VOLUME 109, ISSUE NO. 16 | STUDENT-RUN SINCE 1916 | RICETHRESHER.ORG | WEDNESDAY, JANUARY 29, 2025
In the shadow of NOD: New Wiess public met with mixed reviews ABIGAIL CHIU
THRESHER STAFF Wiess College hosted Masks After Dark on Jan. 25, its inaugural new public, which debuted months after administration permanently canceled the Night of Decadence. NOD, Wiess’ themed underwear party, had run for five decades — and was so risqué, it allegedly garnered Playboy attention — before excessive drinking and hospitalizations drove the party to its early death in October 2023. Isabelle Shen and Rocio Gras, Wiess’ socials vice presidents, said they learned of NOD’s cancellation along with the rest of the student body on June 5. After brainstorming new public themes and soliciting student input, “Masks After Dark” was announced in October as the college’s new party. “[We were] a little surprised since we
hadn’t been told beforehand, but also a little worried, honestly,” Shen wrote in an email to the Thresher. “There was so much for us to put together now [that] we had to start from scratch.” Wiess students voted on several possible themes, including options like Roaring ’20s, Aprés Ski-yee and Night at the Museum. After settling on a masquerade theme, Wiess socials opted to create the MAD acronym, loosely based on NOD’s tradition, Shen said. MAD marks a change from other publics with a semi-formal dress code encouraged. Shen said that students did wear the suggested attire. “We advertised MAD as a semiformal public … and [administration] specifically asked for us to emphasize that clothes are required, as they initially feared students would continue treating the public like NOD,” Shen wrote.
BRYAN MENDOZA / THRESHER
Even when we pushed hard for some aspects, such as it being inside, to remain the same, they were very firm and would not allow us to take charge of that. Isabelle Shen WIESS SOCIAL VICE PRESIDENT
SEE MAD DEBUTS PAGE 2
SA announces election timeline Feb. 6 Jan. 31
7:30 p.m. Optional information session for prospective candidates
JAN
Feb. 26
11:59 p.m. Deadline to submit campaign statements and pictures
Noon Campaigning period ends; voting period begins
Feb. 12
March 6
Noon Election results announced
7 a.m. Campaigning begins
FEB
MAR Feb. 24
Feb. 5
11:59 p.m. Deadline to submit hard copy of candidate petitions
9 p.m. Senate votes to confirm the ballot
Jan. 27
9 p.m. Kyle Morrow Room Election timeline introduced at Senate
Feb. 10
2:15 p.m. Mandatory candidate meeting with Director of Elections
March 5
Noon Voting period ends; Deadline to submit campaign finance form
SEE ELECTIONS TIMELINE PAGE 4 ALICE SUN / THRESHER DATA FROM SA DIRECTOR OF ELECTIONS
‘Breath(e)’ brings climate conversations from California to the Gulf Coast SHREYA CHALLA
SENIOR WRITER
A 3D-printed sculpture of the Houston skyline is slowly being eaten away by plastic-consuming enzymes at the Moody Center for the Arts. The piece is part of the center’s newest exhibition, “Breathe(e): Toward Climate and Social Justice,” which opened Friday, Jan. 24. “Breath(e)” is an interdisciplinary exploration of the climate crisis and environmental justice and features works by 14 artists globally. The gradually disintegrating Houston skyline piece was created by artist Xin Lu, artist-in-residence at Rice’s Houston Asian American Archive, in collaboration with the George N. Phillips, Jr. lab at the BioScience Research Collaborative. It stands alongside other works, including painting, sculpture and video, according to Erin Rolfs, marketing and communications director at the Moody. “This exhibition … extends the academic conversation about sustainability, which is a focus for so many disciplines at Rice, to include artists who explore the climate crisis and environmental justice,” Rolfs wrote in an email to the Thresher. According to Rolfs, “Breath(e)” is a traveling exhibition that originated at the Hammer Museum in Los Angeles and has been reimagined to respond to the Gulf Coast region and the unique architecture of the Moody Center. The exhibit was organized by Alison Weaver, executive director at the Moody, and will be on view through May 10.
SEE MOODY PAGE 8