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The Rice Thresher | Wednesday, October 19, 2022

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VOLUME 107, ISSUE NO. 8 | STUDENT-RUN SINCE 1916 | RICETHRESHER.ORG | WEDNESDAY, OCTOBER 19, 2022

Laymon’s terms: Writer, Rice professor named MacArthur Fellow RIYA MISRA

FEATURES EDITOR Last week, celebrated author and Rice English professor Kiese Laymon was announced as one of the 2022 winners of the MacArthur Foundation Fellowship. According to the MacArthur Foundation’s website, the fellowship provides a five-year grant and a no-strings-attached stipend to a selection of exceptionally creative individuals. A self-described Black Southern writer, Laymon has authored works such as “Heavy: An American Memoir” and “Long Division.” “The thing about all writers is that we mythologize everything, including our own journeys,” Laymon said when asked about his journey as a writer thus far. “I don’t know many people who started out writing and thinking that they would ever win a MacArthur.” Of course, the MacArthur Fellowship is commonly hailed as the “genius grant.” Laymon views this label with trepidation, though. “Whatever you create next, I don’t think it can meet those standards. I don’t want to be a genius. I just want to create really interesting, dope art,” Laymon said.

Campus reacts to first EOE, NOD in three years HAJERA NAVEED

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KATHERINE HUI / THRESHER

COURTESY CHI LIANG YU

According to Laymon, the money radio,” Laymon said. “What this award from the grant will bring a sense of ease to allows you to do is no longer work that his career, during which he has fought to side of your brain and heart, which get his writing into the world. really does, in some way, take time from “I had to work really hard to get my the [process of] art-making.” first book out. I had to work really hard While Laymon is grateful for this grant, to get people to read that book, driving he expresses a degree of worry about his across the country future work. His and selling books concerns, he says, out of my trunk,” center around Laymon said. how his creativity “I’ve had to really I don’t want to be a genius. will be impacted fight. And so it’s I just want to create really by the increased weird to get this interesting, dope art. stability brought thing. [The grant] upon by the doesn’t mean I Kiese Laymon MacArthur. won’t have to fight MACARTHUR FELLOW “One of the anymore, but it things I’m worried definitely gives me a lot of cushion to not about is how you create when you’re not fight for a while.” up against precarity, or you don’t feel As a professional writer, Laymon said like you’re fighting against anything,” he must often attempt to strike a balance Laymon said. “I feel like the wind is at between personal and impersonal — my back with this award. I think I’m kind between artist and salesperson — while of worried about what the work is gonna marketing his work. So another reason look like now, but we’ll see.” Laymon said he appreciates the award is Laymon said he has not yet put much because he can focus more on his art. thought into the uses for his grant money, “To be salespeople of a book, you but he does hope to find methods of selfhave to make that person believe you care and renewal. are close to them … Showing up at a “I’m going to share a lot [of money] bookstore, shaking hands, signing a with my family, at least for the first year. book, always doing interviews on the I have this [Catherine Coleman Literary

Wiess College’s public party, Night of Decadence, and Chi Alpha’s Evening of Elegance returned after three years this past Saturday. An estimated 1,100 people were in attendance at NOD this year, according to Wiess Social Vice President Christina Chen, and around 350 went to EOE, according to Robin Whitehead, an Evening of Elegance organizer. EOE began as an alternative to NOD in 2014. In 2017, attendance at EOE surpassed that of the public for the first time. However, in light of new discrimination accusations, controversy surrounding the event has heightened in recent years. This year, EOE was held in the Rice Memorial Center Grand Hall. However, according to McMurtry College President Hunter Brown, Chi Alpha originally requested McMurtry commons for the event. Brown said McMurtry’s government ultimately denied Chi Alpha’s request due to the Assemblies of God’s position on LGBTQ+ individuals. “My government’s voting members did not want our college spaces reserved for groups that would make any Murts or other Rice students feel as though their identity

Arts and Justice Initiative] that I run out of Jackson that I’m going to definitely give a lot of money to,” Laymon said. “I need to think big, [and] I need to think about ways to prioritize my health and my body and my mental health. I can dream big. And that’s scary too. Because sometimes it’s easy to dream just the next step ahead of you. But now I’m like ‘Oh, shit. I can dream a little bigger.’” As a writer, Laymon said he cherishes the value of different writing forms. To young writers, he stresses the importance of literary experimentation. “Never stop writing, but don’t be afraid to [...] try a different form for a season. You never really know what your best fit is really until you experiment with it,” Laymon said. Laymon chases after this experimentation in his own work as well, often playing with different literary forms and techniques. “I think “Heavy” is a long poem, a long essay, a novel and a memoir,” Laymon said. “The thing about form is that it allows you to seep into different creases [of literature]. You just want to put a lot of different tools in your toolkit ... The fictive tools that we need to use to make fiction and the poetic tools we need to make poetry need to be at our disposal when we’re doing memoir writing.”

was a problem, so we denied them,” Brown, a senior, said. Chen said that Wiess’s approach to NOD this year was to emphasize sex and body positivity as the core theme of the party and to make it more inclusive. One change to accomplish this was through NOD’s Instagram, where infographics related to sexual health resources and body positivity were posted leading up to NOD. “We felt it was very important to emphasize these messages … just so everyone would be comfortable attending in whatever they felt comfortable wearing,” Chen, a sophomore, said. Riley Barker, a junior from Hanszen College, said he didn’t attend either NOD or EOE. Barker said that while he appreciates the messaging around NOD and its theme, he feels some things can be improved on. “The premise [of the public] is good, [but] the actual structure of NOD leaves a lot to be desired,” Barker said. “I think presenting NOD … as a space of body acceptance [and positivity] and not a particularly sexualized space is very misleading.” Sean Cartwright, a student who attended EOE, said he believes that if Chi

SEE KIESE LAYMON PAGE 7

Alpha didn’t host EOE, he believes another organization would. “There’s a lot of demand for an alternate to NOD for people who want to feel safe from sexual predators, people who don’t drink, people in committed relationships and people with more traditional attitudes toward sex,” Cartwright, a Hanszen college junior, said. Gail Oudekerk, a junior from McMurtry College, said that while she respects everyone’s right to practice and celebrate their beliefs, she believes positioning EOE in opposition to NOD is problematic. “It’s the fact that an organization funded by Assembies of God, which has deeply homophobic, queerphobic [and] transphobic beliefs, is hosting this event in opposition to a queer-welcoming, sexpositive space, but not advertising that their position is, well, openly queer and transphobic and has been, allegedly, on campus as well,” Oudekerk said. Whitehead, an EOE organizer, declined to comment in response to controversy surrounding EOE. This article has been condensed for print. Read the full article at ricethresher.org.


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