College Times - March 21, 2019

RODEO QUEEN

CAVE CREEK LASSOS ASU STUDENT BROOKE SMITH

SPINNING TALES:

EDDIE EBERLE EXPLORES NEW TURF WITH THE GETAWAY

ASU BASEBALL

IT’S CRUNCH TIME FOR THE UNDEFEATED TEAM

MARCH 21-APRIL 17, 2019

EST. 2002

A RECORD COMEBACK

Vinyl has music fans spinning

+ Innings Festival recap

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POP QUIZ

WE KNOW HOW MANY TESTS AND QUIZZES YOU TAKE, BUT WE THINK THIS ONE WILL BE YOUR FAVORITE. HERE IS A QUICK QUIZ ON SOMETHING POPULAR OR IMPORTANT WE THINK YOU NEED TO KNOW.

Beethoven’s Fifth Symphony was performed by the Philadelphia Symphony Orchestra under Leopold Stokowski.

It was the first 12-inch recording released by RCA Victor.

What year did this happen?

A. 1951 B. 1941 C. 1931

PUBLISHER

Steve T. Strickbine VICE PRESIDENT

Michael Hiatt EDITOR

Christina Fuoco-Karasinski CONTRIBUTING WRITERS

Alison Bailin Batz, Niki D'Andrea, Connor Dziawura, Carson Mlnarik, Ally Richmond INTERN

D. 1921

Miranda Cyr DESIGNER

Christy Byerly

Answer: C, 1931. This type of vinyl had a quieter playing surface compared to the shellac that was typically used for 78s.

CIRCULATION DIRECTOR

Aaron Kolodny

NUMBERS

STREET TEAM MANAGER

Chuck Morales III

ASSOCIATE ADVERTISING SALES MANAGER

Nadine Whitehead

PRODUCTION MANAGER

SAMANTHA FUOCO • COLLEGE TIMES

On June 21, 1948, Columbia Records engineer Peter Carl Goldmark created the first successful microgroove plastic, 12-inch, 33-1/3 LP in New York.

He created this to extend playback time to more than 20 minutes per side.

April 13 is National Record Store Day. Elvis Presley had 200 records—singles, EPs and albums.

A single acetate test pressing of The Velvet Underground & Nico recorded at Scepter Studios in 1967 fetched $25,000 at an auction.

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Courtney Oldham

This wig was a sound purchase.

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A Brazilian billionaire has a personal collection of vinyl of over 6 million albums and growing.

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The first commercial vinylite record was the set of five 12-inch discs, “Prince Igor.”

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11 THINGS

STUDENT LIFE V

intage is the future, and vinyl records are here to stay (and grow). This technology, which dates back to the 19th century, has been on the rise since its resurgence in the early 2010s.

Vinyl sales are especially high every April during Record Store Day, an annual celebration of the very establishments that keep this trend alive, well and musically vivid. So, prepare your turntable, throw a record on and read on to see what every vinyl enthusiast must know.

#11 • RECORD AND TURNTABLE INVENTED:

ECOLLEGETIMES.COM | MARCH 21, 2019

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About Vinyl Records THALIA M. ESPAÑA • COLLEGE TIMES

copy of Wu-Tang Clan’s unreleased album, “Once Upon A Time in Shaolin,” which sold for $2 million. The second most expensive vinyl is “The Beatles” (commonly known as “The White Album”), which sold for nearly $790,000.

#8 • BEETHOVEN:

The first LP vinyl recording was of Beethoven’s Fifth Symphony performed by the Philadelphia Symphony Orchestra under Leopold Stokowski in 1931, when RCA Victor released the first version of the long-playing record for home use through Program Transcription discs.

In 1857, Edouard-Leon Scott de Martinville invented the earliest known sound recording device, called the phonautograph which could not play the noise back. Thomas Edison paved the way for today’s record player when he invented the phonograph that recorded and played sound back in 1877. It inscribed audio to tinfoil wrapped along a cardboard cylinder for playback.

#7 • RECORDS IN SPACE:

#10 • THE “VINYL REVIVAL”:

#6 • DIFFERENT COLOR,

DIFFERENT SOUND:

In the late 1990s, CD and MP3 technology was on the rise as vinyl record sales decreased. Vinyl was proclaimed dead. The early 2010s played a significant role in its resurgence. Billboard describes U.S. record sales in 2017 to have reached a “Nielson Music-Era high,” with a total record sale of 14.32 million, which was up by 9 percent from the previous year. Sales rose an additional 15 percent in 2018 .

#9 • WU-TANG CLAN:

The most expensive vinyl record is the only

The NASA Voyager I and II spacecrafts’ version of a time capsule contains what is known as the Golden Record that was created to communicate “the story of our world [Earth] to extraterrestrials.” The 12-inch, gold-plated copper disk contains images, music, sounds and greetings from Earth.

There is an ongoing debate among loyal record collectors. Some say colored vinyl degrades quicker than the original black vinyl, therefore resulting in weaker sound quality. However, colored vinyl can be a collector’s favorite as they are rare.

#5 • THE LARGEST RECORD STORES: Amoeba Records in Los Angeles claims to be the largest independent record store at 24,000 square feet. It houses over 100,000 CDs, vinyl

records, cassettes, DVDs, laser discs and more. In Shibuya, Tokyo, Tower Records rises to the top with its nine-story facility at 53,820 square feet.

#4 • THE LARGEST PERSONAL COLLECTION:

Brazilian businessman Zero Freitas is known to have the biggest personal vinyl record collection with 6 million in safe storage. Freitas plans to curate his collection into a public archive.

#3 • INNER-GROOVE DISTORTION:

Many artists who produce vinyl records put their best, loudest songs on the outer edge of the record because there, the quality is clearer and.

Known as inner-groove distortion, this causes sound from the innermost part of the vinyl to have a more unclear, muffled sound.

#2 • THE MILLENNIAL REVIVAL:

On average, it is the younger generations—not nostalgic Baby Boomers—who are credited for bringing vinyl back. About 50 percent of vinyl record customers are younger than 35 and claim to find a unique experience in record listening and physical ownership.

#1 • THE FIRST RECORD STORE DAY

was on April 19, 2008, during which Metallica spent hours meeting fans at the Rasputin Music record store. Since then, it has become a day when many musical artists, big and small, visit record stores for performances, signings and meet and greets with the local, vinyl-loving communities.

CT

student life

GTFO!

DO YOURSELF A FAVOR AND CATCH THESE 10 EVENTS OR YOU’LL BE FEELING SOME SERIOUS F.O.M.O.

THALIA M. ESPAÑA • COLLEGE TIMES

FULL MOON FESTIVAL (REBIRTH) Delve into radical higher purpose and connection at this lunar-monthly Full Moon Festival. Enjoy a night under the stars with live music, art displays and new friendships at this 18-and-old event to welcome this Spring’s first Full Moon.

The Pressroom, 441 W. Madison Street, Phoenix, thepressroomaz.com, 8:08 p.m.

Friday, March 22, $20 GA.

PHOENIX FASHION WEEK SPRING INTO STYLE: RUNWAY TREND SHOWS Stay up to date with the latest trends in fashion while watching Arizona’s top six wardrobe stylists curate the top trends of Spring. This outdoor event will feature the fashion runway show, shopping time with local and national retail pop-up shops and opportunities to

TEMPE FESTIVAL OF THE ARTS

mingle with over 700 fashionistas.

Andaz Resort & Bungalows, 6114 N. Scottsdale Road, Scottsdale, phoenixfashionweek.com, 6:30 p.m.

Saturday, March 23, $50-$125.

ARIZONA BAO FESTIVAL Traditional food and culture come together at the first Arizona Bao Fest, which celebrates the Asian steamed bun usually stuffed with a complete meal.

The event includes local vendors and businesses with varieties of steamed buns, gua bao, bakery sweet buns, and creative interpretations of Bao. Enjoy the event with live music and games. Double up your Bao dish with other Asian and fusion foods such as noodles, takoyaki, rice bowls and skewers.

Unexpected Venue, 734 W. Polk Street, Phoenix, facebook.com/azbaofest, 11 a.m. Sunday, March 24, $12 GA.

Enjoy and shop from a variety of 300 visual artists who specialist in paintings, woodwork, photography, fashion and jewelry. Grab your friends for an event filled with live music and indulge in endless options of beers, wines, foods and drinks!

Mill Avenue between Third Street and University Drive in Downtown Tempe, tempefestivalofthearts.com, times vary, Friday, March 29, to Sunday, March 31, free.

YOGA FOR EVERYONE AZ Whether you are a dedicated yogi, or simply interested in learning more about yoga, this event is for you. Attendees will get a chance to participate in yoga exercises, meditation, workshops, dance flows, drum circles, as well as enjoy live

music and shopping from vendors. Find confidence and release your stress in igniting new energy and enthusiasm.

Civic Center Mall-Fountain Stage, 7380 E. Second Street, Scottsdale, yogaforeveryoneaz.com, 9 a.m. to 7 p.m.

Saturday, March 30, $49-$119.

AFRICAN FEST USA In celebration and recognition of African diaspora, African Fest USA aims to introduce the continent’s culture to Arizona. Through traditional clothing and fashion, music and art, this culturally and entertainment focused event presents a cultural exchange through positive experiences. Did you know there is a banana brewed beer in Africa? Learn more through a unique, cultural experience at AF.

GTFO continued on pg. 6

Happy Spring! Your bicycle would also benefit from a Spring clean & Tune!

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PET SEMATARY IS NOT YET RATED. Please note: Passes received do not guarantee you a seat at the theater. Seating is on first-come, first-served basis, except for members of the reviewing press and guest list attendees. Theater is overbooked to ensure a full house. No admittance once screening has begun. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket, and accepts any restrictions required by ticket provider. Paramount Pictures, College Times and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a ticket. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, guest are unable to use his/ her ticket in whole or in part. Not responsible for lost, delayed or misdirected entries. All federal and local taxes are the responsibility of the guest. Void where prohibited by law. No purchase necessary.

Participating sponsors, their employees & family members and their agencies are not eligible.

No phone calls. This screening will be monitored for unauthorized recording. By attending, you agree not to bring any recording device into the theater and you consent to physical search of your belongings and person for recording devices. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device, you consent to you immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability. No cell phones allowed.

or bicyclecellar.com | 480.219.7225

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COLLEGE TIMES STREET TEAM

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student life

GTFO

continued from pg. 5

Kiwanis Park, 5500 S. Mill Avenue, Tempe, africanfestusa.org, 11 a.m.

Saturday, March 30, $5-$100.

POW WOW ASU Pow Wow at ASU will hold its 33rd annual event in the newly renovated Sun Devil Stadium. Come along for the annual celebration of Native American tradition and culture through song, dance, socialization and preservation of the cultural heritage. People of all backgrounds are encouraged to respectfully experience a rich display of culture and tradition.

Sun Devil Football Stadium, 500 E. Veterans Way, Tempe, times vary, Friday, April 12, to Sunday April 14, $5-$24.

MARICOPA COUNTY FAIR Release your inner child and unwind from college stress and worries at the county fair. With over 35 rides, live entertainment, food and shopping opportunities with more than 85 vendors, the fair offers something for everyone.

Arizona Exposition and State

ECOLLEGETIMES.COM | MARCH 21, 2019

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Mooooove on over to the county fair.

and more.

Scottsdale Waterfront, 7135 E. Camelback Road, Scottsdale, times vary, Saturday, April 13, to Sunday, April 14, $10-$40.

PHOENIX CAREER AND JOB FAIR Fairgrounds, 1826 W. McDowell Road, Phoenix, times vary, Wednesday, April 10, to Sunday, April 14, $9 GA.

COUNTRY THUNDER 2019 Strap your boots on and prepare to sing your heart out at this year’s Country Thunder! Featuring country stars like Tim McGraw, Chris Stapleton and Phoenix’s own Dierks Bentley, this event is a country lover’s paradise.

Country Thunder, 20585 E. Water Way,

Florence, times vary, Thursday, April 11, to Sunday, April 14, $75-$600.

VEGOUT! VEGAN BEER AND FOOD FESTIVAL Vegan beer? It is possible! The second annual VegOut! Scottsdale Vegan Beer and Food Festival advocates and celebrates a vegan lifestyle through foods, drinks, live entertainment, educational speakers, chef demonstrations, vendors, fitness classes

If you are looking to gain professional work experience, or maybe seeking plans after college, do not miss out on the Phoenix Career and Job Fair. The Phoenix Premiere Sales and Professional Career Fair provides candidates access to meet and learn about Fortune 500 employers in various industries. Polish your resume and come prepared to interview with hiring managers and recruiters!

Phoenix Airport Marriott, 1101 N. 44th Street, Phoenix, 11:30 a.m. to 1:30 p.m.

Wednesday, April 17, free. CT

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TEMPE LOCATION - BASELINE & PRIEST I MESA LOCATION - MESA DRIVE & SOUTHERN AVE

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student life GET ACQUAINTED WITH AND INSPIRED

BY THESE UPSTANDING UNDERGRADS

Student SPOTLIGHT

SHE’S ROYALTY

ASU’S BROOKE SMITH CROWNED 2019 CAVE CREEK RODEO QUEEN CHRISTINA FUOCO-KARASINSKI • COLLEGE TIMES

A

ECOLLEGETIMES.COM | MARCH 21, 2019

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SU freshman Brooke Smith vividly remembers her first rodeo.

She was “super little,” and with her family in Prescott for the seven-day Frontier Days.

“We’ve always gone since I was young,” the Tempe native says. “That’s where I learned about trick riders and rodeo queens. I’ve always loved horses and that’s when I decided I needed to learn about rodeo, I wanted to get into it really badly”.

She was so overwhelmed she asked her family to help her learn. Now, Smith has been riding horses for 11 years and became involved in the sport of rodeo in 2014.

She is the current Cave Creek Rodeo Days queen, alongside her friend, Teen Queen winner Rylee Anforth.

Cave Creek Rodeo Days is Friday, March 22, to Sunday, March 24. In its 42nd year, with Sanderson Ford as the 2019 title sponsor, the event will take place at Cave Creek Memorial Arena with three PRCA rodeo performances featuring top-ranking Professional Rodeo Cowboy Association and Women’s Professional Rodeo Association contestants.

Cave Creek Rodeo Days Queen and Teen Queen contestants were judged on their horsemanship, personality and appearance. In addition, they were required to communicate a strong understanding of rodeo.

Smith and Anforth will travel the Turquoise Circuit, representing Cave Creek Rodeo Days at events throughout the Southwest during the remainder of 2019 and into early 2020.

“My goal is to be a great ambassador for the sport of rodeo, and our rodeo in particular,” says Smith, who just turned 19.

“We travel all over the state, representing rodeo and helping teach people about rodeos.”

Smith graduated from Marcos de Niza High School in Tempe in 2018 and is now studying psychology. Smith participated in the Southwest Arizona Sisters Inc. Equestrian Drill Team from

2014 to 2018. She is now part of the Copper State Renegades Equestrian Drill Team.

She enjoys competing in rodeo royalty programs and was named Copper Dust Stampede Senior Teen Rodeo Queen in 2015 and 2016, Lost Dutchman Days Senior Teen Rodeo Queen in 2017 and Sonoita Rodeo Queen in 2018.

Smith received an Educational Scholarship Award, Cave Creek Rodeo Days belt buckle and other prizes. Anforth received a Cave Creek Rodeo Days belt buckle and other prizes.

“I’ve always loved rodeo and have been fascinated by the queens,” Smith says. “I’m excited to be part of the community and help represent the people of Cave Creek as best I can.”

“It’s been such an incredible journey. I’m the only one in my family who does horses.

There’s a lot of preparation and studying that goes into it. It’s not just general rodeo knowledge. It’s the community, the town’s history, the rodeo’s history. My friends and I are rodeo queens and we study for the title. They’ll give us patterns, and we’ll practice horsemanship.”

Smith has high hopes for 2020.

“I’m hopefully going to go to Ms. Rodeo Arizona,” she says. “That’s my next plan, then I’ll hopefully keep competing with my drill team.”

If her plans don’t come to fruition, Smith won’t be too upset. After all, everything happens for a reason.

“It sounds cheesy, but I say believe and support yourself and try not to be so hard on yourself,” she says when asked what she would tell other contestants.

“You can better yourself and learn from experience. Even if you don’t win, practice.

It helps you get better.”

Cave Creek Rodeo, Cave Creek Memorial Arena, 37201 N. 28th Street, Cave Creek, 480.304.5634, cavecreekrodeo.com, various times Friday, March 22, to Sunday, March 24, $22 in advance.

CT

BROOKE SMITH

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CALL (480) 550.7842 FOR A CONFIDENTIAL CONSULTATION

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student life

MEDICATION ASSISTED DRUG & ALCOHOL DEPENDENCY TREATMENT

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student life

Innings Festival at Tempe Beach Park PHOTOS BY KIMBERLY CARRILLO

H

eadbanging and baseball bat swinging went hand in hand during this year’s Innings Festival, March 2 to March 3 at Tempe Beach Park with headliners Incubus and Eddie Vedder. The sun peeked through the cloudy weekend, as concert goers drank ice cold Coronas or bottles of the free Pedialyte. Music was always present, whether it was a DJ at a food stand, or an artist’s set. People of all ages were laughing, singing and dancing to their favorite rock and blues artists. By the end of the day, people were exhausted and covered with dust, but they left with smiles on their faces.

1. Sticking with the baseball theme, there were related props and activities throughout the festival. 2. Mat Kearney plays “Kings & Queens” at Innings. His parents formerly lived in Cave Creek. 3. Tyler Stanke races to get to “home plate.” 4. The Record Company kicked things off at the Innings Festival on March 3. 5. Sassy female singer Liz Phair made her long-awaited return to the Valley. 6. Fans get pumped for their favorite band to perform. 7. Michelle Kanouse catches a ball during a baseball-related activity at Innings. 8. Taylor McPhearson decorates Anna Keck with sparkles.

1.

2.

4.

3.

5.

ECOLLEGETIMES.COM | MARCH 21, 2019

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7.

6.

8.

VOICES

SPINNING TALES ICONIC RECORD STORE CLOSES, BUT THE PASSION REMAINS THALIA M. ESPAÑA • COLLEGE TIMES

E

leven years ago, TJ Jordan opened Revolver Records on Roosevelt Row and built a community of fellow music lovers around this “vinyl-centric” store.

The store has since shuttered, but Jordan witnessed the fluctuating landscape of the vinyl record industry and says records were a “novelty for people who were really into music” at the time.

That is where it has all stemmed from for Jordan: a love for music that he says is not just something he adores, but rather something he is.

“There is nothing that is more me than music,” Jordan says.

“There was never a time where it was separate from who I am. You could say it’s a passion, but it’s just a way of life.”

Although he says there was no such thing as a record resurgence for those who have always loved records, he says Revolver Records opened at the right time without forethought.

“Coincidentally, in 2009, 2010, 2011, the Record Store Day helped bring records back into the consciousness,” Jordan says. “It has kind of died off a little bit from where it was. It’s back to people being collectors. It’s back to people who really care about it, which is nice.”

Jordan says Revolver Records was never about making money or following a resurgence trend, but rather about the experience in owning and listening to a record.

“If you were an author, you would want your book to come out as a book with a nice jacket, nice cover, feel,” Jordan says.

“People say things like ‘records sound best,’ but that’s not what it’s about. The experience of putting on a record and looking at its cover and owning it … owning and collecting records is absolutely natural if you’re a real music lover.”

The end of an era

A new, natural experience Jordan is at peace with his new record and coffee shop called Mojave Coffee + Records, which aims to bring back a love and appreciation for art.

Through this new space, Jordan says he wants to celebrate the individuality in creativity as a place to cultivate it.

Named after the Mojave Desert at Joshua Tree, Jordan says he wants to create an “artistic oasis in the middle of the shallow desert that we call the modern age of technology.”

Tucked away with a clear view of Camelback Mountain, Mojave sits at just 600 square feet compared to the 2,000 square feet of Revolver. The warm browns, yellows and orange colors in the shop are immediately noticeable through the wood that lines the walls and the furniture that fills the room. It is all about the natural tones as Jordan aims to create a space that connects back to nature to be “off the grid” with things that are wood, Earthy, glass. Handmade. Plants.

Things that are more natural. As Jordan says, things that are the opposite of the hectic atmosphere of Revolver.

“What we do here is real. The experience is real.

Conversation is real,” Jordan says. “I wanted to do something that was more representative of real life.”

Revolver Records was busy work. Jordan says it is not

PHOTO • PABLO ROBLES

a new phase of his career with the opening of Mojave Coffee +

the most “stress-free job” as it was centered on the business, instead of the artists.

With this change, Jordan hopes to change the quality of the records he sells through careful curation. He says carrying 25,000 records is no longer important, but rather it is about curating records that are in good shape.

Jordan says records encompass multiple art forms that few appreciate.

“Art in its simplistic way is taking in the world, processing it through your brain and putting it out through your craft,” Jordan says. “Your craft could be painting, your craft could be photography, your craft could be poetry, your craft could be writing. For me, nothing is as magical.”

Using Jimi Hendrix’s 1967 album “The Jimi Hendrix Experience Axis: Bold as Love” with a Hindu-inspired cover, Jordan says there is art in every part of the record packaging.

He says the artwork is enough to get someone interested in listening to it as it is a part of the process.

“This is an absolute work of art,” Jordan says. “This is what’s cool about records, that it’s more than the music.”

Jordan set it into the record player, appreciating it’s sound and artwork, demonstrating the real experiences he wants others to have at Mojave, especially as the landscape of the vinyl record industry has quieted down again.

“It’s like art. It is art. It’s an artistic thing. It’s about getting back to displaying art the way that I think it should be displayed,” Jordan says.

“And by the way, how many Tweets did Jimi Hendrix send out? None. How many Facebook posts did he send out? None.

That stuff is an illusion. It’s dumb.”

With the Jimi Hendrix iconic guitar riffs blasting in the background, Jordan says, “This is going to last forever. An eternity.”

Mojave Coffee + Records, 4747 E. Thomas Road, Suite A, Phoenix, 480.794.0341, mojavecoffeeaz.com. CT

ECOLLEGETIMES.COM | MARCH 21, 2019

To Jordan, it has always been about the art within the art and how people experience it differently. This was especially significant based the arts district in which it was located, but Jordan says that art district slowly died away as it became a “condo district.”

It was the end of an era when Revolver Records officially closed February 1.

Jordan says it was due to gentrification that also led to a change in the community around it.

“The real reason why Revolver closed was because there was a decision back in 2014 to revitalize the Roosevelt Row from Central to Seventh Street. When the city greenlit that project, they greenlit condos,” Jordan says. “A small little place like me had signed leases based on a certain community that was there, and the construction and the subsequent condos changed the demographics of the community, (and people) were coming down less.

“For instance, let’s say there is an older gentleman from Glendale who liked to shop at record stores. He didn’t want to come to downtown anymore because it wasn’t cool. Condos are not cool. Art galleries are cool. Record stores are cool.

Cool restaurants are cool. Condos are not cool.”

However, a piece of Revolver Records lives on in the heart of downtown, just a few miles away. As Jordan said goodbye to his record shop, he donated some of the remaining inventory to the Trunk Space, a nonprofit arts organization.

Now the Trunk Space runs a mini record shop open during shows. Records are sold for $2.

Trunk Space co-founder and board president Stephanie Carrico says music can build a community.

“Art makes you healthier, regardless of the type of art you make,” Carrico says. “It gives you an outlet.”

As music lovers find their passion in many different forms, they are all brought together through music.

“A lot of the people that come here obviously have an interest in music because they’re here to see live music a majority of the time,” Carrico says. “In the old space, we had a couple of record racks, and the one thing people complained about this space is that they often said, ‘we miss the records.’

It’s the one thing that people seemed to miss the most about the old space.”

When a small room inside the Trunk Space freed up, Carrico sought to transform it into a mini record store, and says Jordan was really excited to share what he could with them.

“I’m glad that we can do that,” Carrico says. “It’s really sad to see Revolver go. It feels like one of the last remaining pieces of TJ Jordan entered old Roosevelt. I’m glad that there will be a Records. place for people who do like to look through records, a place downtown to go and still look through records.”

With 2,500 records in the mini store, the goal is to provide a space for new discoveries, especially as the Trunk Space is about giving the “outcasts” a platform in the music scene.

This can now include new discoveries in the records.

“I think it’s a good addition because it fits in with music in general,” Carrico says. “It is a chance for people to discover new things that they maybe didn’t know about. Just like if you’re here to see your friend’s band, there’s usually three or four acts in a night, and if you stick around you might see another band that you really liked that you didn’t know anything about. You can get the same experience from the little record store.”

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SUCCESS & MONEY

GETTING

STARTED

AT YOUR SERVICE: CAREERS IN THE CONCIERGE FIELD

CATHERINE LINAMEN

DAVID FIELDS

ALISON BAILIN BATZ • COLLEGE TIMES

H

ospitality is a massive field.

One of its coolest career paths: being a concierge.

Not only are leaders in this industry the eyes and ears of their respective hotel property, but the ambassadors for their cities and the entire state for guests and residents. They move mountains to make Arizona shine – and to help their guests experience moments of a lifetime.

Here are four unlikely stories on how some of the Valley’s best got their starts:

ECOLLEGETIMES.COM | MARCH 21, 2019

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Remember the Nintendo Power Pad? I loved that thing. It got me into gaming in such a major way. I initially studied computer science as a result. However, I was into the art of designing more than the math and science, especially the complex algorithms and binary codes. I needed something that allowed me to attend classes by day, so I took a night position at a Fairfield Inn in Chandler. After a few months, I was offered an assistant manager position.

Even after earning my degree, I couldn’t leave hospitality. I loved it more than the power pad! So, I joined Hotel Valley Ho in 2007 and then the Fairmont Scottsdale Princess in 2009. Since, I did it all at some of the biggest and best restaurants and resorts over the past year, then came back to the Princess in 2018 to lead our concierge team, where we do it all from transforming our lagoon into a fishin’ hole for kids to putting on full-scale, multimonth events such as Christmas at the Princess and Summer at the Princess.

Darvá Fields, guest loyalty relations at Fairmont Scottsdale Princess Born in Kansas in the 1960s and

raised in New Mexico in the 1970s, I got into banking after high school, which eventually took me to Colorado in the early 1980s. While engaged, my fiancé was transferred to Arizona, so we made our way here in 1987.

Though I stayed in banking a few more years, it never fed her soul, so in the late 1980s I enrolled in a travel school, which back before computers trained people on how to handle all areas of travel for individuals and families. This led me to working in the rental car industry, assessing transportation needs. I would make my way back JUDY KABLER to New Mexico for a family matter, TAMI HENRY and while there, I noticed a new position with the Hyatt brand, still in hotel had gone up called Hyatt Regency sales. And then I took a 25-year break Tamaya and applied for a position so I as a buyer for the club. But, golf is not to raise a family, making Scottsdale our could stay with my mom. I started in a year-round business in Wisconsin. home by the 1990s. In 2009, I got an itch So, we began dividing time between housekeeping, actually. There, I paid my to get back into the hotel industry, but dues for nearly a year before earning Wisconsin and Arizona in the early only if it was at The Westin Kierland my first concierge position in 2005. I 1980s. By 1984, I used her golf prowess moved back to Phoenix in 2007, where I Resort & Spa nearby. Not only was it to earn a position the original Mountain our neighborhood resort, but I was in found my forever home at the Hyatt.

Shadows Resort as a concierge. And constant awe of their seemingly endless Tami Henry, lead concierge at Hyatt though I would still divide my time list of activities and attractions for for several more years, I made a name Regency Scottsdale Resort & Spa families, couples and travelers alike. I for myself in the industry, eventually

started as a barista and within a year moving to the Scottsdale Plaza Resort in Initially, I attended Central transitioned to this role, where I have 1989. By 2004, the same year Arizona Washington University to study been since. became my full-time home, I was ready business. That is, until one of my sisters Catherine Linamen, concierge and for a new challenge. Hotel Valley Ho and I visited the historic Inn at Death vacation services coordinator at was undergoing its multiyear, $80 Valley in California for a little vacation.

Westin Kierland Resort & Spa, and million makeover, so I joined them as We vowed to come back to the hotel a a chef – the term for head in French year later and get jobs there – and we Villas – concierge in 2005. My approach to actually did it. We would also venture

the job is quite simple: If the request is to the Grand Canyon a few years later, I grew up in New Jersey, and worked difficult, I’ll do it now. If impossible, it vowing to similarly get jobs up there. as a flight attendant in Chicago before will take me a little longer I got a sales job at the Grand Canyon getting married to a golf pro who was National Park Lodges in the early 1980s, hired at a country club in Wisconsin in Judy Kabler, chef concierge, Member eventually serving as the sales manager the 1970s. While he served as director Les Clefs d’Or USA at Hotel Valley Ho before heading to the Bay Area to take a of golf, I ran the pro shop and served CT

SPORTS

WINNING STREAK

POSTSEASON COULD BE IN THE BOOKS FOR FLAWLESS SUN DEVILS BASEBALL GRIFFIN FABITS • COLLEGE TIMES

B

undled up fans spilled into Phoenix Municipal Stadium to watch the Arizona State baseball team win its 16th consecutive game, improving to 16-0 with a 7-3 win over New Mexico State on March 13.

The 6:30 p.m. first pitch was paired with a mid-60s degree chill, and the temperature crudely fell as the night progressed. But these days – rain or shine or cold or warm – there’s an urgency to watch Sun Devils baseball.

An urgency that was lost the previous two seasons.

The Sun Devils’ flawless start to the regular season is good and one of the best starts in program history. They are the No. 25-ranked team in Division I, according to the NCAA, the first time ASU has cracked the rankings since 2016. They also find themselves atop the Pac-12 Conference standings.

After consecutive losing seasons with 23-32 records – which checked out as the worst two-year stretch in program history – Tempe appears to be host to a baseball school once more.

“I’m proud of our guys,” manager Tracy Smith says following ASU’s win over New Mexico State. “I thought they battled tonight on the mound.”

In Smith’s fifth season at the helm of the program, he likely possesses the most stacked roster he’s had in his Tempe tenure.

Through 16 games, the Sun Devils are averaging 10.5 runs per game. They are powered at the top of the lineup courtesy of sluggers Trevor Hauver, Spencer Torkelson and Hunter Bishop.

The sophomore Torkelson is coming off a historic freshmen campaign in which he swatted 25 home runs, breaking Barry Bonds’ ASU single-season record for most home runs by a freshman.

Torkelson is batting .379 this spring with two home runs and 20 RBI. Paired with Torkelson in the meat of the Sun Devils order is the junior Bishop, who has hit practically everything that has been thrown his way.

He’s batting .452 with a team-leading 10 home runs, 25 RBI and a double-takeworthy slugging percentage of 1.048. To put his dominance into perspective, he’s homered as many times as he’s struck out this season.

Bishop homered twice versus New Mexico State, while also robbing a three-run home run from straightaway center field.

“That was a four-run swing,” Smith says, reasoning that Bishop singlehandedly kept three runs off the board with the catch while adding his solo home run.

When you have a formidable one-two punch in the middle of the order, it’s important you have table setters in front of them, guys who can reach base and set the table for the big boys.

Hauver has excelled in doing just that this season, owning a .391 batting average and a .500 on-base percentage. He leads the team with 16 walks, and trails Bishop for the home run lead. Hauver, a sophomore hailing from Chandler, hit his sixth home run of the season versus the Aggies.

The Sun Devils have been a nightmare for opposing pitching staffs. They boast the nation’s second-best offense, with a .354 team batting average, a .567 slugging percentage and 161 runs scored.

March 13 was just the sixth time the Sun Devils have been held to single-digits this season, a snapshot of the night-in, night-out power display.

“I don’t think you win championships by your offense, I think you win championships by your pitching and your defense,” Smith says.

To counter Smith’s point, what’s been equally as impressive as the offensive corps has been ASU’s pitching staff.

Erik Tolman ASU Baseball, pitching And it just so happens they hushed the nation’s best offense – the New Mexico State Aggies – in win No. 16.

The Aggies bat .403 and score an average of 13.3 runs per game. But against the Sun Devils, they managed a mere three runs on seven hits.

The revival of the Sun Devils’ pitching staff has been instrumental in bringing competitive baseball back to Tempe. Two summers ago, ASU hired former Major League pitcher Mike Cather as the team’s pitching coach.

Since Cather’s arrival, ASU pitching has been stingy to opposing hitters. This spring, they’ve masterfully thrown to the tune of a 2.16 ERA, striking out 148 hitters while walking just 58 in 146 innings. They’ve held hitters to an average residing just above the Mendoza Line at .213.

What might be most encouraging to Cather is that the Sun Devils are getting contributions from nearly everyone in the bullpen. Of the nine relievers who have logged at least seven innings this season, eight have ERAs under 4.00.

Junior starting pitcher Alec Marsh has been arguably the Sun Devils’ best arm, throwing a team-high 28.2 IP with a squeaky-clean 0.94 ERA, 30 punchouts and eight walks.

The Sun Devils are vying for their first appearance in the NCAA Tournament since 2016, led by Smith and Cather and an impressive supporting cast.

Another crack at the first NCAA Tournament championship title since 1981 won’t be decided until June.

And expectations and the excitement surrounding the chances of capturing a College World Series title will surely be tempered until then, but for now, the Sun Devils couldn’t be more pleased with their flawless start to this season. CT

Below: Lyle Lin ASU Baseball hits a fly ball.

Alika Williams ASU Baseball safe at first base Tracy Smith ASU Baseball Head Coach Gage Workman

All photos of a game against New Mexico State at Phoenix Municipal Stadium on March 13, 2019 in Phoenix, AZ.

ECOLLEGETIMES.COM | MARCH 21, 2019

PHOTOS • SPECIAL TO COLLEGE TIMES

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sports

SPORTS CALENDAR ALL THE BEST SPORTS EVENTS TO CATCH, TACKLE AND HIT

ERIC NEWMAN • COLLEGE TIMES

PHOENIX SUNS VS. DETROIT PISTONS MARCH 21 The Phoenix Suns host Detroit for the lone time in the 2018-19 NBA season.

Watch a quality center matchup, as rookie DeAndre Ayton battles Piston veteran Andre Drummond. The Pistons defeated the Suns 118-107 in Detroit on November 25.

Talking Stick Resort Arena, 201 E. Jefferson Street, Phoenix, 602.379.2000, nba.com/suns/tickets, 7 p.m., tickets start at $9.

ARIZONA DIAMONDBACKS AT LOS ANGELES DODGERS MARCH 22 Beat LA! The Diamondbacks take on National League champion Los Angeles in Spring Training action at Camelback Ranch. This game marks the only time the two will meet before the regular season begins.

Camelback Ranch, 10710 W. Camelback Road, Phoenix, 866.363.4377, dodgers. com, 1:05 p.m., tickets start at $25.

CHICAGO CUBS VS. BOSTON RED SOX MARCH 25 MLB champion Boston will fly to Arizona after spending Spring Training in Florida to take on the Cubs in Mesa.

The first of a two-game series will serve as a warm-up for the regular season to begin later in the month.

Sloan Park, 2330 W. Rio Salado Parkway, Mesa, 800.843.2827, cubs.com, 6:05 p.m., ticket prices vary.

ECOLLEGETIMES.COM | MARCH 21, 2019

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ARIZONA DIAMONDBACKS VS. CHICAGO WHITE SOX MARCH 25 AND MARCH 26 The Diamondbacks, with a recharged roster, take on the White Sox in their final Spring Training game, played at Chase Field. The regular season begins in late March, but Arizona’s first game will not be played until April 5.

Chase Field, 401 E. Jefferson Street, Phoenix, 602.462.4119, mlb.com, 12:40 p.m., tickets start at $14.

ARIZONA COYOTES VS. MINNESOTA WILD MARCH 31

Watch as Arizona takes on Minnesota in a daytime Sunday game. Select children 14 years and younger can celebrate Super Hero Night by receiving an Oliver-Ekman Larsson kids cape.

Gila River Arena, 9400 W. Maryland Avenue, Glendale, 623.772.3800, nhl. com/coyotes/, 2 p.m., tickets start at $23.

CARDINALS CARAVAN IN PRESCOTT APRIL 3 The Arizona Cardinals, who hold the No. 1 pick in the upcoming NFL draft, will visit Prescott for a meet and greet with fans. Among those joining the caravan are the team’s cheerleaders and mascot Big Red. Safeway, 1044 Willow Creek Road, Prescott, 928.445.4550, azcardinals.com, 4 p.m., free.

ARIZONA DIAMONDBACKS VS. BOSTON RED SOX APRIL 5 The Diamondbacks host Boston in the first home game of the 2019 MLB regular season, with a newly revamped roster.

The team will host a pregame fiesta, and the first 40,000 fans in attendance will receive an opening day schedule magnet.

Chase Field, 401 E. Jefferson Street, Phoenix, 602.514.8400, dbacks.com, 4:10 p.m., tickets start at $39.

ARIZONA RATTLERS VS. SAN DIEGO STRIKE FORCE APRIL 6 Arizona hosts San Diego for its only home game in April, before taking on a three-game road trip en route to another hopeful playoff season.

Talking Stick Resort Arena, 201 E. Jefferson Street, Phoenix, 602.514.8383, azrattlers.com, 5 p.m., tickets start at $10.

PHOENIX RISING FC VS. SEATTLE SOUNDERS FC 2 APRIL 20 The Rising hosts Seattle in an area rivalry. Both teams are looking to make the playoffs and strengthen their seeds.

Phoenix Rising FC Soccer Complex, 751 N. McClintock Drive, Tempe, 623.594.9606, phxrisingfc.com, 7:30 p.m., tickets start at $20.

CT

ENTERTAINMENT

the

right TRACK

JOSH KENNEDY THE BLACK MOODS

A PEEK INSIDE THE PLAYLISTS OF PHOENIX’S MOST INFLUENTIAL PEOPLE CHRISTINA FUOCO-KARASINSKI • COLLEGE TIMES

T

he Black Moods singer/guitarist Josh Kennedy was bred in the most unlikely of spots for a rock singer—tiny Wheaton, Missouri, in the Ozarks, where his brain was filled with Southern rock and country.

“They didn’t have MTV,” he says. “This one day I was in my room playing and my dad says, ‘Hey Bub—he calls me Bub—come check out this band.’ It was the Gin Blossoms playing ‘Hey Jealousy’ on an awards show.”

That began a long-standing love affair with music and the Gin Blossoms. He soon packed his bags and moved to the Valley with the hopes of working with the Gin Blossoms, with whom The Black Moods recently wrapped up a tour.

Moreover, The Black Moods were formed shortly after Kennedy moved here. With his longtime bandmates, drummer Chico Diaz and bassist Jordan Hoffman, Kennedy has found success with the singles “Bella Donna” and “Bad News.”

“It’s a stalker song,” Kennedy says about “Bad News.” “It’s more of a modern-day, Facebook-style stalking song. You can find anyone by the places they check in and completely stalk them by their online presence.”

To stalk The Black Moods, visit their Facebook page at facebook.com/TheBlackMoods.

Read on to learn more about the music that motivates and inspires Kennedy.

TOP SIX FAVORITE SONGS This was difficult to narrow down. It’s a forever-changing list. These reflect my current mood, though.

“Thank You,” Led Zeppelin I actually got into Zeppelin later than most. I was listening to Gin Blossoms and Stone Temple Pilots before I really started listening to Zeppelin heavily. This is one of the most romantic songs ever. I like it because it’s such a simple song. I have been playing that song since I was in high school, and then the Moods were asked to contribute to a Zeppelin tribute record with a bunch of other up and coming artists a year or so ago called “Dazed And Confused.” We couldn’t think of a better one to do. It says so much with so little. “Zeppelin II” is such a great record.

“Mercy Mercy Me” Marvin Gaye This song, even though it’s talking about all the s**t that’s wrong with the world, still makes you feel good. The groove is amazing.

It’s from the record “What’s Goin’ On.” The entire album has such a good feeling and vibe, but this is definitely a stand-out track.

“Fairweather Friends” Queens of the Stone Age I love everything about this song. From the album “.......Like Clockwork.” The changes in this song are so epic and weird, it makes you play it again right after you hear it. It’s so intense. The lineup of musicians on it doesn’t hurt, either—Dave Grohl on drums and Elton John on piano. It also has one of the coolest lines ever, “Drink wine and screw is all we’ll do, every day.” Ha. Ha. The way it is delivered is brilliant. Josh Homme is on our producer wish list.

“I Me Mine” The Beatles Such a good song about being possessive.

Could be about love or drug addiction, or both. The way it changes time is great. Written by George Harrison for the album “Let It Be,” it’s one of his best. We had a pool table in the band house that we spent a lot of time around. This song found us from listening to vinyl and playing pool. It’s more of an obscure Beatles song. Definitely an underappreciated track off that album.

PREFERRED WAY OF LISTENING AND WHY?

Vinyl is our go-to. However, traveling with our record collection and a record player

on tour just doesn’t work. So, when we are back and in the studio, it’s what we listen to.

Because we are always on tour, we rarely get the chance to listen to vinyl, which makes us appreciate it that much more.

DESERT ISLAND ALBUM “Animals” by Pink Floyd.

WHAT ARTIST WOULD PROVIDE THE SOUNDTRACK FOR THE MOVIE ABOUT YOUR LIFE? Tom Petty. I kind of feel like he already did.

FAVORITE SONG BY AN ARIZONA-BASED ARTIST? That’s not easy to narrow down either. So many great songs have been written by Arizona bands. I have two. “Found Out About You” by the Gin Blossoms and “Green and Dumb” by Roger Clyne and the Peacemakers.

The Gin Blossoms have meant so much to me. They are the reason I relocated to Tempe in the first place. This is just such a beautiful song and painted such a perfect picture of someone you knew (or thought you knew) fell in love with, then found out who they really are. It’s intense but very poetic It puts you right there and you can feel the situation. Love the Gin Blossoms.

“Green and Dumb” is such a great song.

It paints a perfect picture of outside looking in—literally. The lyrics put you there, wanting like he is. It gets me every time. It’s such a beautiful song. Both bands mean so much to us. Not just because of the great tunes but they have both been so important to us and our career. We owe a lot to both of these bands.

GO-TO GUILTY PLEASURE TRACK OR CLASSIC KARAOKE TUNE? “When I’m With You” by Sheriff is such an iconic ’80s hit. My love for it might have a lot to do with the movie “Joe Dirt.” Ha. Ha. It’s Brandy’s theme song. It’s such a perfect introduction for a love interest in a movie.

When she comes riding up on that horse and that song hits.... holy s**t.

CT

MELINDA’S ALLEY

ECOLLEGETIMES.COM | MARCH 21, 2019

“So Far Away” Carole King I’m a big fan of “SNL” and the real early shows with the original cast like John Belushi and Gilda Radner from the 1970s.

For Christmas, when I was a kid, my parents would get me “The Best of Saturday Night Live” on DVD and Carole was a musical guest. She did this song with James Taylor. It’s always stuck with me.

Lately, I’ve been wearing her album “Tapestry” out.

We are on the road so much, this always reminds me of home and the people and things you miss. The first line of the song PHOTO • JIM LOUVAU just sets the whole The Black Moods are, from left, bassist Jordan Hoffman, singer/guitarist tone of it. She’s Josh Kennedy and drummer Chico Diaz. amazing.

“4 Days” Counting Crows This is from their third record “This Desert Life.” It was produced by David Lowery from the band Cracker. The micing technique he used on this record and recording to analog tape makes this entire record really stick out, especially this song. The harmonies on it are fantastic. I’m from a really small town of 600 people in Missouri, and hadn’t been anywhere really when the record came out.

There’s a line in it that says, “Have you seen Ohio rise?” I always wondered what that meant. Now that we’ve been through Ohio more times than I can count, I think I know what Adam Durtiz is talking about.

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entertainment

HITTING THE RIGHT CHORDS ASU FRESHMAN EDDIE EBERLE PURSUES HIS DREAM OF BECOMING A MUSICIAN MIRANDA CYR • COLLEGE TIMES

A

SU freshman Eddie Eberle is making his mark on the music industry as the lead vocalist and guitarist of his newly dubbed band Eddie Eberle and the Getaway.

Formerly known as Analog Outlaws, the group won the university’s Battle of the Bands contest in February and opened for Galantis at Devilpalooza.

Fronting a band was Eberle’s longtime dream.

He comes from a family of big U2 fans, and vintage concert footage inspired him.

“I was watching them, and I think the Edge, and then also Guns ‘N Roses, too, and Slash being the guitar hero he is,” says Eberle, 18. “That’s how I really got my start in music. I bought my first guitar when I was 8 at this place called Junkyard Guitars in (Royal Oak) Michigan.”

After he began, Eberle was mentored by Shane and Megan Baskerville and his guitar teacher, “Corrs.”

At age 10, after moving to Arizona, Eberle joined School of Rock, an afterschool program that helps youths grow their musical talents. Once he was ranked in the top 12 School of Rock students in Arizona, he met his bandmate and drummer, Christian “Champ” Champion.

“I saw him drum,” he says. “I was like, ‘Holy crap this dude’s insane.’ So, I went up to him, and it was really cool, because we had a mutual respect for what we were trying to do. And we both were impressed with each other’s drive, ability, or whatever you want to say.”

Eberle decided to seriously pursue music at age 13.

“That’s when I really knew, ‘Wow, I really want to do this,’” Eberle says.

“Since then, we’ve played over 150 the shows around the southwest.”

Eddie Eberle and the Getaway made their live debut at Devilpalooza on February 16. Keyboardist Josh Rose and bassist Milo Charbel joined the group for their first performance, as well.

Eberle, Rose and Charbel are all students at ASU, while Champion is a senior at Horizon

ECOLLEGETIMES.COM | MARCH 21, 2019

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High School. In his first year at ASU, Eberle has chosen to major in entrepreneurial business.

“I knew I wanted to do I want to do something in music full time,” Eberle says. “I thought that entrepreneurial business could probably add to the music without being music so I could kind of understand the aspects of what it takes

to start a company and really take a shot at music even though it’s not directly linked to it.”

ASU is rumored to be launching a popular music program, something he is excited about.

“I think that that program’s really going to take ASU to the next level with performing because a lot of schools only have a jazz or classical program, but don’t have a popular music program.”

Eberle is inspired by musicians like Tom Petty, the Foo Fighters, Dave Grohl, Jason Aldean and Keith Urban, but Tempe’s The Black Moods have served as direct mentors to Eddie Eberle and the Getaway.

The Black Moods have taken him under their wing.

“They were really impressed with our songs,” Eberle says. “We went into the studio with them and recorded a couple songs, which ended up being our album. (Lead singer/guitarist) Josh Kennedy really mentored me a lot with just stage presence, and really learning from him as an established artist.”

The admiration is a two-way street.

“He’s got a big heart,” Kennedy says. “He’s got such a supportive family, so it doesn’t get lost on Eddie. He’s very appreciative, and he knows what he’s got.”

Eddie Eberle and the Getaway recently began working with producer Johnny K., who has worked with bands like The Black Moods, Disturbed, 3 Doors Down and Plain White T’s. He says the experience with Johnny K. has pushed him to step up his producing and writing skills.

Eberle says his favorite part of being a musician is performing and interacting with the audience.

“It’s weird, because there are so many things that could go wrong on stage,” Eberle says. “But, if you’re prepared, and you practice and everything, it’s a total Nirvana up there. You’re in complete control.

And there’s nothing more than just music and interaction with people.”

Eddie Eberle, acoustic, Uno Mas Cantina, 1327 E. Chandler Boulevard, Suite 107, Ahwatukee, 480.659.6666, 9 p.m. to midnight Fridays March 29 and April 19, call for charge.

Eddie Eberle, acoustic, ASU Music Series, 5 to 7 p.m.

Thursday, April 11. Visit eddieeberle.com for more information. CT

PHOTO • JIM LOUVAU

Eddie Eberle, who fronts Eddie Eberle and the Getaway, is working with renowned producer Johnny K. on his band’s forthcoming album.

A

entertainment

DIG THIS!

THE BAND PERRY SWAPS BANJOS FOR DARK ELECTRONIC POP

CHRISTINA FUOCO-KARASINSKI • COLLEGE TIMES

fter a successful career in country music, The Band Perry has switched gears to dark electronic pop. But singer Kimberly Perry is quick to add the new songs are warm, not cold and sterile as some electronic music can be.

The Band Perry used analog equipment to record its five-song EP, “Coordinates,” so it doesn’t have that sterile shine or gloss.

“The music is a perfect representation of what we love and who we are now,” Perry says.

The Band Perry is stopping by the Coca-Cola Sun Deck at Sun Devil Stadium on Saturday, March 30, to promote “Coordinates.”

Released in September 2018, the EP introduced fans to The Band Perry’s reinvented sound. The move comes after it sold more than 2.5 million albums since its No. 1 single “If I Die Young.”

The Band Perry left its major label deal last summer to release music independently and to work with Rick Rubin.

“We wrote and produced all the songs ourselves, but it was executive produced by Rick Rubin,” Perry says about the legendary producer.

“We worked with him before, on our second album, with him and his studio in Malibu. We decided to circle back around

with him and have him curate this project.

Rick serves as a compass. He experiments with a lot of different sounds with traditional roots, with a pop feel. Some of that lives in the space between.”

Perry says Rubin brought forward The Band Perry’s songwriting and lyricism threads from the past but gave them a modern yet humanistic feel.

“It’s a great process to filter everything through him,” she says. “He’s there to make everything better. He tightens the lyrics and tells us what’s missing; things that keep it from being the best it can.”

Perry and her brothers are looking forward to the ASU concert and showing what makes their new music so special.

“The boys and I spent the last couple years experimenting with our sound, and we worked really, really hard on developing the future of our sound—what that was and what our current loves are. We’re going to be playing the five new songs and all the songs that have been on the radio as well.

We just play them as they would sound on ‘Coordinates.’ We have a lot of electronic instruments. They come from interesting sources like drum machines and samplers.”

Perry says “You Lie,” a song off The Band Perry’s self-titled first album, is strikingly different this time around. Originally cut as a

PHOTO • COURTESY THE BAND PERRY

The Band Perry is, from left, Kimberly Perry and her brothers, Reid, right, and Neil, left. “bouncy number,” “You Lie” is emotional, as a vocal/piano ballad.

“We perform the songs as they’ve grown up with us,” Perry says. “It’s interesting because some older songs mean something totally new to us now. The vocals have been updated, too.”

Another example is the hit “Better Dig Two,” which was built around The Band Perry’s signature banjo sound. Neil Perry, this time, samples the banjo via floppy disk.

Perry admits she was a little nervous about how fans would react to the music, but she’s been pleasantly surprised.

“We’ve been really conscious about making everybody understand the intention behind the music,” she says. “In our imagery, they’re beautiful shots. I have very little makeup on, we’re out in the desert. Even though we take liberties with the sound, it’s just wonderful to see all these pieces come together.”

The Band Perry, Coca-Cola Sun Deck, Sun Devil Stadium, 500 E. Veterans Way, Tempe, 1.800.745.3000, ticketmaster.com, 8 p.m.

Saturday, March 30, $24.

CT

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Offices closest to ASU Tempe Campus

17

entertainment

John Primer and Bob Corritore Chicago Blues Band The Rhythm Room, 9 p.m., $12-$15 The National Parks w/Wild The Rebel Lounge, 8 p.m., $12-$15 P!nk Gila River Arena, 8 p.m., $205-$635 Quetzal ASU Gammage, 7 p.m., $20 Sunny Sweeney Last Exit Live, 8 p.m., $20-$150 Wet w/Kilo Kish Marquee Theatre, 8 p.m., $30-$60

CONNOR DZIAWURA • COLLEGE TIMES

MARCH 21 Hippie Sabotage w/Sebastian Paul The Van Buren, 9 p.m., $25-$30 Laura Jane Grace and the Devouring Mothers Valley Bar, 8 p.m., $25 Masters of Hawaiian Music Musical Instrument Museum, 7:30 p.m., $38.50$48.50 Pato Banton and the New Generation Last Exit Live, 8 p.m., $10 Ryan Bingham Crescent Ballroom, 8 p.m., sold out Steve ‘N’ Seagulls The Rebel Lounge, 8 p.m., $18-$20

MARCH 22 Amanda Miguel y Diego Verdaguer Orpheum Theater – Phoenix, 8 p.m., $110-$162 Soul Remainders The Rhythm Room, 9 p.m., $10 Straight Outta Club Red Club Red, 6 p.m., $10-$15

MARCH 23 Arkells Valley Bar, 7:30 p.m., $15-$17 The Dave Riley / Bob Corritore Juke Joint Blues Band The Rhythm Room, 9 p.m., $10 Garth Brooks State Farm Stadium, 7 p.m., sold out The Good Life Festival w/Creedence Clearwater Revisited, Three Dog Night Encanterra, noon, sold out John Proulx Quartet Tempe Center for the Arts, 7:30 p.m., $35 Pancho Barraza Comerica Theatre, 8 p.m., $72.50-$132.50

MARCH 24

ECOLLEGETIMES.COM | MARCH 21, 2019

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Cristoph Shady Park, 2 p.m., $20 Mike Doughty plays Soul Coughing’s Ruby Vroom Crescent Ballroom, 8 p.m., $22-$34 Omar Sosa and Seckou Keita: Transparent Water Musical Instrument Museum, 2 p.m., $28.50$38.50 Sunday A’Fair w/Danielle Durack, Blaine Long and Rosas del Ray Scottsdale Civic Center Mall, noon to 4 p.m., free William Ryan Key The Rebel Lounge, 8 p.m., $16-$18

MARCH 25 Ulthar Yucca Tap Room, 8 p.m., $10-$12

MARCH 26 The Browning Club Red, 6 p.m., $15-$17 Light the Torch w/Mark Morton Club Red, 8 p.m., $25-$30

MARCH 31

Lil Tracy Pub Rock Live, 7 p.m., $20-$50 Morgan James Musical Instrument Museum, 7 p.m., $38.50$43.50 Queensrÿche Marquee Theatre, 6:15 p.m., $30-$60 State Champs The Van Buren, 6:45 p.m., $25-$28

MARCH 27 Electric Six Valley Bar, 8 p.m., $15 Elevation Worship Marquee Theatre, 7 p.m., $21-$45 King Buffalo The Rebel Lounge, 8:30 p.m., $10-$12 Pink Talking Fish Last Exit Live, 8 p.m., $15

MARCH 28 Against the Current The Rebel Lounge, 7:30 p.m., $17-$20 Boyce Avenue Marquee Theatre, 7:30 p.m., $25-$40 Chelsea Cutler Crescent Ballroom, 8 p.m., $20 The Driver Era Valley Bar, 8 p.m., $22-$25 Morgan Wallen w/Hardy, Lacy Cavalier The Van Buren, 8 p.m., $22-$99 Wizzerd Yucca Tap Room, 8 p.m., free

MARCH 29 Bill Charlap Trio Musical Instrument Museum, 7:30 p.m., $38.50$43.50 A Boogie Wit da Hoodie The Van Buren, 8 p.m., $27.50-$30 Canned Heat The Rhythm Room, 8 p.m., $20-$25 Houses Valley Bar, 7:30 p.m., $12 Michael Bublé Talking Stick Resort Arena, 8 p.m., $745.25-$850 The Movielife The Rebel Lounge, 8 p.m., $18-$20 Stayin’ Alive: One Night of the Bee Gees Chandler Center for the Arts, 7:30 p.m., $39-$59

MARCH 30 Angel Dust Club Red, 8 p.m., $15-$16 Bronze Radio Return Valley Bar, 7:30 p.m., $11.25-$15 GB Leighton The Rhythm Room, 5:30 p.m., $20 Gina Chavez Mesa Arts Center’s Piper Repertory Theater, 7:30 p.m., $30-$35 Grandson Crescent Ballroom, 8 p.m., $15-$18 Havana Cuba All-Stars Scottsdale Center for the Performing Arts’ Virginia G. Piper Theater, 8 p.m., $29-$59

Alec Benjamin Crescent Ballroom, 8 p.m., sold out En Vogue Chandler Center for the Arts, 7 p.m., $38-$58 Sunday A’Fair w/La Luz de la Luna, Jaleo Scottsdale Civic Center Mall, noon to 4 p.m., free

APRIL 1 Black Moth Super Rainbow Crescent Ballroom, 8 p.m., $17-$20 Citizen Cope Marquee Theatre, 8:30 p.m., $31-$61 Dilly Dally Valley Bar, 8 p.m., $15-$20 Veil of Maya w/Intervals The Van Buren, 6:30 p.m., $20-$22

APRIL 2 Bob Fahey The Rhythm Room, 8 p.m., $10 Missio Crescent Ballroom, 7:30 p.m., $22.50-$25 Robyn Hitchcock Musical Instrument Museum, 7 p.m., $38.50$43.50 Ruby Boots Valley Bar, 8 p.m., $12-$15 Shawn Johnson Rockbar Inc., 8 p.m., $7-$10 Why Bonnie The Rebel Lounge, 8 p.m., $8-$10

APRIL 3 Children of Bodom Club Red, 6:45 p.m., $27.50-$33 Dance Gavin Dance The Van Buren, 6:30 p.m., $27.50-$30 Echos The Rebel Lounge, 8 p.m., $13-$15 Joey Sellers Trio The Nash, 7:30 p.m., $10-$25 Marcus Rezak’s Shred is Dread Last Exit Live, 8 p.m., $12-$15 Plague Vendor Valley Bar, 8 p.m., $12 Sierra Hull Musical Instrument Museum, 7 p.m., $33.50$43.50

APRIL 4 MercyMe Gila River Arena, 7 p.m., $15.25-$70.25 Moonshine Bandits Last Exit Live, 7 p.m., $15-$18 Switchfoot The Van Buren, 7:15 p.m., $36 Taking Back Sunday w/Frank Iero Marquee Theatre, 8 p.m., $35-$160

APRIL 5 Arise Roots Last Exit Live, 8 p.m., $12-$15 Beach Viper Rockbar Inc., 8 p.m., $8 Buddy Guy w/Jimmy Vaughan Celebrity Theatre, 8 p.m., $40-$95

Mary Fahl Musical Instrument Museum, 7:30 p.m., $38.50$43.50 Mike Sherm The Pressroom, 7 p.m., $20 Paranova The Rebel Lounge, 7 p.m., $10-$12 Rebirth Brass Band Crescent Ballroom, 7:30 p.m., $15 Reverie Pub Rock Live, 8 p.m., $15-$35 The Scorpion Decides The Nash, 7:30 p.m., free Taking Back Sunday w/Frank Iero Marquee Theatre, 8 p.m., $35-$160 Ten Fe Valley Bar, 7:30 p.m., $15-$18 Terror Jr Crescent Ballroom, 8 p.m., $17-$20 Thouxanbanfauni Club Red, 8 p.m., $18-$75

APRIL 6 Bear Ghost Last Exit Live, 8 p.m., $10-$12 Copeland The Rebel Lounge, 8 p.m., $22-$25 Crowning Thieves Club Red, 6 p.m., $10-$13 Edge Happy Hour: Jessi Teich and Trio Tempe Center for the Arts, 5:30 to 7:30 p.m., free Jeff Dayton: A Salute to Glen Campbell Musical Instrument Museum, 7:30 p.m., $33.50$48.50 Leikeli47 Pub Rock Live, 8 p.m., $15-$20 Max Frost Valley Bar, 7:30 p.m., $15-$50 Phoenix Afrobeat Orchestra w/The Dip Crescent Ballroom, 7:30 p.m., $15 Pokey LaFarge Musical Instrument Museum, 7:30 p.m., $33.50$38.50 Red Not Chili Peppers Club Red, 7 p.m., $15 Rockabilly Saturday Night!

The Rhythm Room, 8 p.m., $10 Tony Jackson Tempe Center for the Arts Theater, 7:30 p.m., $25-$35 Whitney Houston Tribute Celebrity Theatre, 8 p.m., $25-$40 Zakir Hussain: Masters of Percussion Mesa Arts Center’s Ikeda Theater, 8 p.m., $35$45

APRIL 7 Afton Showcase The Rhythm Room, 6:30 p.m., $11-$14 Benny Golson The Nash, 3 p.m., $16-$65 California Guitar Trio Chandler Center for the Arts’ Bogle Theatre, 3 p.m., $36-$42 Camilo Septimo Valley Bar, 8 p.m., $20-$25 Cedric Gervais Maya Day and Nightclub, noon, $10 Los Tigres del Norte Mesa Amphitheatre, 6:30 p.m., $10-$125 Morat The Van Buren, 8 p.m., $67-$103 Red Molly Musical Instrument Museum, 7 p.m., $43.50$48.50 Scarborough: A Simon and Garfunkel Tribute featuring Witherward The Listening Room, 5 p.m., $20-$25 Sunday A’Faire w/Tessa Karrys, Nolan McKelvey and Muskellunge Scottsdale Civic Center Mall, noon to 4 p.m., free

MUSIC continued on pg. 19

continued from pg. 18 This Wild Life The Rebel Lounge, 8 p.m., $17-$19

APRIL 8 Ben Rector The Van Buren, 8 p.m., $32-$35

APRIL 9 Combichrist Club Red, 6 p.m., $23-$25 The Gooch Palms Valley Bar, 7:30 p.m., $8-$10 Quinn XCII Comerica Theatre, 8 p.m., $25-$72.50 Turnover Marquee Theatre, 8 p.m., $23.50-$53.50

APRIL 10 Della Mae Musical Instrument Museum, 7 p.m., $28.50$38.50 Kenny Wayne Shepherd Band w/Beth Hart Band Mesa Arts Center’s Ikeda Theater, 7:30 p.m., $39.50-$69.50 Shoreline Mafia The Van Buren, 8 p.m., sold out Toubab Krewe Last Exit Live, 8 p.m., $14-$17

APRIL 11 Parcels Crescent Ballroom, 8 p.m., $18-$20 Sofi Tukker

The Van Buren, 8 p.m., $25-$30 Trace Bundy Musical Instrument Museum, 7:30 p.m., $35.50$40.50

APRIL 12 Cold Shott and the Hurricane Horns The Rhythm Room, 8 p.m., $10 Dead Floyd Last Exit Live, 8 p.m., $15-$25 Chely Wright Valley Bar, 7:30 p.m., $20-$25 Jake Miller Club Red, 7:30 p.m., $20-$25 La Boeuf Brothers The Nash, 7:30 p.m., $8-$25 Troubled Minds The Rebel Lounge, 6:30 p.m., $5-$10

DMX The Van Buren, 8 p.m., $30-$35 Wayne the Train Hancock The Rhythm Room, 8 p.m., $20-$22

APRIL 15 The 1975 w/Pale Waves Comerica Theatre, 7 p.m., sold out Ghost Cat Attack The Rhythm Room, 7:30 p.m., $7

APRIL 19

APRIL 16 ASU Jazz Repertory Band The Nash, 7:30 p.m., $5-$10 David Lindley Musical Instrument Museum, 7 p.m., $33.50$43.50 Harlem River Noise The Rhythm Room, 8 p.m., $10 Lorna Shore w/Enterprise Earth Club Red, 6 p.m., $15-$17

APRIL 13

APRIL 17

Adrianna Marie and Her Groovecutters The Rhythm Room, 9 p.m., $10-$12 Dead Floyd Last Exit Live, 8 p.m., $15-$25 Jack and Jack Marquee Theatre, 7:30 p.m., $26.50-$41.50 Kyle Cook (of Matchbox 20) w/Paul McDonald The Rhythm Room, 4 p.m., $15-$20 Motive The Rebel Lounge, 8 p.m., $8-$10 Railroad Earth The Van Buren, 8 p.m., $25-$28 Space Jesus The Pressroom, 9 p.m., $30-$35

John Vanderslice Valley Bar, 8 p.m., $13-$15 JP Harris Last Exit Live, 7:30 p.m., $10-$12 Lara Hope and the Ark-Tones The Rhythm Room, 8 p.m., free Metal Allegiance w/Superfix, Weapons of Anew The Van Buren, 8 p.m., $25 Scott Bradlee’s Postmodern Jukebox Mesa Arts Center’s Ikeda Theater, 7:30 p.m., $42.50-$208

APRIL 18 Ages and Ages The Rebel Lounge, 8 p.m., $12-$15 Ben Kweller Valley Bar, 6:30 p.m., $17-$20 Bone Thugs-n-Harmony Marquee Theatre, 8 p.m., $35.50-$65

APRIL 14 Borgeous Maya Day and Nightclub, noon, $10 DDG Pub Rock Live, 8 p.m., $15-$55

entertainment

MUSIC

Bhad Bhabie w/YBN Nahmir The Pressroom, 7:30 p.m., prices TBA Days on the Green Music Festival 2019 Fear Farm, doors at noon, $44-$600 The Plot in You The Nile, 6 p.m., $18-$20 Puddle of Mudd Marquee Theatre, 5:15 p.m., $32-$62 Tokyo Jetz Pub Rock Live, 8 p.m., $15-$18

APRIL 20 Days on the Green Music Festival 2019 Fear Farm, doors at noon, $44-$600 Edge Happy Hour: Tatiana Crespo Tempe Center for the Arts, 5:30 to 7:30 p.m., free Legendary Shack Shakers The Rebel Lounge, 8 p.m., $14-$16 Metal Church w/Doro Club Red, 6 p.m., $27-$30 Pierce Pettis The Listening Room, 7 p.m., $25-$30 Soul Power Band The Rhythm Room, 9 p.m., $10 Strand of Oaks Valley Bar, 7:30 p.m., $18 UFEST 2019 w/Limp Bizkit, Killswitch Engage, Parkway Drive Riverview Park, 2 p.m., $39-$175 Veronica Swift Quartet w/Benny Green Tempe Center for the Arts Lakeside, 7:30 p.m., $40 We Three Crescent Ballroom, 8 p.m., $25-$40 CT

FLORENCE APRIL 11-14, 2019

CHRIS STAPLETON

TIM MCGRAW

DIERKS BENTLEY

BROTHERS OSBORNE | TRACE ADKINS | CLAY WALKER |MARTY STUART AND HIS FABULOUS SUPERLATIVES LONESTAR | MORGAN EVANS | HIGH VALLEY | CRAIG CAMPBELL| RESTLESS HEART JOSH ABBOTT BAND | BRANDON LAY | ABBY ANDERSON | HUNTER BROTHERS | AUSTIN BURKE and MANY MORE!

TICKETS AT WWW.COUNTRYTHUNDER.COM

ECOLLEGETIMES.COM | MARCH 21, 2019

BRETT ELDREDGE

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entertainment

WINTER SALE IN-STORES & ONLINE

WE DON’T BELIEVE IN

SUNDEVILBOOKSTOR ES.COM

TOTALLY ACCURATE PREDICTIONS YOU SHOULD PROBABLY TAKE WITH A GRAIN OF SALT AQUARIUS

(JANUARY 20-FEBRUARY 18)

Take a look at your circle this month and be prepared to scrub the excess, if need be. You never know when there might be a snake in the bushes.

No, seriously, there are desert breeds you might see on campus.

PISCES

way to make it to class when you’re hungover on a Thursday, just saying.

LEO

(JULY 23-AUGUST 22)

There are a lot of balls in the air for you this month, but be forewarned, that’s not always a good thing… especially if you’re catching a lastminute Spring Training game.

(FEBRUARY 19-MARCH 20)

Respect to all the stress you’ve been dealing with, Pisces, but you’d be amazed how productive you can be with a social media hiatus. Log off and get your work done. You know, they sure had time to invent the iPhone before the iPhone was invented!

ARIES

VIRGO

(AUGUST 23- SEPTEMBER 22)

With the constant buzz of social media, you’ve been struggling to stay present. Try tracking your screen time, taking a yoga class or just saying “Present,” instead of “Here,” when your professor takes attendance – hey, sometimes it’s the small stuff!

(MARCH 21-APRIL 21)

As we near the end of the school year, spring break concludes and finals week rushes in. Instead of panicking, try getting a leg up on your studying, working with friends or calling your mom, crying and asking for money — one of the above is bound to make you feel prepared!

TAURUS

(APRIL 22-MAY 20)

Your tenacious nature makes it hard for you to keep quiet when you feel something is unjust, but in this instance, silence is key. Instead of opening your lips, keep ’em closed and put on Chapstick. You will thank us for it later.

ECOLLEGETIMES.COM | MARCH 21, 2019

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GEMINI

(MAY 21-JUNE 21)

You’re on the cusp of a dramatic transformation, Gemini, and we don’t just mean a rampant Amazon Prime shopping spree. If you can be patient – and resist the urges of free two-day shipping – you might find yourself on the other side of a lofty goal.

CANCER

(JUNE 22-JULY 22)

The planets still find a way to align in a meteor shower, so you better find a

LIBRA

(SEPTEMBER 23-OCTOBER 22)

You know your problem, but you also know your solution. You also know what you did last summer.

SCORPIO

(OCTOBER 23-NOVEMBER 21)

The stars are spelling out an oddly specific forecast for you this month: Stay away from juice cleanses and Tinder.

SAGITTARIUS

(NOVEMBER 22-DECEMBER 21)

Your fuse may be short, but your stubbornness is shorter. Before you go off on someone, make sure the argument is worth cleaning up the mess, otherwise take a kickboxing class and call it a day.

CAPRICORN

Education Pricing on Apple Products for ASU Alumni & Students* ®

• Exclusively through the Sun Devil Campus Stores • Special low education pricing on Mac® and iPad® • Plus, trade-in credit and Apple® repair service on campus.

Visit: bit.ly//ASUApple Or visit the stores on the Tempe Campus

(DECEMBER 22-JANUARY 19)

Between extracurriculars, class, jobs and plotting out your next five years, you’ve got a lot going for you, Capricorn, but have you ever thought your problem with commitment is that you’re overcommitted? #DeepThoughts CT

TEMPE • DOWNTOWN PHOENIX • POLYTECHNIC • WEST SUN DEVIL MARKETPLACE IN THE COLLEGE AVE COMMONS

The Official Stores of Arizona University Free shipping to the store State or $5.50 ground to your home: sundevilbookstores.com SUNDEVILBOOKSTORES.COM

Trade-in Trade-up

*See store for details. Student ID required for purchase of Mac and iPad. TM and © 2019 Apple Inc. All rights reserved.

Register for Summer and Fall Make it happen at Maricopa Register now! enroll-maricopa.com

Chandler-Gilbert | Estrella Mountain | GateWay | Glendale | Mesa | Paradise Valley | Phoenix | Rio Salado | Scottsdale | South Mountain The Maricopa County Community College District (MCCCD) is an EEO/AA institution and an equal opportunity employer of protected veterans and individuals with disabilities. All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, sexual orientation, gender identity, age, or national origin. A lack of English language skills will not be a barrier to admission and participation in the career and technical education programs of the District.

The Maricopa County Community College District does not discriminate on the basis of race, color, national origin, sex, disability or age in its programs or activities.

For Title IX/504 concerns, call the following number to reach the appointed coordinator: (480) 731-8499. For additional information, as well as a listing of all coordinators within the Maricopa College system, visit http://www.maricopa.edu/non-discrimination.