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#103

CHANEL INTERVIEW Jérôme Cavadini of Panerai

Gets Playful with the Coco Game Collection

REBORN Franck Muller and the art of skeletonisation

#TIMEFASHION

UP CLOSE & PERSONAL

CELINE presents the Little Half Moon

Jerome Kurnia wears Cartier

#103

CHANEL INTERVIEW Jérôme Cavadini of Panerai

Gets Playful with the Coco Game Collection

REBORN Franck Muller and the art of skeletonisation

#TIMEFASHION

UP CLOSE & PERSONAL

CELINE presents the Little Half Moon

Jerome Kurnia wears Cartier

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WELCOME NOTE

ringing playful appeal to our cover is the CHANEL J12 Coco Game, one of the pieces in the Coco Game Capsule Collection. Showcasing a pixelated image of Gabrielle Chanel, the watch boasts diamond indexes and a matt black highly resistant ceramic ring on the bezel, decorated with a baguette-cut pattern. Find out more about this timepiece, as well as the other models in the line in our Cover Feature, “Playful Horology.” In Industry News, we report on Bell & Ross introducing its global Squaring Time campaign through the local initiative, “100 Icons One Watch.” With participation from 100 local personalities, the campaign showcases the BR-05 collection, including the BR-05 36 mm. Furthermore, we join Longines as it expands its footprint in Indonesia and celebrates the grand opening of its first boutique in Tunjungan Plaza, Surabaya. Two accomplished individuals headline our Up Close and Personal section. Yasamin Jasem relays how she navigates life, while wearing watches from the new CHANEL Coco Game Capsule Collection, whereas Jerome Kurnia shares how he is fulfilling his dreams sporting his timeless Cartier timepiece. This edition is also packed with other high-profile interviews. We speak with Paul Mescal for Cartier; Panerai Chief Operating Officer, Jérôme Cavadini; IWC Chief Marketing Officer, Franziska Gsell Etterlin; and Danish former professional badminton champion, Viktor Axelsen, for HSBC. Lastly, we put a spotlight on the latest collections from the world’s foremost fashion brands in #TIMEFASHION, and provide you with updates on luxury living particularly Melbourne’s newest landmark, The One; CHANEL’s exquisite Les Extraits de CHANEL; and a look at modern and contemporary Nusantara art featured in ArtMoments Jakarta. Happy reading!

Irwan Danny Mussry Editor-In-Chief and Publisher @irwanmussry

CONTENTS

103 30 52 90

98 52

08 WELCOME NOTE

CARTIER Jerome Kurnia

12 CONTRIBUTORS

BEJEWELLED

COVER FEATURE 24 CHANEL Playful Horology

PIAGET

CHOPARD

FEATURE

INTERVIEW

36 ROLEX

Jérôme Cavadini

38 HUBLOT

42 FRANCK MULLER

IWC SCHAFFHAUSEN Franziska Gsell Etterlin

44 AUDEMARS PIGUET

46 BREGUET 50 TAG HEUER

PANERAI

CARTIER Paul Mescal

SPORT Viktor Axelsen

UP CLOSE AND PERSONAL

REBORN

CHANEL Yasamin Jasem

FRANCK MULLER Skeleton Mastery

The Time Place Magazine, Edition 103 All rights reserved, copyright 2026 by PT Komunikasi Perkasa International. Reproduction in whole or part without permission is prohibited. Editor-in-Chief and Publisher: Irwan Danny Mussry Chief Editorial Advisor: Shannon Hartono Managing Editor: Maria Zarah Gregorio Viado Production Manager: Erika Tania Dessyandra Production Associate: Nafa Maghfirahma Aden Creative Multimedia: Kristy Gabriella, Erik Umar Contributors: Anastasia Winayanti Wibowo, Arimbi, Arinta Wirasto, Christian Arya Dauhiong, Claudya Purba, Dien Tirto Buwono, Eka Sari Wahyuni, Fahita Advani, Karina Saphiera Witjaksono, Reynaldo Tjandra, Riga Ramadhan, Triska Putri, Vicky Tanzil For Advertising Inquiries: Please contact Erika Tania at erika.dessyandra@time.co.id or +62 822 1921 4855 To subscribe, please contact us at magazine.thetimeplace@time.co.id Printed by: Gramedia Printing

24 #TIMEFASHION 80

CHANEL

CELINE

VALENTINO

BERLUTI

FENDI

ZEGNA

AMI PARIS

TORY BURCH

LUXURY PURSUITS 98

PROPERTY

Discover The One in Melbourne’s Southbank

100 LIFESTYLE CHANEL presents Les Extraits de CHANEL

102 ART ArtMoments Jakarta redefines the art fair with “Offerings”

REGULAR COLUMNS 14

SOCIETY

INDUSTRY NEWS

SPOTTED - WATCHES

SPOTTED - FASHION

The Time Place, Plaza Senayan Plaza Senayan, Level 1, Jakarta, Tel: +62 21 572 5759 The Time Place, Plaza Indonesia Plaza Indonesia, Level 1, Jakarta, Tel: +62 21 310 7715 The Time Place, Pacific Place Pacific Place, Ground Floor, Jakarta, Tel: +62 21 5140 2776 The Time Place, Tunjungan Plaza Tunjungan Plaza 4, Level UG, Surabaya, Tel: +62 31 532 7991 Rolex by The Time Place Plaza Indonesia, Level 1, Jakarta, Tel: +62 21 2992 3982

magazine.thetimeplace.co.id thetimeplace.magazine

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CONTRIBUTORS SOCIETY ANASTASIA WINAYANTI WIBOWO Writer

KARINA SAPHIERA WITJAKSONO Writer

Coming from a background far from media, Anastasia has spent a greater part of her diverse career journey as a part-time writer and translator. After a couple of years in an editorial role at one of Indonesia’s high society magazines, she honed her writing skills during a one-year freelance stint at two local luxury online publications while working full-time in the financial services sector.

During her years in the media industry, Karina has taken on a variety of roles ranging from editorial to business-oriented duties. Together with other country representatives, she was also appointed co-editor of a regional publication for Southeast Asia. As an aesthete, Karina’s appreciation for craftsmanship can easily be seen in her writings, especially when it comes to intricate timepieces.

RIGA RAMADHAN Writer Riga spent the last several years writing about watches and luxury articles for a couple of Indonesia’s prestigious luxury and lifestyle magazines. A jack of all trades who enjoys writing about watches, travel, and lifestyle features, Riga likes to collect Russian watches and go to music concerts and places where people can’t even pronounce words well.

FAHITA ADVANI Writer Fahita is a freelance writer for renowned media outlets and a musician who plucks strings and words with equal precision. Her background in intergovernmental organisations quietly informs her writing on culture, society, and public life. She approaches each subject with clarity and balance, grounded in both research and lived experience.

VICKY TANZIL Photographer Since graduating from Petra University with a Bachelor’s in Visual Communications, Vicky has been utilising his multifaceted aesthetic sensibility to build a constantly evolving eclectic portfolio. With an extensive range of creative experiences, he always relies on his instincts to push beyond the limitations of categorical boundaries.

CHRISTIAN ARYA DAUHIONG Videographer A visionary storyteller who crafts work by bending the abstract into artistry visuals, Christian transforms raw conceptual geometry into deeply poetic narratives. While the world thrums with relentless energy, silence and quietness have always been his closest companions–serving as an intentional sanctuary to defocus from the ambient noise and fully nourish the creative vision.

CLAUDYA CHRISTIANI PURBA Makeup Artist Passionate about beauty and fashion, Claudya is a full-time makeup artist based in Jakarta. She graduated from LaSalle College Jakarta and Makeup Forever Paris. Claudya excels in creating natural beauty looks and editorials for commercials, fashion shows, and magazines. Her vision is to empower everyone, regardless of gender, to confidently embrace their true selves while elevating the global appreciation and recognition of the creative industry.

ARINTA WIRASTO Writer Arinta is a writer by profession and a former journalist by training. With a background in Fashion Retail Management from London College of Fashion, she has worked across media, tech startups, and fashion, specialising in writing and content marketing. She believes every good sentence deserves careful thought, strong coffee, and at least a few rewrites.

DIEN TIRTO BUWONO Writer With over two decades of experience, Dien Tirto Buwono has led some of Indonesia’s most influential editorial and brand platforms. Drawing on her background in fashion, media, and the creative industry, she writes about design, travel, culture, and the personalities shaping our contemporary lifestyles.

REYNALDO TJANDRA Photographer & Videographer Reynaldo Tjandra is an Indonesian photographer and creative director. Guided by curiosity and human connection, he creates timeless, story-driven imagery with honesty, intention, and a refined artistic perspective. As the creative director of DERAI Studio, he crafts visuals that explore the relationship between light, space, and human expression.

TRISKA AGUSTI PUTRI Stylist With over a decade of experience in fashion styling, Triska Putri has worked across editorials, commercial campaigns, and brand collaborations. Known for her creative eye and attention to detail, she creates contemporary looks that blend storytelling with modern fashion.

EKA SARI WAHYUNI Hair Stylist Ever since starting her career in the fashion industry as a professional hairstylist in 2017, Eka believes that beauty will continue to evolve as our understanding of Indonesian culture deepens.

ARIMBI Makeup Artist Arimbi is a highly skilled professional makeup artist with more than eight years of experience in the fashion and commercial industries. She holds a CIBTAC Diploma in Photography and Fashion Makeup. With a deep understanding of cosmetics, beauty techniques, and trends, Arimbi aims to provide clients with exceptional beauty and makeup services.

SOCIETY

Modern Precision Swiss Haute Horlogerie manufacturer Audemars Piguet recently unveiled three new 42 mm Royal Oak Offshore Diver models, first introduced in DISCOVER MORE 2021, at a private viewing held at The Time Place Boutique, Plaza Indonesia. While previewing the new timepieces, guests were treated to a curated selection of cocktails and mocktails, thoughtfully crafted by a mixologist for the occasion. Available in three distinct and vibrant colours, these new Royal Oak Offshore Diver models reflect Audemars Piguet’s commitment to exploring new design avenues and evolving the codes of the luxury sports watch. One of the highlighted models at the event was the 42 mm Royal Oak Offshore Diver with a deep teal dial

Sugiono Budhi & Erica Vita

Christopher Boediman

Michelle Hendra Park

Winston Lordianto & Daniel Lordianto

HYDROCONQUEST

Available at

SOCIETY

Upholding Heritage Following Watches and Wonders 2026, TUDOR hosted a new watch presentation for distinguished guests to discover the in-house excellency of DISCOVER MORE the TUDOR Monarch. Revisiting the brand’s historical lines and celebrating a century of its savoir-faire, the event was held at the TUDOR boutique in Plaza Senayan, and included a touch and feel session, allowing guests to experience the brand’s expertise in crafting its timepieces firsthand. The occasion concluded with the handing out of personalised embroidered TUDOR caps for everyone in attendance.

Guests were able to preview the 39 mm TUDOR Monarch with dark champagne-colour dial

Ramon Y. Tungka

Rosa Arisanti & Muhammad Ikhsan

Benny Lim, Dony Amaldi, Dyryan Ega

Andreas Pratama

Oxy Rizkinanda

Andi Susanto

Felicia Natalia Atmadja & Rainier Taufik

CHARLES SCHUMANN, BARTENDER, SHADOW SNEAKER

«ELEGANCE IS BORN IN SHADOW»

SOCIETY

Iconic Comeback Valentino reaffirmed its distinctive identity through the launch of the new Valentino Garavani Rockstud Collection, highlighting the Valentino DISCOVER MORE Pre-Fall 2026 Collection by Creative Director Alessandro Michele, at the brand’s boutique in Plaza Indonesia. The presence of Namira Adzani and other gorgeous ladies enlivened the event, which included a live studio experience, where photographs of the guests were taken wearing the Rockstud Collection, and were gifted personalized handwritten notes by the calligrapher. The new Valentino Garavani Rockstud Collection boasts design updates, such as two heel heights and platinum-finish metal toe caps

Cindy Priscilla

Anastasia Herzigova

Namira Adzani

Gitta Yunanda

Tisha Dionetta

Aziza Rahmayani

Claudia Setyohadi

SOCIETY

Led by Heritage An intimate evening hosted by The Time Place Magazine and Standard Chartered, alongside Chopard, SukkhaCitta, and Lexus Menteng, DISCOVER MORE celebrated the essence of intentional luxury, where craftsmanship meets responsibility and long-term vision. Guests were immersed in an experience that fostered dialogue on the evolving landscape of modern heritage. From product discovery and insightful panel discussions to a curated dining experience, the evening reflected how enduring legacies are shaped by the handed down alternatives and values cultivated today.

Chopard’s rich heritage in haute joaillerie was highlighted at the special event

Shannon Hartono

Hian Tjen

Yoseph Chandra

Melilyssa Chanaka

Olivia Pramaisella & Baron Respati

Andini Effendi

Ollie Dhirendra

Nanny Indrajana & Jenny

INDUSTRY NEWS

Bell & Ross introduces its global Squaring Time campaign through the local initiative, “100 Icons One Watch,” showcasing the BR-05 and the BR-05 36 mm. The BR-05 36 mm is available at Bell & Ross Boutique, Pacific Place Mall and all INTime boutiques

SQUARED IDENTITY

ounded in 1994 by lifelong friends Carlos A. Rosillo and Bruno Belamich, Bell & Ross has established itself as one of the world’s most distinctive luxury watchmakers. Built on a Franco-Swiss heritage, the brand first gained recognition for creating professional timepieces inspired by aviation instruments, combining precision, reliability, and exceptional legibility. The launch of the iconic BR 01 in 2005 introduced Bell & Ross’ signature “circle within a square” design, a bold aesthetic that

remains at the heart of every collection today. Guided by its philosophy, “From the cockpit to the wrist”, Bell & Ross continues to develop watches that blend technical excellence with contemporary design, appealing not only to professionals but also individuals who appreciate refined craftsmanship and strong personal identity. In Indonesia, Bell & Ross is managed by Time International, one of the country’s leading luxury retail and brand management

Mike Ethan, an actor, model, presenter, and official Friend of the Brand, wears the BR-05 36 mm with an ice blue dial

By Anastasia W. Wibowo

DISCOVER MORE

BELL & ROSS CELEBRATES INSPIRING TRAILBLAZERS THROUGH ITS LATEST CAMPAIGN, “100 ICONS ONE WATCH”

companies. Established in the 1960s, Time International has built a strong reputation in promoting horological culture, luxury fashion, and lifestyle through an extensive portfolio of prestigious international brands. Beyond operating premium retail destinations and exclusive boutiques, the company is also recognised for its commitment to customer service and after-sales support, making Bell & Ross more accessible to Indonesian watch enthusiasts.

At the centre of the campaign are the BR05 and the newly introduced BR-05 36 mm. Inspired by Bell & Ross’ signature “circle within a square” architecture, both models are designed for contemporary urban living. The BR-05 seamlessly transitions from professional settings to casual environments, offering a sophisticated balance between functionality and elegance. Meanwhile, the BR-05 36 mm expands the collection’s appeal with a versatile case size that suits a broader range of wrists without compromising the collection’s bold character. Rather than being defined by gender, these timepieces celebrate wearability, adaptability, and personal expression.

This year, Bell & Ross introduces its global Squaring Time campaign through the local

Through “100 Icons One Watch”, Bell & Ross reminds us that a watch is far more than an instrument for measuring hours. It is a companion to one’s life goals, milestones, and everyday moments. By bringing together 100 unique personalities wearing the same timepiece, the campaign illustrates a simple yet powerful truth: while everyone shares the same 24 hours, the way each person chooses to shape time ultimately defines who they are. Fashion model and beauty enthusiast Celsi radiates glamour with the BR-05 36 mm Blue Diamond Eagle

by 99 personalities from various creative and professional backgrounds. Together, they demonstrate how a single watch can adapt to countless lifestyles while maintaining its unmistakable identity.

Primo Rizky, a creativepreneur, brand strategist, and trend researcher, dons the BR-05 36 mm with grey dial

initiative, “100 Icons One Watch”, celebrating the idea that while time is universal, every individual experiences it differently. Carrying the theme “Exploring Time Through Identity, Rhythm, and Modern Living,” the campaign presents the BR-05 collection as more than a sophisticated timepiece. Instead, it becomes a reflection of personal rhythm, ambition, and lifestyle, illustrating how modern individuals shape their own definition of success. Leading the campaign is Mike Ethan (@mikeethan1), an actor, model, presenter and official Friend of the Brand, joined

Among the featured icons is Primo Rizky (@primorizky), a respected creativepreneur, brand strategist, and trend researcher known for his insights into branding and consumer culture. Film director Sim F (@sim_f ), recognised for “Susi Susanti: Love All” (2019) and “Surat untuk Masa Mudaku” (2026), represents the storytelling perspective of the campaign. Fashion model and beauty enthusiast Celsi (@celsisyhrll) brings a contemporary sense of style, while entrepreneur Rino Soedarjo (@rinosoedarjo) reflects leadership and business innovation. Musician and content creator Anugrah Aditya (@adityalogy) showcases the creative spirit of today’s digital generation, whereas Febrian (@_febrian), a travel and sport enthusiast, embodies an active lifestyle where every moment is an adventure. Together, these personalities reinforce the message that individuality cannot be confined to a single profession, passion, or routine.

Film director Sim F sports the BR-05 36 mm with black dial

INDUSTRY NEWS

With an area of 40 square metres, the new Longines boutique at Tunjungan Plaza is a symbol of the brand’s confidence in Indonesia’s growing appreciation for Swiss watchmaking and luxury experiences

TIMELESS ARRIVAL

or nearly two centuries, Longines has built a reputation as one of Switzerland’s most respected watchmakers, blending timeless elegance with technical excellence. Established in 1832 in Saint-Imier, Switzerland, the Maison has consistently upheld its philosophy of tradition, performance, and refined craftsmanship. Beyond creating distinguished

timepieces, Longines has earned worldwide recognition through its longstanding role as an official timekeeper for prestigious sporting events and its partnerships with international sports federations. Today, as part of the Swatch Group, the brand’s iconic winged hourglass emblem is present in more than 130 countries, symbolising precision, heritage, and enduring style.

The store presents a comprehensive selection of Longines timepieces, including the new HydroConquest collection

By Anastasia W. Wibowo

DISCOVER MORE

LONGINES EXPANDS ITS INDONESIAN FOOTPRINT WITH A NEW INAUGURAL BOUTIQUE IN SURABAYA

In Indonesia, Longines continues to strengthen its presence through Time International, one of the country’s leading luxury retail companies. Founded in the 1960s and now managed by its second generation, Time International has become a trusted curator of premium watch, fashion, and lifestyle brands. The company manages an extensive portfolio of mono-brand boutiques alongside renowned multi-brand retail concepts such as The Time Place, INTime, and Urban Icon. As one of the prestigious brands under Time International’s management, Longines benefits from the company’s decades of expertise in luxury retail, exceptional customer service, and comprehensive after-sales support. Marking an important milestone in this longstanding partnership, Longines has officially expanded its Indonesian footprint with the opening of its first boutique in Surabaya. Situated on the Ground Floor of Tunjungan Plaza, one of Indonesia’s most prominent shopping destinations, the boutique represents the Swiss watchmaker’s continued commitment to bringing its distinctive heritage and sophisticated retail experience closer to customers beyond the capital city. Spanning almost 40 square metres, the new boutique has been thoughtfully designed to reflect Longines’ timeless identity while embracing a contemporary retail concept. Visitors are immediately welcomed by an elegant architectural façade featuring the brand’s signature winged hourglass logo, setting the tone for an inviting shopping experience. Large glass storefronts create an open atmosphere, allowing passersby

to discover the world of Longines before stepping inside. The interior continues this refined aesthetic through carefully selected materials, warm finishes, and sophisticated detailing that embody the Maison’s understated elegance. Every element has been curated to create an environment where visitors can comfortably explore the brand’s collections while simultaneously appreciating the craftsmanship behind every timepiece. Beyond showcasing watches, the boutique also serves as a storytelling space that celebrates Longines’ remarkable legacy. Guests will encounter subtle design references to the brand’s enduring passions, including its historic relationship with equestrian sports, where Longines has served as an official partner and timekeeper for

many prestigious competitions. The boutique also pays tribute to the Maison’s pioneering contributions to aviation, highlighting another defining chapter in its nearly 200year history. Further enhancing the immersive retail experience is a concierge bar inspired by the world of aviation. This distinctive feature offers visitors a welcoming setting to learn more about Longines’ heritage, innovations, and craftsmanship while enjoying a more personalised interaction with the brand. Rather than functioning solely as a retail outlet, the boutique has been designed as a destination where discovery, engagement, and appreciation for fine watchmaking naturally come together. Customers and watch enthusiasts visiting the Surabaya boutique will also have the

Offering a warm and comfortable atmosphere, the boutique immerses guests in Longines’ rich history

opportunity to discover a comprehensive selection of Longines timepieces, including the Maison’s latest HydroConquest collection, which continues to embody the brand’s commitment to combining elegant design with outstanding performance.

Subtle design references to the brand’s enduring passions, including equestrian sports and avation, can be seen throughout the premises

The opening of Longines’ first boutique in Surabaya reflects more than just an expansion of its retail network. It demonstrates the brand’s confidence in Indonesia’s growing appreciation for Swiss watchmaking and luxury experiences. The new boutique introduces the city of Surabaya and its populace to the elegance, heritage, and innovation that have defined Longines for generations, while reinforcing the Maison’s enduring promise that true sophistication never goes out of style.

COVER FEATURE

CHANEL showcases its unparalleled creativity with the Coco Game Capsule Collection. Shown here is the J12 Coco Game in matt black ceramic and steel, with brilliant-cut diamond indexes

DISCOVER MORE

CHANEL’S COCO GAME CAPSULE COLLECTION INVITES WATCH ENTHUSIASTS AND COLLECTORS INTO A WHIMSICAL WORLD OF IMAGINATIVE WATCHMAKING

aute horlogerie rarely allows itself to be playful but CHANEL has never been bound by convention. With its unmistakable creative spirit, the Maison continuously searches for inspiration and now finds it in the many different games we play. With the Coco Game capsule collection, the Maison proves that exceptional

watchmaking can be as imaginative as it is technically accomplished. Designed by Arnaud Chastaingt, the 14-piece haute horlogerie series embodies the playful spirit of tabletop games and vintage arcade graphics, reinterpreted through the Maison’s signature

Inspired by the worlds of board games, chess, playing cards, dominoes and vintage arcade entertainment, the Coco Game capsule collection transforms familiar pastimes into captivating expressions of haute horlogerie. CHANEL reinterprets its most emblematic watch families, including the J12, Première, BOY·FRIEND and Code Coco through pixelated graphics, playful visual elements and meticulously crafted details. The pieces convey a creative narrative that seamlessly merges fine watchmaking, high jewellery and artistic storytelling, turning the passage of time into an engaging and imaginative experience.

By Fahita Advani

PLAYFUL HOROLOGY

monochrome aesthetic. Reimagined in a nostalgic, pixelated form, the collection celebrates Gabrielle “Coco” Chanel, bringing her playful silhouette to life and placing her at the heart of every timepiece. The luxury fashion powerhouse continues to redefine the art of haute horlogerie while honouring the legacy of its founder.

At the heart of this whimsical universe is Gabrielle “Coco” Chanel herself. Reimagined as a pixelated character, she appears throughout the collection in various forms, from animated dial displays to suspended charms and graphic motifs. Her presence reinforces the collection’s playful spirit while celebrating the enduring influence of the Maison’s founder. Through a combination of technical ingenuity, exceptional craftsmanship and inventive design, the Coco Game capsule collection exemplifies CHANEL’s unique approach to watchmaking; one that embraces creativity and emotion without compromising on horological excellence. The culmination is a collection that is both sophisticated and light-hearted, showcasing the Maison’s ability to continually reinvent its heritage through contemporary expressions.

Coco Chanel that glides across the dial as the seconds hand, transforming the watch face into a whimsical tribute to vintage arcade graphics. This unexpected detail brings movement, charm and lightness to the timeless J12 design. The watch is available in glossy white ceramic, matt black ceramic and an elevated black ceramic edition framed by a diamond-set bezel.

J12 COCO GAME

For those drawn to a more dazzling interpretation of the J12 Coco Game, CHANEL presents a version accented by a radiant diamond-set bezel. Available in matt black high-tech ceramic and steel,

The J12 Coco Game 38 mm infuses CHANEL’s emblematic watch collection with a playful digital twist. The line is distinguished by a pixelated depiction of

The white ceramic version highlights the collection’s contemporary and luminous character, while the matt black ceramic model emphasises its bold, graphic appeal. Driven by the Calibre 12.1 self-winding movement, each watch delivers a 70-hour power reserve and water resistance to 200 metres. Diamond hour markers complete the design, balancing technical performance with refined elegance.

J12 Coco Game in matt black ceramic and steel, with indexes and bezel adorned with baguette-cut diamonds

the watch preserves the unmistakable J12 design while elevating it with a frame of meticulously set baguette-cut diamonds. This refined addition enhances the collection’s playful spirit with an extra touch of glamour and sophistication. Limited to just 55 pieces worldwide, the model ranks among the rarest and most coveted creations within the Coco Game capsule collection. A fourth interpretation, the J12 Coco Game Charms, takes a more subtle approach, retaining the collection’s signature white ceramic construction while introducing a playful surprise in the form of a dangling charm. Suspended from the crown is a pixelated rendition of Mademoiselle Chanel, transformed into a miniature character that appears to have stepped straight out of an 8-bit video game.

J12 Coco Game in white ceramic and steel, with brilliant-cut diamond indexes

The tiny lacquered figure showcases CHANEL’s remarkable attention to detail. Despite its whimsical appearance, the development of the pixelated character

COVER FEATURE a playful digital avatar, CHANEL reinterprets one of its most enduring symbols through a contemporary lens, creating a collector’s piece that blends haute horlogerie, jewellery and artistic expression.

BOY·FRIEND COCO GAME CHANEL reinvents its elegant rectangular watch as a playful horological canvas inspired by the world of playing cards with the BOY·FRIEND Coco Game. Embracing the whimsical spirit of the Coco Game universe, both editions reinterpret Gabrielle Chanel as the Queen of Hearts, her unmistakable silhouette rendered in graphic black and white against an immaculate dial.

The case back of the J12 Coco Game Charms provides a view of the COSC-certified Calibre 12.2 self-winding Manufacture movement which powers it

required months of refinement to achieve perfectly defined edges on individual 0.5 mm pixels without distorting the original motif. As the charm sways with every movement of the wrist, the watch takes on an animated quality, as though Mademoiselle Chanel herself is accompanying its wearer throughout the day.

Dressed in her signature boater hat, black-edged tweed suit and layered pearl necklaces, Mademoiselle becomes the central character in a sophisticated game where horology meets storytelling. Metallic heart-shaped appliqués soften the graphic composition, adding warmth and charm to the monochromatic portrait. While sharing the same artistic concept, dimensions and quartz-powered precision, the two references

Like the diamond-bezel version, the J12 Coco Game Charms is limited to just 55 pieces worldwide. By transforming its founder into

THE IMAGE OF ITS FOUNDER, ONE OF CHANEL’S ENDURING SYMBOLS, IS NOW RENDERED AS A PLAYFUL DIGITAL AVATAR IN SOME OF THE LINE’S PIECES

The J12 Coco Game Charms introduces a playful surprise in the form of a dangling charm

express distinct personalities through their bezels, offering collectors different interpretations of the same narrative. The more precious model features a blackcoated steel case measuring 34.6 x 26.7 x 7.3 mm, framed by 38 baguette-cut diamonds totalling approximately 1.47 carats. A black spinel cabochon crown and a white calfskin strap trimmed in black patent leather continue the collection’s elegant monochrome aesthetic. A second variant offers a more graphic expression of the same enchanting story. Rather than a diamond bezel, this version features a white lacquered bezel that enhances the purity of the design and reinforces the illusion of a playing card suspended within the case. The contrast between the black-coated steel case and the bright lacquered frame creates a crisp, contemporary look that allows the artwork to take centre stage. Sharing the same dimensions as its counterpart, the watch is fitted with

The BOY·FRIEND Coco Game is also available in a gem-set version, with baguette-cut diamonds adorning the bezel

a black spinel cabochon crown and an interchangeable white calfskin strap accented with black patent leather trim. A highprecision quartz movement and 30 metres of water resistance ensure everyday practicality. Together, both creations reveal different facets of the same narrative. While one dazzles through the brilliance of baguette-cut diamonds, the other captivates with its clean graphic simplicity. Both exemplify CHANEL’s ability to bridge refined craftsmanship and playful creativity.

PREMIÈRE COCO GAME The Première Coco Game reinterprets CHANEL’s first watch through the playful lens of the Coco Game collection. Inspired by the octagonal stopper of the iconic N°5 perfume bottle, the watch preserves the unmistakable silhouette of the Première while introducing a whimsical detail: six swinging charms that spell “CHANEL”. Moving freely with every gesture, the charms bring a sense of

In the BOY·FRIEND Coco Game, Mademoiselle Chanel is envisioned as the Queen of Hearts

COVER FEATURE animation and lightness to a design deeply rooted in CHANEL’s heritage. Issued in limited numbers, the watch showcases the Maison’s striking monochrome palette. Its black-coated steel case, black lacquered dial and sapphire crystal create a bold contemporary appearance, while the compact 19.7 x 15.2 x 7.5 mm case is paired with a black-coated steel chain bracelet interwoven with white calfskin leather. This signature chain-andleather construction echoes one of CHANELs most iconic design codes, seamlessly connecting the overlapping worlds of watchmaking and fashion. Driven by a precise quartz movement and offering water resistance to 30 metres, the Première Coco Game displays the hours and minutes with understated sophistication, reflecting the Maison’s distinctive approach to contemporary watchmaking.

CODE COCO GAME Drawing inspiration from the clean geometry of domino tiles, the Code Coco Game offers a playful twist on one of CHANEL’s most iconic watch designs. Defined by the Maison’s signature monochrome aesthetic, it balances playful inspiration with timeless elegance.

The Première Coco Game reinterprets CHANEL’s first watch in a playful way, featuring six swinging charms that spell “CHANEL”

The Code Coco Game combines a black-coated steel case with a white quilted calfskin leather strap

horlogerie. Designed as a singular creation, it highlights Gabrielle Chanel’s passion for games while demonstrating the Maison’s outstanding craftsmanship. Highlighting 64 squares, the board is crafted from alternating black obsidian and highresistance white ceramic, framed by 516 brilliant-cut diamonds. The chess pieces reinterpret iconic CHANEL symbols, with lions as kings, Vendôme Columns as rooks, coutureinspired bishops and diamond-set ceramic mannequins as pawns. At the centre of the set are two Queen pieces inspired by Mademoiselle Chanel, each concealing a watch beneath its base. The hidden timepieces feature 25 mm dials powered by quartz movements, displaying hours and minutes and offering water resistance to 30 metres. One Queen combines white ceramic, white gold, diamonds and onyx, while the other pairs black ceramic with black-coated gold and onyx.

The two Queens, in the form of Mademoiselle Chanel, bear watches beneath their bases

Featuring an exceptional combination of white ceramic, black-coated gold, white gold, obsidian, onyx and 9,236 brilliantcut diamonds totalling approximately 110.94 carats, The Chessboard stands as a remarkable testament to CHANEL’s creativity and savoir-faire, elevating the game of chess into an extraordinary artistic creation.

Its rectangular black-coated steel case measures 39.3 x 25.0 x 8.8 mm and houses a black lacquered dial powered by a precise quartz movement. A 0.10-carat princess-cut diamond adds a subtle touch of brilliance, while the signature Mademoiselle lock closure, inspired by CHANEl’s iconic handbags, serves as both a practical clasp and a hallmark design element. Complementing the dark case is a white quilted calfskin leather strap accented with black patent leather trim and lining, creating a bold visual contrast. Water-resistant to 30 metres, the Code Coco Game transforms a familiar gaming motif into an elegant timepiece that seamlessly blends fashion and horology.

THE CHESSBOARD The Chessboard is the most elaborate creation in CHANEL’s Coco Game capsule collection, transforming the classic game of chess into a remarkable expression of haute

For The Chessboard, different icons of the Maison such as the lion, mannequins, and Mademoiselle Chanel herself, make up the pieces of the game

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WATCH CHANEL J12 Caliber 12.1 38 mm in White JEWELLERIES CHANEL Coco Crush earrings Coco Crush rings

LEADING LADY YASAMIN JASEM IS A DRIVEN WOMAN WHO BEGAN HER CAREER AT A YOUNG AGE. LED BY PURPOSE AND GROUNDED IN HER BELIEFS, SHE WEAVES HER FUTURE WITH QUIET CONFIDENCE AND CONTEMPLATION, ONE INTENTIONAL MOVE AT A TIME.

Since her debut, the doe-eyed beauty has been known to easily morph into the characters she plays. While Yasamin’s character in horror films or family dramas play with audiences’ hearts according to their respective genres, the first word that comes to mind when describing the young woman behind the mask is warm. But beneath that warmth lies an intriguingly contemplative mind, where quiet confidence and curiosity intertwine to guide her on the path she walks as both public figure and a bright young woman. It is perhaps this balance between playfulness and purpose that drives the 22-year-old as she navigates her world. Having found her calling at an early age, the stellar actress carefully builds a meaningful life one move at a time, much like moving pieces in chess. Whilst the intentionality behind every move speaks volumes about her wit, Yasamin credits her career to her never-ending curiosity and confidence, both traits that have taken her to new heights. In her younger days, the actress found comfort in the arts and ventured into many creative forms, painting, sculpting, flower arrangement, and more, before finding her calling in acting. "I loved being photographed, dressing up, and playing pretend in my bedroom,” she says with a smile, “I loved creating my own worlds. Unexpectedly, acting found me." Be it manifestation or fate, Yasamin's pastime led her down a bright path in the acting industry. Her first audition, at just five years of age, left her craving for more. The actress remembers the joy she felt—every second of the audition process and every moment on set became fond memories that carried her through the projects that followed. It was later, through her first horror movie, that Yasamin felt her career begin to gain momentum. When asked what made that project so different, she responds thoughtfully, "You could say it's the first project where everyone began to see me as a young adult. It was also the moment when I

got more opportunities to play roles in other horror movies." When she takes on the mask of her characters, she finds herself growing alongside them. To her, acting remains a playground, though now she also views it as a learning opportunity and a responsibility. More than anything, Yasamin hopes that she continues to make her younger self proud by pursuing her dream. As she continues to weave her future, Yasamin Jasem throws herself into each role she plays, often having to make decisions that shape the future. Much like a game of chess, the way she navigates her career requires patience and strategy. Yet wellthought-out plans are not necessarily the only important thing on the table. "This year, I'm learning to find a balance between careful planning and trusting my instincts," she reveals, explaining that both are necessary to make career decisions while remaining adaptive. Perhaps it is exactly this adaptable mindset that has helped pull her through tough calls and bold decisions. When asked about one such decision, the once long-haired actress reveals, "One of the boldest moves I've made is cutting my hair really short, a style that is so far from what the younger Yasamin would have chosen, for a project." It is only through interviews such as these that the world gets to see a rare glimpse into such a bright mind. Having been active since her early years, Yasamin's long tenure has not been without disadvantages. She nods when asked whether she had turned down an opportunity because it did not feel right: "Before making any decision, I take my time to weigh the outcomes from multiple perspectives, not just for myself but also the ripples it may create for those closest to me." On that note, there are certain compromises that the principled actress would never make. In the intimate interview, she discloses that unhealthy environments and losing herself in a job are two such things. In addition to being a creative, Yasamin takes her assumed responsibility as a public figure just as seriously: "As a public figure, I feel the need to take accountability for my work. If I don't feel like I'm 100% all in, then I would rather opt out of an opportunity." Additionally, it is undeniable that the scrutiny and comparisons that come with being a public figure have driven even the most

successful actors to crack under pressure. Yet somehow, the wise actress leans into it with a quiet strength: "We can't avoid comparisons, whether they are made by our inner voices or others. One piece of advice that has stuck with me is to view them as inspiration, to recognise my own strengths and limitations, and to continue to create work that remains true to myself." Throughout the interview, it is abundantly clear that Yasamin Jasem is a grounded young woman who is certain of her own identity. It is this self-reassurance and confidence that allow her to not only brush aside comparisons, but also the misconceptions that come with the spotlight. Having accepted the nature of the industry, she stays steadfast, proving others wrong, never failing to maintain an admirable work ethic and positivity on sets. Often whisked away by schedules and events, maintaining a healthy routine has become a key factor in Yasamin's life. Beguiling in CHANEL's Coco Game 2026 capsule collection, the stylish woman also seeks solace in the small things in life: "I try to stay grounded through spending time with myself, just to breathe, enjoy the sun, and have a good cup of coffee in the morning away from distractions or gadgets." It may well be that living life to the fullest is what keeps her grounded and motivated, which explains the way she beamed when asked about her next big move: "I'm planning to do a solo trip maybe towards the end of this year." It is during these small moments, and even in the rhythms of everyday life, that the charming leading lady continues to learn more about herself. "Every day is a learning curve," she shares with a smile, explaining that facing and adjusting to new challenges, individuals, and experiences are part of daily life. "We do not only learn from the things or people we face, but also from how we face them as individuals, who we are, and why we cope or react in such ways." Far beyond her profession, Yasamin's answer seems to encompass all parts of her life, including both her personal and interpersonal life: "There is a lot that I am still learning, but for now my focus is on how I can communicate better and be more open with people." Like any thoughtful move on a chessboard, her intentionality and positive outlook prepare her for future adventures and lessons that would ultimately shape the strong woman she is steadily becoming.

By Karina Saphiera Witjaksono

he air grows still as leading lady Yasamin Jasem sinks back into her seat, her eyes locked onto the chess pieces in front of her. It is hard not to notice the calm countenance that has graced big screens across the nation: the strong brows that frame compelling eyes, lips that hint at a soft smile, and an exuberant aura that seems to radiate even beyond the screen.

JEWELLERIES CHANEL Coco Crush rings Coco Crush earrings

WATCH CHANEL J12 COCO GAME Caliber 12.1 38 mm in White

WATCH CHANEL J12 COCO GAME Caliber 12.1 38 mm in Black

JEWELLERIES CHANEL Coco Crush rings Coco Crush earrings

BEJEWELLED WATCH CHANEL J12 Diamond 29 mm in Black JEWELLERIES CHANEL Coco Crush rings Coco Crush earrings

WATCH CHANEL J12 Caliber 12.1 38 mm in White

JEWELLERIES CHANEL Coco Crush rings Coco Crush earrings

Creative Director: Erika Tania D. Photographer: Reynaldo Tjandra Makeup Artist: Claudya C. Purba Hair Stylist: Eka Sari Wahyuni

FEATURE

Rolex introduces the new-generation Oyster Perpetual Yacht-Master II in 18-carat yellow gold

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ROLEX UNVEILS THE NEWLY REDESIGNED OYSTER PERPETUAL YACHT-MASTER II, DEDICATED TO YACHTING ENTHUSIASTS AND DRIVEN BY A HIGH-PRECISION CHRONOGRAPH

or almost 70 years, Rolex has forged a privileged relationship with the world of yachting, beginning in the late 1950s, when a partnership was first formed with the New York Yacht Club (NYYC). In the decades that followed, Rolex established strong ties with

other influential yacht clubs across the globe. Inspired by the camaraderie and enthusiasm shared by elite sailors and competitors, Rolex developed the Oyster Perpetual Yacht-Master, a tool watch equipped with technical features and specific functions for yacht racing.

Available in Oystersteel or 18-carat yellow gold, the Oyster case of the Yacht-Master II measures 44 mm and is guaranteed waterproof to a depth of 100 metres. The bidirectional rotatable bezel is fitted with a 60-minute graduated Cerachrom insert in blue ceramic, while the dial is coated with a new white lacquer, mattified to reduce reflections. It also features applique index hour markers

By Maria Zarah Gregorio Viado

SMOOTH SAILING

This year, Rolex continues its legacy in creating dependable regatta instruments with the newgeneration Oyster Perpetual Yacht-Master II. Now simplified and modernised, it features an entirely redesigned countdown function that can more effectively assist sailors during the critical start sequence of races. With an improved display for enhanced legibility and easier manipulation, the countdown scale now appears on a flange, and the function is programmed and operated exclusively via the two side pushers.

typical of Professional-category watches. The flange dedicated to the countdown function is positioned precisely on the middle case, an attribute for which a patent application was filed. It is graduated from 10 to 0 minutes, with the half minutes shown as triangles. For the version in Oystersteel, these markers are red, a colour also found on the hands related to the countdown function. On the right side of the case, the two pushers for programming and using the countdown function are shaped like winches, the devices used by sailors to wind a yacht’s ropes in or out. Notably, the countdown minute and seconds hands on this timepiece turn counterclockwise—a first for Rolex—making the information they display, namely time counting down towards zero, clearly readable for the wearer. The new-generation Yacht-Master II is equipped with calibre 4162, an evolution of calibre 4161 that powered the previous

Calibre 4162 powers the Oyster Perpetual Yacht-Master II for approximately 72 hours

version of the model. This new movement incorporates a number of Rolex’s major innovations, including the Chronergy escapement, and boasts improvements to its aesthetics such as a cut-out oscillating weight and new finishes, particularly on the bridges, which are embellished with Rolex Côtes de Genève, the brand’s reinterpretation of a wellknown decoration in watchmaking. Calibre 4162 enables the Yacht-Master II to count down the time remaining before the start of a regatta via the countdown function, in addition to displaying the hours, minutes and seconds. Calibre 4162 is equipped with a selfwinding system via a Perpetual rotor. Thanks to its barrel architecture and the escapement’s superior efficiency, the power reserve of this movement extends to approximately 72 hours. For greater harmony of the case and bracelet, the Oyster bracelet on this timepiece is slightly broader than on the previous version, and its Oysterlock clasp is slimmer. The Oyster bracelet is furnished with the Oysterlock folding safety clasp, which prevents accidental opening, and features the Easylink comfort extension link created by Rolex that allows the wearer to easily adjust the bracelet length by approximately 5 mm.

Oyster Perpetual Yacht-Master II in Oystersteel

Crafted specifically for regatta starting sequences, the Yacht-Master II is an innovative tool that allows sailors to adopt the best possible strategy for the critical start phase of a race. This nautical instrument, like all Rolex watches, carries the Superlative Chronometer certification, with strengthened criteria since 2026, which ensures excellent performance on the wrist.

FEATURE

The Big Bang Summer MultiColoured Ceramic 42 mm brings the hues of Mediterranean summers to the wrist

THE PASTEL REVOLUTION

ummer has always had a special place in Hublot’s calendar, and this year, the brand proves once again why the season belongs to them. Since 2017, Hublot has transformed its warm-weather launches into full-blown sensory experiences, and for 2026, the brand trades its signature bold hues for something softer, dreamier, and unmistakably Mediterranean.

Enter the Big Bang Summer 2026 collection: a chromatic celebration of pastel ceramic. Announced in Saint-Tropez, the collection has officially transitioned from a seasonal ritual into a definitive horological state of mind. By engineering an elegant, sun-washed palette of pink, mint green, and sky-to-sea blue, Hublot beautifully captures the shifting light of Mediterranean horizons with a mastery of

The Big Bang Summer Multi-Coloured Ceramic 44 mm brings Hublot’s technical artistry to the fore, wrapped in a pastel case

By Riga Ramadhan

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THE BIG BANG SUMMER 2026 COLLECTION FROM HUBLOT TRANSFORMS CERAMIC INTO A PASTEL EXPLORATION OF COLOUR AND MECHANICAL INTRICACY

HUBLOT BEAUTIFULLY CAPTURES THE SHIFTING LIGHT OF MEDITERRANEAN HORIZONS WITH A MASTERY OF PASTEL HIGH-TECH CERAMICS. IF ANYTHING, THIS NEW COLLECTION PROVES THAT EVEN IN ITS SOFTEST FORM, HUBLOT’S TECHNICAL MASTERY NEVER TAKES A DAY OFF Experience summer all-year round with the Big Bang Summer Multi-Coloured Ceramic 42 mm

pastel high-tech ceramics. If anything, this new collection proves that even in its softest form, Hublot’s technical mastery never takes a day off.

BIG BANG SUMMER Leading the collection is the Big Bang Summer Multi-Coloured Ceramic 42 mm, and it’s nothing short of a technicolour triumph. Limited to just 200 pieces worldwide, this timepiece features a sculpted case in microblasted and polished pink and mint green ceramic, crowned by a sky-blue ceramic bezel that extends seamlessly onto a matching case back. It’s a composition that feels as though someone bottled a Riviera sunrise and poured it straight into the metal. The dial, in matt pink and mint green, doesn’t just sit atop the case. It effortlessly balances high-concept visual poetry with daily sportswatch durability, creating a fluid visual rhythm that carries the eye from bezel to the hands. Six of Hublot’s signature H-shaped titanium screws punctuate the bezel. This small but unmistakable design signature roots the piece firmly in Big Bang heritage even as it explores new aesthetic territory. The chromatic harmony also flows smoothly onto the case back. Beneath the candycoloured exterior beats the HUB1280, Hublot’s in-house UNICO Manufacture selfwinding chronograph movement, delivering an approximate 72-hour power reserve. This

A closer look at the openworked dial of the Big Bang Summer Multi-Colored Ceramic 44 mm

FEATURE calibre is one of the most technically advanced integrated chronograph calibres of its generation, built on five patented innovations, including dual oscillating clutches and a zero-friction ratchet wheel blocker, that keep performance sharp even as the palette softens. Rounding out the experience, wearers can switch between sky-blue, mint green, and pink straps thanks to Hublot’s One-Click system, all fitted with a titanium deployant buckle. It’s less a watch and more a mood board you can wear, letting the Mediterranean’s every shade of light live on the wrist, showing the true pulse of daily summer luxury. For the elite tier of horological collectors, Hublot scales the heights of haute horlogerie with the Big Bang Summer Multi-Coloured Ceramic 44 mm, making this extraordinary horological object an ultra-rare expression of mechanical virtuosity. Put simply, if the 42 mm chronograph is about vibrant expression, the 44 mm Tourbillon version is about architectural depth.

Sultry peach ceramic encases the Big Bang Peach Ceramic 33 mm

Titanium and peach ceramic come together in the Big Bang Titanium Peach Ceramic 42 mm

Created in a striking limited run of just 10 pieces, this is Hublot at its most exclusive and its most transparent, quite literally.

The watch shares the same evocative multicoloured case architecture as its chronograph sibling, featuring a striking combination of microblasted and polished pink and mint green ceramic for the main body, paired with a vibrant sky-blue ceramic bezel. However, the Tourbillon spans a commanding 44 mm profile with a slightly leaner thickness of 14.4 mm. Of particular note is the dial that transforms this piece into something else entirely: a transparent pink sapphire crystal that lays the mechanism completely bare, exposing every gear, bridge, and rotation to the light. The result amplifies depth, dimension, and mechanical drama in equal measure. Powering this architectural statement is the HUB6035, Hublot’s manufacture automatic tourbillon movement, comprising 293 components. Interestingly, Hublot rewrites mechanical expectations by placing a highly efficient micro-rotor directly on the dial side at 12 o’clock, creating visual balance with the spinning tourbillon cage at 6 o’clock. Lightness, depth, and precision merge here into a single mechanical signature, one that turns the simple act of

AU DACIOUS OFFE R I NG Building on the Big Bang’s 20th anniversary, Hublot presents the Big Bang Reloaded collection. Crafted from the materials that built Hublot, several of which celebrate key anniversaries in 2026, the timepieces in the collection usher the Big Bang and the Unico legacy into the next era. First up in the line is the Big Bang Reloaded Titanium Ceramic. Measuring 44 mm, it combines lightweight aerospace-grade titanium with technical ceramic to ensure robustness, along with a titanium bezel and case fitted with a black ceramic case back, just like the very first Big Bang Unico launched in 2013. Powered by the HUB 1280 Unico Manufacture self-winding chronograph, which provides it a 72-hour power reserve, the watch comes with a black rubber and fabric strap with special “H” stitching, which can be easily be interchanged with a classic rubber strap thanks to the patented “One Click” System.

STEALTHY STATE M E NT Renowned throughout the watch industry for the very first combination of gold and rubber in a watch in 1980, Hublot has adopted the Art of Fusion as its guiding philosophy. Equipped with an audacious attitude of breaking boundaries, it shook the world of haute horology with the Big Bang in 2005. A year later, it introduced the All Black Concept, where light is defined by volume and texture, beyond its colour. This year, Hublot presents the Big Bang Reloaded All Black, a worthy follow-up to the daring original. Marking 20 years of the radical “visibility through invisibility”, the new timepiece remains loyal to the signature Big Bang elements, such as the 44 mm diameter, the unique sandwich construction, the six visible screws, while also asserting a bolder and sportier character. This time however, an all-new Unico calibre drives it, whose colour, contrast and architecture amplify the chronograph’s unique construction, with the dial-side column wheel and integrated flyback architecture now designed to be more visible than ever. 41

B LU E EXPLOS ION Showcasing Hublot’s full-colour high-tech ceramic mastery is the Big Bang Reloaded Blue Ceramic. Now rendered 300 Vickers harder than its conventional counterpart, this ceramic offering is robust, sporty and truly set apart because of its unique blue hue. Boasting an amplified architecture like the rest of the Reloaded family, it has a two-part bezel, creating sharper contrasts that allow for the dynamic interaction between materials and finishes. The multilayer dial plays with textures and surfaces, giving depth and a technical edge. The chronograph becomes a standout feature, with a coloured ring on the 4 o’clock push-piece, a redesigned minutes counter at 3 o’clock, a flyback inscription and the date repositioned between 4 and 5 o’clock. Equipped with the new Unico calibre, which provides it with a 72-hour power reserve, the watch is backed by an evolved warranty structure for eligible timepieces purchased from January 1, 2026 onwards, featuring a 5-year basic warranty and the possibility of an additional 5-year extension for eligible timepieces through the Hublotista programme. 42

R E STRAI N E D POWE R Just like the Big Bang Reloaded Blue Ceramic, the Big Bang Reloaded Dark Green Ceramic also benefits from Hublot’s full-colour high-tech ceramic mastery. Mysterious and all powerful, the satin-finished and polished dark green ceramic case perfectly combines with the polished black-plated titanium with a satin-finished black ceramic upper bezel. At its heart beats the HUB 1280 Unico Manufacture self-winding chronograph, with five patented innovations, covering: a backlash-compensating oscillating clutch, an anti-shaking chronograph hand system, a “zero friction” ratchet wheel blocker, a watch rate fine-adjustment system and highly shock-resistant time-setting, all rigorously tested through Hublot’s Chronofiable® protocol to ensure optimal performance, reliability, and precision. Completing the timepiece is a black rubber and dark green fabric strap with special “H” stitching.

FEATURE

MASTE R OF MATE R IALS In addition to the Big Bang’s 20th anniversary as well as the 20th anniversary of the All Black Concept, Hublot also celebrates 15 years of Magic Gold. First presented in 2011, Magic Gold is a true fusion of 24-carat gold— the ultimate noble and natural material—with the most high-tech mastery of ceramic. By injecting liquid gold into the cold-pressed boron carbide components at very high pressure, Hublot has managed to create a completely unique material, composed of gold and ceramic, that can only be scratched by diamond. This year, the Big Bang Reloaded Magic Gold celebrates the world’s first scratch-resistant 18-carat gold, the second hardest material after diamond, created through four years of R&D in partnership with EPFL’s Metallurgy Lab, produced entirely in-house at Hublot Manufacture in Nyon and distinguished by its signature bronze glow. Water-resistant to 100 metres, the watch is undeniably an unparalleled masterpiece.

FEATURE

U N STOPPAB LE D R IVE Joining the Reloaded collection are two commemorative pieces that pay tribute to two giants in their chosen fields. First up is the Big Bang Reloaded Usain Bolt, a bespoke signature collection created with the fastest man in history, Usain Bolt. Crafted in 44 mm black ceramic and carbon, it encapsulates Usain’s story, from the Jamaican soil that forged his speed found on the case back to the gold-engraved mantra on its bezel: “Anything is Possible, Don’t Think Limits.” Meanwhile, the Big Bang Reloaded Kylian Mbappé is a watch built with football icon and Hublot Ambassador Kylian Mbappé. Rendered in 44 mm polished white ceramic and 18K King Gold, the timepiece is the encapsulation of Mbappé’s mindset: fearless, decisive, always one step ahead. Engraved at 6 o’clock on the bezel is the footballer’s mantra “Trust Yourself”. Both powered by the HUB 1280 Unico Manufacture self-winding chronograph, the watches are limited editions of 200 pieces

The Big Bang Petrol Blue Ceramic 33 mm offers a more unisex appeal

On the other hand, for those seeking a technical edge, the 42 mm Big Bang Titanium Peach Ceramic integrates this fresh hue across its bezel, hands skeletonised dial and rubber strap. Housed in a lightweight titanium case, the peach ceramic delivers a sportier, more graphic take on the season’s softest colour story. What’s more, all of these summer releases are generously backed by Hublot’s extended 5+5 warranty, offering comprehensive international coverage for up to 10 years.

checking the time into something closer to admiring a kinetic sculpture. Delivering a robust 72-hour power reserve like the chronograph, this timepiece also incorporates the seamless One-Click system, allowing owners to instantly swap between sky blue, mint green, and pink white-lined rubber straps, anchored by a titanium deployant buckle clasp, completing the absolute apex of the Art of Fusion.

NEW CERAMIC HUES To round out the seasonal launch, Hublot has also introduced a series of monochromatic ceramic expressions executed in peach, mint green, and petrol blue. For the first time in the Big Bang’s history, the 33 mm case appears entirely without diamonds, letting saturated, single-tone colour take full command of the aesthetic. Powered by the HUB1120 self-winding movement, these versions dress the dial, case, bezel, and strap in one uninterrupted hue, resulting in a purity of design that feels bold and speaks for itself.

The Big Bang Mint Green Ceramic 33 mm exudes fresh summer vibes

In summary, Hublot’s mastery of pastel ceramics proves that the brand remains the undisputed maestro of materials. From the sculpted glow of the 42 mm chronograph to the transparent artistry of the 44 mm tourbillon and the bold minimalism of the new monochrome ceramics, Hublot’s Summer 2026 lineup proves that pastel doesn’t mean quiet. The soft, sun-kissed shades of summer deliver precision wrapped in technology, proof that when it comes to coloured ceramic, nobody sets the tone quite like Hublot.

FEATURE

Franck Muller delighted visitors to the 35th edition of the World Presentation of Haute Horlogerie (WPHH) with the Vanguard Sfumato Slim. Shown here is the green variant

POETRY IN MOTION

ranck Muller unveiled a refined new chapter in the evolution of its iconic Vanguard collection with the Vanguard Sfumato Slim. The exquisite timepiece was proudly presented at the 35th edition of the World Presentation of Haute Horlogerie (WPHH), held at the Domaine du Grand Malagny in Geneva from April 1 to 5, 2025. Inspired by the subtle beauty of twilight and the artistic heritage of Renaissance Italy, the

new timepiece reinterprets the bold Vanguard aesthetic through a more restrained, elegant, and contemporary lens. Founded in 1991 by master watchmaker Franck Muller and entrepreneur Vartan Sirmakes, the Geneva-based manufacture has built its reputation on groundbreaking complications, distinctive case designs, and a commitment to independent watchmaking. While the brand

Vanguard Sfumato Slim in grey

By Anastasia W. Wibowo

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FRANCK MULLER CAPTURES THE BEAUTY OF TWILIGHT IN THE VANGUARD SFUMATO SLIM, BLENDING RENAISSANCE ARTISTRY WITH UNPARALLELED MECHANICAL MASTERY

is often associated with exuberant numerals and highly technical creations, the Vanguard Sfumato Slim demonstrates a different side of Franck Muller’s creative identity—one that prioritises atmosphere, emotion, and understated sophistication. The redesign centres on the concept of “sfumato,” the celebrated artistic technique popularised by Leonardo da Vinci, where colours and tones blend seamlessly without harsh outlines. Translating this idea into watchmaking, Franck Muller has created a collection of dials featuring soft gradient transitions that appear to dissolve into the edges of the case. The effect evokes the fleeting moments between day and night, when light softens and colours melt into one another. Unlike previous Vanguard models, which are renowned for their oversized numerals and sporty visual presence, the Vanguard Sfumato Slim adopts minimalist indexes, allowing the dial’s nuanced colour play to take centre stage.

materials. The dial options comprise Blue, Olive, Grey, and Brown, each offered in either 18-carat rose gold or stainless steel. Every dial features a sunray-brushed finish enhanced by multiple layers of lacquer and a Zapon varnish coating, producing the signature sfumato gradient effect. Matching coloured inserts on both sides of the case further reinforce visual continuity, while colour-coordinated leather straps complete the monochromatic aesthetic. Powering all eight references is the automatic Franck Muller calibre MVT FM 708-S6.

The case is fitted with sapphire crystals and offers water resistance to 30 metres. Enhancing both aesthetics and comfort is the integrated leather strap system, secured using concealed screws rather than conventional spring bars. This construction creates a seamless transition between case and strap while maintaining the distinctive ergonomic qualities for which the Vanguard collection is known. Depending on the version selected, the strap is paired with either an 18-carat rose gold or stainless steel buckle.

Equally significant is the watch’s slimmer profile. Measuring 41 mm in width, 49.95 mm in length, and only 9.1 mm thick, the new model offers a noticeably more refined wrist presence while retaining the recognisable tonneau-shaped Vanguard architecture. The streamlined proportions create a more versatile and elegant character, appealing to collectors seeking contemporary luxury with everyday wearability. The collection is available in eight versions, combining four dial colours with two case

Composed of 125 components, the movement measures 29.9 mm in diameter and 3.73 mm in thickness, operating at a frequency of 21,600 vph. It delivers a power reserve of approximately 42 hours and displays hours, minutes, as well as a small seconds indication positioned at 6 o’clock. Visible through the sapphire crystal case back, the movement showcases traditional decorative finishes including Côtes de Genève on the bridges and rotor plate, perlage on the mainplate, bevelled components, sunray brushing, snailing, circular satin finishing and satin brushing.

Vanguard Sfumato Slim in brown

More than simply a slimmer Vanguard, the Vanguard Sfumato Slim introduces an entirely new visual language within the collection. Through its atmospheric gradient dials, paredback design, and elegant proportions, Franck Muller transforms the passage of time into a poetic expression of light and shadow— capturing the beauty of those rare moments that linger long after the sun has disappeared beyond the horizon.

With its slim profile, the Vanguard Sfumato Slim has a refined presence on the wrist while retaining the Vanguard’s iconic tonneau-shaped case

FEATURE

Audemars Piguet unveils two new Royal Oak Offshore models, including a Royal Oak Offshore Selfwinding Chronograph featuring a “Bleu Nuit, Nuage 50” ceramic case with titanium details

COLOURFUL CREATIVITY

wiss Haute Horlogerie manufacturer Audemars Piguet is on a continuous quest of creating timepieces that reflect its ancestral savoir-faire and forwardthinking spirit. As the oldest fine watchmaking manufacturer still managed by its founding families, the Manufacture has introduced numerous iconic collections, including the Royal Oak, Code 11.59 by Audemars Piguet, Royal Oak Concept, and the Royal Oak Offshore. This year, the Manufacture explores new horizons of creativity with two

innovative versions of the Royal Oak Offshore Selfwinding Chronograph. Measuring 43 mm in diameter, both models are water-resistant to 100 metres and are powered by the Manufacture’s inhouse integrated flyback chronograph movement, Calibre 4401, which has equipped the collection since 2021. Providing a minimum power reserve of 70 hours, Calibre 4401 has a total diameter of 32 mm (14 1⁄4 lignes) and beats at a frequency of 28,800 vibrations

Royal Oak Offshore Selfwinding Chronograph in titanium with smoked green PVD Méga Tapisserie dial

By Maria Zarah Gregorio Viado

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AUDEMARS PIGUET PRESENTS TWO NEW VERSIONS OF ITS ICONIC ROYAL OAK OFFSHORE SELFWINDING CHRONOGRAPH

per hour. A transparent sapphire case back protects the movement, through which the blackened oscillating weight and refined Haute Horlogerie decorations can be seen and admired. Just like the movement, the case components, whether in ceramic or titanium, have been finished with the same level of attention as precious metals. The first timepiece presents a “Bleu Nuit, Nuage 50” ceramic case enriched with subtle titanium details, including “Bleu Nuit, Nuage 50” push-pieces with titanium pushpiece guards and a “Bleu Nuit, Nuage 50” ceramic and titanium screw-locked crown. This deep blue ceramic shade, which pays tribute to the Manufacture’s heritage, was unveiled last year to celebrate the brand’s 150th anniversary, notably on the bezel of a 43 mm Royal Oak Offshore Selfwinding Chronograph model. Complementing the richness of the blue case is a beige Méga Tapisserie dial with “Bleu Nuit, Nuage 50” accents, creating a striking twotone design. “Bleu Nuit, Nuage 50” counters, rhodium-coated pink gold hour-markers, 18-carat white gold hands with luminescent material, and a beige inner bezel complete the dial. The watch is fitted on a dark blue interchangeable, textured calfskin leather strap, complete with a titanium AP pin buckle, which harmoniously blends with the case. Meanwhile, the second version combines a titanium case with a black ceramic bezel, push-pieces and crown for a powerful look.

The new Royal Oak Offshore Selfwinding Chronograph models add colour and vibrance to the collection

A new shade adds vibrance to the watch, as seen in its smoked green PVD Méga Tapisserie dial, which enhances legibility. Black and beige elements enable the wearer to see information more clearly as evidenced by the black counters with beige external zones, blackened 18-carat white gold hourmarkers and hands with beige luminescent material, as well as the black inner bezel. An interchangeable grey-green rubber strap with a titanium AP pin buckle adds a lively and sporty touch to the piece.

Calibre 4401 powers the new Royal Oak Offshore Selfwinding Chronograph models

With these two new additions to the Royal Oak Offshore collection, the Manufacture manages to express the sentiments behind its anniversary slogan, “The Beat Goes On.” By continuously pushing the boundaries of what is possible and building bridges between different creative worlds, Audemars Piguet is able to transcend history and create watches that not only pay tribute to its unique savoirfaire, but are also state-of-the-art and truly ahead of their time. 45

FEATURE

The Classique Tourbillon 7357 in platinum is one of the timepieces Breguet unveiled for the 225th anniversary of the Tourbillon patent

TRUE NORTH

or more than two and a half centuries, Breguet has excelled in blending tradition and innovation in its watches. Guided by the creative spirit and passion of its founder, Abraham-Louis Breguet, the watch manufacturer has imbibed these same values in everything it does. In 2026, the distinguished brand pays tribute to the patenting of the Tourbillon on 26 June 1801.

mechanics that were ahead of their time, one of which is the Tourbillon. The Tourbillon is a regulating system, which helps to lessen the effect of gravity on a watch, particularly on pocket watches during the time it was invented. Abraham-Louis knew he could not defy the laws of gravity, therefore he invented an ingenious system that could circumvent the problem.

During his heyday, Abraham-Louis Breguet had a habit of quantum leaping into the future through his works, pioneering horological

Based around a cage in which the escapement and the regulating mechanisms (balance and balance-spring) are enclosed and kept

Case back of the Classique Tourbillon 7357

By Karina Saphiera Witjaksono

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BREGUET ALIGNS THE STARS AND CELEBRATES THE 225-YEAR LEGACY OF THE TOURBILLON WITH A TRULY EXCEPTIONAL COLLECTION

in constant rotation around an axis, in all positions, the system ensures that the balanceand-spring assembly’s centre of gravity is continually realigned with the axis of rotation. This compensates for the adverse effects of the uneven oscillation of a watch held in a static position. Following this breakthrough, the founder then waited six years to have the

invention patented. Once it was approved, another six years passed before he was able to sell watches that featured the Tourbillon. Since then, the Manufacture has continued to foster the progress of the great watchmaker’s invention, constantly drawing on its original inspiration, while over the decades introducing valuable technical refinements

Both models of the Classique Tourbillon 7357 features a unique guillochage motif on its case back inspired by the Dent de Vaulion

serving a single purpose: the quest for precision. Celebrating the 225th anniversary of the Tourbillon patent, the brand honours the momentum and evolutions AbrahamLouis set in motion with an array of exclusive anniversary timepieces that amalgamate something old and something new.

The Classique Tourbillon 7357 is also available in 18-carat Breguet gold

The Classique Tourbillon 7357 sets the stage for Breguet’s special collection, its platinum or Breguet gold executions laying the groundwork for the cherished anniversary. The two variations capture the grandeur of Ref. 3350 (1989), the first contemporary Breguet Tourbillon wristwatch that went on to amass a devoted following. At the core of its Clous de Paris guilloché dial lie two artistic focal points, one for the dial and 47

FEATURE another for Cal. 187B. True to its lineage, the hand-wound movement oscillates at 18,000 vph (2.5Hz), much like the original Ref. 3350, yet is now renewed with the Breguet Nivachron® balance spring enhancing magnetic resistance, as well as an optimised 60-hour power reserve. The radiance of both the 950 platinum and 18-carat Breguet gold references are complemented by matching calfskin straps, in beige for the gold and grey for the platinum, which contrast with the deep hues of Breguet’s next act, the Classique Tourbillon Sidéral 7255. In form, the Classique Tourbillon Sidéral 7255 shares similarities with Breguet’s opening act, its 38 mm construction layering the central dial above the impressionable core. Unlike the Classique Tourbillon 7357, however, this platinum timepiece is the first Breguet

The Tradition Tourbillon 7047 is a limited edition of 25 pieces

TO ACCENTUATE THE SUSPENDED EFFECT OF ITS FLYING TOURBILLON, BREGUET HAS COMPLEMENTED IT WITH A MYSTERIOUS CONSTRUCTION, A TECHNIQUE DATING BACK TO THE LATE 19TH CENTURY

watch to boast a flying Tourbillon. The flying Tourbillon is a variation on the traditional Tourbillon invented by A.-L. Breguet. Its purpose (to counteract the effects of gravity on the balance by rotating the cage enclosing it) remains unchanged. Unlike the traditional Tourbillon, however, the flying Tourbillon has a cage held only by its lower bridge, with no upper bridge. It is therefore supported solely from below, giving the impression that it is floating in mid-air, hence its name. To accentuate the suspended effect of its flying Tourbillon, Breguet has complemented it with a mysterious construction, a technique dating back to the late 19th century. The mysterious complication involves setting a component into motion without it being visibly connected to the rest of the movement. Incorporating this “mysterious” display that the brand has

The Classique Tourbillon Sidéral 7255 is the first Breguet timepiece to feature a flying Tourbillon

A Breguet watchmaker painstakingly assembles the Tradition Tourbillon 7047 cage

not used for nearly 20 years, the enigmatic model—a limited edition of 50 pieces—paints a picture of a star-studded sky that honours the founder’s own pull towards astronomy. The luxury watchmaker transcends imagination with the new Tradition Tourbillon 7047, a showstopper that Gregory Kissling deems “resolutely forward-looking and very different from its predecessors.” Inspired by Abraham-Louis Breguet’s inventions, including the constant-force escapement and the Tourbillon, the Tradition Tourbillon 7047 celebrates the 225th anniversary of the Tourbillon patent. Limited to 25 pieces, the Tradition Tourbillon 7047 now astounds in an entirely blue palette, in a Bleu de France shade adorning the dial and bridges, including not only the Tourbillon bridges, but also the large fusee-and-chain bridge that appears on either side of the time subdial. This unique treatment breathes new life onto both the original and 2007 versions. Like deconstructed clockwork, the intricate Calibre 569 acts as a beguiling backdrop to the Grand Feu Bleu de France enamel dial encased in 41 mm platinum.

In rounding off the watches celebrating the anniversary of the Tourbillon, Breguet once again aligns the stars for the exceptional Marine Tourbillon Équation Marchante 5887. Built around A.-L. Breguet’s endeavours in marine chronometry, the 43.9 mm platinum timepiece powered by Calibre 581DPE debuts a bewitching Grand Feu enamel dial that glimmers like the Parisian night of 26 June 1801, the day A.-L. Breguet secured his Tourbillon patent. Adorned by intricate constellations and the moon, its hour indicators, windows, and hands complete the night sky, whilst the Tourbillon is proudly showcased at the bottom of the dial.

The Marine Tourbillon Équation Marchante 5887 is a special watch that can be personalised

The reimagined timepiece is a nod to the 18th century Royal Louis ship and King Louis XVIII, both of which played integral roles in Breguet’s flourishing as a revered brand. Paired with a Bleu de France rubber strap with the Quai de l’Horloge motif, all 25 pieces of the special Marine Tourbillon Équation Marchante 5887 can be personalised with the sky corresponding to a specific date and location of one’s choosing, a unique feature that will make the watch truly one’s own.

FEATURE

Aquaracer Professional 100 Solargraph 28 mm with a white motherof-pearl dial, yellow gold-plated hands and indexes, diamond-set bezel

or more than 165 years, TAG Heuer has built its reputation on a relentless pursuit of innovation. Founded in 1860 by Edouard Heuer in Switzerland, the Maison has consistently pushed the boundaries of watchmaking, from pioneering chronograph technologies to introducing some of the industry’s most iconic sports watches. Among them is the Aquaracer, a collection whose roots trace back to the Heuer Reference 844 launched in 1978 and later evolved into the Aquaracer line in 2004,

becoming synonymous with performance, reliability, and adventure. Today, TAG Heuer ushers the collection into a new era with the unveiling of the latest Aquaracer Professional Solargraph range. The redesign reflects the brand’s ambition to combine sustainable innovation with contemporary luxury, enhancing both aesthetics and functionality while preserving the Aquaracer’s adventurous DNA. Powered by light, the new generation transforms

Aquaracer Professional 100 Solargraph 28 mm, with blue sunray-brushed dial and diamond-set hour markers

By Anastasia W. Wibowo

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TAG HEUER REIMAGINES THE AQUARACER PROFESSIONAL SOLARGRAPH WITH SOLAR POWER INNOVATION AND REFINED VERSATILITY

natural and artificial light into energy, eliminating the need for conventional battery changes while conveniently delivering longlasting autonomy. The collection is divided into two families: the Aquaracer Professional 100 Solargraph 28 mm and the Aquaracer Professional 200 Solargraph 40 mm. Although distinct in character, both share TAG Heuer’s Solargraph technology, sapphire crystal, robust construction, and a design language that balances elegance with outdoor capability. The Aquaracer Professional 100 Solargraph 28 mm introduces a refined and feminine

the design further with a white mother-ofpearl dial and diamond indexes, creating a luminous and elegant aesthetic. At the top of the range sits the most luxurious interpretation, pairing a white mother-ofpearl dial with yellow gold-plated hands and indexes, while the bezel is adorned with 36 diamonds, adding a distinct jewelleryinspired dimension to the sporty silhouette. The Aquaracer Professional 200 Solargraph 40 mm, on the other hand, takes a more technical and adventurous approach. Reimagined from the ground up, it features a newly sculpted unidirectional bezel, redesigned hands, sharper case geometry, and an interchangeable bracelet system for greater versatility. Powered by the Calibre TH50-00 Solargraph movement, the watch can deliver up to 10 months of autonomy when fully charged, while just 10 minutes of light exposure provides enough energy for approximately 40 hours of operation. All four models feature a 40 mm case, a date display at 3 o’clock, luminous hands and indexes, and water resistance of up to 200 metres. Two stainless steel versions are offered with blue and green sunray-brushed dials, distinguished by horizontal textures that enhance depth and legibility. For those seeking a more technical aesthetic, TAG Heuer introduces a model crafted from Grade 2 titanium with a Grade 5 titanium bezel, paired with a black dial highlighted

Case back of the stainless steel Aquaracer Professional 200 Solargraph 40 mm

by striking aqua blue accents. Completing the collection is a refined Grade 5 titanium version featuring a grey dial enriched with rose gold details, combining lightweight performance with understated luxury. The interplay of matt titanium and glowing SuperLumiNova® details highlights the watch’s functional roots while maintaining tactile elegance and a sense of rugged adventure. With the new Aquaracer Professional Solargraph collection, TAG Heuer demonstrates that innovation and elegance can move in perfect harmony. Whether expressed through the refined 28 mm models or the adventure-ready 40 mm references, the collection captures the spirit of modern exploration—powered by light and designed for every journey.

Aquaracer Professional 200 Solargraph 40 mm in Grade 5 titanium, with grey dial and rose gold accents

interpretation of the collection. Available in four versions, all models are powered by the Calibre TH51-00 Solargraph movement, offering up to eight months of power reserve on a full charge. Each watch features a 28 mm steel case, a fixed bezel, 100-metre water resistance, and a three-row steel bracelet with a folding clasp. It is a perfect mediumsized watch that maintains the understated elegance synonymous with the Aquaracer. The lineup begins with a black sunraybrushed dial and a blue sunray-brushed dial, both accented by 12 diamond-set hour markers for a sophisticated yet contemporary appearance. The third version elevates

The Aquaracer Professional 200 Solargraph 40 mm is also available with a blue sunray-brushed dial

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WATCH Panthere de Cartier Watch in Steel/Gold

Dulcet Rhythms AWARD-WINNING ACTOR AND MUSICIAN JEROME KURNIA FINDS HARMONY BETWEEN THE FILM SET AND THE RECORDING STUDIO, EMBRACING THE LESSONS AND GROWTH THAT COME WITH EVERY NEW PURSUIT.

As he offers a peek into his day-to-day life, Jerome gets candid about his current stature in the industry. “Growing up, I never imagined myself working in the creative industry,” he says, “When I was a kid, I always thought that working as an adult meant being a lawyer, a doctor, or someone who worked in an office.” He confesses that he began to feel a sense of emptiness as he stepped into law school, following a definition of “success” that did not ring true to him. The emerging adult who once shone in school theatres, musicals, and singing competitions found the courage to enter the creative industry. It was then that Jerome Kurnia began to find real joy in his work. Jerome’s first experience in the industry was on the set of “Bumi Manusia” (2019), a film adaptation of Pramoedya Ananta Toer’s groundbreaking novel, directed by Hanung Bramantyo. Having worked in a law firm after graduation and briefly as a radio announcer, the magnetic man is grateful to have been entrusted with his first ever role as Robert Suurhof in the 2019 film. He reminisces, “I can still remember how happy I was as a debuting actor. When I wanted to pursue my master's degree, acting offers started coming in, but I didn't land most auditions until “Bumi Manusia”. Every character I’ve played has taught me a lesson or even changed me as an individual, but there was no one like Robert Suurhof. This role showed my capability in the industry and helped me earn the trust people placed in me as an actor.” His efforts were not in vain, as more offers soon started coming in. Shortly after filming “Bumi Manusia”, Jerome was cast in various

films, including “Dilan 1991” (2019). One of his most celebrated performances to date, however, remains “Penyalin Cahaya” (2021), which won him a Citra Award for Best Supporting Actor. “It was a massive milestone for me,” he fondly recalls, “Winning that award was a reminder that I could do this for a living, and that people believed in and appreciated me as an actor. It was both a reminder and a gift that boosted my sense of self-worth. It showed me that I can continue to strive, work harder, stay curious, and keep exploring other characters to spread my wings even further.” As one could imagine from his impressive filmography and discography, the suave vocalist of Ricecooker is not one to passively wait, especially when it comes to finding inspiration. Be it for his acting or music, Jerome finds a thrill in the exploration phase. He approaches each project with a level head, going so far as to call the beginning his favourite part of the process, all the while protecting his inner peace. "Very early on, many of my friends would say that you must get the 'best' or most 'artistic' roles. I don't quite agree with that. Instead, we need to see how the industry is evolving without panicking or viewing it purely through a competitive lens. It should be seen as blooming in a beautiful garden—we need a mindset where we simply do what we believe in and what we are genuinely curious about." While he is immensely energised by his roles, Jerome acknowledges the hard work and long hours that everyone puts into the making of a film. "I think people don't see how hard we work behind the scenes," he remarks. "Human rights for filmmakers in Indonesia are still very poor. Sometimes, we have to work 20 hours a day. Yes, we do it happily, but I believe our working conditions should, and must, be better." Between takes, Jerome Kurnia does not fail to return to the hobbies that first brought him joy as a young boy. Just as he navigates the shoot's vibrant rooms with his timeless Cartier timepiece, the actor moves between disciplines with remarkable ease. From musical theatre to The Beatles, his love for music knows no bounds and ultimately inspired him to start a band with his friends. "For me, being able to pursue a different path by forming a band with my friends, Will Mara and Alif Keenan Ibrahim, has been a true

blessing. I feel privileged enough to have the time, energy, and the right people around me to pursue and fulfil yet another lifelong dream, that of making music." When asked how he views the two creative worlds, Jerome observes both similarities and differences in the creative process. He elaborates, "Acting does require you to be someone else, but all characters share one thing in common with me: my own point of view as that character. I feel like music can show who we are as a band, how we feel, what is happening around us in our personal lives, and we let it out. Meanwhile, with acting, one must think through the character, what, how, where, and when, to project it onto the screen. Both are forms of storytelling, and both are highly collaborative, just through completely different media." While the two roles require deep focus, Jerome explains that his identity is further emphasised through acting and music, rather than diminished by them. "It makes my arms longer; I can reach further. These outlets allow me to speak out more and show more of myself, my thoughts, and my feelings. Hence, I feel like I am more truly myself through these outlets. I will never lose even a little bit of myself; it's quite the opposite." Looking back on his journey, the hardworking creative sees it as one filled with excitement, embracing all the lessons, experiences, and life phases that come with it. Explaining why he does not have a specific benchmark for growth, Jerome says, "I always feel like I am constantly growing. I don't look at milestones, and I don't necessarily see myself as being different from who I was 10 or 15 years ago. I feel like the main difference now is simply the privilege I have—being able to get more jobs and having more options. Ultimately, I feel like I have always been growing, and I still am." Even through his work, Jerome is guided by bigger, often philosophical questions, such as what the older version of himself might look like, both personally and professionally. When asked what his next chapter looks like, Jerome's eyes glimmer with excitement. "I want to show my rhythm to other rhythms that I've never met before, to try new things and explore new industries, work with international collaborators, and celebrate the language we all share: the language of making art."

By Karina Saphiera Witjaksono

he world according to Jerome Kurnia is one of vivid colours, a palette that finds its way into every role he inhabits and every melody he strums. Having earned accolades for “Perang Kota” (2025) and “Penyalin Cahaya” (2021), the actor has left lasting impressions through “Bumi Manusia”, “Like & Share”, and countless other films. Outside of acting, the 32-yearold creative can often be seen pursuing other endeavours, one of which is music. His serenades and strumming, once kept in private, have gone viral following his debut alongside his band, Ricecooker. Since 2024, the indie band has gone on to release irresistible tunes such as “Sunday Song” and “If You Let Me”.

WATCH Santos de Cartier Chrono Watch RING Cartier Love Ring in White Gold BRACELET Cartier Love Bracelet in White Gold

BEJEWELLED WATCH Cartier Tortue Watch in Yellow Gold

WATCH Cartier Santos-Dumont Watch in Yellow Gold

BEJEWELLED WATCH Tank Louis Cartier Watch in Yellow Gold NECKLACE Santos de Cartier Chain Necklace in White Gold

WATCH Santos de Cartier Skeleton Watch in Pink Gold

Creative Director: Erika Tania D. Photographer: Vicky Tanzil Fashion Stylist: Triska Putri Makeup Artist Claudya Christiani Purba Hair Stylist: Eka Sari Wahyuni

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Piaget presents the Possession Vibrant Palace collection, including the Possession Large Pendant (G33PO200) in 4N pink gold, with Decor Palace engraving, paved jump ring, hard stone mosaic

SHADES OF BLUE

or Piaget, the colour blue embodies the most iconic creations that stem from its savoir-faire. Appearing over the course of its history in unique hues and a wide range of styles, the royal colour now serves an intimate link between tradition and the future. With its mineral nature, materials come to life. Turquoise exudes a bright glow, one that pairs beautifully with sodalite and dumortierite. Using these three stones and the different shades of blue they radiate, Piaget presents the extraordinary jewels of the Possession Vibrant Palace collection that can accompany

any distinguished globetrotter on her travels. Somewhere between Capri and Saint-Tropez, these pieces can turn an ordinary holiday into a collection of unforgettable stories.

THE RING There are places that ask for plans. Capri asks only for gut feelings. The traveller arrived with a linen suitcase, oversized sunglasses, and no foreseeable return itinerary. By noon, she had traded her strict schedule for the loose leisure of sea salt, lemon blossoms, and weathered wooden boats. The Mediterranean shimmered

The Possession Ring (G34P5P00) features Decor Palace engraving, diamonds, two turning bands, and hard stone mosaic

in impossible shades of blue. Turquoise near the shore and deep cobalt beyond the cliffs. It was the exact, hypnotic spectrum reflected in the Possession Vibrant Palace ring resting effortlessly on her finger. As sunlight danced across turquoise, sodalite, and dumortierite, the ring seemed almost

By Dien Tirto Buwono

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PIAGET INTRODUCES THE USE OF CAPTIVATING ORNAMENTAL STONES IN THE POSSESSION COLLECTION

alive. Its rotating band invited absent-minded spins between laughter and conversation. Piaget has always understood that true luxury is never static. Like the sea itself, beauty reveals itself in movement and spontaneity. By sunset, she realised the finest souvenirs are never bought. They are the moments we keep coming back to. Moments we simply refuse to forget.

THE PENDANT Some women collect destinations. She had discovered a new preference: collecting detours. Portofino unfolded like a painted postcard, where every pastel façade hid another terrace, another story, another excuse to linger. At an artist’s studio overlooking the harbour, fragments of ornamental stones lay scattered across the table: turquoise glowing

Possession Earrings (G38P5C00) in 4N pink gold, with Decor Palace engraving, racket system with post, diamonds, hard stone mosaic

terraces, the Possession Vibrant Palace necklace became less an accessory than a conversation. Floating medallions, each adorned with mesmerising blue mosaics, moved gently with every gesture, catching candlelight before disappearing into the shadows. It did not shout, yet it simply refused to be ignored, or forgotten. Piaget’s enduring fascination with colour has always been defined by fearlessness. Since redefining jewellery in the late 1960s, the

Possession Necklace (G37PP200) in 4N pink gold, with Decor Palace engraving, paved jump rings and medallions, hard stone mosaic

Maison has transformed ornamental stones into expressions of joy, freedom, and artistic audacity. Here, pink gold, brilliant diamonds, and magnetic blues meet in an effortless symphony. A celebration of craftsmanship wrapped in iconic glamour.

THE BRACELET Every summer eventually comes to an end, though the remarkable ones never really leave our hearts. On her final morning, she stood quietly on the terrace, watching mist dissolve over distant mountains. The Possession Vibrant Palace bracelet circled her wrist like a private ritual, its signature rotating motif turning gently beneath her fingertips. To her, the curves and textures were familiar now, comforting even. Throughout history, circles have symbolised protection, prosperity, and infinite possibility. Piaget embraces that timeless language, enriching its iconic Possession collection with vibrant ornamental stones whose unique lines ensure no two creations are ever exactly alike. Each composition of turquoise, sodalite, and dumortierite is a living mosaic, rendered in earrings, rings, pendants, bracelets, and a necklace. A celebration of colour, craftsmanship, and character, she realised then that jewellery is never merely decorative. The finest pieces become companions, talismans of memories. As she spun the bracelet into one effortless rotation, she smiled. Summer had never been about escaping ordinary life; it had always been about discovering a more beautiful way to return to it.

like shallow coves, sodalite echoing midnight waters, and dumortierite carrying the mystery of distant horizons. Suspended from a delicate pink gold chain, the Possession Vibrant Palace pendant mirrored that very mosaic. Its circular silhouette framed a universe of shifting blues, meticulously assembled into an artwork that felt both ancient and strikingly modern. The Decor Palace engraving caught the Mediterranean sun while diamonds flickered like reflections on the water’s surface. Catching her reflection throughout the afternoon, she found herself admiring the pendant. It reminded her that elegance, much like adventure, begins with curiosity.

THE NECKLACE Blue changes character after sunset, a secret the Riviera knew long before anyone else. As yachts illuminated the harbour and champagne glasses clinked across moonlit

Possession Small Bracelet (G36PM200) in 4N pink gold, with Decor Palace engraving, diamond, and ornamental stone

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Chopard's Miracles Red Carpet Collection takes inspiration from the beauty of every day moments. Shown here is a necklace highlighting an 88-carat Royal Blue sapphire at its centre

WEARABLE WONDERS

or more than 165 years, Chopard has defined the pinnacle of Swiss luxury, seamlessly marrying exceptional craftsmanship with boundless creativity. Founded in 1860 by Louis-Ulysse Chopard, the Maison first established its reputation through precision timepieces before evolving into one of the world's most revered names in haute joaillerie. Under the visionary leadership of CoPresident and Artistic Director Caroline Scheufele, Chopard has become synonymous 62

with the glamour of the Cannes Film Festival, where it has served as its Official Partner for nearly two decades. Its annual Red Carpet Collection has since become one of the festival’s most anticipated unveilings, celebrating the enduring dialogue between cinema, artistry and extraordinary jewellery. For the 2026 edition, Caroline Scheufele turns her gaze towards the quiet poetry of everyday life with “Miracles”, a collection inspired by those fleeting moments that often escape unnoticed. Rather than seeking inspiration

Ladies’ watch in 18-carat ethical white gold, entirely set with over 46 carats of brilliant, marquise and pear-shaped diamonds

By Anastasia W. Wibowo

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CHOPARD TRANSFORMS NATURE’S QUIET MARVELS INTO BREATHTAKING HIGH JEWELLERY AT CANNES 2026

from mythical fantasies or monumental spectacles, she celebrates the beauty of an unexpected sky, the graceful bloom of a flower, the spontaneity of wildlife and the hidden brilliance of gemstones forged beneath the Earth’s surface. These seemingly modest encounters become precious reminders that wonder exists everywhere, provided one chooses to look closely enough. It is an intimate, deeply personal narrative that delightfully transforms nature’s smallest marvels into magnificent expressions of haute joaillerie.

immediately commands attention. Set in 18-carat ethical white gold, the exceptional gemstone is framed by cascading strands of sapphires and aquamarines, punctuated by brilliant and pear-shaped diamonds that shimmer like stars across an evening sky. Inspired by the poetic encounter between earth and the heavens, the necklace embodies both grandeur and fluidity, creating an almost ethereal presence despite its extraordinary scale. It is the kind of masterpiece destined not merely for the red carpet, but for the history books of high jewellery, where exceptional

gemstones and visionary design converge in perfect harmony.

Ring in 18-carat ethical white and yellow gold featuring a magnificent 17.67-carat heart-shaped yellow diamond and multi-shape diamonds

Phoenix brooch in 18-carat ethical rose gold and titanium, set with emeralds, tanzanites, sapphires, amethysts and diamonds

Equally captivating is the Phoenix Brooch, a triumphant celebration of renewal interpreted through remarkable technical artistry. Sculpted from ethical rose gold and titanium, the mythical bird unfurls radiant plumage adorned with emeralds, multicoloured sapphires, tanzanites, amethysts and diamonds, each gemstone meticulously positioned to create a vivid sense of movement. Suspended as though caught

Inside Chopard’s Geneva Haute Joaillerie ateliers, every idea begins as a sketch before passing through the hands of master jewellers, gem-setters and lapidaries whose expertise has been refined over generations. Crafted exclusively in ethical gold, each creation demands countless hours of meticulous work to unlock the character and brilliance of every gemstone. The resulting collection radiates remarkable lightness despite its technical complexity, distinguished by airy silhouettes, luminous palettes inspired by shifting skies, sculptural floral forms and enchanting miniature creatures that appear almost alive. Spanning necklaces, earrings, bracelets, rings, brooches and secret watches, “Miracles” showcases Chopard's remarkable ability to transform precious materials into emotionally resonant works of wearable art. Among the collection’s noteworthy highlights, the necklace centred on an extraordinary 88-carat cushion-cut Royal Blue sapphire

in mid-flight, the phoenix captures both resilience and transformation, demonstrating Chopard’s extraordinary ability to infuse symbolic storytelling into sculptural jewellery. It is a creation that feels simultaneously contemporary and timeless, proving that haute joaillerie can evoke profound emotion as effortlessly as it commands admiration.

Jewellers gently sculpt ethical gold while gemsetters place gems in the making of the Phoenix brooch

While the Cannes Film Festival remains the world’s grandest stage for cinematic excellence, Chopard's “Miracles” reminds us that true luxury lies not only in rarity or brilliance, but also in the ability to inspire emotion. Through exceptional gemstones, impeccable craftsmanship and poetic storytelling, the renowned Maison once again transforms fleeting moments of beauty into timeless treasures, reaffirming why the presentation of its annual Red Carpet Collection at the Cannes Film Festival remains one of the most eagerly awaited events in the world of haute joaillerie.

INTERVIEW

JÉRÔME CAVADINI Panerai Chief Operating Officer DISCOVER MORE

EXECUTING EXCELLENCE

here is something remarkably consistent about the people of Panerai. Whether speaking with its watchmakers in Neuchâtel, its executives at Watches and Wonders, or its leadership team over the years, the conversation always comes back to the same idea: identity. This marks our third interview with Jérôme Cavadini, Chief Operating Officer of Panerai, and what remains unchanged is not just his enthusiasm,

but his unwavering belief in what the Maison stands for. Rather than chasing trends, every decision—whether in design, engineering or manufacturing—is guided by a single question: Is it still unmistakably Panerai? That philosophy is evident throughout the company. From the Laboratorio di Idee, where new materials and movements are developed while staying true to the brand’s

DNA, to an operational culture that values long-term reliability, reflected in Panerai’s eight-year warranty. As Jérôme explains in the conversation that follows, complexity should remain hidden beneath the dial, while the wearer experiences clarity, confidence and effortless usability. It is this rare combination of technical ambition, creative discipline and genuine passion that have defined the Maison for decades. What has surprised you most about stepping into the role of COO at a brand as emotionally driven as Panerai? Becoming COO was never part of the original plan, so in many ways the role has been full of surprises. One of the biggest challenges is accepting that meaningful development takes time. There are moments when a project feels impossible, when you’re faced with obstacles and people tell you, “It can’t be done.”

The Luminor 31 Giorni PAM01631 is a landmark milestone in Panerai’s pursuit of extended autonomy

Panerai’s watches have always felt purpose-built, almost like professional instruments. How do you preserve that functional DNA while simultaneously responding to today’s increasingly lifestyle-driven audience? One of the principles Emmanuel Perrin, Chief Executive Officer of Panerai, always

By Erika Tania Dessyandra

Then one day, the team comes back and says, “We’ve found the solution.” That’s an incredibly rewarding moment. I wouldn’t compare it to parenthood, but there is something similar about watching an idea grow. You nurture it through countless challenges, constant “yes” and “no” discussions, and eventually everything comes together. That process of solving problems and making the impossible possible is one of the most stimulating parts of my job.

reminds us of is, “We have to be what we are.” Whatever the latest trends may be, we cannot lose sight of our identity. If fluorescent colours suddenly became the biggest fashion trend, we wouldn’t simply follow it. People choose Panerai because they appreciate clean dials, robust construction, reliability, and the history behind the Maison. Those qualities should remain timeless. I bought my own PAM00058 back in 2004. I still wear it on weekends, and most people would never guess it’s more than 20 years old. That’s exactly what we strive for. Of course, we pay close attention to changing lifestyles and evolving customer needs, particularly when it comes to functionality and pricing. But every new model we introduce must remain faithful to Panerai’s heritage. In an industry built on centuries of tradition, where do you allow yourself to take risks? When it comes to design, we’re relatively cautious because preserving our identity is essential. We won’t suddenly produce a 32 mm watch simply because it’s fashionable. We take measured risks, but always within the framework of our DNA. Where we are much bolder is in materials and complications. What people see today is the result of

The Submersible Navy SEALs Afniotech™ Experience PAM01089 has a 47 mm case crafted from Afniotech™, a metal comprising 95% hafnium, used for the very first time in watchmaking

countless experiments behind the scenes. For every successful innovation, there are many others that never make it to production. Some prove too expensive, others impossible to machine or decorate, while some simply don’t meet international regulations. Innovation naturally comes with failure. That’s part of the process. But when it comes to protecting the Panerai identity, the tolerance for risk is virtually zero.

The new P.2031/S hand-wound skeleton calibre drives the Luminor 31 Giorni PAM01631 and provides it with an unprecedented 31-day power reserve

Among this year’s novelties, which creations make you particularly proud?

How do you ensure that operational excellence never comes at the expense of the maison’s creativity?

Two stand out. The first is the new Luminor 31 Giorni PAM01631 with a power reserve of 31 days. It’s an extraordinary technical achievement with very few direct competitors, particularly at this level of accessibility. The second is our work with hafnium for the Submersible Navy Seals AfniotechTM Experience PAM01089. This material was developed through a collaboration between Panerai and the Richemont Research team.

The key is identifying challenges as early as possible. Every project goes through several development phases before reaching production. During those stages, we often discover unexpected obstacles. That’s why development is rarely linear. New discoveries constantly reshape your plans. By contrast, when we’re working with proven materials like steel and established movements, the process becomes much more predictable. There are still design iterations, but far fewer technical unknowns. For highly complicated projects, development can easily take five, six or even seven years.

Hafnium itself is an exceptionally rare element, traditionally used in military and nuclear applications because of its remarkable resistance to corrosion and radiation. When we first had the opportunity to obtain a small quantity, we immediately began exploring its potential for watchmaking. Today, we’ve created the world’s first watch made from 95% pure hafnium. It has a distinctive blue-grey appearance, exceptional density and a unique tactile quality. It’s the result of years of research, experimentation and persistence, and it’s something we’re incredibly proud to share.

INTERVIEW

FRANZISKA GSELL ETTERLIN IWC Schaffhausen Chief Marketing Officer DISCOVER MORE

INTO THE FUTURE

Constantly pushing the boundaries, IWC has become renowned as the Engineer of Watchmaking. This year, at Watches and Wonders 2026, IWC presented an impressive array of novelties that showcased its wide range of expertise, from engineering a watch that can be used in space to commemorative timepieces that not only highlight the brand’s heritage but also put the focus on its material development.

I would simply say that IWC is renowned as the engineer of watchmaking and engineers are actually never happy, they always feel like they can do it a little bit better, and therefore an engineer tries to solve complex topics and this is what we translate into our watches, and what you see this year is our 90th year legacy in Pilot’s watches. To celebrate that we are venturing into space. This is the New Space Age as we call it, and we have designed and developed the Pilot’s Venturer Vertical Drive with astronauts, a watch they can use in space flight. When you look at the Pilot’s Venturer Vertical Drive, you will notice that it looks completely

The Time Place Magazine recently had the distinct privilege of discussing these new models with Franziska Gsell Etterlin, IWC’s Chief Marketing Officer. Responsible for developing and implementing IWC’s global product, marketing and communications strategy across all markets and channels, Franziska is instrumental in ensuring that IWC’s message and product information are conveyed clearly to all its networks. This year’s novelties feel like a remarkable leap in technology yet they remain instantly familiar, deeply rooted in IWC’s DNA. In an industry that often celebrates complexity, IWC brings innovation to life with a sense of ease. What makes IWC’s approach to innovation feel so natural rather than technical? 66

different than other watches, it looks very futuristic. The timepiece doesn’t have a crown; you navigate using the vertical drive system via the bezel. This is also designed in collaboration with VAST. VAST is designing and engineering the next space stations. They even won the competition for the ISS in 2023 and they are developing the first commercial space station, which will be in orbit as early as March 2027. Apart from the Pilot’s Venturer Vertical Drive, we are proud to also showcase our 40 years in perpetual calendars. Kurt Klaus, the lead watchmaker in the 1980s, developed the perpetual calendar so you can just navigate it by the crown yourself. Now, we present the new perpetual calendar in the Perpetual Calendar IWC-ProSet®, a system that introduces a fully synchronised, gear-based architecture. Departing from traditional correctors and multi-step adjustments, the IWC-ProSet® mechanism allows the wearer to move the calendar both forward and backward using a single crown position in an unprecedented level of convenience showcased in mechanical watchmaking. It is a breakthrough innovation and took about 10 years to develop. Materials like Ceralume® and Ceratanium® push the boundaries of what a watch can physically be, yet for most IWC clients, that level of innovation goes beyond everyday necessity. From a marketing perspective, when everything is technically impressive, what ultimately makes a creation feel meaningful?

Certified for human spaceflight, the Pilot’s Venturer Vertical Drive (IW328601) is engineered for space

This is exactly how you describe it, by using emotions and storytelling. We aim to bring engineering to life so that a broader audience can understand, join in and respond. We try

By Maria Zarah Gregorio Viado

ounded in 1868 by American watchmaker and engineer Florentine Ariosto Jones, the “International Watch Company”, now renowned as IWC Schaffhausen, was built on the vision of combining the best of human craftsmanship and creativity with cutting-edge industrial technology and processes. This unique engineering approach to watchmaking has set the brand apart and has allowed it to create and innovate in ways never before seen in the world of horology.

to simplify our concepts by using storytelling. For example, when you try to explain the IWCProSet® mechanism, how do you translate that into a campaign? We wrote about supersonic flights, because we have a collaboration with Boom Supersonic, so they come with supersonic airplanes in the near future and there will be a situation where you’re travelling – it could be that you reach earlier

This book is very fascinating, it has been translated into more than 600 languages and the moral of the story is relevant even in today’s world. Keeping this story alive is not too difficult because of the lessons it imparts that children should be kind, as well as other values; its legacy will surely live on. In our case, it’s very fascinating to see what “The Little Prince” does to a timepiece because it tells an additional story.

all the departments, and go from there. It’s more of the mindset of curiosity that you can always go a bit further, that you can always bring something new. The expansion into smaller, more ergonomic sizes like the Ingenieur 35 suggests a broader audience. How is IWC redefining who its core client is today?

This year, we perpetuate the story of “The Little Prince” by introducing innovations in our commemorative novelties. For example, we launched the perpetual calendar for the first time in the Le Petit Prince watch and use our white ceramic case in the Pilot’s Watch Chronograph 41 Le Petit Prince (IW389410). By combining our engineering knowhow and this timeless story, we present an entirely fresh take on a verified classic.

It’s quite broad, because as you might know, we start from the reachable price level but we go very high-end as well, and we have a really broad spectrum of clients, male and female. The difference is that the generations, coming from the legacy of 14 years now in Formula One™, it caters to younger generations but also to more mature generations, so there is no one typical client. I think, if we can generalise, our clients are people who are interested in honest engineering and design, because IWC is never in your face, it’s the opposite.

From space stations to literary icons, IWC operates across vastly different worlds. What is the unifying idea that ensures the brand never feels fragmented? And what makes a partnership feel truly authentic to you?

If someone encounters IWC for the first time through this year’s novelties, what lasting impression would you hope they carry with them?

The answer is engineering, it’s what we have excelled in and will always excel in. We have a dedicated playground wherein we play with ideas, we promote open communication with

I hope the lasting impression we impart is that we will design for the Next Space Age, that we are really going into the future, equipped with our long legacy, but we are really future-oriented.

Big Pilot’s Watch Perpetual Calendar ProSet Le Petit Prince (Ref. IW339601)

than when you left. In this context it makes sense that you can go backwards with your perpetual calendar. This is how you translate stories that resonate with people. For IWC Pilot’s Venturer Vertical Drive, we built on a 90s legacy, and this is very important because we don’t say “oh we’re going now into space, because space is very popular”. We have nearly a century experience with Pilot’s watches and then to go to the next step, to go to the future of space feels authentic to IWC as well. Then you have to tell the stories to different people and different channels. You have to find what will connect with people, with the end-users. IWC’s “The Little Prince” editions celebrate 20 years of storytelling. How do you strike the balance between honouring the legacy and keeping it emotionally relevant today?

Big Pilot’s Watch Perpetual Calendar Ceralume® (Ref. IW505801)

INTERVIEW

PAUL MESCAL Actor and Global Ambassador of Cartier DISCOVER MORE

COLLECTED TIME

ew actors have risen as quickly—or as thoughtfully—as Paul Mescal. Since his breakthrough performance in “Normal People”, the Irish actor has built a career defined not by spectacle, but by quiet intensity and carefully chosen roles. From portraying William Shakespeare in “Hamnet” to stepping into the role of Paul McCartney in the forthcoming four-film cinematic event about The Beatles, Mescal has established himself as one of the most compelling actors of his generation, drawn to stories and characters whose influence extends well beyond the screen.

Someone who believes that objects gather meaning with time, Paul wears the Tortue in Yellow Gold

LIKE CARTIER, WHOSE PRIVÉ COLLECTION REVISITS SOME OF THE MAISON’S MOST ICONIC DESIGNS WITH THOUGHTFUL RESTRAINT, MESCAL HAS BUILT HIS REPUTATION ON AUTHENTICITY RATHER THAN EXCESS

By Erika Tania Dessyandra

Long before being named Cartier’s Global Ambassador in 2024, Mescal had already

I have never been particularly sentimental about objects, but I do think certain pieces gather meaning the longer you live with them. They mark time in a way that’s less about urgency and more about presence. In terms of moments in my life, particularly big career moments, Cartier watches have been with me in those big moments. We see you wear the Tortue watches a lot on the red carpet, what attracts you to the new Tortue? The Tortue has a softness to it that I find really appealing. There’s something slightly off-centre about the shape which I love. On a red carpet, where everything can feel quite heightened and performative, it’s nice to wear something that feels considered but not loud. It sits comfortably in that space between classic and a bit unexpected. I think I’m drawn to things that feel lived-in, even when they’re new, and the Tortue has that quality. If asked to choose, what would be your favourite watch from the Cartier Privé collection? From the Cartier Privé collection, I’ve always loved the Cartier Tank Normale. There’s something very grounded about it, especially in this platinum, seven-row bracelet execution that quietly echoes a model from 1934. It feels like it belongs in the past in a classic sense and I just love that.

One of Cartier’s enduring classics, the Santos Dumont is the perfect companion for any event

developed an affinity for the Maison, frequently choosing its timepieces for premieres and other defining moments throughout his career. The connection feels instinctive. Like Cartier, whose Privé collection revisits some of the Maison’s most iconic designs with thoughtful restraint, Mescal has built his reputation on authenticity rather than excess—allowing substance, rather than spectacle, to leave a lasting impression. Perhaps that is why one of the most revealing moments in our conversation comes as something of a surprise. Despite making a

career from portraying deeply emotional characters, Mescal admits that he is “not particularly sentimental about objects”. Instead, he believes that certain pieces simply gather meaning the longer we live with them. Cartier, it seems, is one of those rare exceptions. As the conversation unfolds, he reflects on how the Maison’s timepieces have quietly accompanied many of his defining milestones, proving that the most meaningful objects are often those that become part of our story over time. Do you have any special memories linked to Cartier and watches?

Paul describes the Tank Normale as something very grounded and timeless

INTERVIEW

VIKTOR AXELSEN HSBC Global Brand Ambassador DISCOVER MORE

NEW HORIZONS

here is no wonder that the name Viktor Axelsen is embedded in every badminton enthusiast’s heart. Who would deny the legacy of the Danish former professional badminton player, who reigned as a two-time World Champion? Aside from his well-known unyielding grit and nerve-racking moments on the court, Viktor admits that the right state of mind is the key to performing under pressure. Those adrenaline-filled moments have brought the Olympic gold medallist unforgettable experiences—from countless medals across European and Asian championships to the honour of playing in front of the King of Denmark at the Paris 2024 Olympics—but the game is about more than winning. Measuring every second and minute to refine his game has been part of Viktor’s philosophy ever since becoming a National Champion

in 2006. That technical yet instinctive approach naturally shaped his appreciation for the craftsmanship of a timepiece. He shares that his Audemars Piguet timepiece, a retirement gift with deep sentimental value, accompanies him into this new chapter of life. His down-to-earth nature reflects his genuine passion for the sport, earning admiration and inspiring younger generations. This shared vision of inspiring others drew the attention of HSBC, one of the world’s biggest financial institutions and the Principal Global Partner of the Badminton World Federation since 2018. In his exclusive interview with The Time Place Magazine, Viktor Axelsen shares how HSBC values not only his enduring influence on badminton, but also the respect he has carried throughout his journey, the sport’s legacy, and the hard work athletes put in beyond the celebrations.

Badminton is incredibly demanding physically and mentally, yet you always appear calm under pressure. Was that composure something natural, or something you consciously learned over time? When I was just starting out on the tour, I was still very young and immature. I knew my temper was something I needed to work on especially in order to perform under pressure. My ability to find the right state of mind for big competitions is something I worked extremely hard on both on my own, but also with my mental coach. I do think however that my experience played a huge role especially in the end of my career. I know myself very well and I know how I need to prepare for high pressure situations. You inspired many younger badminton players globally, especially across Asia. What kind of legacy do you hope to leave beyond trophies and rankings?

You’ve achieved almost everything possible in badminton. From Olympic gold, World Championships, to world number one. When you look back now, what moment feels the most personally meaningful to you?

Viktor Axelsen graced the HSBC Corporate Cup, designated as the Indonesia Community Masters 2026 tournament

My two Olympic Gold medals will always have a special place in my heart for various reasons. It’s the biggest title you can win in badminton and being able to do it twice has been amazing. Playing in Paris, in front of the

By Nafa Maghfirahma Aden

I always saw it as a huge privilege being able to inspire the next generation. I hope to leave a legacy behind which stands for humility, hard work, and for people to know that I always did my best on court with respect to my opponents and the sport in general.

King of Denmark, friends and family, plus tons of Danish fans was an experience I will never forget. Tokyo was also special of course, but with no spectators it was also an unusual Olympic Games. Winning the Thomas Cup with the Danish team in 2016 is also a memory I think about often! For many people, retirement sounds like slowing down, but for high performers it can also mean rediscovering identity. What does this new chapter currently look like for Viktor Axelsen? I am a person who always wants to stay active. Now I have more time to spend with my two daughters which I enjoy a lot. However, I already have a lineup of different projects I am working on such as projects with my faithful sponsors, namely Yonex, HSBC, as well as other partners. I also have an investment business where we focus on risk management with my close friend Rasmus who is coming from the finance world. You’ve often spoken openly about mindset and self-improvement. Has retirement changed your relationship with ambition in any way? I still focus a lot on trying to improve. Now that badminton is not my main focus anymore, I try to take my mindset and apply it to other things in my life. However, being a good dad is the most important thing for me right now as I try to excel in my new life. Athletes often develop a very strong relationship with time: timing, precision, routine, recovery. Has that changed the way you personally appreciate watches?

I have been a watch collector for many years, and I always spend a lot of time looking at my watches and thinking about which ones to bring for my trips, as the memories you get while wearing them will add more meaning to the timepiece. I now have more time to read and learn about the watch world and it really helps me relax. What draws you more to a watch today: technical craftsmanship, design, emotional meaning, or the memories attached to it? I have started to appreciate the technical craftsmanship more and more over the years. I have visited Le Brassus and Audemars Piguet numerous times and seeing the hard work that goes into the timepieces is astonishing! However, for me personally the emotional meaning is very important as many of my watches were purchased on a special trip or to celebrate a milestone in my life. Many collectors say a watch often marks a milestone or transition in life. Is there a timepiece that represents an important chapter in your own journey?

I think that building something new but also seeing what opportunities might arise for me is extremely exciting. I am enjoying more time with my kids, and I am also very motivated to see what the next chapter brings. I am in good spirits and I am looking forward to working and bringing value outside of the court. Now that you are retired from playing badminton, what does this new chapter in your life look like? Well, even though I have retired from badminton, I still have a lot of energy to keep working hard and get better in all the aspects. The most important thing is, however, to be a good dad for Vega and Aya, my two daughters. But I already have new projects going on. Luckily, I also have great partners: Yonex and HSBC, where we have a lot of important work, especially motivating the next generation. I’m a person who always likes to do more and to develop, also to improve in different aspects of life. I’m not going to stop even though I have retired from badminton. Could you tell us more about your project with HSBC?

After the Paris Olympics, I got my Audemars Piguet Royal Oak Offshore in blue ceramic with my own customised dial with the text “Axelsen Paris 2024.” I finally picked it up in Le Brassus when I was close to retirement, so this watch really means a lot to me and not only celebrates the 2024 Olympic gold but also my retirement in a beautiful way.

Yes, my project with HSBC has a different function. I am very fortunate to be able to get out and meet not only the younger generations, inspire kids, but also to meet all the people in HSBC I am working with as well as their branches around the world.

Now that competition is no longer defining your daily rhythm, what excites you most about the future?

To motivate them, I think HSBC has a lot of focus on well-being, which I find very important. It gives me a lot of joy working on this project with HSBC.

HSBC hosted an exclusive VIP dinner with its Global Brand Ambassador, Viktor Axelsen

SPOTTED

PP KRIT Cartier

By Maria Zarah Gregorio Viado

rit Amnuaydechkorn, nicknamed PP or PP Krit, is a Thai actor, model and singer. Recognised for his portrayals in the TV series “My Ambulance” (2019) and “I Told Sunset About You” (2020), PP is known for his natural charisma and the emotional depth he brings to every role. PP Krit wears the Crocodile Jewelry Métiers d’art enamel watch from the Cartier Animalière Jewelry watch collection at the opening of the Australian-Exclusive Cartier Exhibition.

IU – JAEGER-LECOULTRE South Korean singer, songwriter and actress IU is undoubtedly one of her generation’s most influential artists. Having starred in celebrated films and TV dramas including” My Mister” (2018), “Hotel Del Luna” (2019), and “When Life Gives You Tangerines” (2025), she has worked with internationally acclaimed directors and actors. She now joins JaegerLeCoultre as its newest Global Ambassador and headlines its intimate interview series entitled “The Hour Before”.

PATRICK MAHOMES – HUBLOT American professional football quarterback Patrick Mahomes has been playing for the Kansas City Chiefs since 2018. Considered one of the greatest quarterbacks of all time, he has led the team to five Super Bowl appearances, winning three Super Bowls so far. Hublot welcomed the celebrated athlete as its new brand ambassador in 2025. Patrick Mahomes was spotted wearing the Hublot Big Bang 20th Anniversary King Gold Ceramic.

KAO SUPASSARA - LONGINES Thai actress and model Kao Supassara first gained widespread recognition when she starred as Sprite in the hit TV series, “Hormones” (2013). Not only is she busy as an actress, with numerous TV and movie roles under her belt, including “The Scammer Games” (2026), she is also known for her strong presence in the fashion and endorsement industries. A Friend of Longines, Kao wears the Longines Primaluna.

GIANNA JUN - PIAGET Jun Ji-hyun, better known as Gianna Jun, is one of South Korea’s most loved and respected actresses. Having risen to fame with her role in “My Sassy Girl” (2001), she has since gone on to star in many other films and TV dramas, including “The Berlin File”, “Assassination”, and most recently, “Tempest” (2025) and “Colony” (2026). She officially joins Piaget as its Global Ambassador and wears the Piaget Extraleganza verdite Swinging Pebble.

REBORN

At its Manufacture in Genthod, Geneva, endearingly called Watchland, Franck Muller continues to master its craft and oversee the creation of its watches

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RENOWNED FOR ITS TECHNICAL PROWESS AND ARTISTIC CREATIVITY, FRANCK MULLER TRACES ITS JOURNEY IN CREATING SKELETONISED TIMEPIECES

ne of the most acclaimed independent watch companies in contemporary horology, Franck Muller was founded in 1991 by master watchmaker Franck Muller and watchmaking specialist and entrepreneur Vartan Sirmakes. 74

An award-winning brand known for its highly exclusive technical complications, many of which are proprietary innovations produced in-house, it has introduced more than 50 world premieres and patents that have dazzled the world of haute horlogerie.

Serving as the centre of the brand’s production processes, Watchland fulfils one of the brand’s main priorities—to remain independent. Located in the neighbouring countryside of Geneva, with breathtaking views of classical terraced gardens, Lake Léman and the Mont-Blanc waterfront, the enchanting and poetic expanse serves as the ideal environment for Franck Muller to create its timepieces. The main house of the estate has since been joined by two additional buildings, where the team in charge of the manufacture of watch components is now comfortably situated. At Watchland, the brand is able to concentrate all the various stages of the

By Maria Zarah Gregorio Viado

SKELETON MASTERY

At its Manufacture in Genthod, Geneva, also endearingly called Watchland, Franck Muller continues to master its craft and oversee the creation of its timepieces.

making of a timepiece, from conception, watchmaking, assembling, case manufacturing, engraving, and after sales department, all on the same property. Meanwhile, other production processes are done in the Jura Arc, including dial manufacturing and case stamping, two integral steps in watch production that Franck Muller takes great pride in, as it is one of only a few brands in the world that manufactures 100 percent of its cases and dials. After completing these steps, the parts are then delivered to Watchland to be finished and ultimately assembled. By meticulously overseeing the creation of its watches, the brand is able to ensure the quality and integrity of its products. Driven by this commitment, the brand continues to explore the different facets of haute horology, including skeletonisation, which is the horological art of trimming and hollowing out a watch’s movement and dial to reveal the intricate inner workings, such as gears, wheels, and the mainspring. Dating

Watchland houses many of the brand’s production processes, including rigorous testing and quality control

A watchmaker carefully assembles one of Franck Muller’s movements

REBORN In 2022, the Round Skeleton was followed up with the gem-set Round Rainbow Skeleton. Celebrating the chorus of colours derived from the natural scenery of Watchland, combined with the traditional art of skeletonisation by the brand’s craftsmen, the timepiece is a multi-hued spectacle. Its round shape, taken from the natural curves of pebbles found in the streams of Genthod, is wonderfully reflected on the bezel and case back. Adorning the bezel are exquisite baguette-cut gems of every colour of the rainbow arranged in a channel setting. From pink sapphires, tsavorites, to rubies, each stone is carefully chosen by in-house gemmologists to deliver the declination of colours on the bezel. The result is a stunning watch worthy of being called a Franck Muller masterpiece.

back to the 1800s, the process originated as a way to reduce the weight of a watch. Once a technique used for practicality, skeletonisation has now become a form of artistic expression, wherein watchmakers are able to use their creativity in coming up with new ways and designs of showcasing their movements for all the world to see. Franck Muller first showcased its prowess in skeletonisation with the Giga Tourbillon unveiled in 2011, during the 20th edition of the brand’s World Presentation of Haute Horlogerie (WPHH). With a record-breaking size, it featured a massive 20 mm diameter tourbillon cage, which is twice the size of a standard tourbillon and takes up about 50% of the entire watch face. This was followed by the Round Skeleton in 2012, a departure from the house’s tonneau-shape signature with its circular shape. Powered by the FM 1740-RS manual winding movement, the timepiece was a classic offering that highlighted the high calibre of Franck Muller’s craftsmanship and its artisans.

Vanguard 7 Days Power Reserve Skeleton Colour Dreams, 2022

Round Rainbow Skeleton, 2022

Tearing up the rules of watchmaking, Franck Muller went the psychedelic route with the Vanguard 7 Days Power Reserve Skeleton Colour Dreams. A successor of Colour Dreams, which was first introduced in 2000,

Vanguard Curvex Cut Flower Emerald, 2025

the Vanguard Skeleton Colour Dreams from 2022 was a Southeast Asia exclusive housed in a lightweight carbon fibre case to match the lightweight FM 1740-VS calibre. Engineered in contemporary Franck Muller style, the model was designed as a skeleton watch from the beginning. Combining with the architectural inspiration were vivid pop colours on the electroplated movement components, from the fiery red barrel bridge to the marigold yellow small seconds counter at 6 o’clock. Furthermore, the plates and bridges of the Vanguard Skeleton Colour Dreams were tinted in signature hues through the process of electrolytic anodisation, which requires the special manufacture of components in aluminium, instead of the traditionally used brass or nickel silver.

The case back of the Vanguard Curvex Cut Flower reveals the intricate workings of the in-house MVT FM 1540-VS3 calibre

From psychedelic colour, Franck Muller honed its mastery of skeletonisation with the Vanguard Curvex Cut Flower, presented at WPHH 2025. Capturing the intricacy and delicate language of floral imagery, the Vanguard Curvex Cut Flower is a high jewellery timekeeper where fine

REBORN watchmaking and gem-setting artistry meet in full bloom. Crafted from Rose Gold or White Gold and measuring 32 mm in width and 42.3 mm in length, the model’s signature tonneau-shaped case serves as a protective frame around the dial. In all its openworked glory, the dial reveals a landscape in motion. A mechanical bouquet comes alive with rhythm and intricacy, as one views the interplay of gears, bridges and springs. Within this flurry of movement, the diamond flowers blossom beautifully, featuring petals crafted using the specialised Curvex Cut™ Diamond technique. This advanced gemsetting method shapes each stone to follow the curvature of the petal, creating a sense of depth, softness and organic movement.

Available in four distinct variants, the timepiece is powered by the in-house MVT FM 1540-VS3 calibre, composed of 153 finely assembled components. This year, Franck Muller presents the culmination of its skeletonisation journey with the Vanguard Rose Skeleton. Presenting unparalleled femininity, the watch showcases delicate roses next to captivating diamonds, a tableau that is sure to bring out the hopeless romantic in anybody. Highlighting roses and leaves that seem to grow naturally out of the skeletonised bridges on the front as well as on the back, the model is a visual treat that brings out the brand’s iconic and timeless design aesthetic. Intricately skeletonised,

The floral motif extends to the back of the watch as seen through the case back

the exclusive in-house FM 1540-VS15 calibre can be viewed through the dial. Providing a generous power reserve of 4 days, the manual-wound movement takes pride of place, with its components trimmed down to reveal as much of the inner workings as possible. Drawing the eye to the openworked dial are meticulously hand-painted roses that belie their actual function. Decorative and beautifully finished, the precious petals actually act as bridges and plates, enhancing the structural integrity of the entire movement, which has been endued with several luxe treatments including, but not limited to, satin finishing, circular graining and hand-chamfering.

The Vanguard Rose Skeleton is the culmination of Franck Muller’s journey in skeletonisation

An utterly modern yet truly refined timepiece, the Vanguard Rose Skeleton graces the wrist of its wearer with elegance and comfort, thanks to its slim profile, curved case back and supple alligator strap. Showcasing the perfect blend of the brand’s creativity and technical prowess, the model, available in a variety of colours, is encased in either rose or white gold. A wonderful encapsulation of Franck Muller’s journey in the art of skeletonisation, the Vanguard Rose Skeleton is a stalwart symbol of the brand’s legacy in creative haute horology.

#TIMEFASHION

Matthieu Blazy takes the paradox that is CHANEL into new heights with “La Conversation – Part Two” for Fall/Winter 2026

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CHANEL CRAFTED A WARDROBE THAT CRAWLS DURING THE WORKING DAY AND FLIES ELEGANTLY INTO THE EVENING

nder the glass vault of the Grand Palais last March, the scenery suggested a Maison still under construction, and cheerfully so. Lacquered cranes in primary colours hovered above a darkened hall like outsized toys, while models rose from a polished black floor as the clatter of building works dissolved into the voice of Cesária Évora. For “La Conversation – Part Two,” Matthieu Blazy’s second Ready-to-Wear

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collection for CHANEL (and his fourth show overall), he framed the show as precisely that. For Fall/Winter 2026, he presented a continuing exchange with Gabrielle Chanel, conducted this season in tweed, silk jersey, and a great deal of light. The cheerfulness was earned. Blazy’s debut had made CHANEL the most coveted name in fashion again, everywhere at once, though

He went back to the suit and refused to leave it alone, some arrived taken apart almost literally. Tweeds cut raw at the hem as though the fitting were still in progress, jackets pared back until their gilt chains stopped being ornamental and started doing the real work of holding cloth to the body. The skirt suit alone appeared more than 20 times and never twice the same way. Whether in cream tweed fringed at the edges, in appliquéd florals, or in pastel plaid coated with sequins. The premise goes back to Gabrielle Chanel herself. “Fashion is both caterpillar and

By Arinta Wirasto

METAMORPHIC SEASON

Paris said it most plainly, its boutiques emptying within days. While debut collections are forgiven almost anything, it is the next one that tells you what a designer actually intends, which leaves the more interesting question of direction. In that light, the construction site reads less as an apology than as a statement of method. Blazy is building CHANEL not from the ground up but upward, like new storeys on foundations laid a century ago. And his answer came in the most CHANEL way imaginable.

butterfly,” she once observed. “We need dresses that crawl and dresses that fly. The butterfly doesn’t go to the market, and the caterpillar doesn’t go to the ball.” Blazy replied with a credo of his own in the show notes. The wardrobe he proposed grants its wearer the liberty to move between those two states of transformation whenever they please, and to be unapologetic about either. The caterpillar hours made the case for the crawl. Cotton shirts came chain-weighted and untucked, braided at the pockets, and clothes with the easy competence of a working day. That ease itself is a profound homecoming,

since Gabrielle Chanel, who earned her own living, built her house on the clothes of working people, and Blazy keeps steering the label back there. The drop waist was the show’s defining line, slung low as the ‘20s wore it on pleated dresses belted in leather, while the decades shuffled around it, from ‘50s propriety, ‘60s crispness, to the present era. The butterfly hours answered in iridescence, gathering as day slid into night. Narrow chainmail jackets came printed to look like tweed, as if the day suit had followed its wearer into the evening. A wedding dress floated by, ribbons trailing, and the finale went full fairy

tale, with metallic bags, pastel hair, and all. The embroidered insects were depicted as moths in soft, feathery colours. It is a French pun in which a moth is a papillon de nuit, the night butterfly. The buttons carried the same humour, in the shape of cocoa beans, a nod to Mademoiselle Coco. The metaphor folded shut with the last look, a black jersey dress with a feathery Camélia pinned between the shoulder blades. After 78 looks, the wardrobe read fluent in the market and the ball, for a woman who declines to choose between her useful hours and her spectacular ones. The conversation between Blazy and Gabrielle Chanel continues, and neither seems in any hurry to end it.

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CELINE presents the Little Half Moon Soft Triomphe in a variety of colours and materials. Shown here is the bag crafted of supple shiny lambskin in Syrah

A STUDY IN MINIATURE

ichael Rider’s appointment as Artistic Director of CELINE in October 2024 was met with a mixture of curiosity. His years alongside Phoebe Philo, whose tenure shaped one of the house’s most influential eras, naturally prompted speculation. Would he revisit 24 82

familiar territory, or would he sketch out a new vocabulary altogether? After all, references to the Philo era surfaced in almost every conversation surrounding Rider’s new title. This is a reflection of the unusual weight that the chapter still carries within contemporary

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CELINE’S LITTLE HALF MOON PURSE DISTILS THE ORIGINAL INTO A MORE COMPACT FORMAT

centimetres, it retains the original profile in a more compact format. Created from shinyfinished supple lambskin leather, the bag contrasts beautifully with the CELINE logo in gold-finish hardware, its magnetic clasp integrated into the curve of the design. A closer look reveals another thoughtful detail. Constructed using a sewn-back technique often found in CELINE’s maroquinerie, the bag retains its curved shape without feeling rigid, a distinction that becomes more apparent in use than in photographs. Inside, a suede calfskin lining adds a more luxurious finish, while thoughtfully arranged compartments and zipped pockets concealed beneath the flap and at the back keep everyday essentials neatly organised. A removable, adjustable strap completes the design, allowing the bag to move easily between shoulder and slingback carry.

fashion. The answer began to take shape with his debut for Printemps 2026. Rider’s intentions have become easier to read, and he has gradually established a visual language that now feels unmistakably his own. Across successive collections, tailoring remains central paired with a chic nonchalance that softens even the sharpest silhouettes. Jackets are cut with precision, while shirt tails slip beneath their hems and scarves remain casually draped around the neck and shoulders. Jewellery is layered naturally, with rings stacked across fingers and chains clustered at varying lengths, giving the impression of personal treasures accumulated over the years. For all their sophistication, the pieces in the collection never feel untouchable. One could easily imagine them folded over the back of a chair, packed into a suitcase, or reached for again the following morning.

slouchier attitude. Presented in Besace and Half Moon models, both designs are expressly in line with Rider’s vision for the house. Rendered in a crescent silhouette, the Half Moon softens the structured geometry that has long defined CELINE’s Box bag—arguably the Triomphe’s original predecessor. As lifestyles continue to favour more compact accessories, the arrival of the Little Half Moon feels like a natural progression. At 25 x 13 x 5

Across the Summer, Fall and Winter 2026 collections, the Little Half Moon appears in a classic palette ranging from Sandcastle and Soft Tan to Black, White Cotton, Deep Brown and Syrah. Chosen with the same understated elegance that characterises the maison, these are colours that feel timeless rather than trendy. If you’re drawn to material explorations, the line extends beyond supple lambskin into a raffia version trimmed with leather, while Winter 2026 features crocodile and snakeskin iterations.

Accessories carry a similar sensibility. They are never treated as afterthoughts, nor do they arrive as attention-seeking centrepieces. Instead, they act as complementary counterparts to the Ready-to-Wear pieces Rider has been constructing at CELINE. Some of CELINE’s most recognisable signatures also find their way back into the collections. The return of the Luggage and Phantom signals a willingness to revisit the house’s archives, while the Triomphe continues to evolve through new proportions. Enter the Soft Triomphe. First introduced during Printemps 2026 and revisited the following season at Domaine de Saint-Cloud, the line reinterprets its original iteration in a

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Valentino, led by Creative Director Alessandro Michele, revamps the Valentino Garavani Rockstud with new design updates and fresh colourways

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MAISON VALENTINO TURNS HEADS WITH THE PRE-FALL 2026 VALENTINO GARAVANI ROCKSTUD PUMPS

ne could almost hear them before they come into view, their distinct clicks echoing as their heels glide across the floor. A single glimpse is all it takes to identify the iconic silhouette: a pair of edgy pumps with instantly recognisable studs belonging to none other than Maison Valentino. Few accessories command such instant recognition, and even fewer have maintained

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their relevance across changing trends and generations of fashion. Over a decade after their debut, the Italian luxury fashion house introduces a new wave of Valentino Garavani Rockstud pumps, blending timeless elegance with a rebellious edge. The Valentino Garavani Rockstud has remained one of luxury fashion’s most

enduring accessories, captivating style enthusiasts with its distinctive character and its ability to boost confidence with every step. The iconic pumps were first brought to life on the Valentino Fall/Winter 2010–11 runway, where their bold yet refined design quickly established them as a signature accessory. Over the years, the silhouette has become a must-have among celebrities and fashion icons alike, solidifying its status as one of the Maison’s most recognisable creations. Its ability to strike a balance between elegance and attitude has allowed the Rockstud to remain a constant in the luxury fashion landscape,

By Karina Saphiera Witjaksono

ROCKSTAR APPEAL

effortlessly complementing everything from tailored suiting to eveningwear. For the Pre-Fall 2026 Collection, Creative Director Alessandro Michele takes a fresh approach to the beloved Valentino Garavani Rockstud that gives the nostalgic silhouette an entirely different feel without losing the essence that made it so alluring in the first place. As seen in the Valentino Pre-Fall 2026 collection, the new Valentino Garavani Rockstud pumps still maintain their unmistakable DNA by remaining true to the studded, structured silhouette of the original icon. This time, however, the pumps are presented in a variety of hues that enliven any wardrobe, from timeless neutrals such as black and white to statement shades like

bright green and light blue. Debuting the new colourways was a host of A-list celebrities and fashion’s elite at the Valentino Pre-Fall 2026 red carpet. Among those spotted wearing the black heels were Dakota Johnson, Chiara Ferragni, Freen Sarocha, Ko Hyun-jung, and

more. Meanwhile, Clairo, Britt Lower, and Devon Lee were seen in pristine white pumps, while Yang Zi and Giusy Buscemi elevated their looks with the warmer-toned variations. To complement different looks, the slender heels are available in two heights, 100 mm and 40 mm. Though slim in profile, the Maison’s carefully engineered construction provides ample stability and comfort for those constantly on the go. The Valentino Garavani Rockstud’s intricate straps hug the foot securely while making the shoes unforgettable with each polished stud. For the first time in the Maison’s history, each pair of pumps is finished with a metallic platinum toe tip, a stylistic choice that is subtle yet impactful. Likewise, the vivid red insoles leave a lasting impression on both wearers and onlookers, completing the charm of the new Valentino Garavani Rockstud shoes. Every thoughtful finishing touch reinforces the Italian fashion house’s meticulous attention to detail and demonstrates how even the smallest refinements can change one’s attire entirely. Just as it has done in the past, Maison Valentino once again embraces its vivacious heritage through the refreshing vision of Creative Director Alessandro Michele. As evidenced by the contemporary yet classic Pre-Fall 2026 collection, the luxury fashion house continues to balance sophistication with boldness, just as it has since its establishment in 1960. Through the unveiling of its Pre-Fall 2026 collection, the Maison seeks to invite a new generation of fashion icons to embrace bold personas with the new Valentino Garavani Rockstud shoes, available in Valentino boutiques worldwide starting from April 2026.

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Berluti showcases its creative craftsmanship with a collection that draws inspiration from a lush garden as well as “The Little Prince

GROWING GARDEN

rue luxury does not merely dress the body; it captures a fleeting emotion and elevates it into a physical experience. For Spring/Summer 2027, Berluti has delivered a masterclass in narrative craftsmanship, proving that the pinnacle of menswear lies in the invisible threads that connect raw emotion to material form. For the third consecutive year, Berluti selected the magnificent, late 19th-century

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classical townhouse of the Simone & Cino Del Duca Foundation as its creative stage. This season, the central theme revolves around the garden, a concept exploring the delicate transformation of an abstract idea into tangible, artisanal reality. The presentation immediately plunges visitors into a deeply evocative, multisensory prelude. The intoxicating fragrance of melted wax, the rhythmic cadence of footsteps, and

an intentional display of three varying heel sizes instantly celebrate the house’s historic shoemaking origins. This immersive entry is followed by a famous quote from Antoine de Saint-Exupéry’s “The Little Prince” in the Salon Monceau that reminds guests that “what is essential is invisible to the eye,” setting an

By Riga Ramadhan

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BERLUTI SPRING/SUMMER 2027 SHOWCASES A FRESH, COHESIVE COLLECTION THAT DEMONSTRATES TRUE STYLE IS NEVER SUPERFICIAL

Bloom shoe, which draws direct inspiration from the fluid contours of the arum lily, rendering the flower’s natural grace into a highly sculptural silhouette with a striking new patina finish. Alongside it, the Lorenzo and Panache loafers carry forward the lineage of Berluti’s trademark construction and effortless sophistication. Intriguingly, in the first-floor Orange salon, the artistic dialogue shifts to Painting the Light, mapping the ethereal beauty of the Impressionist movement onto fine leather goods. Just as 19th-century painters layered short brushstrokes to capture shifting atmospheric light, Berluti’s artisans play with depths, shades, and transparency on signature Venezia leather. The design studio translated fragments of four paintings into distinct patinas representing a garden at different hours, from the freshness of a rose garden at daybreak to the romantic atmospheric hues of a garden at dusk, embellishing classic models like Un Jour, Luti, Un Jour de Poche, and Toujours. What’s more, there are new architectures focused on comfort and flexibility, notably the

exceptionally supple Un Jour-nal—designed to be carried under the arm like a rolled newspaper—and the Grand Jour tote bag. The collection’s narrative journey culminates in a poetic space dedicated entirely to the imaginative universe of “The Little Prince”. In the Vigny salon, Saint-Exupéry’s iconic sketches are seamlessly transposed onto a selection of leather goods, including the timeless Alessandro lace-up. Finally, by showcasing a specialist artisan alongside restored historic pieces in the Cordoue salon, Berluti highlights objects designed to weather the test of time. With 97% of its products currently repairable at its specialised Aubervilliers atelier, the Maison underscores an enduring commitment to emotional longevity. In the end, Berluti uniquely bridges the fleeting brushstrokes of Impressionism with the profound, timeless wonder of “The Little Prince”. It is a triumphant, cohesive collection that demonstrates true style is never superficial; it is a living, emotional narrative crafted to evolve, weather, and beautifully grow alongside its wearer for a lifetime.

authoritative tone for an elegance defined by posture, movement, and deep feeling rather than outward flash. Among the highlights, this garden theme sartorially yields exquisite poetic expressions where nature seems to grow directly from the garments. Classic signatures are cleverly reimagined: the legendary Forestière jacket features a fresh daffodil blossoming organically from its pocket, while intricate floral embroidery appears to bloom natively across the jersey outerwear. Berluti’s technical mastery also shines through a stunning jacket adorned with a complex mix of laser-cut details and floral embroidery, as well as the Un Jour blouson with its beautiful entrelacs collar. This organic ethos gracefully grounds the footwear collection, introducing tightly curated capsule series engineered for artistic experimentation. The standout is the Galet

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FENDI, led by Maria Grazia Chiuri as the brand’s Chief Creative Officer, highlights the Baguette, now back to its original silhouette and style code

WONDERFUL HOMECOMING

ome debuts announce a new era. Others, quieter and more profound, feel like a homecoming. For Maria Grazia Chiuri, presenting her first collection as FENDI’s Chief Creative Officer, it was unmistakably the latter. Decades after cutting her teeth within the house’s ateliers, Chiuri returned not as an outsider staking new territory, but as a daughter of the Maison rediscovering her own proud inheritance. “Meno io, più noi” or “Less I, More Us,” became her governing motto, and it is more 24 88

than a clever turn of phrase. It is a distillation of how Chiuri works, and, she suggests, how FENDI itself has always worked. In an industry increasingly obsessed with singular auteur narratives, Chiuri’s opening statement felt almost radical in its humility. That philosophy extended into the show’s very structure. Rather than treat masculine and feminine as opposing categories, Chiuri dissolved the distinction entirely, sending men and women down the runway together, in wardrobes built not to divide but to describe

shared qualities. It was a wardrobe imagined as “a personal geography,” in Chiuri’s own words, one where clothes function as encounters, as memory, as evidence of a life lived through fashion rather than dressed in it.

By Riga Ramadhan

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MARIA GRAZIA CHIURI RETURNS HOME TO FENDI, WEAVING MEMORY INTO A DEBUT THAT RESEMBLES COMING FULL CIRCLE

In short, the collection carried a quieter, more tactile message about permanence. Chiuri showcased a selection of tailored blazers, cargo pants, sheer dresses, motorcycle jackets, Canadian tuxedos, and jumpsuits. Naturally, there was fur, as one would expect from FENDI, but presented in a vintage way.

Yuqi, Ren Meguro, and MINA each appear with a Baguette of their choosing, styled to reflect who they are in that exact moment. Borthwick’s approach favoured intimacy over artifice, letting each subject move and exist naturally, so that the bag became less a prop than a personality.

Expert tailors rebuilt it, transforming pieces “left to lie in a wardrobe” into contemporary silhouettes that honour rather than discard their history. In an age of instant fashion and disposable cycles, Chiuri frames this act of remaking as one of dedication to memory, to the self who once wore the garment and the self who wears it now.

The results speak in fragments, culminating, fittingly, in the line that started it all: Carrie Bradshaw’s insistence that It’s Not a Bag, it’s a Baguette®. Nearly three decades later, under Chiuri’s direction, that declaration feels less like nostalgia and more like a promise renewed.

However, the real stars of the show were arguably all the Baguettes. Timed to coincide with Chiuri’s Fall/Winter 2026-27 debut, the Baguette returns to its original silhouette and style code, 26424, the exact specification that turned a “small and simple” arm-carried bag into a cultural manifesto back in the late 1990s. Born as a rebellion against the era’s clean minimalism, the Baguette became an instant object of desire precisely because it dared to be loud where everything else stayed quiet,

with bold colour and experimental materials as a statement of self rather than conformity. That same spirit of self-expression also anchors and coincides with the house’s new campaign for the Baguettes, photographed by Bibi Borthwick. Sarah Jessica Parker, Emma D’Arcy, Jessica Alba, Iris Law, Tecla Insolia, and FENDI ambassadors Bang Chan, Song

All things considered, what ultimately emerged was not simply a debut collection but a philosophy laid bare: fashion as a space of relationship rather than performance, desire made visible and tactile, individuality preserved even as it dissolves into collective vision. Chiuri closed her statement with a line that could just as easily summarise the whole show: a personal vision of fashion, and of oneself. For FENDI, and for the woman returning to lead it into its next chapter, that feels like exactly the right place to begin.

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ZEGNA announces Ousmane Dembélé as its latest Global Brand Ambassador

A NEW ERA BEGINS

here is a particular kind of athlete whose presence off the pitch carries the same weight as their performance on it, someone whose composure, precision, and quiet intensity translate seamlessly from the game to everything that surrounds it. In naming 24 90

Ousmane Dembélé its newest Global Brand Ambassador, ZEGNA has found exactly that. The announcement, made this past May ahead of the UEFA Champions League Final between Dembélé’s team, Paris SaintGermain (PSG), and Arsenal, marked a

By Riga Ramadhan

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AFTER YEARS OF QUIET COLLABORATION, ZEGNA WELCOMES FRENCH PROFESSIONAL FOOTBALLER, OUSMANE DEMBÉLÉ, AS ITS NEWEST GLOBAL BRAND AMBASSADOR

genuine first for the Italian Maison. In a nutshell, never before had a footballer joined ZEGNA’s family of ambassadors, a roster otherwise built from actors, musicians, and cultural tastemakers. But Dembélé’s arrival was less an experiment than an inevitability. ZEGNA and the PSG forward had already spent years in each other’s orbit, a relationship that, fittingly, revealed itself in the moments that mattered most. Twenty-nine years old and among the most decorated footballers of his generation, Dembélé’s career reads like a study in reinvention. From his early breakthrough at Rennes to formative years at Borussia Dortmund and Barcelona, before arriving in Paris in 2023, each chapter sharpened the player he would eventually become. At PSG that evolution reached its apex: a historic treble of the Ligue 1 title, the French Cup, and the UEFA Champions League, followed by the 2025 Ballon d’Or and

back-to-back French Ligue 1 Best Football Player honours at the UNFP Trophy ceremony in both 2025 and 2026. In each of those three occasions, Dembélé stepped forward in custom ZEGNA, long before any formal title made the partnership official, showing proof that some alliances are built quietly, through repetition and trust, well before they’re ever announced. That trust was rewarded this May, when Dembélé’s PSG returned to defend their Champions League crown in Budapest against Arsenal, and won in the end, sealing back-to-back Champions League titles, inducting them as one of the generation’s true footballing dynasties. ZEGNA points to this same composure in choosing its ambassador. The brand describes Dembélé as embodying determination, resilience, and respect for fair play; some of the qualities as legible in a boardroom or on a runway as they are on the

pitch. It is a description that echoes a brand currently masterminding the modern man’s wardrobe by blending heritage tailoring with relaxed luxury. Dembélé, for his part, speaks about the partnership with the same clarity he brings to any football field. “For me, the clothes tell a story that echoes the game: collective effort, precision, and a passion for excellence,” he reflected. He’s so happy to officially join the ZEGNA family as an ambassador. “I always feel my best when I am wearing ZEGNA.” It’s a sentiment that reframes the collaboration entirely, not as a brand borrowing an athlete’s fame, but as two disciplines—sport and tailoring—recognising a shared language of control and mastery. The timing of Dembélé’s appointment feels anything but incidental. At football’s biggest stage, the 2026 FIFA World Cup, the world’s attention turned once more to arguably France’s brightest star. With Dembélé, ZEGNA has secured not just a face for its campaigns, but a genuine embodiment of what the house has always stood for. In the end, it’s more than safe to say that elite athletes have officially become the leading muses of the menswear world. If Dembélé’s recent outfits are any hint or indication, this collaboration is set to offer profound aesthetic inspiration well beyond the stadium.

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Ami Paris pays tribute to love with the 2026 Qixi Sweetheart Capsule Collection

SHARED AFFECTION

ounded in 2011 by Alexandre Mattiussi, Ami Paris has become one of France’s most distinctive contemporary fashion houses by redefining Parisian elegance through an effortlessly relaxed lens. Named after the founder’s initials while also referencing the French word ami, meaning “friend,” the house was built upon values of authenticity, inclusivity, and human connection. Rather than chasing fleeting trends, Ami Paris has built its reputation on

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timeless wardrobe essentials infused with modern sophistication, offering collections that blur the boundaries between formal and casual dressing. Today, the Maison enjoys a global presence worldwide while remaining faithful to its founding vision of creating fashion that feels approachable, versatile, and unmistakably Parisian. Continuing its tradition of celebrating meaningful cultural moments, Ami Paris

By Anastasia W. Wibowo

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AMI PARIS CELEBRATES LOVE THROUGH ITS UNDERSTATED QIXI 2026 SWEETHEART CAPSULE COLLECTION

introduces its 2026 Qixi Sweetheart Capsule Collection, a special release inspired by Qixi, often referred to as China’s Valentine’s Day which falls on 19 August 2026. More than simply commemorating romance, the annual occasion provides the French Maison with an opportunity to honour its longstanding relationship with China while exploring the many forms that love and affection can take. Rather than focusing solely on grand romantic gestures, this year’s collection embraces the beauty found in everyday companionship, highlighting the quiet moments, shared memories, and simple interactions that often define genuine relationships.

comfortable silences, and shared experiences. The result is a series of intimate portraits that feel sincere and universally relatable, reinforcing Ami Paris’ contemporary interpretation of love as something defined not by spectacle but by presence, attentiveness, and emotional authenticity. Comprising 14 carefully considered pieces across ready-to-wear and accessories, the Qixi Sweetheart Capsule Collection reflects both versatility and refined craftsmanship. Unisex silhouettes form the foundation of the collection, including crisp cotton shirts, a shirt dress, polo shirts, tailored

Appropriately named Qixi Sweetheart, the capsule reflects Ami Paris’ signature design philosophy of effortless elegance and emotional authenticity. The collection is envisioned as a wardrobe designed to be shared, bringing together simplicity, intimacy, and versatility through garments that naturally complement different lifestyles and personalities. Instead of using elaborate embellishments, the pieces emphasise refined silhouettes and thoughtful details, reinforcing the notion that true connection is often expressed through comfort, presence, and familiarity. The accompanying campaign continues this restrained narrative through House Ambassador Zhou Yiran. Captured with a minimalist visual language, the imagery focuses on understated interactions instead of theatrical storytelling, portraying relationships through fleeting glances,

trousers, shorts, knitwear, and essential T-shirts designed for both men and women. Complementing the apparel is a curated selection of accessories that echo the same understated design language. A sophisticated palette of crisp white accented by rich burgundy and subtle gold details lends the collection an air of timeless elegance, while premium cotton fabrics, cotton-wool knitwear, and finely crafted brass jewellery reinforce the Maison’s dedication to quality, comfort, and enduring refinement. More than a seasonal release, the Qixi Sweetheart Capsule Collection captures the essence and beauty of fashion that celebrates meaningful relationships. By pairing timeless Parisian style with a heartfelt tribute to one of China’s most cherished annual celebrations, Ami Paris once again demonstrates that the simplest moments shared together often leave the most lasting impression.

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Tory Burch takes on summer with her new capsule collection, “Splash”

PERFECT HOLIDAY

very fashion house keeps a founding object somewhere in its story, and for Tory Burch that object is a pair of sandals. In the ‘60s her mother had them made to measure on Capri, flat leather things intended for nothing more vibrant than an island summer. And their memory eventually produced the Miller, the opentoed silhouette that has anchored the brand’s footwear business since 2008. Nearly two decades on, the Miller has passed through

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countless materials and moods, yet its newest reinvention may be its most endearing. For Splash, Tory Burch’s summer capsule collection, and its accessory-led second wave, the Splash Jelly collection, the shoe has been remade entirely in translucent jelly. The new Miller sandals hold on to every detail of the original, laser-cut medallion included. Only now they come in a glossy thermoplastic polyurethane (TPU), a

material as elastic and durable as it is transparent. The additions arrive in colourways whose names suggest a wearer who packed in 10 minutes and still brought exactly the right things. Pool Blue, Flamingo Pink, Sunshine Yellow and Root Beer Float do most of the storytelling on their own. From there the idea keeps stretching. A Miller kitten heel in the same material sits on a slim cork sole, and suddenly the jelly shoe has

By Arinta Wirasto

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TORY BURCH’S LATEST SUMMER CAPSULE DUBBED, “SPLASH”, TRADES THE CITY WARDROBE FOR SALT, WATER AND SUN

somewhere to be after dark. Somewhere in the range there is even a pair with trompe l’œil toenails painted onto the footbed, which for sheer disarming charm may prove to be the favourite detail in the whole collection. On the dressier side of the catalogue sit the Romy City Sandals in three neutral palettes, reworked as a flexible lattice that could not care less about salt water. The bags get the same treatment without simply repeating the wit. The Romy bucket, which earned its following by being useful in a way covetable bags rarely bother to be, turns up woven in raffia for anyone who prefers their summer textures natural. It then appears again in colour-blocked transparent PVC, which comes in a choice of two moods. One sets mint against aquatic blue, while the other leans darker into a cola-tinted brown. The Ella tote follows in the same see-through construction, and against all that shine the label has been careful to place things made slowly. A Charlie bag arrives in blue-green crochet, and plain ribbed tanks come pinned with silk flowers, so the plastic never quite gets to dominate the room. The clothes lean the same way, cut light enough to forget about, in colours that behave as the sea does when you stare at it long enough, pale turquoise sliding into something deeper and moodier, with crochet working across the knitwear in patterns that look borrowed from moving water. All of it was photographed where an idea of escapism was more or less invented. At GoldenEye in Jamaica, the retreat where Ian Fleming wrote his Bond novels, Anthony Seklaoui wisely lets Alex Consani and Sacha Quenby simply be on holiday. They drift on pool floats and wander the shoreline barefoot, their marine blues and clean whites slowly

giving way to the warmer shades of late afternoon. The image everyone will surely remember is that of Consani balancing a pair of slides on her head with a cocktail in hand. What lingers afterwards is how neatly Tory Burch closes the circle. A shoe born from her mother’s holiday on Capri returns 60 years

later as an object built for someone else’s holiday entirely, translated into a material her generation would never have chosen and somehow becomes more itself for the change. The jelly and raffia will sell through and the season will turn, but heritage, she quietly suggests, is not a vault to be guarded. It is a memory worth replaying in brighter colours.

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OLIVIA DEAN – CHANEL Popular English singer and songwriter Olivia Dean has gone viral with songs such as “So Easy” and “Man I Need” from her second album “The Art of Loving”. With four Brit Awards and the Grammy Award for Best New Artist in 2026 under her belt, Olivia is now on her second concert tour and was seen wearing an embellished gown with an overlapping print of roosters from the CHANEL 2026 Métiers d’art collection for her show in Paris.

REN MEGURO – FENDI Ren Meguro is an actor and singer, who is a member of the idol group Snow Man. With acting credits in the movies “Phases of the Moon” (2022) and “My Happy Marriage” (2023), the latter of which earned him the Best Emerging Actor Award at the 5th Tama Film Awards Ceremony, Ren will be seen in the second season of the historical drama “Shogun” when it airs in 2028. A FENDI Ambassador, Ren was seen sporting the FENDI Soft Hobo bag.

AYAKA MIYOSHI – AMI PARIS Japanese actress and model, Ayaka Miyoshi, is best known for starring in “Dance with Me” (2009) and “Alice in Borderland” (2020). Cast as the lead in the film “Knuckle Girl” (2023), she was awarded Rising Star of the Year at the 2024 Asia Contents Awards & Global OTT Awards, held in Busan, South Korea. The talented actress was recently seen wearing Ami Paris at the Ami Paris Spring/Summer 2027 Collection.

KIM TAEHYUNG – CELINE One of the seven members of South Korean global phenomenon group BTS, Kim Taehyung, or V as he is endearingly called, is currently with his group in the midst of their much-anticipated Arirang World Tour. Renowned for his sultry voice and appealing take on fashion, the Global Brand Ambassador of CELINE was seen wearing CELINE Spring/Summer 2027 at the exclusive CELINE After-Party in Paris on June 28, 2026.

By Maria Zarah Gregorio Viado

SPOTTED

LUXURY PURSUITS

FUTURE ICON

ome addresses become landmarks because of where they stand. Others earn that status through vision. Rising on one of Melbourne’s most prominent riverfront sites, The One belongs firmly in the latter category. With early works now underway, the A$1.5bn development is transforming a site that remained dormant for more than 15 years. Comprising premium residences, an international world class hotel and branded residences as well as exceptional lifestyle amenities, The One is set to become Southbank’s next landmark address. Positioned at 1 Queens Bridge Street, the development occupies one of Melbourne’s most coveted locations, overlooking the Yarra River and just moments from the CBD. Residents will enjoy convenient access to 98

Crown Entertainment Complex, Flinders Street Station, Southbank Promenade, the National Gallery of Victoria, Arts Centre Melbourne, South Melbourne Market and the Royal Botanic Gardens. Already recognised as Melbourne’s cultural heart, Southbank continues to evolve through significant investment, reinforcing its reputation as one of Australia’s most desirable urban neighbourhoods. A key driver of this transformation is the No. 1 Arts Precinct, an ambitious revitalisation stretching from Federation Square to Southbank. The arrival of The Fox: NGV Contemporary, the creation of Laak Boorndap garden, the Southgate redevelopment, the Greenline riverfront project and upgrades to Arts Centre Melbourne will further

strengthen the precinct’s standing as an international cultural destination, strategically placing art, entertainment and green spaces at residents’ doorsteps. Designed by acclaimed architecture practice COX, the 71-level tower takes inspiration from the flowing Yarra River, with six sculptural vertical pleats creating a distinctive façade that reflects Melbourne’s ever-changing light. Interiors by Melbourne-based One

By Anastasia W. Wibowo

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SOUTHBANK’S NEWEST LANDMARK BLENDS LUXURY LIVING, CULTURE AND FIVE-STAR HOSPITALITY INTO ONE EXTRAORDINARY ADDRESS, THE ONE

Design Office (ODO) emphasise warmth, craftsmanship and everyday liveability, while developer PDG contributes more than 40 years of experience delivering premium residential communities. Hospitality is equally central to the vision. An international world class hotel and branded residences will bring world-class service inspired by Melbourne’s local character, while the heritage-listed Queens Bridge Hotel will be carefully restored as the precinct’s arrival experience, complete with a dramatic atrium, rooftop bar and vibrant public spaces that celebrate history and contemporary design in equal measure. At ground level, a newly activated laneway will connect Queens Bridge Street with Freshwater

Place, introducing curated retail, cafés and outdoor dining that echo Melbourne’s iconic laneway culture. A discreet vehicle drop-off further enhances residents’ arrival, creating a seamless transition from the city’s energy into the privacy of home. More than 5,500 square metres of resident amenities create what is effectively an urban village in the sky. Level 10 features a swimming pool, spa, gym, yoga and Pilates studio, sauna, steam room, golf simulator, pickleball court, cinema, children’s playroom, co-working spaces, private dining rooms and landscaped outdoor lounges. All residents also can enjoy access to Sky Lounge on level 55, where a piano bar is with Melbourne’s spectacular view. While High-rise residents can enjoy exclusive access to a luxurious wellness centre

with an onsen, cold plunge, treatment rooms and leisure pool deliver a five-star lifestyle above the city. With prices starting from A$660,000, options range from 1BR, 2BR, 3BR, as well as branded residences from a world class five star hotel, The One will be one of the best riverfront residence available in Melbourne. Confidence in the project is reinforced by PDG’s proven track record. Prima Tower redefined premium apartment living in Southbank and remains one of the suburb’s most sought-after addresses. Award-winning Abode318 showcased enduring design and liveability, while Gadsden demonstrated the successful integration of heritage architecture with contemporary living. More recently, Indi Southbank at Boyd Village highlighted PDG’s ability to deliver large-scale residential communities with certainty, quality and thoughtful placemaking. Together, these projects provide the foundation for The One—a development that is not simply reshaping Melbourne’s skyline, but redefining the future of luxury city living.

1. The One is set to become Southbank’s next landmark residential address 2. A discreet vehicle drop-off enhances residents’ arrival 3. Luxurious and comfortable rooms with stunning cityscape views can be enjoyed by the distinguished residents of The One 3

4. At the Sky Lounge, high-rise residents can end their days at the piano bar

LUXURY PURSUITS

POWERFUL ALCHEMY

kin to second skin, scent reveals one’s personality long before any word is spoken. In addition to the intentional choice of perfume, its interaction between one’s physiological chemistry makes for a nonvisual identifier that characterises a person— a choice that can be copied but its effect not fully mimicked. As a leading advocate of self-expression, CHANEL has long explored the possibilities of perfume to express and elevate oneself. The Maison, whose journey 100

began with CHANEL No. 5 in 1921, now offers its most luxurious and intimate creation yet: Les Extraits de CHANEL. With every drop, Les Extraits de CHANEL sinks into the skin like an ember that quietly grows until it turns into a flame. Unlike a regular spray perfume, each hidden note slowly but surely reveals itself over time, whilst shapeshifting according to each individual. Presented in a whimsical bottle that required

exceptional glassblowing craftsmanship, Les Extraits de CHANEL is a secret letter waiting to be unfolded. Available in 11 scents, CHANEL presents the multifaceted personalities of Les Extraits de CHANEL. The decorative double C logo on

By Karina Saphiera Witjaksono

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CHANEL UNCOVERS ITS MOST LUXURIOUS AND INTIMATE FORM OF PERFUMERY: LES EXTRAITS DE CHANEL

The ornate glass cases of CHANEL’s perfumes have decorated homes and vanity tables for generations. While their pleasing aesthetics make them beautiful decorative objects, the Maison takes inspiration from Gabrielle Chanel’s own love of breaking codes as it designs the purse spray for Les Extraits de CHANEL. The CHANEL purse spray comes in a refined glass bottle that can easily be carried in a CHANEL handbag. Its crystalclear glass softens the harsh lines of the case, revealing Les Extraits de CHANEL nestled in a rounded inner chamber, as if suspended within. Adorned with golden accents, the sensual case was shaped to be cradled in one’s hand, ready to be used at any point throughout the day. Paired with the undulating strength of Les Extraits de CHANEL, the purse spray never fails to bring its wearer confidence wherever they go.

the baudruchage serves a purpose beyond aesthetics; it safely guards the purity of Les Extraits de CHANEL prior to its unveiling. Paired with the delicate glass bottle and white label, the baudruchage acts much like the rose ribbon on the Maison’s handbag packaging, only this time, it is a lacquered thread waiting to be cut. At the pop of the lid, the room is overtaken by floral, amber, woody, or citrus and aromatic scents without ever overpowering one’s senses.

1. CHANEL presents the multifaceted personalities of Les Extraits de CHANEL 2. A variety of flowers, such as Grasse jasmine and May rose, serve as the heart of the scents 3. The double C logo adorns the top of the purse spray, adding an elegant touch to the glass bottle 4. Each Les Extraits de CHANEL perfume is presented in an elegant specialty box 4

5. The scents also come in a refined glass purse spray which you can bring with you wherever you go

Though strong in personality, each variant is alchemised to leave a lasting impression. It only takes a single drop on the pulse points, such as behind one’s earlobe, at one’s nape, or on the hollow of one’s wrist, to realise Les Extraits de CHANEL’s full potential. Both the intentional way it is worn and the endurance of its scent offer a refreshing change from this otherwise fast-paced society, so used to quick fixes that may not always achieve the same goal. Its prowess is only made possible through an exacting chain of craftsmanship, which begins in Neuilly, France. Home to the Fragrance Laboratory, Neuilly marks the beginning of Les Extraits de CHANEL’s journey. It is here that master perfumers coax the delicate scents from freshly picked ingredients, including Grasse jasmine and May rose, carefully cultivated in the Maison’s lush fields. Just like the production chain within the Maison, each scent plays a pivotal part in constructing the indelible identity of Les Extraits de CHANEL. This intricate process allows the Maison to reimagine its long-celebrated scents, including CHANEL No. 5 and 1957, to reach all-new heights.

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LUXURY PURSUITS

A LIVING LANDSCAPE

he global art calendar is packed with multiple art fairs, but few exhibitions successfully bridge business vitality with deep curatorial intentionality. Held from June 4 to 7, 2026, at the Agora Ballroom, ArtMoments Jakarta firmly asserted its role as a cultural gateway in Southeast Asia’s contemporary art landscape. Bringing together more than 70 exhibitors from Indonesia, Singapore, Malaysia, the Philippines, Thailand, and South Korea, the fair created a vibrant cross-cultural platform

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that placed regional expression at the centre of global art conversations. The primary focus of this year’s edition is modern and contemporary Nusantara art. Guided by Artistic Director Jeong Ok Jeon, this year’s iteration introduced a powerful central theme. Building on the themes of “Renewal” in 2024 and “Restoration” in 2025, “Offerings” marks the next chapter in this year’s curatorial path, reflecting an international search for kindness in an era that increasingly needs it.

Departing from conventional, passive viewing formats, the fair embraced an immersive, participatory approach. It transformed art into a living dialogue between creators, galleries, collectors, and audiences, prioritising emotional resonance, narratives, and shared encounters over mere aesthetic observation.

By Riga Ramadhan

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ARTMOMENTS JAKARTA MAKES A TRIUMPHANT RETURN BY TRANSFORMING THE COMMERCIAL ART FAIR INTO A LIVING CULTURAL ECOSYSTEM

and audiences. Intellectual curiosity remained vibrant outside the gallery booths through Converse Moments, featuring industry panels with many speakers, and Makers Moments, which highlighted the creative process through highly interactive workshops. Overall, in an era driven by transient digital aesthetics, true artistic mastery lies in a work’s capacity to act as a profound vessel for human reciprocity. With its 2026 edition, ArtMoments Jakarta transcends the traditional art fair concept, becoming a space where contemporary art is presented—not just displayed—fostering empathy, memory, and connection among its participants. In doing so, ArtMoments Jakarta superbly redefines the commercial art fair, transforming the area into a space of mutual devotion, and reminds us that the emotional and intellectual exchange is the true measure of an artwork’s value.

1. The 2026 iteration of ArtMoments Jakarta introduced “Offerings” as its central theme, inviting audiences to experience art beyond aesthetics

The fair officially opened on June 4, 2026, welcoming VIP collectors, international dignitaries, and media representatives to an immersive artistic celebration. During his opening address, Co-Founder and Fair Director Sendy Widjaja noted that “Offerings” explores how art expresses care, gratitude, responsibility, and cross-cultural dialogue, rather than simply serving as a marketplace for art. This vision was echoed by Teuku Riefky Harsya (Minister of Creative Economy) and Giring Ganesha Djumaryo (Deputy Minister of Culture), who highlighted ArtMoments as a crucial platform for strengthening Indonesia’s creative ecosystem and international cultural presence. The opening reached its poetic zenith with Henri Affandi’s whimsical performance titled “Sajja.” Reimagining artmaking as a literal act of devotion toward Mother Earth, Affandi turned the physical process and labour of cultivation into an embodied offering that perfectly mirrored the curatorial heart of the exhibition. This year’s edition features a carefully structured programme that harmonises artistic heritage with innovative viewpoints. Key highlights include ArtMoments Masters, a unique initiative dedicated to honouring and safeguarding the legacy of Southeast Asia’s artistic trailblazers, while fostering responsible stewardship and confidence in art collections through verified artworks. Additionally, the launch of Charity Moments further emphasises the role of art as a driver for social change and shared empathy.

2. Teuku Riefky Harsya, Minister of Creative Economy, was one of the special guests at the opening ceremony of ArtMoments Jakarta 3. Sudjana Kerton, “Di Tepi Kali” (On the Riverbank), Oil on canvas, 66 x 96 cm 4. Yue Minjun, “Sunglow” 2009, Oil on canvas, 250 x 200 cm 5. Mochtar Apin, “Jalur Patah” 1988, Oil on canvas, 124.5 x 195.5 cm

Next is the sensory experience, further enriched by the International Watercolour Society, evocative photography by Ted Van der Hulst, and the Klimt-inspired Bösendorfer “Tree of Life” Grand Piano. Moreover, to nurture future audiences, the fair also introduced accessible pathways, such as ARTFace and the Young Collectors Programme. Meanwhile, family-centric initiatives like MobArt’s Kids Section and the interactive Carrot Card Season 2 enabled younger generations and first-time buyers to connect with high art in an approachable way. In addition to the exhibitions, the fair also delivered a vibrant array of public programmes that enhanced interaction among artists, art,

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Centennial Tower, 28th Floor Jl. Gatot Subroto Kav. 24 & 25 Jakarta 12930 Phone: +62 21 2927 2780 Email: timecare@time.co.id