The Entertainer! - November 2021

PHX METRO » NOVEMBER 2021

Inside

Cody Walker honors brother with FuelFest

REVVING UP THE VALLEY HBCU Challenge

We are so &M C I S U M GRATEFUL to celebrate with you!

ES EMORI

HOW

ER S DINN

Celebrate the holidays with dinner and a show!

NOVEMBER 2021

OUR SHOWS

DECEMBER 2021

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Variety Show Spectacular Solid Gold Rock n’ Roll Malt Shop Memories A Silver Star Christmas New Year’s Eve Celebration Fleetwood Mac Tribute

CALL 480-288-0300

or VISIT SilverStarTheater.com 5247 E BROWN RD • MESA, AZ 85205

THE ENTERTAINER! MAGAZINE NOVEMBER 2021

CONTENTS

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ON THE COVER

FuelFest celebrates cars and ‘The Fast and the Furious’

REVVING UP THE VALLEY GO BIG OR GO HOME

Gabriel Iglesias’ tour brings him ‘Behind the Fluff’

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HELPING COMMUNITY CAUSES

Martin Truex Jr. steers support to cancer patients

on the cover: Cody Walker of FuelFest Cover photo courtesy Dennis Murphy

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THE ENTERTAINER! MAGAZINE NOVEMBER 2021

Times Media Group 1620 W. Fountainhead Parkway Suite 219, Tempe, AZ 85282 Phone 480.348.0343 Fax 480.348.2109 entertainermag.com

publisher

Steve T. Strickbine

steve@entertainermag.com

Vice President

Michael Hiatt mhiatt@timespublications.com

ExecutiveEditor

Christina Fuoco-Karasinski

christina@timespublications.com

Assistant Editor Connor Dziawura

cdziawura@timespublications.com

designer

Shannon Mead

production manager Courtney Oldham

production@timespublications.com

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circulation director Aaron Kolodny

aaron@entertainermag.com

BOOZE CRUISE

writers

Allison Brown, Alex Gallagher, Sarah Haber, Jordan Houston, Sue Kern-Fleischer, Keaton Mallory, Alan Sculley, Annika Tomlin

Wine Wagon offers fun shuttle service to Sedona wineries

CONTENTS

UPFRONT

Contributing Photographers

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Top 25 • FuelFest • NASCAR’s Martin Truex Jr. • Kublai Khan TX • Bria Skonberg

CITY

34

14

Daisy Mountain Veterans Parade • “The Rocky Horror Show” • Gabriel Iglesias

ARTS

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Lost Negatives • Photographer Jon Linton • Marc Cohn

DINING

22

BACK FROM THE DEAD

Halestorm returns to the stage for empowering tour

Thanksgiving Roundup • Dining Calendar

BEER AND WINE

26

Arizona Wine Wagon

SPORTS

28

Boost Mobile HBCU Challenge

FAMILY

30

ZooLights

MUSIC

32

Live Music Calendar • Halestorm • TransSiberian Orchestra • Mega Ran • The Pink Floyd Laser Spectacular • The The • Plush

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THE REAL DEAL

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Bob Carey, Jeff Fasano, Jimmy Fontaine, Michael Friedman, Getty Images, Christie Goodwin, Barry Gossage/ Phoenix Suns, Reg Madison, David Minton, Paul Mobley, Dennis Murphy, Andy Paradise, Phoenix Zoo, Prudence Upton, Chas Wright for Medaforacle ONE COPY PER READER

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TOP25

By Connor Dziawura

The Market by Junk in the Trunk

THROUGH DECEMBER 24 This pop-up features a collection of local shops, handmade goods and vintage curators tailored by Junk in the Trunk Vintage Market with the holiday season in mind. Check its website for a list of vendors, or come on down to find out and peruse items in the moment.

From jewelry to home décor and candles, these artisans are varied.

Scottsdale Quarter, 15059 N. Scottsdale Road, Suite F1-108, Scottsdale, junkinthetrunkvintagemarket. com/markets/pop-up-market, 11 a.m. to 7 p.m. daily, free admission

“Eternals”

OPENS NOVEMBER 5 Directed by Chloe Zhao, the Academy Award-winning director of the latest Best Picture winner “Nomadland,” this is the latest film to enter the Marvel Cinematic Universe, and it opens a whole new realm of possibilities for the future.

In it, Angelina Jolie, Gemma Chan, Richard Madden, Kumail Nanjiani, Lauren Ridloff, Brian Tyree Henry, Salma Hayek, Lia McHugh, Don Lee and Barry Keoghan are among an elite cast of immortal heroes called the Eternals who face off against the villainous Deviants. Kit Harrington is also in the film, which spans thousands of years. Rated PG-13 for fantasy violence and action, some language and brief sexuality.

In theaters

“The Little Red Hen”

NOVEMBER 5 TO NOVEMBER 21 This puppet production is sure to be a good one for the youngsters.

Recommended for ages 2 and older, this singalong show from the Little Red Hen and Yellow Button tells the story of the hen’s efforts to make a great loaf of bread.

Great Arizona Puppet Theater, 302 W. Latham Street, Phoenix, 602.262.2050, azpuppets.org,

various dates and times, $6-$12, or free admission for infants if accompanied by a paid child

Scottsdale International Film Festival

NOVEMBER 5 TO NOVEMBER 12 After pivoting to an online-only format last year, this long-running annual film festival is back — but with a unique twist on the hybrid model. The first five days of the festival will screen 22 films at two Scottsdale venues, after which 16 of those films will become available for another three days exclusively on demand. The Julia Child documentary “Julia” opens the in-person segment, while Kenneth Branagh’s coming-of-age drama “Belfast” will mark the conclusion of the in-person screenings. Those participating from home will once again be able to build their own schedule. Proof of full COVID-19 vaccination is required for admission to the in-person event; negative tests will not be accepted.

Harkins Shea 14 Theatre, 7354 E. Shea Boulevard, Scottsdale; Harkins Camelview at Scottsdale Fashion Square, 7014 E. Camelback Road, Scottsdale; online, scottsdalefilmfestival.com, see website for schedule, $15-$279

Arizona Bao and Dumpling Festival

NOVEMBER 6 Whether you want to keep it traditional or try a new, creative twist on the classic foods, the businesses participating in the Arizona Bao and Dumpling Festival will come equipped with variety.

And the festival will aim to keep prices affordable, with most eateries offering at least one bao or dumpling priced at $5 or less. While you snack on the delicious Asian food and sip on some boba, browse the local marketplace — and afterward, you can even snag some dessert. The festival begins at noon, but early

UPFRONT

PHX » CITY » LOCAL » PRIDE » DO » SEE admission ticket buyers will get access at 10:30 a.m. Throughout the rest of the day, admission times are staggered depending upon ticket tier.

Dr. A.J. Chandler Park, 178 E. Commonwealth Avenue, Chandler, https://bit.ly/3FRtFoj, noon to 4:30 p.m., $4-$14.99, or free for children 6 and younger with purchase of an adult admission in the same order

Fashion Week 4 Kids

NOVEMBER 6 It’s been six years since this annual fashion show began, and it’s still going this November at Desert Ridge. Set on The District Stage, spend the day with a variety of fashion shows, plus other live kids entertainment and deals.

The District Stage at Desert Ridge Marketplace, 21001 N. Tatum Boulevard, Phoenix, 480.284.6033, fw4kids.com, 11 a.m. to 4 p.m., free admission

Kevin Costner & Modern West NOVEMBER 7 Famed actor Kevin Costner isn’t just a man of the screen, as he has been hitting the stage with his band Modern West for over a decade.

And this fall, the “Yellowstone” actor and his country rock band will take to Schnepf Farms for an afternoon of tunes as part of the Tales from Yellowstone 2021 Tour, which supports last year’s album of the same name.

Schnepf Farms, 24810 S. Rittenhouse Road, Queen Creek, 480.987.3100, schnepffarms. com, 1 p.m., $50-$300

Yoga in the Outfield

NOVEMBER 7 Enjoy the cool weather at Salt River Fields early this November as up to 500 participants take to the main field for an hourlong yoga session. Ticket buyers will get a complimentary drink before or after class, as well as access to the post-class mixer on the Pepsi Patio. Ages 21 and older.

Salt River Fields at Talking Stick, 7555 N. Pima Road, Scottsdale, 480.270.5000, saltriverfields.com/ yogaintheoutfield, 8 a.m., $25

Arizona Coyotes vs.

Minnesota Wild NOVEMBER 10

The Arizona Coyotes may be looking at a move out of Glendale, but for now the team remains in the West Valley. And this mid-November, the team will be paid a visit by the Minnesota Wild for a home game at the Westgate-based arena.

The game will also be on TNT. Gila River Arena, 9400 W. Maryland Avenue, Glendale, 623.772.3800, nhl.com/ coyotes, 8 p.m., $15-$232

$uicideboy$

NOVEMBER 10 On the heels of their sophomore full-length studio album, “Long Term Effects of Suffering,” New Orleans duo $crim and Ruby da Cherry, aka $uicideboy$, are bringing their Greyday Tour to Rawhide. And the supporting talent is stacked: Rappers Chief Keef, Slowthai, Night Lovell, Germ, Shakewell, Ramirez and Chetta are lined up to perform, as is punk outfit Turnstile.

Rawhide Event Center, 5244 S. 48th Street, Chandler, 480.502.5600, rawhide. com, 6:30 p.m., $63

Pink Floyd Laser Spectacular NOVEMBER 12 Experiencing the classic tunes of Pink Floyd to the sights of colorful lights has been a long tradition. And especially since you can’t see the original Floyd in the flesh these days, why not head to the Marquee to hear the original master recordings paired with this popular laser and light show?

Marquee Theatre, 730 N. Mill Avenue, Tempe, 480.829.0607, marqueetheatreaz.com, 8:30 p.m., $30-$67.75

Arizona Barrels, Bottles and Brews

NOVEMBER 13 Barrels. Bottles. Brews. More than 25 local breweries, distilleries and wineries are coming together for this celebration of all that is local. Sample beverages, grub at food trucks, and collect souvenir sample glasses at this benefit for the Arizona Craft Brewers Guild. From Huss and San Tan brewing companies to Grand Canyon and O.S.H.O. distilleries, some of the most acclaimed local makers of beer and liquor will show what they’re made of.

Salt River Fields at Talking Stick, 7555 N. Pima Road,

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UPFRONT | CITY | TRAVEL | ARTS | DINING | BEER AND WINE | CASINOS | SPORTS | FAMILY | MUSIC | NIGHTLIFE | IN CLOSING

to provide care and programs for medically complex children and families. Whether you run or walk, use a wheelchair, have a stroller, bring your dog, participate virtually or in a team, Ryan House welcomes you. Participants will receive a shirt, bib, goodie bag and participation medal, as well as a personal fundraising page. There will be a race expo and awards ceremony.

Riverview Park, 2100 W. Rio Salado Parkway, Mesa, 602.200.0767, runforryanhouse. com, 7 to 10 a.m., $25-$45

Holiday Light Experience

Holiday Hoopla

Scottsdale, 480.270.5000, azbottlesandbrews.com, 2 to 5 p.m., $50-$65, or $19 for a designated driver ticket

Phoenix Pizza Festival

NOVEMBER 13 AND NOVEMBER 14 Two days of pizza, pizza and more pizza. The Phoenix Pizza Festival returns to Hance Park in a newly expanded format with plenty of pizza purveyors, plus other food and dessert, beer and wine, vendors, kids crafts and lawn games, with music to keep the vibe. Pizza prices will remain low, and there will be options for slices as well as full pies. Funds will benefit Downtown Phoenix Inc. Margaret T. Hance Park, 1202 N. Third Street, Phoenix, 480.442.9176, phoenix.pizza, 11 a.m. to 5 p.m. Saturday, 11 a.m. to 4 p.m. Sunday, $12

American Ballet Theatre Studio Company

NOVEMBER 14 This is the Phoenix debut of America’s National Ballet Company.

The touring American Ballet Theatre has garnered a reputation for quality and diversity throughout its existence, performing in more than 136 cities in 50 countries. Here in Phoenix, seeing the studio company is a one-night-only opportunity.

Madison Center for the Arts, 5601 N. 16th Street, Phoenix, 602.664.7777, themadison. org/american-ballettheatre, 7 p.m., $35-$65

Arizona Cardinals vs.

Carolina Panthers

NOVEMBER 14 Week 10 of the NFL season brings the Carolina Panthers to State Farm Stadium. If you can’t make it to see the two football ENTERTAINERMAG.COM

teams face off in person, it will be broadcast on FOX and 98.7 FM. State Farm Stadium, 1 Cardinals Drive, Glendale, 602.379.0101, azcardinals. com, 2:05 p.m., $44-$441

Tiki Takeover

NOVEMBER 16 It’s “tiki mania” at Luckys this fall! Hobbyist mixologist and tiki enthusiast Tiki Dan will craft tropical drinks with NARAN Mezcal and chef Amanda will put a tiki twist on tacos, while OH Allen the DJ will keep the tunes and the vibe going all night long. Don’t forget to wear your best tiki outfits for this semi-annual event.

Luckys Indoor Outdoor, 817 N. Second Street, Phoenix, 602.975.8156, luckysphx.com, 6 to 10 p.m., free admission

“Million Dollar Quartet Christmas”

NOVEMBER 17 TO JANUARY 2 On December 4, 1956, Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley wound up together in a mysterious studio session as one star-studded ensemble.

And at the Phoenix Theatre Company from November to January, the famed quartet gets together again to celebrate the holidays with plenty of classics.

Phoenix Theatre Company, 1825 N. Central Avenue, Phoenix, 602.254.2151, phoenixtheatre. com, various dates and times, see website for prices

Run for Ryan House

NOVEMBER 17 Seventeen years in, the annual Run for Ryan House continues with a 10K, 5K, and 1-mile family fun run — all to benefit Ryan House’s mission

NOVEMBER 19 TO JANUARY 1 Five million lights and 1.2 miles. Salt River Fields once again transforms, as fall heads into winter, with this large-scale drive-thru holiday light show that sends synchronized music to each vehicle’s FM radio. Santa’s Village is a new addition where attendees can purchase snacks; sip on hot chocolate or other beverages; shop for handcrafted gifts; and check out the Holiday Light Theatre, a 20by-40 festive light display screen — all in the presence of Santa himself.

Salt River Fields at Talking Stick, 7555 N. Pima Road, Scottsdale, 480.656.9940, holidaylightexperience.com/ srf, 6 to 9 p.m. daily, $35-$380

Festival of the Arts

NOVEMBER 20 Back in Downtown Phoenix for its 12th year, the Herberger Theater Festival of the Arts will celebrate the arts in a variety of ways. From performances, dance, visual art and live music to hands-on kids activities, a vendor market, food, aerials, craft beer and wine tasting, and more — it all benefits Herberger’s youth outreach programs.

Herberger Theater Center, 222 E. Monroe Street, Phoenix, 602.252.8497, herbergertheater. org/festival-of-the-arts, 11 a.m. to 6 p.m., free admission

Holiday Hoopla

NOVEMBER 20 Ring in the holidays in the North Valley at this celebration, featuring seasonal activities like the first snowfall, photos with Santa, and appearances from other characters, as well as plenty of crafts, live entertainment and giveaways. Visit the Desert Ridge website to keep an eye on other holiday happenings through the end of December.

The District Stage at Desert Ridge Marketplace, 21001 N. Tatum Boulevard, Phoenix, 480.513.7586, shopdesertridge. com/event/holiday, 6 to 8 p.m., free admission

Holiday Tree Lighting

NOVEMBER 24 It may not be winter yet, but the season sure is getting ramped up. And at Tempe Marketplace, shoppers can witness the annual lighting of a 60-foot tree. Plus, there will be ice skating performances and other entertainment, to name a couple. Visit the Tempe Marketplace website to keep an eye on other holiday happenings.

The District Stage at Tempe Marketplace, 2000 E. Rio Salado Parkway, Tempe, 480.966.9338, https://bit.ly/ TempeMarketplaceChristmas, 6 to 8 p.m., free admission

“House of Gucci”

OPENS NOVEMBER 24 The second Ridley Scott feature to be released this fall, the crime drama “House of Gucci” is led by a star-studded cast of Lady Gaga, Adam Driver, Jared Leto, Jeremy Irons and Jack Huston, with Salma Hayek and Al Pacino. Inspired by the true story of the Gucci family, the film is described as spanning three decades of love, betrayal, decadence, revenge and murder. Rated R for language, some sexual content, and brief nudity and violence.

In theaters

“The Christmas Mouse”

NOVEMBER 26 TO DECEMBER 5 Recommended for ages 2 and older, this is a must-see holiday show for the kids. In the original Christmas story, a sweet, lonely mouse discovers the magic of Christmastime.

Great Arizona Puppet Theater, 302 W. Latham Street, Phoenix, 602.262.2050, azpuppets.org, various dates and times, $6-$12, or free admission for infants if accompanied by a paid child

“Licorice Pizza”

OPENS NOVEMBER 26 Acclaimed writer-director Paul Thomas Anderson is back with “Licorice Pizza.” Set in the San Fernando Valley in 1973, it is described as the story of Alana Kane (played by Haim sister Alana Haim in her feature film debut) and Gary Valentine (played by Cooper Hoffman, son of the late Philip Seymour Hoffman, also in his debut) growing up, running around and falling in love. Sean Penn, Tom Waits, Bradley Cooper and Benny Safdie round out the main cast. After a limited release over Thanksgiving weekend, it will expand into more theaters on Christmas. Rated R for language, sexual material and some drug use.

In select theaters

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REVVING UP THE VALLEY FuelFest celebrates cars and ‘The Fast and the Furious’ 10

UPFRONT | CITY | TRAVEL | ARTS | DINING | BEER AND WINE | CASINOS | SPORTS | FAMILY | MUSIC | NIGHTLIFE | IN CLOSING

By Christina Fuoco-Karasinski

C

ody Walker and Tyrese Gibson were catching up at Red Lobster when the conversation turned to Cody’s late brother, Paul, of “The Fast and the Furious” franchise.

“First, I was so offended that he had never been to Red Lobster,” Gibson says with a laugh. “Cody said, ‘I don’t know what to order, dude. What are the hits here?’”

After a little ribbing, Cody told Gibson about he and Chris Lee’s plan to host festivals surrounding all-things cars called FuelFest.

Gibson said count me in.

After a pandemic-dictated halt to the 2020 event, FuelFest is coming to Wild Horse Pass Motorsports in Chandler on Saturday, December 4. They want it to succeed so much that Gibson says he feels vulnerable.

“I’ve only said this to a chosen few,” Gibson says. “Cody and I are very vulnerable when it comes to this whole thing about FuelFest. We were talking about Paul and to have this idea and to put this idea out there, we don’t want it to fail. We want this to be successful. We want people to know about this.

“We want to get the word out so people can show up. We want them to hit the road and come out to a really legendary day that you won’t forget.”

Now in its third year nationwide, FuelFest blends the enthusiast’s passion for the automotive world with celebrities, live music, food, drinks and art. The show features more than 600 top custom, exotic, rare and exclusive cars and trucks. There are car and drift exhibitions, and drag racing.

FuelFest will feature a live-action drift course that runs the entire length of the

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venue. Spectators can catch race cars drifting all day at FuelFest. The event will showcase precision driving skills in the FuelFest Drift Pit. A portion of the events proceeds benefit Reach Out WorldWide, the nonprofit founded by Paul and continued by Cody, who is 15 years younger than his brother. The organization was founded in 2010 by the late actor/producer after a massive earthquake devastated Haiti and Walker was inspired to organize a relief team that responded to the disaster. ROWW’s mission is to fill the gap between the availability of skilled resources in postdisaster situations. ROWW completed four deployments in 2020 and continues to operate where needed. To date, FuelFest has raised more than $100,000 for the charity, Cody says.

“It’s a massive car festival, as we say,”

says Cody, who recently moved to the Valley. “But it’s not just a car show.

People are going to experience the whole shebang—drag racing, American muscle cars, exotic cars, European cars, crazy off-road vehicles. There’s something for everyone at the show.

“They can see the sights, smell the fuel, the burning rubber and just have a good time. The weather is going to be amazing, especially in December in the Valley.”

Arizona is important to Gibson as well as the singer-songwriter recorded the album “Black Rose” in a vacation rental in Paradise Valley. While he was here, he met one of his idols, Muhammad Ali, after receiving the “craziest text in the world.”

“My life changed forever in Arizona,” says Gibson, whose album hit No. 1.

“I definitely have a different level of appreciation.”

Cody was flattered when Tyrese agreed to be part of FuelFest.

“Obviously, Tyrese and my brother go way back — all the way back to ‘2 Fast 2 Furious,’” he says. “We’ve all had a passion for cars and our careers are surrounded by cars. I’m heavily influenced by my brother and the whole car culture. It’s what I live and breathe every day.

“I knew Tyrese and I could put on something really special and unique for car fans and ‘The Fast and the Furious’ fans to come and experience with us together. It’s such a home run in so many ways to be able to do what you love and give back at the same time.”

Gibson echoed Cody’s sentiment.

“My thing has always been taking the culture and the energy and the fanbase

of ‘The Fast and the Furious,’ which has had this worldwide cult following for 20 years, and turning it into an event.

“Paul Walker — everyone loves him.

I miss him every day. He’s my brother, but Cody’s real brother. I want to take all of this energy and allow the fans to experience something that feels like ‘The Fast and the Furious’ without it being a movie premiere. Cody came up with this idea and it was a no brainer to be involved. Your background doesn’t matter — your religious or sexual preference. Cars and car culture is a universal language.”

Gibson explains the fest is “escapism” at its finest. After all, everyone wants to be in or own a nice car with “nice smelling leather,” and brightly colored with cool rims.

“We all know guys will go broke and literally have no gas money, but they will be more committed to rims and tires and souping up their engines,” Gibson says with a laugh.

“They want to compete and win and beat everyone in their neighborhoods.

Every man has a hotrod covered up in their garage. They may be married for 40 years and have 10 grandkids. But they take the car cover off and start that engine and they’re rejuvenated.”

FuelFest WHEN: 10 a.m. to 4 p.m. Saturday, December 4 WHERE: Wild Horse Pass Motorsports Park, 20000 S. Maricopa Road, Chandler COST: $15 to $300 INFO: fuelfest.com

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HELPING COMMUNITY CAUSES THE ENTERTAINER! MAGAZINE NOVEMBER 2021

Martin Truex Jr. steers support to cancer patients

By Christina Fuoco-Karasinski

T

o Martin Truex Jr., racing in the NASCAR circuit means more than jockeying between competitors.

The New Jersey native and his longtime partner, Sherry Pollex, use his position to support the community with causes like ovarian and childhood cancers.

“We were so fortunate as kids to be healthy and to have great families and access to things to be successful,” Truex Jr. says. “We felt very fortunate, and we do our part to help give back to kids.”

Truex Jr. and Pollex established the Martin Truex Jr. Foundation in 2007 to help children in need.

In 2014, Pollex was diagnosed with stage-three ovarian cancer and the couple refocused their mission to raise awareness, boost advocacy and generate financial support for underfunded cancer initiatives specific to childhood and ovarian cancers.

Pollex’s cancer recurred in December, according to her Instagram.

“Unfortunately, my cancer is back (which is expected with Stage 3C recurrent ovarian cancer as the cancer begins to outsmart the drugs we are on),” Pollex said in her posted message, which included photos of her and Truex Jr. in her hospital room. “So here I am going to battle again.

“Praying my doctors can remove all of the disease so I can start chemo again soon and be out there fighting for all of you soon! Much love to all of you out

there fighting or caring for a loved one that is.”

The Martin Truex Jr. Foundation recently broke ground on pediatric emergency department at Novant Health in Huntersville, North Carolina. NBC Sports reported the foundation is well known within racing circles for its Catwalk for a Cause in Statesville, North Carolina.

It has steered $600,000 toward cancer initiatives at Atrium Health and Novant Health in Charlotte.

The foundation and Pollex’s organization, Sherry Strong, celebrated the grand opening of the Sherry Strong Integrative Medicine Oncology Clinic at Novant Health’s new Weisinger Cancer Institute in Charlotte, North Carolina.

Truex Jr. will put rubber to the road on Saturday, November 6, during the NASCAR Xfinity Series Championship Race at Phoenix Raceway. Truex Jr, won the first race of the 2021 season in Avondale in March.

“That was my first win at the track,” he

says. “I always feel like it’s a good track for me. It was one of my better tracks until they repaved it in 2011.”

Then known as Phoenix International Raceway, the track was repaved into a reconfigured 1-mile oval for about $10 million.

“It’s been hit or miss since they repaved it,” says Truex Jr., the driver of the No. 19 Auto-Owners Insurance Toyota Camry for Joe Gibbs Racing. “The last couple of years have been tough on us.

We’re definitely feeling really good about it now.”

Besides Avondale, he won Martinsville I, Darlington 1 and Richmond II this season. He is one of seven Cup Series drivers to have won multiple races this year (Kyle Larson, Alex Bowman, Ryan Blaney, Kyle Busch, Denny Hamlin and Chase Elliott).

For the 2022 NASCAR Cup Series, which starts at the Daytona 500, fans will see cars that are more cost effective for teams and safer for drivers. It will also reportedly intensify the quality of racing, “It’s going to be a big learning curve for us,” he says. “The new car is so different, compared to what we’ve done in the past. It’ll be interesting.”

NASCAR Xfinity Series Championship Race WHEN: 5:30 p.m. Saturday, November 6 WHERE: Phoenix Raceway, 7602 Jimmie Johnson Drive, Avondale COST: Tickets start at $35 INFO: phoenixraceway.com ENTERTAINERMAG.COM

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UPFRONT | CITY | TRAVEL | ARTS | DINING | BEER AND WINE | CASINOS | SPORTS | FAMILY | MUSIC | NIGHTLIFE | IN CLOSING

A SORT OF HOMECOMING

Matthew Honeycutt looks forward to showing off Mesa

By Alex Gallagher

W

hen the pandemic hit in March 2020, Matthew Honeycutt found himself contemplating his next move.

His band was sidelined, like the rest of the touring music industry, and Honeycutt knew he had to find a new way to support himself.

He heard about a barbershop opening in Mesa that was owned by two metal

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musicians. Excited, he packed his bags and got a fresh start.

“We passed through here on tours and I always thought, ‘This seems like such an ideal place,’” he says.

After cutting hair at Continental Barbershop for the past year and a half and in between tours, Honeycutt is looking forward to hitting stages once again with Kublai Khan TX. Most of the tour calls for two nights in each town as the headliners, The Acacia Strain, will play two of its albums in their entirety on respective

nights.

“The fact that we get to play two nights in a row is wild,” he says, “We’ve always just passed through so playing twice is pretty crazy.”

Kublai Khan TX, meanwhile, will keep the setlist simple. It will see how audiences react to the new single, “Resentment.” In addition to “Resentment,” Kublai Khan TX will perform “True Fear,” “Boomslang” and “Self-Destruct.”

With the band playing heavy riffs highlighted by Honeycutt’s booming voice, he hopes that the show will serve as a catharsis for fans who use music as a coping mechanism.

“I feel like there is definitely going to be some newfound anger with a lot of the subjects of our music but as long as people keep a cool head and realize that if you’re at this show, we’re all on the same team,” Honeycutt says.

He describes a Kublai Khan TX show as an “ignorant education” as fans engage in large mosh pits, jumping up and down and rushing their way to the stages.

“Our shows are a way to listen to each other and look at the things going

on inside yourself in the most absurd, violent and ignorant way possible,” he says.

It is for that reason that he thinks Kublai Khan TX is a perfect fit for the tour.

“I think we have a really good mix of bands because we’re all different enough from each other to where we all bring something unique to the table, but we’re similar enough to where it’s a very solid package,” he says.

Leading up to the tour, Honeycutt shared his plans with his clients and fans.

“Saying that you’re playing somewhere two nights in a row makes you sound like you’re important,” Honeycutt says with a laugh.

The Acacia Strain with Kublai Khan TX, Orthodox and Dying Wish WHEN: 6 p.m. Friday, November 26, and Saturday, November 27 WHERE: The Nile Theater, 105 W. Main Street, Mesa COST: $17 INFO: theniletheater.com

THESE MAGIC MOMENTS Bria Skonberg’s music covers the spectrum of emotions THE ENTERTAINER! MAGAZINE NOVEMBER 2021

By Christina Fuoco-Karasinski

T

rumpeter Bria Skonberg says, lately, her shows channel her melancholic and frustrated feelings.

“I had a baby and that’s just totally a life-changing experience on top of life changes on top of a tumultuous time,” Skonberg says.

“There’s such a huge spectrum of emotions that I have experienced and collected over the last year. All of that is coming through in the shows. It’s a mixture of joy and release and fun.

That’s what makes art important. I hope the concerts give them the same sort of feelings as it does for me.”

Valley fans can find out for themselves when she plays the Gathering Place at La Casa de Christo Church in Scottsdale on Monday, November 15, as part of the Arizona Musicfest.

“This will be part of my first multidate tour that my band and I have done in a year and a half,” she says. “I’m very excited to go there. Arizona’s just gorgeous. I love the desert heat. The people are just as warm as the setting.”

Skonberg has been described by the Wall Street Journal as “one of the most versatile and imposing musicians of her generation.” Other news outlets have said she’s “arrived.”

Hailing from the small town of Chilliwack, British Columbia, Skonberg studied jazz and performance at Capilano University in Vancouver while balancing a full road schedule with two bands.

After graduating she traveled extensively, performing in China, Japan and throughout Europe as a featured artist. When she wasn’t traveling, Skonberg was honing her chops with Dal Richards, Vancouver’s King of Swing.

Seeking new challenges, Skonberg moved to New York City in September 2010. Upon arrival she jammed with friends in Washington Square Park and an hour into playing world renowned trumpeter Wynton Marsalis stopped to listen. He gave her a thumbs up.

From the premier jazz festivals of New Orleans and Monterey to Newport and

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Montreal, Skonberg has been said to stand at the forefront of the America’s jazz revival. The British Columbia native has earned additional recognition with the Jazz at Lincoln Center Swing Award and Canada’s Juno Award for Best Vocal Jazz Album.

Skonberg recently sang the music of Aretha Franklin alongside Michelle Williams of Destiny’s Child, played with U2 at the Apollo, sat in with the Dave Matthews band, was a featured guest with Jon Batiste and performed the Star-Spangled Banner at Madison Square Garden for a New York Rangers game.

The show with U2 was at the Apollo Theater in front of 3,000 people.

Skonberg was part of an encore set that featured U2’s hit “Angel of Harlem.”

“Those sorts of moment are really pinch-me moments,” Skonberg says.

“I don’t think as an artist I ever feel ‘arrived,’ but it makes me feel extra encouraged to keep going.

“We work every day, and some magical moment happens and you just think, ‘Yay. It was worth it.’”

At her Scottsdale show, she will play music primarily from her last album, “Nothing Ever Happens,” which she says she wrote to “process and release intense emotions.”

“The show is just a real joyous, cathartic experience,” she says. “I have an incredible band of friends. Fans can expect to sing along. They’ve been warned.

“There will be some participation.

We’ll have stories and a little bit of everything. I like such a variety of things. It’s hard for me to describe.

There’s a little something for everyone.”

Bria Skonberg as part of Arizona Musicfest WHEN: 7:30 p.m. Monday, November 15 WHERE: Gathering Place, La Casa de Cristo Church, 6300 E. Bell Road, Scottsdale COST: $39, $59 INFO: azmusicfest.org

tertainment

En uide to Arizona G s r’ e id s In e h T

.com

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CITY

STYLE » ENVY » PASSION » FASHION » BEAUTY » DESIGN

HONORING THOSE WHO SERVED

Daisy Mountain Veterans parade returns

By Allison Brown

T

he Daisy Mountain Veterans Parade returns to the streets Saturday, November 6, for its 17th year of celebrating and honoring veterans, active duty military and their families.

“We’re just happy that people are getting back to it and wanting to be a part of this again,” says Reagan Briggs, secretary for Daisy Mountain Veterans.

“Having a year off of anything can be really devastating. We’ve seen so many not come back after COVID-19 and 2020. So, the fact that we’re still able to pull it off here and still able to support all the veterans is huge. This year’s sponsorship has been low as well.”

The event starts at 9 a.m. with a parachute jump by the Frog X team.

They will land at the Anthem soccer fields and then greet children and parents. At 9:15, Frog X will walk the flag to the front of the parade route along with the children and their parents.

During this time, the team will talk to the children about what it means to be in service. At 9:30, the parachute team will present the flag to the Sandra Day O’Connor Color Guard.

Then, a flyover by old wartime planes at 10 a.m. officially kicks off the parade.

The route starts on the corner of Gavilan Peak Parkway and Memorial Drive and

ends at the Anthem Community Center.

Each year, Daisy Mountain Veterans chooses a different group of service members to be highlighted. This year, the parade grand marshals will be from veterans that served, or are still serving, in the U.S. military during Operation Enduring Freedom — the global war on terrorism.

“Our grand marshals this year are going to be anyone who’s served from 9/11 to present day,” says Adriane Luczywko, marketing coordinator for the organization. “It’s just a great family event and opportunity to also show our youth what these veterans have done for us and what they’ve sacrificed.”

This event has grown from a smalltown get-together to one of the most prestigious patriotic parades anywhere.

It is the largest civilian-run parade west of the Mississippi River, meaning that those who choose to participate are volunteers using their own time and resources to make the event happen.

Briggs says they have more than 50 floats signed up and will continue to get more. Luczywko says they also rely on community partners like Doody Defense, who volunteers to clean the horse and dog droppings; Boy Scouts, who help put up flyers; local churches, who allow their parking lots to be used; the Anthem Country Club, who donates golf carts to be used and several others.

Briggs says she attended the first Daisy Mountain Veteran Parade as a child. Her dad is a Daisy Mountain Veterans member. She was a volunteer for 10 years before officially joining the board of directors this year. Briggs said

the organization itself only has about 10 people who put everything together behind the scenes, which makes it a bit of a daunting task. But she followed that up and said while it is hard work, it is a job that should be done and that is well worth the effort.

“We all have a lot of time, a lot of energy and blood, sweat and tears in this,” Briggs says. “We are very happy to get this back and work hard doing so. We owe it to all those who served all of us to do something to celebrate.

It’s a cause very near and dear to our hearts. Anything we can do we are more than happy to do. They deserve to be honored any and every day of the entire year, but if not, we’ve made one day very impactful.”

Luczywko says she also has military family members, and volunteers her time to make sure their sacrifices are recognized both now and in the future.

“For me, personally, I have a lot of veterans and some active duty members in my family. Remembering those people and showing them respect is something I grew up with.

So, to me, that’s something I want to pass on to the generation behind me,” she says.

“Then I also see the struggles of veterans today and we see a lot of veterans and families struggling. They don’t make a lot of money, a lot of them have PTSD and I think we should really make sure that we take care of them and we don’t forget about them.”

Daisy Mountain Veterans was established because there was not an organization in the area that united veterans or current active duty military

members who had shared experiences.

It grew to serve north Phoenix, Desert Hills, Anthem, New River and Black Canyon. Luczywko said the annual parade means a great deal to these veterans and has also become a staple for the community.

“It’s a huge deal to them. We reach a lot of veterans in and around our community,” she says. “Then other people just come to enjoy the parade and it’s become something they do with their families. A lot of people in Anthem, if you ask them if they have been to the parade, they say, ‘Yes, we go every year.’”

The event is free and open to the public. Families are encouraged to get there early for a good view of the Frog X parachute jump and are recommended to gather around the west edge of the Anthem soccer field on Gavilan Peak Parkway. Other than that, Briggs said to sit back and enjoy the day.

“Bring your chair, bring anything you need, bring your friends and family and be ready to have a really great time and to honor those who served and who are currently serving for our country,” Briggs says.

Daisy Mountain Veterans Parade WHEN: 9 a.m. Saturday, November 6 (parade at 10 a.m.)

WHERE: Starts at the corner of Gavilan Peak Parkway and Memorial Drive, ends at the Anthem Community Center COST: Free INFO: daisymtnvets.org

17TH ANNUAL PARADE NOVEMBER 6, 2021 • 10:00AM • 9:00 am parachute jump by the Frog X Parachute team on the Anthem Soccer Fields

WHERE

(We recommend parents and children to gather starting at 8:45 am on the west edge of the Anthem Soccer Field on Gavilan Peak Parkway)

Parade route will be in Anthem beginning at Gavilan Peak Pkwy & Memorial drive and ends at the Anthem Community Center.

JOIN US FOR

• 9:05 am Parachute Team lands on the field

• 9:10 am Parachute Team folds the American Flag & talks with children

• 9:15 am the Parachute Team, the children, and parents walk the flag to the start of the parade

• 9:30 am the Parachute Team presents the American Flag to the Sandra Day O’Connor Color Guard

• 10:00 am Flyover by Warbird Squadron 20 and Parade Kickoff

The 17th Annual Veterans Parade would not be possible without the support of so many volunteers, business vendors, and our generous sponsors!

GENERAL SPONSOR: LIEUTENANT COLONEL SPONSORS:

COLONEL SPONSORS: MAJOR SPONSORS:

CAPTAIN SPONSORS:

Judge Gerald Williams

LIEUTENANT SPONSOR: Chuck & Nicole Hale

PATRIOT SPONSORS: Ave! Notary Bright Tutoring Copper State Pavement Dark Horse Training Diamond Dance Works Pigtails & Crewcuts Happy Valley Safeway

For more information, to participate, or to become a Grand Marshal, visit daisymtnvets.org/about-the-parade/ Share photo on social media using #daisymtnvets, tag @daisymtnvets on IG and @daisymountainveterans on FB

BEHIND THE BRUSH

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UPFRONT | CITY | TRAVEL | ARTS | DINING | BEER AND WINE | CASINOS | SPORTS | FAMILY | MUSIC | NIGHTLIFE | IN CLOSING

Terre Steed puts color to ‘Rocky Horror’

By Annika Tomlin

H

air and makeup are essential components for a colorful theater production. Terre Steed is the mastermind behind a slew of hair and makeup creations for Phoenix Theatre, most recently for the musical “The Rocky Horror Show.” He also plays the keys for the show as well.

“Our director, Robbie Harper, the story that he wanted to tell with this production especially given the climate that we have politically regarding gender and what that means, we wanted to show that these aliens, the characters of Frank N. Furter, Magenta and Riff Raff, gender is a construct — they don’t have gender,” Steed says about the show that plays until December 5.

“Brad and Janet are coming into this story with their 1950s gender norms and then have all of those preconceived ideas of what gender is blown apart in a very aggressive way of course. For ‘Rocky,’ it’s all about makeup, wigs and rock ‘n’ roll and I feel like it is such unlike a lot of other shows because a lot of the story depends on strong hair and makeup concepts to pull that whole nongender thing across.”

Steed has been a hair and makeup designer for Phoenix Theatre for more than 15 years. He started as an apprentice that required a kick line of chorus girls to have the exact same wig.

“They hired me to come in and style 14 identical wigs,” Steed explains. “After that show closed, I get a call like three days later and they’re like ‘We want you to design our production of “Picnic”’ and so I think I did two or three shows that season and then it just kept going.”

He is involved in six to nine shows per season.

“Usually they have me do, like I don’t get to do the 30-person cast shows because I’m just me,” Steed says.

“Anything usually that has drag I get to do because I was a female impersonator when I was in college. Anything with drag or anything with fun or glitter.”

Steed says he also works on “based on a true story” productions that call for him to recreate an actor as a real-life ENTERTAINERMAG.COM

person. For most productions, he and the director have creative control over the hair and makeup looks.

“Other shows where the director, or the costume designer because technically in theater hair and makeup fall under the umbrella of costumes, that they have a very specific idea about things and it has to look a certain way and sometimes my artistic input has to go in the backseat,” Steed says.

“I’m just there to give them on paper what they are seeing in their head. That is very rare that that happens because usually when people hire me for a show, they know what they are getting — I’m fairly opinionated.”

Outside of Phoenix Theatre, Steed has worked for the former Nearly Naked Theatre, as well as other theaters across the Valley. Steed also owns a hair salon called Fairest of All at Bethany Home on Seventh Street because he is “obsessed with Disney and the Evil Queen is my hero.”

While Steed is aware that Frank N. Furter as one of the main characters requires a well thought out hair and makeup design, Frank was not his top favorite character to design.

“I think for this show, personally, Frank is a great character because he is the lead but I think my favorite character makeup-wise for this show is Magenta,”

Steed says.

“My dear friend Lynzee Foreman is playing the role of Magenta and my inspiration, the costume designer, her name is Maci (Hosler), they based a lot of the costumes on post-pop-punk Britain. It’s very much in line with ‘Cruella’ with the plaids, stripes and leather.”

Steed says that the costumes are reminiscent of the ’80s “London postpunk fashion.”

“When I was designing the characters the image that came to mind immediately when I thought of Magenta and thought of that era in mind was Siouxsie Sioux from Siouxsie and the Banshees,” Steed says.

“She is very much getting to make one of my friends look like Siouxsie Sioux, who is a personal hero of mine from the ’80s. As a progressive female rocker, she is a badass. I loved doing her design.”

THE FIRST LOOK Steed grew up as a teen in the ’80s idolizing people such as Boy George and Duran Duran.

“All the boys who wore lots of makeup,” says Steed, who attended Trevor G. Brown High School in Tolleson.

“I was always super obsessed with such things and then I started getting into theater in early high school and they were always needing someone to do the makeup.”

His first role was for a church production where he played an 80-year-

old woman and used his “mom’s eyebrow pencils and all that stuff” to create the illusion of being that character.

With an art background, Steed had plans to follow a career in theater going to Phoenix and Glendale Community colleges to major in the field. Ultimately, he decided that “the only thing that you can do with a degree in theater is teach it” and that he wanted to do something else. “(I got) my cosmetology license because it pays better, way more work and less extra time,” Steed says. “My idea was never to work in a salon.”

He planned to stay in theater as an actor and musician as well. Years later he still enjoys what he does.

Steed says he enjoys “just the transformative power of makeup in particular, I consider myself a makeup artist first and a hairdresser second.

“But just when you can see someone and watch the change in their face, they can see someone that they didn’t think that they could be. The person that they always thought that they were inside they get to see on the outside whether because they don’t have the skill or the time or they have just been afraid.”

“The Rocky Horror Show” WHEN: Various times, until Sunday, December 5 WHERE: Phoenix Theatre, 1825 N. Central Avenue, Phoenix COST: $44-$94 INFO: phoenixtheatre.com

GO BIG OR GO HOME THE ENTERTAINER! MAGAZINE NOVEMBER 2021

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Gabriel Iglesias’ tour brings him ‘Behind the Fluff’

By Annika Tomlin

stopped working once, but he forged on — with additional bottles of water.

C

omedian Gabriel Iglesias says “it’s everything” to him to perform again after a year-long COVID-19 hiatus.

He hits the stage at the Footprint Center, formerly Phoenix Suns Arena, on Thursday, November 11.

“I’ve been doing this for almost 25 years, and I’ve started getting into a routine where it becomes so normal that you forget how special it is until it gets taken away,” says Iglesias, who is nicknamed “Fluffy.”

“I could basically do this anytime I wanted to anywhere I wanted to and then it gets taken away to where I can’t even go to the other side of the planet to do it were as that has always been the option. My favorite thing in life got taken away from me for over a year so the fact that I can do it again is like wow.”

Iglesias has a number of comedy specials: 2007’s “Gabriel Iglesias: Hot and Fluffy;” 2009’s “Gabriel Iglesias: I’m Not Fat…I’m Fluffy” and his Netflix show “Mr. Iglesias.” He has lent his voice to a variety of movies, including “The Nut Job,” “The Book of Life” and “Ferdinand.”

Iglesias’ current tour is dubbed “Beyond the Fluffy World Tour-Go Big Or Go Home,” and he does just that.

“We’ve got four semitrucks and four tour buses,” Iglesias says. “It is honestly the biggest comedy tour that has ever happened, and I made it a point to (do it that way).

“I’ve got the receipts to prove it. It’s stupid, it’s so stupid. It’s like WWE meets the Food Network.”

He says it is probably “bigger than 80% of the rock band tours” fully embracing the “go big or go home” mantra. Iglesias made it a point to bring along his family, friends and even his dogs for the tour.

“The bed on the bus is super comfortable and I have this amazing pillow that I bought from the Sleep Number store,” Iglesias says. “It cost a fortune for the stupid pillow but it’s so comfortable. Believe it or not, I would rather sleep on the bus than in a hotel.”

Iglesias’ style is observational yet self-deprecating, with satire and physical comedy thrown in.

On this current tour, he jokes about “things that frustrate me in life. It’s all based on issues and struggles because the audience doesn’t want to hear about you having a great day. They don’t want to

WHAT THE FUTURE HOLDS

hear about how well everything is going for you. They want to hear about what you have gotten into — it’s like gossip.”

Iglesias is aware that the entertainment industry has shifted with politically driven forces regulating comedians’ content.

“I used to say (my favorite thing about performing) was to go up there and say and do anything that I want but clearly that is not the case anymore,” Iglesias says.

He said that “it’s a little challenging” to determine what can be said on stage and what will end his career.

“I don’t go up there trying to be divisive or preachy or whatever, but it’s at the point now where I am feeling it,” Iglesias says. “For a comic who tries not to be divisive is feeling the effects of cancel culture, ehhh.

“It does feel new again believe it or not but that is actually pretty exciting to see how we are going to navigate this tonight. Let’s see how we are going to share some stories but still be safe.”

Iglesias brings to the stage a variety of voices to emulate different characters.

It’s hard now because “the rules have changed for entertainers especially comedians.”

“We (comedians) used to be able to just go up there and work and figure things out and if we made a mistake then we could apologize then and there and just try again the next day and figure it out until we got it right,” Iglesias says.

“Whereas now if you have one bad show that could be your show.”

For Iglesias, Arizona shows are meaningful.

“Arizona is actually the first place that I went to perform on the road,” Iglesias said who grew up in Southern California. “My first time on the road was in Tucson.

“It was this bar like a really nasty hole in the wall called Bugsy’s. It was July 1997, first time on the road.”

Iglesias vividly remembers subsequent performances in Arizona during the middle of summer. A venue’s AC unit

Iglesias was set to record his third Netflix special during the summer, but plans were halted when he contracted COVID-19.

“The original plan was to do (the recorded show in) San Antonio,” Iglesias explains.

“We were trying to do a residency because fresh off of COVID I hadn’t performed in over a year so I needed to get warmed up before I recorded again. I figured 30 shows in 30 days and we were going to record on the last day.”

The 27th day — also his 45th birthday — Iglesias tested positive for COVID-19 and had to cancel the remaining shows and go home.

“I have not been able to record the special yet but since then so many other things have happened,” he says.

“It’s kind of a double-edged sword because it’s good that I have new stuff to talk. It’s bad because I had a very big bill I had to pay for canceling.”

He plans to record the special “soon,” without giving a specific date. Four or five months later, the show will appear on Netflix.

Outside of comedy shows, Iglesias recently launched the Netflix show “Maya and the Three,” for which he voiced Picchu, a Golden Mountain Barbarian.

“I have a project that I’m working on with Jorge Gutiérrez, who is actually the one who did ‘Maya and the Three’ (and ‘The Book of Life’),” Iglesias says about an upcoming project.

“The two of us are working together on a project called ‘I Chihuahua.’ It’s something that we are working on to do for Netflix in the near future.”

Outside of Netflix, Iglesias is “really big on social media” personally running his accounts.

“You can tell by the bad spelling or the weird messages that I post,” Iglesias said.

“I like TikTok videos so if anyone can send me cool TikTok videos I always love to do duets and stuff.”

Gabriel Iglesias: “Beyond The Fluffy World Tour – Go Big Or Go Home” WHEN: 8 p.m. Thursday, November 11 WHERE: Footprint Center, formerly Phoenix Suns Arena, 201 E. Jefferson Street, Phoenix COST: $41.75-$76.75 INFO: fluffyguy.com/tour ENTERTAINERMAG.COM

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ARTS

CULTURE » THEATER » DANCE » GALLERY » DRAMA » VISION

FIGHTING ANOTHER DAY Marc Cohn finds songwriting cathartic

By Christina Fuoco-Karasinski

M

arc Cohn could be considered a survivor.

His mother died when he was 2, followed by his father 10 years later. He survived an attempted carjacking on August 7, 2005, when he was shot in the head.

The deaths have played an important role in his music. His father was special, but the unknown was hard.

“I spent my life trying to figure out what that all meant and what price I’ve paid since then,” Cohn says. “Part of the way I’m working through that is writing songs.

Songwriting is a very helpful therapeutic thing.”

Performing on stage is cathartic as well. On Sunday, December 5, he will be joined by Shawn Colvin and Sara Watkins for “Together in Concert” at the Musical Instrument Museum in North Phoenix.

“Together in Concert” is a new show, during which the singersongwriters will perform, well, together.

“It’s not a solo show,” he says. “Everybody gets a turn. We haven’t chosen the songs we’re going to sing or anything. I love Sara Watkins’ music and Shawn has been a friend for a long time. I love touring with her, too.

We’ve done so many tours together, but this is our first time as a trio.”

Cohn adores the MIM, he says. That said, he is just happy to be playing anywhere. Like everyone else, Cohn says the pandemic left him confused some days and fine others.

“The best thing I did for myself, in general, was to start songwriting over Zoom with a couple different collaborators,” he says. “One of them was

Loreena McKennitt, who’s a wonderful artist.

“We Zoomed for several sessions. One of the songs I include in my own set. Over the course of those months, I did online charity events to help people raising money for various important causes.”

He says he feels “blessed” that nobody he loves fell very ill. Three of his four children had mild cases of coronavirus.

Touring these days is very complicated because of the differences in rules and

protocols between venues and states.

“It’s a very strange time now,” he says.

“I wince a little when they claim on TV it’s basically over. It’s not. It’s not over.”

Cohn is not sure when he will release the songs he wrote with McKennitt.

First, he has to get his “stage legs back.”

“That’s the most important thing, emotionally and financially,” he says.

“I’m not quite at the place yet where I’m thinking about releasing material. I have to write five or six more songs before I do that.

“The music is the same old sensitive songwriter-songwriter stuff. The one song I really like is ‘Same Man, Different Mistakes.’ It’s largely about my dad, who I’ve written several songs about over the years. I’m going back to the same theme from a different perspective.”

Shawn Colvin, Marc Cohn & Sara Watkins: Together in Concert WHEN: 5 p.m. and 8 p.m. Sunday, December 5 WHERE: Musical Instrument Museum, 4725 E. Mayo Boulevard, Phoenix COST: $64.50 to $89.50 INFO: 480.478.6000, mim.org

Made in 1924, this gold-plated and engraved sousaphone is the largest playable example in the world.

Loan courtesy of Interlochen Center for the Arts, Interlochen, Michigan

Special Exhibition Opens November 12 Instruments with extraordinary pasts come together to share the story of music like never before.

Presenting sponsor

MIM.org | Open Daily 9 a.m.–5 p.m.

4725 E. Mayo Blvd., Phoenix, AZ

LOST AND FOUND

20

UPFRONT | CITY | TRAVEL | ARTS | DINING | BEER AND WINE | CASINOS | SPORTS | FAMILY | MUSIC | NIGHTLIFE | IN CLOSING

Michael Friedman brings rock legends to Phoenix

By Christina Fuoco-Karasinski

M

ichael Friedman had a job most people would dream of. He spent the 1960s and 1970s managing and producing musicians all the while snapping candid photos of his interactions.

Nearly 50 years ago, however, he misplaced the negatives of more than 2,000 photographs. Considered lost and nearly forgotten, the negatives were found by his wife, Donna Vita, in a box of old music business papers in their attic. Together they restored the negatives.

After a successful year-long exhibit at The Rock and Roll Hall of Fame, the newly curated and expanded collection of 80 restored images dubbed “The Lost Negatives of Rock & Roll Legends” will be on display at Found: RE Hotel in Phoenix starting Friday, November 19, with a preview ticketed reception, gallery talk and conversation.

On Saturday, November 20, and Sunday, November 21, the exhibition and sale, presented by the Men’s Arts Council of the Phoenix Art Museum, will be open to the public. The curated exhibition of rare photos includes snaps of Janis Joplin, Rolling Stones, The Band, Kris Kristofferson, James Cotton, Butterfield Blues Band and Todd Rundgren.

“It’s remarkable that Michael Friedman documented this important flash point in music history and captured its energy and personality,” says Greg Harris, president and chief executive officer of The Rock and Roll Hall of Fame.

This is the Connecticut resident’s third time showing his photos, however, the exhibitions were smaller. Friedman chose Phoenix for his next visit on the recommendation of a Men’s Arts Council member who saw the show at the California Heritage Museum in Santa Monica.

“He felt this would be a good

“The Lost Negatives of Rock & Roll Legends” Preview Reception WHEN: 6 p.m. Friday, November 19 WHERE: Found: RE Hotel, 1100 N. Central Avenue, Phoenix COST: $125 INFO: mensartcouncil.com ENTERTAINERMAG.COM

opportunity to do a fundraiser for the museum,” says Friedman, during a travel stop in Texas on his way to Phoenix. “I go way back in Arizona. I went to the University of Arizona and started my music career there. It feels like coming back home. It’s the largest exhibition yet.”

The 1965 UA graduate was in a garage band during his studies and drove to LA on the weekends to record.

“That got me started, even though I had been playing drums and doing things in high school,” he says. “We didn’t play around campus that much because we were interested in trying to make records. We would record a song and make up a name to go with it.”

The musicians eventually started their own label.

“You could never do that now,” Friedman says about releasing music.

“The music business was a lot smaller and simpler then, and the world was a different place. There was no internet.”

Subsequently, Friedman landed a job with Albert Grossman, who managed American folk and rock bands.

Friedman considers himself lucky.

“We were all basically the same age,” he says. “I also had a passion for photography. That was my main interest outside of music. I would bring a camera everywhere. I took thousands of pictures over the course of a few years, which I proceeded to misplace for 50 years. My wife found them a couple years ago and that’s what started all of this.”

For five decades, Friedman thought the negatives — as well as memories — were gone. He says it was a “total surprise” to find these “treasures.”

“Seeing these blasts from the past, in person, is truly jaw-dropping, extremely rare and very special,” says Men’s Arts Council Event Chairman Steven Stralser. “We’re so grateful to Mr. Friedman for collaborating with us to share these one-of-a-kind images with the Phoenix community.”

“The Lost Negatives of Rock & Roll Legends” Exhibition and Sale WHEN: 10 a.m. to 8 p.m. Saturday, November 20, and 10 a.m. to 6 p.m. Sunday, November 21 WHERE: Found: RE Hotel, 1100 N. Central Avenue, Phoenix COST: Free INFO: mensartcouncil.com

SEEKING THE TRUTH THE ENTERTAINER! MAGAZINE NOVEMBER 2021

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Photographer Jon Linton advocates for the homeless

By Sue Kern-Fleischer

J

on Linton likes to say he is an accidental photographer. While he had “fussed around with a camera in the past,” it wasn’t something he planned to do.

Today he is an acclaimed photographer and activist who advocates for the homeless and other underserved populations. He is best known for his “I Have a Name” street photography series as well as his serene and stunning black and white landscape photography.

He is also the featured artist for this year’s 25th annual Hidden in the Hills Artist Studio Tour, taking place the last two weekends of November — November 19 to November 21 and November 26 to November 28.

Coordinated by the nonprofit Sonoran Arts League, the free, self-guided tour features 191 artists at 45 private studios throughout the scenic Desert Foothills communities of Cave Creek, Carefree and North Scottsdale. Linton’s “Barrio Viejo” photograph of the front entrance of a colorful adobe home graces the cover of this year’s highly collectible four-color artist directory.

Linton has been immersed in the art world for more than two decades.

After graduating from Eastern Illinois University with a liberal arts degree in 1987, he went on to work for Ralph Lauren in New York City. A displaced Chicagoan, the former art magazine and book publisher has called Phoenix home for nearly three decades.

INFLUENCED BY ICONIC PHOTOGRAPHERS As the publisher of a prestigious art magazine, Linton was fortunate to meet renowned artists, many of whom became good friends. He began publishing coffee table books of their art, helping to secure their legacies in print.

But Linton had his own artistic ambitions, and he began to spend more time creating his own photographic body of work.

“I’ve always been inspired by iconic black and white photographers, such as Ansel Adams” Linton says. “He was a pioneer whose photographs of the American West are still marveled at today. He was instrumental in advocating for ‘pure’ photography, and I’m a big believer in that approach. It’s a key reason I work primarily in black and white. I believe that in the absence of color, you see the truth that is left behind.”

Linton is also inspired by the late Swiss photographer and documentary

filmmaker Robert Frank.

“Robert Frank traveled across the country in the mid-1950s and documented his experiences in a notable book, ‘The Americans,’” Linton says.

“He photographed everything from buildings, cars, and people to societal injustices and inequities. His work was both poetic and raw. It was an honest view into American life during that time.”

MAGICAL MUSTANGS AT MONUMENT VALLEY A chance meeting in Santa Fe with renowned photographer Ray Belcher was a pivotal point in Linton’s life and career.

“I have always been a big fan of Ray’s work, and I mustered up the courage to show him some of my black and white photography,” Linton says.

Linton presented his street photography, explaining that when a good friend who was in the grips of addiction succumbed to a relapse, he decided to use art as a way to honor his memory and give a voice to the homeless.

When presenting his landscape photography, Linton shared how capturing the beauty of nature brings him inner peace.

“My work as a street photographer is very important to me, but I need to find quiet places to center myself again from the pain I see on the streets,” Linton says.

As Belcher reviewed Linton’s landscape photography, he stopped at a photograph of wild mustangs at Monument Valley.

“Ray told me that it was magical and that photographers could go a lifetime and never capture such an incredible moment in time. He told me that I was a talented photographer and that I needed to start showing my work,” he says.

Linton was further encouraged by acclaimed Native American artist Fritz Scholder and Martha Pettigrew, one of the foremost Western contemporary sculptors.

“Martha told me, ‘If you want to be an artist, then just do art,’” he recalls fondly.

The chance conversation with Belcher was six years ago, and since then, Linton has exhibited his work at prestigious shows around the country. In addition, he continues his humanitarian work as founder of the nonprofit organization, Let’s Be Better Humans, which encourages people to help those less fortunate than them. The nonprofit also delivers food and clothing to underserved communities in need.

WELCOMING GUESTS TO HIDDEN IN THE HILLS There were nearly 100 artist entries

for the cover of the Hidden in the Hills Artist Studio Tour artist directory, but Linton’s “Barrio Viejo” photograph stood out for its warm, welcoming imagery.

“Jon’s photograph captured the sentiment of our 25th annual event beautifully,” says Jane Boggs, a gourd artist and studio host who serves as the event’s co-chair. “It’s been a challenging time for everyone, and we are eager to welcome collectors and art enthusiasts to our studios for what is sure to be a memorable, uplifting artist studio tour.”

Hidden in the Hills co-chair and mixed media sculptor/studio host Joanie Wolter says the cover art selection is also significant because it is the first time a photographer’s work has been featured on the artist directory cover.

“We had many strong entries, but ‘Barrio Viejo’ really stood out,” Wolter says. “It conveys a warm, welcoming message that resonated with us, and we’re thrilled that Jon will exhibit his new work during the tour this year.”

This is Linton’s first year participating in Hidden in the Hills. The talented artist will exhibit and sell his work at painter Stuart Yankell’s Studio No. 24 in Cave Creek.

“Barrio Viejo” is atypical for Linton,

who primarily exhibits black and white photography.

“I was reluctant to move away from black and white imagery. But ‘Barrio Viejo’ did not feel honest absent color, and its truth provides new horizons,” Linton says.

Linton says he was surprised and humbled to be chosen as the cover artist for this year’s milestone Hidden in the Hills event.

“I’m honored and also moved by having my work highlighted in such a prominent way,” he says. “By virtue of being selected as the Hidden in the Hills cover artist, I am already changing the trajectory of my career. I’m now inspired to expand my body of work to include additional imagery in color, and I’m looking forward to unveiling my new work during the artist studio tour.”

Hidden in the Hills WHEN: November 19 to November 21 and November 26 to November 28 WHERE: Throughout Cave Creek, Carefree and North Scottsdale COST: Free INFO: hiddeninthehills.org ENTERTAINERMAG.COM

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DINING

EAT » EXPERIENCE » INDULGE » SAVOR » DEVOUR » NOSH

THANKSGIVING ROUNDUP

By Annika Tomlin

S

ure, Thanksgiving is great, with juicy turkey accompanied by mashed potatoes and Cool Whip smothered all over pumpkin pie. But then the dishes need to be done. Skip them this year and head to area restaurants and let the staff take over. All prices are per person, unless otherwise noted.

Blue Hound Kitchen & Cocktails Blue Hound Kitchen & Cocktails will offer a three-course menu by executive chef Brian Peterson. Menu options include starters roasted butternut squash and bourbon soup served with Devonshire crème and crostini or baby greens salad with goat cheese. Featured entrées are sage brined turkey served with whipped potato, apple stuffing, green beans, giblet gravy and cranberry; roasted New York strip loin with potato gratin, braised mushrooms, asparagus and mustard zinfandel sauce; or panroasted seabass served with sweet potato and crab hash topped with lemon and chive butter. Dessert is pumpkin pie with Chantilly crème or maple and

Chompies

blueberry bread pudding served with vanilla gelato.

Blue Hound Kitchen & Cocktails, 2 E. Jackson Street, Phoenix, 11 a.m. to 8 p.m., bluehoundkitchen.com, $65 Bourbon & Bones Bourbon & Bones will dish up a threecourse menu for the whole family this Thanksgiving. The menu options include starter choices of French onion soup or house salad; entrée featuring sliced turkey, mashed sweet potato, country stuffing and traditional cranberry compote; and finish with a pumpkin spice bundt cake for dessert.

Bourbon & Bones, 4200 N. Scottsdale Road, Scottsdale, noon to 10 p.m., bourbonandbonesaz.com, $54

Liberty Market

Chompie’s Chompie’s will feature two Thanksgiving meals for preorder and dine-in. The basic meal (serves 12 to 15) includes an extra-large oven-roasted turkey, homemade stuffing, cranberry relish, fresh baked dinner rolls and two 9-inch pies (pumpkin and apple) for $219.99. The traditional meal (for 12 to 15 people) has the basic plus mashed potatoes and homemade gravy, candied yams and homestyle green beans for $269.99. The dine-in special features

white meat turkey breast with stuffing and cranberry relish, served with mashed potatoes and pan gravy, homestyle green beans, candied yams, fresh baked knot rolls with butter and a slice of apple or pumpkin pie ($21.99; $9.99 for kids 10 and younger) and is also available for curbside pickup.

Chompies, various locations, Thanksgiving Day hours 7 a.m. to 4 p.m. (Chandler, Tempe, Glendale), 6 a.m. to 4 p.m. (Scottsdale and Phoenix), chompies.com, $9.99$269.99 Cooper’s Hawk Winery and Restaurant Cooper’s Hawk Winery and Restaurant has a Thanksgiving heat-andserve meal available for preorder, and a dine-in meal as well, at its Chandler and Scottsdale locations. The heat-and-serve meal feeds six and starts with its pretzel bread and butter along with butternut squash soup with spiced pumpkin seeds.

Sides include traditional stuffing, Mary’s potatoes, roasted and glazed green beans and carrots. The main course features the slow-roasted turkey slices with pan gravy and homemade cranberry sauce. Dessert is Eli’s pumpkin praline cheesecake with vanilla whipped cream and vanilla sauce. Preorders must be made by Friday, November 19, as quantities are limited.

The three-course dine-in menu consists of same staples as the preorder minus the pretzel bread and butter. Reservations are required.

Cooper’s Hawk Winery and Restaurant, 3325 W. Chandler

Maple & Ash

THE ENTERTAINER! MAGAZINE NOVEMBER 2021

23

Boulevard, Chandler, 7361 E. Frank Lloyd Wright Boulevard, Scottsdale, chwinery.com/thanksgiving, $12.99$28.99 (dine-in), $174.99 (take home) EAT by Stacey Weber The ready-to-serve, family-sized Thanksgiving meal feeds four and includes all the traditional staples and creative dishes, with most items being gluten free and dairy free. Preorders will be available through Thursday, November 18, and ready for pickup until 4 p.m. Wednesday, November 24. Select appetizer options include cranberry ginger salsa with housemade tortilla chips, $18 (gluten free) and rosemary, cinnamon and orange spiced nuts, $16 (gluten and dairy free). The salad, $34, consists of shaved Brussels sprouts, kale, delicata squash, manchego, dried cherries, smoked almonds and Dijon vinaigrette (gluten free and vegetarian).

A few side choices include mashed Yukon gold potatoes with coconut butter, $24 (gluten and dairy free); traditional rustic bread stuffing, $24 or $34 for gluten free; spiced cranberry ginger orange sauce, $12; and homestyle gravy, $20. Citrus and herb smoked turkey breast is $66.

EAT by Stacey Weber, 4740 E. Shea Boulevard, Phoenix, eatbystaceyweber.com, $16-$66 Hyatt Regency Scottsdale Resort A buffet-style Thanksgiving feast will feature herb-roasted turkey served with stuffing, cranberry relish, giblet gravy, as well as maple-basted ham with butterscotch glaze. Additional selections include free-range chicken with creamed orzo; a spiced root vegetable hash; stewed beef barbacoa tacos; and several seafood selections, including roasted salmon with cranberry glaze, chilled Alaskan crab

Cooper’s Hawk Winery

legs and jumbo shrimp. Families can select from several kids menu items such as cheese and pepperoni pizzas, chicken tenders, and macaroni and cheese. The meal will also feature the “Candyland” dessert station with various house-made desserts, including pumpkin pie, cherry cheesecake, warm fudge brownies and chocolate mousse cake. Reservations are required.

Hyatt Regency Scottsdale Resort & Spa, 7500 E. Doubletree Ranch Road, Scottsdale, 10 a.m. to 4 p.m., 408.629.6231, hyattregencyscottsdale. com, $48-$120; free for children 5 and younger LDV Winery On Wednesday, November 24, LDV Winery will offer 10% off bottles of wine. LDV specializes in wines produced from Rhone-varietal grapes including grenache, syrah and petite sirah.

LDV Winery Tasting Room, 7134 E. Stetson Drive, Suite B110, Scottsdale, ldvwinery.com, various prices Liberty Market Thanksgiving feast is not complete without a delicious pie — or two or three. Liberty Market is making it easy to have desserts this holiday season. The restaurant will take preorders until Wednesday, November 17, for scratch-made pies for pickup on Wednesday, November 24. Pie choices include pumpkin, French silk, Dutch apple and double decker pumpkin-pecan.

Liberty Market, 230 N. Gilbert Road, Gilbert, 480.892.1900, libertymarket. com, $25

Maple & Ash Maple & Ash will host a multicourse dinner with dessert options and seasonal cocktails. The dinner features slow herb-roasted turkey breast, whipped and buttered potatoes, mushrooms medley and autumnal vegetables, turkey gravy with fresh shave truffles, ricotta and apple stuffing with truffle jus and cranberry ginger relish. Dessert options, at $14 each, include pumpkin pie mousse cake and cinnamon ice cream. Seasonal cocktails include See Right Through You, a clarified apple spice old fashioned ($19) and a pumpkin pie martini ($20).

Maple & Ash, 7135 E. Camelback Road, Suite 130, Scottsdale, 1 to 8 p.m., mapleandash.com, starts at $70 Match Market & Bar Match Market & Bar has a delectable three-course dine-in or to-go Thanksgiving menu. Starters include house salad or sweet potato harvest soup.

Entrees include vegetarian tofu stuffing or traditional sliced turkey. Dessert options are pumpkin or apple pie. Guests can add a side of stuffing to the turkey entrée for an additional $5. A bottle of house wine or a six-pack of craft beer can be added to any meal for $25.

Match Market & Bar, 1100 N. Central Avenue, Phoenix, 11 a.m. to 10 p.m., matchphx.com, starts at $55 Pork on a Fork The slow-smoked barbecue experts at Pork on a Fork can help take Thanksgiving dinner to the next level with their preorder meal. Preorders must be received by Friday, November 19. The meal that feeds between 10 to 12 people includes a whole smoked

turkey, traditional stuffing, cheesy mashed potatoes, green bean casserole, cranberry sauce, gravy, dinner rolls and cornbread. Turkey can be served hot or cold, sides are served cold, and reheating instructions are included.

Pork on a Fork, 1515 W. Deer Valley Road, Phoenix, porkonafork.com, $199 Rawhide Rawhide will offer a buffet-style Thanksgiving. Entrees include prime rib, glazed ham and sliced turkey breast. The hot line offers mac and cheese, cornbread stuffing and roasted veggie baked ziti.

Sides feature broccoli cheese casserole, scalloped potatoes, creamy mashed potatoes, green bean casserole, creamed spinach and cranberry sauce. Kids can have homestyle chicken tenders, tots, crispy French fries and pizza. A variety of dessert and beverages will be available.

Rawhide Western Town, 5700 W. North Loop Road, Chandler, seating starts at 11 a.m., 480.502.5600, rawhide.com, $12.95-$38.95 Sierra Bonita Catering Enjoy a complete take and reheat generously portioned Thanksgiving meal for two or four. Preorders are due by 4 p.m. Thursday, November 18, for pickup between 3 to 6 p.m. Wednesday November 24. The Thanksgiving menu sees maple-chile brined off-the-bone turkey with pan gravy, Boursin mashed potatoes, garlic and herb stuffing, wild mushroom green bean casserole with crispy tobacco onions and citruscranberry relish.

Sierra Bonita Catering, 8522 N. Seventh Street, Phoenix, sb-catering. com, $75-$150 ENTERTAINERMAG.COM

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UPFRONT | CITY | TRAVEL | ARTS | DINING | BEER AND WINE | CASINOS | SPORTS | FAMILY | MUSIC | NIGHTLIFE | IN CLOSING

DINING

CALENDAR

By Annika Tomlin

Bao and Dumpling Festival

NOVEMBER 6 The Arizona Bao Fest will showcase steamed buns, gua bao, sweet buns from bakeries and creative interpretations. Patrons can try dumplings from a variety of cultures, from takoyaki to pot stickers. Most bao or dumplings will be listed at less than $5, while a slew of other vendors will serve boba and other Asian dishes.

Dr. A.J. Chandler Park, 178 E. Commonwealth Avenue, Chandler, noon to 4:30 p.m. (early admission 10:30 a.m.), facebook. com/azboadumpling, $4-$15

Italian Pizza & Wine Festival

NOVEMBER 6 Italian Association of Arizona will host its inaugural Italian Pizza & Wine Festival, delivering authentic pizzas with imported Italian wines and beer, as well as nonstop entertainment for the whole family.

Pizza makers include Fabio on Fire, Trattoria D’Amico, Bored Baker Pizza Maker, L’Impasto and Re Di Roma. Gluten-free pizza options will be available, along with additional handcrafted Italian sandwiches and other authentic Italian cuisine.

Scottsdale City Hall, 3939 N. Drinkwater Boulevard, Scottsdale, noon to 9 p.m., italianassociation.org, $10-$15

Veterans Day at Belle’s Nashville Kitchen

NOVEMBER 11 Belle’s Nashville Kitchen will give back to the men and women who served by offering a 25% discount off their bill. The restaurant will also donate 10% of the day’s proceeds to the Wounded Warrior Project, a charity that provides support to veterans wounded in combat and their families. Standout new menu items include its bourbon barbecue sliders ($10), Belle’s BLT salad ($14) and its homemade strawberry vodka infusion — Nashville Charm ($12).

Belle’s Nashville Kitchen, 7212 E. Main Street, Scottsdale, bellesnashvillekitchen.com

Arizona Barrels, Bottles and Brews

NOVEMBER 13 Arizona Barrels, Bottles and Brews will highlight the state’s biggest ENTERTAINERMAG.COM

and best craft breweries, distillers and vintners. Patrons can sample Arizona-made products. Some of the over 25 local breweries, distilleries and wineries include Grand Canyon Brewing, Uncle Bear’s Brewery & Grill, 8-bit Aleworks, Canión Tequila, Copper Still Distillery, Cider Corps, Superstition Meadery and Arizona Ranch Water.

Salt River Fields, 7555 N. Pima Road, Scottsdale, 2 to 5 p.m., saltriverfields.com, $19-$65

Phoenix Pizza Festival

NOVEMBER 13 AND NOVEMBER 14 Pizza lovers unite as the annual Phoenix Pizza Festival brings around 20 pizzamakers to sell their halfand full-sized pies. The event will also feature live bands, lawn games, desserts, local vendors, a kids zone, along with a bar with wine, beer, cocktails and nonalcoholic beverages. Most vendors accept cash only, and ATMs will be on-site.

Margaret T. Hance Park, 1202 N. Third Street, Phoenix, 11 a.m. to 5 p.m. Saturday, 11 a.m. to 4 p.m. Sunday, phoenix.pizza, $12

Slider Throwdown

NOVEMBER 14 The annual “battle of the burger” returns to support Arizona Friends of Foster Children Foundation.

Local food trucks and vendors will battle for the title of Best Slider and People’s Choice with their creations made with beef, chicken or veggies.

Participating food trucks are Chicken and Waffles for the People, Aioli Burger, 2 Fat Guys Grilled Cheese, Kingpin BBQ, Randizzle’s and El Taco Santo. Tickets include samples of all sliders, lemonade from Cutie’s Lemonade and More Truck, and dessert from Kicks Frozen Yogurt.

High Street, 5415 E. High Street, Phoenix, noon to 3 p.m., affcf. org/sliderthrowdown, $40

Luckys Tiki Takeover

NOVEMBER 16 The semi-annual Tiki Takeover returns to Luckys Indoor Outdoor featuring tropical libations incorporating locally owned NARAN Mezcal. Hobbyist mixologist and tiki enthusiast Tiki Dan will concoct tiki-inspired drinks. OH Allen the DJ will spin retro beats, and Chef Amanda from Luckys will serve tacos with a tiki twist. Guests are

Rio Di Roma

encouraged to don their best tiki attire and get ready to celebrate the funky island lifestyle.

Luckys Indoor Outdoor, 817 N. Second Street, Phoenix, 6 to 10 p.m., luckysphx.com/events

Uncorked Wine Festival

NOVEMBER 20 Uncorked Wine Festival returns for oenophiles to sip and savor over 100 wines and champagnes from across the globe. Uncorked Wine Festival also includes gourmet local food trucks, interactive exhibits and a custom photo booth. General admission and VIP tickets include tastings and a logo tasting tumbler.

VIP ticket holders have an extra hour of tastings with shorter lines and exclusive pours from select wineries. A selection of wineries includes Fit Vine Wine, Alexander Valley Vineyards, Joel Gott Wines and Chronic Cellars. Food trucks include Back in Thyme, Pizza Arno, Rockin Rollz AZ, Wok This Way and Crazy Stuffed Breads.

Arizona Science Center, 600 E. Washington Street, Phoenix, 7 to 10 p.m., uncorkedwinefestival. com, $55-$70

Holiday Wine & Dine

DECEMBER 2 Holiday season is in full swing with the Holiday Wine and Dine Christmas event at Shops at Gainey Village. This free event showcases

live music from the Volcano Steel Drum Duo, the Sahnas Brothers guitar duo, electric violinist Natasha, and Miguel de Maria on Spanish guitar. Complimentary wine tastings will be available at select restaurants for the 21-andolder crowd. All other patrons can snack on the baked goods, coffee and hot chocolate by Coffee Bean & Tea Leaf. Take a ride on one of the festive carriage rides or visit the Cotton Candy Lady passing out festive treats.

The Shops Gainey Village, 8777 N. Scottsdale Road, Scottsdale, 5 to 8 p.m., theshopsgaineyvillage.com, free

Holiday Winemaker Dinner Under the Stars

DECEMBER 2 LDV Winery and Merkin Vineyards will come together for a winemaker’s dinner under the stars at the Scottsdale Waterfront Plaza adjacent to the LDV tasting room. A wine reception and passed appetizers will welcome guests before they are seated for the three-course dinner. Saxophonist Rochelle Romeo provides the entertainment.

Chef Steve Zimmerman will introduce each dish and winery.

LDV Winery Tasting Room, 7134 E. Stetson Drive, Suite B110, Scottsdale, 6 to 9 p.m., bit.ly/ HolidayWinemakerDinner, $155

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BEER AND WINE

SIP » BREW » RELAX » EXPERIMENT » REFRESH » TOAST

BOOZE CRUISE

Wine Wagon offers fun shuttle service to Sedona wineries

By Jordan Houston

C

ruise and booze in style with the Valley’s first same-day wine tour shuttle service from Scottsdale to Sedona.

Tour some of the Verde Valley’s finest wineries courtesy of the new Arizona Wine Wagon, a luxe, hop-on, hop-off bus ride.

Depending on each location’s occupancy, the shuttle visits Oak Creek Vineyard and Winery, a Cornville family-owned boutique winery; DA Ranch, an award-winning estate vineyard also in Cornville; Javelina Leap, a familyoperated and premium boutique winery in Page Springs; and Page Springs Cellars, a scenic vineyard with creekside picnic tables.

Co-founder and local

entrepreneur Candie Guay, who recently developed the Wine Wagon with her counterpart Stephen Roach, says the shuttle service is a great opportunity for bachelorette parties, family outings, birthday parties, team-building events, “parents who need to escape,” or anyone looking to cut loose and indulge in the finer things in life. All passengers must be at least 21.

“We hope they enjoy a full day of getting away from it all by enjoying the Verde Valley and the tasty wines it has to offer without having to worry about driving,” says Guay, adding the excursion lasts about nine hours. “Each vineyard stop has something different to offer, but each one allows family and friends to take in the beauty of the area.”

Single seats can be purchased online for $119 and are available Friday to Sunday. The Wine Wagon can also be

rented for $2,500 for a private full-day rental. For most trips, guests will meet for the shuttle at 8:45 a.m. the day of departure at Raintree Drive and the Loop 101 in Scottsdale.

Tickets only include transportation, so Guay encourages participants to bring their own lunch or plan to purchase food and snacks at the wineries. Glass or flights are available at each location starting at $8 a glass, she continues.

The wagon will make one restroom and snack gas station stop around the halfway mark, as well as on the way back.

“An old-fashioned picnic is

always encouraged,” Guay says. “The wineries do sell food, but they are sometimes busy when we are there, so it’s always a good idea to bring your own.”

Luxury ride aside, which features comfortable seating and USB ports, there is one other element that sets the Wine Wagon apart from competitors — its driver.

The sleek bus is headed by trained opera singer Candice. Guests, if they wish, can expect to hear the performer bust out some tunes throughout the trip, ensuring the drive is as entertaining as it is comfortable.

“Candice has sung all over the world, and now we are lucky enough to have her serenade our guests,” Guay explains.

“She sometimes pops into the wineries, and our guests really enjoy her.”

Arizona Wine Wagon WHERE: Raintree Drive and the Loop 101, Scottsdale COST: Tickets start at $119; for a $10 discount, use the code ENTERTAIN10 INFO: azwinewagon.com ENTERTAINERMAG.COM

WILD TONIC 228 Justin Drive, Cottonwood, AZ 86326 (928) 634-5434

WILDTONIC.com

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SPORTS

CHEER » HIT » HIKE » LEAD » ROOT » COMPETE

HBCU CHALLENGE

Colleges bounce to a national stage

By Keaton Mallory

H

istorically Black colleges and universities’ basketball teams will take the national stage from the Footprint Center Sunday, November 28, and Monday, November 29, thanks to Phoenix Suns point guard Chris Paul.

Airing on ESPN Networks, the inaugural Boost Mobile HBCU Challenge was created by Paul in partnership with the Naismith Memorial Basketball Hall of Fame. Hitting the court are Norfolk State, Grambling State, Morgan State and Hampton universities.

“It’s designed to highlight HBCU basketball and schools around the country,” says Greg Procino, the vice president of events and partnerships with the Basketball Hall of Fame. “That along with the culture of the HBCU communities and what they believe in make this event different.”

Paul was the mastermind behind this event, as supporting HBCUs is something he deeply cares about.

“I’m so excited for the chance to give these players the opportunity to experience something not usually available to HBCU student-athletes and compete on a national stage,” Paul says.

Virginia-based Norfolk State finished in first place in the Mid-Eastern Athletic Conference (MEAC) last season with a 17-8 overall record and 8-4 in conference games. It secured a spot in the NCAA tournament, where it lost to Gonzaga in the first round. NSU beat Morgan State last season to secure its trip to the tournament.

Baltimore, Maryland’s Morgan State ended the season 14-8 and just a game behind Norfolk State in the MEAC with an in-conference record of 7-5.

Grambling State, a part of the Southwestern Athletic Conference, finished the 2020-21 season at 12-11 and placed fourth in the conference, where it went 9-6. The university is listed on the Louisiana African American Heritage Trail.

Based in Hampton, Virginia, and a member of the Big South Conference,

Hampton University had an 11-14 record, going 9-9 in BSC games, and finished seventh out of 11 teams.

While this is the first year for the event, Procino and others involved are hopeful that this will become an annual event.

“We want everyone involved to feel good about the end result of the event this year, and that will determine the possibility of next year,” Procino says.

He says the event will not only bring publicity to the HBCUs, but it will promote college basketball as a whole.

“It’ll bring a new and good way for teams to compete as well as show what the HBCUs do for their students and players,’’ Procino said.

Phoenix is the ideal destination for the event because of the arena and Paul’s availability, Procino says.

“It allowed for the best opportunity for Chris to attend and be more involved,” Procino says.

“We hope it’s well received and that the schools and players involved get a lot of exposure and it’s an overall good experience for them. We also hope that Chris and his family will

feel good about making this event a reality this year.”

Boost Mobile HBCU Challenge hosted by Chris Paul WHEN: Games start at 6 p.m. and 8:30 p.m. on Sunday, November 28, and 4 p.m. and 6:30 p.m.

Monday, November 29 WHERE: Footprint Center, 201 E. Jefferson Street, Phoenix COST: Tickets start at $30 INFO: footprintcenter.com

FAMILY PACK

Each ticket includes a $10 concession credit and your choice of a Pepsi product.

Starting at $23 per seat!

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FAMILY

FROLIC » DISCOVER » IMAGINE » FAMILY » FUN » CONNECT

BECOMING A TRADITION ZooLights returns with 3 different experiences

By Connor Dziawura

T

hirty years in, ZooLights has become something of an annual tradition.

Each year, as winter approaches and the weather begins to cool, the popular production returns, attracting families from around the Valley to celebrate the holidays by seeing Phoenix Zoo in a new light.

Presented by SRP, the seasonal display of lights returns to the zoo beginning at 5:30 p.m. most days from November 24 to January 15 in its traditional walk-thru format, with special dates slated for drivethru and sensory-friendly versions. Tickets must be purchased online in advance.

And its scale is “massive,” according to ZooLights supervisor Justin Davis.

“It’s almost our entire zoo except for our Children’s Trail,” Davis says. “So, I mean, it’s a pretty massive footprint that we have. We’re probably in the realm of about 3 million lights now, like just with everything that we do with our trees, with our armatures, our specialty lights.”

Davis describes the millions of colorful LED lights and hundreds of displays and armatures as a mix of new and old.

In addition to fan-favorite lit animal sculptures like lions, tigers and the dinosaur Fran, he says Phoenix Zoo is introducing a herd of 12 buffaloes.

Other new critters attendees can check out include two “oversized” black widows as well as an oversized ant colony with four ants and an ant hill.

Designed by artist Russell Ronat, 13 illuminated mixed-media paintings

of endangered species are special this year. Featuring an elephant, hawksbill sea turtle, Amur leopard, Bornean orangutan, wolf and Bali mynah, among others, the pieces are part of Ronat’s Project Holocene, an international traveling art exhibition to bring attention and funding to wild animal conservation.

Though some of the pieces are prints of Ronat’s previous creations, Davis says others were made custom for the zoo.

“He made prints of them and then he went in and used different mediums, like different types of paints and varnishes and lacquers and pencil, all different mediums, so if you come during the day and see the portrait or the picture, it’s really pretty, it’s great, but then if you were to come back at night, it’s like it’s almost a whole different picture because it’s illuminated from the backside of it,” he explains.

The Wildlife Lantern Safari, returning this year with an estimated 60 or more glowing lanterns, adds another element.

“They’re like Chinese lanterns, so they have a light skin on them, and then they go through — it’s actually a third party that does that — and they do airbrush work on it,” Davis explains. “They actually do a really good job, and some of them are massive. They’re really cool.

They just kind of help switch it up.”

Two Music-in-Motion Light Shows, which Davis says will include the music of the Trans-Siberian Orchestra, will also keep the seasonal mood going.

“And now what that is, is around our main lake, after you walk in, we have a giant globe and then 11 pillars in the

middle of the lake, and then all the trees that are around the lake are wrapped and then they all synced by a computer to dance along with the music that’s playing,” Davis explains.

Families can see these sights and more through the regular Walk-Thru ZooLights or the drive-thru Cruise ZooLights. The latter was a new addition last year, due to the pandemic. And seeing as it was a success, according to Davis, the zoo decided to do it again with limited dates, though more could be added with demand.

Foot traffic will be closed for Cruise ZooLights nights, which also won’t have the Music-in-Motion Light Shows.

Davis says drivers can tune their radios to a station synced to the displays, or they can roll down their windows to hear music playing throughout the zoo.

“We still want to give that as an option because our ZooLights trails have grown so much over the last year or two that the elderly or very young children, they don’t want to have to walk the entire trail,” Davis explains. “So, we did make Cruise ZooLights an option still this year for those who don’t want to walk, but we are mostly back to walking.”

Ahead of the formal launch of ZooLights, the Phoenix Zoo will put on a sensory-friendly version on November 10 with reduced stimuli for those who may otherwise not be able to attend. This includes individuals with PTSD, autism, ADHD, ADD, early onset dementia, anxiety and strokes.

Special accommodations include smaller crowds, quieter music, no Music-in-Motion Light Shows, static or

slow-moving lights on the Arizona Trail, reduced light movement where possible throughout the rest of the zoo, Sensory Stations throughout the zoo, and the inclusion of a Quiet Room in the C.W. & Modene Neely Education and Event Center.

“This is our first year we’re doing this, so we reached out to a couple of other companies that have been like this, just to kind of get a feel for it,” Davis says.

“This is new to us, so we’ll probably learn a lot this year, and I’m hoping we can keep it up and we can do it for more than just one year.”

Along the way at ZooLights this season, vendors will remain open so guests can warm up with hot cocoa or enjoy snacks or other concessions.

“The biggest thing about ZooLights is it’s a very tradition-based thing,” Davis says. “A lot of our guests are return guests because it’s just become a holiday tradition for them.”

ZooLights WHEN: Various times November 24 to January 15 WHERE: Phoenix Zoo, 455 N. Galvin Parkway, Phoenix COST: Walk-Thru/SensoryFriendly ZooLights: $20 general admission per person, $16 per zoo member, free for children 2 and younger. Cruise: $75 general admission per vehicle, $60 per zoo member vehicle INFO: phoenixzoo.org/zoolights, phoenixzoo.org/events/sensoryfriendly-zoolights

TICKETS ON SALE NOW

FEBRUARY 5

2022

FEATURING

THOMAS RHETT wmphoenixopen.com

WITH

OLD DOMINION

32

MUSIC

LISTEN » JAM » INNOVATE » EVOLVE » ROCK » SING

LIVE MUSIC

CALENDAR

Liz Cooper & the Stampede

Modestep

Luttrell

Noizu

The Manhattan Transfer

SAYMYNAME

Valley Bar, 8 p.m., $15

Shady Park, 9 p.m., $23 Musical Instrument Museum, 7 p.m. and 9 p.m., $33.50-$69.50

Michigan Rattlers

By Connor Dziawura

Ryan Caraveo

The Rebel Lounge, 8 p.m., $12-$15

NOVEMBER 1

The Schizophonics

Mesa Amphitheatre, 7 p.m., $64.95

Highlands Church, 7:30 p.m., $39-$76

NOVEMBER 4

Celebrity Theatre, 8 p.m., $50-$155

ABBA the Concert (tribute) CGCC Combos

The Nash, 7:30 p.m., $5-$10

Julien Baker w/Dehd, Katie Malco

The Van Buren, 8 p.m., $25

Phony Ppl

The Rebel Lounge, 8 p.m., $25

Riley Downing

Last Exit Live, 8 p.m., $12-$15

Uniform and Portrayal of Guilt Valley Bar, 8 p.m., $16-$18

NOVEMBER 2 Cloud Nothings

Valley Bar, 7:30 p.m., $17

Divided Minds

The Rebel Lounge, 8 p.m., $12

Jack Harlow w/Babyface Ray, Mavi

The Van Buren, 8:30 p.m., sold out

Knotfest Roadshow w/ Slipknot, Killswitch Engage, Fever 333, Code Orange Ak-Chin Pavilion, 5:30 p.m., $29.50-$285

Mikey Muffins

The Rhythm Room, 8 p.m., $10

Olivia O’Brien w/Upsahl

Marquee Theatre, 7:30 p.m., $22-$89

Video Age and Shy Boy

The Underground, 7 p.m., $13

NOVEMBER 3 Angels & Airwaves

The Van Buren, 7:30 p.m., $43-$48

D Smoke w/Jean Dawson

Coca-Cola Sun Deck at Sun Devil Stadium, 8 p.m., $23

JJ Grey & Mofro

Crescent Ballroom, 8 p.m., $17 Last Exit Live, 8 p.m., $10-$13

Audic Empire

Last Exit Live, 8:30 p.m., $12-$15

Branford Marsalis Quartet

Scottsdale Center for the Performing Arts’ Virginia G. Piper Theater, 7:30 p.m., $39-$69

Crack Rabbit

The Rebel Lounge, 7:30 p.m., $13

Delphine Cortez and Joel Robin The Nash, 4:30 p.m., free

Japanese Breakfast w/Sasami Coca-Cola Sun Deck at Sun Devil Stadium, 8 p.m., $23

The Manhattan Transfer

Playboi Carti

R&B Fall Jam w/Ginuwine, Case, Sunshine Anderson

NOVEMBER 5 Charley Crockett

Crescent Ballroom, 8 p.m., $27-$30

Doja Cat Night

The Van Buren, 9 p.m., $12-$15

Dubs Going Away Show w/the Woodworks, Comptalo, the Psychedelephants Last Exit Live, 9 p.m., $8-$10

Ducky

Aura, 9 p.m., $17-$27

George Thorogood & the Destroyers

The Rhythm Room, 8 p.m., $10

Tommy Emmanuel

Mesa Arts Center’s Ikeda Theater, 8 p.m., $29.50-$49.50

Wizzerd

Marquee Theatre, 7 p.m., $25-$329.50 Valley Bar, 8 p.m., sold out Celebrity Theatre, 8 p.m., $38.50-$80.50

Big & Rich, Aaron Lewis and more: A Salute to American Veterans

Ak-Chin Pavilion, 5 p.m., $34-$89

Boney James

Chandler Center for the Arts’ Mainstage, 7:30 p.m., $30-$58

Musical Instrument Museum, 7 p.m., $33.50-$46.50

JMSN

Crescent Ballroom, 8 p.m., $20

Kevin Costner & Modern West ¡Mayday!

Patrice Bäumel

Shady Park, 3 p.m., $25

SeeYouSpaceCowboy

The Underground, 6:30 p.m., $15

Terell Stafford and the SCC Jazz Orchestra

The Nash, 7:30 p.m. and 9:15 p.m., $33-$40

War

Chandler Center for the Arts’ Mainstage, 7 p.m., $28-$68

NOVEMBER 8 Colony House

Crescent Ballroom, 8 p.m., $20

The Charles McPherson Quintet

The Van Buren, 8 p.m., $24-$26

Tempe Center for the Arts, 8 p.m., free The Nash, 7 p.m. and 9:15 p.m., $60-$90

Cold Shott and the Hurricane Horns

The Rhythm Room, 9 p.m., tickets at the door

Role Model w/Binki

NOVEMBER 9 Negativland

The Rebel Lounge, 8 p.m., $22

Queen Naija w/Tink

Daymes Rocket

The Van Buren, 8 p.m., $32-$35

Pub Rock Live, 7 p.m., $10-$15

Quinteto Astor Piazzolla

Musical Instrument Museum, 7 p.m., $44.50-$59.50

Rick Wakeman

Pub Rock Live, 7:30 p.m., $15-$18

Mariachi Los Camperos

Harrah’s Ak-Chin Casino, 8 p.m., $39.50-$231

Yucca Tap Room, 7:30 p.m., $7-$10

Carvin Jones Band

Justin Moore

Yucca Tap Room, 7 p.m., $12-$15

The Rhythm Room, 4 p.m., tickets at the door

The Rebel Lounge, 8 p.m., $20

Reagan Youth

Pub Rock Live, 7 p.m., $12-$15

Valley Bar, 7:30 p.m., $16

NOVEMBER 6

Immortal Guardian

The Rebel Lounge, 8 p.m., $20

Banners

Schnepf Farms, 1 p.m., $50-$150

Kikagaku Moyo

Salt River Grand Ballroom at Talking Stick Resort, 8 p.m., $35-$45

NOVEMBER 7

Yucca Tap Room, 9 p.m., free

Good Life Festival w/Don Felder (formerly of the Eagles), the Guess Who, and Nate Nathan and the Mac Daddy-O’s

Scottsdale Center for the Performing Arts’ Virginia G. Piper Theater, 7:30 p.m., $35-$42

The Rebel Lounge, 6:30 p.m., $12

Jane Monheit

Atlanta Rhythm Section

Mesa Arts Center, 8 p.m., $38-$68

Tullis

Terry Hanck

Marquee Theatre, 8 p.m., $28.50-$129

Old Blood

Snarky Puppy

Crescent Ballroom, 8 p.m., $24-$26

Earth Groans

Alexander 23

Arizona Federal Theatre, 8:30 p.m., $59.50-$172.50

Summer Salt

The Struts

Chandler Center for the Arts’ Hal Bogle Theatre, 7:30 p.m., $36-$56

Nick Schnebelen

Rüfüs Du Sol

Sunbar Tempe, 9 p.m., $22

Benefit for Delmar Stewart

24KGLDN

Yucca Tap Room, 8 p.m., free

Shady Park, 9 p.m., $25

Run Boy Run

Musical Instrument Museum, 7 p.m. and 9 p.m., $33.50-$69.50 The Rhythm Room, 8 p.m., $10-$12

Aura, 9 p.m., $23-$33

Schnepf Farms, 2:45 p.m., $50-$95

Musical Instrument Museum, 7 p.m. and 9 p.m., $44.50-$64.50

Celebrity Theatre, 8 p.m., $35-$245

Teenage Bottlerocket Tokyo Police Club

Crescent Ballroom, 8 p.m., $23

NOVEMBER 10 Alina Baraz

The Van Buren, 8 p.m., $30-$180

Clark Beckham

Last Exit Live, 8:30 p.m., $12-$50

Elvis Costello & the Imposters Arizona Federal Theatre, 7:30 p.m., $49.50-$558.50

JD Simo and GA-20

The Rhythm Room, 8 p.m., $15-$20

Neck Deep

Marquee Theatre, 6 p.m., $29.50-$59.50

$uicideboy$

Rawhide Event Center, 6:30 p.m., $63

NOVEMBER 11 Boy Pablo

The Van Buren, 8 p.m., $25-$28

Devon Baldwin

Last Exit Live, 8:30 p.m., $10-$12

Frozen Soul and Sanguisugabogg The Underground, 7 p.m., $13

Jeffrey Sutorius

Sunbar Tempe, 9 p.m., $21

MayneSwing

The Nash, 7:30 p.m., $10-$25

Nick Waterhouse

Musical Instrument Museum, 7 p.m., $33.50-$44.50

Poorstacy

The Rebel Lounge, 8 p.m., $20

Satsang

Marquee Theatre, 8 p.m., $17-$37

These Loud Thoughts

The Rhythm Room, 7:30 p.m., $10

NOVEMBER 12 bbno$

Crescent Ballroom, 8 p.m., sold out

Benny the Butcher

The Pressroom, 7 p.m., $30

Birdtalker

Valley Bar, 7:30 p.m., $17

Davey Suicide

Pub Rock Live, 7:30 p.m., $15-$18

Django Festival All-Stars

Musical Instrument Museum, 7 p.m. and 9 p.m., $33.50-$49.50

LANY

Arizona Federal Theatre, 7:30 p.m., $29.50-$228.50

Lukas Nelson & Promise of the Real

The Van Buren, 8 p.m., $30-$35

Lagwagon

The Rebel Lounge, 8 p.m., $32

The Meteors

Yucca Tap Room, 7:30 p.m., $15-$20

Remo Drive

The Rebel Lounge, 8 p.m., $17

The Righteous Brothers Celebrity Theatre, 7:30 p.m., $24.50-$59.50

Soul Power Band

The Rhythm Room, 8 p.m., $10

NOVEMBER 13

Evanescence and Halestorm w/Plush

Arizona Federal Theatre, 7:30 p.m., $59.50-$89.50

I Fight Dragons

Marquee Theatre, 7 p.m., $30

The Rhythm Room, 8 p.m., $10

DirtySnatcha and Autokorekt Aura, 9 p.m., $18-$28

Harry Styles

Gila River Arena, 8 p.m., sold out

KWSS Fall Fundraiser w/Paper Foxes, Electric Sol, MRCH and the Numan League Last Exit Live, 7:30 p.m., $15-$150

Jan Sandwich and Trio 380

Scottsdale Center for the Performing Arts’ Stage 2, 7:30 p.m., $24-$28

LeAnn Rimes

Highlands Church, 7:30 p.m., $49-$84

nothing,nowhere.

Valley Bar, 7 p.m., $22-$25

The Ocean Blue

Crescent Ballroom, 8 p.m., $20-$25

Phoenix Afrobeat Orchestra

Toosii

NOVEMBER 16

The Rhythm Room, 8 p.m., $5

Dar Williams

Musical Instrument Museum, 7:30 p.m., $38.50-$46.50

Everclear w/Wheatus

Celebrity Theatre, 8 p.m., $30-$190

He$h

Aura, 9 p.m., $20-$40

Kirk Whalum

Chandler Center for the Arts’ Mainstage, 8 p.m., $48-$68

Lucero

100 gecs

Crescent Ballroom, 8 p.m., sold out

Bobby Oroza

The Rebel Lounge, 7 p.m., $15

Caroline Polachek w/Oklou

Highlands Church, 7:30 p.m., $35-$72

Cory and the Wongnotes featuring Antwaun Stanley Crescent Ballroom, 8 p.m., $25

Scottsdale Center for the Performing Arts’ Virginia G. Piper Theater, 8 p.m., $36-$46

Extreme Strings featuring Bill Dutcher, Steve Adelson and William Eaton

Strangelove – The Depeche Mode Experience

Marquee Theatre, 8 p.m., $27-$57

Marquee Theatre, 8 p.m., $23-$65 Last Exit Live, 8 p.m., $13 The Van Buren, 8 p.m., $25-$27

Noirblvd

Ray On My Mind

René Marie Quintet

Musical Instrument Museum, 7 p.m., $28.50

Volac

Jarren Benton

NOVEMBER 20

The Rebel Lounge, 8:30 p.m., $15

JP Saxe

Valley Bar, 7:30 p.m., sold out

Tempe Center for the Arts, 7:30 p.m., free with RSVP

NOVEMBER 17

SG Lewis

Crescent Ballroom, 8 p.m., $27.50-$37.50

Sunbar Tempe, 9 p.m., $19

1964…The Tribute

Celebrity Theatre, 8 p.m., $19-$43

Buck Meek

Last Exit Live, 8 p.m., $12-$14

The Black Angels

Kaivon

Coin

Lagwagon

Musical Instrument Museum, 7:30 p.m., $33.50-$44.50

Dale Watson

Los Angeles Azules

Winnetka Bowling League

Nita Strauss

Arizona Federal Theatre, 8 p.m., $28.50-$398.50

Provoker and Death Bells

The Van Buren, 8 p.m., $29-$104

NOVEMBER 18

Musical Instrument Museum, 7:30 p.m., sold out

Sunbar Tempe, 9 p.m., $27

Slaid Cleaves and Robbie Fulks

Marquee Theatre, 6:15 p.m., $10-$20

NOVEMBER 14 Brooklyn Rider and Nicholas Phan

Scottsdale Center for the Performing Arts’ Virginia G. Piper Theater, 7:30 p.m., $35-$65

Cosmic Kitten

Yucca Tap Room, 8 p.m., free

Earth, Wind & Fire

Arizona Federal Theatre, 7:30 p.m., $39.50-$76

Eliane Elias

Musical Instrument Museum, 6 p.m. and 8 p.m., $33.50-$49.50

Gondwana

Crescent Ballroom, 6:30 p.m., $21

Katie Pruitt

Aura, 9 p.m., $20-$30

Kyle Watson

Phoenix Afrobeat Orchestra w/Baracutanga

Sunbar Tempe, 9 p.m., $18.75

Lights on the Coast

Pink Floyd Laser Spectacular

Lisa Morales

Porter Robinson

Sleepy Hallow

Rawhide Event Center, 8 p.m., $49.70

Yucca Tap Room, 8 p.m., free

Bill Tarsha’s Birthday Party w/ The Rocket 88s and special guests

Valley Bar, 8 p.m., $14

Marquee Theatre, 8:30 p.m., $30-$67.75

Contrafiktion

The Rebel Lounge, 8 p.m., $15

Nurko

Last Exit Live, 9 p.m., $15-$18

NOVEMBER 15

Attlas

Shady Park, 9 p.m., $20

33 Carol Pacey & the Honey Shakers

THE ENTERTAINER! MAGAZINE NOVEMBER 2021

The Rhythm Room, 8 p.m., $10 The Rebel Lounge, 7 p.m., $25 The Van Buren, 8 p.m., $25-$35

The Van Buren, 8 p.m., sold out The Rhythm Room, 8 p.m., $20 The Rebel Lounge, 8 p.m., $22 Valley Bar, 7:30 p.m., $15

Boan

The Rebel Lounge, 8 p.m., $15

Carmela y Más

Tempe Center for the Arts, 7:30 p.m., free

Las Chollas Peligrosas

Crescent Ballroom, 9 p.m., $25-$30 The Rebel Lounge, 8 p.m., $32

MisterWives w/Frances Forever Paul Thorn Band Paul Van Dyk

Sunbar Tempe, 9 p.m., $27

Postmodern Jukebox

Mesa Arts Center’s Ikeda Theater, 8 p.m., $35-$209

Scottsdale Center for the Performing Arts’ Virginia G. Piper Theater, 7:30 p.m., $10-$28

Slow Pulp

Metz and Preoccupations

The Nile, 7 p.m., $20

Crescent Ballroom, 8 p.m., $20

Red Elvises

The Rhythm Room, 8 p.m., $10

San Holo

The Van Buren, 8 p.m., $27-$107

Valley Bar, 8 p.m., $14

Swallow the Sun

Tsuruda and Chee

Shady Park, 9 p.m., $24

Yächtley Crëw

Marquee Theatre, 9 p.m., $30-$60

Skream

NOVEMBER 21

Spyro Gyra

The Underground, 6:30 p.m., $15

Sunbar Tempe, 9 p.m., $26

Destroy Boys

Musical Instrument Museum, 7 p.m. and 9 p.m., $33.50-$49.50

Lagwagon

NOVEMBER 19

Matt Vandal

beabadoobee

The Van Buren, 8 p.m., $22-$25

The Rebel Lounge, 8 p.m., $32 The Rhythm Room, 6 p.m., $8 CALENDAR CONTINUED ON PG. 34

ENTERTAINERMAG.COM

BACK FROM THE DEAD Halestorm returns to the stage for empowering tour

34

UPFRONT | CITY | TRAVEL | ARTS | DINING | BEER AND WINE | CASINOS | SPORTS | FAMILY | MUSIC | NIGHTLIFE | IN CLOSING

By Christina Fuoco-Karasinski rejay Hale loves Arizona.

The Halestorm drummer — and brother to singer Lzzy Hale — revels in the warmth.

“I’m not a winter person at all,” he says buoyantly. “I love playing there. It’s one of the most uniquely beautiful states in Arizona. I love the scenery. I love the look of the desert and the sunsets are amazing.”

Hale will not be able to see most of it, however, because of Halestorm’s strict COVID-19 safety protocol.

“The only thing we’ve been doing on tour is nothing,” he says. “We’re trying to be safe and careful. We have a set COVID safety protocol. There’s no socializing, no going out to eat. We’re hanging out with each other in our bubble. It’s kind of boring.”

Halestorm is on tour with fellow women-led bands Evanescence and Plush. The jaunt comes to the Arizona Federal Theatre on Monday, November 15.

“It’s such a great, positive message and so encouraging,” he says. “It’s going to be a positive, female empowerment tour.

It will inspire young girls to pick up the guitar, drumsticks or grab a mic. I love seeing more and more women coming

out to the show and telling us, ‘I didn’t know I could do this.’”

For years, Hale says, the crowd was 90% guys.

The tilt toward women is a pleasant surprise.

“Now, it’s almost split right down the middle, especially for the tours we’ve done with In this Moment, New Years Day and Stitched Up Heart,” he says about other bands fronted by women.

“There are so many amazing female rock bands out there. Evanescence is one of the OGs. They’re the kind of band that set it off for a lot of female-fronted bands, like us.”

Hale says Halestorm has become “great friends” with Evanescence, who is led by singer Amy Lee. The tour with Evanescence and Plush is Halestorm’s first since the COVID-19 pandemic started. It supports the single “Back from the Dead.”

“It was very weird to have that much time off,” Hale says. “We’re always out doing shows. If I have too much time at home, it’s hard. It was very weird

adjusting to a ‘normal’ life. I think a lot of people are just so grateful to go out and see a show. I don’t think they would care what we play.”

That said, fans can expect “controlled chaos” during Halestorm’s set.

“There are moments in the show where we go off and improvise and jam together,” says Hale, who has homes in LA and Nashville. “It adds excitement for us.”

Steve Darko

NOVEMBER 25

NOVEMBER 27

A

Shady Park, 3 p.m., $18

NOVEMBER 22

HAPPY THANKSGIVING!

NOVEMBER 26

The Dave Seabaugh Charity Christmas Show

Crescent Ballroom, 8 p.m., $20-$70

Bandlez and Volt

NOVEMBER 23

Aura, 9 p.m., $20-$30

Mesa Arts Center’s Piper Repertory Theater, 7:30 p.m., $33, or free for children 2 and younger

Crazy Town and Green Jellÿ

Doll Skin

Habstrakt

Jay Wheeler

The Aces

The Casualties

The Underground, 7 p.m., $20-$22

Cold Hart

Valley Bar, 8 p.m., $20

Gemini Syndrome

Pub Rock Live, 7 p.m., $18-$22

Marquee Theatre, $22-$52

Sunbar Tempe, 9 p.m., $21.50

Hot Mulligan w/Prince Daddy & the Hyena, Sinceer Engineer, Super American

Pamyua

The Van Buren, 7:30 p.m., $22-$25

Silverstein

Scottsdale Center for the Performing Arts’ Virginia G. Piper Theater, 8 p.m., $28-$58

Thundercat

Murs

Musical Instrument Museum, 7 p.m., $33.50-$49.50 Marquee Theatre, 7:15 p.m., $25-$45

Jake Shimabukuro

The Van Buren, 8 p.m., sold out

Crescent Ballroom, 8 p.m., $18

NOVEMBER 24

Shady Park, 9 p.m., $22

Gucci Mane

Celebrity Theatre, 8 p.m., $65-$225

Qrion

Sugar Thieves

The Midnight w/Jupiter Winter

The Rhythm Room, 8 p.m., tickets at the door

Rusko

The Rebel Lounge, 7 p.m., $10

The Van Buren, 8 p.m., $25-$80 Sunbar Tempe, 9 p.m., $20 ENTERTAINERMAG.COM

Zherra

The Rebel Lounge, 7:30 p.m., $15 Arizona Federal Theatre, 8 p.m., tickets TBA

Evanescence w/Halestorm and Plush WHEN: 7:30 p.m. Monday, November 15 WHERE: Arizona Federal Theatre, 400 W. Washington Street, Phoenix COST: Tickets start at $49.50 INFO: 602.379.2800, arizonafederaltheatre.com

NOVEMBER 28 Esteban

Musical Instrument Museum, 2:30 p.m. and 7 p.m., $44.50-$54.50

Larry June

The Van Buren, 8 p.m., $30

Reverend Horton Heat

The Rhythm Room, 8 p.m., $40

NOVEMBER 29

Irish Christmas in America

Kottonmouth Kings

Musical Instrument Museum, 7 p.m., $35.50-$41.50

Marten Hørger

TV Girl

Shady Park, 9 p.m., $23.50

Crescent Ballroom, 8 p.m., sold out

Motown Sound of the Miracles Holiday Concert

NOVEMBER 30

Marquee Theatre, 6 p.m., $23-$53

Musical Instrument Museum, 2:30 p.m. and 7:30 p.m., $64.50-$79.50

Tonstartssbandht

Valley Bar, 7:30 p.m., $15

Unto Others

Pub Rock Live, 7:30 p.m., $13

Vanic

Aura, 9 p.m., $24-$29

Andrew McMahon

The Van Buren, 7 p.m., $32.50-$35

Irish Christmas in America

Musical Instrument Museum, 7 p.m., $35.50-$41.50

Opeth and Mastodon

Mesa Amphitheatre, 5:15 p.m., $46.50-$48.50

The Toasters

Yucca Tap Room, 7:30 p.m., $15

Vitriol

The Rebel Lounge, 8 p.m., $12

THE ENTERTAINER! MAGAZINE NOVEMBER 2021

35

A SPECIAL YEAR

‘Christmas Eve’ is the star of TSO’s show

By Alan Sculley

L

ast year, Trans-Siberian Orchestra was forced to cancel its signature annual project — the holiday tour of U.S. arenas that typically draws more than 1 million fans.

To help fill the void, the TSO team put together a livestream concert. Scaling the show from an arena where TSO deploys a spectacular light show and all manner of pyrotechnics and special effects to something that works on a TV or computer screen was a challenge, but the livestream, which featured the 1996 “Christmas Eve and Other Stories” album, went over well.

And in a way, the livestream took TSO back to its beginnings, before founder/ songwriter, the late Paul O’Neill, was financially able to create the visual concert extravaganza fans now know and love. The livestream also revealed an important truth to Al Pitrelli and Jeff Plate, the musical directors for TSO’s two touring ensembles.

“If you go back to our first show in ’99, Jeff and I, I think we had, I don’t know, seven or eight cities on the tour,” Pitreilli says.

“We had a box truck, two buses and

a fog machine. The curtain came up, the lights went down, and we played the songs from top to bottom. It wasn’t the sensory overload that it grew up to be.

It was a beautifully written story that Paul O’Neill put pen to paper back in ‘95, and we started recording in ‘96. The people fell in love with the characters.

They fell in love with the story. They fell in love with the sentiment of it. Because at the end of the day, at the center of Paul’s story is about missing somebody, and everybody misses somebody, especially around the holidays.

“I think during the livestream, it showed me, in particular, two things,” he says. “One is that people, they love the story. It didn’t have all the special effects. There’s no physical way we could do that. But the band played amazing.

The singers brought the characters to life. I heard after the fact that we sold almost 250,000 of those things. From a financial standpoint, I could care less. It didn’t matter to me. What really made me emotional is that people wanted their tradition. Albeit virtually, we were all joined together.”

Now, Pitrelli and Plate are taking the two touring ensembles of TSO back to arenas across the country. Knowing fans will turn out en masse for the shows continues to leave Pitrelli and Plate feeling surprised and gratified. After all, when O’Neill founded the project, he envisioned something entirely new and unproven in contemporary music.

For one thing, TSO would combine a rock band with an orchestra playing

concept albums/rock operas with cohesive story lines. Instead of building an image around a singer, guitarist or conductor, the ensemble would use multiple singers and a range of instrumentalists who would remain largely anonymous to listeners. How to market the group was a big question. The albums would require big budgets, and to be financially viable, the tours would need to play arenas from the start — something no music act had done.

Nevertheless, Atlantic Records got on board with O’Neill’s vision and signed TSO. The label has been rewarded as the trilogy of Christmas albums became hits that continue to rack up new sales every holiday season.

The first release was “Christmas Eve and Other Stories.” Spurred by the hit single “Christmas Eve Sarajevo 12/24,” it has sold 3 million copies. The other two holiday rock operas that make up TSO’s Christmas trilogy — “The Christmas Attic” (1998) and “The Lost Christmas Eve” (2004) — have topped 2 million copies sold. In addition, the group has released a Christmas EP, 2012’s “Dreams of Fireflies (On A Christmas Night),” and three full-length non-holiday rock operas — “Beethoven’s Last Night” (2000), “Night Castle” (2009) and “Letters from the Labyrinth” (2015).

In all, the group’s CDs and DVDs have sold more than 12 million copies and the Christmas tour plays to 1 million fans each year.

This year, as in 2019, TSO’s show will feature the “Christmas Eve and Other

Stories” album as a first set, followed by a selection of other material in the second set. That 1996 debut album was played for a dozen years when TSO started touring, then was set aside to feature the other albums in the Christmas trilogy on subsequent tours.

Bringing back the album that began the TSO journey has been special for Pitrelli and Plate.

“Yes, this is my favorite show,” said Plate, who joined Pitrelli for the teleconference. “I’ve said all along, I think this story is really the star of the show. This is what kept bringing people back every year was when people connected with the story and realized it’s about them. It’s about everybody. This is just how people, just word of mouth, kept coming back. These audiences kept building every year. This (was) our first venture with the Trans-Siberian Orchestra, ‘Christmas Eve and Other Stories,’ so this has a lot of meaning. It’s very special for all of us. The songs, the story, (everything) about it, I think is fantastic.”

Trans-Siberian Orchestra: “Christmas Eve and Other Stories” WHEN: 3 p.m. and 7:30 p.m.

Sunday, December 5 WHERE: Footprint Center, 201 E. Jefferson Street, Phoenix COST: Tickets start at $44.75 INFO: 602.379.2000, footprintcenter.com ENTERTAINERMAG.COM

HOLDING COURT

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UPFRONT | CITY | TRAVEL | ARTS | DINING | BEER AND WINE | CASINOS | SPORTS | FAMILY | MUSIC | NIGHTLIFE | IN CLOSING

Nerdcore rapper Mega Ran releases ode to basketball

By Christina Fuoco-Karasinski

F

ormer middle school English teacher and nerdcore rapper Mega Ran is a basketball junkie.

In celebration of the beginning of basketball season and his love of music and gaming, Mega Ran released the album “Live 95.”

“The release is a tribute to my love for basketball in the 1990s and videogames,” he says. “Live 95 had vibrant colors and just really fun teams. It was a big part of my life at the time.

“It’s a snapshot of my life in the 1990s, with a lot of sports references and autobiographical stories about how I grew up, what was going on and learning to become a man, as well as life, love and relationships. It was an innocent time.”

The North Phoenix musician, who performs as part of WayneFest in Phoenix on Saturday, December 4, funded his album through Kickstarter. “‘Live 95’ was a logical name for an album. The game was for Sega Genesis, and it looks really primitive,” he says.

“The graphics aren’t amazing. It’s the first game to do realistic things as a basketball game. That is what encouraged the title of the album for sure.”

The Philadelphia-born Mega Ran didn’t jump on the Suns bandwagon.

Instead, his favorite player is his hometown hero, Charles Barkley.

“He’s the perfect player for the Philadelphia mindset,” he says. “I’m an underdog. He always got it done and outworked everyone. I feel like that myself. I’m a little older than the average rapper. My story is different. My upbringing is different, but through hard work, we persevere.”

Mega Ran w/2Tone Lizard Kings, The Rebel Set, The Blood Feud Family Singers WHEN: 4 to 10 p.m. Saturday, December 4 WHERE: Coronado Park, 1717 N. 12th Street, Phoenix COST: $20 adults; $5 for kids 12 and younger INFO: waynefestphx.com

SPECTACULAR EXPERIENCE

Pink Floyd laser show keeps legacy in lights

By Sarah Haber

D

avid Gilmour’s 12-string chord progression echoes through the speakers emulating a car stereo. As the crisper second guitar joins in, the audience sits in silence.

Each in their own headspace, each on their own journey, and each soaking in the soft raspy baritone of Gilmour beginning “Wish You Were Here.” Displayed on the screen is a chronological tribute to fallen rock legends including Elvis Presley, John Lennon and David Bowie. Some cry, others clap in awe and recall their own musical memory lane. Without the Pink Floyd Laser Spectacular, none of this would be possible.

ENTERTAINERMAG.COM

On Friday, November 12, at the Marquee Theatre in Tempe, The Pink Floyd Laser Spectacular Show will return to Arizona. Founded in 1986, the show uses lasers, large-screen video projection, 3D technology, and lighting effects to create the ultimate viewer experience.

Creator Steve Monistere says, “each song has its own theme, story and look to back up the Pink Floyd song message.”

The large screen video projection works in unison with the lasers and music telling a story with each song.

Clocking in at two hours, the show has a 20-minute intermission after 45 minutes. The final half is just over an hour. Monistere sees a crowd who is a mix of die-hard fans, grandparents bringing their grandchildren, and

younger people just getting into the band’s music. The imagery is meant to “open the minds” of the audience.

The Pink Floyd Laser Spectacular is the longest-running touring theater show. Monistere says he is driven by more than keeping Pink Floyd’s legacy alive.

“I just do my work and make sure people are happy,” Monistere says.

The Pink Floyd Laser Spectacular WHEN: 8:30 p.m. Friday, November 12 WHERE: Marquee Theatre, 730 N. Mill Avenue, Tempe COST: Tickets start at $35 INFO: 480.829.0607, luckymanonline.com

THE COMEBACK

THE ENTERTAINER! MAGAZINE NOVEMBER 2021

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Matt Johnson recalls his infectious The The tunes

By Christina Fuoco-Karasinski

M

att Johnson moved away from his band The The after a slew of alternative rock hits like “Infected” and “This is the Day.” From 2002 to 2010, he did not even pick up a guitar.

He was interested in “real life,” like traveling, having a family and living in different countries. In 2015, his former partner, Johanna St. Michaels, wanted to make a documentary about him called “The Inertia Variations.”

The documentary about his feelings of disenchantment and writer’s block actually inspired Johnson.

“During the making of the film, she was encouraging me to write a new song,” he says. “Unfortunately, my older brother died during the making of that film. I wrote a song about him. I then performed that and it was the first time I had sung in front of anybody in quite some time.

“I realized how much I enjoyed and missed singing and playing. The documentary did very well and I received offers to do tours. One thing led to another and we’re back.”

On October 29, The The released “The Comeback Special,” which documents the band’s 2018 sold-out Royal Albert Hall concert in London. “This is the Night” was originally featured on The The’s fourth album, “Dusk,” in 1993.

A highlight of the aptly named “The Comeback Special” is a 136-page art book, which tells its back story through behind-the-scenes photos, film stills,

contributions and stories, as well as six discs. One is the Blu-Ray and DVD version of the concert film.

The live shows were a pleasant surprise for Johnson, who called the audience and band members wonderful, “very warm and positive.” He cobbled together his band with musicians from different eras of The The — James Eller on bass, DC Collard on keyboards and Earl Harvin on drums and new member Barrie Cadogan on guitar alongside Johnson.

“We all really gelled,” he says. “The

initial rehearsal periods were acoustic. I wanted to distill the songs down to their essence. I wanted to rebuild the melodies and the lyrics within the imagination of the new band lineup. I wanted the band’s character to express itself through the songs as well.

“I don’t often listen to my own records, but I went back in time and decided which songs were suitable for the tour. It was quite an enjoyable experience. ‘This is the Day’ could have been written very recently, in terms of its meaning to me.

I wrote that when I was 21 and I was pleasantly surprised it was an enjoyable song.”

He’s hoping to bring The The stateside, but doesn’t feel comfortable scheduling shows while many are still being canceled.

The pandemic hasn’t been too difficult for Johnson, who says he “carried on my life as normal, really.”

“I bicycled and was still being pretty sociable, in relative terms. The most important thing is not to get caught up with the fear. It is hard to know what was true and what wasn’t true.

“It was very sad to see people in a car by themselves with all the windows up and wearing a mask. It’s insanity. There were old people in the countryside by themselves with a mask on. People were very emotionally disturbed by it. People were in the hospital and dying of other causes and family members weren’t allowed to visit them.”

The media, he says, made the situation worse. Johnson adds he hasn’t had a television for 30 years.

“They made people terrified instead of reassuring them,” he says. “The media is highly culpable and irresponsible — particularly over here with the BBC (showing) fear-mongering stories 24-7. A lot of the news is just fear-based propaganda.”

The The thethe.com ENTERTAINERMAG.COM

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UPFRONT | CITY | TRAVEL | ARTS | DINING | BEER AND WINE | CASINOS | SPORTS | FAMILY | MUSIC | NIGHTLIFE | IN CLOSING

THE REAL DEAL

Plush defies stereotypes to produce straight-up rock

By Christina Fuoco-Karasinski

T

he four women of the rock band Plush knew they had to build up momentum for their self-titled debut album.

During the pandemic, they released under-the-radar YouTube and Facebook videos of cover songs to pique music listeners’ curiosity.

“I kind of freaked out during the pandemic, like all of us did,” says guitarist/singer Moriah Formica, who, like the rest of the band is under 21.

“My whole livelihood was gone. I set up a thing where, for $20, I sent people a personal video and a cover of their request. We put them on YouTube, too.

That ended up being super helpful for me during the quarantine and for the album.”

Before the album dropped in late October, Plush was best known for Formica and drummer Brooke Colucci’s cover of Heart’s “Barracuda.” Their first recorded song is up to 1.8 million views ENTERTAINERMAG.COM

on YouTube. (Watch it here: https://bit. ly/PlushBarracuda) The album — and one surprise cover — will be on the setlist when Plush opens for Evanescence and Halestorm at the Arizona Federal Theatre on Monday, November 15. It’s the women’s first show in Phoenix.

The talents of the all-female rock band—which also includes guitarist Bella Perron and bassist Ashley Suppa — belie their age.

As a contestant on “The Voice,” the 4-foot-11 Formica saw all four judges’ chairs turn around with her soaring cover of Heart’s “Crazy on You,” which went viral. Then-judge Miley Cyrus referred to her as a “rock goddess.”

Colucci’s talents have gone viral, too, generating more than 14 million views. Perron is a guitar virtuoso who’s studying at the Berklee College of Music. Dubbed a “female version of Cliff Burton,” Suppa mirrors the late Metallica legend.

“I’m super appreciative for any

support,” Colucci says of her YouTube views. “I just try to stay true to who I am.” (Incidentally, Colucci spent the pandemic finishing high school.)

Plush brings its talents together on its 13-song self-titled debut, which was produced by Johnny K, who also worked with Tempe’s The Black Moods, 3 Doors Down, Disturbed and Staind.

“He pushes to get the best product, which is something I really appreciated,” Formica says.

“He helped push me out of my comfort zone. For example, I would get so focused on a note being perfect. I’m a perfectionist. I get caught up on things that don’t necessarily matter. He told me to just feel the music and get more aggressive. Don’t worry about having perfect pitch. He would say, ‘This is a rock ‘n’ roll song. Get aggressive with it.’

So, I would sing in the studio rawer and more aggressive than I usually do.”

She brings that energy to the stage, too. She doesn’t concern herself with stereotypes of being young women.

“We just really get out there and have so much fun,” Formica says. “It’s just straight-up rock ‘n’ roll.

“This may sound like a cliché response, but I’m just focused on doing me and showing that to the fans. I don’t really worry about being taken seriously because we’re young or because we’re women. I think that once we show the fans who we really are and be our raw selves, they’ll believe in us, too. I think as long as it’s genuine and it’s coming from the soul, fans will realize you’re the real deal and you’re legit.”

Evanescence w/Halestorm and Plush WHEN: 7:30 p.m. Monday, November 15 WHERE: Arizona Federal Theatre, 400 W. Washington Street, Phoenix COST: Tickets start at $49.50 INFO: 602.379.2800, arizonafederaltheatre.com

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