The Time Place Magazine #102

BANG RELOADED

Meet the world’s most advanced business jets.

FLY THE FUTURE

Request your private consultation

Gracing our cover is the new Santos-Dumont. Built on a legacy of innovation, the iconic Cartier timepiece is now fitted with a gilded obsidian dial and equipped with an elegant, flexible bracelet in yellow gold. Read up on the novel offering in our cover feature.

Following the conclusion of Watches and Wonders 2026 in Geneva, Switzerland, we now present you with our exclusive reportage of the much-awaited event. Discover the latest novelties from the world of haute horlogerie in our special Watches and Wonders 2026 section.

For Industry News, we join Rolex in celebrating the new Laureates of the Rolex Awards, formerly the Rolex Awards for Enterprise, which includes Indonesian changemaker, Farwiza Farhan, whose work centres on safeguarding the Leuser Ecosystem. We also travelled to Bangkok, Thailand with Longines to preview their 2026 novelties, and were invited to Seoul, South Korea to witness the appointment of BTS lead singer, Jung Kook, as Hublot’s Global Brand Ambassador.

Meanwhile, we feature Sean Gelael and actress Hana Malasan in Up Close and Personal. With TAG Heuer watches as part of their everyday life, the couple grounds each other and share a simple, yet meaningful existence together. In the same section, we spoke with Lianggono Susanto about how his late mother has inspired his work and his appreciation for wellmade clothing while styled in ZEGNA.

Paying tribute to the Breitling Navitimer, we present new models that enrich the collection in Reborn, including the Navitimer B01 Chronograph 43 Tribute to Concorde and the Navitimer B19 Chronograph 43 Perpetual Calendar.

To bring this edition to a close, we highlight the latest news and releases in the world of fashion; introduce the haute joaillerie offerings of Cartier and Piaget in Bejewelled; and present articles on investment policies with Standard Chartered, the Art Jakarta Gardens, Venetian glass with Alex Signoretti and Destination Tour, as well as sumptuous gastronomy from Club Italiano and Chef Syrco Bakker.

We hope you enjoy this edition.

Irwan Danny Mussry Editor-In-Chief and Publisher @irwanmussry

The Time Place Magazine, Edition 102

All rights reserved, copyright 2026 by PT Komunikasi Perkasa International Reproduction in whole or part without permission is prohibited

Editor-in-Chief and Publisher: Irwan Danny Mussry

Chief Editorial Advisor: Shannon Hartono

Managing Editor: Maria Zarah Gregorio Viado

Production Manager: Erika Tania Dessyandra

Production Associate: Charlene Atalie

Social Media Executive: Athirah Nurflizah

Creative Multimedia: Kristy Gabriella, Erik Umar

Contributors: Allestisan Citra Derosa, Anastasia Winayanti Wibowo, Arimbi, Arinta Wirasto, Fahita Advani, Farhan Nabil, Karina Saphiera Witjaksono, Ranggi Pratiwi, Riga Ramadhan, Sidky Muhamadsyah, Vicky Tanzil, Zaky Akbar

For Advertising Inquiries:

Please contact Netanya Gabrielle at netanya.gabrielle@time.co.id or +62 877 8899 1080

To subscribe, please contact us at magazine.thetimeplace@time.co.id Printed by: Gramedia Printing

thetimeplace.magazine thetimeplace.magazine

Engineering Dreams.

Pilot’s Watch Chronograph 41 Le Petit Prince, Ref. 3894

The spirit that leads the Little Prince beyond his asteroid continues to inspire us at IWC Schaffhausen: driven by curiosity, courage, and the pursuit of new horizons. This 41-millimetre chronograph in white zirconium oxide ceramic is IWC’s first ceramic watch dedicated to Antoine de Saint-Exupéry’s beloved tale. The deep blue, sunray-finished dial recalls the vastness of space – created for those who never stop exploring what lies beyond the horizon.

ANASTASIA WINAYANTI WIBOWO

Writer

Coming from a background far from media, Anastasia has spent a greater part of her diverse career journey as a part-time writer and translator. After a couple of years in an editorial role at one of Indonesia’s high society magazines, she honed her writing skills during a one-year freelance stint at two local luxury online publications while working full-time in the financial services sector.

RIGA RAMADHAN

Writer

Riga spent the last several years writing about watches and luxury articles for a couple of Indonesia’s prestigious luxury and lifestyle magazines. A jack of all trades who enjoys writing about watches, travel, and lifestyle features, Riga likes to collect Russian watches and go to music concerts and places where people can’t even pronounce words well.

FAHITA ADVANI

Writer

Fahita is a freelance writer for renowned media outlets and a musician who plucks strings and words with equal precision. Her background in intergovernmental organisations quietly informs her writing on culture, society, and public life. She approaches each subject with clarity and balance, grounded in both research and lived experience.

ZAKY AKBAR

Photographer

With over a decade of experience as a photographer, Zaky Akbar’s artistic vision and exemplary composition skills have carried him through a successful career of working with various renowned brands and magazines nationally and internationally. In 2020, he founded his own studio called Studio Amban.

SIDKY MUHAMADSYAH

Stylist

Sidky Muhamadsyah started in fashion as an editor and has always been close to styling as part of the creative process. He’s drawn to whimsical, imaginative editorials and enjoys using fashion as a quiet way to tell stories through photographs.

RANGGI PRATIWI Makeup Artist

A professionally trained makeup artist with international certification, Ranggi graduated at the top of her class at Puspita Martha International School. Her work spans celebrity clients, large-scale campaigns, and editorial projects across beauty and fashion. With a strong interest in authenticity, she draws from contemporary art and traditional techniques while shaping them through a modern lens.

KARINA SAPHIERA WITJAKSONO

Writer

During her years in the media industry, Karina has taken on a variety of roles ranging from editorial to business-oriented duties. Together with other country representatives, she was also appointed co-editor of a regional publication for Southeast Asia. As an aesthete, Karina’s appreciation for craftsmanship can easily be seen in her writings, especially when it comes to intricate timepieces.

ALLESTISAN CITRA DEROSA

Writer

Alles writes about people, non-people, and the quiet patterns that shape everyday life. A full-timer at a branding agency, she also contributes to Jakarta’s oldest Englishlanguage newspaper. Her curiosity now extends to the world of luxury and fashion, exploring how identity and intention take form through style.

ARINTA WIRASTO

Writer

Arinta is a writer by profession and a former journalist by training. With a background in Fashion Retail Management from London College of Fashion, she has worked across media, tech startups, and fashion, specialising in writing and content marketing. She believes every good sentence deserves careful thought, strong coffee, and at least a few rewrites.

VICKY TANZIL

Photographer

Since graduating from Petra University with a Bachelor’s in Visual Communications, Vicky has been utilising his multifaceted aesthetic sensibility to build a constantly evolving eclectic portfolio. With an extensive range of creative experiences, he always relies on his instincts to push beyond the limitations of categorical boundaries.

ARIMBI Makeup Artist

Arimbi is a highly skilled professional makeup artist with more than eight years of experience in the fashion and commercial industries. With a CIBTAC Diploma in Photography and Fashion Makeup, she aims to provide clients with exceptional beauty and makeup services.

FARHAN NABIL

Hair Stylist

Farhan Nabil is a Jakarta-based hair stylist whose approach is shaped by an unconventional starting point in textile draping. His early practice of wrapping and sculpting fabric directly on the body informs the way he now works with hair. He began his career in commercial work across advertising, fashion, and beauty editorials, and has since expanded into personal styling for events and weddings.

HENRY

Elegance Embodied

In light of International Mother’s Day, TAG Heuer invited a number of its elite customers to its Plaza Senayan boutique to celebrate the special occasion. A group of gorgeous ladies graced the intimate private viewing,

where they had the opportunity to view and try the latest TAG Heuer ladies’ watch collection. Those in attendance also indulged in fragrance discovery by Guerlain. The delightful afternoon was not only a celebration of elegance and style, it was an affair catered to moms, true female horologists and watch enthusiasts.

Noviana Darmadji Nanda, Dita

Hanna, Yudith, Vani

Lina Anwar

Novie Muliawan, Jeanette Sharon, Lisa Sutopo

Indira Soediro, Tria Soediro

DISCOVER MORE

One of the watches highlighted was the TAG Heuer Carrera Date in steel with a rose gold dial

Cheers to Spring

FENDI recently hosted a series of private viewing events, held over the course of three days, to showcase its vibrant Spring/Summer 2026 collection. Taking place at its boutiques in Plaza Indonesia and DISCOVER MORE Plaza Senayan respectively, the consecutive events saw a number of well-heeled ladies beautifully clad in their FENDI attires and accessories. Those who attended the first session on April 14 were treated to a quick manicure session, while all the guests were served refreshing treats from the RAGA Wellness Canteen and delighted in the Oracle Reading experience inspired by FENDI’s Inner Beauty collection.

Vera & Viana

Kelly Zhang

Irene

Rita Efendy

Wahyu Vida

Emma Siahaan

Natalia

Airine Suryadinata

CHARLES SCHUMANN, BARTENDER, SHADOW SNEAKER

ELEGANCE IS BORN IN SHADOW

For the Women

Tory Burch hosted an intimate Kartini Day event with Pancatera at Plaza Senayan in Jakarta, bringing together Caroline Soerachmat, Kai Soerja, Karina Basrewan, and Marissa Anita. Known for their podcast “In Her View,”

the event featured an off-air segment titled “Beautifully Daring: The Balance of Strength and Femininity,” exploring modern womanhood via meaningful dialogue. Guests were also treated to a showcase of the brand’s Spring 2026 collection, as well as curated experiences such as a jamu corner and live typewritten poetry.

Kai Soerja

Caroline Soerachmat

Marissa Anita

Karina Basrewan

Ariyanti Tjiang

KAI SOERJA

NEW FRONTIERS

THE NEW CYCLE OF ROLEX AWARDS LAUREATES BRINGS A RENEWED SENSE OF PURPOSE IN UNPRECEDENTED TIMES

In a world where capitalism plays a central role in modern life, it is easy to overlook other equally important global issues. Yet this tension often presents itself most clearly in sectors where consumption is most visible. Luxury watchmaking, for one, has begun to reflect this paradox by using its platform to champion more responsible practices. As a result, innovation today extends beyond mechanical expertise to encompass initiatives that reflect a brand’s values. Rolex stands among the pioneers in shaping this approach.

This philosophy finds one of its clearest expressions in the Rolex Awards. Established in 1976 to mark the 50th anniversary of the Rolex Oyster (a breakthrough that reshaped modern watchmaking), the Awards supports individuals whose ideas translate into real-world impact in environmental conservation, scientific advancement, and cultural preservation.

Against this landscape, each new cycle of the Rolex Awards brings its focus closer to the ground. One of the ways it does this is by

Laureate of the 2026 Rolex Awards, Pardis Sabeti, in Sierra Leone. By developing pioneering technologies, medical geneticist Sabeti has been at the frontline of fighting viral outbreaks and potential pandemics in West Africa for decades. ©Sabeti Lab

Forest conservationist Farwiza Farhan in the Leuser Ecosystem of Sumatra, Indonesia. Farhan, Laureate of the 2026 Rolex Awards, has successfully mobilised local communities and led numerous campaigns against the destruction of the ecosystem; the last place on earth where elephants, tigers, orangutans, and rhinoceros still co-exist in the wild. ©Magdalena Stawinski

By Arinta Wirasto

spotlighting individuals whose work is rooted in local realities, whilst carrying global relevance. Indonesia has emerged as a compelling example of this trajectory. In 1990, the late Indonesian environmentalist, Suryo W. Prawiroatmodjo, was honoured for advancing conservation awareness through education.

More recently, Denica Riadini-Flesch was recognised as a Rolex Awards Laureate in 2023 for spearheading one of the world’s closedloop production models through her clothing brand, SukkhaCitta.

Building on this momentum, the 2026 edition of the newly renamed Rolex Awards turns to

another Indonesian changemaker: Farwiza Farhan. Her work centres on safeguarding the Leuser Ecosystem through the nonprofit organisation she co-founded in 2012, Aceh Forest, Nature, and Environment Foundation (HAkA).

Located on the island of Sumatra, the Leuser Ecosystem spans more than 2.6 million hectares, covering lowland rainforests, coastal and mountain forests, peat swamps, alpine grasslands, and cultivated areas. According to UNESCO, such ecological richness has made Leuser one of the last places on Earth where endangered species, including elephants, tigers, orangutans, and rhinoceros, still thrive alongside

one another within the same habitat. Yet this rare coexistence remains under constant threat from deforestation and land exploitation.

Rather than approaching conservation as a purely ecological concern, Farhan has focused on reshaping the systems that govern it. Through HAkA, she has mobilised indigenous communities, led legal advocacy efforts, and worked to ensure that environmental protection for the Leuser Ecosystem is embedded within policy frameworks.

Just like Riadini-Flesch, Farhan is equally committed to making her philanthropy work more inclusive by involving those most affected by the threat of destruction: women and local communities. By strengthening access to policy discussions and encouraging deeper participation, she reinforces the idea that longterm environmental protection must be rooted in shared responsibility.

Her remarkable work has garnered widespread international acclaim that she truly deserves. Among them are the Whitley Award in 2016, the National Geographic Wayfinder Award in 2022, a place on TIME100 Next in 2022, the Ramon Magsaysay Award in 2024, and the Whitley Gold Award in 2026. These accolades successfully position Farhan at the forefront of a new generation of conservation leaders redefining how environmental protection is led and sustained.

Fellow Laureates who are just as impactful round out this year’s cohort, all of whom are women driving initiatives centred on sustainability, innovation, and community-led progress.

Joining Farhan in pushing boundaries of urgent global challenges are chemical biologist Rosa Vásquez Espinoza, environmental scientist Binbin Li, conservationist Rachel Ikemeh, and medical geneticist Pardis Sabeti.

Espinoza’s research in the Peruvian Amazon has revealed the importance of preserving stingless bees, a key pollinator for native plants. In China, Li collaborates with local communities to rethink agricultural practices to protect wild pandas. Ikemeh’s work in the Niger Delta centres on protecting endangered primates and highly-threatened forest habitats through community-driven efforts. Meanwhile, Sabeti continues to advance cutting-edge tools to better detect and respond to infectious diseases in West Africa.

Together, their work and extensive efforts reflect how the Rolex Awards continues to set a benchmark for integrating purpose-driven initiatives into a brand’s broader ethos. In doing so, Rolex extends its influence far beyond watchmaking into shaping a more considerate and resilient future.

Conservationist Rachel Ikemeh, Laureate of the 2026 Rolex Awards, in Nigeria’s Niger Delta. Credited with saving the Niger Delta red colobus monkey from the brink of extinction, Ikemeh inspires community-led conservation in the Delta. ©SW/Niger Delta Forest Project

Environmental scientist Binbin Li, Laureate of the 2026 Rolex Awards, is working with local communities in central China to create a sustainable approach to livestock grazing and protect the wild panda’s habitat. ©Jingnan Wang

FORMIDABLE FORCE

JUNG KOOK AND HUBLOT DEFINE A NEW ERA THROUGH ORIGINALITY, IMPACT, AND EVOLUTION

It is no secret that Korean stars are commanding an increasingly powerful presence within the global luxury landscape. From shaping major campaigns, dominating fashion week headlines from the front row, to redefining modern brand influence through their extraordinary reach and devoted fandom. In that context, Jung Kook’s appointment as Hublot’s Global Brand Ambassador feels undeniably timely. Yet for those who truly understand both the artist and the maison, this partnership reads as something far more seamless than a strategic

move. It feels authentic, instinctive, and entirely inevitable.

Even at first glance, Jung Kook reflects Hublot’s spirit through a presence that is distinctive and unmistakably modern. There’s a confidence to his style and a boldness to his image that extends beyond appearance. Beginning his career at just 15 years old, he rose from a young Korean artist to one of the world’s most influential performers, as BTS broke into the traditionally Western-led global music industry before he made history as a

soloist with “Seven” debuting at No. 1 on the Billboard Hot 100. Young, disruptive, and globally resonant, his ascent has continually expanded expectations.

That sense of disruption feels inherently familiar to Hublot. As one of Swiss watchmaking’s younger manufactures, Hublot built its name and expertise by

Big Bang Original King Gold Ceramic

By Erika Tania Dessyandra

Hublot introduces its new Global Brand Ambassador, Jung Kook

breaking convention rather than following it, transforming a conservative industry through bold innovation and an unapologetically different identity. From the world’s first fusion of gold and rubber in 1980, to the revolutionary Big Bang design that earned the prestigious Grand Prix d’Horlogerie de Genève’s Best Design award in 2005, Hublot has continually positioned itself at the intersection of creativity and reinvention. It is this shared spirit of originality that makes the partnership feel so inherently aligned.

The synergy may feel natural, but its timing makes it all the more powerful. After completing 18 months of South Korean mandatory military service, Jung Kook returns to the public stage following a significant absence that only intensified global anticipation for his next chapter. Hublot, too, is entering a pivotal moment of renewal. More than two decades after boldly disrupting Swiss watchmaking through boundary-breaking design, the maison now revisits one of its most defining creations through the Big Bang Original. Together, the partnership arrives at an exceptionally meaningful moment: the convergence of an artist stepping into a new era and a brand reaffirming the spirit that first set it apart.

To mark Jung Kook’s appointment, Hublot convened international media in Seoul, South Korea, where The Time Place Magazine joined press from across the globe for a celebration that fused worldwide significance with the cultural vibrancy of its setting. The evening unfolded at STRX House, a contemporary creative space reimagined for the occasion, where sleek architectural lines were transformed by an immense façade-spanning campaign visual of Jung Kook wearing the Big Bang Original Black Magic, commanding immediate attention and turning the venue itself into a striking extension of Hublot’s new chapter.

Outside, devoted fans gathered in striking numbers around the photo wall, their anticipation especially palpable as this marked one of Jung Kook’s first major public appearances following his hiatus. In fact, highly observant fans had already pieced together the clues surrounding Hublot’s campaign ahead of schedule, fuelling online speculation that rapidly evolved into a global conversation. By the time Hublot’s teaser landed on Instagram, millions of views and a flood of comments had already underscored the extraordinary scale of Jung Kook’s influence.

When he finally arrived in a sharply tailored maroon suit, paired with the Big Bang Original King Gold Ceramic, the excitement intensified. Amid a frenzy of camera flashes, Jung Kook brought warmth to the spectacle by introducing Hublot CEO Julien Tornare to the signature Korean cheek-heart pose as they took photographs together, before stepping inside with a presence that balanced superstar magnetism with genuine ease.

Throughout the venue, anticipation gave way to electricity. Cinematic campaign visuals featuring Jung Kook illuminated towering screens across the venue as Tornare welcomed guests by reaffirming the maison’s enduring philosophy: “Hublot is a unique brand, and we align ourselves with individuals who push boundaries through innovation and creativity. Jung Kook embodies that spirit completely. He is one of the most influential artists of his generation, and his precision, passion, and extraordinary performance reflect the very essence of Hublot.”

For Jung Kook, the partnership carried its own deeper significance. “Performing Dreamers at the FIFA World Cup in 2022, with Hublot as Official Timekeeper of the competition, was a moment where time and music felt connected. Now, collaborating with Hublot feels like that moment coming full circle,” he shared. “I’ve always admired the brand’s confidence, its craftsmanship, its way of creating its own path. It’s truly an honour to be the Global Brand Ambassador of Hublot.”

That alignment felt especially fitting as he donned the watch on his wrist. Launched in January 2026, the Big Bang Original revisits one of Hublot’s most defining icons through a sharper contemporary lens, pairing its original disruptive spirit with the maison’s in-house Unico movement. It is not simply a return to form, but a statement of continued evolution. In many ways, that balance between identity and reinvention is precisely what makes Jung Kook such a compelling match for Hublot, as both continue to move forward while remaining unmistakably true to what defines them.

And perhaps that is what made the evening feel so memorable. In Seoul, Hublot did more than unveil a new Global Brand Ambassador. It celebrated the meeting of two forces shaped by originality, cultural impact, and the courage to carve their own path, proving that when identity, timing, and ambition align, the result can feel less like a regular campaign and more like a defining moment.

Hublot CEO, Julian Tornare, showing Jung Kook the brand’s new timepieces

STEADY IN IDENTITY

LONGINES PRESENTED ITS 2026 NOVELTIES, REINFORCING A BRAND IDENTITY ROOTED IN ELEGANCE, CONSISTENCY, AND CONFIDENCE

In early March 2026, Bangkok bustled with its familiar evening rhythm, headlights and tuk-tuks threading through traffic while chatter spilled from the sidewalks. However, inside The Ritz-Carlton Bangkok, Longines had created a more hushed and elegant world. The ballroom glowed in soft blue-violet tones, as if twilight had been bottled and poured across the space, where

selected media flown in from across Southeast Asia gathered to learn more about the brand’s plans and novelties for the year.

Paweensuda Drouin, Miss Universe Thailand 2019 and a top-five finalist at Miss Universe 2019, hosted the evening as MC. Also in attendance were Thai actor Mario Maurer, best known for “Love of Siam” (2007) and

By Charlene Atalie

Thai actor and Friend of the Brand Mario Maurer graced the special occcasion

Longines presented its novelties for 2026 at a wellattended press event in Thailand last March

“Crazy Little Thing Called Love” (2010), and Yannick Jenni, Longines’ Vice President Sales International, who offered a brief welcome and outlined the brand’s direction for the year.

Before dinner, the lights dimmed, and Longines unveiled its latest HydroConquest campaign featuring Henry Cavill on screen. Cleanly shot and quietly persuasive, the film drew the room’s attention in the effortless way only a well-made campaign can. Cavill brought cinematic gravitas, but the watch remained the centrepiece: a modern sports model that still speaks Longines’ language of elegance and utility.

Dinner was finally served, and it began with grilled prawns and lemongrass, then som tam with soft-shell crab. Tom klong talay brought a deeper, more aromatic note, before pan-seared sea bass with sweet chilli paste and baby corn carried the meal into its main course. Dessert was served on a lighter note with bua loy in coconut milk and coconut ice cream. A live dance performance brought the evening to a close, timed to the reveal of the new HydroConquest pieces, and the room responded with genuine applause.

The next morning, the focus shifted fully to the watches. Giuseppe Miccio, Longines’ Head of Product Development, presented the 2026 novelties. The HydroConquest is now

available in 39 mm and 42 mm automatic versions, each with 300 metres of water resistance. The ceramic bezel has been refined, the luminous elements strengthened, and a frosted blue sunray dial adds greater depth. A Milanese mesh bracelet gives the watch a sharper, more contemporary edge. A Commonwealth Games edition tied to Glasgow 2026 will also be released in a limited run of 2,026 pieces per size.

The Master Collection updates stay true to the line’s character while giving the details more presence. Applied blue Arabic numerals replace printed ones, a barleycorn texture adds depth, and the hands take on a more sculptural shape. The range now spans 30 mm to 41 mm, with models such as the Chrono Moonphase and mono-pusher chronograph adding technical weight without disturbing the balance.

Other novelties broadened the collection in their own ways. Mini DolceVita and DolceVita continues Longines’ rectangular language with new dial treatments, coloured leather straps and gemstone-set versions. The PrimaLuna appears softer with motherof-pearl and diamond details. The Conquest Heritage introduces a central power reserve display, while the Legend Diver 59 returns to a more archival mood through vintage-

toned Super-LumiNova and period-inspired cues. The Spirit Pilot and Spirit Pilot Flyback rounded out the presentation with a cleaner aviation focus.

A touch-and-feel session followed, giving guests the chance to preview the novelties up close and appreciate the finishing of the cases and bracelets. It is one thing to see a watch on a screen; it is another to feel the bevels, textures and weight, and to watch the light move across the dial. It would be dishonest to say we left without thinking seriously about bringing one, or several, home.

After the product presentation, guests were invited to mix three signature mocktails: Luminous Blue, Frosted Blue and Verdant Green, each reflecting Longines’ elegant palette of hues and tones, with names that mirrored the colours themselves. The activity added a fun, playful touch to the morning while staying neatly in step with the brand’s world.

Throughout the press trip, Longines did what it does best: it showed a clear sense of self, introduced the year ahead with confidence, and reminded everyone exactly where it stands in the watch world. The novelties feel sharp, the identity remains unmistakably its own, and by the end of it, one thing is clear: Longines is ready for the year ahead, and rightly so.

Paweensuda Drouin, Miss Universe Thailand 2019, hosted the evening as MC

Some of the 2026 novelties were displayed at the event, including pieces from the Master collection

Yannick Jenni, Longines Vice President Sales International, welcomed everyone in attendance

The World Presentation of Haute Horlogerie (WPHH) 2026 provided guests with the opportunity to visit Franck Muller’s Watchland manufacture

OPENWORKED MASTERY

THE TRI-AXIAL TOURBILLON MEETS RADICAL OPENWORKED ARCHITECTURE IN FRANCK MULLER’S BOLDEST VANGUARD AT WPHH 2026

Founded in 1991 by master watchmaker Franck Muller and entrepreneur Vartan Sirmakes, the independent Geneva manufacture quickly established itself as a force in contemporary watchmaking. Celebrated as the “Master of Complications” with a legacy of over 50

world premieres and patents developed at its “Watchland” manufacture in Genthod, Geneva, the Maison has consistently pushed technical boundaries, introduced groundbreaking mechanisms and reinterpreted classical horology with a bold, modern identity in haute horlogerie. Among

By

Anastasia

W. Wibowo

Franck Muller presents the Vanguard Aero Revolution 3 Skeleton

its most emblematic achievements is the development of multi-axis tourbillons that have become a signature of the Maison.

To showcase its latest achievements, the esteemed watch brand recently organised the World Presentation of Haute Horlogerie (WPHH), which took place from the 14th to the 18th April 2026 at the refined Domaine du Grand Malagny. Surrounded by the verdant backdrop of the charming village of Genthod, situated in the Geneva countryside, collectors, retailers, journalists and industry insiders convened to immerse themselves in the artistry and unparalleled craftsmanship of fine watchmaking.

Offering a more intimate atmosphere compared to larger international watch fairs, WPHH provided guests with an insider’s perspective to Franck Muller’s new creations, pieces in which technical innovation and bold design reign supreme. With its unique approach to complications and aesthetics, the event also afforded those in attendance

with the opportunity to visit the Maison’s Watchland Manufacture and be privy to presentations from other participating partner brands.

At World Presentation of Haute Horlogerie 2026 (WPHH), Franck Muller presented the Vanguard Aero Revolution 3 Skeleton, highlighting a new interpretation of its expertise in watchmaking complications. Limited exclusively to only eight pieces, this high-complication masterpiece follows in the lineage of the manufacture’s most technical creations and offers an open view of the groundbreaking tri-axial tourbillon, where the design of the case and the movement are closely intertwined to showcase the mechanics, with the case acting as a true frame around the movement.

Within this spirit of innovation, the Vanguard collection represents a more contemporary, dynamic expression of Franck Muller’s DNA. It is in this context that the Vanguard Aero Revolution 3 Skeleton emerges. A stunning

offering, it not only advances the collection but redefines how mechanical complexity can be experienced visually.

Rather than a simple evolution, this thirdgeneration Aero Revolution is a complete rethinking of structure and perception. The most immediate impression is its radical openness. The case and movement have been conceived as a single entity, allowing the mechanics to unfold in full view. In a bold departure from traditional construction, the movement is mounted directly onto the case back, necessitating a complete redesign of the bridges, gear train, and barrel system. The result is a striking three-dimensional architecture in which the components appear suspended in space, visible from virtually every angle.

This pursuit of transparency extends even to the functional elements. The crown system has been entirely re-engineered to integrate seamlessly within the openworked case, preserving both aesthetics and water

different components of

Watchmakers at the Watchland manufacture assemble the

the watches

POWERING THE WATCH IS THE INHOUSE CALIBRE MVT FM 2031-SMRVS-NR, A MANUALLY WOUND MOVEMENT COMPOSED OF

280 COMPONENTS.

BEATING AT 18,000 VIBRATIONS PER HOUR.

resistance. Adjustments are discreetly managed through a corrector ingeniously embedded within the case back crystal, maintaining the uninterrupted visual purity of the watch.

At the heart of this architectural marvel lies Franck Muller’s iconic tri-axial tourbillon, presented here in its most exposed and theatrical form. Composed of three concentric cages, the mechanism rotates on multiple axes, with the innermost completing a revolution every 60 seconds, the second every eight minutes, and the outermost every hour. This constant motion not only creates a mesmerising visual spectacle but also enhances chronometric performance by continuously altering the position of the balance wheel in space.

Encasing this mechanical ballet is the signature Vanguard tonneau case, crafted from

18-carat rose gold and measuring 43.9 mm by 52.1 mm, with a thickness of 16.45 mm. Fully openworked and fitted with sapphire crystal on both sides, the case offers unobstructed views of the movement while retaining structural integrity. Its curved contours ensure a comfortable fit on the wrist, balancing boldness with ergonomic refinement.

Powering the watch is the in-house calibre MVT FM 2031-SMR-VS-NR, a manually wound movement composed of 280 components. Beating at 18,000 vibrations per hour, it is driven by a dual-barrel system that delivers an exceptional 10-day power reserve, which is an impressive achievement given the energy demands of a tri-axial tourbillon. The movement’s skeletonised construction reveals not only its architecture but also its finishing, which adheres to the highest standards of haute horlogerie. Mirror polishing, hand bevelling, diamond-polished sinks, circular

A watchmaker painstakingly inspects each component of every watch

satin brushing, sunray finishes, and delicate snailing all coexist in a harmonious interplay of textures and light.

Time indication is intentionally understated, with off-centred hands floating above the openworked landscape. This asymmetry reinforces the watch’s depth and directs attention toward the tourbillon, which remains the undeniable focal point of the composition.

What ultimately distinguishes the Vanguard Aero Revolution 3 Skeleton is its ability to transform engineering into spectacle. It dissolves the traditional boundaries between case and movement, turning the entire watch into a stage where every component plays a visible role. The decision to expose the mechanism so completely is not merely

aesthetic, but a statement of confidence, a declaration that every detail deserves to be seen. Yet, for all its complexity, the watch is steeped in refinement. The integrated black alligator leather strap and 18-carat rose gold buckle provide a sense of continuity and comfort, ensuring that this highly technical creation retains its identity as a wearable object of luxury.

With the Vanguard Aero Revolution 3 Skeleton, Franck Muller once again demonstrates its mastery of both form and function. It is a watch that does not hide its complexity but celebrates it, transforming timekeeping into a dynamic, immersive experience. In doing so, it captures the very essence of modern “haute horlogerie,” where innovation is not only engineered, but also performed.

IT IS A WATCH THAT DOES NOT HIDE ITS COMPLEXITY BUT CELEBRATES IT, TRANSFORMING TIMEKEEPING INTO A DYNAMIC, IMMERSIVE EXPERIENCE.

At the heart of this architectural marvel lies Franck Muller’s iconic tri-axial tourbillon, presented here in its most exposed and theatrical form

MARK OF LUXURY

FROM THE COCKPIT TO THE WRIST, THE ETHEREAL SANTOS-DUMONT CONTINUES ITS LEGACY AS A SYMBOL OF INNOVATION AND PRECISION

By

Fahita Advani

Santos-Dumont

Watch in yellow gold, obsidian dial and yellow gold interchangeable bracelet

The latest Santos-Dumont by the watchmaking Maison Cartier marks a graceful evolution of one of horology’s most enduring designs, expressed through refined modernity. Since its inception in 1904 for aviation pioneer Alberto SantosDumont, the watch has ushered in a new era, signalling a pivotal shift from pocket watches to wristwatches. The evolution was largely driven by necessity rather than fleeting fashion. During the early days of aviation, it was imperative for Santos-Dumont to read the time mid-flight without releasing the controls. This necessity prompted Cartier to conceive a design that would ultimately define an era of watchmaking.

That same spirit of ingenuity is embodied in its latest interpretation through a sophisticated contemporary vision. Cartier presents a distinctive refinement of the timepiece while preserving the essence of its original design codes, maintaining its proportions and materials. It reflects a duality of timelessness and modernity, where heritage meets the present in perfect equilibrium. The SantosDumont stands as a testament to an enduring legacy that evolves without losing its identity.

At its core, the new Santos-Dumont reveals a nuanced interplay of materials and masterful craftsmanship. It features a supple metal bracelet, a hard-stone dial, and a hand-

wound mechanical manufacture movement, all executed with understated elegance. It is a tribute to Alberto Santos-Dumont’s groundbreaking contributions to aviation and his impeccable sense of style. Renowned for his refined wardrobe and meticulous attention to detail, his distinctive aesthetic continues to shape the collection’s identity to this day.

As a homage to its origins, the SantosDumont presents a bracelet that is both fluid and precious, marking a seamless fusion of heritage and innovation. The timepiece retains its defining elements, including Roman numerals, visible screws, a beaded crown, and a blue cabochon, all subtly refined to meet

Santos-Dumont Watch in platinum, with silvered satin-finish dial with sunray effect and platinum interchangeable bracelet

Case back of the Santos-Dumont Watch in platinum

contemporary expectations. These signature details reinforce the watch’s iconic status and enduring presence.

At the heart of Cartier’s Large Model (LM) lies a dial in remarkable gilded obsidian. This volcanic stone is prized for its rich depth and iridescent sheen, formed by microscopic air bubbles within the material. These natural inclusions create gentle variations in tone and luminosity, ensuring that each dial is entirely unique.

Measuring just 0.3 mm in thickness, the obsidian is exceptionally delicate, akin to glass. Working with such material demands extraordinary precision and expertise, as even the slightest miscalculation can compromise its integrity. Once cut, the stone is meticulously polished to reveal a luminous surface that shifts gracefully under changing light, bringing a dynamic quality to the watch face.

Cartier’s choice of a manual-winding movement further highlights its commitment

to traditional watchmaking values, which aims to foster a deeper connection between the wearer and the timepiece. The SantosDumont is equipped with the 430 MC handwound manufacture movement, wherein each winding becomes a deliberate, tactile gesture. Its slender profile preserves the watch’s elegant proportions while ensuring both mechanical refinement and personal comfort.

Another defining element of this model is its bracelet which is a showcase of Cartier’s longstanding mastery in jewellery design and metalwork. Drawing on a legacy of bespoke bracelet-making since the 1920s, the Maison has developed a yellow gold bracelet engineered for exceptional flexibility and comfort. Composed of 394 individual links arranged across 15 rows, it achieves remarkable fluidity and structural harmony. Each link, measuring just 1.15 mm, offers a light, almost silk-like sensation against the skin, allowing for effortless movement. The creation of such a bracelet is a testament to the precision and dedication of the Cartier Manufacture. Every link is meticulously machined, finished, and assembled before integration into the final piece. Careful polishing enhances the natural radiance of the gold, while precise assembly ensures smooth articulation and ensures long-term durability.

Case back of the Santos-Dumont Watch in yellow gold

Santos-Dumont Watch in yellow gold, with silvered satin-finish dial with sunray effect and yellow gold interchangeable bracelet

Inspired by the Maison’s first made-to-measure metal watch bracelets in the 1920s, the yellow gold bracelet of the new Santos-Dumont Watch unfolds with infinite delicacy against the skin

The new Santos-Dumont Watch in yellow gold features an obsidian dial, a volcanic stone prized for its rich depth and iridescent sheen

The Santos-Dumont Watch in platinum provides a cool alternate to the warmer appeal of the yellow gold models

Beyond functionality, the bracelet elevates the watch into the realm of fine jewellery, reinforcing Cartier’s singular position at the intersection of horology and high jewellery. This dual identity has long distinguished the Santos-Dumont, appealing to both watch connoisseurs and admirers of fine adornment. The Santos-Dumont collection continues to evolve through a range of variations that uphold a cohesive design language while offering diverse interpretations.

In addition to this model, the Maison also introduces LM versions with silvered satin-finish dials featuring a sunray effect, available in yellow gold and platinum. These alternatives present a more classical

aesthetic, where light plays across the dial in elegant contrast to the depth of obsidian. Regardless of material or configuration, the Santos-Dumont offers versatility without compromising its core identity. Each watch remains faithful to the principles that have defined it since its inception: clarity of design, functional elegance, and a commitment to skilful craftsmanship.

Celebrated for its ability to transcend fleeting trends, the Santos-Dumont has remained relevant for over a century, a testament to the strength of its iconic design that was fundamentally ahead of its time. Its innovative materials, refined construction techniques, and unwavering dedication to quality

continue to resonate with contemporary audiences, from collectors who value heritage to design enthusiasts and those who seek objects of lasting significance.

The Santos-Dumont ultimately reflects progress, creativity, and evergreen design, with its remarkable evolution spanning from the pioneering era of aviation, to the current position it is in, namely, a sophisticated emblem of modern luxury. The iconic timepiece is a stunning symbol of scientific precision, thoughtful design, and cultural significance that bridges the past to the present, while remaining steadfast to its origins. More than a timepiece, the Santos-Dumont signifies a timeless pursuit of elegance.

THE LEGEND OF THE OYSTER

THIS YEAR, ROLEX CELEBRATES THE OYSTER AND 100 YEARS OF UNPARALLELED ACHIEVEMENTS IN REVOLUTIONARY WATCHMAKING

Hans Wilsdorf, the founder of Rolex, was a passionate watchmaker who invented a number of horology’s finest innovations. In 1926, he aimed to address concerns regarding precision as well as protection against dust and moisture in a

wristwatch. The result was the Rolex Oyster, the world’s first completely hermetic and waterproof wristwatch.

A reliable, robust, and practical object, the Oyster was destined to completely transform

the way we use timepieces and change the face of watchmaking. During a time when pocket watches reigned supreme, Rolex broke the mould and presented a compact timepiece

By Maria Zarah Gregorio Viado

Final visual and functional check of an Oyster Perpetual Datejust 41

Hans Wilsdorf, founder of Rolex

that could match the precision of a large marine chronometer. Featuring an ingenious patented system composed of a bezel, case back and winding crown that screw down against the middle case, the Oyster not only increased the waterproofness of the timepiece, but also provided its movement optimal protection from water, dust, pressure and shocks. Apart from precision and waterproofness, Wilsdorf was also determined to take on the challenge of self-winding. He invented the Perpetual rotor, a self-winding system with a free rotor, patented in 1931. This mechanism provided the Oyster with an inexhaustible source of energy, unlike anything found in watchmaking at that time.

To prove his invention, Wilsdorf was keen on demonstrating the exceptional performance and reliability of the Oyster in real-world conditions. Because he considered the world like a ‘living laboratory,’ the legend of the Oyster was forged on the wrists of pioneers and trailblazers who have shaped the modern world.

In October 1927, the young British swimmer Mercedes Gleitze wore an Oyster while swimming the English Channel. Submerged for over 10 hours in trying conditions, the Oyster continued to work perfectly, without the slightest hint of corrosion or condensation. This landmark moment solidified Hans Wilsdorf’s conviction that excellence is demonstrated in the field, over time and under pressure. Following this successful

‘experiment’ in open waters, Rolex entrusted Oyster watches to various explorers, scientists, athletes, pilots, seafarers, mountaineers and divers. From the highest peaks to the depths of the oceans, these men and women put Rolex watches to the test in the ‘living laboratory’ of

our world. Their feedback enabled the brand’s engineers to continually develop and improve the timepieces so that, over time, Oyster watches became benchmarks for all those who relentlessly push the limits of their discipline and broaden the horizons of knowledge.

Movement with Perpetual rotor created by Rolex in 1931

First Oyster, 1926

Mercedes Gleitze crossing the English Channel, 1927

First as the name of a case, and later on as a collection, the Oyster has paved the way for emblematic watches to be born. The word ‘Perpetual’ has been associated with the Oyster since 1931, and underlines Rolex’s determination to perpetuate its values for the long term. This philosophy guides the brand in numerous fields and draws on history to gain a better understanding of future challenges.

To date, the models in the Oyster Perpetual collection are not only fitted with an Oyster case, they are also equipped with many of the brand’s other groundbreaking developments, which include the Parachrom Hairspring, Paraflex Shock Absorber, Cerachrom Bezel Insert, Syloxi Hairspring, and Chronergy Escapement, just to name a few. Down to the smallest detail, Rolex reaffirms the pledge made in 1926 with the Oyster: to provide a reliable, precise and waterproof timepiece capable of accompanying its wearer in all their activities.

Driven by this credo, the story of the Oyster is inextricably linked to the many achievements of inspiring individuals; men and women who

have made their mark on the world. Always with an eye into the future, Rolex supports athletes whose skill, dedication, technical flair and ability to inspire younger generations have helped to shape the history of their sport. The esteemed brand continues to demonstrate this unwavering commitment by

partnering with some of the most prestigious institutions in the fields of equestrianism, golf, motor sport, tennis and sailing.

In its pursuit of excellence, Rolex recognises the very same quest in artists and established the Perpetual Arts Initiative, with the first

Rolex Testimonee Sylvia Earle

Rolex Testimonees Carlos Alcaraz and Jannik Sinner

major collaboration being with renowned soprano Dame Kiri Te Kanawa in 1976. This commitment of preserving and passing on values and knowledge has since evolved into a global initiative supporting different fields including architecture, cinema, dance, literature, music, and theatre.

Furthermore, Rolex strives to similarly preserve the environment, and in a broader sense, its ‘living laboratory,’ through the Perpetual Planet Initiative spearheaded in 2019. By supporting scientists, conservationists, and individuals who share their expertise to tackle environmental challenges, the brand aims to

increase our understanding of the world in order to find meaningful and tangible ways to protect it.

At Watches and Wonders 2026, Rolex celebrated 100 years of the Oyster, an invention that continues to inspire and symbolise the unique expertise of the brand. After a century of achievements that have profoundly shaped the world of watchmaking, Rolex unveils a new, more demanding certification with strengthened criteria in 2026. Reflecting the brand’s constant drive for improvement, Rolex expands its Superlative Chronometer certification this year. Previously covering precision, waterproofness, self-winding and autonomy, the certification will now include three additional criteria: resistance to magnetism, reliability and sustainability.

Rolex also continues its quest for extreme precision and draws on quantum physics to further redefine the measurement of time. The development of pioneering optical atomic clocks, gives the manufacture access to an unprecedented level of timekeeping accuracy. These cutting-edge, innovative tools are the new guardians of time at Rolex and will be incorporated into the international system that establishes Coordinated Universal Time (UTC).

Testing of the winding system via a perpetual rotor

The waterproofness of each finished watch is tested in a hyperbaric tank

A MATTER OF TIME

WATCHES AND WONDERS 2026 HIGHLIGHTS MODERN WATCHMAKING THROUGH

For many, arriving at Watches and Wonders 2026 felt a little more layered this year. Longer journeys, shifting schedules, and a world that seems increasingly unpredictable only made Geneva’s annual gathering feel more intentional. Yet perhaps that is the enduring power of this fair: no matter the circumstances, it remains a place where the global watch community converges with a shared purpose to discover, to connect, and to witness the next chapter of fine watchmaking unfold.

That sense of anticipation began long before the doors of Palexpo opened. Booking appointments often felt less like scheduling meetings and

more like securing tickets to a major global concert, with some of the most sought-after brand presentations fully booked weeks ahead and waiting lists quickly becoming the norm. Such demand reflected the scale Watches and Wonders now commands: this year, nearly 60,000 unique visitors, including journalists, retailers, collectors, and industry insiders from around the world, arrived in Geneva to explore novelties from 65 exhibiting brands, making it the fair’s largest edition to date.

With that level of momentum came extraordinary global visibility. The 2026 edition generated nearly one billion digital impressions, with

#WatchesAndWonders2026 reaching 900 million, a 29% increase from last year. Highprofile appearances further magnified its allure: Roger Federer at Rolex, Patrick Dempsey at TAG Heuer, George Russell and Eileen Gu for IWC Schaffhausen, Usain Bolt with Hublot, Usher and Joshua Hong at Jaeger-LeCoultre, and Apo Nattawin representing Piaget. The fair, once a specialised industry event, now possesses a distinctly cultural relevance.

Beyond the headlines, hashtags, and highprofile appearances, the fair’s deeper narrative unfolded through design. Throughout Palexpo, booths became more than showcases. They were immersive brand worlds, each carefully constructed to reflect a maison’s heritage, creative direction, and cultural positioning.

Marking its debut participation at the fair, Audemars Piguet brought its 150th anniversary traveling exhibition, “House of Wonders,” to Geneva, offering an immersive journey through the maison’s craftsmanship, milestones, and creative evolution. TAG Heuer, by contrast, leaned fully into its racing DNA, where the legendary Porsche 917K, famously tied to Steve McQueen and Le Mans, stood alongside the Oracle Red Bull Racing RB22 Formula 1 car, bridging cinematic motorsport heritage with the brand’s contemporary highperformance partnerships.

By Erika Tania Dessyandra

The opening ceremony of Watches and Wonders 2026 was held on April 14 at Palexpo Geneva. The event was graced by Nathalie Fontanet, State Councillor in charge of the Department of Finance, Human Resources and External Affairs, as well as Cyrille Vigneron, President of the Watches and Wonders Foundation, amongst others

Meanwhile, IWC Schaffhausen’s space-stationinspired booth offered one of the fair’s most striking visual experiences while setting the stage for the introduction of the Pilot’s Venturer Vertical Drive. Arriving at a moment when the Artemis II mission has reignited global fascination with space exploration, the futuristic timepiece felt especially timely, channelling that same spirit of engineering that continues to define the brand.

While much of the conversation around Watches and Wonders often centres on what is

The Audemars Piguet booth featured a travelling exhibition commemorating the manufacture’s 150th anniversary

new and what trends will shape the year ahead, the 2026 edition instead highlighted something more fundamental: the strengthening of directions already in motion. Rather than introducing an entirely new wave, this year’s fair reinforced how several shifts from recent years are now becoming firmly established within contemporary watchmaking.

Smaller and slimmer proportions continued their ascent, exemplified by pieces such as the Joia de Baume & Mercier and the CHANEL J12 Golden Black both in 28 mm, the Vacheron Constantin Overseas Ultra-Thin Automatic, and the Chopard Alpine Eagle 41 XPS in Lucent Steel™ with a thinness of just 8 mm. Stone dials further cemented themselves as a defining aesthetic, with maisons such as Piaget and Zenith embracing richly textured materials like sodalite and

bloodstone jasper to bring greater depth and character to the dial. Revivalism also remained a powerful force, as seen in Cartier’s return of the Roadster, underscoring the industry’s continued confidence in reinterpreting icons for a new generation.

On the technical front, Watches and Wonders 2026 highlighted how progress in watchmaking continues to evolve through sharper material experimentation, mechanical ingenuity, and increasingly sophisticated movement architecture. While gold and steel remained foundational, alternative metals and rare material innovation took a stronger spotlight. Titanium and platinum gained further ground, while brands such as Panerai and Hublot pushed boundaries through unconventional compositions like Tantalum and crystallised osmium, reinforcing material innovation as a distinctive signature in modern watchmaking.

Skeletonisation, too, remained a powerful technical and aesthetic language, not merely for transparency, but for transforming movement into spectacle. The Roger Dubuis Excalibur Biretrograde Perpetual Calendar revived one of the maison’s most mechanically expressive signatures through an openworked display, while Jaeger-LeCoultre elevated the concept to new mechanical heights with the Hybris Mechanica Ultra Thin Minute Repeater Tourbillon, where acoustic mastery and visual theatre have become inseparable.

Perhaps most notably, 2026 also spotlighted a deeper pursuit of precision through structural innovation itself. TAG Heuer’s Monaco Evergraph introduced its compliant chronograph mechanism, replacing traditional levers and springs with a flexible monobloc system engineered to enhance consistency, durability, and mechanical efficiency. Developed over

several years, it signals that the future of chronograph performance may lie not only in materials or aesthetics, but in fundamentally rethinking how movement components interact at their core.

Ultimately, beyond the launches, technical breakthroughs, and carefully orchestrated spectacle, Watches and Wonders 2026 was, above all, about appreciation. What truly brought the fair and its novelties to life were not only the watches themselves, but the palpable enthusiasm of the people who came to experience them. Many arrived in a professional capacity, representing retailers, publications, or brands, yet the atmosphere consistently transcended business.

Discussions rarely ended when scheduled touch-and-try sessions did, often extending far beyond their allotted time as attendees probed deeper, exchanged impressions, and openly admired the creations before them. That same enthusiasm carried through every part of the experience, from shuttle rides to cocktail parties where spontaneous conversations sparked over a watch on someone’s wrist, turning strangers into fellow enthusiasts through a shared language of admiration and curiosity.

Across every setting, the atmosphere felt remarkably human. People spoke freely about what captivated or surprised them, what resonated, and what they longed to see next. Some left with orders placed; others departed inspired to write, collect, or simply dream. That level of fascination is what defines Watches and Wonders beyond commerce alone. It is proof of the fair’s unique gravitational pull, where commercial significance and cultural passion meet, sustained by a global community whose love for watchmaking remains as alive, and as vibrant, as the creations themselves.

The latest instalment of Watches and Wonders drew a record number of 60,000 people and exhibited novelties from 65 participating brands

SHAPING THE FUTURE

AUDEMARS PIGUET DRIVES INNOVATION, INTENT ON SHAPING THE FUTURE OF HAUTE HOROLOGY AT WATCHES AND WONDERS 2026

This year, in a show of camaraderie and support for the watchmaking community, Audemars Piguet made its debut at Watches and Wonders 2026. With a booth depicting a House of Wonders, the Manufacture invited people to explore the artistry behind mechanical timekeeping through an immersive exhibition that bridges past and future.

Foremost among the product presentations was the Code 11.59 by Audemars Piguet

Selfwinding Flying Tourbillon 41 mm. Encased in 18-carat white gold with a black ceramic case middle, the watch features a new ivory-toned signature dial adorned with the collection’s signature pattern and is furnished with a black alligator strap.

Two 38 mm references crafted in 18-carat pink gold also joined the lineup. The first is fitted with a black dial paired with a matching black alligator strap, while the second features a silver-toned dial complemented

By Maria Zarah Gregorio Viado

Audemars Piguet makes its debut at Watches and Wonders 2026 with a booth that showcased the artistry behind its mechanical timepieces

Code 11.59 by Audemars Piguet Selfwinding Flying Tourbillon 41 mm with a new ivory-toned signature dial

by a brand-new brown calfskin strap with white stitching. As part of its exploration into calibre innovation, the Manufacture unveiled its new in-house selfwinding perpetual calendar openworked movement, Calibre 7139, which celebrates the age-old artistry of openworking. Incorporating an all-in-one crown correction system and designed with ergonomics in mind, the new movement is

housed in two 41 mm variants: a Royal Oak uniting titanium and Bulk Metallic Glass (BMG), and a timeless two-tone Code 11.59 by Audemars Piguet, the first openworked perpetual calendar in the collection.

Audemars Piguet also introduced the Neo Frame Jumping Hour watch, powered by the Manufacture’s first selfwinding jumping hour movement, Calibre 7122. Based on Calibre 7121, which equips the Royal Oak “Jumbo” models, the movement was developed entirely in-house and combines an instantaneous jumping hour with trailing minutes, delivering precision, performance, and reliability. The watch is distinguishable by its pink gold and sapphire case, paired with a strap featuring a newly developed motif.

Two new calibres similarly enrich the Royal Oak line. The Royal Oak Selfwinding

Chronograph 38 mm benefits from Calibre 6401, a new selfwinding chronograph movement developed for enhanced precision, reliability and visual refinement. The movement debuts in three references in stainless steel and pink gold. Each watch features a sapphire case back—a first for the Royal Oak Chronograph in 38 mm—revealing

the refined architecture and finishing of the calibre within. The Royal Oak Perpetual Calendar Selfwinding 41 mm, on the other hand, combines two innovations launched in 2025: the “Bleu Nuit, Nuage 50” ceramic and Calibre 7138. Protected by two patents, the latter features a revolutionary all-in-one crown adjustment, wherein the calendar can be adjusted without the use of tools and without the risk of damage.

Audemars Piguet also showcases its prowess in aesthetic diversity and mechanical refinement with two new openworked creations within the Royal Oak collection. Displaying a tone-on-tone design that extends seamlessly from case to movement, the first is the 39 mm Royal Oak “Jumbo” ExtraThin Openworked that pairs the lightness of titanium with Bulk Metallic Glass (BMG), powered by the rhodium-toned Calibre 7124. In contrast, the 37 mm Royal Oak Double Balance Wheel Openworked is entirely crafted in 18-carat yellow gold, with the gold-toned openworked Calibre 3132 taking pride of place on the dial.

Speaking of dials, the Manufacture presents two new Royal Oak Selfwinding models with vibrant malachite stone dials. Crafted in yellow gold and available in 37 mm and 41 mm sizes, the warmth of the case material elevates the vivid green colour of the stone. Lively colours also grace three new iterations of the Royal Oak Offshore Diver 42 mm. Combining playful aesthetics with horological expertise, they pay tribute to creative diversity through new hues and contemporary materials.

Neo Frame Jumping Hour, equipped with Calibre 7122

Royal Oak Offshore Diver 42 mm with turquoise accents on the dial and matching turquoise rubber strap

Royal Oak Selfwinding Perpetual Calendar Openworked 41 mm, powered by Calibre 7139

WRAPPED IN GLAMOUR

BAUME & MERCIER EMBRACES

MODERN ELEGANCE WITH THE NEW JOIA DE BAUME & MERCIER AS WELL AS THE RIVIERA 73

Baume & Mercier has long understood that elegance is not necessarily defined by grand designs but is instead shaped by a strong identity and subtle touches. Moving swiftly between Haute Horlogerie and Haute Joaillerie, the Maison’s pursuit of perfect watchmaking has lent elegance a vivid form, through numerous timepieces

that balance refined visuals with mechanical reliability. At Watches and Wonders 2026, the revered horologist provides new vessels for refined glamour through the new Joia de Baume & Mercier and Riviera 73 timepieces.

Baume & Mercier’s acclaim with ladies’ watches rose as swiftly as it evolved, spurred

By Karina Saphiera Witjaksono

Joia de Baume & Mercier M0A10850 with a diamond-set bezel and “mailles écrasées” stainless steel bracelet

Baume & Mercier presents a world of watchmaking splendour at Watches and Wonders 2026

by a vision that took shape in 1918, the same year that Paul Mercier forged an alliance with William Baume. Noting women’s ardour for Haute Joaillerie, the two began to experiment with novelties of beguiling aesthetics, which would later shape the guiding principles of the Joia de Baume & Mercier. Presented in four captivating variations, the new Joia de Baume & Mercier embodies an effortless opulence that slips naturally into day-to-day life. Pairing practicality with ornamentation in equal measure, their elegant 28 mm stainless steel cases house the Ronda 751, a reliable quartz movement with five years of

autonomy. Though their dimensions remain the same, each variation of the feminine timepiece translates differently on the wrist, starting with the special Joia de Baume & Mercier M0A10850.

For Baume & Mercier, this season’s “Belle of the ball” comes in the form of one bedazzling novelty that depicts both modern and historical opulence. An homage to the Maison’s own 1980s design, the diamondencrusted timepiece boasts 40 brilliant-cut diamonds on its bezel, which radiantly frames the charming criss-crossed silver dial. At just

28 mm in size, Baume & Mercier keeps the dial effortless with the simplified black hour decals. The Roman numerals are made in similar fashion as the ruthenium leaf hands that are elongated yet refined all the same. Just beyond the 3 o’clock mark, a domed black agate punctuates the crown, serving as a contrast to the glimmering stainless steel bracelet with “mailles écrasées” décor.

If the Joia de Baume & Mercier M0A10850 leans into brilliance, the remaining references explore a more versatile side to glamour with their silver sunray motif dials. Like sunrays beaming against surfaces, the Joia de Baume & Mercier M0A10848 and M0A10847 quartz models display 4N gilded hour appliques and leaf hands. In contrast, M0A10849 features a rose gold (4N) polished stainless steel case with black Roman numerals and hands.

Joia de Baume & Mercier M0A10848 with a timeless three-rowed stainless steel bracelet

Joia de Baume & Mercier M0A10849 with a rose gold (4N) polished stainless steel case with black Roman numerals and hands

M0A10848 comes with a timeless three-rowed stainless steel bracelet, while M0A10847 and M0A10849 clasp onto one’s wrist with blue or black calfskin straps. Together with the diamond-encrusted M0A10850, the new Joia de Baume & Mercier collection forms a rich cohesive wardrobe that moves easily between any occasion and everyday wear, rather than existing purely as statement pieces.

Where the Joia de Baume & Mercier expresses ornamental grace, the Riviera 73 introduces

structure and presence through its 39 mm figure. Originally launched in 1973, the dapper timepiece rises from the archives and brings with it a contemporary appeal that feels both architectural and familiar. The stainless steel timepiece is presented in three variations, namely M0A10845, M0A10844, and M0A10846. While the first comes with a white opaline dial, the remaining two feature a blue sunray satin-finished dial but differ in the straps that attach them to the wrist. Though the first pristine white dial variation

is offered with a three-row stainless steel bracelet, the blue dial models are paired with a stainless steel bracelet and a blue calfskin strap respectively. Regardless of their palettes, the Riviera 73 carries a resemblance with their preceding designs and presents Baume & Mercier’s renewed vision.

The essence of the original 1973 watch is carried over through the new model’s dodecagonal case, this time made in polished and satin-finished stainless steel. Defined by its crisp lines and facets, the case creates a strong presence without feeling oversized. The sharp and charming case holds together a durable sapphire crystal, which protects the dial beneath. Be it white or blue, the dial bears a wave motif that first appeared in the fifth generation of the Riviera collection in 2021. Alongside the minimalist Roman numeral hour indicators and open-worked hands, the subtle motif adds depth and playfulness to the classic silhouette, softening what could otherwise feel rigid. Apart from the date window at 3 o’clock, the Riviera 73 is also adorned with other accentuations such as the octagonal crown with the Phi logo and

Riviera 73 M0A10845 in stainless steel with a white opaline dial and three-row stainless steel bracelet

The new Riviera 73 watches all feature a “73” engraving on their case backs that pay tribute to the year of the Riviera’s birth

the “73” engraving on its full case back. With regards to durability, the Riviera 73’s Quartz (ETA F06.115) movement allows for five years of autonomy and the case itself has been manufactured to withstand 5 ATM of water.

When it comes to style, Baume & Mercier has always been quick to create new design codes that nevertheless carry its DNA. What distinguishes the Maison is its ability to refine rather than reinvent, evolving familiar forms without losing their original intent. In the beginning, the 196-year-old brand’s pursuit for watchmaking perfection began as a watchmaking counter in Les Bois, Swiss Jura. A decade into its craft, Baume & Mercier found success in international waters and built the brand across the UK, Asia, and Oceania. The years that followed would decorate the growing brand with notable honours, including the development of the Lépine calibre and Grand Prix wins. Seen in this light, the Joia de Baume & Mercier and Riviera 73 releases are not departures, but continuations to their origin stories that would serve to richly inspire future masterpieces and beyond.

Riviera 73 M0A10846 in stainless steel with blue dial and blue calfskin strap

Riviera 73 M0A10844 in stainless steel with a blue dial and stainless steel bracelet

INTRICATE LEGACY

FROM THE CRASH TO THE PANTHÉRE MÉTIERS D’ART TORTUE, CARTIER PRESENTS NEW LIVING HERITAGE AT WATCHES & WONDERS 2026

Since 1847, Cartier has consistently built its own future and forged a world few thought possible: a wondrous realm where high complications meet the artistry of luxury jewellery. Over a century into its craft, the Maison has accumulated a wealth of remarkable creations deemed as its “living

heritage.” As it continues to build on its decorated shelves, Cartier presents its latest range of beguiling timepieces at Watches and Wonders 2026.

BAIGNOIRE

Following its debut in 1958, the Cartier

By

Karina Saphiera Witjaksono

Cartier draws from its rich heritage to unveil a beautiful array of timepieces at Watches and Wonders 2026

Cartier Baignoire with Clou de Paris motif on the case, dial, and bangle

Baignoire has become one of the most coveted ladies’ watches of all time. Distinguished by its oval silhouette, the iconic case only began gracing bangles in 2023. At Watches and Wonders 2026, Cartier introduces a new edition of the Baignoire in an intricate Clou de Paris motif. The timepiece, likened to the Baignoire Allongée, features a more pronounced and widespread motif that for once spans the entire yellow gold surface. While one variation features a Clou de Paris dial that blends seamlessly with the case and bangle, another precious variation boasts a fully diamond-pavé dial. The 100 brilliantcut diamonds are meticulously set across the Clou de Paris case and bangle to create a dynamic play of light. The two alluring Baignoire watches are presented alongside other versatile variations. Clinging onto black leather straps, these latter variations are presented with grained silvered, diamondpavé, and black lacquered dials.

CARTIER PRIVÉ

As it enters its 10th Opus, Cartier Privé was another long-awaited presentation at Watches and Wonders 2026. The Maison’s tradition of bringing back symbolic

silhouettes continues to resonate with collectors. This year, Cartier revives the Tank Normale, the Tortue Chronographe Monopoussoir and the Crash Squelette by unifying them through shared 950/1000 platinum and burgundy palettes. While the Tank Normale and Tortue Chronographe Monopoussoir display silvered opaline dials with burgundy tracks or markers, the avantgarde Crash Squelette relies on Roman numeral-shaped skeleton bridges. With only 150 timepieces available, the distorted silhouette of the watch is exaggerated, as if to reflect the fluidity and subjectivity of time itself. Barring the Tank Normale, all Cartier Privé novelties are suspended on semi-matt burgundy alligator straps. Presented in elegant yellow gold with black dial details, the Tank Normale, Cloche de Cartier, and Tank Cintrée join the former three in commemorating Cartier Privé’s 10th Opus.

MYST DE CARTIER

To date, the Myst de Cartier continues to live up to its name as the enigmatic and curious persona of the Maison. Rather than a watch, this Cartier masterpiece masks itself as a

For the 10th year of Cartier Privé, the Maison presents new versions of the Tank Normale, the Tortue Chronographe Monopoussoir and the Crash Squelette

Cartier showcases its mastery of geometry and form with the new Myst de Cartier

glamorous sculpture that tests the boundaries of geometry and form. The new Myst de Cartier emulates the artistic principles of 1930s icon, Jeanne Toussaint. The diamond-pavé yellow gold watch is suspended on a braidlike bracelet, calling to mind a trompe-l’œil design. The labyrinthine design takes 30 hours of diamond-setting, excluding the additional time required for Maison des Métiers d’Art artisans to hand-paint the alternating black lacquer. The vibrant black and gold that spirals across the watch like panther skin is juxtaposed by the purity of the Myst de Cartier variant in white gold, whose surface is entirely embellished with 1,031 enchanting brilliantcut diamonds.

ROADSTER

The Roadster first appeared in Cartier’s boutiques in 2002, at a time when mechanical bodywork was rarely synonymous to Haute Horlogerie. Available in gold, gold and steel, and steel, the new Roadster amalgamates the Maison’s technical prowess with the elegant

Santos-Dumont in yellow gold with gilded obsidian dial

Roadster in yellow gold and steel with a white dial and bracelet equipped with the QuickSwitch® system

touches known to Cartier. The new Roadster is powered by the 1847 MC (for the large models) or 1899 MC (for the medium) movement, with its large or medium cases retaining the original’s curved silhouette and speedometerlike dial. For the first time, however, the white or dark blue dial is adorned with appliquéstyle details and repositioned tracks. The mechanical bodywork feel is further amplified by the headlight-shaped date magnifier that sits right next to the conical crown, as well as sword-shaped hands for the steel variations.

SANTOS-DUMONT

Among the refined timepieces in the market, Santos-Dumont has emerged as one of the most coveted pieces in history, starting from its aviation-inspired model in 1904. This year, the new Santos-Dumont is presented on a mesh-like metal bracelet, whose smoothness and flexibility are inspired by Cartier’s 1920s timepieces. The 43.5 mm x 31.4 mm novelty remains slim and elegant, given that it is powered by the manual-wound 430 MC. Compared to the radiant silvered satin-

finished dial, one yellow gold model stands out with its unique gilded obsidian dial. Sourced from Mexico’s volcanic stone, the air bubbles trapped in the obsidian ensure that no two pieces are identical.

TORTUE

Just years after the unveiling of the SantosDumont, the house of Cartier unveiled the Tortue in 1912—a watch that would embody Cartier’s innovative spirit until today. The softened silhouette of the new reiteration is now paired with a dial that bears an embossed motif and modernised dotted tracks. Available in polished yellow gold, rose gold, rhodium-finish white gold, and diamondset, the sophisticated timepiece gently hugs the wrist in small or mini sizes. While the diamond-set variations certainly showcase the Maison’s unparalleled skills in Haute Joaillerie, the extravagant Panthére Métiers d’Art Tortue in white gold and yellow gold further proves Cartier’s technical and artistic mastery. Limited to just 100 precious pieces each, the Panthére Métiers d’Art Tortue paints the Maison’s animal emblem, the panther, through exceptional enamelling and gemsetting, once again reaffirming the Maison’s unparalleled ability to transform timekeeping into an expressive art form.

impeccable technical and artistic mastery

The Panthére Métiers d’Art Tortue in white gold displays the Maison’s

Tortue in rhodium-finish white gold with diamond-setting and navy blue alligator leather straps in small and mini

CHANEL presented updates to some of its pillars of haute horlogerie at Watches and Wonders 2026

EXQUISITE HOROLOGY

FROM MADEMOISELLE PRIVÉ BOUTON LION TO NŒUD DE CAMÉLIA, CHANEL UNCOVERS NEW RAVISHING PIECES AT WATCHES & WONDERS 2026

Beyond the beige carpet at Watches and Wonders 2026 lies a world many yearn to enter, one filled with an ocean of CHANEL’s hidden treasures. For this year’s highly anticipated Haute Horlogerie event, CHANEL astounds its audience with an exhibit of horological innovations. Designed across different pillars, namely Mademoiselle Privé Bouton Lion, Monsieur Lion Tourbillon Black Edition, Nœud de Camélia, J12, Coco

Game Capsule, and Première, each timepiece celebrates different facets of the Maison and its founder, Gabrielle Chanel.

MADEMOISELLE PRIVÉ BOUTON LION

The Mademoiselle Privé Bouton Lion stars the symbolic lion that has long graced CHANEL’s previous works. Known as the Mademoiselle’s astrological sign, the fearless feline represents

By

Karina Saphiera Witjaksono

Carved in yellow gold, the lion’s head features prominently on the Mademoiselle Privé Bouton Lion ring

The Mademoiselle Privé Bouton Lion long necklace features onyx tubes and brilliant-cut diamonds, as well as a pompon dangling from the bouton

power and protection. Its impeccable sculpture makes for a charming view on the Mademoiselle Privé Bouton Lion long necklace and ring, both of which tuck the time away underneath the lion-clad button. While the centrepieces are perched on different foundations—an 18-carat yellow gold chain or ring—the essence of the collection remains the same. At the heart of each jewellery piece is a black lacquered button featuring a yellow gold lion. Framed by a ring of diamonds, the button turns to reveal the hidden timepiece:

a black-lacquered dial embraced by a diamond-set bezel and yellow gold chain. For the necklace, the gold chain is accented by onyx tubes and brilliant-cut diamonds. A pompon set with said gems can also be seen dangling from the bouton, bringing a subtle sense of movement to the design.

MONSIEUR LION TOURBILLON

BLACK EDITION

The CHANEL Watchmaking Creation Studio has crafted a special novelty in time

for Watches and Wonders 2026, a stellar timepiece by the name of Monsieur Lion Tourbillon Black Edition. At 42 mm in diameter, the model exudes a mysterious allure made possible by the ceramic case and all-black palette. The foundation of its appeal lies in the flying tourbillon located at 6 o’clock, which features the emblematic lion. This laserengraved titanium sculpture, as well as the remaining functions of the watch, are brought to life by CHANEL’s Calibre 5.1. Oscillating at 28,800 vph, the manual-wound movement has a 72-hour power reserve. Outside from the tourbillon, some of the movement’s components can be seen peeking through the black openwork dial. Paired with a sporty black nylon strap, this edition of CHANEL’s dashing Monsieur Lion Tourbillon is limited to just 55 pieces worldwide.

NŒUD DE CAMÉLIA

It is a truth universally known that Gabrielle “Coco” Chanel is a beacon of Haute Couture. Hence it is only natural that even the next

The Monsieur Lion Tourbillon Black Edition is limited to only 55 pieces

new novelties, such as the Nœud de Camélia, be equal parts horology and couture. Akin to Gabrielle Chanel’s incorporation of white camellias on black jackets, the collection comprises monochromatic jewellery pieces that feature the said flower. At first glance, one would hardly assume that four of the five lavish pieces would turn out to be Haute Horlogerie. Pinned onto black grosgrain, embroidered by Lesage, or rendered in a diamond-studded 18-carat white gold “bow”, the camellia blooms joyfully at the centre of the collection’s Cuff, Embroidered Cuff, Diamonds Cuff, and Diamonds Ring. Outlined by a black lacquer trim, each white gold petal is filled to the brim with brilliant-cut or baguette-cut diamonds. The innermost ring of petals detaches to unveil a hidden black-lacquered or brilliantcut diamond-set dial. The fifth and final piece of the collection, Nœud de Diamants, is the only design to not feature the camellia, but showcases CHANEL’s gem-setting forte even more. Artisans at Métiers d’Art meticulously set thousands of brilliant-cut diamonds within the black-lacquered trims of the bow. To enhance its opulence, the unique piece is topped with a 5.23 carat Asscher-cut diamond

Nœud de Camélia Diamonds ring conceals a black lacquered dial

Nœud de Diamants showcases the Maison’s mastery in gem-setting

Nœud de Camélia cuff outlined by black lacquer and festooned with diamonds

at the centre tie of the bow, which conceals the high precision quartz timepiece beneath.

THE J12

Twenty-six years after its release, the CHANEL Watchmaking Creation Studio has showcased different facets of its modern timepiece. This year, the Maison presented an array of new personalities for the J12 timepiece. For the 28 mm format, collectors now get to explore the essential J12 design in highly resistant black- or white-lacquered ceramic, the former of which is also offered with a grosgrain-inspired black rubber strap.

beloved timepiece: the J12 Superleggera. Crafted especially in a 42 mm diameter, this automotive-inspired timepiece is now presented in matt black ceramic and steel.

Apart from the 28 and 42 mm formats, CHANEL also presented a series of J12 timepieces in 38 and 33 mm. These new additions to the collection are made exclusively in matt blue ceramic. The enchanting hue not only shines a new light to the collection but resonates with Gabrielle Chanel’s adoration for the jersey fabric since 1914.

The dazzling J12 Diamonds Tourbillon Calibre 5 (38 mm) and the J12 28 mm Diamonds are limited edition timepieces that are just as luxurious as they are functional. Whilst the entirety of the latter is covered in Gabrielle Chanel’s beloved baguette-cut diamonds, the larger timepiece also showcases CHANEL’s Calibre 5, a powerful 4 Hz movement that blends seamlessly into its surrounding gems. Merging past and present visions, the Maison has united Gabrielle Chanel’s impeccable touches with the CHANEL Watchmaking Creation Studio’s explorations in the most elegant ways.

The 28 mm timepieces are also joined by the J12 Golden Black, which is also presented in 42 mm. Unlike the former J12 variations, these limited edition timepieces combine polished or matt black ceramic with yellow gold-plated indicators and details. In addition to the J12 Golden Black, Watches and Wonders 2026 also saw the return of a

Limited edition J12 Golden Black 28 mm powered by the Calibre 12.1 automatic movement

J12 Superleggera, available in 42 mm, is now presented in matt black ceramic and steel

J12 Calibre 12.1 38 mm in matt blue ceramic and steel

ARTISAN OF EXCELLENCE

CHOPARD WONDERFULLY BLENDS HERITAGE, INNOVATION, AND REFINED CRAFTSMANSHIP AT WATCHES AND WONDERS 2026

The global watchmaking community flocked to Geneva last April 14 to 20, 2026, for the highly anticipated Watches and Wonders 2026 exhibition. Amid the turbulent industry and geopolitical tensions felt the world over, this year’s fair proved to be the largest, with the addition of 11 new brands, bringing the total exhibitors to 65.

Among the most illustrious participants is Chopard, holding its esteemed title as the Artisan of Emotions since 1860. Known for the brilliant duality of technical prowess and aesthetic grandeur, Chopard introduces four magnificent updates to its storied collections. Moving beyond their predecessors, these latest iterations boast refined silhouettes,

By

Anastasia W. Wibowo

Chopard celebrates 30 years of its Fleurier Manufacture at Watches and Wonders 2026

Crafted in Lucent Steel™, the Alpine Eagle 41 XPS is powered by the L.U.C 96.40-L mechanical self-winding calibre

novel dial materials ranging from rare mother-of-pearl gradients to deep onyx, and meticulous mechanical advancements that highlight the Maison’s enduring commitment to excellence.

The Chopard 09.01-C automatic movement provides the Happy Hearts with a 42-hour power reserve

ALPINE EAGLE 41 XPS

Building upon the success of its earlier iteration that featured a “Monte Rosa Pink” dial, the new Alpine Eagle 41 XPS represents the pinnacle of an iconic, nature-inspired design. This ultra-thin marvel is crafted in Lucent Steel™ with a perfectly proportioned 41 mm diameter and a remarkable thinness of just 8 mm. Beneath the glare-proofed sapphire crystal lies a captivating “Mountain Glow” dial. This subtle champagne shade, achieved by galvanic treatment, features a stamped radiating pattern reminiscent of an eagle’s iris.

The watch ensures flawless legibility with applied ethical white gold hour-markers, numerals, and baton-type hours and minutes hands, all coated with Grade X1 SuperLumiNova®. At its heart beats the L.U.C 96.40L mechanical self-winding calibre, operating at a frequency of 28,800 vph (4 Hz). Thanks to

Chopard Twin technology, two stacked barrels wound by a 22-carat gold micro-rotor provide a generous 65-hour power reserve.

Displaying central hours and minutes with a small seconds counter at 6 o’clock and a stopseconds function, this Chronometer-certified (COSC) movement boasts finishing that meets the exacting Poinçon de Genève standards. The timepiece, water-resistant to 100 metres, is secured by a tapering Lucent Steel™ bracelet equipped with a triple folding clasp and a newly integrated comfort-fit extension system.

HAPPY HEARTS

Playful yet precise, the new Happy Hearts introduces a fresh, sport-chic contrast to the Happy Sport lineage. The most notable update is its denim strap, a casual twist that

juxtaposes the refinement of a mother-ofpearl dial. The iconic dancing elements evolve further, with two heart-shaped motifs—one in white mother-of-pearl, the other in a rare pink-purple gradient—accompanied by three floating diamonds.

Inside, the Chopard 09.01-C automatic movement delivers reliable performance at 3.5 Hz (25,200 vph) with a 42-hour power reserve. Compact yet refined, the calibre underscores Chopard’s in-house expertise in smaller movements.

The 33 mm Lucent Steel™ case, proportioned according to the golden ratio, ensures visual harmony, while its 30-metre water resistance suits everyday elegance. The dial features rhodium-plated hour markers and hands,

The new Happy Hearts timepiece comes complete with a denim strap

with a central seconds display. The overall composition is completed by a blue denim strap with a pin buckle, reinforcing its contemporary, lifestyle-driven appeal.

L.U.C 1860

A tribute to 30 years of the Chopard Manufacture in Fleurier, the L.U.C 1860 revisits one of the brand’s most emblematic timepieces with thoughtful modernisation. While preserving its classic 36.5 mm proportions, the new edition introduces a striking “Areuse Blue” hand-guilloché dial, crafted using traditional techniques on century-old machines.

Like the Alpine Eagle 41 XPS, it is powered by the L.U.C 96.40-L mechanical self-winding calibre, featuring a micro-rotor in 22-carat gold, 65-hour power reserve, and 4 Hz frequency. The movement is COSC-certified and finished to Poinçon de Genève standards, showcasing Côtes de Genève bridges, a stopseconds function, a swan’s-neck regulator, and exceptional hand-finishing.

The case, in Lucent Steel™, measures 8.20 mm thick and offers 30 metres of water resistance. The dial architecture is notably refined: white gold chevron hour markers, Dauphine hands, and a small seconds subdial at 6 o’clock, with no date display to preserve symmetry. Paired with a grey grained calfskin strap and Lucent Steel™ pin buckle, the watch embodies understated sophistication—arguably the purest expression of Chopard’s horological identity.

L’HEURE DU DIAMANT

Finally, the L’Heure du Diamant stands as a poetic testament to the Maison’s mastery of both ornamental stones and haute joaillerie. Returning to an elegant cushion-shaped

Like the Alpine Eagle 41 XPS, the L.U.C 1860 is powered by the L.U.C 96.40-L mechanical self-winding calibre

Chopard celebrates 30 years of the Chopard Manufacture in Fleurier with the L.U.C 1860

rounds off its

The Chopard 09.01-C self-winding movement powers the beautiful timepiece

silhouette, the 30.50 mm case is sculpted from 18-carat ethical white gold, measuring 9.30 mm thick and offering 30 metres of water resistance.

The bezel is generously adorned with 4.40 carats of brilliant-cut diamonds held in Chopard’s signature crown-setting, a technique that maximises light penetration. This dazzling frame surrounds a remarkably deep black onyx dial, a distinguished variety of chalcedony. Enhancing the velvety darkness, four brilliant-cut diamonds mark the hours at 12, 3, 6, and 9 o’clock. As a subtle new detail for this model, the 18-carat ethical white gold hour and minute hands are themselves set with brilliant-cut diamonds.

It relies on the robust Chopard 09.01-C selfwinding movement, beating at 25,200 vph (3.5 Hz) and ensuring a 42-hour power reserve. This jewel of a timepiece is beautifully secured to the wrist by a black alligator leather strap and an ethical 18-carat white gold buckle set with sparkling diamonds.

Across these four timepieces, Chopard articulates a cohesive vision: precision anchored in heritage, elevated by contemporary design and ethical innovation. Whether through the ultra-thin engineering of the Alpine Eagle 41 XPS, the poetic movement of Happy Hearts, the archival reverence of the L.U.C 1860, or the gem-set artistry of L’Heure du Diamant, each creation offers a distinct expression of time, measured in craftsmanship.

Chopard

offerings with the new L’Heure du Diamant, which combines the beauty of onyx and diamonds

A NEW CHAPTER

HUBLOT PUSHES THE BOUNDARIES OF THE BIG BANG INTO A BOLD NEW ERA OF MECHANICS AT WATCHES AND WONDERS 2026

As the horological world converged on Geneva for Watches and Wonders from April 14 to 20, 2026, Hublot reasserts its disruptive spirit with a commanding lineup of Big Bang novelties. Since its founding in 1980—when gold first met rubber—the brand has built its identity

on the “Art of Fusion,” culminating in the 2005 debut of the Big Bang and the in-house Unico calibre in 2010.

In 2026, that philosophy evolves once more. The spotlight falls on the Big Bang Reloaded family and its expressive offshoots; timepieces

By Anastasia W. Wibowo

Big Bang Reloaded Blue Ceramic

Hublot refines the iconic design of the Big Bang at Watches and Wonders 2026

that fuse high-performance chronograph engineering, bold materials, and storytelling collaborations with global icons. From haute horlogerie tourbillons to vibrant gemstone expressions, Hublot delivers a multifaceted vision of modern watchmaking.

BIG BANG RELOADED

The defining characteristic of the 2026 lineup is a masterclass in re-engineering, most notably through the evolution of the openworked Big Bang Unico into the new Big Bang Reloaded. Unlike its predecessors, this reloaded vision forces the mechanics to take centre stage, particularly enhancing the visibility of its dialside column wheel and integrated flyback chronograph architecture.

Housed in a 44 mm case with a multi-layer construction, the collection introduces sharper contrasts, redesigned chronograph counters, and repositioned date displays between 4 and 5 o’clock. The HUB1280 Unico manufacture movement beats at 4 Hz or 28,800 vph, offering a 72-hour power reserve, flyback functionality, and five patented innovations.

The new model comes in diverse materials, ranging from titanium with ceramic, full ceramic in All Black, blue, and dark green, as well as Magic Gold, the world’s first scratchresistant 18-carat gold. Water resistance is rated at 100 metres, and all models feature

sapphire crystals, skeletonised dials, as well as interchangeable rubber or fabric straps via the One Click system.

BIG BANG RELOADED KYLIAN MBAPPÉ

A 200-piece limited edition, this model channels the mindset of French professional

footballer Kylian Mbappé through a refined fusion of white ceramic and 18-carat King Gold.

The 44 mm case frames a skeletonised ruthenium-plated dial with white accents, while the bezel carries the engraving “Trust Yourself” at 6 o’clock. Inside, the HUB1280 Unico flyback chronograph delivers a 72-hour power reserve at 4 Hz, with a visible column wheel and oscillating clutch.

It is truly a watch made for a true fan, with details that are deeply personal: a gold-toned “10” references Mbappé’s jersey number, and it comes in interchangeable straps of fabric with Velcro fastener in King Gold tone or black-and-white rubber which enhances its versatility. The sapphire case back reveals a 22-carat gold rotor and finely finished movement components, underscoring both performance and symbolism.

BIG BANG RELOADED USAIN BOLT

Similarly limited to 200 pieces, the edition dedicated to Usain Bolt transforms speed into horological form, just like the former Jamaican sprinter, who happens to be the world’s greatest sprinter of all time.

The 44 mm case combines black ceramic with frosted carbon, while the bezel in 18-carat yellow gold is engraved with Bolt’s mantra: “Anything is Possible, Don’t Think Limits.” The

The Big Bang Reloaded Collection is a masterclass in re-engineering, most notably through the evolution of the openworked Big Bang Unico

Big Bang Reloaded Kylian Mbappé

skeleton dial features a lightning bolt-shaped chronograph seconds hand, a detail that echoes his iconic pose.

Inside beats the same HUB1280 Unico flyback chronograph with 4 Hz and 72-hour power reserve, but the storytelling extends further: the case back houses actual soil from Bolt’s Jamaican training track, suspended within sapphire. Green and yellow accents highlight key components, while rubber and fabric with Velcro straps reinforce its athletic identity.

BIG BANG IMPACT ONE MILLION

At the intersection of haute horlogerie and high jewellery, the Big Bang Impact One Million stands as a dazzling technical masterpiece. Crafted in a 45 mm polished 18-carat white gold case, the watch is set with approximately 500 diamonds (~44.6 carats), arranged in a dynamic vortex around a central flying tourbillon. The manual-winding HUB9015 calibre operates at 3 Hz or 21,600 vph and delivers an impressive 120-hour power reserve.

The skeletonised flying tourbillon, which is mounted without an upper bridge, enhances both visual drama and mechanical complexity. The dial integrates 75 fancy-cut

Hublot

Ambassador Kylian Mbappé wearing the Big Bang Reloaded Kylian Mbappé

Hublot

Ambassador Usain Bolt wearing the Big Bang Reloaded Usain Bolt

Big Bang Reloaded Usain Bolt

diamonds, while the case, bezel, and clasp feature baguette-cut stones. Water resistance is 30 metres, and the piece is paired with a black alligator and rubber strap.

This model exemplifies Hublot’s mastery of unconventional gem-setting techniques, combining invisible and closed settings to create a three-dimensional architectural effect.

BIG BANG JOYFUL STEEL PURPLE

A softer yet equally expressive creation, the Big Bang Joyful Steel Purple introduces colour as emotion. The 33 mm stainless steel case, water-resistant to 100 metres, is paired with a bezel set with 36 amethysts, framing a clean white dial with three hands and a date display. The HUB1120 self-winding movement operates at 4 Hz with a 40-hour power reserve.

Polished and satin finishes alternate across the case, while the sapphire case back reveals the tungsten rotor. The watch comes with two interchangeable straps: a white rubber strap with a purple insert and a full white rubber alternative, secured by a deployant clasp. This model stands apart for its approachable elegance, translating Hublot’s fusion philosophy into a vibrant, everyday wearable form.

Across all five models, the defining shift lies in visibility and narrative. The Big Bang Reloaded elevates the Unico calibre as both engine and design centrepiece, while the Mbappé and Bolt special editions embed personal storytelling into materials and aesthetics. Meanwhile, the Impact One Million pushes the limits of gem-setting architecture, and the Joyful Steel Purple explores emotional colour expression.

Cohesive yet diverse, Hublot doesn’t merely evolve the Big Bang this year; it redefines how time, material, and identity intersect.

The Big Bang Impact One Million is set with approximately 500 diamonds

The Big Bang Joyful Steel Purple features 36 amethysts on its bezel

BEYOND TIME

IWC SCHAFFHAUSEN BRIDGES SPACE ENGINEERING AND POETIC WATCHMAKING AT WATCHES AND WONDERS 2026

At Watches and Wonders 2026, IWC Schaffhausen unveiled captivating timepieces that feel both visionary and deeply human. This year, the Swiss manufacturer moves effortlessly between two worlds: the extreme demands of space exploration and the emotional depth of literary inspiration. The result is a lineup of watches that not only redefine functionality,

but also expand the emotional language of horology. Alongside its aesthetic refinement, IWC sharpens its technical edge, utilising avant-garde materials such as Ceratanium® and Ceralume®.

Leading this narrative is the Pilot’s Venturer Vertical Drive, a groundbreaking tool watch engineered from the ground up for human

By Anastasia W. Wibowo

Celebrating 90 years of Pilot’s Watches, IWC Schaffhausen goes beyond the sky’s limit at Watches and Wonders 2026

One of IWC Schaffhausen’s highlights at Watches and Wonders 2026 was the Pilot’s Venturer Vertical Drive (IW328601)

spaceflight. Crafted in lightweight white zirconium oxide ceramic and paired with a Ceratanium® bezel and case back, the watch abandons the traditional crown entirely. Instead, it introduces a patented rotating bezel system combined with a rocker switch linked to a clutch mechanism called the “Vertical Drive”, allowing astronauts to operate every function, even while wearing protective gloves.

Inside, the newly developed calibre 32722 beats at a frequency of 28,800 vibrations per hour (4 Hz) and delivers a substantial 120hour power reserve via an efficient automatic winding system. The movement integrates a GMT module, enabling both a central time

display and a dedicated 24-hour scale for mission reference time. The matt black dial is deliberately minimal to avoid reflections, while Super-LumiNova®-coated hands— green for hours and minutes, blue for the 24-hour indicator—ensure optimal legibility. The watch is further equipped with a date display at 3 o’clock and a highly durable FKM rubber strap, resistant to UV radiation and extreme temperatures.

Crucially, this is not a conceptual piece but a certified instrument. The tool watch underwent rigorous testing by IWC’s brand partner, Vast, the company developing nextgeneration space stations, and received official spaceflight certification for use

The Pilot’s Watch Chronograph 41 Le Petit Prince (IW389410) is presented in striking white ceramic

The Pilot’s Watch Mark XX Le Petit Prince (IW328301) features a 40 mm case, a crown and a case back ring made of 18-carat 5N gold

The Pilot’s Watch Chronograph Le Petit Prince (IW378011) is one of the chronographs celebrating the 20th year of IWC’s collaboration with the heirs of Antoine de Saint-Exupéry

aboard Haven-1, the world’s first commercial space station currently under construction by Vast. To this end, IWC and Vast have recently announced a strategic engineering collaboration, and the Swiss luxury watch manufacturer also became the company’s “Official Timekeeper.”

Moving from this modern frontier, IWC also honours 20 years of collaboration with the heirs of Antoine de Saint-Exupéry through five Le Petit Prince Anniversary Edition Pilot’s Watches, unified by their signature deep blue sunray dials. The Pilot’s Watch Mark XX, offered in both 18-carat 5N gold and stainless steel, is powered by the calibre 32112, operating at 4 Hz with a remarkable 120-hour power reserve. It features central hacking seconds, a date display, a screw-in crown, and water resistance of up to 10 metres, ensuring both precision and durability.

Alongside these are two chronographs in 43 mm and 41 mm case sizes, both driven by

the calibre 69385. This in-house columnwheel chronograph movement offers a 46hour power reserve, a frequency of 28,800 vph, and functions including hours, minutes, and seconds chronograph measurements, as well as day and date displays. The vertical dial layout enhances readability, with elapsed minutes positioned at 12 o’clock. Completing the quintet is the Automatic 36, powered by the calibre 32102 that is equipped with a 120hour power reserve, and housed in a compact case with refined proportions. Across all five models, sapphire crystals with anti-reflective coating, gold-plated hands filled with Super-LumiNova®, and engraved case backs depicting The Little Prince create a cohesive and emotionally resonant identity.

Expanding on this theme, the Pilot’s Watch Chronograph 41 Le Petit Prince in white ceramic (IW389410) introduces a striking new material language. Its 41.9 mm case, crafted from zirconium oxide ceramic, offers superior scratch resistance and a velvety surface

Eileen Gu and George Russell were special guests at the brand’s Watches and Wonders 2026 booth

IWC Schaffhausen brand ambassadors

Back of the Pilot’s Watch Automatic 36 Le Petit Prince (IW458802) with an engraving of The Little Prince

texture, contrasting elegantly with a gradient blue dial. The watch is powered by the calibre 69381, a high-performance automatic chronograph movement with a column-wheel design, operating at 4 Hz and offering a 46hour power reserve. It features a bidirectional pawl-winding system, chronograph counters capable of measuring up to 12 hours, and a soft-iron inner case for protection against magnetic fields. Additional specifications include 10-metre water resistance, sapphire glass secured against displacement due to pressure drops, and a white rubber strap with the EasX-CHANGE® system. Complementing this, IWC also introduces a 41 mm execution in titanium for the first time, further expanding the collection’s material versatility with a lightweight yet highly robust alternative.

On a more intimate scale, the Portofino Automatic Day & Night 34 Le Petit Prince offers a poetic interpretation of time. Its compact 34 mm stainless steel case houses a deep blue sunray dial, accented by goldplated hands and appliques. At six o’clock, a rotating day-and-night disc completes one

full rotation every 24 hours, displaying either a sun or a moon to indicate the time of day, with The Little Prince delicately depicted standing on the lunar surface. The watch is powered by the calibre 35180, an automatic movement operating at 4 Hz with a 50-hour power reserve and 24 jewels. It is fitted with a handcoloured blue Santoni calfskin strap featuring a quick-change system and a butterfly folding clasp, while its sapphire crystal ensures clarity and durability. With a water resistance of 50 metres, it remains suitable for everyday wear while retaining its refined elegance.

Together, these novelties form a cohesive statement. At Watches and Wonders 2026, IWC Schaffhausen demonstrates that innovation is not a singular pursuit but a multidimensional one that spans advanced materials, intuitive engineering, and emotional storytelling. Whether designed for orbiting astronauts or grounded in literary imagination, each of the recently unveiled timepieces reflects a singular philosophy: watchmaking, at its finest, is a journey of exploration.

The Portofino Automatic Day & Night 34 Le Petit Prince (IW459806) marks the first Portofino to commemorate The Little Prince

Assembly of the Portofino Automatic Day & Night 34 Le Petit Prince (IW459806)

Jaeger-LeCoultre upholds its reputation as the ‘Watchmaker of Watchmakers™’ at Watches and Wonders 2026

MASTERFUL WATCHMAKING

JAEGER-LECOULTRE UNVEILS A RICH ARRAY OF TIMEPIECES PRESENTED ALONG WITH ITS 2026 THEME, THE VALLEY OF INVENTIONS

In a hidden valley, high up in the Swiss Jura, Huguenot refugees sought sanctuary from religious persecution in the 16th century and began a legacy of resourcefulness, honed into ingenuity and inventiveness, which led to the establishment of LeCoultre in 1833.

With a legacy shaped by place, JaegerLeCoultre now stands as a true Manufacture-

Atelier, uniting 82 ateliers, 108 watchmaking métiers and 69 signature savoir-faire under one roof. With more than 430 patents to its name, the brand is highly sought after by many of Switzerland’s great haute horology houses for their calibres, which they will use for their own creations. This is why the Maison earned its enduring reputation as the ‘Watchmaker of Watchmakers™’.

This year, Jaeger-LeCoultre continues its watchmaking tradition by going further than ever before with its annual theme, The Valley of Inventions, unveiled at Watches and Wonders 2026.

By Maria Zarah Gregorio Viado

Master Control Chronometre Perpetual Calendar in 18-carat pink gold

First in its offerings is the Master Control Chronometre. Given the Manufacture’s constant drive for innovation, the timepiece introduces the new Jaeger-LeCoultre seal: ‘HPG’ High Precision Guarantee, which certifies not only the refined aesthetic finishes but also the high precision of the watch. With an even more stringent patentpending protocol, rigorous testing is done on cased-up pieces, to replicate the daily wear of a timepiece and evaluate performance against four critical elements of daily wear: altitude, shocks, positions, and temperature. Furthermore, the models in the line have also received COSC certification for timekeeping accuracy.

The three Master Control Chronometre variants boast different complications. The first is equipped with a date display, the second a perpetual calendar, and the last features a power reserve and date. The latter is rendered in steel, while the former are offered in a choice of steel or 18-carat pink gold. All the watches are fitted with a new integrated metal bracelet that complements the sleek proportions of their cases.

Proudly showcasing its mastery of the tourbillon complication, Jaeger-LeCoultre revisits one of its most notable tourbillon movements, Calibre 978, which won the first modern-era chronometry competition in

The Master Grande Tradition Tourbillon Jumping Date is equipped with the latest iteration of Calibre 978

The Master Hybris Inventiva Gyrotourbillon À Stratosphère is a limited edition of 20 pieces

2009. With a new movement architecture, the latest iteration of Calibre 978 now powers the Master Grande Tradition Tourbillon Jumping Date up to 45 hours. Presented in a 42 mm 18-carat pink gold case, the variant has a fresh openworked dial, with a blue enamel barleycorn pattern that wonderfully highlights the tourbillon and the signature ‘jumping’ date mechanism. A limited edition of 100 pieces, the Master Grande Tradition Tourbillon Jumping Date is adorned with refined High Watchmaking finishes that elegantly pay homage to the Manufacture’s illustrious past.

From single-axis tourbillons to multiaxis ones, Jaeger-LeCoultre is committed to preventing gravity from influencing watch precision. Which is why in 2004, it embarked on a groundbreaking series of multiple-axis inventions with the unveiling of the first Gyrotourbillon. This year, it presents the Master Hybris Inventiva Gyrotourbillon À Stratosphère, which is driven by Calibre 178, the next generation multi-axis tourbillon. Covering 98 percent of possible positions, thereby guaranteeing unprecedented precision, the triple-axis tourbillon has a patent-pending construction boasting 198 components. Arguably the most precise tourbillon wristwatch with the widest positional coverage ever created by Jaeger-LeCoultre, the timepiece marks the inauguration of a new series within the Hybris line: Hybris Inventiva. Ensconced in a finely finished 42 mm platinum case, Calibre 178, which equips the watch with a 72-hour power reserve, is meticulously finished and hand-decorated with Métiers Rares™ including guillochage, enamel and lacquer, transforming the movement into a beautiful masterpiece.

Showcasing its expertise in highly complicated timepieces, the next novelty is the Master Hybris Mechanica Ultra Thin Minute Repeater. Delivered in an 18-carat pink gold case, the watch houses Calibre 362, the thinnest automatic minute repeater tourbillon, which equips it with a 42-hour power reserve. Shown in all its glory thanks to artistic open-working, sapphire bridges, and a pared back dial, the skeletonised movement reveals the beauty of all its 593 components. A limited edition of just 10 pieces, the Master Hybris Mechanica Ultra Thin Minute Repeater unites some of horology’s most notable feats, including a fully flying one-minute tourbillon and a beautifully sonorous minute repeater. The watch is completed by a brown alligator leather strap with small-scale lining and an 18-carat pink gold pin buckle.

The Master Hybris Mechanica Ultra Thin Minute Repeater unites two of horology’s highest complications

Reverso Tribute

Enamel Hokusai Waterfalls Series

– Rōben Waterfall at Ōyama in Sagami Province

From highly mechanical models, JaegerLeCoultre turns to artistic rendering in four new Reverso Tribute Enamel timepieces. A continuation of the brand’s tribute to Hokusai—Japan’s most renowned 19thcentury artist—this time, the new versions feature the artist’s “Waterfalls” series. Each of the four 10-piece limited editions has been hand-decorated by the artisans of JaegerLeCoultre’s Métiers Rares™ atelier, with guilloché and enamel on the dial, as well as miniature enamel paintings of Hokusai artworks on the case backs.

Lastly, Jaeger-LeCoultre introduces La Vallée des Merveilles™, a new series of limited edition capsule collections dedicated to Métiers Rares™ timepieces. Over time, the Maison will feature other aspects of nature’s beauty and diversity, from the world’s most enthralling places to the vibrant environments of colourful gardens. For this first offering, three new 20-piece limited editions of the Reverso One series pay homage to the distinct beauty and scenery of Hawaii and Japan. Set in either 18-carat pink or white gold cases, the exquisite iterations deliver a fantastic display of the Maison’s artistic crafts of enamelling, paillonnage, gem-setting and lacquer work.

Reverso One ‘Sakura’ with case back decorated with Grand Feu champlevé enamel, diamonds, sapphires

Reverso One ‘Hibiscus Rosa’ in full pink gold, with case back decorated with Grand Feu champlevé enamel, paillonnage, diamonds

At Watches and Wonders 2026,

ECHOES OF TOMORROW

FROM LUMINOR PAM01731 TO LUMINOR 31 GIORNI PAM01631, PANERAI UNITES PAST AND FUTURE AT WATCHES AND WONDERS 2026

Few names in horology carry the same quiet strength as Panerai, a brand forged in the extreme environments of naval service. Founded in 1860 by Giovanni Panerai, the world-class Maison had originally started out as a watchmaking workshop and Florence’s first watchmaking school. As early as 1916, the Panerai workshop earned the trust of the Royal Italian Navy, beginning a long partnership in which Panerai served as their official watch and precision instrument supplier. It was only in 1993 that Panerai

brought its creations to the civilian market, starting with the Luminor, Luminor Marina, and Mare Nostrum novelties. As it steps into the future of timekeeping, Panerai draws from its rich heritage as seen in the new Luminor masterpieces unveiled at Watches and Wonders 2026.

LUMINOR PAM01731 & LUMINOR

DESTRO PAM01732

Giovanni Panerai’s bias for action lived on through his successors, including Giuseppe

By Karina Saphiera Witjaksono

Luminor Destro PAM01732 with blue dial and vintage-inspired calf leather strap

Panerai returned to its natural territory: the underwater world

Panerai, who used this to build robust timepieces for the Royal Italian Navy. As an ode to his 1960s Luminor design, the silhouette makes a return at Watches and Wonders 2026 in the form of the Luminor PAM01731 and the Luminor Destro PAM01732. Panerai’s newest timepieces encapsulate decades of the collection’s evolution, tracing a lineage from the Ref. 6152/1 (1960s) to the PAM00372 (2011). Presented in polished steel, the Luminor’s once 47 mm case has been refined into a more versatile 44 mm to suit a wider audience. While both novelties feature the iconic crown-protecting bridge, Panerai places it on different sides of the watch—at 3 o’clock for PAM01731 and 9 o’clock for PAM01732.

In place of the 1960s’ acrylic protection is a domed sapphire crystal that shields the matt, grainy dial from the outside environment, including water resistance up to 300 m (30 bar). Be it against PAM01731’s tobacco or PAM01732’s blue backdrop, the sandwich construction enhances legibility and pairs exceptionally well with the vintageinspired calf leather strap. Powered by the P.6000 calibre, the 110 components work together to beat steadily at 21,600 alternations per hour (3 Hz). For the Luminor PAM01731, one can further attest to the movement’s precision by the small seconds subdial at the 9 o’clock mark.

LUMINOR 8 GIORNI PAM01733

Panerai’s tribute to its rich past continues with the Luminor 8 Giorni PAM01733, another novelty inspired by the 1960s Luminor design. From the get-go, it is evident that the new addition retains hallmark Luminor features: a sandwich-constructed dial, a crown-protecting bridge, and a small seconds function. What sets it apart, however, is its Brunito case finishing, whose marks replicate those of an aged metal tool. In pursuit of this finish, the masterful horologist applies black PVD to a steel case before delicately brushing it to achieve the weathered finish. Each piece uniquely protects the anthracite dial and P.5000 calibre. At 15 ½ lignes, the hand-wound mechanical movement lends the watch an impressive eight-day power reserve. As the movement beats steadily, the retro-inspired double pencil hands move in rhythm at 3 Hz.

LUMINOR PAM01735 & LUMINOR FORGED TITANIUM PAM01629

Akin to warriors, Panerai’s intrepid spirit was forged in the field during its time with the

Panerai unveiled a number of novelties inspired by its rich history at Watches and Wonders 2026, including the Luminor PAM01731

The Luminor 8 Giorni PAM01733 features a Brunito case finishing that makes the watch look aged

Royal Italian Navy. Having been subjected to trying environments, the haute horologist now equips two new Luminor timepieces with the same robust armour, whilst elevating them with state-of-the-art Swiss technology.

The two 47 mm timepieces in question, the Luminor PAM01735 and the Luminor Forged Titanium PAM01629, bear the same intrepid spirit, albeit expressed differently. Whilst the former is draped in steel, the latter is sheathed in forged titanium, with marks that seemingly trace the wearer’s adventures. Far more than just aesthetics, the 100-piece limited edition PAM01629 becomes the first Panerai novelty to be crafted out of forged titanium, marking a significant leap from its 1985 Mille Metri prototype.

Aesthetically, Panerai adds depth to the PAM01735 using an ivory-gradient matt, grainy dial that contrasts with its dark brown calf leather strap. On the other hand, the sandwich-constructed dial appears in an anthracite sun-brushed finish for the PAM01629, whose depth juxtaposes the light beige calf scamosciato strap. Though only PAM01735 features a small seconds dial, both of the timepieces are powered by the P.3000 calibre, which delivers a 72-hour power reserve. Similar to the P.6000 calibre, this one beats at 3 Hz and is equipped with the Incabloc® anti-shock device.

A 100-piece limited edition, the Luminor Forged Titanium PAM01629 is the first model to use forged titanium for its watch case

The Luminor PAM01735 boasts an ivorygradient matt, grainy dial wrapped in steel

LUMINOR 31 GIORNI PAM01631

As Panerai engineers a new future for luxury watchmaking, it offers a glimpse into its plans through the Luminor 31 Giorni PAM01631. Limited to 200 pieces, the high complication timepiece not only represents the brand’s historical legacy, but introduces a new reality where haute horlogerie meets incessant endurance.

Panerai’s quest for uninterrupted timekeeping began as early as the 1950s, when Giuseppe Panerai brilliantly fed extended power reserve to the brand’s watches using the hand-wound Angelus SF240® movement. The gradual pursuit, from eight to 10-day power reserve, now reaches an astounding 31-day power reserve in the Luminor 31 Giorni PAM01631. It was within the walls of Laboratorie di Idee that Panerai’s watchmakers toiled over seven years, building a 44 mm novelty of exceptional looks and endurance. The durable Panerai Goldtech™ case brings one’s attention to the core of the timepiece, its radiance luring one’s gaze inwards as if to say, “The next chapter begins here.” Apart from the polarised date disc, everything remains transparent, even the power reserve indicator located between the 3 and 6 o’clock marks. Also skeletonised at the back, the hand-wound P.2031/S calibre safeguards the groundbreaking Torque Limiter system, which enhances both performance and longevity.

Seen through the watch case back, the hand-wound P.2031/S calibre safeguards the groundbreaking Torque Limiter system and provides a 31-day power reserve

The Luminor 31 Giorni PAM01631 showcases its details in openworked splendour

CAPTIVATING CRAFTSMANSHIP

PIAGET INTRODUCES THE NEW PIAGET POLO 79, POLO SIGNATURE DATE, AND POLO SIGNATURE NOVELTIES AT WATCHES AND WONDERS 2026

Breathing new life into its cherished novelties, Piaget returns to Watches and Wonders 2026 with new Piaget Polo novelties that were designed to withstand the test of time. Guided by the tranquil colours of the Swiss Jura, the Ateliers de l’Extraordinaire seamlessly fuses its modern technology and visionary outlook

with the trailblazing elements of the original Piaget Polo. In doing so, the Maison once again bridges past and present, weaving a contemporary narrative that feels both refined and forward-looking. Alongside the striking Piaget Polo 79, the recent unveiling also reveals Piaget Polo Date variations in blue signature dials and a glamorous pair of

By

Karina Saphiera Witjaksono

Piaget draws from its rich heritage and unveils fresh novelties at Watches and Wonders 2026

Piaget delivers an exciting array of new Piaget Polo models at Watches and Wonders 2026

Piaget Polo watches in signature steel dials, each offering a distinct interpretation of the collection’s evolving identity.

Piaget’s early years were shaped by the idyllic scenery of La Côte-aux-Fées, a village nestled in the Swiss Jura mountains. It was there that Georges-Edouard Piaget, led by his passion for watchmaking, built his first workshop in 1874 and laid the foundation for the industry titan. Working through long winters under clear northern skies, his dedication to precision quickly set the tone for generations to come. One of its landmark innovations, the ultra-thin movement, was introduced in the 1950s, establishing a legacy of precision and elegance that continues to define Piaget today. This pursuit of slender refinement would soon become one of the Maison’s most celebrated signatures. Not long after, another great discovery was made that would change the trajectory of the brand, the birth of the Piaget

Polo, a creation that would boldly challenge conventions of its time.

In 1979, during a surge of steel watches, Piaget crafted an entirely gold watch with an unmistakably opulent silhouette. Conceptualised by Yves G. Piaget, the Piaget Polo was a glamorous hybrid that quickly became a status symbol for luxury lifestyle. Its seamless integration of case and bracelet introduced a new design language—one that blurred the lines between jewellery and horology. Its bracelet-like silhouette made

it a versatile timepiece that could be worn to various occasions, be it sports events or galas, effortlessly transitioning between the worlds of leisure and sophistication. Once favoured by illustrious names such as Andy Warhol, the haute horologist now draws inspiration from this monumental timepiece in the making of the new Piaget Polo 79.

Reinterpreted for the modern collector, the watch retains its bold identity while embracing subtle contemporary nuances. A first of its kind, the 18-carat white gold watch

The Maison presents the Piaget Polo Signature Date, which combines the blue signature dial with the Piaget Polo’s iconic gadroons

Piaget Polo Signature Date in 18-carat pink gold with diamond-set bezel

features a tantalising ornamental stone dial. The 38 mm white gold case acts as the perfect canvas for the enigmatic sodalite dial with polished gadroons, creating a rich interplay between texture, light, and colour. The stellar ornamental stone perfectly hides the 1200P1, Piaget’s ultra-thin self-winding movement that powers the timepiece at a 3Hz frequency, a gentle reminder of the technical prowess that lies beneath its artistic exterior.

In addition to the opulent Piaget Polo 79, the Swiss brand has reimagined the widelyadored Piaget Polo Signature Date and Piaget Polo Signature. Encapsulated in 42 mm and 36 mm cases respectively, each steel or 18-carat pink gold case attaches itself to an interchangeable metal bracelet or blue rubber strap, offering both versatility and comfort for everyday wear. For select models, Piaget lines precious diamonds along the bezel to contrast the deep-toned dial, introducing a touch of brilliance that enhances the watch’s refined presence.

Piaget Polo Signature in 18-carat pink gold with diamond-set bezel and indices

Piaget Polo Signature in steel with blue signature dial, polished gadroons, and diamond-set indices

Far more than just a luxury wristwatch, these new novelties are the first of their kind to boast the blue signature dial with the Piaget Polo’s iconic gadroons, a detail that reinforces the collection’s unmistakable visual identity. Naturally, each timepiece is clad with minimalist appliques and hands, as well as the slim date aperture at the 6 o’clock mark, ensuring legibility while maintaining a clean, balanced composition.

Apart from preserving stylistic choices, Piaget seizes this opportunity to revive yet another long-lost tradition once cherished by Yves Piaget himself: the couple’s watch. In recent years, the Maison had entertained the idea of creating the couple’s watch for its 150th anniversary, which it eventually did in 2024, reintroducing the notion of shared elegance through complementary timepieces. This time, the tradition is succeeded by the new pair of timeless Piaget Polo Signature pieces made in steel, designed to resonate with a new generation of collectors. Parting

ways from the blue hue of the dial, the new glamorous duo proudly wears their elegant silver signature dials with the gadroons known to the Piaget Polo, offering a softer, more understated aesthetic.

Softening the bluntness of the rounded square dials is a slim minute track that lies just behind the warm-toned hour appliques, which radiate as equally as the timepiece’s hands and date window, creating a harmonious

interplay of proportions and light. Much like its diamond-embedded hour appliques, the 36 mm model also features a string of 96 brilliant-cut diamonds on its bezel, elevating its presence with a refined sparkle. The symbol of modern sophistication available in 36 mm, pairs uncannily well with its beige rubber strap, whilst the 42 mm stands firm with its khaki green rubber strap, each colourway subtly echoing the natural tones that inspire the collection as a whole.

watch set is comprised of two Piaget Polo Signature timepieces, one in 42 mm and one in 36 mm

Piaget Polo Signature with silver signature dial, diamond-set bezel and indices, and interchangeable beige rubber strap

The couple’s

LEGENDARY ODYSSEY

EXPLORE HOW ROGER DUBUIS MASTERFULLY UNITES CELESTIAL ASTRONOMY AND ARTHURIAN FOLKLORE IN HIGH HOROLOGY

Amuch-anticipated event, Watches and Wonders 2026 serves as the ultimate stage for horological innovation. At the fair, Roger Dubuis turned its gaze skyward, presenting a constellation of timepieces inspired by celestial motion, Arthurian legend, and technical audacity.

This year’s novelties reaffirm the Maison’s identity: expressive complications, architectural dials, and movements that blend poetic storytelling with uncompromising Geneva Seal standards. At the same time, artistic métiers d’art take centre stage in beautifully feminine and

By Anastasia W. Wibowo

Biretrograde Calendar with Cosmic Blue dial (RDDBEX1209)

Roger Dubuis turns to the skies and brings legends to life at Watches and Wonders 2026

unique pieces, proving that technical mastery and aesthetic storytelling can coexist seamlessly.

BIRETROGRADE CALENDAR

Leading the sporty-chic lineup is the new Biretrograde Calendar, bringing another stunning addition to the Maison’s biretrograde family. This 40 mm timepiece is crafted from 316L stainless steel and is water-resistant to 100 metres. Beating within is the automatic RD840 calibre, a Poinçon de Genève-certified movement boasting 244 components and a robust 60-hour power reserve. What truly sets it apart is its mesmerising multi-layered Cosmic Blue dial, displaying angled, skeletonised hour and minute hands fashioned from white gold with luminescent centres, paired alongside a rhodium-coated brass retrograde hand. The piece is elegantly secured by a stainless steel bracelet equipped with a Quick Release System, completed by a triple folding clasp and an additional calf leather strap.

EXCALIBUR BIRETROGRADE PERPETUAL CALENDAR

Taking complexity a step further, the Excalibur Biretrograde Perpetual Calendar elevates the biretrograde family with the upgraded RD850 calibre. This 40 mm masterpiece is framed in 18-carat pink gold with a water resistance of 100 metres. The automatic movement, featuring 435 components and a 60-hour power reserve, introduces a convenient month corrector for rapid adjustments and an astronomical moonphase accurate for 122 years before needing correction. Its captivating Astral Blue dial uses a blue aventurine disc adorned with laser-engraved pink gold moons, while the pink gold hands sweep gracefully across the display. An interchangeable calf leather strap equipped with a pink gold triple folding buckle completes the ensemble.

EXCALIBUR BROCÉLIANDE

The magic of the Arthurian legend comes alive in the Excalibur Brocéliande, offered in

Biretrograde Perpetual Calendar (RDDBEX1178) with astronomical moonphase that remains accurate for 122 years

Excalibur Brocéliande Dawn Rose version (RDDBEX1208) with multicoloured varnished leaves and diamonds

Excalibur

Twilight Blue and Dawn Rose editions. Both versions are housed in 38 mm 18-carat pink gold cases with a 30-metre water resistance, powered by the automatic skeletonised RD721SQ calibre that offers a 72-hour power reserve, thanks to its 169 components. The Twilight Blue model captures the fading dusk with a translucent blue varnish and white mother-of-pearl ivy leaves, whereas the Dawn Rose version radiates morning light, boasting a bezel set with 60 round-cut diamonds and multicoloured varnished leaves. Two freely rotating sapphire discs bring a dynamic breeze to the dial, complementing the satinbrushed pink gold hands. They are fitted with interchangeable alligator leather straps that come with pink gold pin buckles.

EXCALIBUR LADY OF THE LAKE (SYLVAN GREEN)

Delving deeper into the mythos, the Excalibur Lady of the Lake in Sylvan Green is a tribute to the enigmatic sorceress Viviane, guardian of the sword Excalibur. Shaped like a jewel, the 36 mm pink gold case is topped with a fluted bezel set with brilliant diamonds, offering 30 metres of water resistance. Serving as its mechanical heart is the automatic RD830 calibre, comprised of 183 components and delivering a 48-hour power reserve. Its dial is a true work of art, featuring three-

Lady

The

dimensional Sylvan Green mother-of-pearl marquetry arranged in undulating waves and accented by a moonstone cabochon that indicates the seconds. The time is marked by pink gold hands, and the watch is worn on a pearlescent green alligator strap secured by a pink gold pin buckle.

EXCALIBUR LADY OF THE LAKE (SOVEREIGN GREY)

Contrasting the mystical green is the

Excalibur Lady of the Lake in Sovereign Grey, a timepiece reflecting Viviane’s knightly strength and strategic mind. Sharing the same 36 mm jewel-shaped pink gold case and the reliable automatic RD830 calibre, this timepiece distinguishes itself through its striking dial architecture. It centres around a pure, iridescent heart of white mother-ofpearl, surrounded by a dark rhodium-coated plate with a sunray finish that evokes the look of indestructible armour. Pink gold sword-like

The Excalibur

of the Lake Sovereign Grey (RDDBEX1193) brings knightly strength and strategy to the fore

Excalibur Lady of the Lake Sylvan Green (RDDBEX1198) draws inspiration from Arthurian lore

hands and a Sovereign Grey alligator strap with a pearled effect perfectly harmonise with the dial’s monochromatic intensity.

EXCALIBUR MOONLIGHT

Representing the pinnacle of bespoke craftsmanship from the Maison’s Rarities program, the Excalibur Moonlight projects its wearer into the stars. Encased in a 45 mm black DLC titanium shell with 50 metres water resistance, it introduces the groundbreaking RD115-4 calibre. This automatic movement, possessing 277 components and a 72hour power reserve, features a central monotourbillon and completely reimagines time-telling. Traditional hands are replaced by two translucent blue enamel discs representing the hours and minutes, adorned with hand-painted zodiac constellations and luminescent moon phases, while brass hands with black Super-LumiNova® highlight the exact time. This unique piece is strapped

to the wrist with an interchangeable calfskin strap and a DLC titanium triple folding clasp.

EXCALIBUR PERPETUAL CALENDAR QUATUOR

Finally, the Excalibur Perpetual Calendar Quatuor unites two of horology’s most demanding complications for the very first time. Built with an imposing 48 mm case crafted from Cobalt Chrome—a signature anti-magnetic and highly scratch-resistant alloy—the watch provides 100 metres of water resistance. It is driven by the manual-winding RD116 calibre, a marvel of 758 components offering a 40-hour power reserve. Four balance wheels work in tandem to instantly compensate for gravity, while the dial displays day, date, month, and leap year discs in blue metallised sapphire glass. White gold hands and a blue calf leather strap with a titanium triple folding buckle complete this limited edition of just eight pieces.

The Excalibur Perpetual Calendar Quatuor (RDDBEX1127) combines two complications in one watch

The Excalibur Moonlight (RDDBEX1221) presents time in an all-new interstellar way

REVOLUTION IN MOTION

TAG HEUER CONTINUES ITS RACING LEGACY BY ADDING TWO MASTERPIECES TO ITS ICONIC SQUARE-FACED WATCH FAMILY

At this year’s Watches and Wonders 2026, TAG Heuer takes its most celebrated model further than it has ever gone before. The brand continues its undisputed racing legacy by revealing two spectacular timepieces for its legendary square-faced watch family: the refined Monaco Chronograph and the revolutionary Monaco Evergraph.

Since its groundbreaking introduction in 1969, the TAG Heuer Monaco has undeniably left an

indelible mark on the watchmaking industry. It originally debuted as the world’s very first square, waterproof chronograph wristwatch and was famously powered by Calibre 11. For decades, it served as a pristine platform for avant-garde design and relentless innovation.

Now, more than half a century after its debut, the celebrated Monaco officially enters an exciting next chapter. In this latest iteration, TAG Heuer redefines its square icon by introducing an entirely new case design with

By Riga Ramadhan

TAG Heuer presents new versions of the Monaco at Watches and Wonders 2026

The new TAG Heuer Monaco Chronograph features a redesigned case with gently curved sides

a meticulous return to the very beginning, specifically, to the original reference 1133 that started it all. The 39 mm grade 5 titanium case now features gently curved sides, while the redesigned case back curves elegantly toward the edges. Extensive work has gone into balance and wearability, and it shows the moment you put the watch on.

Typography and text placement on the dial have been revisited from the ground up. Three colourways define the collection. The signature Monaco blue, directly inspired by Steve McQueen’s Le Mans reference, arrives with rhodium-plated hands tipped in red and a red central chronograph hand. A sunraybrushed dark green model nods to the codes of British Racing Green with refined restraint. Most striking of all is arguably the black dial variant, housed in a two-tone case of grade 5 titanium and 18-carat 5N rose gold.

At the heart of all three lies the new in-house Calibre TH20-11, built upon TAG Heuer’s automatic TH20-00 base, delivering an 80hour power reserve and a five-year warranty. Its bi-compax layout—subsidiary counters at

three and nine, date at six—pays deliberate homage to the original Calibre 11, while the crown remains situated on the left.

Complementing the ergonomic triumph of the Monaco Chronograph is a release that fundamentally alters the brand’s understanding of mechanical boundaries: the magnificent TAG Heuer Monaco Evergraph. It represents one of the most structurally significant movements ever introduced in TAG Heuer’s rich history.

It’s safe to say that the TAG Heuer Monaco Evergraph is not an evolution. It is a revolution, and that word is used here with full deliberate intention. At its heart lies the entirely new Calibre TH80-00, a movement five years in the making that dismantles the very architecture of the chronograph complication as we have known it for over a century.

Where traditional chronographs rely on a complex network of levers and springs to govern start, stop, and reset functions, Calibre TH80-00 replaces virtually all of them with two flexible bistable components, developed

Apart

by the TAG Heuer LAB using high-precision LIGA technology. The stunning result is a mechanism that never changes, and never deviates, delivering the same crisp, precise sensation whether it’s the first press of the pusher or the ten-thousandth.

Furthermore, the movement pairs this revolutionary compliant chronograph mechanism with the TH-Carbonspring oscillator, ensuring magnetic resistance and precision at 5 Hz, a 70-hour power reserve, COSC certification, and a remarkable five-year warranty. Developed alongside Vaucher Manufacture Fleurier, its inverted architecture places the barrel, gear train, and escapement in full view from the transparent dial side, making it a wearable display of haute horlogerie ambition that is genuinely difficult to look away from.

Meanwhile, the 40 mm grade 5 titanium case features tapered edges on two models, creating a visual sense of thinness. The blue opaline subdials and red accents pay direct homage to the reference 1133B made famous by none other than Steve McQueen, while the black DLC-coated titanium model with blazing red details channels TAG Heuer’s most aggressive racing instincts.

Together, the Monaco Chronograph and the Monaco Evergraph represent something rare in modern watchmaking—timepieces that are simultaneously a love letter to the past and an entirely new beginning for what a chronograph can be.

from the version with blue opaline subdials, the Monaco Evergraph is also available in black DLC-titanium

The TAG Heuer Monaco Evergraph is powered by one of the most structurally significant movements ever introduced in TAG Heuer’s rich history - Calibre TH80-00

DARING EVOLUTION

DISCOVER TUDOR’S TECHNICAL UPGRADES AND BOLD AESTHETIC SHIFTS SHOWCASED IN GENEVA AT WATCHES AND WONDERS 2026

TUDOR presents a collection that deepens its technical credibility while sharpening its aesthetic language. Furthermore, the brand cements its dominance with a remarkable evolution across its lineup. Some of these new releases are now bearing the coveted METAS Master Chronometer certification, in addition to refined ergonomics, thinner case profiles, and striking aesthetic shifts. Let’s dive into the six

standout models that redefine the brand’s enduring legacy.

TUDOR ROYAL

A defining expression of sport-chic versatility, the Royal evolves with a sharper, more contemporary identity. Offered in 30 mm, 36 mm, and 40 mm stainless steel or steel-and-yellow-gold cases, it features a redesigned notched bezel with crisp facets

By Anastasia W. Wibowo

The TUDOR booth at Watches and Wonders 2026, decked out in the brand’s signature colours, showcased its remarkable evolution

TUDOR Royal 30 with a red dial

that catch the light. The integrated fivelink bracelet flows seamlessly into the case, equipped with the practical “TUDOR T-fit” rapid adjustment clasp. Waterproof to 100 metres via a screw-down crown, it houses Manufacture Calibres MT5201, MT5412, and MT5633. These movements feature variable inertia balance wheels, silicon hairsprings, and power reserves of 50 to 70 hours, with chronometric precision ranging from -2/+4 to -3/+5 seconds per day.

BLACK BAY CERAMIC

TUDOR’s “going dark” philosophy reaches its zenith in the Black Bay Ceramic, highlighted by a newly engineered, 41 mm monobloc matt black ceramic case which is complemented by a matching ceramic bracelet—an engineering feat given the material’s complexity. Inside beats the Manufacture Calibre MT5602-U, COSC-certified and METAS-approved, delivering 70 hours of power reserve and precision within 0/+5 seconds per day. Waterproof to 200 metres, it is as technically formidable as it is visually striking.

TUDOR MONARCH

Reviving a storied legacy, the TUDOR Monarch is a masterpiece of historical homage featuring a finely faceted 39 mm stainless steel case and a two-link bracelet

equipped with a “TUDOR T-fit” clasp. The real showstopper is its dark champagne dial, reminiscent of ancient papyrus, adorned with applied Roman and Arabic numerals beneath a sapphire crystal. Waterproof to 100 metres via a steel screw-down crown with a 65-hour power reserve, the watch relies on the METAS and COSC-certified Manufacture Calibre MT5662-2U to drive it.

BLACK BAY 54 “BLUE”

Honouring the Maison’s first divers’ watch from 1954, the Black Bay 54 introduces a stunning “TUDOR blue” radial-brushed domed dial and a matching aluminium bezel insert that is notably devoid of minute hash marks. The perfectly proportioned 37 mm stainless steel case features a screwdown crown and a domed sapphire crystal, guaranteeing waterproofness to 200 metres. Timekeeping is handled by the COSC-certified Manufacture Calibre MT5400 with a 70-hour power reserve.

BLACK BAY 58

A cornerstone of TUDOR’s modern identity, the Black Bay 58 receives meaningful upgrades. The 39 mm stainless steel case is now slimmer at approximately 11.7 mm, improving wearability without sacrificing

robustness. At its heart is the Manufacture Calibre MT5400-U, delivering 65 hours of power reserve, with COSC and METAS certification, and resistance to magnetic fields up to 15,000 gauss. Waterproof to 200 metres, it is offered with three bracelet options, all featuring the T-fit adjustment system for optimal comfort.

BLACK BAY 58 GMT

Designed for the modern traveller, the Black Bay 58 GMT combines mid-century aesthetics with contemporary functionality. Its 39 mm case houses a bidirectional 24hour bezel in black and burgundy, accented with gilt markings that evoke the golden age of aviation. The GMT Manufacture Calibre MT5450-U enables simultaneous tracking of multiple time zones and offers a 65-hour power reserve as well as METAScertified precision (0/+5 seconds per day). The movement’s silicon hairspring ensures resistance to magnetism, while the robust construction guarantees reliability. With 200 metres of water resistance, a screw-down crown, and multiple bracelet options, it is equally suited for travel and daily wear.

Together, these six novelties underscore TUDOR’s philosophy, where heritage is not preserved, but continuously refined.

Black Bay Ceramic with a matt black ceramic case and matching black dial

The Black Bay 58 GMT features an attractive black and burgundy 24-hour bidirectional bezel

TUDOR Monarch with dark champagne dial, reminiscent of ancient papyrus

UNCHARTED TERRITORIES

VACHERON CONSTANTIN IMPRESSES WITH THE ÉGÉRIE MOON PHASE SPRING BLOSSOM TO THE MÉTIERS D’ART TRIBUTE TO GREAT CIVILATIONS

Alife without risks might often be viewed as a life of security. Be that as it may, taking risks could in fact be key to a fulfilling life, as proven by Vacheron Constantin. In its Watches and Wonders 2026 exhibit, the master of bold watchmaking unveils timepieces that transcend time. Centred around time or geographical

references, the new additions to the Égérie, Historiques, Cabinotiers, and Overseas collections, as well as a special tribute, reaffirms Vacheron Constantin’s leadership in Haute Horlogerie.

As the light shines on the carefully laid out displays at Watches and Wonders 2026,

By Karina Saphiera Witjaksono

Vacheron Constatin brings its watchmaking prowess to the fore at Watches and Wonders 2026

Égérie Moon Phase Spring Blossom in pink gold with diamonds

The Les Cabinotiers Minute Repeater Tourbillon Skeleton is a single-piece edition of exceptional watchmaking

it radiates brightly against one particular display: the 37 mm Égérie Moon Phase Spring Blossom. Like spring blossoms, the 18-carat pink gold case holds the “Pleats” patterned dial steady. The light pink shade of this mother-ofpearl dial bounces light softer than the pink gold hour appliqués and hands. In the upper right corner of the dial, a smaller diamondstudded ring similar to the bezel frames the tantalising moon phase, where a golden moon is seen shining light upon the luscious pink clouds. Both timekeeping function and moon phase are made possible by the Calibre 1088 L self-winding movement with a 40-hour power reserve. Each piece is presented with elegant pink shiny alligator or light pink ‘grosgrain’ textile straps.

The delicate femininity captured by the Égérie Moon Phase Spring Blossom was by no means the only remarkable presentation by Vacheron Constantin. Offered in new palettes, Historiques American 1921 captures a bold adventurism and masculine energy. Presented in a 36.5 mm and 40 mm pink gold cushion case, the timepiece houses a grained silver-toned dial with snailed small seconds counter at the 3 o’clock mark. Unlike the upright seconds counter, the central dial has been rotated 45-degrees clockwise, a bold

design choice that originates from the year the special timepiece was born. The deep blue of its charming Arabic numerals coincides with the classy patina dark blue calf leather strap. In the back, the sapphire crystal reveals the Calibre 4400 AS, which oscillates at 4Hz for a 65-hour power reserve.

The next highlight comes in the form of the powerful Les Cabinotiers Minute Repeater Tourbillon Skeleton. Backed by the Calibre

2755 TMR SQ with a 58-hour power reserve, this skeletonised timepiece reveals a small seconds tourbillon at 6 o’clock. Bordered by a blue-tinged pink gold ring, the tourbillon is situated amidst a larger, beguiling view of the robust movement, which drums to the beat of 2.5Hz. For once, nothing is left to the imagination—not even the minute repeater kindred to its 2007 variation. Its details, including the pink gold hour indicators and hands, peripheral rings, and blue minute

The Historiques American 1921 is available in two diameter sizes: 36.5 mm and 40 mm

track, enhance and complete the 45 mm single-piece edition, along with the blue technical calfskin leather strap.

As grand as its aesthetics go, Vacheron Constantin’s watchmaking prowess can be traced back to its movements, such as in the case of Calibre 2550. After seven years of tireless innovation, the Maison proudly unveils a new ultra-thin self-winding manufacture movement that fuses a microrotor, a suspended double barrel, and a singlelevel gear train. Trailing the litheness of Calibre 1120, this movement becomes the first to unite all of Vacheron Constantin’s most recent technological innovations, all compressed into just 2.4 mm. The new and innovative calibre is showcased in the 255-piece limited edition platinum Overseas Self-Winding Ultra-Thin model with a salmon-lacquered dial, individually numbered to signify its special status.

The Maison’s display in Geneva would not be complete without the Overseas Dual Time Cardinal Points, a novelty that expresses Vacheron Constantin’s natural pull towards adventure. The 41 mm titanium watch signifies the thrill of new explorations through its colours, which encapsulate the still white of the North, brown plains of the South, greenery of the West, and blue of the East, where the

The Overseas Self-Winding Ultra-Thin houses the new ultra-thin self-winding manufacture movement, Calibre 2550

Embodying the spirit of exploration, the Overseas Dual Time Cardinal Points is presented in four dial colour options

sea and sky meet. Driven by the Calibre 5110 DT/3 movement, each variation sports an athletic dial and interchangeable titanium, orange rubber strap, or white/green/brown/ blue rubber strap with orange saddle-stitch detail. Decorated with various finishes, the seemingly three-dimensional dial gains depth from the double-tiered tracks. An orange hand on the central dial and AM/PM function

points at the second time zone, while a grey hand shows the date at 6 o’clock.

Apart from the five adventurous timepieces, Vacheron Constantin travelled through time in search of pivotal moments in the history of civilisation. In partnership with Musée du Louvre, the Métiers d’Art Tribute to Great Civilisations brought to life the museum’s

ancient masterpieces whilst keeping in mind the quality and stone applique of the original works. The collection, which took three years to achieve, replicates indescribable portraits of Athéna De Velletri, Buste D’Akhénaton, Lamassu De Sargon II, and Tibre De L’Iseum Campense. Powered by the manufacture Calibre 2460 G4/2, each wearable artwork pays homage to Ancient Greece, Pharaonic Egypt, Assyrian Empire, and Imperial Rome.

When it comes to artistic freedom, there are few as eloquent as Vacheron Constantin, a master in both Haute Horlogerie and adventure. Steadfast in its pace, the Maison’s creative expressions remain as uninterrupted as it is daring, eloquently translating points in time and locations unto its compact canvases. Vacheron Constantin was originally founded when two like-minded visionaries, Jean-Marc Vacheron and his apprentice, joined forces in 1755. Deemed as the world’s oldest watch Manufacture, the haute horologist allows its unparalleled technicality and exceptional touches to decorate the Patrimony, Traditionnelle, Métiers d’Art, Overseas, and more of its collections. The Maison will embark on a new journey to the tropics, as its timepieces will soon be available at The Time Place, Indonesia.

Tribute to Great civilisations - Buste d’Akhénaton

Vacheron Constatin brings the beauty of the Tribute to great civilisationsAthéna de Velletri to the wrist

AN ODE TO MOVEMENT

WATCHES AND WONDERS 2026

BORE WITNESS TO ZENITH’S TECHNICAL MASTERY EXPRESSED IN TWO EXCEPTIONAL TIMEPIECES

To create a movement is an art usually made visible. On stage and screen, movement commands the gaze. In high watchmaking, however, the movement stays hidden, operating at extreme tolerances, where fractions of a second are engineered from components too small to catch at a quick glance.

One of the few Swiss manufactures with complete mastery over its calibres, Zenith has developed over 600 movements and registered more than 300 patents, carving

a well-written reputation in horology. At Watches and Wonders 2026, Zenith interprets its legacy through two distinct articulations of the movement: the Calibre 135 and El Primero.

The first expression finds its place within the G.F.J. collection—a tribute to the brand’s 160-year history and the return of one of the most celebrated observatory chronometers ever produced. Today, the Calibre 135 is reengineered to preserve its architecture and refine performance.

By Allestisan Citra Derosa

Zenith continues its mastery of movements with the Calibre 135 and El Primero at Watches and Wonders 2026

Powered by Calibre 135, the G.F.J. in tantalum is available in a limited edition of 20 pieces

Limited to 161 pieces, the 18-carat yellow gold model stages the romance of precision, wherein the structure glows like sunlight softening a sharp skyline. The dial cut from deep green jasper “bloodstone” is veined with unique threads of rust and ochre on every piece. Where the rest of the watch obeys symmetry and restraint, the stone breathes its own private signature. No two owners will see the same face twice.

By contrast, the tantalum edition pursues a more material, intellectual, and radical path. Made in a run of 20 pieces, the exotic substance feels introspective yet remains minimalistic. Exceptionally dense and notoriously difficult to machine, tantalum imposes a more controlled, deliberate fabrication.

Like a confident handshake—soft and firm— the 39.5 mm case sits on the wrist: you feel it’s there, and that’s exactly the point. Punctuated by baguette-cut diamond indexes, the watch face reveals a polished black onyx centre, a grey mother-of-pearl small seconds counter, and a carved guilloché periphery.

Zenith sought not merely to harness time’s cadence but to elevate it into versatility. At the illustrious event, the Maison also revived its jewel, the El Primero, driving the CHRONOMASTER collection forward. As the first fully integrated automatic

chronograph, the movement’s central hand races around the dial, completing a full lap in just 10 seconds.

Now powered by the El Primero 3600, with 36,000 vibrations per hour (5 Hz), the CHRONOMASTER reinvents high-frequency performance into a sprint. A masterclass in control, it reasserts the El Primero among

the most consequential movements in watchmaking history.

The two-tone statement watch, available in steel and rose gold, is neither purely sporty nor overtly formal. The contrast of materials tempers the intensity of the chronograph, allowing it to transition across contexts without losing its mechanical authority.

The dial renders mother-of-pearl with luminosity. Light moves across its surface throughout the day, shifting from cool silver to a warmer champagne tone. Three overlapping counters at 3, 6, and 9 keep the lineage clear and serve as a direct nod to the original El Primero. Issued in a limited series of 50 pieces, the watch is built to breathe between occasions.

If the two-tone model proves precision can be versatile, the CHRONOMASTER Sport Skeleton exposes its inner workings. Offering a more technical interpretation within the line, it transforms function into visual language, exhibiting the body of the El Primero 3600. Bridges, gears, and the regulating organ are brought into view. Meanwhile, the sophisticated skeletonisation is designed with the newly developed patented folding clasp, ZENCLASP™, providing ergonomic refinement while enhancing comfort and adjustability.

Across bespoke craftsmanship, Zenith remains faithful in demonstrating how powerful movements can be understood, admired, and celebrated, without ever being fully seen.

The steel and rose gold CHRONOMASTER is equipped with the El Primero 3600

Calibre 135 serves as the beating heart of the limited edition G.F.J. rendered in 18-carat yellow gold

Also powered by the El Primero 3600, the CHRONOMASTER Sport Skeleton is available in four variants

TIMELESS REFINEMENT

AUDEMARS PIGUET REVISITS THE CODE 11.59 BY AUDEMARS PIGUET SELFWINDING MODEL IN 38 MM WITH TWO DISTINCT VARIATIONS

Standing at the precipice of change, the Code 11.59 by Audemars Piguet collection symbolises the thrilling moments before a new day. In its unwavering dedication to innovation, Audemars Piguet has amassed a series of luxury timepieces that blend versatility with creativity, all under the Code 11.59 by Audemars Piguet line. Taking on varying sizes, materials, colours, and complications since 2019, the collection has even evolved to include a refined model: the Code 11.59 by Audemars Piguet Selfwinding

38 mm. This year, the haute horologist revisits the evocative 38 mm timepiece with two new variations that brilliantly reflect the passage of time through juxtaposing dials.

The new Code 11.59 by Audemars Piguet Selfwinding present faces with two contrasting sides to the versatile design. One embraces dark, intense tones while the other light and luminous hues, each creating a timeless and fluid appeal. The former model is intensified by its black alligator leather strap, whereas the

By Karina Saphiera Witjaksono

Audemars Piguet introduces two new editions of the Code 11.59 by Audemars Piguet Selfwinding

The Code 11.59 by Audemars Piguet Selfwinding with a black dial is fitted with a black alligator strap

latter silver iteration leans towards a vintage allure with its camel calfskin strap. For each variation, 18-carat pink gold has been crafted into a slim yet structured 38 mm case, which houses the double glareproofed sapphire crystal and case back. The case effectively protects its movement from the outside world and is water-resistant up to 30 metres.

Designed for smaller wrists, the timepiece fuses pink gold accents with the collection’s signature motif: concentric circles reminiscent of ripples on water, punctuated by fine grooves that capture the light. Against the black or silver dial, the watch elegantly wears its slender 18-carat pink gold hour markers whose warmth matches that of the luminescent hands, which stand out enhancing legibility, comfort and modernity of these multifaceted designs. Thoughtfully conceived in both design and function, the Code 11.59 by Audemars Piguet Selfwinding retains exceptional clarity. Furthermore, a pink gold-rimmed date aperture can also be seen at 3 o’clock.

Despite their juxtaposing palettes, the new Code 11.59 by Audemars Piguet Selfwinding 38 mm watches remain true to their essence. Similar to the first selfwinding model that was unveiled in 2023, these new iterations bear all the markings of the original. Far more than just

following its elegant lines, the new timepieces are also home to a vigorous movement that has withstood the test of time: the Selfwinding Calibre 5900. Previously housed in other Audemars Piguet novelties, the improved movement that oscillates at a 4 Hz frequency offers a 60-hour power reserve. At just 11 ½ lignes wide, the calibre is Audemars Piguet’s newest selfwinding movement, and one that is adorned with refined decorations. In addition to the notable 22-carat pink gold oscillating weight, much care and attention were put into the making of this movement, as proven by the Côtes de Genève décor, polished angles, vertical satin brushing, and so much more.

The ceaseless evolution and innovation of the Code 11.59 by Audemars Piguet continues to bring unparalleled joy and excitement to watch collectors all over the world. With the release of the 38 mm models, the Manufacture provides inclusivity to high horology without compromising its topnotch quality. Complications remain at the heart of Audemars Piguet’s DNA and the collective history of the Vallée de Joux. Since its inception in 1875, the Manufacture has specialised in perpetual calendars, chronographs, and chiming watches—feats of horological mastery that honour the past yet also embrace the future.

The watch dial is decorated with concentric circles reminiscent of ripples on water

The Code 11.59 by Audemars Piguet Selfwinding with a silver dial is fitted with a brown calfskin strap

FLORAL EXPRESSION

IN FRANCK MULLER’S GARDEN, ROSES BLOOM TO TELL TIME AND HOLD THE MACHINE TOGETHER

Since its founding in 1992, the House of Franck Muller has occupied an exalted place within haute horlogerie, particularly for its fearless reinvention of what a timepiece can express.

Known as a brand of record-breaking world premieres, Franck Muller has given horology the tri-axial tourbillon—the world’s first tourbillon with three rotating axes—as well as the Aeternitas Mega, the most complicated self-winding wristwatch ever created. With these innovations, Franck Muller has long

proven that complexity need not sacrifice poetry. More than 50 world premieres and patents later, the Maison continues to dazzle connoisseurs and celebrities alike, because it understands a truth that transcends mechanics: time cannot diminish beauty.

That belief blooms anew in the Franck Muller Vanguard Rose Skeleton. According to this collection, beauty is not a surface treatment. It is structural, skeletal, and alive. Driving this floral spectacle is the exclusive in-house FM 1540-VS15 calibre, a manually wound skeleton

The Vanguard Rose Skeleton in white gold with diamonds and pink leather strap

By Allestisan Citra Derosa

Franck Muller presents the Vanguard Rose Skeleton, a beautiful openworked timepiece in full bloom

movement comprising 166 components, with a generous four-day power reserve. Its balance wheel oscillates at 21,600 vibrations per hour, driven by twin barrels.

Yet precision tells only half the story. The calibre’s true magic is its visual philosophy. Skeletonised to the extreme, the movement reveals nearly every inner working, and within that revelation, something miraculous occurs: a rose growing out of a machine.

Across the openworked dial and continuing through the case back, roses and leaves appear to unfold organically, as if nature had claimed the mechanism for itself. These are not simple decorations. Each petal is meticulously hand-painted in enamel varnish by a master craftsman, and more remarkably, these delicate forms serve as bridges and plates, integral to the movement’s architecture.

What appears soft is actually holding everything together. Franck Muller executes its signature inversion: delicacy as strength, bloom as backbone.

Light itself becomes the final artisan, thanks to traditional finishing techniques: satin brushing, circular graining, hand-chamfering,

mirror polishing on the regulator assembly, and diamond polishing on the sinks. Every surface has been treated to catch lustre and deepen the gaze.

Encasing this mechanical garden is the Vanguard silhouette—modern, refined, and hand-set with 313 brilliant-cut diamonds (3.14 carats) in rose or white gold. A further 78 brilliant-cut diamonds trace the skeleton dial, while the buckle alone carries 12 more diamonds. Despite this brilliance, the watch retains a slim profile, curved case back, and integrated alligator strap with a rubber underside, ensuring a fit that is as snug as it is elegant.

The Vanguard Rose Skeleton speaks to a wearer of no faint heart. This is a timepiece for fashion-forward individuals who are comfortable with diamonds as part of their daily identity. They approach luxury not as a code to follow, but as a language to shape.

In a world where time passes, Franck Muller reminds us that beauty, given the right conditions, can be held, shaped, and made to last. Here, within the measured cadence of haute horlogerie, the rose does not fade. It blooms in time.

The watch case back offers an equally attractive view of the exclusive in-house FM 1540-VS15 calibre that powers the model

The Vanguard Rose Skeleton in rose gold with diamonds and red leather strap

EXCEPTIONAL ENGINEERING

IWC SCHAFFHAUSEN REDEFINES PERPETUAL CALENDARS THROUGH INNOVATION, MATERIALS, AND MECHANICAL MASTERY

This year, IWC Schaffhausen places innovation at the very core of one of horology’s most revered complications: the perpetual calendar. Rather than simply refining tradition, the manufacture rethinks how such complexity should function in a contemporary context, prioritising usability, durability, and material advancement. The result is a focused yet powerful trio of novelties that demonstrate how mechanical

sophistication can evolve without losing its emotional and technical integrity.

At the heart of this evolution is the Perpetual Calendar IWC-ProSet®, a system that introduces a fully synchronised, gear-based architecture. Departing from traditional correctors and multi-step adjustments, the IWC-ProSet® mechanism allows the wearer to move the calendar both forward and

The Big Pilot’s Watch Perpetual Calendar ProSet (IW329602) with a dark olive green dial and matching olive green buffalo leather strap

By Anastasia W. Wibowo

Big Pilot’s Watch Perpetual Calendar ProSet Le Petit Prince (IW329601) in stainless steel with a deep blue dial

backward using a single crown position in an unprecedented level of convenience showcased in mechanical watchmaking.

Powered by the in-house calibre 82665, operating at a frequency of 28,800 vph (4 Hz) with a 60-hour power reserve and 10-metre water resistance, the movement integrates a Pellaton winding system reinforced with ceramic components for enhanced durability. The perpetual calendar displays the date, day, month, and four-digit year, alongside IWC’s signature Double Moon™ phase indicator, accurate to within one day over more than a millennium.

This innovation is presented across three versions of the Big Pilot’s Watch. The white ceramic and stainless steel model, as well as the one in full stainless steel, maintain the signature deep blue aesthetic associated with “Le Petit Prince,” while the 18-carat 5N gold case and crown version (IW329602) introduces a striking dark olive green dial for the first time.

Material innovation reaches new heights with the Big Pilot’s Watch Perpetual Calendar Ceralume®, a limited edition of 250 pieces that pushes the boundaries of luminous technology. Developed by IWC’s experimental division XPL, Ceralume® is a proprietary ceramic compound infused with Super-LumiNova® pigments, allowing the entire case, dial, and strap to absorb light energy and re-emit it as a vivid blue glow for more than 24 hours.

Beneath this striking exterior lies the calibre 52616, a high-end automatic movement operating at 4 Hz with an impressive sevenday (168-hour) power reserve. The movement incorporates a Pellaton winding system with ceramic components for enhanced durability, as well as a perpetual calendar displaying date, day, month, four-digit year, and IWC’s Double Moon® phase indicator, which deviates by just one day even after five centuries. The watch transforms seamlessly from day to night. By day, the watch presents a monochromatic interplay of matt and polished surfaces; by night, it changes form and transforms into a fully luminous instrument.

IWC also launches a new model that combines titanium with the crown-controlled perpetual calendar from Kurt Klaus. The Ingenieur Perpetual Calendar 41 (IW344904) combines the Gérald Genta-derived integrated bracelet design with an execution in titanium for the first time. It features a grade 5 titanium case measuring 41 millimetres in diameter and

Limited to 250 pieces, the Big Pilot’s Watch Perpetual Calendar Ceralume® (IW505801) features a 46.5 mm case made of luminous white ceramic

an integrated titanium bracelet. The bracelet is attached to the case via its middle links, offering excellent ergonomics. As titanium is about 45 percent lighter than steel, the watch feels very comfortable on the wrist.

Inside the titanium case, the IWCmanufactured 82600 calibre is at work. This high-end automatic movement features a Pellaton winding system, which uses movements of the oscillating mass in both directions to wind the watch. Equipped with a 60-hour power reserve, the movement drives the perpetual calendar, which will recognise the different lengths of the months, including leap years. Developed in the early 1980s by IWC’s former head watchmaker, Kurt Klaus, the perpetual calendar is mechanically programmed to account for many of the Gregorian calendar’s irregularities.

Together, these novelties signal a clear direction for IWC Schaffhausen. Rather than treating complications as static achievements, the manufacture approaches them as evolving systems, ones that must adapt to modern expectations of usability, resilience, and design. In doing so, IWC not only advances the perpetual calendar as a mechanical feat, but redefines it as a dynamic, intuitive companion for contemporary life.

Ingenieur Perpetual Calendar 41 (IW344904) powered by the IWC-manufactured 82600 calibre

ENRICHED GENERATION

LONGINES INTRODUCES THE NEWLY REDESIGNED HYDROCONQUEST COLLECTION, MARRYING DEEP SWISS HERITAGE WITH IMPROVED PERFORMANCE

Established in 1832 in Saint-Imier, Swiss watchmaker Longines has long balanced precision, sport, and elegance with quiet authority. From pioneering timing instruments in global sports to crafting refined everyday timepieces, the brand’s philosophy has always rested on continuity rather than disruption. That same measured approach defines the newly redesigned HydroConquest collection—an evolution that respects its maritime roots while responding to the expectations of a modern, design-conscious wearer.

The brand’s Conquest line, first trademarked in 1954, pioneered the concept of the versatile everyday watch. More than 50 years later, Longines debuted the HydroConquest collection in 2007 to offer a robust sporting companion capable of venturing into demanding environments.

Nearly two decades later, the 2026 redesign refines every aspect of the watch without compromising its identity. The Maison has redesigned the HydroConquest to balance its proven performance with contemporary

Longines HydroConquest with a classic black dial

By Anastasia W. Wibowo

Longines presents the extensively redesigned HydroConquest collection

proportions, ensuring it transitions seamlessly from active pursuits to elegant occasions.

The new generation embraces bold refinement, available in versatile 39 mm and 42 mm stainless steel cases. Enthusiasts can select from four striking dial variations: polished lacquered finishes in classic black, vibrant green, and deep blue, alongside a distinctive frosted-blue sunray variant. These are framed by newly reworked, unidirectional rotating ceramic bezels in five attractive shades, including slate grey and luminous blue. A significant highlight is the newly introduced Milanese mesh bracelet, seen on three additional references. Featuring a full-brushed finish and tapered stainless steel mesh, this bracelet offers exceptional breathability and incorporates a microadjustment clasp for personalised comfort.

Catering to discerning collectors, Longines also unveils two exclusive references in 39 mm and 42 mm sizes, available exclusively through their Corporate Boutiques, Shop in Shops, and the Longines e-commerce platform. These models showcase a captivating frostedblue dial that provides a marine-inspired interpretation of water through its unique sunray texture. Paired with dark-blue ceramic bezels, they are secured by elegant stainless steel bracelets with micro-adjustable, doublefolding safety clasps. While visually distinct, these exclusive timepieces share the core collection’s robust technical excellence and sporty elegance.

Beneath the surface, every new HydroConquest model shares identical, stateof-the-art technical specifications. At the heart of these watches beats the exclusive Longines self-winding mechanical calibre L888.5. Outfitted with a silicon balance-spring, this movement delivers a power reserve of up to 72 hours and boasts magnetic resistance 10 times greater than ISO 764 standards.

The dials feature rhodium-plated hands and 11 applied indices, all treated with Super-LumiNova® for exceptional legibility,

complemented by a date aperture at 3 o’clock. Encased beneath sapphire crystal with multilayer anti-reflective coating, the timepieces feature screw-in crowns and screw-down case backs engraved with a planisphere, ensuring water resistance up to 30 bar (300 metres). Furthermore, both the H-link and Milanese bracelets feature double-folding safety clasps with a push-piece opening mechanism and micro-adjustment systems.

The spirit of this reinvented collection is perfectly embodied by celebrated actor

Longines Ambassador of Elegance, Henry Cavill, stars in the HydroConquest launch campaign

and producer Henry Cavill, who stars in the compelling launch campaign filmed on the dramatic volcanic shores of Tenerife in the Canary Islands, Spain. Renowned for his remarkably versatile cinematic roles, from “Superman” to his passionate work on the “Warhammer 40,000” adaptation, Cavill became Longines Ambassador of Elegance in 2024.

His sophistication, genuine warmth, and multifaceted dedication resonate deeply with the brand’s ethos of understated luxury and timeless poise. In the stunning campaign imagery, where the interplay of land and sea is punctuated by powerful horses symbolising grace, Cavill effortlessly mirrors the duality, freedom, and refined character at the very heart of the new HydroConquest.

All in all, the latest iterations of the HydroConquest reflect Longines’ broader philosophy that genuine innovation emerges from respecting heritage while embracing contemporary needs.

The new Longines HydroConquest also comes in versions with a Milanese mesh bracelet

Breitling presents the Navitimer B02 Chronograph 41 Cosmonaute Artemis II, a direct descendant of its historical Navitimer Cosmonaute timepiece

CELESTIAL EXPLORATION

BREITLING VOYAGES TO OUTER SPACE WITH THE NEW NAVITIMER B02 CHRONOGRAPH 41 COSMONAUTE ARTEMIS II WITH METEORITE DIAL

Of all the professions in existence, few are as unforgiving as astronautics, a field that Breitling boldly ventured into in 1962. The Swiss haute horologist’s decision to engage with space exploration has proven to be a long but rewarding journey. Now recognised as its forté, the Navitimer

Cosmonaute welcomes a groundbreaking addition in the form of the Navitimer B02

Chronograph 41 Cosmonaute Artemis II. The stunning timepiece, which made its debut in April 2026, captures the brand’s historical achievements and continued devotion to space explorations.

By Karina Saphiera Witjaksono

The Navitimer B02 Chronograph 41 Cosmonaute Artemis II is a limited edition of 450 pieces

Upon first glance, it becomes clear that the Navitimer B02 Chronograph 41 Cosmonaute Artemis II is no ordinary watch. Limited to 450 pieces, the direct descendant of the Navitimer Cosmonaute commemorates a remarkable feat in space exploration. With a dial that is made from galaxy-blue meteorite, a first for the Navitimer Cosmonaute collection, each timepiece bears a unique extraterrestrial pattern that cannot be found anywhere else. In the words of CEO Georges Kern, the design choice “reflects the same curiosity about the unknown,” akin to space exploration, a field that Breitling has dedicated itself to since 1962. This sense of curiosity pushes the watch beyond pure luxury, framing it instead as a reminder of the vast universe.

On 24 May 1962, the Navitimer Cosmonaute became the first Swiss watch to enter space. Commissioned by Mercury Seven astronaut Scott Carpenter, the groundbreaking

timepiece joined him in orbiting the Earth before once again landing at sea. Though the damage was irreversible due to saltwater exposure, the Navitimer Cosmonaute’s impact was everlasting and triggered Breitling’s long-lasting endeavours in space. After Scott Carpenter’s mission, the haute horologist’s novelties were worn by American astronaut John Glenn, Gemini 4 and Apollo 9 mission commander James McDivitt, France’s first woman in space Claudie André-Deshays, and more. This lineage of pioneering wearers reinforces the Navitimer Cosmonaute’s reputation as not merely a watch, but a trusted companion and useful tool in some of humanity’s most daring journeys.

The shared adoration for the Navitimer Cosmonaute stems from its unique functionalities that meet the high demands of space travel. The journey begins with the bidirectional bezel with circular slide rule,

The Navitimer B02 Chronograph 41 Cosmonaute Artemis II is the first of its kind to feature a galaxy-blue meteorite dial

Breitling advertisement from the 1964 Breitling Catalogue for the Navitimer and the Navitimer Cosmonaute

which acts as a compact flight computer that aids astronauts in making in-flight calculations. The stainless steel case, whose border is reminiscent of the 1962 Navitimer Cosmonaute, spans 41 mm in diameter. Though its durability is tried and tested in space, the new timepiece also has water resistance of up to 30 metres in depth. Such features highlight Breitling’s commitment to practicality, ensuring that the watch remains as functional as it is visually striking.

Distinguishing between day and night continues to be a critical aspect in the development of the Navitimer B02 Chronograph 41 Cosmonaute Artemis II. While day and night are easily distinguished on Earth based on sunlight, such distinction is less clear in space, where the sun appears to “set” every 90 minutes. As part of its appeal, the Cosmonaute’s 24-hour dial makes it easy for astronauts to tell the time that aligns with mission control. At the heart of the dial lies the iconic AOPA wings logo, with the wings spread

The Navitimer B02 Chronograph 41 Cosmonaute Artemis II pays tribute to the brand’s history in space

Seen from the case back is the Breitling Manufacture Calibre B02, which powers the watch to approximately 66 hours

The new Navitimer B02 Chronograph 41 Cosmonaute Artemis II is a testament to the brand’s dedication to space exploration

out above the three subdial chronographs. This edition also marks the first Cosmonaute to be adorned with the galaxy-blue meteorite dial, evoking a depth that mimics the endless cosmos. Its deep blue tone is contrasted by white hour indexes and markers, which glow brightly with luminescence in low-light conditions thanks to Super-LumiNova®.

The splendour of the 1962 Navitimer Cosmonaute remains intact in Breitling’s latest invention. While the original bore a stretch-style metal strap equipped with undeniable appeal, the 2026 reissue features a lavish alligator leather strap. The depth of its blue tone not only brings out the exotic texture, but also highlights the detailed white stitching, which leads directly to the stainless steel folding buckle. A quick unbuckling of the watch from one’s wrist instantly reveals the

open case back, which uncovers the secrets of the haute horologist’s exemplary technology: the Breitling Manufacture Calibre B02.

Assembled from 273 components and 39 jewels, the COSC-certified movement gives the watch a 66-hour power reserve. As the handwound movement oscillates at a frequency of 4 Hz, the Artemis II mission logo stays in place at the centre of the sapphire crystal, similar to the “Artemis II” and “One of 450” labels engraved onto the stainless steel case. This meticulous attention to both external design and internal mechanics is a testament of Breitling’s dedication to excellence, ensuring that every detail serves a purpose while contributing to the watch’s overall vision.

Breitling’s current impact is only made possible thanks to the seed that was planted

by watchmaking devotee, Leon Breitling. Established in 1884, the Swiss luxury watchmaker rapidly produced high quality timepieces that were appreciated by the masses, marking its 100,000 units a mere 26 years following its establishment. As the haute horologist’s reputation grew, Breitling tapped into a myriad of fields that required highly technical precision instruments, such as aviation, aquanautics and astronautics. In addition to the iconic Navitimer, the brand is also highly sought out for the Superocean, Chronomat, and Avenger collections. Apart from professionals in respective fields, Breitling’s timepieces have also won the hearts of the public and have been seen on the wrists of Charlize Theron, Leonardo DiCaprio, Erling Haaland, and other equally notable figures, thus signalling the brand’s continued relevance in a rapidly evolving industry.

The Panthère Kentia necklace in white gold features cabochon-cut Ceylon sapphires, including a 50.13 carat centrepiece, as well as emeralds, onyx and diamonds

MAJESTIC SPLENDOUR

CARTIER SHOWCASES ITS UNPARALLELED EXPERTISE IN STONE SELECTION AND JEWELLERY CRAFTSMANSHIP IN THE NEW LE CHŒUR DES PIERRES COLLECTION

For Cartier, jewellery creation begins not with a design or an idea, but with a stone. Scrutinised under the most demanding quality criteria, including measuring a unique and singular combination of purity of material, the elegance of cut, as well as precision of proportions, each Cartier stone is set apart by a certain je ne sais quoi that provides it a distinct personality and an irresistible charm.

From the shape, colour, history and symbolism, these characteristics serve as

the starting point from which the Maison’s designers and artisans draw inspiration. From admiring the bare stone, the designer is able to envision a jewellery piece, which will serve as a worthy platform to showcase the gemstone’s impeccable allure.

The process of turning the stone into the designer’s work of art is guided and enhanced by the savoir-faire of the Maison’s artisans, including stone experts, jewellers, lapidaries, gem-setters and polishers, who work in unison with one another to create the

By Maria Zarah Gregorio Viado

Specula ring in white gold with onyx and diamonds

perfect harmony. Slowly, the bare gemstone undergoes a transformation, one that allows it to become totally unfettered, to become a true study in majesty. That is what lies at the very heart of the Le Chœur des Pierres collection.

Comprised of necklaces, earrings, and rings, the collection encompasses a wide variety of vivid gemstones and dazzling diamonds. For the Olorra necklace, five intensely hued Colombian emeralds totalling 40.67 carats, are the star of the show, while custom-cut turquoise and lapis lazuli stones alternate with diamonds to form geometric pendants. Emeralds similarly adorn the Solenara necklace, as well as the Tutti Kanya, which is a choral creation that features an imposing 30.33-carat engraved emerald from Zambia. All around it, flowers, leaves and berries carved from rubies, sapphires and emeralds bloom in corollas. Meanwhile, the Tellura sparkles with 30 uniquely shaped diamonds, in an interplay of volumes with alternating pavé scrolls and openwork that creates an impression of continuous movement.

Completing the necklaces are two unique creations, one that pays tribute to the Maison’s muse, the panther, and the other celebrating its worthy companion, the tiger. For the Panthère Kentia, Cartier used a 50.13-carat cabochon-cut Ceylon sapphire as the centre stone, as well as smaller cabochons, juxtaposed with geometric lines throughout the necklace. On top of the centre stone, the regal panther reclines, balancing the tension between curves and graphic lines. Haryma,

on the other hand is a striking assembly of five exceptional imperial topazes weighing 28.04 carats, as well as garnets and white, yellow, and orange diamonds. With a staircase arrangement, the topazes create a dynamic effect, one in which the tiger seemingly moves silently and stealthily.

One distinct model—the Pyra—is a contemporary piece that derives inspiration from an early 20th century tiara. Mimicking raindrops falling from the sky and scattering through the wearer’s hair, it highlights 6.85 carats of orange diamonds and white diamonds. However, the piece is not onedimensional as it can also be a brooch or hair accessory. This comes as no surprise as versatility, after all, is an iconic feature of Cartier’s tradition of modular jewellery.

To wrap up the collection, the Maison also presents eight rings, showcasing eight stones whose brilliance, shape and colour have opened up new territories of craftsmanship and style. The Specula is a ring that can be worn in two different ways. Fitted with a pair of exceptional triangular diamonds totalling 6.44 carats, the modular structure has a bold concept of two rings making a whole. Similarly, another original interpretation of the classic Toi & Moi is the Kinkō, with its two gems—one green-blue, one green—that pay tribute to Louis Cartier’s signature combination dubbed ‘peacock motif,’ while the Amberis, with its 7.09 cognac-coloured diamond, upholds the beautiful radiance of coloured diamonds. Completing the design are brown diamond

cabochons separated by lines of square- and brilliant-cut white diamonds on the ring’s shank. This demonstration of high jewellerymaking can also be witnessed in the other rings of the collection.

A wonderful display of Cartier’s mastery of gemstones and its unparalleled savoir-faire, the Le Chœur des Pierres is truly a collection worth knowing and coveting.

Tutti Kanya necklace in platinum, with emeralds, sapphires, rubies, diamonds

Making of the Haryma necklace and the formidable tiger that adorns it

Tesselia ring in platinum with ruby and diamonds

LINGERING SENSATION

RENDERING COCKTAIL AS HIGH-ART JEWELLERY, PIAGET TRANSFORMS FIRST GLANCE INTO LASTING PLEASURE

Acocktail is remembered not for its first sip, but for what lingers after, the finish that settles long after the glass is set down. Across cultures, this idea of aftertaste defines the experience. In Japan, the precision of a highball lies in its clarity and restraint, leaving a clean, almost weightless impression. In Latin America, Caipirinha waltzes between sharpness and sweetness in a way that plays

a game of hide-and-seek on the palate. Even in Europe, where aperitifs such as the Aperol Spritz are designed to open the evening, it is their gentle bitterness that refuses to say goodbye.

Cocktail culture, in all its diversity, ultimately returns to the same principle: what remains is more important than what arrives. This notion

By Allestisan Citra Derosa

Piaget presents the refreshingly vibrant Cocktail collection

Piaget Cocktail Sparkling Yuzu Ring G34C1900, with a citrine centre stone, lemon slice shape set with engraved spessartite, carnelian beads in pink gold

of lingering sensation finds a parallel in the Piaget Cocktail collection, where jewellery is conceived as an ambrosial aftereffect.

Echoing the 19th century’s golden age of mixology, when drink-making became an art of balance and precision, the Maison cultivates jewellery as an exercise in disciplined harmony. This is achieved not for its initial flourish, but for the visceral sensory it leaves behind.

Presented as a suite of nine rings and two ear cuffs, the collection unfolds as a composition of colour, light, and movement. Gemstones are treated as ingredients of high art mixology. Yellow sapphires sharpen like citrus zest, mint-green tourmalines cool with a fresh clarity, while pink quartz softens into a delicate sweetness.

Much like early alchemists blending elixirs for preservation and healing, these contrasts are not meant to overwhelm. They are calibrated to unfold gradually—revealed not in an instant, but through gesture, proximity, and the quiet patience of transformation.

The rings, in particular, capture the idea of aftertaste. Worn alone, they offer a precise note of colour; stacked, they create a layered impression that shifts with every movement of the hand. Light catches on sculpted surfaces, then disappears, then returns. The effect is never static yet persistent, like a flavour that continues to develop long after it is first perceived.

The ear cuffs extend this experience, framing the face with quiet luminosity. No need to demand outright attention; they flirt with being admired in moments, in the turn of a head, in passing light, in conversation.

This idea of resonance is deeply rooted in the Maison’s history. Since its founding in 1874, Piaget has cultivated a distinctive vision of elegance, one that wonderfully embraces both discipline and creative freedom.

Under the influence of Yves Piaget, this vision expanded into a lifestyle defined by joy, boldness, and artistic exchange. From Capri to Saint-Tropez, the Piaget Society brought together a constellation of personalities who

shared an instinct for celebration, where jewellery was not simply worn, but lived in.

Today, Piaget continues to shape a vision of jewellery that is both refined and alive with character. The Cocktail collection carries this spirit forward. Its compositions are vibrant, yet controlled; expressive, yet precise. Each piece captures a fleeting sensation of freshness, sweetness, clarity, and holds it in form, transforming it into something enduring. Every element finds its place, and nothing is left unresolved. In the end, like the finest cocktails, these creations are defined by their presence. Not the first impression, but the lasting one.

Available in a suite of nine rings and two ear cuffs, the Cocktail collection is a sultry showcase of the Maison’s impeccable prowess in high jewellery making

Model wears the Piaget Cocktail Lychee Twist Ring G34C1700 with pink quartz centre stone and the Piaget Cocktail Violet On The Rocks Ring G34C1800 with amethyst centre stone, both in pink gold

Piaget Cocktail Basily Dream Ring G34C1300, with green tourmaline centre stone, lime zest shape set with tsavorite, round brilliants yellow sapphires, and yellow beryl in pink gold

JULIEN TORNARE Hublot Chief Executive Officer

MEANINGFUL FUSION

Since stepping into Hublot’s top role, Julien Tornare has brought with him the perspective of a seasoned watch executive shaped by leadership at traditionally purist maisons such as Vacheron Constantin and Zenith. Yet even with that deep industry background, he says he was positively surprised by the level of Hublot’s watchmaking expertise—an often overlooked strength beneath the distinguished brand’s more visible reputation for innovation, materials, and disruption.

Now, as CEO, Tornare’s mission is clear: to sharpen that perception by elevating awareness of Hublot’s serious horological credibility while preserving the creativity and boldness that define its DNA. In this conversation, he reveals how that vision will come to life through a multifaceted strategy. From leveraging Jung Kook’s appointment as Global Brand Ambassador to broaden desirability and cultural relevance, to a renewed focus on the heritage and founding story that underpin the maison, Tornare is

not simply shaping Hublot’s next chapter, but redefining how its full identity is understood.

During your first years at Hublot, what did you come to appreciate that you hadn’t fully realised before?

Hublot has always been known for innovation. We are particularly recognised for materials. When we talk about sapphire or ceramic, Hublot is one of the few brands that produces them fully in-house. You can visit our

By Erika

Tania Dessyandra

Jung Kook wearing the Big Bang Original Black Magic

manufacture and see how we grow sapphire, create vivid ceramics, and develop multicoloured ceramics ourselves. Many brands use these materials, but we make them.

At the same time, craftsmanship is equally important. Coming from houses like Vacheron Constantin and Zenith, brands often considered more purist, I was

positively surprised by the depth of Hublot’s watchmaking expertise. The reality is, we simply haven’t spoken enough about it. My role today is to create that balance. We need both innovation and horological legitimacy.

Innovation is part of Hublot’s DNA but innovation must constantly be fed. The moment you think you’ve done enough, other brands begin catching up. So we must continue pushing forward. This year, you’ll see many new product developments that clearly prove innovation at Hublot is a neverending story.

What made Jung Kook the right choice for Hublot’s next chapter?

At the end of the day, watches are about emotion and Hublot is a very emotional brand. For me, there are three major emotional drivers in life: sports, art, and music. Hublot

has always been strong in sports. Art has also been central to our collaborations. But I really wanted to reinforce our position in music.

This isn’t entirely new for us. We’ve worked with musicians before, from Depeche Mode to DJ Snake, but I wanted to make a powerful statement in the music world. We could have chosen an American or European artist, but I also wanted balance in terms of market and cultural direction. Asia, and especially South Korea, has become an extraordinary force. South Korea began regionally, then

expanded globally through K-pop culture. Jung Kook, and BTS more broadly, represent that worldwide impact.

Jung Kook himself was a natural fit. He has a powerful personality, extraordinary talent, and what I call a true fusion of abilities: singing, dancing, stage presence, expression. That aligns perfectly with Hublot’s own fusion of watchmaking, creativity, innovation, and emotional power. And importantly, he also wanted a brand that was expressive. He wasn’t going to choose a quiet, conservative maison.

Jung Kook posing with Hublot CEO, Julien Tornare, at the Hublot boutique in Seoul, South Korea

Big Bang Original Black Magic

He wanted something dynamic, so it was a very authentic match on both sides.

What was your personal impression of him before meeting in person?

I was incredibly impressed. At such a young age, he has already built an extraordinary career while mastering so many disciplines. That level of success doesn’t happen without immense dedication and hard work. I’m also fascinated by how he, and BTS as a whole, connect meaningfully across so many different cultures around the world.

What do you hope this partnership brings to Hublot globally?

Awareness, visibility, and above all: desirability. Desirability is the key word in luxury because luxury by definition is not about necessity. It’s about desire. But beyond visibility, authenticity matters most. I need to feel genuine engagement from both sides. Consumers immediately sense when something feels artificial. With Jung Kook and his team, the connection felt natural very quickly. That authenticity is what people will feel in this collaboration.

Case back of the Big Bang Original Black Magic, showcasing the MHUB1280 UNICO Manufacture Selfwinding Chronograph Flyback Movement with Column Wheel

The BTS lead singer and Hublot Global Brand Ambassador affixing his signature to his campaign poster

How do you believe Jung Kook will reshape the way new generations relate to luxury watchmaking?

What’s interesting is that Jung Kook doesn’t only speak to one generation. In Europe, we sometimes assume K-pop is primarily for younger audiences but his reach is far broader than that. He gives us access to a wide spectrum of people. Existing Hublot enthusiasts will appreciate the brand’s dynamism, while those unfamiliar with Hublot may discover us through him and begin to understand why this collaboration makes sense. For me, Jung Kook is someone actively shaping the future of music and performance, just as Hublot pushes the future of watchmaking. Both music and watchmaking can become too traditional if they stop evolving. What we share is the ambition to move things forward.

Is there potential for a future Jung Kook watch collaboration?

Potentially yes, but not immediately. With Jung Kook, the first step is emotional alignment with the brand. Right now, he is first and foremost Hublot’s global ambassador. Over time, we’ll see how deeply he connects with the watches. What he likes, what

resonates with him. Then perhaps something more product-focused could happen.

Which Hublot timepiece introduces Jung Kook as Global Brand Ambassador, and what made it the right starting point?

The Big Bang. When beginning this relationship, it was important to start with the essence of Hublot. That could have been Classic Fusion or Big Bang, but I chose the Big Bang because it represents the 21st century. More specifically, we chose the new Big Bang Original. It captures the soul of the original Big Bang launched by Jean-Claude Biver 21 years ago, while incorporating everything we’ve developed since, from the Unico movement to One Click. It is the perfect starting point.

And what can we expect from Hublot this year?

Today, Hublot is 46 years old. We are still young compared to centuries-old maisons, but that youth is also our advantage. It has allowed us to accumulate an incredible amount of innovation, energy, and cultural relevance in a relatively short time.

The year 2026 is about combining all of it: our watchmaking expertise, our disruptive creativity, our future, and now our roots. This year, for the first time, we will truly talk about Hublot’s origins. Why the brand was born, what Carlo Crocco envisioned, and how those foundations still shape us. That combination is what makes Hublot unique.

Big Bang Original King Gold Ceramic

Jung Kook wearing the Big Bang Original King Gold Ceramic

PATRICK AOUN Longines Chief Executive Officer

LEADING WITH ELEGANCE

As Longines continues to grow its presence around the world, Patrick Aoun, Chief Executive Officer of the Maison, speaks with a clear sense of what the brand stands for and where it is headed. Across collections such as the Master Collection, Spirit, and Ultra-Chron, Longines remains rooted in elegance, authenticity and timeless design, while continuing to evolve in ways that feel relevant today. In this conversation with The Time Place Magazine, he reflects

on the values that guide the brand, the role of innovation, and the kind of emotional connection Longines hopes to create with every new novelty.

How do you ensure value, credibility, and desirability grow together as the brand expands its reach?

We grow value, credibility and desirability by staying uncompromising on product excel-

lence and consistent in our positioning and customer experience. When these pillars move together, the brand strengthens naturally.

Looking across collections such as the Master line, Spirit, and Ultra-Chron, what do you see as the essential elements of Longines’ DNA that must always be protected, regardless of trends?

HydroConquest with frosted blue dial and Milanese mesh stainless steel bracelet

By Charlene Atalie

HydroConquest with vibrant green dial and stainless steel bracelet

We never chase trends: we interpret them in ways that stay true to our heritage and values. We focus on creating watches that are elegant, authentic, and timeless.

When you greenlight a new collection, what are the non-negotiables that must be present for you to give final approval?

It has to reflect our core values of elegance, tradition, and performance, while showcasing impeccable craftsmanship and quality. It should honour our heritage but also feel relevant today. And above all, it needs to create an emotional connection.

How do you decide which innovations should become core to the brand’s longterm identity, and which remain more niche expressions within the portfolio?

Innovation is meaningful only when it serves our identity. At Longines, technology is never an end in itself: it is a way to reinforce the ele-

gance, precision and ease of use that have defined the brand for nearly two centuries. Our role is to integrate innovation with intention: every technical advancement must enhance the wearer’s experience while staying true to our aesthetic codes. This is why we focus on innovations that bring real value, such as improved precision, greater reliability or enhanced comfort on the wrist. We work closely with specialised teams across the brand and the Swatch Group to explore advanced materials and anti-magnetic components, always to elevate our timepieces without compromising the timeless design language that makes them unmistakably Longines. In short, we innovate to stay relevant, but we do so in a way that strengthens our heritage rather than overshadowing it.

Looking at Longines’ 2026 novelties as a whole, what unifying idea or intent connects this year’s releases?

Elegance.

Which 2026 novelty best represents where Longines is heading over the next five to 10 years?

The new HydroConquest shows the direction we’re taking at Longines: reinforcing our leadership in our price segment while staying true to our identity and our slogan, “Elegance is an attitude.” For me, it’s about creating collections that are relevant and thoughtfully

Hydroconquest Corporate Boutique and E-commerce Exclusive in 39 mm stainless steel case, with frosted-blue sunray dial and dark blue bezel

Longines Ambassador of Elegance, Henry Cavill, wears the new Longines HydroConquest

designed, as well as maintaining the highest standards of quality. This collection captures that vision perfectly: timeless, elegant, and unmistakably Longines.

The Master Collection Year of the Horse brings together heritage, symbolism and modern watchmaking. What story did you want this piece to impart about Longines today, and where the brand is heading in 2026?

This model celebrates the Year of the Horse, but it’s also a tribute to Longines’ longstanding bond with the equestrian world, which spans more than 150 years. This watch reflects our heritage while showing Longines

as a brand that is galloping forward: dynamic, innovative, and full of energy. Our Ambassador of Elegance, Yosh Yu, embodies this spirit beautifully in our new campaign dedicated to this timepiece.

You collaborated with Peon Xu and the Peon Art Museum for the Year of the Horse. How do cultural collaborations shape Longines’ ability to be both local and global?

Collaborations like this help us remain both global and local at the same time. They allow us to celebrate local artistic heritage and cultural symbolism, while expressing the timeless elegance and technical expertise that define Longines everywhere in the world.

You’ve led growth in the Middle East, Southeast Asia and India. How is Indonesia different from its regional neighbours from a product and retail perspective?

Asia is key to Longines’ growth, and Indonesia is no exception, with strong demand for our watches. We, at Longines, are committed to providing an exceptional customer experience, reflecting the elegance and values of Longines at every touchpoint.

How do you balance targeting collectors and younger audiences who discover watches through influencers and social media platforms?

At Longines, we see collectors and younger audiences as overlapping groups: many young people today are watch collectors themselves. We focus on heritage, craftsmanship, and the timeless appeal of our watches, which speaks to both longtime enthusiasts and those discovering the brand. At the same time, social media, ambassadors and influencer collaborations help bring our watches to life in a modern, relatable way, highlighting style, versatility, and everyday wear. The goal is always to stay true to Longines’ elegance and authenticity, so every experience feels consistent.

Longines Master Collection: Year of the Horse Edition

Longines Ambassador of Elegance, Yosh Yu, wearing the Master Collection: Year of the Horse Edition

Beyond sales and market share, what other metrics will tell you, personally, that you are succeeding at Longines?

My priority is simple: to strengthen our position as a leader in our price segment while staying true to our identity and our slogan, “Elegance is an attitude.” This involves the introduction of strong collections, cutting-edge quality, close collaboration with our partners, and impeccable customer experience.

When you think about the future of Longines, what excites you most about the journey ahead?

It’s a real honour and responsibility to lead a brand with such a rich heritage. With nearly 200 years of history, Longines has a unique place in the world of watchmaking. What I enjoy most is finding the right balance between timeless elegance and thoughtful innovation, so our watches are perfectly suited to today’s wearer.

Case back of the Longines Master Collection: Year of the Horse Edition

Renowned modern Chinese painter Peon Xu’s celebrated painting, “Galloping Horse,” is featured in an engraving on the Longines Master Collection: Year of the Horse Edition

EILEEN GU

Eileen Gu is a Chinese-American freestyle skiing champion and global fashion model, celebrated for winning two gold medals and a silver at the Beijing 2022 Winter Olympics. Beyond sport, she has become a cultural force, appearing on major fashion covers and advocating youth empowerment. The Stanford University student, who is also a Brand Ambassador of IWC Schaffhausen, was seen wearing the Portofino Automatic 34 Day & Night Le Petit Prince (IW459806) at Watches and Wonders 2026.

By Anastasia W. Wibowo

Academy-Award winning actor Rami Malek, lauded for his portrayal of Queen lead singer Freddie Mercury in the movie “Bohemian Rhapsody,” rose to fame following the successful run of the TV series, “Mr. Robot.” The debonair actor was recently seen at the 2026 MET Gala wearing a giant faux fur collar from Saint Laurent and a stunning Cartier Crash timepiece in platinum.

Esther Abrami is a French violinist and composer redefining classical music for a new generation through digital platforms, amassing thousands of followers worldwide. Her albums, including “Cinéma” (2003) and “Women” (2025) have topped classical charts, blending storytelling with technical brilliance. A Zenith Friend of the Brand, she wears the DEFY Skyline 36.

With her breakout role in the hit romantic drama “GAP: The Series” (2022), Thai actress, singer and model Freen Sarocha quickly became one of Thailand’s most influential stars. She displays acting versatility in her recent film, “Uranus2324” (2024). Known for her captivating on-screen presence and elegant fashion sense, she wears the Piaget Sixtie in 18-carat rose gold, accented with Possession hoop earrings and bracelets.

Jackson Yee has seamlessly transitioned into one of China’s most critically acclaimed cinematic talents. His brilliant, award-winning performances in blockbuster hits like “Better Days” (2019), “The Battle at Lake Changjin” (2021), and “Full River Red” (2023) have repeatedly dominated the global box office. Jackson sports the Jaeger-LeCoultre Reverso Tribute Chronograph.

RAMI MALEK – CARTIER

ESTHER ABRAMI – ZENITH

JACKSON YEE – JAEGER-LECOULTRE

FREEN SAROCHA – PIAGET

Side by Side

SEAN GELAEL AND HANA MALASAN STAY GROUNDED IN WHAT FEELS SIMPLE AND FAMILIAR. ACROSS CITIES, SETS, AND CIRCUITS, THEIR SENSE OF LOVE, SUPPORT, AND RELIABILITY CARRIES THROUGH, WITH TAG HEUER WATCHES ON THEIR WRISTS AS PART OF THEIR EVERYDAY LIFE.

On Hana

TAG Heuer Carrera Date Automatic, 29 mm, Steel

Some relationships are not built on likeness so much as on calibration. Sean Gelael and Hana Malasan seem to exist in that space. As a racing driver, Sean operates with split-second decisions. Hana, as an actress, works more reflectively, more intuitively, attuned to when the mind needs to ease off the throttle. What makes them compelling is not just that they are different, but that those differences seem to sharpen, rather than cancel, each other out.

For Sean, racing is not just the spectacle people imagine from the outside. It is also the private work beneath it, the part that asks for control when everything around him is running hot. He describes sports car racing as “super high pace,” and in endurance racing especially, he says you have to “switch on and switch off early.”

The rhythm of it, knowing when to push, when to hold back, sits at the centre of how he sees the sport. Not only speed, but restraint. Not giving everything away too soon.

He speaks about the future without distance. “I’m fortunate to be in a position where I’m racing in sports cars, in the World Endurance Championship and GT World Challenge, alongside major manufacturers,” he says. He has already completed the 24 Hours of Le Mans and finished second in the world championship twice, so the next step is quite obvious to him: “Of course, the goal is to win,” he adds, with his sights set on Hypercar and the highest level of the World Endurance Championship.

Hana, best known for “The Shadow Strays” (2024), “Ben & Jody” (2022), and “Susuk” (2008), speaks about acting less like a ladder to climb and more like a place she keeps returning to. There are slower seasons, stretches where the pace shifts, but she always seems to come back to the same centre.

“I love this industry, I love acting, I love movies, I love making movies.” At this stage, Hana is thinking more intentionally about where her work can go. An upcoming production developed across Malaysia and Hong Kong, and involving actors from across the region and the UK, reflects that direction. At the same time, her range in Indonesia continues to expand, with more room to explore comedy and drama.

“Acting is not just about career, it is more like a spiritual journey for me,” she says. “Characters become a way to study empathy, to research, observe, and stretch beyond the limits of my own experiences.”

The support between them becomes most vivid in the small gestures. Sean says Hana helps him slow down when he gets too caught up in his own pace. Hana says he steadies her when she starts doubting herself, especially in the moments when nerves get in the way of confidence. He notices when she is carrying too much. She notices when he needs a small pause or a reset.

It shows up most clearly in the things they remember. Sean says, “Hana listens without trying to lecture me. It matters so much because I am not naturally someone who opens up easily.” Hana recalls something just as telling. “Never once did he miss, over the years, sending flowers before my movie premieres or the first day of shoots. It’s the way he remembers important moments even when he is far away. Even when my mother passed away, Sean was an anchor, not only for me, but for the people I love. I was certain that he was the one.”

Sean dropped down on one knee and proposed to Hana in late October 2025 on the beautiful island of Sumba. The scene may read like one already composed in memory: beach, picnic, sunset, but the story behind it is more

intimate than that. The first trip ended abruptly after Hana’s mother passed away, leaving the moment suspended for later.

They returned for a second trip, just the two of them by the beach, with a quiet picnic, and a little rain that later made way for a rainbow to appear. The ring, secretly hidden inside a coconut, carried memories from an earlier trip that made the moment feel specific to them, not just romantic in the abstract.

Style comes up almost in passing. Sean describes his daily watch as sporty, easy to wear, something that is simply there when he needs it; for formal occasions, he leans toward something more classic. Hana’s answer is even more distilled.

“Simple, classy,” she says. “The beauty is in simplicity. Extravagant styles come and go, but classic style is always there. It’s timeless.” Their TAG Heuer watches fall within that preference, sportier in his case, clean and refined in hers.

What lingers in the end is not the idea that Sean and Hana’s lives are extraordinary, but because the two are so extraordinarily themselves that they seem to understand something rather rare: that a meaningful life does not have to be loud to be vivid. Sean talks about life like “snakes and ladders,” a board game that is never flat, just as life is never permanently upward (or downward).

Hana talks about staying close to the work she loves and remembering why she began. Between them, there is a shared faith in the small, repeated acts that make a relationship feel real.

Rather than projecting a grand romance or a polished image, Sean Gelael and Hana Malasan remain what they are at the core, just two humans in love, steadily learning how to keep their footing, and each other, in a life that keeps shifting.

By Charlene Atalie

On Hana

TAG Heuer Aquaracer

Professional 200 Solargraph

Solar Quartz, 34 mm, Steel

On Sean TAG Heuer Monaco Chronograph Stopwatch

39 mm, Titanium coated with black DLC

Chronograph

Automatic,

On Sean

TAG Heuer Monaco

39 mm, Titanium coated with black DLC

On Hana

TAG Heuer Carrera Date

Automatic, 36 mm, Steel

Creative Director:

Erika Tania D. Photographer:

Zaky Akbar

Fashion Stylist: Sidky Muhamadsyah

Makeup Artist: Ranggi Pratiwi

Hair Stylist: Muhammad Farhan Nabil

MASTERS OF THE AIR

THE BREITLING NAVITIMER GOES FROM UTILITARIAN AVIATION TOOL TO HIGH-COMPLICATION STATEMENT TIMEPIECE IN 2026

Since its founding in 1884, Breitling has built its reputation at the intersection of precision timing and aviation. Long before flight became routine, the brand was already developing aviation instruments. By pioneering the modern chronograph and later developing instruments tailored for pilots, Breitling became synonymous with the golden age of aviation, where functionality and innovation were inseparable.

At the heart of this legacy lies the Navitimer, which was born from professional demand in 1952, when it was designed for the Aircraft Owners and Pilots Association (AOPA). By uniting a chronograph with a patented circular slide rule, Breitling created the first wristwatch flight computer, allowing aviators to perform crucial onboard calculations. What began as a highly practical cockpit instrument soon proved itself across every altitude.

By Anastasia

W. Wibowo

The case back of the timepiece shows its numbered, limited edition status

The Breitling Navitimer B01 Chronograph 43 Tribute to Concorde marks the 50th anniversary of the legendary aircraft’s first flight

Over the decades, the Navitimer transcended its utilitarian roots, becoming a cultural icon worn by astronauts, racing drivers, and artists alike, while retaining its unmistakable design language. The densely detailed dial, the beaded bezel, and the ever-present slide rule have endured, giving the Navitimer a rare continuity in an industry often driven by reinvention.

In 2026, the brand continues to elevate its rich history. Through the “Navitimer Stories” campaign, these chapters are brought to light across aviation, lifestyle, and technical savoirfaire, showing why the timepiece remains relevant to the present day. The latest releases represent a masterful evolution, blending over 70 years of heritage with modern innovation.

That delicate balance between heritage and evolution defines the collection today. This year, Breitling presents two new interpretations that illustrate just how far the Navitimer has come, without ever losing sight of where it began.

NAVITIMER B01 CHRONOGRAPH 43 TRIBUTE TO CONCORDE

The Navitimer B01 Chronograph 43 Tribute to Concorde marks the 50th anniversary of the legendary aircraft’s first flight. It is, at its core, a story about speed, ambition, and a moment in time when the impossible briefly became reality. The Concorde, capable of crossing the Atlantic at twice the speed of sound and cruising at 60,000 feet, was more than an aircraft; it was a vision of the future. Breitling channels that vision into a limited edition that feels both nostalgic and strikingly contemporary.

The watch immediately distinguishes itself through its dial. A deep, saturated blue evokes the stratosphere as seen from the Concorde’s cruising altitude, while crisp white subdials and slide rule elements subtly reference the aircraft’s nickname, the “White Bird.” Limited to 593 pieces—a nod to the Concorde’s Olympus 593 turbojet engines— it carries its narrative not only in design, but in symbolism.

The watch has a blue dial and bears iconic Navitimer elements, including the slide rule

The Breitling Navitimer B01 Chronograph 43 Tribute to Concorde is powered by the Breitling Manufacture Calibre B01

REBORN

The

B19 Chronograph 43 Perpetual Calendar comes in two versions. This blue option is a limited edition of 75 pieces

Navitimer

NAVITIMER B19 CHRONOGRAPH 43 PERPETUAL CALENDAR

Soaring alongside the Concorde, the Navitimer B19 Chronograph 43 Perpetual Calendar looks decisively forward. It represents a significant shift in the collection’s trajectory, introducing a level of mechanical complexity never before seen in a core Navitimer model.

At the heart of this evolution is the Manufacture Calibre B19, a movement that combines a chronograph with a perpetual calendar—one capable of automatically adjusting for leap years and varying month lengths, and requiring minimal correction for a century. With a 96-hour power reserve and a construction comprising 374 components, it stands as Breitling’s most advanced calibre to date. Technically, the Navitimer B19 has set a new benchmark for Breitling, a feat that earned it a 2025 Temporis Award.

Yet, despite its technical sophistication, the B19 retains a sense of visual harmony. The moonphase display at 12 o’clock introduces a quiet, almost poetic dimension, linking the watch not only to aviation, but to the broader cosmos. It is a reminder that the Navitimer, while born in the cockpit, has always been about exploration in its widest sense.

“At Breitling, we have always pushed limits, not only through our iconic designs, but also

Beneath this poetic exterior lies the proven Breitling Manufacture Calibre B01. This selfwinding chronograph movement, equipped with a column wheel and vertical clutch, delivers both precision and reliability, with a 70-hour power reserve. COSC-certified, its smooth chronograph engagement reflects decades of refinement.

The 43 mm stainless steel case is paired with a platinum bidirectional bezel, integrating the iconic slide rule that defines the Navitimer. Water resistance is rated to 30 metres, and the watch is finished with a blue alligator leather strap secured by a stainless steel folding clasp. It is, ultimately, a watch that looks backward with admiration while standing firmly in the present; a tribute not only to Concorde, but to an era of fearless innovation.

Georges Kern, the affable CEO of Breitling, says, “Flying with the Concorde was like nothing else. Today, travel is a necessary step to reach a destination, but a Concorde flight was an experience in itself. It’s only natural that we pay homage to the 50th anniversary of its first flight with our iconic Navitimer.”

The two Navitimer B19 Chronograph 43 Perpetual Calendar watches are powered by the Manufacture Calibre B19

Crafted in platinum, the blue Navitimer B19 Chronograph 43 Perpetual Calendar is inspired by the sky

The watches come with either an alligator strap or a seven-row steel bracelet

by engineering exceptional movements that power our watches.” says Kern, “The Navitimer B19 delivers on both sides.”

The two references further emphasise this duality of earth and sky. The first, a 75-piece limited edition, is rendered entirely in platinum and features a deep blue dial inspired by the thinning atmosphere at high altitude, a rich, luminous tone that seems to capture the edge of space itself. The other, combining stainless steel with a platinum bezel, adopts an anthracite dial that feels darker, more introspective, evoking the vastness beyond the Earth.

Both share a 43 mm case, a bidirectional slide-rule bezel, and a refined dial architecture with raised subdials that add depth and dimension. The choice of straps— from alligator leather to a seven-row steel bracelet—further allows each version to express a slightly different personality, while remaining unmistakably Navitimer.

What makes these two new releases particularly compelling is the way they mirror the broader evolution of the collection itself.

The Navitimer B19 Chronograph 43 Perpetual Calendar in stainless steel features an anthracite dial that evokes the stillness of space

The Tribute to Concorde stays close to the Navitimer’s origins as a pilot’s chronograph: functional, legible, and deeply rooted in aviation history. Meanwhile, the B19 elevates the Navitimer into the realm of high complication, demonstrating that the collection is capable of far more than its original purpose.

Despite their differences, they are united by a common thread. Both watches respect

the Navitimer’s identity, preserving its most recognisable elements while pushing its boundaries in new directions. They do not attempt to redefine the icon, but rather to expand it.

In these latest creations, the Breitling Navitimer proves that true icons do not stand still. They adapt, they improve, and they reach ever higher, much like the very aircraft that inspired them in the first place.

#TIMEFASHION

NEW YORK CALLING

CHANEL HITS THE SUBWAY WITH A BIG APPLE FANTASY WHERE COUTURE MEETS STREET ALONG THE DOWNTOWN LINE

What’s the first thing that springs to mind when one hears New York?

A concrete jungle, a melting pot, the city that never sleeps, you name it. New York is, undeniably, a state of mind. Building on this notion, Matthieu Blazy, whose debut collection for CHANEL still lingers in the collective imagination, has catalysed an entirely new universe anchored in the city’s urban sophistication. Enter CHANEL’s New

York Minute, as embodied in the Métiers d’art 2026 collection.

It is a vision, however, that does not exist in isolation. No CHANEL show unfolds without a nod to Gabrielle “Coco” Chanel. In 1931, while en route to Los Angeles at the invitation of studio executive Samuel Goldwyn, she made a detour through New York, where she found pleasure in seeing her designs echoed on

the streets, albeit in non-original forms. She embraced it as flattery, finding validation in the authenticity her work inspired rather than in Hollywood’s elite.

It is this very spirit that sparked Blazy’s imagination, culminating in a rich display of artisanal craftsmanship. After all, the Métiers d’art concept was established by Karl Lagerfeld during his tenure at the house to pay homage to the savoir-faire behind CHANEL’s creations. The newly appointed Artistic Director reinvigorates this legacy with an audacious edge, signalling a shift within a maison long defined by its visual consistency.

Staying true to the concept, the Métiers d’art 2026 show was staged at the abandoned Bowery subway station. Even before the show began, the entire universe was infused with quintessential New York elements. From the crossword puzzle invitation, to an animated teaser of Coco Chanel walking her dog across the city’s landmarks, and a video featuring house ambassadors Margaret Qualley and A$AP Rocky shot around New York.

By Arinta Wirasto

CHANEL takes on the New York subway to present its Métiers d’art 2026 collection

The allure continued on the platform— turned runway—as guests ooh-ed and aahed over Blazy’s celebration of New York eclecticism. Models paraded down the station in everything from an I ♥ New York tee to a double-C Superman emblem peeking from a partially opened shirt (a playful Clark Kent reference), a Graffiti tweed coat, a (big) apple minaudière, and a beaded skirt whose cut-outs reveal the silhouette of the New York City skyline.

Equally noteworthy are references to New York as an urban jungle. A zebra-patterned suit? Check. A shift dress with a leopard motif? Check. Another leopard print, in an Art Decoinspired silhouette? Check. A crocodile leather coat? Check. A squirrel flap bag, complete with the fur tail? Check. Another flap with a gilded giraffe? Also check. Each is whimsical without appearing juvenile.

At its core lies a compelling paradox, bridging the rarefied world of haute couture and a spirit that feels inherently accessible. One might recall Karl Lagerfeld’s Vive La CHANEL or his supermarket show, in all their witty glory. At first glance, the collection appears paredback, yet it is anything but.

Look closer, and the intricacies reveal themselves: in fabrics manipulated to deceive (such as a denim-look ensemble crafted entirely from silk), in an Art Decoinspired piece adorned with fringed feathers that move with effortless ease, in an orange shift dress with frayed trims rendered into paillettes that echo CHANEL’s iconic tweed, and the list goes on.

It was all made possible by the artisans of le19M, the maison’s state-of-the-art atelier,

where timeless savoir-faire is preserved for the future whilst weaving innovation throughout. A glimpse inside the distinguished workshops shows Lesage, celebrated for its mastery in embroidery and tweed, Lemarié, renowned for feathers and the beloved Camellia flowers, Maison Michel, responsible for exquisite millinery, Atelier Montex, specialising in innovative embroidery, Goossens, which brings CHANEL’s iconic jewellery to life through goldsmithing, and Massaro, famed for the iconic two-tone slingback.

This spirit carried through seamlessly into the show setting. Models cascaded down the subway stairs, paused at payphones, and moved to and from the MTA trains, before crossing paths in a finale that echoed the hustle and bustle of rush hour in the city that never sleeps. It was a multisensory delight from beginning to end, enough to pledge allegiance to CHANEL. Ultimately, the collection spoke to a woman who values luxury not only for its refinement, but for how effortlessly it can be lived in.

PRESERVING TENSION

VALENTINO STAGED THE ART OF SUSTAINING CONTRADICTION AT PALAZZO BARBERINI

What if elegance is not about perfection, but about tension? What if it’s about the precise moment when discipline and excess, clarity and distortion, coexist without compromise?

For Fall/Winter 2026-27, Valentino presents Interferenze—a collection born from this very friction.

This season’s narrative extends from earlier this year, when Valentino introduced Fireflies, a campaign rooted in a poetic vision by Pier Paolo Pasolini. It frames falling not as failure, but as a shared condition, captured in suspended moments of imbalance. Here, elegance lies not in control, but in the willingness to be held.

If Fireflies captures the emotional and poetic state of instability, as it is fleeting, luminous, and relational, Interferenze gives it form, translating that same condition into structure, material, and movement.

To stage this progression, creative director Alessandro Michele chose a setting that embodies dramatic duality: Rome’s 17thcentury Palazzo Barberini. The palace’s rigorous architecture, which can be described as measured, symmetrical, and composed, finds itself in dialogue with the sweeping ceiling fresco by Pietro da Cortona, where painted skies dissolve the room’s boundaries.

This duality extends into the architectural masterplan of Gian Lorenzo Bernini and Francesco Borromini. The experience is choreographed through their contrasting sensibilities, one grounded in balance and clarity, the other in curvature and disorientation. Movement through the palace is at once guided and unsettled, reinforcing the idea that structure and instability are not

By Allestisan Citra Derosa

Alessandro Michele uses friction as an impetus in Valentino’s Fall/Winter 2026/27 collection

opposites to be reconciled, but conditions that hold together.

For Alessandro Michele, Interferenze operates not simply as a concept, but as a creative

method. As expressed in the show notes, fashion can be understood as a site where clashing forces inhabit the body, where clothing does more than adorn, instead shaping an ongoing exchange between discipline and desire, between collective expectation and personal expression, between belonging and excess. The garment becomes an active agent, structuring this tension rather than smoothing it out.

This philosophy unfolds throughout the collection. Tailoring establishes a sense of control, yet rarely remains untouched. A sharply defined silhouette softens as fabric shifts and drapes; a composed line is interrupted by a fold, a transparency, or a subtle asymmetry. References to the 1980s, think bold shoulders and assertive stance, are present, but recalibrated.

Throughout the 84 looks, including a significant menswear offering, garments exist in a state of negotiation. Pleats open surfaces and introduce movement, while lightweight fabrics blur the rigidity of form. Sheer voile trousers meet sculptural leather, chiffon

glides against tailored lines, and details, often in unexpected ways, and interrupt the logic of construction. Nothing remains entirely fixed; each piece seems to adjust, as if responding to the body in real time.

Colour further intensifies this interplay. Valentino red appears with intention, set against softer tones such as powdery lilacs, pale greens, and grounded neutrals. Some combinations resist traditional harmony, yet achieve a subtle equilibrium through contrast. The effect is not seamless, but alive; colour functioning as another point of tension within the composition.

Accessories continue this architectural thinking. Rockstud bags return with a refined presence, their geometric precision echoing the visual language of Rome. Caged pumps, sculptural jewellery, and visor-like eyewear extend the silhouette, transforming the body into a constructed space—something both defined and destabilised.

Presented in Rome before an audience of 700 guests, the show carries emotional weight. It marks a return to the house’s origins, while gracefully acknowledging its legendary founder, Valentino Garavani.

In Michele’s hands, the house’s heritage is neither preserved intact nor discarded; it is activated, placed in conversation with new gestures and ideas. From Fireflies to Interferenze, Valentino shows that heritage, when treated as a living conversation rather than a monument, can be a source of continuous evolution rather than repetition.

Earlier this year, Valentino presented the Fireflies advertising campaign

Valentino Creative Director Alessandro Michele

and

BESPOKE FLUENCY

BERLUTI PRESENTS A CINEMATIC JOURNEY OF CRAFT FEATURING LEE JUN HO AS ITS DEVOTED PROTÉGÉ

If you could wander the dolce vita corridors of Italy, where the love for fashion is in the air, what would you bring?

The instinct is to name something tangible. A leather journal. A tailored jacket. The perfect pair of Oxfords. But for a house of elegance

like Berluti, the most essential luggage is not a thing at all. It is a kind of knowledge.

A set of gestures, passed from hand to hand, city to city, decade to decade. Knowledge lives in the way it floats in the light of a Venetian canal at sunset. Today, it is being carried

By Allestisan Citra Derosa

Berluti brand ambassador, Lee Jun Ho, stars in a film series entitled, “A Journey in Craft,” highlighting the Maison’s unparalleled heritage

craftsmanship

Lee Jun Ho discovers the secrets behind the legendary Alessandro Oxford

forward by a new traveller, Lee Jun Ho, across a film series entitled, “A Journey in Craft.”

The first episode features Ferrara, inviting us for a good look inside what Berluti calls Manifattura. Inside is the Maison’s temple of savoir-faire, where Berluti treats craft as a living language and speaks it with brilliant articulation and immense intent. Guided by this ethos, over 300 highly skilled artisans

Born in Paris, yet the Maison’s production heart beats in Italy. Most luxury houses treat this as a logistical footnote or, worse, a source of identity confusion. Berluti does the opposite. It elevates the Italian-French connection into an artistic thesis.

Venice, after all, gave its name to Berluti’s signature Venezia leather, a supple, full-grain calf leather whose unique patina develops

transform creative vision into reality every day. This sanctuary of skills allows Lee Jun Ho to step into the character he loves the most: a devoted apprentice.

Surrounded by exquisite materials, precise gestures, and the techniques that define the Maison, the Brand Ambassador encounters craft at its source; where the act of making begins to shape the maker himself.

He learns the secrets of patina, which render each shoe uniquely nuanced, and witnesses the masterful construction of the legendary Alessandro Oxford, a seamless, single-piece leather shoe that remains one of Berluti’s most iconic designs. This is Berluti’s authentic illumination and interpretation of finesse as something that is felt, learned, and passed forward, not just a final product.

That idea deepens in the second episode, which shifts to Venice. On the surface, this is the most obvious chapter: a beautiful city, a handsome jacket, a soft tangerine twilight on the lagoon. But Berluti is using Venice to make a far more strategic point.

and deepens over time, much like the city gracefully carved by time and tide.

The city’s defining characteristics captured on screen, like light reflected off water, stone sculptured by time, colour that shifts with the hour, serve a purpose beyond decorative inspirations. They are arguments for patience and a kind of beauty that cannot be manufactured on a seasonal cycle.

When Lee Jun Ho wears the Forestière jacket in lilac linen, perfectly mirroring a Venetian sunset, the episode demonstrates that Berluti’s aesthetic vocabulary comes from somewhere real, recalling canals and centuries, not industry cycles.

By linking its French heritage with its Italian production roots so explicitly, Berluti resolves a tension that has long dogged European luxury. It says, simply: we are both. And the bridge between them is purely mastery.

The truth is not recent reckoning. Four generations of shoemakers built Berluti from a Parisian atelier into a house of leather, then tailoring, then complete bespoke service from head to toe— available today on Rue Marbeuf and Rue de Sèvres. Craft, after all, takes time. This is only the first half of the story. In Fall 2026, the series picks up in Paris. Until then, the creative journey continues.

Lee Jun Ho learns about Berluti’s signature Venezia leather in the place it is named after: Venice

The South Korean singer and actor travels to Venice for the second part of the film

SEEING IT SOFTLY

FENDI’S PRE-COLLECTION DIGITAL CAMPAIGN REVEALS THE DELIBERATE CRAFT OF NONCHALANCE

The light hits differently on blue. Not electric, not royal, but the soft, faded blue of a sky just before a storm breaks or after one has passed. That is where FENDI Ambassador, Bang Chan stands in FENDI’s new Pre‑Collection Fall/Winter 2026 digital campaign.

Indeed, summer escapes don’t always require a plane ticket. Sometimes they arrive in a whisper of sky blue with a brown trompe‑l’oeil Selleria motif, paired with dark blue jeans and Pequin lace‑ups inspired by boat shoes. The FENDI Lui bag in denim? It completes the look.

FENDI Ambassador, Bang Chan, stars in the new Pre‑Collection Fall/Winter 2026 digital campaign

By Allestisan Citra Derosa

This is the compelling worldview guiding FENDI’s current creative direction. While the campaign calls it an “ode to effortless sophistication”, the Maison makes sure that effortlessness is never accidental. The leader of the K pop boy band, Stray Kids, is not dressed to go on a holiday, or a formless day. Nor is this laziness masquerading as luxury. Both FENDI and Bang Chan believe poise is the ultimate form of control.

Look across the full Pre‑Collection and the intention becomes clear. FENDI is testing a different proposition: that soft and precise are not feminine or masculine, they are simply choices.

Punches of terracotta, turquoise, saffron, and coral reveal themselves in dynamic stripes that meet tactile finishes; in elongated dresses standing beside relaxed shirting, coordinated sets that slide from day to evening without friction. Every piece in this collection has been chosen to become the escapism itself, to show

that fluid silhouettes still require structure underneath. That studied nonchalance is a goal achieved only through deliberate editing.

Through the needle, FENDI is stitching a secret into the fabric that does not just speak to the eyes. It teases them. Take the French term trompe‑l’oeil—”deceive the eye”— across that light blue sweater. The brown motif is a drawing of a stitch, not a real one. A line that pretends to be thread pulled through fabric by hand.

But the illusion is not a shortcut. Selleria is FENDI’s oldest leatherworking technique, born in 1925 when the house first adapted the saddle stitch for luxury goods. To paint it rather than sew it is a wink. The kind that says: we know you know. And if you don’t, we are happy to wait.

Within this framework, Bang Chan’s presence reads as a natural fit. He layers oversized hoodies with tailored coats, combat boots

with denim; nothing is thrown together. While the look feels loose, the thinking behind it is not. Before his debut, the singer spent years in training and eventually was tasked with selecting the members of what would become the Stray Kids today. The act of handpicking— of assembling individuals into a cohesive whole—mirrors a process of design itself. It requires instinct, but also discipline: an ability to recognise potential, to edit, to refine.

Born in Australia and later relocating to Korea as a teenager, his trajectory is defined by the transition between cultures, languages, and systems of expression. To move between different worlds is to train for it. That training informs a sensibility attuned to translation,

to the negotiation between different codes. In fashion, as in music, this kind of fluency becomes a form of authorship.

This duality of control beneath apparent ease echoes FENDI’s own language. The Roman atelier has long negotiated between structure and fluidity, between the rigour of craft and the lightness of modern expression. Now in its centenary year, that balance feels refreshingly relevant and worth cherishing.

SARTORIAL SUMMER

ZEGNA DISTILLS ITALIAN SUMMER THROUGH AN INHERITED PERSPECTIVE ON QUIET INDULGENCE AND

Life at Lake Maggiore typically unfolds slowly, measured in sunshine and spritzes. As the Alpine mountains soften into the water, summer feels fleeting by design.

Morning espresso at the bar. Aperitivo in the

slip on without thought. Book pages turn lazily, abandoned mid-sentence without consequence. And tomorrow arrives in just the same manner.

ZEGNA presents Summer 2026 at Lake Maggiore with Global Brand Ambassador Mads Mikkelsen aboard the Zegna family-owned Riva Aquarama

piazza. Linen shirts

By Allestisan Citra Derosa

For generations of the Zegna family, this Italian landscape has remained a place of return. Here, time and the rituals that fill it are simply inherited. Preserving that state of mind, the house unveils Oasi Lino for their Summer 2026 collection.

A short distance from Oasi Zegna—a 100 km² protected natural territory envisioned by Ermenegildo Zegna—the campaign is conceived as a refined expression free from exaggeration. Nothing is forced or excessive. It is only a way of living that privileges ease, through finesse and the quiet certainty of things done well.

Evoking the essence of summer in heritage interpretation, ZEGNA crosses the lake with legacy. Designed by Carlo Riva, the family-owned Riva Aquarama embodies 1960s Italy’s finest craftsmanship: a sincere harmony engineered between ingenuity and nature.

In the campaign, Global Ambassador Mads Mikkelsen navigates with a lightness that comes only from deep intimacy with the water. While his hands become the vessel, the world around him turns monochrome. Behind the lenses, his gaze drifts across the sun-kissed lake.

Yet the story is not just about the romanticised appeal of the season. For ZEGNA, it is about the clothes that belong to this narrative. Throughout the collection, texture takes centre stage. Linen, cotton, and cashmere are constructed to make movement instinctive and heat almost non-existent, thanks to relaxed silhouettes, extraordinarily-light fabrics, and breathable materials.

Footwear follows the same logic. The house’s iconic Mocassin, an enduring presence within ZEGNA’s fashion vocabulary, grounds the collection. It moves easily across contexts, requiring no adjustment, no second consideration. Like the garments themselves, it belongs to a life already in motion.

Taking its cue from the terrain—pine green, rich taupe, luminous white—each piece easily settles within the environment, absorbing the atmosphere as it shifts.

Still, it is the basis of the material that lives at the centrepiece of Oasi Lino, which sources the world’s most exquisite flax fibres from Normandy, northern France. Planted in spring, the flax gives its signal when summer arrives, bursting to flower and turning the

fields pale blue for a few precious days before harvest.

What makes flax compelling is its environmental profile. The crop grows largely on rainfall alone, requires minimal intervention, and produces almost no waste as fibres become fabric, seeds become oil, and byproducts serve other uses.

At ZEGNA, these qualities are not presented as a separate ecological framing. They are the material’s inherent value. By sourcing 100% traceable, European-grown flax, the house elevates linen to its highest expression while maintaining integrity and control across the supply chain. The result is a fabric of environmental intelligence and sensory

luxury where stewardship is not an add-on, but a natural extension of quality.

Watching Mads trace the lingering days of Piedmont, the camera shifts between his attire and his gliding gestures, moving beautifully poised and controlled. It recalls his early ballet career. An excellent embodiment of this role. Just as decades of practice imprint themselves on muscle memory, ZEGNA embeds that same precision into their sartorial language.

Once again, ZEGNA presents a rare vision of modern luxury: the quiet certainty that life has fallen precisely into place, and with the right wardrobe, that life is one worth indulging in.

OUTFIT

ZEGNA Beige Silk and Linen Jacket, Beige Cotton and Wool Pants, White Cotton V-neck, Beige 232 Suede

Sneakers

The Shape of Memory

IN THE HANDS OF MULTIDISCIPLINARY ARTIST LIANGGONO SUSANTO, ART AND LIFE FOLD INTO EACH OTHER. STYLED IN ZEGNA, HE BRINGS A MEASURED SENSITIVITY TO BOTH. HIS INSTINCT FOR PROPORTION, TEXTURE, AND IMPERFECTION IS PAIRED WITH A SENSE OF FREEDOM, WHILE MEMORY REMAINS A STEADY THREAD THROUGHOUT HIS WORK.

For some, art is not something separate from life. It lives in the everyday: in memory, in imperfection, and in the small changes of ordinary things that can become extraordinary. In the hands of Lianggono Susanto, art becomes a manifestation of memory that is raw and unpolished. He possesses a habit of noticing beauty and tension in layered imperfections and the traces of things left behind, and within them, he finds the clarity he seeks.

Before Studio Lianggono had a name, Lianggono spent several years in magazines, working as an editor. His work widened on its own after several credible projects, and styling led to product work, which led to interiors, and eventually opened into spatial installations. That early transitional period taught him how to notice texture, proportion, mood, and the decisions that shape the way art is felt.

“I would rather be called an artist, a multidisciplinary artist, rather than a designer,” says Lianggono. There was no single straight line for Lianggono, not in the way he sees or in the way he creates. What carried through was a sensibility that kept expanding to find new forms and creative expressions. When Studio Lianggono was born in 2016, it was never just a studio; in the same way, its founder was never just a designer; it emerged as a multidisciplinary practice, moving fluidly between design, objects, photography, and art.

Lianggono seems naturally attuned to objects, as if he not only sees their surface but also senses what they carry. He believes that objects hold stories, energy, even a kind of spirit. “Some things feel like they belong with me, and sometimes they don’t,” he says. “During my morning walks, I would feel something calling me. It can be something very small, like a leaf falling,” he explains. “It feels like it’s saying, ‘Why don’t you see me?’ So I stop, I go back, and somehow it gives me energy.”

In 2024, his mother passed away and her absence seems to have clarified rather than narrowed his vision. She seems to have shaped Lianggono’s understanding of the world long before he could fully name it. She gave him a way of seeing imperfection that now feels deeply embedded in his work. Things did not need to be perfect to be useful, beautiful, or loved. They could remain uneven, worn, incomplete, and still carry life. That understanding shapes the pieces he chooses, the textures he returns to, and the atmosphere he builds. Old furniture, cracked porcelain, dead plants, rough surfaces, imperfect stitchwork, these do not read as flaws in his world. They read as evidence of time, and of memories of a life that once was.

An open studio exhibition, “IRIS: An Ode to Seeing Beauty” (2024), unfolded shortly after Lianggono moved into a new space. Over two weekends, visitors encountered not

one fixed idea of beauty, but five distinct expressions. Each installation held its own emotional register, yet together they formed something cohesive, a quiet constellation of meanings that, in different ways, traced back to his mother.

‘Beauty is raw’ begins in the market, drawn from childhood motorcycle rides with her, the noise and movement of everyday life that later shaped an emotional vocabulary of seeing rawness not as an aesthetic, but something lived and formative. ‘Beauty is detail’ turns to the smaller things he inherited from her: the care of arrangement, the hidden order in ordinary life, the home objects kept with attention. A deconstructed wooden table and vintage boxes containing handwritten poems for his mother were exhibited; some details feel at once private and strangely universal.

‘Beauty is imperfect,’ is a reflection on how his mother lived her life, allowing things to remain uneven yet still useful, still meaningful. ‘Beauty is complex,’ describes something more atmospheric, shaped by deep colour, light, and fragments of random videos captured by Lianggono, like thoughts scattered through memory. The final installation, ‘Beauty is intense,’ holds the emotional weight of their relationship, one that is less soft or sentimental, and more deeply charged.

What makes “IRIS: An Ode to Seeing Beauty” linger is that it never feels like a simple tribute. IRIS, the rainbow goddess, feels like a fitting title as it suggests not one colour, but many, closer to a spectrum than a single idea. In his telling, it becomes something more personal. “Iris is the name of the Greek Goddess of the Rainbow,” he says. “And I feel my mother is my own Goddess of the Rainbow. In every phase of my life, even when things were difficult, she was always the one who became my rainbow.”

When asked why his work often returns to the same emotional ground, the answer tends to circle back to his mother. “My collaboration with The Balvenie that I did last year in Bali was also about her,” he says. “I wanted to show the cycle of her life.” The installation, “Wang Sinawang” (2025), was built as a circular, almost labyrinth-like structure, formed from layers of dried barley. Visitors moved slowly inward through textured corridors, drawn into a gradual rhythm of space before arriving at a centre where a live performance unfolded.

“My mother used to work from three in the morning until late at night. By the time we met, she was already exhausted, and then she would sleep, only to wake up and begin again. It was a cycle that never stopped,” he explained. It becomes clearer, then, why the same themes of his mother keep coming back, why so much of what he makes always seems to return to home. For him, home is more of a feeling, sometimes even a person, rather than the domesticated

definition. It means the sense that someone else might be able to enter your work and find their own memories inside it. “I’ve always felt that everyone has their own definition when they look at art, because they each carry different life stories,” he says. “When I create, I never want to dictate that this is how it should feel. I don’t want that. I want to let it go, so that when people see my work, they can interpret it through their own lives.”

Recently, his thinking has started to move toward trauma. If themes of home and memory have long been his starting point, trauma sits just beneath it, less visible, but closely tied. “What lingers is often something sweet,” he explains. “But inside that sweetness, I feel there is also trauma.” He understands that even a beautiful memory can hold something painful. A recent trip to Japan became part of that process, two weeks spent on his own, observing, reflecting, letting thoughts settle. “I think trauma can become one of the bigger themes in my future work.”

For a long time, Lianggono remained unclear on why he creates his art. It is something he could not quite articulate. But after his mother’s passing, his work and the reason behind it finally felt more fully understood. “I rely on my memory, on my past, on my trauma, to create work that can help heal people,” he says. That understanding has gradually taken on a more defined sense of purpose. “I think that’s my life mission, not just an art mission, but a life mission.”

As the conversation moves to personal style, Lianggono firmly says, “I like freedom. I do not like to be boxed in,” he says. “It applies as well to the way I dress.” He is drawn to pieces that feel expressive, whether through colour, cut, or fit, something bold enough to be felt, yet with a quality made to last. In recent years, he has moved away from mass-produced pieces, choosing instead to support well-made clothing that is made with intention and created to last. “I look for something timeless,” he explains, “not something you only wear once or twice.” More than anything, there is a resistance to limitation and boundaries. “I don’t want to limit my style,” he says. Talking about exploring different styles, he adds, “Yes! Why not? Maybe people can see another side of me.”

In the end, Lianggono Susanto creates not only art to visually feed on, but a way of holding experience. His practice moves through memory, objects, and space, always circling back to ideas of home and what has shaped him. The tender and the difficult are not separated; they sit side by side, carried quietly, without needing to be resolved, only a willingness to understand them more fully. His work asks to stay with you, not all at once, but in fragments, in memory, and in the feeling of something that cannot always be named, but is understood all the same.

By

Charlene Atalie

OUTFIT

ZEGNA Light Beige

Crossover Wool

Linen and Silk Jacket and Pants, Oasi Lino Shirt

OUTFIT

ZEGNA Lilac Premium Cotton Polo Shirt

ZEGNA Oasi Cashmere Elements Bomber, Cotton Polo Shirt, Dark Indigo Blue

Cotton Roccia Pants, Utility Blue Suede Triple Stitch™ Sneakers

OUTFIT

ZEGNA Oasi Lino

Overshirt, White Cotton and Wool Pants, Dark Brown 232

Suede Sneakers

OUTFIT

Creative Director:

Erika Tania D.

Photographer:

Vicky Tanzil

Fashion Stylist:

Charlene Atalie

Grooming: Arimbi

Location: LAFLO Showroom

ZEGNA Brown

Oasi Cashmere

Zip Mock Neck, Brown Cotton and Wool Pants

URBAN STYLE

AMI PARIS DISTILLS THE SPIRIT OF THE CITY INTO CLOTHES THAT BELONG TO THOSE WHO LIVE THERE

The city of light is not treated as a postcard image at Ami Paris, but as a place people actually live in. For Spring/Summer 2026, the brand returns to Place des Victoires, just steps from its headquarters, grounding the campaign in a setting that is part of its daily reality.

For Alexandre Mattiussi, this choice is instinctive. The neighbourhood is familiar— he knows the streets, the cafés, the people passing by—and that closeness continues to shape the way the brand presents itself. Entering its second decade, Ami Paris offers

something rare: clothes that slip naturally into the everyday. It is, in essence, the Paris everyone carries with them.

Shot by Anthony Seklaoui, the campaign unfolds like a series of stolen glances. Bathed in a warm, golden-hour glow, each frame exudes a cinematic softness, with a slight blur that suggests movement. Models walk, turn, or pause mid-step, as if caught in passing. The casting includes an effortless blend of professional models and street-cast individuals and further dissolves the boundary between fashion and the world beyond.

By Allestisan Citra Derosa

Photos By Anthony Seklaoui

For Spring/Summer 2026, Ami Paris presents a collection that captures the essence of city living

Tailoring remains the foundation, but it is handled with ease. Double-breasted blazers hold their shape without stiffness. Suits appear in a soft sage green, offering a shift from standard tones without feeling overstated. Outerwear introduces a more functional layer, with windbreakers and overjackets that respond to the city’s capricious weather while maintaining a clean, architectural simplicity.

Sage runs through key pieces, while a light pastel yellow adds contrast in shirts, knits, and layered looks. Balanced with charcoal, beige, and other neutrals, keeping the palette grounded. The wardrobe is indeed not built for a single moment, but for continuity, breathing alongside moods and settings.

Equally essential is the dialogue between tailored and casual elements, a signature that Ami Paris continues to refine. Argyle knits lend a touch of nostalgia, while wideleg denim and easy shorts introduce a chic nonchalance. There is a deliberate fluidity in how these pieces are styled and materialised, allowing movement without losing structure.

No detail is overlooked. The Carrousel bag returns in updated versions, including

smaller formats and new colourways, while keeping its recognisable shape. The Mirage sneaker underscores the brand’s affinity for understated sportiness. Styled with socks carrying the Ami de Cœur emblem, these details are present but not dominant, reinforcing the brand’s identity without relying on it.

Although the campaign stands on its own, it connects directly to the show, which took place in the same square. Guests were seated around the central monument at Place des Victoires as the sky grew heavier, hinting at rain.

As the strains of Boléro built in intensity, models entered one by one, gradually filling the space before pausing at its peak. The progression was both methodical and emotional, culminating in a moment of stillness before giving way to the swell of La Foule—a fitting tribute to the spirit of Paris itself. Even as storm clouds lingered overhead, the atmosphere was charged with anticipation and exhilaration.

In many ways, this collection distills everything Ami Paris has come to represent: a house grounded in reality yet elevated by intention, where elegance is discovered in the everyday. It is a celebration of community, of place, and of the subtle beauty found in routine. As the brand moves forward, its commitment remains unchanged: to create clothing that resonates not only with how people want to look, but with how they live.

CLASSIC WITH A TWIST

ARCHETYPAL PIECES GET A SMART UPGRADE WITH A FLUID SENSIBILITY IN TORY BURCH’S LATEST COLLECTION

For so long, Tory Burch has been an advocate for female empowerment. Through the Tory Burch Foundation, she cultivates a new generation of women entrepreneurs and leaders. Her collections, too, draw from pioneering American women, from Claire McCardell, who revolutionised sportswear, to former US Secretary of State, Madeleine Albright. This ethos is also woven

into her practice, where women make up more than 50% of her workforce.

Since Pierre-Yves Roussel, Burch’s husband and former LVMH executive, took the helm as CEO, Burch has immersed herself more deeply in the creative process, ushering in a renewed direction for the brand. Through an instinctive exploration of fabric and

By Arinta Wirasto

Tory Burch reinterprets classic pieces and creates new feminine statements for Fall/Winter 2026

silhouette, the collections feel all the more covetable, captivating both loyal followers and new admirers alike.

This evolution continues with the Fall/Winter 2026 collection, where the ethos is carried forward with renewed clarity. Grounded in a timeless sensibility, Burch draws inspiration from her father’s wardrobe, particularly his favourite plush corduroy trousers. This season, she translates this into an interplay between contemporary feminism and enduring staples. This juxtaposition is expressed through the blurred lines of proportion, texture, and fluidity, as seen in the first few looks that set the tone of the collection. Models strut the runway in Peter Pan–collared shirts layered under rugged oversized sweaters, tucked into corduroy trousers or leather pencil skirts with braided belts. Rendered in brighter hues and

accented with sardine pins, these otherwise masculine silhouettes take on a jovial and ladylike ease.

Another revelation lies in a series of outerwear pieces in subtly altered tailoring. Windbreakers and trench coats feature lowered necklines, shifting from the collarbone to the chest to reveal a more delicate V-line. A traditional naval coat comes with a slender outline, while a boxy peacoat is done with a cocooned silhouette.

On the other hand, the styling hints at a form of creative edginess. Four looks stand out, featuring braless sheer Henley tops paired

with either culottes or cigarette trousers, articulating an androgynous sensibility with an emphasis on softer textures. The contrast is further sharpened by the addition of distinctly feminine shoes and accessories. Cardigans and rounded coats are realised in metallic badla embroidery, where Indian artisans work with gold and silver threads to create intricate patterns.

The crowd also revels in evening dresses of different forms and technical explorations,

from washed silk dresses adorned with pleats to off-the-shoulder jersey dresses accentuated with knots, and drop-waisted shift dresses that make a comeback this season. Their lines echo the industrial Bauhaus language of the Sotheby’s at the Breuer building, lending significance to Burch’s decision to stage the show there.

Touching on Burch’s affinity for trailblazing women, she approaches this by reinterpreting

archetypal runway pieces. This season, her muse is Rachel Lambert “Bunny” Mellon, an American landscape designer, horticulturist, and philanthropist, who shares Burch’s intuitive style and laissez-faire attitude.

She immortalises her influence in a “Bunny knot,” a nod to the icon’s quilted cushion from her Antigua home. In the collection, the knot comes to life in a pair of black pumps and quilted bags adorned with studs that mirror the original design, and, imperceptibly, translates the spirit of the collection.

Ultimately, “reinterpreted classics, rather than reinvented ones,” as Burch notes in the show statement, come to define the collection. The clothes unfold through a confident play on classic garments, truly built to last. There is also a subtle undoing of fixed ideas around gender, making space for something more personal. Burch really does take the notion of “dressing for the female gaze” to the next level.

WILLIAM CHAN – ZEGNA

William Chan is a singer, dancer, and actor from Hong Kong, who is known for his roles in hit dramas such as “The Mystic Nine” (2016), “Novoland: Pearl Eclipse” (2021) and “Love’s Ambition” (2025). Renowned for his dynamic stage presence, he wears the ZEGNA Beige Oasi Lino Jacket, Beige Mélange Cashseta Crewneck, Beige Oasi Lino Pants, Beige Mélange Linen Cashmere and Silk Crewneck, as well as the Beige Triple Stitch™ SECONDSKIN Sneakers.

CHOI WOO-SHIK – AMI PARIS

Canadian-Korean actor Choi Woo-shik is internationally acclaimed for his unforgettable roles in the historic, Academy Award-winning masterpiece “Parasite” (2019), as well as movies such as “Train to Busan” (2016) and “Okja” (2017). The Global Ambassador of Ami Paris, who recently attended the Ami Paris Hannam opening, wears the brand from head to toe, capping off with the Green Cow Leather Mini Carrousel Bag.

SONYA PANDARMAWAN – TORY BURCH

Sonya Pandarmawan is an Indonesian singer, actress, and former JKT48 idol group member who has successfully transitioned into film, television, and digital content. Known for her approachable charm and evolving style, she starred in Raditya Dika’s “Marmut Merah Jambu” (2014) and the TV series “Rewrite” (2019). She wears a Tory Burch Silk Wrap Dress with the Romy Shoulder Bag in Dark Kale.

LANA DEL REY – VALENTINO

American singer-songwriter Lana Del Rey skyrocketed to fame with her iconic album “Born to Die” (2012). Her latest critically acclaimed masterpiece, “Did You Know That There’s a Tunnel Under Ocean Blvd” (2023), earned her multiple Grammy nominations and a headline spot at Coachella. Radiating timeless glamour, she carries the Valentino Garavani Panthea Bag in Tundra.

By Anastasia W. Wibowo

LUXURY PURSUITS

HARNESSING WEALTH

STANDARD CHARTERED OUTLINES KEY PRINCIPLES FOR INVESTORS TO THRIVE IN UNCERTAIN TIMES

For today’s affluent investors, wealth is no longer viewed purely as a measure of financial returns, but increasingly as a reflection of values, priorities, and long-term vision. In a world shaped by constant change, the conversation has evolved beyond simply preserving wealth towards building a legacy that is intentional, resilient, and enduring.

Against a backdrop of shifting global dynamics and heightened market volatility, investors are becoming more selective in how

and where they allocate capital. Standard Chartered’s latest global outlook notes that while global growth is expected to continue in 2026, opportunities are becoming increasingly differentiated across sectors, regions, and asset classes, reinforcing the importance of a more thoughtful and structured investment approach.

At the same time, affluent clients today are also placing greater emphasis on purpose. Increasingly, portfolios are being shaped

2

not only around financial objectives, but also around broader considerations such as sustainability, intergenerational planning, and long-term impact.

This shift is becoming increasingly relevant as more families begin preparing for wealth

transition across generations. In this environment, legacy is no longer defined solely by the assets being passed on, but also by the values, vision, and sense of purpose that accompany them.

For Tandy Cahyadi, Head of Wealth Management, Affluent Segment & Distribution at Standard Chartered Indonesia, this evolution reflects a broader change in how affluent clients approach wealth itself. “Today’s clients are increasingly looking for a more holistic approach to wealth

management. They still prioritise long-term performance and portfolio resilience, but they also want their wealth decisions to reflect what matters most to them, whether that is family continuity, sustainability, or the kind of legacy they want to build over time,” he says.

To support this, Standard Chartered Indonesia adopts a holistic advisory approach anchored in its Today, Tomorrow, Forever framework, helping clients navigate different stages of wealth planning with greater clarity and structure.

At the most immediate level, Today focuses on liquidity and short-term priorities, including protection, education, and dayto-day financial needs. Tomorrow centres on building long-term aspirations through disciplined investing, diversification, and retirement planning. Meanwhile, Forever focuses on ensuring wealth can be transferred smoothly across generations through structured legacy and succession planning.

This long-term perspective is becoming increasingly important in today’s investment environment. Rather than reacting to shortterm market movements, affluent investors are increasingly prioritising consistency, diversification, and disciplined portfolio construction to navigate uncertainty more effectively over time.

“The most important thing in market conditions like today is ensuring that portfolios remain well-structured and properly diversified, while staying aligned with long-term goals, rather than trying to predict short-term market movements,” Tandy adds.

As sustainability continues to become more embedded within investment conversations globally, many investors are also exploring how capital can be directed towards businesses and industries that demonstrate strong longterm fundamentals and responsible practices, including within sectors traditionally associated with luxury and lifestyle.

In this evolving landscape, clients are increasingly viewing wealth as more than accumulation alone. It is also about creating something enduring, a legacy that reflects not only financial success, but also clarity of purpose, long-term resilience, and meaningful impact across generations.

1. Standard Chartered’s wealth management approach aims to guide clients in constructing portfolios that are able to withstand the increasingly complex environment

2. Tandy Cahyadi, Head of Affluent Segment, Distribution & Wealth Solutions at Standard Chartered Indonesia

3. A refined sanctuary above the city, the Standard Chartered Priority Private Centre blends contemporary elegance with the quiet comfort of priority banking.

4. With Standard Chartered’s key wealth management principles, volatility is managed and your investment is constructed for the long-term

CELEBRATING CREATIVITY

ART JAKARTA GARDENS 2026 RETURNS, BLENDING ART, MUSIC, AND COMMUNITY IN THE BUSTLING METROPOLITAN CITY OF JAKARTA

Art Jakarta Gardens recently transformed the urban oasis of Hutan Kota by Plataran into a vibrant canvas of contemporary expression from May 5 to 10, 2026. Now celebrating its highly anticipated fifth edition, this beloved open-air art fair breathes fresh creative life into the bustling capital. Born out of an innovative vision to safely exhibit art during the 2022 pandemic, the event has

successfully flourished into an unmissable annual highlight that distinctly bridges the gap between nature and human creativity.

Unlike the traditional indoor layout of the flagship Art Jakarta event or the newly introduced Art Jakarta Papers held earlier in February, this garden edition offers a uniquely intertwined layout. It encourages visitors to discover art in a completely new

By Anastasia

W. Wibowo

way by seamlessly fusing formal indoor gallery presentations with dynamic, large-scale outdoor displays.

This year, the fair proudly welcomed 26 prominent galleries from across Indonesia and the wider Asian region, beautifully housed within two bespoke tents specifically erected for the lush site. Yet, the true showstopper of the event was the signature Sculpture Garden. Effortlessly integrated into the venue’s breathtaking tropical landscape, this segment featured over 30 striking, three-dimensional works crafted by exceptional artistic talents. Visitors were encouraged to wander freely among masterful creations from renowned Indonesian artists such as Sunaryo, Nyoman Nuarta, Tisna Sanjaya, Arkiv Vilmansa, Adi

(Sun and Water), a mesmerising new media installation powered simultaneously by solar energy and a rhythmic water mist system. Elsewhere, TACO elevated the visual cohesion by providing specialised aesthetic bases for the outdoor sculptures while hosting a free eco-friendly recycling workshop open to the public. Complementing the outdoor ambience, LUAR ensured maximum visitor comfort by supplying stylish, weatherresistant outdoor furniture and thoughtfully provided umbrellas to shield guests from unpredictable weather.

Beyond the captivating visual arts, the fair was a comprehensive sensory celebration amplified by an incredibly dynamic public programme. Music at the Garden, presented

Swargaloka troupe presented “Laku Swargaloka”, a performative and highly emotional journey across generations.

To make this grand cultural feast even more accessible, Lead Partner BCA rolled out an array of enticing promotional benefits for art enthusiasts. Visitors were presented with a 10 percent discount on entrance tickets, cashback offers, and zero percent instalment plans. Furthermore, BCA Solitaire and Prioritas clients were treated to exclusive VIP access and generous cashback rewards for artwork purchases.

With its masterful blend of breathtaking outdoor sculptures, curated gallery exhibitions, rhythmic live music, and engaging

Gunawan and Naufal Abshar, just to name a few, turning a simple park stroll into an immersive and highly tactile aesthetic journey.

The event’s ambitious scale was made possible through robust collaborations with key industry partners who actively bring their own artistic flair to the festival grounds. Lead partner Bibit teamed up with acclaimed Yogyakarta-based artist Mulyana to present “Tentacles of Wealth”, a thought-provoking installation featuring his iconic knitted octopus, Mogus, designed to symbolise financial adaptability in uncertain times.

Meanwhile, iForte Energi collaborated with Sigit D. Pratama (Founder and Principal Designer .this/PLAY) to unveil “Solagua”

by Bakti Budaya Djarum Foundation and meticulously curated by Plainsong Live, infused the evening air with diverse soundscapes from top-tier local musicians, including the likes of Ali, BABON, Basajan, Batavia Collective, Jo Soegono, Klav, Klegoth Breaks, Pelteras, Rrag and The Cottons.

The artistic energy continued to flow with profound performance art pieces tailored for the open space. Presented by YIRI ARTS, attendees witnessed Sarita Ibnoe’s “Bertemu di Tengah”, an intimate exploration of geographical boundaries, and were captivated by legendary Acehnese storyteller Agus Nur Amal PM Toh in his deeply human “Kisah dari Samudera”. Adding a layer of traditional depth, the

cultural programmes, Art Jakarta Gardens 2026 successfully delivered an unparalleled celebration of creativity right in the beating heart of the city. For more information about the event and the artworks displayed, please visit the Instagram account @artjakarta and the official website artjakarta.com.

1.Tentacles of Wealth by Mulyana (@mangmoel) and Bibit at Art Jakarta Gardens 2026

2. I Made Widya Diputra: Dreamer no#2

3. Iwan Swastika: Pilgrimage of seed and the child who carried memory

MASTERY IN MURANO

ALEX SIGNORETTI COLLABORATES WITH DESTINATION TOUR, BRINGING VENETIAN GLASSMAKING HERITAGE TO JAKARTA’S LIVELY LUXURY SCENE

There is something inherently poetic about glass in its molten state—fluid, luminous, and fleeting—before it is shaped into permanence by the hands of a master. For Alex Signoretti, this transformation is not merely technique but inheritance. As the grandson of Bruno Fusato Signoretti, founder of B.F. Signoretti Glassworks, Alex stands at the intersection of legacy and evolution, carrying forward a lineage deeply rooted in

the centuries-old traditions of Murano while infusing it with a distinctly contemporary voice.

Founded in 1991, B.F. Signoretti has long been regarded as one of Murano’s most prestigious ateliers, known for its bespoke creations that balance technical mastery with artistic expression. Under Alex’s direction, the house continues to evolve

beyond decorative craftsmanship into the realm of collectible art, collaborating with luxury hotels, private collectors, and design

By Anastasia

W. Wibowo

connoisseurs worldwide. His journey, however, was far from ornamental. After completing his studies, Alex undertook the demanding path of becoming a master glassmaker, an apprenticeship shaped by discipline, patience, and generational knowledge. Training under renowned maestro Pino Signoretto, he refined a meticulous sensitivity to form, mastering everything from functional vessels to intricate sculptural works.

Murano itself remains central to this narrative. Since 1291, when Venetian authorities relocated glass furnaces to the island to mitigate fire risks, Murano has stood as the epicentre of glassmaking excellence. Within this protected ecosystem, artisans developed

techniques that transformed glass into an expressive medium, distinct from the rigid clarity of northern European crystal. Murano’s sodium-based composition allows a longer working time, enabling artisans like Alex to manipulate form with remarkable fluidity and nuance. Today, the craft continues to evolve, shifting from ornamental tradition to contemporary artistic exploration, in an evolution that is vividly reflected in Alex’s work.

This remarkable artistry was unveiled to an Indonesian audience in February 2026, marking Alex Signoretti’s highly anticipated first presence in Jakarta. Hosted at CÁRNE Ristorante, the exclusive event titled “Viaggio d’Italia,” felt like a breathtaking evening escape to Italy. Organised in collaboration

with Destination Tour and The Time Place Magazine, the showcase introduced guests to the intricate magic of Murano glass through a carefully curated selection of pieces flown directly from Venice.

The immersive evening was a masterclass in Italian luxury, seamlessly pairing Signoretti’s delicate artistry with the sartorial elegance of FENDI icons and the robust, distinguished craftsmanship of Panerai timepieces. Guests enjoyed a comprehensive product discovery session before embarking on a multi-sensory culinary journey crafted by Chef Mario, featuring exquisite courses inspired by Rome, Florence, and Venice, to reflect the distinct origins of the featured heritage brands. Alex’s debut in Jakarta was a rare cultural exchange, offering Indonesian audiences a direct

encounter with an artisanal tradition seldom experienced outside its birthplace.

Integral to this experience was Destination Tour, whose philosophy extends beyond travel into storytelling. Specialising in bespoke journeys to some of the world’s most remote and extraordinary destinations— from the plains of Africa to the icy expanses of Antarctica—the agency curates deeply personalised itineraries designed to uncover the essence of a place. Beyond merely curating locations, they excel at opening doors to uniquely immersive cultural narratives, such as delving deep into the hidden, fiery world of Murano glass. For seasoned travellers seeking unparalleled access, Destination Tour leverages its elite partnerships with leading luxury hotel networks, utilising their prestigious membership in Serandipians to secure exclusive privileges.

In this way, the story of Alex Signoretti and B.F. Signoretti Glassworks becomes inseparable from the journey itself. Each piece of glass carries within it not only the history of Murano but also the spirit of discovery; an invitation to witness artistry in its most elemental form. For inquiries regarding visits, pickups, or transfers from San Marco, Venice Island, please contact asia@bfsignoretti.com.

1. A display of Murano glass masterpieces at Alex Signoretti’s debut in Jakarta, in collaboration with Destination Tour and The Time Place Magazine

2. Alex Signoretti addressing guests at the “Viaggio d’Italia” exclusive event

3. B.F. Signoretti Factory in Murano, Venice, Italy

4. Murano glass creation in the making

LA DOLCE VITA

GRAND HYATT JAKARTA WELCOMES CLUB ITALIANO, A VIBRANT NEW CULINARY DESTINATION REDEFINING MODERN ITALIAN SOCIAL DINING

Jakarta has never been short of new dining out options. Every month, there’s always a new restaurant opening in town. Club Italiano is one of them. Opening its elegant doors on December 13, 2025, Club Italiano at Grand Hyatt Jakarta brings the undeniable flair and fun of Italian cuisine directly to the heart of the city. Famous for its bold, playful, and lively atmosphere, the establishment is brilliantly designed to evoke the timeless spirit

of la dolce vita. It seamlessly transitions from a simple place to eat into a holistic sensory experience where every detail—from the highly expressive design to the vibrant colour palette—invites guests to immerse themselves in a modern social dining environment.

The very name, Club Italiano, reflects the restaurant’s core identity: a true celebration of flavour, profound passion, and convivial

By Anastasia

W. Wibowo

togetherness. Deeply inspired by the genuine warmth of traditional Italian hospitality, its vision and mission are rooted in the idea that dining should always be an engaging, shared experience. The philosophy here is simple yet impactful, ensuring that every single moment spent within its elegant walls feels incredibly social, spontaneous, and undeniably full of joy.

Leading this exciting new chapter is Chef Ivan Vasilev, the recently appointed Executive Sous Chef at Grand Hyatt Jakarta. A proud graduate of the prestigious Angelo Vegni Institute in Tuscany, Chef Vasilev brings to the kitchen an impressive artistic pedigree and over 13 years of international culinary experience spanning across Europe and Asia. His unique approach serves as a beautiful bridge between the old world and the new, masterfully blending authentic Italian tradition with cutting-edge modern techniques so that every plate tells a rich story of culinary heritage.

This dedication to excellence is beautifully showcased in the restaurant’s exquisite culinary offerings, particularly through

beloved favourites like the Risotto all’Astice and Branzino alla Mediterranea. Recognising the importance of a personalised and safe dining experience, the meticulously crafted menu features intuitive indicators for various dietary preferences and restrictions.

Guests can easily navigate their gastronomic journey with clear labels marking dishes that contain alcohol, dairy, gluten, nuts, pork, or shellfish, alongside beautifully curated vegetarian options.

Designed to accommodate a chic, fastpaced lifestyle, the venue welcomes guests daily with lunch served from 12:00 PM to 3:00 PM and dinner from 6:00 PM to 12:00 AM, requiring a smart casual dress code

to match the refined ambience. For those seeking efficiency without compromising on elegance, a sophisticated threecourse Business Lunch is available daily at IDR 650,000++ per person. For grander celebrations, three exclusive private dining rooms offer personalised comfort for intimate gatherings.

Weekend indulgence reaches its peak with the Saturday Brunch, running from 11:00 AM to 3:00 PM, featuring three distinctive free-flow beverage packages. Guests can choose La Tavola at IDR 888,000++ featuring free-flow Rossini, soft drinks, and mineral water; Bollicine at IDR 1,288,000++ which also includes Prosecco; or the luxurious La Festa at IDR 1,888,000++ featuring premium Champagne, all accompanied by free-flow Rossini, wines, and soft drinks. Each package is designed to offer a seamless blend of

indulgence, elegance, and conviviality in a vibrant weekend setting.

Enhancing this dynamic, day-to-night ambience is the sophisticated bar area, helmed by expert mixologists who curate a stunning selection of signature libations. It serves as an inviting sanctuary for predinner aperitifs or energetic evening social gatherings. Whether you are sipping a classic Negroni or a refreshing Vespa Martini at the bar, or sharing delectable antipasti with friends, Club Italiano promises a dynamic, evolving experience that brings the vibrant soul of Italy directly to Jakarta.

Head on over to Club Italiano for a taste of Italy like no other. For more information, please contact +62 815-8621-1234 or visit @clubitaliano.jkt on Instagram.

1. Club Italiano at Grand Hyatt Jakarta offers an authentic Italian dining experience in a warm and convivial setting.

2. Led by Chef Ivan Vasilev, Executive Sous Chef at Grand Hyatt Jakarta, Club Italiano brings refined Italian flavors to life.

3. Indulge in irresistibly rich, extra-cheesy pasta with our signature Rigatoni alla Carbonara with Pecorino Romano.

4. Savour an array of specialty cocktails from the bar.

5. Enjoy an abundant selection of the freshest seafood, exclusively at Club Italiano.

INSPIRED GASTRONOMY

CHEF SYRCO BAKKER REDEFINES FINE DINING WITH INDONESIAN HERITAGE AND SUSTAINABLE ELEGANCE IN THE HEART OF BALI

Tucked amid the lush, verdant landscape of Ubud, Syrco BASÈ emerges as one of Bali’s most compelling fine dining destinations—where gastronomy becomes a language, and every dish tells a story of culture, craftsmanship and connection. Founded in January 2024 by the esteemed two Michelin-starred Chef Syrco

Bakker, the rising gastronomic destination is celebrated for reimagining Indonesian heritage through bold innovation and a deep reverence for local artisans.

The restaurant’s philosophy is woven directly into its name. In Balinese, the word “BASÈ” translates to both “seasoning” and “language,”

By Anastasia W. Wibowo

elegantly bridging the concepts of taste and expression. In English, it signifies a foundation or basis, reflecting the fertile soil where Chef Syrco has planted his culinary roots.

Born in the Netherlands, the DutchIndonesian chef draws profound inspiration from his childhood memories of family meals, merging those nostalgic flavours with the traditions and produce he has explored across the archipelago. This vision is anchored by three core values: Traceability, Nature, and Transparency, or “TNT”. By understanding the origins of every ingredient, honouring the earth’s bounty, and fostering open, fair partnerships with local farmers and fishermen, Syrco BASÈ aims to deliver a transformative experience that inspires a deeper awareness of food, sustainability and community.

Before bringing his world-class expertise to Bali, Chef Syrco famously led Pure C in the Netherlands from its opening in 2010, where his exceptional talent earned the restaurant two Michelin stars. His masterful craftsmanship has continued to garner global acclaim at his latest venture. Within its first six months, the restaurant was named one of Bali’s 20 best by Australian media outlet “Traveller,” and later secured the Gold Award at the 2025 Prestige Gourmet Awards. Furthermore, Chef Syrco himself was honoured with the prestigious Two Knives at The Best Chef Awards 2024.

The expansive venue unfolds across four distinct, thoughtfully designed spaces. “The Restaurant” offers a warm, stunning environment overlooking an educational regenerative garden, where guests can indulge in dynamic tasting menus or à la carte selections. “The Bar” celebrates Ubud’s healing heritage by crafting botanical cocktails infused with ingredients harvested straight from the garden, while “The Shop” showcases handcrafted treasures from local Balinese artisans.

For the ultimate indulgence, the “KU culinary atelier” provides an intimate, 12-seat standalone experience centred on personal storytelling. Here, guests embark on an 11-course journey that begins with a guided garden walk and a temple blessing with a local

priest, culminating at a chef’s counter where elegant creations like Bali Bouillabaisse and The Ocean are meticulously plated.

Whether dining at The Restaurant or KU, the menus are a revelation. Dinner highlights include Savoy cabbage with green chili koshi and lime; refined fish rouleau with potato purée, leek, razor clam; and rich pork cheek with andaliman peppers and kanari nuts. Diners can choose from the BASÈ Pure, the immersive BASÈ Journey, or the opulent Romantic Package or Full Experience, all available with expertly curated beverage pairings.

Recently, this extraordinary vision arrived in the capital through an exclusive three-week culinary pop-up in collaboration with Plaza Indonesia. From February 16 to March 7,

2026, Altitude Grill on the 46th floor of The Plaza transformed into an urban extension of the Ubud flagship, complete with sweeping skyline views. The pop-up menu balanced Syrco BASÈ’s defining classics such as Steak Tartar with rendang seasoning, Taro Rösti with Duck Betutu, Spiny Lobster preparations, and Pure Chocolate with soursop and avocado, with dynamic new culinary discoveries. Guests savoured these regenerative flavours through curated tasting experiences such as the refined Pure Menu for lunch or the comprehensive Journey Menu, which ensured a vibrant, unforgettable intersection of Bali’s conscious dining and Jakarta’s urban energy.

1. Syrco BASÈ, founded by Chef Syrco Bakker, has become a culinary haven in the heart of Bali

2. Spiney lobster, chawan mushi, mushrooms, and Bali XO

3. Chef Syrco Bakker, the mastermind behind Syrco BASÈ, preparing the dishes for the pop-up

4. During the event, Chef Syrco presented his iconic dishes, including crayfish

5. Nasi Ulam served in herbs, with aromatics and pickles

6. Earlier this year, the Altitude Grill on the 46th floor of The Plaza served as the venue for a culinary pop-up in collaboration with Plaza Indonesia