t like bowling and drinks? There are private rooms and a semi-private bowling suite with four lanes. Kues Restaurant — traditional Asian fare meets modern takes at this bistro. There’s a multi-level patio and fireplaces that can accommodate anywhere from 10 to 500 people during those cold (in L.A.) nights. The Boardroom — a post-war French look and literary-inspired drinks are on offer in this spot tucked into Kendall’s Brasserie at the Music Center. Mrs. Fish — located next to Pershing Square, this sushi and whiskey space mixes
Los Angeles Athletic Club — one of Downtown’s most historic properties can host big parties or small parties, in a ballroom or a throwback bar. L.A. Center Studios — party where they make movies and filmed “Mad Men.” There’s also a private theater. Harbor House — the venue at the Wedbush Center is a massive operation with indoor and outdoor spaces, plus 20 local beers on tap. Everson Royce Bar — the Arts District arrival has an open-air patio, lovely lighting and a deep selection of hard-to-find alcohol options. Alexandria Ballrooms — discover classic Downtown elegance at Fifth and Spring, where they have plenty of food and drink choices. Millwick — a former livery-turned-cold storage warehouse in the Arts District has a big indoor room and a big garden space. O Hotel — eat and drink with your friends and colleagues in the Mafia Room and other fun spaces in the boutique hotel. Water Grill — there’s a reason why, year after year, Water Grill ranks as one of the best seafood spots in the city. Terroni — homemade Italian pastas and other specialties at a chic, modern and flexible Spring Street spot.
SEPTEMBER 9, 2019
HOLIDAY PARTIES & CATERING
E L E VAT E YOU R HOL I DAY Host your company holiday luncheon or reception at L.A.’s highest landmark. Sweeping cityscapes create the perfect backdrop for your event. Choose from our rooftop event space on the 73rd f loor, two large ballrooms, or private rooms - we can accomodate any size event. R ECEIV E EXCLUSIV E DISCOUNTS ON VALET PAR K ING Including up to 25% off Guest Rooms - based on availability. To learn more, email ICLA DowntownGroups@ihg.com. *Some restrictions apply. Must book by November 15, 2019.
Live the InterContinental life. ®
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RETROCADE
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Sept. 22-23 at Union Station he expansive arcade might be a thing of the past, but you can still get your classic ”Pac Man” fix during the return of Union Station’s free Retrocade Experience. The art deco transportation hub’s ticket concourse will transition into an arcade ripped from the 1980s with over 40 arcade cabinets available to play on including fan favorites like ”Street Fighter” and ”Donkey Kong”. If you’re really hot stuff, you can also register to enter a ”Pac Man” tournament for a chance to take home a prize for highest score, and there will also be food trucks and a lounge space to relax in between games. At 800 N. Alameda St. or unionstationla.com.
photo by William Kaner
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CONVERSATIONS WITH NICK CAVE DEBBIE HARRY AND CHRIS STEIN Oct. 4 at the Aratani Theatre he Live Talks series has a stacked lineup in Downtown this fall, and one of the highlights features the founders of the New York new wave band Blondie. Most people know the group for hits including “Heart of Glass” and “The Tide Is High,” but this event is built around Harry’s memoir Face It, and she and Stein will be in conversation with artist and director Rob Roth. Other Live Talks events on the calendar include political columnist George Will at the Colburn School’s Zipper Hall on Oct. 2 and actress Busy Phillips on Oct. 23 at the Bootleg Theatre. At 244 S. San Pedro St. or livetalksla.org.
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Oct. 15 at Walt Disney Concert Hall he dark prince of literate rock has picked an unexpected venue for an unlikely visit. Cave, a killer tunesmith with a smart fashion sense and a fascination with murder and mayhem — his 1988 “The Mercy Seat” is the single greatest song ever written about the electric chair — will visit Downtown for an evening of songs on the piano and no-holds-barred Q&A. He’ll be fielding queries from audience members on all manner of subjects, and those who buy tickets are urged to be bold, challenging and unafraid with their queries. Get ready for a deep dive into Cave’s mind. At 111 S. Grand Ave. or laphil.com.
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LATIN HISTORY FOR MORONS Through Oct. 20 at the
CALARTS DOWNTOWN CENTER FOR CONTEMPORARY ARTS
REDCAT.org
213.237.2800
SEPT 12 – 15
Ligia Lewis
Water Will (in Melody) DANCE
“Not to be missed.” — The New York Times
SEPT 19 – 22
Adam
Linder
THE WANT
Co - Presented with CAP UCLA DANCE
SEPTEMBER 9, 2019
Ahmanson Theatre n his Tony Award-winning one-man show, John Leguizamo leads audiences on a wildly entertaining and thought-provoking tour through 3,000 years of an often-overlooked past. Latin History for Morons is animated and educational as the veteran of the screen and the stage embarks on a rapid-fire search to help his son find a hero to feature for a school project. The 110-minute show, directed by Tony Taccone, holds impersonations, a blackboard and even a reading list. It’s the rare production where audiences not only laugh, but leave smarter. At 135 N. Grand Ave. or centertheatregroup.org.
and the world premiere of his newest work is taking place in Downtown Los Angeles on Sept. 21 (earlier dates are previews). A Play Is a Poem, directed by Neil Pepe, is a collection of five one-acts set in different locations across the country. The scenes he explores include a New York City tenement, the Los Angeles office of a private eye and a gazebo in Natchez, Mississippi. Coen Brothers movies have always stood out for their complex and unique characters, so expect similar traits — but this time in person. At 135 N. Grand Ave. or centertheatregroup.org.
MIKE BIRBIGLIA’S THE NEW ONE
Oct. 26-Nov. 3 at Grand Park he Day of the Dead is a chance to honor and remember late family and friends, and once again Grand Park is hosting a large-scale celebration for it over nine days. The park’s annual event features a series of altars designed by local artists set up around the 12-acre space. Each one is done in a different style, including Oaxacan influences. The whole event kicks off with the Noche de Ofrenda (Night of Offerings) where people can bring flowers and candles to remember loved ones and see traditional dances and songs. There will once again be a community altar for Angelenos who wish to contribute to the artistic display. At 200 N. Grand Ave. or grandparkla.org.
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Oct. 23-Nov. 24 at the Ahmanson Theatre he Ahmanson holds its second consecutive humor-tinged solo show, this time with the comedian whose resume boasts a selection of stage works, including the noted Sleepwalk With Me (it was also a film). Birbiglia’s new show, directed by Seth Barrish (who helmed the recent Broadway run), recounts the life changes and challenges that he faces after the birth of his daughter — the figurative “new one.” The approach is warm and personal, funny and poignant, with Birbiglia adopting a self-effacing delivery. Just be sure to leave expectations at home, as The New One packs some left turns and surprises. At 135 N. Grand Ave. or centertheatregroup.org.
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DIA DE LOS MUERTOS
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A PLAY IS A POEM
GARY NUMAN 40TH ANNIVERSARY/ SUBSTANCE 2019
Sept. 11-Oct. 13 at the Mark Taper Forum ost people know Ethan Coen as a leading voice in independent film through his partnership with his brother Joel. But Ethan Coen also writes for the stage,
Nov. 1-2 at The Los Angeles Theatre alloween will officially be over, but don’t put away the black clothes or spooky thoughts just yet. Substance is a two-night event in the historic Los Angeles
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THE TRAGEDIE MACBETH Oct. 12-Nov. 3 at the Shakespeare Center of Los Angeles omething wicked comes back to Downtown Los Angeles. Macbeth isn’t a rarity in Downtown — ArtShare L.A. is wrapping up a desert-tinged production now — but the Shakespeare Center of Los Angeles is bringing back its immersive, horror-themed production of Shakespeare’s tragedy for a second year. The 90-minute show is a moving play, starting in the basement of the Shakespeare Center and moving to stages set up in the back hallways and nooks of the building, putting audiences in the middle of Macbeth’s banquet hall or in the woods to witness murders. Consider it Shakespeare by way of a haunted house. At 1238 W. First St. or shakespearecenter.org.
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RESILIENCE: PHILIP GUSTON IN 1971 Opens Sept. 14 at Hauser & Wirth Los Angeles njoy the cartoonish and critical works of Philip Guston at Hauser & Wirth Los Angeles. In 1971, then-abstract artist Guston decided to change his style and try something different, pulling inspiration from the politics and turmoil of the late 1960s and early 1970s. Resilience is the first solo show of Guston’s work in Los Angeles in more than four decades. The show features both his “Roma” paintings series and his “Nixon” drawings, the latter of which portrays a caricature of the former president in a series of silly situations. The two series are dissimilar, but show Guston experimenting with his style and refining his skills in new areas. At 903 E. Third St. or hauserwirth.com.
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photo courtesy the Moroccan Lounge
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AVERY*SUNSHINE Nov. 23 at The Theatre at Ace Hotel &B singer and NPR Tiny Desk Concert veteran Avery*Sunshine is bringing her mix of piano and vocals to Downtown Los Angeles, as part of UCLA’s Center for the Art of Performance’s programming. She mixes classic soul sounds with more modern genres, with songs like “Stalker” melding techno and house beats to match her soaring vocals. Go for the gospel-style sounds and stay for her unique arrangements. Her husband Dana Johnson joins her on stage, backing her on guitar. At 929 S. Broadway or cap.ucla.edu.
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Oct. 24-27 at the Dorothy Chandler Pavilion ussia’s iconic Mariinsky Ballet is making its way to the West coast in October for five performances of the classic “Jewels.” Originally choreographed by George Balanchine in 1967 and set to the music of three different composers, it comprises a trio of dances, “Emeralds,” “Rubies,” and “Diamonds.” The names comes not from a specific theme, but rather the costumes the dancers wear in each piece, which mimic the titular gemstones. The ballet is one of the Mariinsky Ballet’s signature works. At 135 N. Grand Ave. or musiccenter.org.
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Sept. 21-22 at the Moroccan Lounge ndie singer-songwriter Rachael Yamagata is taking her globe-spanning tour to the Arts District, playing two nights on First Street. She’ll be playing songs from her 2018 EP Porch Songs as well as her catalogue of tracks about life’s struggles and empathy, all laced with a biting edge. Also coming to the Moroccan Lounge this fall are R&B songstress Ambar Lucid on Sept. 26, singer-songwriter Faye Webster on Oct. 9 and pop singer Tom Speight doing an early show on Oct. 25. At 901 E. First St. or themoroccan.com.
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NO WRONG HOLES: THIRTY YEARS OF NAYLAND BLAKE Opens Sept. 29 at the Institute of Contemporary Art, Los Angeles his retrospective of Blake’s work spans the spectrum from sculpture to video, mixing presentation formats and artistic movements. Blake, a biracial artist heavily active on the West Coast, gets a comprehensive look, with the ICA LA showcasing work that explores race and gender identity. No Wrong Holes also looks at LGBTQ rights and issues, with works addressing the AIDS epidemic and cultural attacks on minorities. At 1717 E. Seventh St. or theicala.org.
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MODEL
photo courtesy UCLA’s Center for the Art of Performance
Theatre on Broadway, celebrating darkwave music and all of the heavy, moody synth bands of the genre. Singer Gary Numan headlines the first night, part of a celebration of his 40 years as a solo act in the industry. Numan is a stalwart of the scene, so expect classics such as “Cars” and “We Take Mystery (to Bed).” The second night is big on electropop with John Maus, A Place to Bury Strangers and Ritual Howls set to perform. At 615 S. Broadway or spacelandpresents.com.
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CYPRESS HILL HAUNTED HILL lachian Spring Suite.” Each performance also features two A&E, 9
other pieces, and guest soprano appearances. At 111 S. Grand Ave. or laphil.org.
Oct. 30 at The Novo f you’re looking for ways to fill out your Halloween week, B-Real, Sen Dog and DJ Muggs have you covered. The “Dr. Greenthumb” rappers are bringing back the Haunted Hill Festival for the second year in a row in Los Angeles, after doing the annual Halloween celebration on the East Coast for the past decade. It’s not exactly a Halloween party so don’t expect any jump scares or anything of the like as you nod your head to “Rockstar” and “I Can Just Kill a Man.” Musicians Mariachi El Bronx and Meyhem Lauren are also on the bill for the evening. At 800 W. Olympic Blvd. or thenovodtla.com.
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KAMASI WASHINGTON Sept. 19-20 at Theatre at Ace Hotel t the crest of jazz’s resurgence to the forefront of popular culture sits saxophonist Kamasi Washington. In just a few short years, the musician has solidified his place as not only one of the most talented acts in jazz, but also one of its best selling, championing a sound that marries jazz with hip-hop and R&B. Backed by his ninepiece band and flush with mass appeal, catch Washington when he returns to his hometown for a two-day set at the ornate Theatre at Ace Hotel. Expect to hear selections from Washington’s past two albums, including the funky “Street Fighter” from Heaven and Earth. At 929 S. Broadway or theatre.acehotel.com.
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SEPTEMBER 9, 2019
THE AUTOGRAPH BOOK OF L.A Opens Sept. 26 at Central Library n 1906, City Librarian Charles Lummis created the Autograph Collection, a grouping of hundreds of signatures from notable men and women across the country. Last year, John F. Szabo, city librarian, took it even further, adding nearly 500 John Hancocks to the collection. Now, Josh Kun, author and director of the USC Annenberg School of Communication, is taking a look at those signatures in a new exhibit and book. The project, located in the library’s First Floor Galleries, examines the evolution of the autograph, from simple scribbles to larger ornate graffiti tags. Visitors to the exhibit will also be able to check out famous signatures from President John Quincy Adams to former Los Angeles Dodger Fernando Valenzuela. At 630 W. Fifth St. or lapl.org.
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WITH PLEASURE: PATTERN & DECORATION IN AMERICAN ART, FACE THE MUSIC 1972-1985 Opens Sept. 12 at Grammy Museum
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Opens Oct. 27 at MOCA Grand Avenue Nov. 9-10 at Dodger Stadium ith lasting impacts that still resonate today, the works artist such as Merion Estes, Takao Yamaguyler, the Creator seems to have a good thing going on. For the seventh year, festival fans are gearing up for chi and Valerie Jaudon made in the pattern and decorathe return of Camp Flog Gnaw, the rapper’s annual music tion movement of the 1970s and 1980s is often underfestival-meets-camp carnival. Located at the Dodger Sta- stated and shortchanged. The period is getting its due dium grounds, the two-day festival includes carnival rides in the first full-scale survey of its kind at the Museum of and food options as well as musical acts. In total, nearly 40 Contemporary Art’s Grand Avenue location. Featuring the performers are set to take the stage over the weekend. So- paintings, sculptures, ceramics and installations of nearlange, Tyler, the Creator, H.E.R and YG are headlining the ly 50 artists from across the United States, the exhibit 800.900.5788 I their aerioconnect.com Broadband I Voice I WiFi I HDTV embrace of forms and designs that were festival, with acts including Thundercat, The Internet and examines typically viewed as inferior to fine art at the time. Yasiin Bey (formerly Mos Def) also set to perform. At 250 S. Grand Ave. or moca.org. At 1000 Vin Scully Ave. or campfloggnaw.com.
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ne is auditory, the other is purely visual, but music and photography share a heavy connection. The Grammy Museum is exploring that relationship in Face the Music, a new photography exhibit at the South Park museum. The images capture intimate, close up images of musicians’ facial expressions as they listen to their music of choice. Featuring images of 41 musicians, including Quincy Jones, Iggy Pop and RZA, the exhibit springs from the work of photographer Richard Ehrlich, who over five years, melded the two art forms to explore the influence that music can have on human emotion. At 800 W. Olympic Blvd. or grammymuseum.org.
“Marielena La Fabulosa” by Linda Vallejo
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LINDA VALLEJO: BROWN BELONGINGS Throughout Fall at LA Plaza de Cultura y Artes hicana artist Linda Vallejo takes a deep dive into what it means to be a person of color in the United States in an ongoing exhibit at LA Plaza de Cultura y Artes. The first solo exhibition at the museum dedicated to a Chicana artist, Brown Belongings incorporates four of Vallejo’s portfolios — Make ‘Em All Mexican, The Brown Dot Project, Datos Sagrados, and Cultural Enigma — and displays them across the museums. Linda Vallejo’s affinity for the color brown can be seen in Make ‘Em All Mexican, which recast famous historical figures like Marilyn Monroe and John Wayne in brown paint as a commentary on lack of representation in the media. At 501 N. Main St. or lapca.org.
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THE SOLID LIFE OF SUGAR WATER Sept. 12- Oct. 13 at Inner City Arts – Rosenthal Theatre edroom antics make for an intimate portrait of a deaf couple’s marriage in Deaf West Theatre’s latest stage performance. Told through DWT’s signature style that mixes broken English with American Sign Language, The Solid Life of Sugar Water comes from Tony Award-winning playwright Jack Thorne and mixes adult themes with a level of candidness that The Guardian called unflinching, forthright and dangerous. At 720 Kohler St. or inner-cityarts.org.
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ADAM LINDER: THE WANT
he Center for the Art of Performance at UCLA’s 2019-2020 season kicks off with four-day performance of Adam Linder’s contemporary opera, The Want. Inspired by the client/dealer relationship in the play Solitude of The Cotton Fields, Linder’s work fuses vocals with engaging theatricality to explore the vulnerability and cunning that is at the center of any type of transaction. Actors Jess Gadani, Justin F. Kennedy, Jasmine Orpilla and Roger Sala Reyner take on the roles of European merchants in the performance. It’s at the REDCAT, so avante garde is the name of the game. At 631 W. Second St. or redcat.org.
LA BOHÈME Sept. 14-Oct. 6 at the Dorothy Chandler Pavilion or the first time in 25 year, the bustling cafes and tight alleyways of 1800s Paris comes to the Dorothy Chandler Pavilion in the L.A. Opera’s first produc-
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Sept. 19-22 at REDCAT
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CLASSIFIEDS REAL ESTATE RESIDENTIAL LOFTS FOR SALE
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DEPARTMENT OF THE TREASURER AND TAX COLLECTOR Notice of Divided Publication NOTICE OF DIVIDED PUBLICATION OF THE PROPERTY TAX-DEFAULT LIST (DELINQUENT LIST)
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Made pursuant to Section 3371, Revenue and Taxation Code Pursuant to Revenue and Taxation Code Sections 3381 through 3385, the County of Los Angeles Treasurer and Tax Collector is publishing in divided distribution, the Notice of Power to Sell Tax-Defaulted Property in and for the County of Los Angeles (County), State of California, to various newspapers of general circulation published in the County. A portion of the list appears in each of such newspapers. I, Keith Knox, County of Los Angeles Acting Treasurer and Tax Collector, State of California, certify that: Notice is given that by operation of law at 12:01 a.m. Pacific Time, on July 1, 2017, I hereby declared the real properties listed below tax defaulted. The declaration of default was due to non-payment of the total amount due for the taxes, assessments, and other charges levied in tax year 2016-17 that were a lien on the listed real property. Nonresidential commercial property and property upon which there is a recorded nuisance abatement lien shall be Subject to the Tax Collector’s Power to Sell after three years of defaulted taxes. Therefore, if the 2016-17 taxes remain defaulted after June 30, 2020, the property will become Subject to the Tax Collector’s Power to Sell and eligible for sale at the County’s public auction in 2021. All oth-
er property that has defaulted taxes after June 30, 2022, will become Subject to the Tax Collector’s Power to Sell and eligible for sale at the County’s public auction in 2023. The list contains the name of the assessee and the total tax, which was due on June 30, 2017, for tax year 2016-17, opposite the parcel number. Payments to redeem tax-defaulted real property shall include all amounts for unpaid taxes and assessments, together with the additional penalties and fees as prescribed by law, or paid under an installment plan of redemption if initiated prior to the property becoming Subject to the Tax Collector’s Power to Sell. Please direct requests for information concerning redemption of tax-defaulted property to Keith Knox, Acting Treasurer and Tax Collector, at 225 North Hill Street, Los Angeles, California 90012, 1(888) 8072111 or 1(213) 974-2111. I certify under penalty of perjury that the foregoing is true and correct. Executed at Los Angeles, California, on August 8, 2019.
KEITH KNOX ACTING TREASURER AND TAX COLLECTOR COUNTY OF LOS ANGELES STATE OF CALIFORNIA Assessees/taxpayers, who have disposed of real property after January 1, 2016, may find their names listed because the Office of the Assessor has not yet updated the assessment roll to reflect the change in ownership.
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tion of La Bohème. Heralded as one of the most romantic pieces ever penned, the four-act opera follows a grouping of struggling young artists as they search for love and life in an increasingly changing France. A staple of Italian operas, expect to shed a few tears by the end of the runtime. At 135 N. Grand Ave. or laopera.org.
PSYCHO Oct. 25-31 at the Theatre at Ace Hotel ead into Halloween properly spooked with six special screenings of Alfred Hitchcock’s iconic and terrifying thriller Psycho. Part of the L.A. Opera’s now-annual October run at Broadway’s Theatre at Ace Hotel, the Opera’s orchestra will provide a live score while audiences in the ornate theater watch Janet Leigh and Anthony Perkins on screen. Be ready for a live rendition of the haunting and piercing strings during the film’s still-scary shower scene. At 929 S. Broadway or laopera.com.
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ASSESSOR’S IDENTIFICATION NUMBERING SYSTEM EXPLANATION The Assessor’s Identification Number, when used to describe property in this list, refers to the Assessor ’s map book, the map page, the block on the map (if applicable), and the individual parcel on the map page or in the block. The Assessor’s maps and further explanation of the parcel numbering system are available at the Office of the Assessor. The following property tax defaulted on July 1, 2017, for the taxes, assessments, and other charges for the Tax Year 2016-17: LISTED BELOW ARE P R O P E R T I E S T H AT DEFAULTED IN 2016 FOR TAXES, ASSESSMENTS AND 0THER CHARGES FOR THE FISCAL YEAR 2015-1016. AMOUNT OF DELINQUENCY AS OF T H I S P U B L I C AT I O N I S LISTED BELOW. B R A H N A P R O P E RT I E S LLC SITUS 4855 SANTA M O N I C A B LV D L O S ANGELES CA 90029-2654 5540-026-018/S2014-010 $58,653.96 CLARK, CHARLES A AND SARA TRS CLARK TRUST SITUS 917 N SERRANO AVE LOS ANGELES CA 90029-3205 5535-023-010 $153.57 FEO ENTERPRISES L P S I T U S 4 9 2 1 S A N TA M O N I C A B LV D L O S ANGELES CA 90029-2537 5540-028-009 $16,856.65 G O N Z A L E Z , PA M E L A SITUS 5450 MONROE ST LOS ANGELES CA 900384062 5535-013-002/S2014010 $1,324.16
GUTIERREZ, SONNIA P TR GUTIERREZ FAMILY TRUST SITUS 4419 BURNS AVE LOS ANGELES CA 90029-2702 5539-009-018 $28,150.13 KARAT, LUCIA C SITUS 926 N EDGEMONT ST LOS ANGELES CA 90029-2532 5538-018-015 $3,521.39 SHIN, EUN HWA SITUS 943 N HELIOTROPE DR LOS ANGELES CA 90029-2523 5538-018-001/S2015-020 $9,681.63 CN963406 553 Aug 26, Sep 2,9, 2019 FICTITIOUS BUSINESS NAME FICTITIOUS BUSINESS NAME STATEMENT FILE NO. 2019 220654 The following person(s) is (are) doing business as: (1) LAXL TECHNOLOGIES, 645 W. 9TH STREET, UNIT 110-141, LOS ANGELES, CA 90015 LA COUNTY are hereby registered by the following registrants: LAXL LLC, 645 W. 9TH STREET, UNIT 110-141, LOS ANGELES, CA 90015. This business is conducted by a Limited Liability Company. Registrant(s) started to transact business under the fictitious business name or names listed above: N/A This statement was filed with DEAN C. LOGAN, Los Angeles County Clerk on August 13, 2019. NOTICE—This fictitious name statement expires five years from the date it was filed in the office of the county clerk. A new fictitious business name statement must be filed before that time. The filing of this statement does
not of itself authorize the use in this state of a fictitious business name in violation of the rights of another under federal, state, or common law (see Section 14411 et. seq. Business and Professions Code). Pub. 8/26, 9/2, 9/9 and 9/16. STATEMENT OF ABANDONMENT OF USE OF FICTITIOUS BUSINESS NAME FICTITIOUS BUSINESS NAME STATEMENT OF ABANDONMENT ORIGINAL FBN NO.: 2018-239190 ORIGINAL FILING DATE: 9/20/2018 STATEMENT EXPIRES ON: 9/20/2023 BEGAN TRANSACTING: 9/20/2018 THIS BUSINESS WAS CONDUCTED BY: A CORPORATION
The following person(s) has (have) abandoned the use of the Fictitious Business Name(s) Source Cannabis Farms, 350 W Martin Luther King Jr Blvd, Los Angeles, CA 90037 Los Angeles County Registrant Owner(s): New Age Compassion Care Center Inc. 350 W Martin Luther King Jr Blvd, Los Angeles, CA 90037 I declare that all information in this statement is true and correct. Registrant (Name/Corp/ LLCName): New Age Compassion Care Center Inc., Amjad El-Atari This statement was filed with the County Clerk of Los Angeles county on August 16, 2019. Dean C. Logan, RegistrarRecorder/County Clerk Pub Dates: 8/26, 9/2, 9/9 and 9/16.
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