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Issue No. 296 • October 11, 2026

FAMILY LEGACY The Next Generation Stepping In

Issue No. 296 • October 11, 2026

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THEWILL DOWNTOWN • www.thewilldowntown.com

Issue No. 296 • October 11, 2026

CONTENT Photo: Kola Oshalusi @insignamedia Makeup: Zaron

EDITOR’S NOTE

cross generations, family names can carry remarkable stories of ambition, sacrifice and achievement. From business and entertainment to sports, law, politics and media, many influential families have built legacies that extend far beyond one individual. Now, a new generation is stepping forward, bringing fresh ideas and new interpretations of what those names can represent. But inheriting a legacy is not the same as inheriting an achievement. A familiar surname may open doors, but it can also bring expectations and scrutiny. For those stepping into established family businesses, creative careers or professional traditions, there is often a delicate balance between respecting what came before and proving that they have something valuable of their own to contribute. What interests me most is how differently this next generation approaches that responsibility. Some are choosing to preserve and strengthen what their families built, while others are introducing new ideas or pursuing entirely different paths. Their journeys show that legacy is not necessarily something fixed; it can evolve with each generation. In this issue, The Next Generation Stepping In explores the people carrying influential family names into a new era. We look at what it means to inherit opportunity, earn credibility and navigate expectations while creating an identity of your own. Ultimately, the strongest legacy may be one that honours the past while making room for something new.

15 HEALTH 16 DÉCOR 04-05 FASHION

The Ultimate Guide To Dressing In Your 40s and 50s

Untold Truths 07 Why Must I Have #UNSHAKABLE

TRUTHS

8-11 COVER

LUXURY SILK

BEAUTY

One Best Friend? (Part One) Family Legacy The Next Generation Stepping In

Click. Click.

5 Beauty Products You Don't Need to Use Every Day

17 CAREER 18 BON APPÉTIT 19

DOWNTOWN CONFIDENTIAL

REVIEW

Until next week, enjoy your read.

5 Ways to Choose Artwork That Works With Your Home Interior

How to Protect Your Ambition Without Burning Out

The Air Fryer Edit Easy Recipes Worth Trying

The Attraction

Forgotten Island

WHAT YOU SAID

Scroll to page 8 for this. More beauty products do not always mean better results. Some are designed for occasional use, and using them daily can cause dryness, irritation or sensitivity. Our beauty page highlights five beauty products you do not need to use every day.

How Not Asking For Help Affects Men’s Health

Boluwatife Adesina @bolugramm

- Contributing Writer Boluwatife Adesina is a media writer and the helmer of the Downtown Review page. He’s probably in a cinema near you.

Onah

Issue No. 295 • October 4, 2026

BUKKY WRIGHT The Woman Behind the Screen

INSTAGRAM

@omoboliji Looking so cute

@onahluciaa +2348033239132

AUSTYN OGANNAH

Sally Chiwuzie @unshakable.is.a.state.of.mind - Contributing Writer Sally Chiwuzie is a non-practising barrister who owns the brand #Unshakable. She is the author of Silent Symphonies, a fictional love story, and the creator of the podcast Chronicles of #Unshakable Truths.

@nkechidithokolie

PUBLISHER/EDITOR-IN-CHIEF Executive Editor: Onah Nwachukwu @onahluciaa Writers:Dorcas Akintoye & Johnson Chukwueke Design & Layout: Hogan Effiom Digital Media: Oladimeji Balogun, Victoria Dairo & Olamide Abolarin Consulting Art Director: Sunny Hughes ‘SunZA’ www.thewilldowntown.com thewilldowntown thewilldowntown 254 Remi Fani-Kayode Avenue, GRA, Ikeja. Lagos, Nigeria. +234 810 345 2286, +234 913 333 3888

Ada Obiajunwa @aaddaahh - Contributing Writer Ada Obiajunwa writes from Lagos about the big truths tucked inside ordinary moments — friendship, self-discovery, and the quiet revolutions of everyday life. She believes in the power of presence, good banter, and decoding the unsaid. Through her fragrance studio, WhiffWonders, she also crafts scents that weave memory and emotion into experiences that feel like home.

@kissmhiohene

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Issue No. ISSUE NO.296 261••October FEBRUARY 27, 2026 08, 2026

THEWILL DOWNTOWN • www.thewilldowntown.com

FASHION

BY DORCAS AKINTOYE

THE ULTIMATE GUIDE TO DRESSING IN YOUR 40S AND 50S

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etting dressed in your 40s and 50s does not mean you have to stop enjoying fashion. This can be the perfect time to become more confident about your personal style. You know what you like, what makes you comfortable, and what works for you. Instead of trying to look younger, focus on looking polished, confident, and like yourself. It is less about age and more about finding clothes that feel natural, flattering, practical, and true to your everyday life now. Here’s your ultimate guide to dressing in your 40s and 50s.

THEWILL DOWNTOWN • www.thewilldowntown.com

Issue No. 296 • October 11, 2026

FASHION PRIORITISE FIT OVER TRENDS One of the easiest ways to make any outfit look better is to make sure it fits properly. Clothes that are too tight can feel uncomfortable, while oversized pieces can sometimes make your outfit look untidy. Look for clothes that follow your shape without clinging to your body. Pay attention to the length of your trous ers, sleeves, skirts, and dresse s. If a favourite piece does not fit perfectly, consider taking it to a tailor. A sm all adjustment around the waist, shoulders, or hem can completely change how the outfit looks on you.

EMBRACE COLOUR, PRINTS, AND YOUR PERSONAL STYLE Getting older does not mean you have to dress only in black, brown, beige, or other neutral shades. If you love colour, wear it. If you enjoy prints, do not be afraid to include them in your wardrobe.The key is choosing colours and patterns that make you feel comfortable and confident.Your clothes should reflect your personality, not an idea of what women your age are supposed to wear.

BUILD A TIMELESS, VERSATILE WARDROBE

You do not need a wardrobe full of clothes to dr ess well. Instead, inve st in pieces that can be worn in different ways. A w ell-fitting pair of trousers, qu ality jeans, button-dow n shirts, blouses, midi dres ses, skirts, and blazers can fo rm the foundation of your wardrobe. Choose pieces in colours that work well toge ther so you can create se veral outfits from a few items. A blazer can be worn with jeans for a relaxed look or w ith tailored trousers for a polis hed outfit. This makes getting dressed easier and helps yo u avoid unnecessar y shop ping.

CHOOSE POLISHED SHOES AND ACCESSORIES

Shoes and accessories can change a simple outfit. A structured handbag, ele gant earrings, a watch, a belt, a scarf, or a necklace can make your look feel more stylis h without much effort. Co mfort is also important.You do not need extremely high he els to look stylish. Loafers, fla ts, block heels, low heels, an d clean sneakers can all loo k polished when paired wi th the right outfit.

Dressing in your 40s and 50s is not about following strict rules. It is about understanding what works for you and wearing it with confidence.

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Issue No. 296 • October 11, 2026

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THEWILL DOWNTOWN • www.thewilldowntown.com

Issue No. 296 • October 11, 2026

#UNSHAKABLE TRUTHS

SALLY CHIWUZIE

UNTOLD TRUTHS @unshakable.is.a.state.of.mind

Why Must I Have One Best Friend? (Part One)

“

ho is your best friend?” I never know why I am expected to answer that question with one name. I could tell you about the people I love, but why must one of them win? I have childhood besties who are more like siblings. We have known each other through versions of ourselves that newer friends would barely recognise. I have favourite family members who make our blood connection even more special because, given the choice, I would still choose their company. Then there are the friends life has introduced along the way: my neighbourhood homies, my running and workout crews, and the people I met through work, chance conversations and experiences I could never have planned. Even social media has brought some of the people I love most into my life. That is how extroverted my heart is; apparently, it makes friends everywhere. Some have walked beside me for decades; others arrived recently and somehow felt familiar almost at once. How lucky am I? I have always loved people from every walk of life. I love interacting with them, hearing their stories and discovering the person behind the version they first present to the world. It is probably why I am a writer. There is always more to someone than the first thing you notice. One of the gifts of my extroverted heart is that I get to tease out parts of people they might not show everyone. In turn, they experience parts of me that complement them, and sometimes compliment

build something. I can acknowledge that closeness without making everyone else a runner-up. A newer friend should not have to wait twenty years to matter, and an old friend should not have to share every new interest to remain precious. I want my friendships to blossom beautifully, honestly and transparently, with room for both of us to keep becoming. That means remembering that my friends have whole lives beyond their relationship with me. I want to be curious about their changes, make room for their needs and give them the attention I so enjoy receiving. Loving people requires more than enjoying how they make us feel. Perhaps the question is less “Who is your best friend?” and more “Who are the people you get to do life with?” One may have held your hand through loss, while another makes an ordinary Tuesday feel like an adventure. I could name people in both places, and sometimes the same person in each.

them too. With one friend I am mischievous; with another I can be still. Someone else brings out the storyteller, the fighter, or the woman who will say the thing everyone is thinking. None of these friendships makes me less myself. Each gives something in me room to breathe. God gave me what feels like a million personalities and an extroverted heart big enough to house them. Why would I hand one friend the responsibility of meeting every one of them? That sounds exhausting for us both. Of course I have seasonal favourites and an inner caucus. Some friends are closer because we have experienced more together, trusted each other with more, or had more time to

Perhaps the #Unshakable truth is this: no one friend has to hold all of you for you to be deeply loved, and loving people differently does not make that love any less real. As for those favourites, I love them hard and intentionally. There is never anything lackadaisical or nonchalant about my love. Not ever. If I love you, you will never have to wonder; you will know through my words, my effort and the way I make room for you. That extends to romantic relationships too. Perhaps that is why “it’s complicated” has never resonated with me. Circumstances can be complicated, but my love should not leave you guessing. When all my personalities and I are ready to give our thoughts on that, we shall call it Part Two. ‘See’ you next week.

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Issue No. 296 • October 11, 2026

THEWILL DOWNTOWN • www.thewilldowntown.com

COVER

FAMILY LEGACY The Next Generation Stepping In

Bella Disu

BY NATO CHIMA

cross the world, some of the most recognisable names in business, entertainment, politics, law, sports and media carry stories that began generations ago. From influential African business dynasties to celebrated Black families in Hollywood, professional sports and public life, legacies are built through ambition, sacrifice, talent and the determination to create something that outlives its founders. Today, a new generation is stepping forward, bringing fresh ideas, different ambitions and their own interpretations of what it means to carry a family name. For some, this means taking leadership positions in established companies. For others, it involves extending a parent's creative influence, continuing a professional tradition or building upon a reputation that has become part of a wider cultural history. However, inheriting a legacy is not quite the same as inheriting an achievement. A familiar surname may open doors, attract attention and create valuable connections, but it can also bring expectations that are difficult to escape. The next generation must contend with questions of competence, independence and identity, demonstrating that their contributions extend beyond their family connections. Some choose to preserve what previous generations established, while others challenge existing practices, introduce new ideas or pursue entirely different paths. Across continents and industries, these transitions take different forms. Young executives are entering corporate leadership, musicians and filmmakers are reinterpreting family traditions, athletes are following in the footsteps of remarkable athletes, and professionals are extending established reputations into new fields. Their experiences reveal how a legacy can evolve rather than simply remain unchanged. They also invite a closer examination of succession, responsibility and the balance between honouring the past and creating something original. The Next Generation Stepping In explores the individuals carrying these names into a new era, examining what it takes to inherit influence, earn credibility and transform an established family identity into a meaningful contribution of their own.

Ladi Balogun Ladi Balogun’s career represents the evolution of a family-founded financial institution into a major player in Nigeria’s banking industry. The son of the late Otunba Subomi Balogun, founder of First City Monument Bank (FCMB), Ladi built his own banking experience before taking on leadership responsibilities within the group. After beginning his career at Morgan Grenfell in London and later working with Citibank in New York, he returned to Nigeria in 1996 and joined FCMB. He rose through several executive positions, becoming managing director of the bank before assuming leadership of FCMB Group in 2017. During his tenure, the group expanded across commercial banking, investment management, consumer finance and pension administration. His journey illustrates how the next generation can inherit an institution’s founding vision while applying international experience and contemporary business thinking to its continued development.

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Bella Disu is building her own legacy within the business empire established by her father, Nigerian industrialist Mike Adenuga. As Executive Vice Chairman of Globacom, she occupies a leadership position in one of Africa’s prominent telecommunications companies, contributing to its strategic direction and continued growth. Her professional interests extend beyond telecommunications into property development, construction and manufacturing, with board roles at companies including Julius Berger Nigeria and Abumet. She has also served as chief executive of Cobblestone Properties and Estates, demonstrating her experience across different sectors. Yet Disu’s influence is not limited to corporate leadership. Through the Bella Disu Foundation, she supports initiatives focused on education and opportunities for disadvantaged children, while her involvement in arts and cultural institutions reflects a broader interest in preserving and promoting creative expression. Her career illustrates the many dimensions of family legacy: sustaining a major business, developing expertise across industries and using influence to support causes beyond the boardroom. Rather than being defined solely by her connection to Mike Adenuga, Disu has established a professional identity shaped by executive leadership, philanthropy and cultural engagement.

Fatima Dangote Fatima Dangote is taking on an increasingly significant role in the industrial enterprise built by her father, Aliko Dangote. A lawyer by training, she began her professional career in legal practice before moving into strategy, commercial operations and business leadership. Her experience has included serving as Executive Director, Commercial at NASCON Allied Industries, running independent businesses in confectionery and real estate, and contributing to the work of the Aliko Dangote Foundation. In February 2026, she was appointed Group Executive Director, Commercial Operations, overseeing Dangote Industries’ oil and gas, fertiliser and upstream businesses. The appointment places her in a crucial role within the group’s expanding industrial portfolio, at a time when largescale energy and manufacturing projects are reshaping Africa’s economic landscape. Her responsibilities involve more than carrying a prominent surname; they require commercial judgement, coordination and the ability to navigate complex operations. Fatima represents a new generation of family leadership working within an established conglomerate while helping direct its next phase of growth. Her trajectory also highlights the growing visibility of women in senior positions across major African businesses.

Mariya Aliko Dangote Mariya Aliko Dangote is emerging as a key figure in the next phase of her family’s industrial enterprise. As Group Executive Director of Commercial Operations for Dangote Industries’ cement and food businesses, she oversees commercial leadership across sectors central to the conglomerate’s operations. She joined the group in 2016 after completing an MBA at Coventry University, initially working in business strategy and risk management before taking on broader operational responsibilities. Her career has included leadership at Dangote Sugar Refinery and board positions at major subsidiaries, including Dangote Cement and Dangote Sugar Refinery. With a background in law and business administration, Mariya brings a combination of analytical training and commercial experience to her responsibilities. Her progression illustrates a deliberate approach to succession: developing expertise within the organisation before assuming wider leadership duties. As the group pursues ambitious expansion plans, her role places her among the next generation helping shape its long-term direction.

THEWILL DOWNTOWN • www.thewilldowntown.com

Issue No. 296 • October 11, 2026

COVER Halima Aliko Dangote

Halima Aliko Dangote is helping guide the international ambitions of the industrial empire founded by her father, Aliko Dangote. As Group Executive Director of the Dangote Family Office and International Offices in Dubai and London, she works across strategic management, new business development and the coordination of the group’s international interests. Her career began as a business analyst at KPMG before she joined Dangote Industries in 2008, progressing through responsibilities in sales, marketing and executive management. She has also served as an executive director at NASCON Allied Industries and Dangote Flour Mills, gaining experience across different parts of the conglomerate. Beyond corporate leadership, she serves as a trustee of the Aliko Dangote Foundation. Her career demonstrates how the next generation can contribute to a family enterprise through professional experience, strategic thinking and the capacity to manage an increasingly international business portfolio.

Uchenna Cynthia Ezenna-Gboneme Uchenna Cynthia Ezenna-Gboneme is helping shape the next chapter of Orange Group, the healthcare and consumer goods business founded by her father, Tony Ezenna. As the company’s Media and Communications Director, she works at the intersection of corporate reputation, brand strategy and communication, bringing a contemporary perspective to a business with an established presence in Nigeria. Her background spans marketing, communications and branding, supported by an economics degree from Boston University and further training in digital business. Beyond her corporate responsibilities, Ezenna-Gboneme has become a voice in conversations about family enterprise and succession. In 2023, she launched the Generational Business podcast, exploring the experiences, structures and relationships that influence the survival of family-owned businesses. The project reflects her interest in understanding what allows businesses to thrive across generations, particularly in environments where family ties and professional responsibilities often overlap. Her contribution to Orange Group therefore extends beyond communicating its identity: she is also examining the questions that determine whether family enterprises can endure. By combining corporate experience with a platform for knowledge-sharing, Ezenna-Gboneme is helping bring succession and generational leadership into wider business conversations.

Erhiatake Ibori-Suenu Erhiatake Ibori-Suenu has built a public career spanning entrepreneurship, humanitarian work and politics. The daughter of former Delta State governor James Ibori, she entered the Delta State House of Assembly in 2015 before moving to the House of Representatives in 2023, representing Ethiope East and Ethiope West. Her work has included community-focused initiatives through the Starlite Hopes Initiative, particularly in healthcare and social support. In the National Assembly, she has taken on responsibilities connected to Niger Delta development, including chairing the House Committee on the Niger Delta Development Commission. Her publicly stated priorities include healthcare access, education, agricultural development and opportunities for women and young people. Her trajectory reflects a transition from a family associated with Delta State politics into a public role of her own, where representation, community development and legislative responsibilities form the next chapter of her story.

Chidi Ajaere

Chidi Ajaere has helped take his family’s transport business beyond its original intercity travel model. The son of the late Edwin Ajaere, who founded God Is Good Motors in 1998, Chidi assumed leadership responsibilities following his father’s death in 2009. Under his direction, the business strengthened its digital booking systems and expanded its transport operations, while the wider GIG Group entered new markets. In 2012, he established GIG Logistics, extending the company’s reach into courier services, e-commerce deliveries and shipment tracking. He later founded Jet Systems Automobile Industries, an indigenous vehicle manufacturing venture focused on electric and compressed natural gas vehicles. These developments show a generational shift from conventional road transport into logistics technology and vehicle manufacturing. Rather than simply maintaining an inherited enterprise, Ajaere has pursued new business lines that respond to changing mobility, delivery and transportation needs in Nigeria and beyond.

Timothy Weah Timothy Weah inherited a football legacy from his father, George Weah, the former Liberian president and legendary striker who won the Ballon d’Or in 1995. But rather than following precisely the same path, Timothy has built his career in European football while representing the United States internationally. After developing at Paris Saint-Germain, he played for clubs including Lille and Juventus before joining Marseille on loan in 2025. His versatility has allowed him to operate in several attacking and defensive positions, making adaptability a defining feature of his career. Timothy’s appearance at the 2022 FIFA World Cup carried particular significance: his father never played at the tournament despite his extraordinary achievements. That moment connected two generations through football while highlighting their different journeys. Timothy’s story shows how a family legacy can provide inspiration without dictating the destination, allowing the next generation to honour its roots while shaping an identity through personal choices and achievements.

Neya Kalu

Neya Kalu is emerging as a prominent nextgeneration leader within the diversified business interests established by her father, Senator Orji Uzor Kalu. As Chairman of The Sun Publishing and Sun Heaven Hotels and Resorts, she holds leadership positions across media and hospitality while remaining involved in a broader portfolio spanning travel, transport, renewable energy, gaming, and real estate. Her entrepreneurial interests also include Base Coat, a nail salon business she founded and developed in Nigeria. In September 2026, she was named the recipient of the Emerging Next Gen Family Business Leader Award, recognising her role in building on her family’s entrepreneurial foundation while charting her own direction. Her work with the Neya Kalu Foundation and the OUK Foundation also reflects an interest in women’s and community empowerment. Kalu represents a generation expected not simply to preserve established businesses, but to strengthen them, diversify their reach and prepare them for changing markets.

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Issue No. 296 • October 11, 2026

THEWILL DOWNTOWN • www.thewilldowntown.com

COVER Debbie IzamojeOkolie

Debbie Izamoje-Okolie represents a compelling example of a daughter taking the reins of a media institution built by her father. As CEO of Brila Media Group, she is continuing the legacy of veteran sports journalist Larry Izamoje, who established Brila FM as a pioneering sports radio station in Nigeria. Having spent nine years within the business before becoming CEO, Debbie understands the organisation beyond its family connections. Under her leadership, Brila has expanded beyond traditional radio into a broader sports media ecosystem, embracing digital platforms, streaming, events and new audience engagement strategies. Her approach combines respect for the institution’s history with the need to evolve alongside changing media consumption habits. Her journey demonstrates that successful succession is not simply about preserving what a parent created; it is about building the capacity to keep that achievement relevant for another generation.

Femi Adebayo

For Femi Adebayo, acting was more than a career choice; it was a family tradition. The son of veteran Yoruba actor Adebayo Salami, popularly known as Oga Bello, he grew up around the craft of filmmaking and began attracting attention with his performance in Owo Blow in 1996. However, Femi has built an identity that extends beyond his famous surname, establishing himself as an actor, director, producer, and lawyer. His productions, including King of Thieves and Jagun Jagun, have demonstrated his ability to combine Yoruba storytelling with ambitious filmmaking and commercial appeal. Having appeared in hundreds of films, he has become a significant figure in contemporary Nigerian cinema. His journey illustrates how a family’s creative heritage can provide an introduction to an industry while individual vision, discipline and storytelling determine how far the next generation travels.

Made Kuti For Made Kuti, music is both a family inheritance and a platform for personal expression. The son of Afrobeat musician Femi Kuti and grandson of the legendary Fela Anikulapo-Kuti, Made grew up surrounded by the rhythms and political consciousness that shaped one of Africa’s most influential musical dynasties. He began performing with his father’s band, Positive Force, as a child before studying at London’s Trinity Laban Conservatoire. As a multi-instrumentalist, singer and composer, he has developed a contemporary Afrobeat sound that addresses social inequality, corruption and personal freedom. His debut album, For(e)ward, released alongside his father’s Stop the Hate as the joint project Legacy+, earned a Grammy nomination in 2022. Made’s work demonstrates that preserving a musical legacy does not require repeating the past; it can mean carrying its spirit into new conversations and sounds.

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Clarence Peters Clarence Peters was born into Nigerian entertainment royalty: his father is AfroJuju music icon Sir Shina Peters, while his mother is celebrated actress Clarion Chukwura. Yet he has established his own reputation through the camera rather than the microphone or acting stage. After studying film production at CityVarsity School of Media and Creative Arts in Cape Town, he returned to Nigeria and built a career as a music video director, cinematographer and filmmaker. Through Capital Dream Pictures, he has helped shape the visual identity of Nigerian music, collaborating with major artistes and producing memorable videos that combine storytelling with striking imagery. He has also expanded into film and television, including the Netflix series Inside Life. Peters’ journey illustrates how creative inheritance can take an unexpected form. Drawing from his parents’ artistic backgrounds, he has created a distinct visual language and become an influential figure in the evolution of Nigerian screen culture.

Yul Edochie Yul Edochie grew up in the shadow of one of Nollywood’s most recognisable figures, his father, veteran actor Pete Edochie. Rather than remaining on the sidelines of that legacy, he entered the film industry in 2005 and gradually built a screen identity of his own. Known for his commanding voice and strong performances, Yul has appeared in numerous Nigerian films and expanded his activities into filmmaking, acting training and public life. His career demonstrates both the opportunities and pressures that accompany a celebrated surname: familiarity can attract attention, but sustaining a place in a competitive industry requires individual effort. While his father helped define an earlier era of Nigerian cinema, Yul belongs to a generation navigating an industry transformed by digital distribution, changing audiences and new forms of celebrity. His journey reflects the continuing evolution of the Edochie family’s connection to entertainment, with each generation contributing its own personality and public story.

Sola Kosoko

Sola Kosoko’s introduction to filmmaking came early, shaped by growing up in the family of veteran actor and filmmaker Jide Kosoko. She made her first screen appearance as a child and later developed a career spanning acting, producing and directing. A sociology graduate of Olabisi Onabanjo University, she has built a lasting presence in Yorubalanguage cinema while appearing in productions across Nollywood. Her experience reflects a family tradition that extends beyond her father: several of Jide Kosoko’s children have pursued careers in the entertainment industry, creating a multigenerational connection to Nigerian storytelling. Yet Sola’s work is not simply an extension of her father’s reputation. Through her own performances and production projects, she has contributed to the industry’s continuing growth and helped bring stories to diverse audiences. Her journey demonstrates how a creative legacy can offer early exposure and guidance while leaving room for the next generation to develop its own voice.

THEWILL DOWNTOWN • www.thewilldowntown.com

Issue No. 296 • October 11, 2026

COVER Bello El-Rufai

Bello El-Rufai has entered Nigerian public life through a family closely associated with politics and governance. The son of former Kaduna State Governor Nasir El-Rufai, he represents Kaduna North Federal Constituency in the House of Representatives. Elected in 2023, Bello has begun establishing his own political record while navigating the visibility and expectations that accompany his family name. In 2026, he left the All Progressives Congress and joined the African Democratic Congress, subsequently securing the party’s ticket to contest the constituency again. His political journey reflects the complicated relationship between inherited public recognition and individual accountability. While his father’s career has made the El-Rufai name familiar in Nigerian politics, Bello’s long-term standing will depend on his legislative contributions, engagement with constituents and ability to articulate a political vision of his own.

Olumide Osoba

Olumide Osoba represents the continuation of a family tradition in Nigerian public service. The son of Olusegun Osoba, former governor of Ogun State and veteran journalist, he has built a political career of his own as a member of the House of Representatives, representing Abeokuta North, ObafemiOwode and Odeda Federal Constituency. A member of the All Progressives Congress, Olumide has remained active in national politics, securing his party’s nomination for another term in 2026. His career places him within a broader story of political families whose influence stretches across generations. Yet public office brings responsibilities that cannot be fulfilled through a surname alone. His continued relevance will depend on representation, constituency engagement and the practical outcomes of his legislative work. Through his own political choices and public record, Olumide is shaping what the Osoba name means to a new generation of voters in Ogun State

Regina Daniels Regina Daniels entered Nollywood as a child actress and steadily developed into one of the industry's recognisable young performers. The daughter of actress and film producer Rita Daniels, she grew up around filmmaking, gaining early exposure to the demands of acting and production. Over the years, Regina has appeared in numerous Nigerian films and expanded her interests into film production and public engagement. Her career reflects a family legacy built through direct participation in the entertainment industry, with her mother's experience providing an early connection to the craft. Yet Regina has also cultivated a distinct public identity through her screen roles, entrepreneurial interests and substantial social media following. Her journey demonstrates how early exposure can create opportunities while leaving the next generation to establish its own place in a competitive industry. As her career continues to evolve, her lasting contribution will be shaped by the work she chooses to pursue and the stories she helps bring to the screen.

Boluwatife Balogun (Champz)

Boluwatife Balogun, professionally known as Champz, is taking his first steps into music with one of Afrobeats' biggest names as his father: Wizkid. Rather than relying solely on that connection, the young rapper has begun developing his own sound and artistic identity. He officially launched his music career in November 2025 with Champion's Arrival, a five-track debut EP released through his independent label, Champz Music. His music blends Afrobeats influences with rap, personal storytelling and references to growing up under public scrutiny. In 2026, he followed up with another EP, Young Poet, and released the single Groove, continuing to build his catalogue. His emergence raises familiar questions about privilege, expectations and creative independence, but his early releases also offer a glimpse of an artist beginning to explore his own perspective. Champz represents the next generation of African music talent navigating the opportunities and pressures of inheriting a celebrated name.

Eyiyemi Afolayan Eyiyemi Afolayan is emerging as an actress in her own right while carrying forward a family tradition of Nigerian filmmaking. The daughter of acclaimed filmmaker Kunle Afolayan, she gained wider recognition for playing Princess Omowunmi in the film Aníkúlápó and its follow-up series, Aníkúlápó: Rise of the Spectre. Her performances introduced her to audiences drawn to the production's blend of Yoruba culture, historical imagination and contemporary storytelling. Growing up connected to a filmmaking family has given Eyiyemi an early view of the creative process, but establishing a lasting acting career requires more than familiarity with the industry. She belongs to a new generation of performers bringing Nigerian stories to audiences through major streaming platforms and ambitious screen productions. As she takes on further roles, her journey will be defined by the characters she chooses, the range she develops and the individual presence she brings to the screen.

Priscilla OjoMkambala

Priscilla Ojo-Mkambala is building a public identity that extends beyond being the daughter of Nollywood actress Iyabo Ojo. She has established herself as a social media influencer, fashion entrepreneur and lifestyle personality, connecting with a young audience through fashion, beauty and everyday lifestyle content. Her strong digital presence has also attracted commercial partnerships, including a 2025 collaboration with smartphone brand itel. In 2025, she married Tanzanian singer Juma Jux, creating a cross-cultural celebrity partnership that has expanded her visibility beyond Nigeria. Priscilla represents a generation that understands how influence can become a business asset, transforming online visibility into brand opportunities and entrepreneurial ventures. Her journey illustrates how children of established entertainers can build careers in adjacent industries, using the recognition associated with their family backgrounds while developing their own audiences, commercial identities and ambitions.

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Issue No. 296 • October 11, 2026

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THEWILL DOWNTOWN • www.thewilldowntown.com

Issue No. 296 • October 11, 2026

LUXURY SILK

ADA OBIAJUNWA @aaddaahh

here was no reason she needed to

CLICK. CLICK. She smiled. She had found him. She followed him for as long as she could see him. He kept walking. Every so often. Click. Click. Then he passed beyond the part of the road she could see.

know. The sound had been coming and going for a while. Click. Click. Then nothing. A few minutes later. Click. Click. She looked up. She had been sitting in her usual corner of the rooftop at work, where the breeze found her easily. From eight floors up, Lagos spread out around her. Office buildings. Rooftops. Construction. Roads threading between them. Farther out, the water. Below, cars moved along the road. A motorcycle slipped between them. Someone was leaning on a horn as though the car in front might eventually respond to sustained pressure. People appeared from buildings and disappeared again. You could watch Lagos without Lagos requiring anything from you. No traffic to negotiate. No one asking where you were. No delivery rider announcing he was at your gate when he was quite clearly at somebody else’s. Just the city below and the breeze where she was. Then. Click. Click. She looked over the edge. Nothing. She went back to what she was doing. A few minutes passed. Click. Click. There it was again. This time she paid attention. She looked towards the road where she thought it had come from. Waited. Nothing.

Then. Click. Click. But farther away. She frowned. That was when she realised. Oh. The sound was moving. Now she needed to know. There was absolutely no reason she needed to know. This changed nothing about her day. But apparently that was no longer relevant. She got up and went closer to the edge. There was a surprising amount of street to search from eight floors up. A woman stood beside a gate. Two men were talking near a parked car. Someone crossed the road carrying something she couldn’t make out from that height. A car was reversing into the road, slowly holding everyone up while its driver completed whatever private arrangement he had made with Lagos. None of them seemed connected to the sound. She waited. Click. Click. There. Her eyes moved in the direction of it. Nothing. Again. Click. Click. Farther along. She followed it with her ears first, then searched with her eyes. Eventually she found a man walking along the street. She watched him. A little farther down the road. Click. Click. There.

The sound stayed a little longer. Fainter now. Click. Click. And then that disappeared too. She sat back down. She wondered how many streets he would walk that day. How many times he would make that sound before someone called him over. Another day, she heard it again. Click. Click. She looked up. This time she didn’t get out of her chair. She listened until the sound moved farther away, then went back to what she was doing. Another afternoon. Click. Click. She barely looked up. It passed somewhere below and folded itself into the traffic, the horns, the voices, the generators. Then one afternoon, she was sitting in her usual place when she heard it. Click. Click. She smiled. Before she could look. Click. Click. She stopped. That one had come from somewhere else. She listened. Click. Click. Then, from the other direction. Click. Click. She laughed. My friends are hustling again. She stayed where she was. Below her, the sounds moved off in different directions.

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Issue No. 296 • October 11, 2026

THEWILL DOWNTOWN • www.thewilldowntown.com

BEAUTY

5 BEAUTY PRODUCTS YOU DON'T NEED TO USE EVERY DAY BY DORCAS AKINTOYE

t is easy to think that using more beauty products every day will give you better results, but that's not true. Some beauty products are made to be used only a few times a week because daily use can leave your skin dry, irritated or sensitive. In this article, we will show you five beauty products you do not need to use every day.

FACIAL SCRUBS Facial scrubs can help remove dead skin cells and leave your skin feeling smooth. However, using them every day can be too harsh, especially if the scrub contains rough particles. Overscrubbing can irritate the skin and may cause dryness, redness, and sensitivity. Instead of scrubbing your face daily, use a gentle exfoliating product a few times a week, depending on your skin type and the product's instructions. If your skin feels tight or uncomfortable after exfoliating, that may be a sign that you are doing too much.

FACE MASKS Face masks can be a nice extra step when your skin needs more care. Clay masks, for example, can help absorb excess oil, while hydrating masks can give dry skin extra moisture. But that does not mean you need a mask every day. Using certain masks too often can dry out the skin or cause irritation. For most people, using a mask once or twice a week is enough. The key is to choose one that matches what your skin actually needs.

EXFOLIATING ACIDS Products containing ingredients such as glycolic acid, lactic acid or salicylic acid can help improve the appearance of the skin by removing dead skin cells. However, these ingredients are powerful, and using them too often can weaken the skin barrier. If you are new to exfoliating acids, start slowly and follow the instructions on the product. You may only need to use them a few times a week rather than every day. Also, wearing sunscreen during the day is important when using exfoliating products.

DRY SHAMPOO Dry shampoo is useful when you do not have time to wash your hair. It absorbs oil from the scalp, making the hair look fresher. However, it should not replace regular hair washing. Using dry shampoo repeatedly without properly cleaning the scalp can lead to product buildup. This may make the scalp feel itchy or uncomfortable. Use it when you need it, but give your scalp proper cleansing regularly.

HAIR MASKS Hair masks are designed to give the hair extra moisture, softness or conditioning. They can be especially helpful when your hair feels dry or damaged. But unlike your regular conditioner, you usually do not need to use a hair mask every day. Using one too often can leave some hair types feeling heavy, greasy or coated with product. Depending on your hair's needs, once a week or a few times a month may be enough.

A good beauty routine is not about using everything every day. It is about knowing what your skin and hair need and giving them the right amount of care. Sometimes, when it comes to your skin, less really is more.

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Issue THEWILL No. 296 •DOWNTOWN October 11,•2026 www.thewilldowntown.com

THEWILL DOWNTOWNIssue • www.thewilldowntown.com No. 296 • October 11, 2026

HEALTH

How Not Asking For Help Affects Men’s Health BY VICTORIA DAIRO

or some men, asking for help can feel harder than dealing with the problem itself. Whether it is stress at work, financial pressure, relationship difficulties or concerns about their health, many men are used to handling things on their own. They may keep their struggles private because they do not want to appear weak or unable to cope. While independence can be valuable, constantly feeling the need to manage everything alone can come at a cost. Problems that are ignored or kept inside for too long can affect a man’s emotional wellbeing, relationships and physical health.

WHY ASKING FOR HELP CAN FEEL DIFFICULT

Many men grow up with the expectation that they should be strong, self-reliant and able to handle difficult situations. These expectations can make vulnerability uncomfortable, especially when a problem involves emotions. Some may worry about being judged or misunderstood, while others may believe their problems are not serious enough to discuss. As a result, they may choose to remain silent and try to work through everything alone.

WHEN STRESS IS KEPT INSIDE

HOW SILENCE CAN AFFECT RELATIONSHIPS

Not talking about a problem does not necessarily make it disappear. Work pressure, financial concerns, family responsibilities and personal difficulties can build up when there is no opportunity to address them. Over time, constant stress can affect mood, concentration, sleep and everyday life. A man may become withdrawn, irritable or exhausted without realising how much pressure he is carrying.

Keeping struggles to yourself can create distance from the people who care about you. When someone is dealing with stress but does not communicate, partners, friends and family may not understand what is happening. Opening up does not mean sharing everything at once. Sometimes, simply telling someone that you are struggling can be the first step towards getting support.

THE EFFECT ON PHYSICAL HEALTH

ASKING FOR HELP IS PART OF TAKING CARE OF YOURSELF

Mental and physical health are closely connected. Prolonged stress can affect sleep, energy levels and the body’s ability to cope with everyday demands. Not asking for help can also mean delaying medical attention. Some men may ignore symptoms, postpone check-ups or wait until a health concern becomes more serious before seeing a doctor. Seeking medical advice early can make it easier to identify and address potential problems.

Asking for help does not mean a man is incapable of handling his responsibilities. It can mean recognising when support is needed and being willing to seek it. Whether it is speaking with someone you trust, talking to a professional or making an appointment with a doctor, reaching out can be an important part of looking after your health.

Taking care of yourself means knowing when you do not have to handle everything alone. Speaking up when something is wrong, accepting support, and seeking professional advice when needed are all ways to take your health seriously.

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Issue No. 296 • October 11, 2026

THEWILL DOWNTOWN • www.thewilldowntown.com

DÉCOR

5 Ways to Choose Artwork That Works With Your Home Interior CHOOSE A SIZE THAT FITS THE SPACE The size of your artwork matters just as much as its design. A very small artwork can look lost on a large empty wall, while a very large piece can make a small room feel crowded. Before buying anything, measure the wall where you want to hang the artwork. Think about the furniture below it too. You can also place smaller pieces together to create a gallery wall.

MATCH THE STYLE OF YOUR HOME Your artwork should work with the style already present in your home. If your interior has a simple and modern look, clean designs, abstract pieces, or simple photographs may fit well. A home with a more traditional style may work better with classic paintings, portraits, or detailed artwork. This does not mean everything has to look the same. You can mix different styles, but there should still be something that connects the pieces to the room.

BY DORCAS AKINTOYE Artwork can change the feel of a room. The right painting, photograph, or wall piece can make a space feel warmer, more stylish, and more complete. However, choosing artwork is not just about picking something beautiful. It should also work with the colours, furniture, size, and overall style of your home. If you are unsure what to put on your walls, here are five tips to help you make the right choice.

CONSIDER THE COLOURS IN THE ROOM Look around your room before choosing an artwork. Pay attention to the colours of your walls, curtains, rugs, sofas, and other furniture. Your artwork does not have to match every colour in the room, but it should have shades that work well with them. This helps the artwork feel connected to the rest of the room instead of looking out of place.

THINK ABOUT THE MOOD YOU WANT

Artwork can affect how a room feels, so think about the mood you want to create. Soft landscapes, nature prints, and gentle colours can make a room feel calm and relaxed. Bright colours and bold designs can bring energy and personality to the space.

CHOOSE SOMETHING YOU ACTUALLY LIKE

Always go for artwork that speaks to you. Trends can be useful for inspiration, but your home should reflect your taste and personality. You will see the artwork regularly, so it should be something you enjoy looking at.

Whether it reminds you of a place you love, reflects your interests, or simply makes you happy, personal artwork can make your home feel more special. A beautiful home is not only about following design rules; it is also about creating a space that feels like yours.

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Issue No. No. 296 296 •• October October 11, 11, 2026 2026 Issue

CAREER

HOW TO PROTECT YOUR AMBITION WITHOUT BURNING OUT BY JOHNSON CHUKWUEKE

eing ambitious often means taking on more responsibility, working towards promotions and pushing yourself to achieve bigger goals. But when your workload keeps growing, and your energy keeps shrinking, something has to give. You may find yourself working late every day, struggling to concentrate or feeling guilty whenever you take a break. Career burnout does not always mean you hate your job. Sometimes, it means the way you are working is no longer sustainable. Here are practical ways to protect your ambition without running yourself into the ground.

IDENTIFY WHAT IS ACTUALLY DRAINING YOU

Before making drastic career decisions, identify what is leaving you exhausted. Is it an unrealistic workload, unclear expectations, constant meetings, a difficult manager or the pressure you put on yourself? For one week, note the tasks and situations that leave you most drained. Look for patterns. You may discover that the problem is not your entire career but a specific responsibility, habit or workplace expectation that needs to change.

PUT BOUNDARIES AROUND YOUR WORKDAY Decide when your workday should end and establish a routine for switching off. This could mean closing your laptop at a set time, muting non-urgent notifications or avoiding emails during meals. Some jobs require flexibility, but constant availability should not automatically become the standard.

STOP TREATING EVERY TASK AS URGENT When everything feels important, you can spend the entire day working without making meaningful progress. Start each morning by identifying your three most important tasks. Separate genuine deadlines from requests that can wait, and avoid saying yes before checking your existing workload. If everything cannot be completed on time, speak to your manager about priorities rather than quietly absorbing the pressure. Being organised also means being realistic about what one person can accomplish.

SCHEDULE REST BEFORE YOU NEED IT Do not wait until you are completely exhausted to take a break. Use your annual leave, take lunch away from your desk and step away from your screen between demanding tasks. Protect time for activities unrelated to career advancement. Rest is easier to maintain when it is part of your routine rather than something you squeeze in after everything else is done.

KNOW WHEN A BIGGER CHANGE IS NECESSARY

Sometimes, better time management is not enough. If your workload remains unreasonable, your boundaries are repeatedly ignored, or you continue to feel exhausted despite making changes, consider discussing adjustments, seeking support from HR, or exploring other roles. Persistent fatigue, sleep problems, anxiety or difficulty functioning may also warrant speaking with a qualified health professional. Don’t wait until you reach breaking point before asking for help. Ambition should help you build a fulfilling career, not leave you with no energy to enjoy the life you are working towards. If the problem is rooted in your workplace, address it rather than assuming you need to become more resilient. You can take your career seriously without sacrificing your well-being to prove it.

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Issue No. 296 • October 11, 2026

THEWILL DOWNTOWN • www.thewilldowntown.com

BON APPÉTIT

THE AIR FRYER EDIT EASY RECIPES WORTH TRYING

he air fryer has officially moved from “nice kitchen gadget” to household essential. For anyone who loves good food but does not love spending forever in the kitchen, it is basically a countertop shortcut. It can crisp, roast, and cook everything from breakfast favourites to late-night snacks with considerably less oil than traditional frying. Whether you are cooking for yourself, feeding friends, or simply trying to make your meals more interesting, these easy recipes are worth adding to your rotation.

BY NATO CHIMA

CRISPY CHICKEN WINGS Few things make an air fryer look more impressive than chicken wings. Season your wings with paprika, garlic powder, black pepper, salt, and your favourite spice blend, then cook until golden and crisp. Toss them in barbecue sauce, honey-garlic glaze or pepper sauce afterwards. Serve with a simple dip and suddenly, Tuesday night feels like game night.

AIR-FRIED PLANTAIN

If you already love fried plantain, prepare to become obsessed with this version. Slice a ripe but firm plantain, lightly brush with oil, and season with a little salt before airfrying until the edges are beautifully golden. Eat it alongside eggs, rice, or grilled chicken, or enjoy it on its own when snack cravings hit.

LOADED POTATO WEDGES

CRISPY FISH Fish does not need to be complicated. Season fillets with garlic, paprika, black pepper, salt and a squeeze of lemon. For extra crunch, coat them lightly in breadcrumbs before placing them in the air fryer. The result is a golden exterior with tender fish inside. Pair it with salad, vegetables or chips for an easy weekday dinner.

CHOCOLATEBANANA BITES Yes, your air fryer can handle dessert too. Slice bananas into thick pieces, dip or drizzle them with melted chocolate and sprinkle with crushed peanuts or coconut. Air-fry briefly until warm and slightly caramelised. They make a surprisingly satisfying sweet treat when you want dessert without committing to an entire cake.

Cut potatoes into wedges and toss them with a little oil, paprika, garlic powder and black pepper. Air-fry until crisp on the outside and soft on the inside, then top with cheese, spring onions, and a drizzle of your favourite sauce. It is the sort of snack that disappears suspiciously quickly when friends come around. The beauty of the air fryer is not that it magically makes every meal healthy or eliminates the need to cook. It makes everyday cooking easier, faster and more exciting. From spicy wings and sweet plantain to crispy fish and chocolatey banana bites, there is plenty to experiment with. Once you start discovering what yours can do, you may wonder how your kitchen survived without it.

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THEWILL DOWNTOWN • www.thewilldowntown.com

Issue No. 296 • October 11, 2026

DOWNTOWN CONFIDENTIAL

s e l c i n o r h c ’s y s s ca THE ATTRACTION

The movie ended, but I barely remembered what it was about. After the film, we went back to my place. Tunde started talking about the movie, but I wasn't listening. I stepped forward and hugged him tight, pressing my face into his chest to breathe in that intoxicating smell again. He laughed, surprised. "Cassy, what's wrong?" I smiled shyly. "Nothing. I just love the way you smell. I wanted to perceive it closely again." He pulled me in tighter. The warmth of his body and that scent overwhelmed me. I lifted my head and kissed him. To my shock, he kissed me back, his lips hungry. His hands slid down to grab my ass, pulling me against the hard bulge in his jeans. We stumbled to my bedroom, tearing at each other's clothes. He pushed me onto the bed and yanked off my top, his mouth latching onto my breasts. He sucked my nipples hard, biting gently while his fingers rubbed my clit through my panties. I moaned, arching my back as he slipped two fingers inside my wet pussy, thrusting them deep. Tunde pulled off his pants, his thick cock springing free. He was bigger than I imagined. I wrapped my hand around it, stroking him while he kissed down my stomach. When I couldn't take it anymore, I begged him to f@*k me. He climbed on top, rubbing his cock against my entrance before pushing in slowly. I gasped as he filled me, stretching my walls. He started thrusting hard, his hips slamming into mine while he sucked on my neck. I wrapped my legs around him, meeting every thrust. I came hard, my pussy clenching around his cock as he groaned and filled me with his cum.

thought I knew everything about my body until I found myself getting turned on by the scent on his body. Tunde and I had been friends for years. We grew up on the same street and even now shared secrets and laughed at each other's jokes. He was the guy I could talk to about anything, yet I kept one secret locked away. Every time he touched me, even casually, I got wet. I would always pretend that it never happened.

fragrance wrapped around me, making my nipples harden under my top. I squeezed my thighs together, trying to ignore the heat building between my legs. Inside the dark cinema hall, I couldn't focus on the movie. I was already thinking about him differently. I tried to focus on the movie, but my mind kept wandering. I imagined what it would feel like to finally stop pretending.

We planned a cinema date to watch the movie What it would be like to have his hands on me, I wouldn't stop talking about. That evening, Tunde came to pick me up. When he hugged to kiss him, to find out if all the things I had secretly imagined about him were anything me at my door, his scent hit me hard. It was close to reality. a deep, musky smell mixed with something woody and sweet, like oud and vanilla. The My panties were soaked, and I shifted in my seat, restless.

driving me wild.

We collapsed on the bed, sweaty and breathless, the scent of him still

For years, I had pretended my feelings would disappear if I ignored them long enough. They never did. He turned to me and smiled. “I've wanted to do this with you for a long time,” he said. I smiled. “So have I.” I rested my head on his chest, breathing in that familiar scent. Funny how one simple fragrance could uncover something I had spent years hiding. Maybe it was never really about the scent. Maybe I had just been waiting for an excuse to stop pretending I didn't want him.

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No. 296 • October 11, 2026 IssueIssue No. 296 • October 11, 2026

BY BOLUWATIFE ADESINA Scan this with your camera or click to access the playlist (Youtube Music)

Scan this with your camera or click to access the playlist (Spotify)

MOVIE REVIEW:

Forgotten Island since childhood but are now on the brink of separate life paths.

taying out all night and partying with your childhood best friend is a surefire way to savour the fragility of youth. But a send-off party that turns into a night of being chased by demons on an island steeped in Filipino mythology and racing to escape before you lose your memories forever? That’s the premise the young protagonists of Forgotten Island must face, with nothing but their wits, matching charm bracelets and a ragtag band of unlikely friends. DreamWorks Animation’s Forgotten Island hits theatres with lofty expectations — this is the same studio that brought us How to Train Your Dragon, Shrek and more unforgettable films. But writers and directors Joel Crawford and Januel Mercado, the filmmaking team behind Puss in Boots: The Last Wish, live up to those expectations and spin up a heartfelt original story (something all too rare in today’s remakeheavy world) about the power of friendship, set in a visually stunning animated fantasy world. Filipino American actor Liza Soberano (Lisa Frankenstein, Alone/Together) and Grammywinning Filipino American R&B star H.E.R. star as studious Raissa and carefree Jo, respectively, high school graduates in the Philippines who have been best friends

PAGEPAGE 20 20

When Jo and Raissa stumble upon a mysterious portal that transports them to the fantastical island of Nakali, they realise all the magical and mythological creatures they grew up hearing stories about from their Filipino families are, in fact, true.

DAMEDAME* - FIRE BURNIN' THRU THE RAIN

Sosocamo -There he go

Beyoncé - MORNING DEW (DONK)

As they race to find a way off the island before losing their memories, a chaotic journey through beautifully animated landscapes ensues, from bustling island villages to mysterious glowing caves and forests. You learn a lot of lore about the characters and the world itself along the way, but the addition of several unique animation styles within each scene makes for delightful films-withina-film.

Maeta - Come Again

SPINALL - WANT YOU

Yarden - Divine

We also meet a stellar supporting cast: Dave Franco plays luckless werewolf-dog Raww, Manny Jacinto voices fearful demon baby Bungi, and legendary Filipino singer/ actor Lea Salonga equally dazzles and terrifies as The Dreaded Manananggal, a vampiric creature from Filipino folklore with the ability to separate its upper torso from its lower body. While Jo and Raissa’s decisionmaking is overdramatic and questionable at times, really, what teenager on the brink of major life changes isn’t? The film’s comedic throughline is punctuated by poignant moments of vulnerability as each character grapples with all-too-relatable insecurities, from Jo’s fear of being constantly abandoned by loved ones to Raissa’s aversion to taking risks. You’ll soon find yourself rooting for our protagonists as they make life-changing sacrifices — and realising alongside them just how powerful a force friendship can be. In the face of high expectations, Forgotten Island delivers an animated spectacle that takes viewers on a decidedly unforgettable adventure with a hearty “Tayo na!” (“Let’s go!”) Rating: 8.5/10

These directors don’t miss

or less maintained the momentum that The Gentlemen has acquired an WATCH OF THE WEEK more odd, grandiose house style when it of the debut episode, Eddie and Susie

THE GENTLEMEN

SEASON 2

f you’ve never seen The Gentlemen, writer/ director Guy Ritchie’s spin-off from his own 2019 movie, you really should go back to the first episode of season one, which dropped on Netflix in 2024. That hour-long opener is one of the high points of Ritchie’s career, a taut miniature comedy thriller packed with ideas, where every scene is pure fun: the closing shot, of drug-addled Freddy Horniman (Daniel Ings) swaying across a stately home’s impeccable lawn, waving a recently discharged shotgun and wearing a chicken costume, is a Best of Guy Ritchie in one image. In the pilot, suave and capable soldier Eddie Horniman (Theo James) returned to England upon the death of his father, the Duke of Halstead, to learn that Pater had deviated from the usual tradition of leaving everything to the firstborn son, on account of his firstborn being Freddy, the aforementioned featherclad screw-up. Eddie inherited the family mansion and the dukedom instead and quickly learnt that the house came with an unexpected extra: a gigantic underground cannabis farm, run by incarcerated weed kingpin Bobby Glass (Ray Winstone) and his lieutenant in the field, his daughter Susie (Kaya Scodelario). Refusing to settle for the existing arrangement where the Horniman estate received bundles of cash in return for silent co-operation, Eddie involved himself in the drugs business and, across a first season that

became trusted business partners, seeing off threats to their empire while completing side quests involving naughty villains, roguish wrong’uns and cartoonish criminals, all of whom succumbed to Eddie’s ingenuity and Susie’s hard pragmatism.

As it returns for a second run, though, The Gentlemen looks like it might have gone stale. The new palaver lacks swagger, which is the one thing a Guy Ritchie production is meant to have: the first half of the season has three or four plot arcs, none of which it wants to fully invest in, and although it’s not totally devoid of larky set pieces, generally it’s what a show like this should never be: tentative and slow. Eddie gets involved, for reasons that flash by unconvincingly and ultimately don’t matter, with an Italian mafia boss and his daughter; Freddy languishes in rehab; Eddie and Susie infiltrate the Houses of Parliament in order to influence the vote on a bill to decriminalise cannabis. The last of those strands brings Hugh Bonneville to the cast for an enjoyable turn – his startled bouffant hair is endlessly amusing – as dissolute peer of the realm Lord Hawthorne. Mild capering ensues but, with Eddie apparently suffering some form of PTSD following a hit with even murkier ethics than usual, everything’s muffled and subdued. It doesn’t help

comes to dialogue: the whole point of Giancarlo Esposito’s character, eccentric American plutocrat Stanley Johnston, is that he talks in the florid language of a wannabe English aristocrat, but that malaise has seeped into the rest of the cast: everyone talks like a repressed 1930s butler. You shouldn’t ever have to be patient with a show like The Gentlemen – you should be entertained by every scene. Be patient, however, and the second half of season two reveals that all this aimless noodling has a point to it, and as the strands tie together, the story takes on a darker, harder edge, with proper stakes, real consequences and another closing image that grotesquely spoofs the shot of Freddy as a chicken. The Gentlemen is still alive. But it’s lost its cheeky grin.