THEWILL DOWNTOWN, December 03, 2023

VOL 3 NO. 49 • DECEMBER 03, 2023

EKU EDEWOR A Producer’s Vision, An Actress’s Passion, A Star’s Journey

VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

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VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

CONTENTS

EDITOR’S NOTE

12

Healthy Sweet Tooth

BON APPÉTIT

Photo: Kola Oshalusi @insignamedia Makeup: Zaron

13

BEAUTY

14

TRAVEL

15 LIVING

E

ku Edewor has been in the entertainment industry for over a decade. She started in Britain’s Next Top Model, then to TV show hosting and moved on to acting; now, she is producing. Eku always had a flair for producing; right from when she was a child, she and her twin sister would produce plays at home. As she grew older in university, she got her break in film while organizing a festival where she met a producer. She then got hired as a producer’s assistant, and that’s how her journey began. She didn’t go straight away into producing films; she started with commercials. In discussing the similarities between producing a film and a commercial, Edewor says, ”The creative process of films and commercials is similar; the production process, however, is a little different. In a commercial, you’re producing a very high-value short film/scene(s) that lasts a minute or a few minutes with a budget that can usually achieve most of the demands of the concept. With films, you’re producing 90-180 minutes of high-value content on a budget that is usually not adequate for the demands of the script, and you have to be creative, scrappy and pretty ingenious to figure it all out. I have shot commercials that have had the same budgets as films I’ve produced.”

On pages 8 through 10, you will find her story from actress to producer.

The fashion pages explore ways street style is the inspiration for high-fashion trends. You’ll find that on pages 4 and 5. While our décor page discusses minimalist designs, that’s on page 11.

Don’t miss out on the movie review page, which also has a playlist. All you have to do is click on the instructions beneath the QR codes on page 16 to download the music.

Until next week, enjoy your read.

16

Street Style 04-05 How Inspires High-Fashion REVIEW FASHION

Trends

Hair Care Chronicles:

Tips and Trends for Gorgeous, Healthy Locks

How To Save Money For That Upcoming Trip

Creating Your Vision Board For The New Year The Hunger Games: A Ballad Of Songs and Snakes

07

Understanding And Managing Sexual DOWNTOWN Expectations in A CONFIDENTIAL Relationship

8-10 Eku Edewor: COVER

11

DÉCOR

A Producer’s Vision, An Actress’s Passion, A Star’s Journey

Minimalist Home Decor Ideas

WHAT YOU SAID V O L 3 N O. 4 6 • N O V E M B E R 1 2 , 2 0 2 3

Odun Ogunbiyi @oddbodandthecity

- Contributing Editor Odunayo Ogunbiyi is an ex pharmacist with a passion for food and pampering. Writing about her exploits wherever in the world she may find herself is just her way of staying sane in this zany world.

LAGOS FASHION WEEK

THE MOST EPIC FASHION SHOWDOWN

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Boluwatife Adesina @bolugramm - Contributing Writer Boluwatife Adesina is a media writer and the helmer of the Downtown Review page. He’s probably in a cinema near you.

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PUBLISHER/EDITOR-IN-CHIEF Executive Editor: Onah Nwachukwu @onahluciaa Editor-at-Large: Danielle Loth Online Editor: Ntianu Obiora Writer: Ijeoma Ezeanyika Graphic Design: Olaniyan John ‘Blake’ Digital Media: Oladimeji Balogun Guest Art Director: Sunny Hughes ‘SunZA’

Dorcas Akintoye Dorcas Akintoye is a dedicated writer with more than 2 years prolific experience in writing articles ranging from food, entertainment, fashion and beauty. She has a National Diploma in Mass Communication from Kwara State Polytechnic, Ilorin. She loves writing, listening to music and playing scrabble. She is a highly-skilled, enthusiastic, selfmotivated professional writer.

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VOL 3 NO. 49 • DECEMBER 03, 2023

FASHION

THEWILL DOWNTOWN • www.thewilldowntown.com

How Street Style Inspires

High-Fashion Trends A

n interesting source of inspiration for high-fashion trends is street culture.

Fashion is a dynamic field that lives on ongoing growth. Street style has grown to be a significant factor on the runway, distinguished by its authenticity and diversity. This phenomenon is evidence of the dynamic interaction between what appears in the media and on catwalks.

Let’s explore six ways street style is a rich wellspring of inspiration for highfashion trends.

(1) INDIVIDUAL EXPRESSION UNLEASHED Individuality is celebrated in street style, as people transform into walking canvases showcasing themselves. High-end designers take note of this unbridled selfexpression and are inspired by the diverse range of patterns, colours, and styles. A bold runway trend can easily emerge from something that began as a streetwise personal statement.

(2) MIXING HIGH AND LOW END High-end fashion pieces and more approachable, everyday items are effortlessly combined in street style. High-fashion circles are inspired to be creative by the combination of affordability and quality. To capture the true essence of fashion’s pervasiveness in daily life, designers frequently imitate this blend, producing couture pieces that blend in effortlessly with more approachable components.

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VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

FASHION (3) ADAPTATION OF SUBCULTURES Every subculture has its distinct aesthetic, and street style is a mashup of them all. Style standards are influenced and redefined by subcultures such as hip-hop and punk. Observing these subtleties of subcultures closely, high-fashion designers incorporate them into their creations. The centre of attention for a high-profile fashion show can quickly emerge from what was once an underground trend.

(5) DEMOCRATISATION OF FASHION Street style promotes diversity by showcasing clothing on various bodies and backgrounds.

Fashion has become more inclusive due to the democratisation of style, which questions conventional notions of beauty. Recognising the importance of representation, designers incorporate diversity into the design process and their models, resulting in a more appealing and broad range of styles.

(6) INNOVATIVE USE OF ACCESSORIES Accessories are what turn an average outfit into something spectacular. They are the punctuation marks of street style.

High-end designers observe the creative ways accessories are worn on the streets, from unusual pairings to striking statement pieces. The bold decisions made by regular fashion aficionados serve as inspiration for the runway, where accessories frequently take centre stage.

(4) RAPID RESPONSE TO TRENDS Street style functions in real-time instead of the more regimented timeframes of highfashion seasons.

Trends change quickly, making it difficult for designers to stay ahead of the curve. High-end designers keep a close eye on street style and quickly adjust to the newest trends to ensure their collections are in-vogue and at the forefront of fashion innovation.

CONCLUSION The mutually beneficial relationship between high fashion and street style is evidence of the fashion industry’s constant change. A streetlevel grassroots movement of self-expression can quickly grow into a worldwide sensation that sets the standard for high fashion’s newest big thing. So keep this in mind the next time you’re walking across the city: your sense of style could inspire tomorrow’s biggest catwalk.

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VOL 3 NO. 49 • DECEMBER 03, 2023

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THEWILL DOWNTOWN • www.thewilldowntown.com

VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

DOWNTOWN CONFIDENTIAL

Understanding And Managing

Sexual Expectations in A Relationship 3.EMBRACE COMPROMISE

Compromise is essential in all relationships. It’s critical to strike a compromise that honours the demands of all parties. Reaching a medium ground to guarantee that all parties feel respected and happy is what is meant by compromise, not giving up on your own goals.

.MANAGE 5 EXPECTATIONS REALISTICALLY

It is important to realise that needs and desires related to sex might vary over time. Recognising that stress, life events, and personal development can affect sexual impulses is necessary to manage expectations. It could be necessary to modify expectations as the relationship progresses.

BY DORCAS AKINTOYE

W

hile it’s crucial for any intimate relationship to possess sexual compatibility, it can also lead to miscommunication or unfulfilled expectations. It can be challenging to negotiate the differences between people because every individual has their own needs, wants, and views. Six strategies for handling sexual expectations in a relationship will be discussed in this article. Intimacy-related tips like these are meant to promote candid dialogue and a better comprehension of one another’s needs.

PRIORITISE OPEN 1.COMMUNICATION

.EXPLORE AND 4 EXPERIMENT TOGETHER Allow yourself to explore and try new things with your partner.

This could be experimenting with various forms of intimacy, exploring fantasies, or just trying out new things. Intimacy and connection can be strengthened and deepened when partners embrace mutual exploration.

.SEEK 6 PROFESSIONAL HELP IF NEEDED

Efficient and transparent communication is essential to manage sexual expectations. Have polite and safe conversations about preferences, boundaries, and desires. Without passing judgment, communicate your needs and genuinely listen to what your spouse wants. The building blocks for a successful sexual connection are open and transparent communication.

.UNDERSTAND 2 EACH OTHER’S LOVE LANGUAGES

Love is experienced and expressed differently by all individuals.

Knowing one another’s preferred methods of expressing intimacy, such as through words of support, deeds of service, physical contact, quality time, or receiving gifts, can help you communicate with your partner more effectively.

Occasionally, outside support may be needed to manage sexual expectations. Getting advice from a licensed sex therapist or relationship counsellor can offer a secure setting where both couples can talk about problems and come up with solutions that work for their relationship.

CONCLUSION It takes time, tolerance, understanding, and open-mindedness to navigate sexual expectations in a relationship. An intimate relationship can be strengthened and made more meaningful by emphasising open communication, learning each other’s love languages, accepting compromise, exploring together, setting reasonable expectations, and getting professional assistance when needed. Remember, every relationship is different, so what suits one pair might not suit another. Navigating the complexities of sexual expectations while consistently fostering trust, understanding, and respect is crucial. Couples can establish a more fulfilling and harmonious intimate relationship by using these easy-to-implement yet very effective tips.

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VOL 3 NO. 49 • DECEMBER 03, 2023

COVER

THEWILL DOWNTOWN • www.thewilldowntown.com

EKU EDEWOR A PRODUCER’S VISION, AN ACTRESS’S PASSION, A STAR’S JOURNEY

M

ovie producers in Nigeria play the role of architects in the film business, working tirelessly to create stories that amuse audiences while advancing the nation’s film industry. The driving force behind Nollywood’s rise to prominence worldwide is their commitment. Nigerian cinema’s storytelling skills are enhanced by the emergence of producers such as Eku Edewor, who play a crucial part in the industry’s growth.

Eku Edewor has had nothing less than revolutionary experiences in the film industry. Her work as a film producer has made a lasting impression throughout her more than ten years in the business. Her varied abilities go beyond the cinema, including acting, hosting, and presenting. Eku’s career is a monument to adaptability and commitment, from her appearance on Britain’s Next Top Model to producing, Breath of Life.

In this interview with THEWILL DOWNTOWN’s Dorcas Akintoye, Eku Edewor talks about the complexities of her journey as a film producer. She went on to talk about the plan to launch her production company. Delving into the creative process, she shares insights into her notable films like Flower Girl, A Sunday Affair, and more.

What initially inspired you to pursue a career in the movie industry and become a multifaceted media personality?

I always loved movies as a child, as did my whole family. My father recorded so many movies and shows on the VHS machine, and he has great taste, so I was an avid movie watcher and loved reading too. I found myself producing stage plays for my family as a child with my twin. The lighting, stage props, and costumes were all produced by us. We made so much effort to execute the vision. I don’t think that ever left me. My stepdad was a fan of the cinema, and my mother loved theatre, so that was another discovery through them. It was a world I just wanted to be a part of; the beauty of it all was also intoxicating to me. I got my break into film through University. I was the Arts coordinator for One World Week festival at Warwick University and ended up being hired by a Producer, Damian Jones, who I invited to showcase one of his films, and that’s how I officially got into it. I started as a producer’s assistant, and I guess the rest is history.

What challenges have you encountered as a film producer, and how have these challenges shaped your approach to producing movies?

I think all producers experience similar challenges all over the world, such as the availability of top cast, budget challenges, etc., but I think Nigerian producers deserve special medals as we make magic in spite of issues of working in a country that has many infrastructural challenges. Aside from traffic, power, petrol and diesel, which always puts weight on budgets, we don’t have affordable studios against the budgets we work with, limited location options as so many places don’t allow filming, funding, tight schedules, actors juggling sets as they can’t pass up work, they can’t afford to, equipment and skill scarcity for specialist work. We honestly are magicians when we create work locally that holds up to international standards.

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VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

COVER What inspired you to venture into producing TV commercials, and how does the creative process differ from producing films?

BB Sasore and Derin Adeyokunnu, founders of Nemsia Films, asked me to produce a commercial.

I had helped them out with a previous one I was a part of, and I also assisted with a location for God Calling where we spoke extensively about my production background, which not many people realise I have. When they booked another commercial, Hero’s Echefula, which we shot between Enugu and Lagos, I said yes, and I kept saying yes.

film experience to be; from casting to filming, it was all handled extremely well. Of course, we had long hours, but it was managed and well produced, and we were taken care of. I went on after that to be on other sets where the experience wasn’t as great, which was a fault of poor preparation and production; those experiences would deeply upset me. As someone who likes organisation, the chaos would drain me, and I thought to myself, I can run a better production than this. I try to prep as much as possible going into a production. I start on projects even before my contract begins, and I work with each department closely to make sure they are prepared. I constantly study makeup, costume, hair, production design, and I learn about cameras. I figure out on each production, who is the best at their job, and I build those relationships, because what I can control, I do. I like as little surprises as possible because there will always be surprises!

“I think film is such a strong socio-political medium. It reflects our world and can be the only insight some other parts of the world have into who and what we are as Nigerians”

The creative process of films and commercials is similar; the production process, however, is a little different. In a commercial, you’re producing a very high-value short film/ scene(s) that lasts a minute or a few minutes, with a budget that can usually achieve most of the demands of the concept. With films, you’re producing 90-180 mins of high-value content on a budget that is usually not adequate for the demands of the script, and you have to be creative, scrappy and pretty ingenious to figure it all out.

I have shot commercials that have had the same budgets as films I’ve produced.

How do you select the projects you want to produce, and what criteria do you consider when deciding to invest your time and energy into a particular film?

I’m currently about to launch my own production company, GET REEL Production, so I’ll be developing more of my own stories and concepts.

As a freelance producer, what’s important to me is the executives and partners I will be working with and for whether we have aligned goals. So, per example, I like to have a long prep period.

Will my partners give me that time? I also am a big collaborator creatively, so typically, I work well with directors who trust and lean on my support as a creative director. Also, at this point in my career, budget matters as I wish to do more challenging films and high-production-value projects that appeal to Nigerians and the world at large. Those usually require bigger budgets.

Having been part of Britain’s Next Top Model (BNTM) and later working as a production assistant, how did these early experiences shape your journey to becoming a producer?

Britain’s Next Top Model was the first time I understood the role of producers in creating what we see in front of the camera. So much is handled by production to bring together the final result. I think that I realised if I wanted to shape the outcome on screen, I had to be part of the process behind cameras. Working as Damian Jones’ assistant, I experienced what it is to be in the engine of a film, which is what production is: securing, hiring, casting, negotiating, scheduling, and putting all the parts together to execute production, which is as seamless as possible.

Castle and Castle is a Nigerian and Africa’s first legal series. What was it like playing the role of Nneka Amadi, and how do you think the series contributes to the representation of legal dramas in Africa?

Nneka is a character I am always grateful to have secured. She was a character I could really sink my teeth into. I don’t find I’m offered this type of character often, a Nigerian woman not defined by anything other than her grit, intelligence, skill as a lawyer and passion for her work. Nneka gave me confidence at a time when I needed a boost, and she taught me a lot. I think that the series set a standard for present-day legal dramas, and I really hope it gets renewed for another season, as it’s a cult favourite around the world. Nneka is the character I am most stopped by strangers to speak about whenever I travel.

In your extensive career, which acting role challenged you the most, and how did you grow as an actress through that challenge?

A short film Fractured on Ndani Tv directed

by Bunmi Ajakaiye and produced by Abimbola Craig. I play a wife dealing with infertility in her marriage. I starred opposite the late Karibi Fubara, and it was so heavy we went through many emotions in a short time. I can barely watch it anymore as Karibi is no longer with us, but it holds a special place in my heart. I learnt how to cry from an honest place.

As a TV presenter, you’ve hosted shows like 53 Extra and Pepsi Top Ten Music Countdown. How do you balance the dynamic roles of presenting and producing?

I have taken a hiatus from presenting, aside from my MC work. I was actually burnt out after hosting 53 for 10 years. I lost the love of it, and I wasn’t excited to create that content anymore, so I stopped.

I’ve recently started doing little segments for my Instagram audience, Eku’s Edit and Style Reviews, which I am going to rename to Eku’s Extra Take, which the Instagram audience love, so maybe I will reignite the passion for presenting entertainment segments/ interviews again.

“I define myself as a creative producer, which means I use my left and right brain all the time. I figure out how to deliver the demands of the script by being creative with options and solutions when we can’t afford first options.”

Flower Girl marked your first lead role, and you’ve produced several films since then. How has your experience as an actress influenced your approach to producing?

Truthfully, Flower Girl, being my first film in Nigeria, set a standard for how I expected every

A Sunday Affair is a movie you recently starred in. Can you share your experience working on this project and your role as ‘Mrs Oyeyemi’?

I always love working on Ebony Life Productions.

They are extremely well-run, and the production value is high. I only had one shooting day, and I was allowed to play with my lines a bit as the character, although small, was important to the story, and I wanted her to have the right amount of impact, which they were graceful enough to allow me do.

She’s not on screen long, but you remember her. I love the Stanislavski phrase, “There are no small parts, only small actors”, and it’s my mantra as I’m frequently offered a lot of supporting roles. I like to think I always leave a lasting impression, even with a few appearances, because I will develop whatever character you offer me.

In your opinion, how has the landscape of the African movie industry evolved over the years, and what changes do you anticipate in the future?

This is my 13th year in the Nigerian Entertainment industry, and in that time, the African Film industry has really evolved. The scale of production has increased dramatically, especially with the introduction of streaming platforms willing to invest. Everyone has upped their game and is continuing to up their game. There’s a demand for better-produced content. We are a continent rich in many things, and our stories are plentiful. We have become better at telling our stories, which really resonates internationally. I see only progress in the future. I am an optimist, and I believe in the talent of Africa and what we have to offer. We are already competing with what we have, so you can imagine that the more people and institutions willing to support our growth, the greater our achievements in future.

What role do you believe film and television play in shaping societal perceptions, and how does that influence your choices as a producer?

I think film is such a strong socio-political medium.

It reflects our world and can be the only insight some other parts of the world have into who and what we are as Nigerians. I think it’s important to think about your work’s messaging and the quality of the work when you consider this. I am in no way condemning any storyline or saying we shouldn’t explore topics that may make us look less than favourable, but we shouldn’t shy away from stories that focus on simpler and more profound stories that speak more broadly and represent us in more dynamic and honourable ways. Whatever story a filmmaker decides to tell, we should try to meet a production standard that is reflective of the collective manpower that it takes to make a film, whichever genre one chooses to play in. I’m not saying that all content needs to look like millions have been spent as not all films are for cinema or international platforms, but even low-budget films more for the local market should explore stories that don’t always focus on subject matter that is negative and try and offer the best production value one can.

How do you balance the creative aspects of filmmaking with the business side of production, considering factors like budgets, timelines, and market trends?

I define myself as a creative producer, which means I use my left and right brain all the time. I figure out how to deliver the demands of the script by being creative with options and solutions when we can’t afford first options. It’s my job to keep a film on budget, so I pride myself on getting the best deals and partnering with sponsors that will bring value and also brand place seamlessly. The way a film looks is also becoming a signature of mine; I love to create worlds that are beautiful to shoot, colours, texture, landscapes, clothing, etc.

I think you can’t be solely defined by trends; you have to make a film you passionately believe in and breathe life into it. Your passion reflects on the screen. I’ve always liked to embrace a distinct style, and my filmmaking isn’t any different. I want to inspire you with the beauty of Nigeria, its people and our uniqueness.

What advice would you give to aspiring actors and producers looking to make a mark in the entertainment industry?

I would advise them to keep showing up and be willing to take on any role to get a foot in the door and have a great attitude. I’ve hired based on willingness to learn over experience before. Watch

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VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

COVER Production is still quite male-dominated, if you look at the hire list for a film, if it’s a 60-person team, unless the hiring process is very intentional, which usually means a Female Head Producer/ Exec, about 10% of that number will be female, and most of the HOD’s are still male. This means that if you are in a leadership position, you are continuously having to earn the respect given to you where a man may not need to work as hard to get the same responsiveness.

If a male HOD is extremely assertive, per example, his team responds, unless the female in question has the trust of her team, if she’s overly assertive she’s seen as rude or disrespectful.

There’s also this constant misconception I’ve experienced that because I enjoy fashion, beauty and lifestyle that, I can’t possibly be the one doing the work on set, getting my hands dirty, running production day to day. People have asked, ‘does Eku really, produce, produce, is she the one?’ It’s extremely narrow-minded and can be frustrating because surely my work should speak for itself, yet the work is there, and you’re questioning how the work can be that good because I don’t look like I can run a production. I used to be very disappointed in how I was

all the best content globally, from all parts of the world, study your craft, and be open to new experiences.

Take courses whenever you have the opportunity, study the people you work with, learn to be useful on set (even as an actor), and don’t be entitled! You really don’t have to be a diva to make things happen.

Decide if you love films or if you want fame and money. Both are goals, but one will fulfil you, and the other will disappoint you. Be professional always, and don’t give up at the first few disappointments.

How do you balance your professional life in the industry and your personal life?

As a mum, I try as much as possible to show up for all important days.

I’m not hard on myself if I can’t make all pickups. The same applies to my friends; I make time for important fixtures in their lives, as you can really get lost in productions. I also give myself breaks between jobs and make up for lost time. Once I’m running a production, do not expect to see me, and if you need to see me, visit me on set or at home. I guess the answer is I make time, do my best and don’t beat myself up if I can’t do it all.

As a woman in the entertainment industry, have you faced any unique challenges, and how have you overcome them?

I think there are a few challenges we face as women in production.

PAGE 10

treated based on how I appear, but after some really tough experiences, I realised I was giving people too much power to affect me. The partners who believe in my talent and leadership champion my work and keep me employed. Of course, it can be hard if some of those people are gatekeepers, but if one gate shuts, I trust a windowkeeper will open.

Consistency wins. I’ve realised that we all have our challenges and blessings; everything in some way becomes a blessing, and I will use mine to my advantage, and the work will speak for itself.

Looking ahead, what are your future aspirations and goals as a movie producer, and are there specific genres or themes you are eager to explore in your upcoming projects?

I would love to work on some really big-budget projects that allow us to create with fewer limitations. I want to continue to make films that resonate personally with local and global audiences. I do want to see a film I produce get critical acclaim at festivals, and I want to do that for myself personally and as a Nigerian.

I would like to make an action film with a female action lead, possibly myself! I love Columbiana, Salt, etc.

Looking back at your journey so far, what moments or achievements are you most proud of, and what are your goals for the future in the entertainment industry?

I’m proud that I have been working for the last 13 years. I haven’t given up, and I haven’t allowed my failures to define me, but they have inspired me to keep figuring out my role as a creative in this industry. In the future, I want Get Reel Production to be a household name synonymous with inspiring and quality content.

Do you have any producing projects we should expect to see in the future?

I just partnered with Inkblot on another film; this makes the 4th Film project I’ve done with them. This experience was different as I helped develop the story as well as Produce it. It’s a sports romance film called When love strikes my 2000s self, did cartwheels making this. I loved Bend it like Beckham, Love and Basketball, Coach Carter, etc, so the opportunity to make this film was a dream come true.

The next major film of mine to reach audiences will be Prime Video’s first Nigerian-commissioned Original, which I Produced for Nemsia Films. Breath of Life, will be out on Prime Video on the 15th of December. I produced and also have a role in this project, so please all stream it!

VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

DÉCOR

MINIMALIST HOME DECOR IDEAS

Stick to One Colour

Choose a theme with one colour and flow with it throughout the space. Think light, soothing colours like white, grey, or pastels. From the paint on your wall to upholstered furniture to linens, opting for different tones of the same colour will give you a layered yet calm look.

BY IJEOMA EZEANYIKA The minimalist mantra is less is more, or fewer is better. Minimalist decor entails taking out the unnecessary items and sticking to the essentials.

You can create a minimalist space that feels warm, inviting, and distinctly you. From carefully curated bookshelves to textured accessories and emphasising architectural features, plenty of ways exist to create a calm, minimalist space. Are you ready to make a minimalist space? Read on for five amazing minimalist decorating ideas.

Clear Your Walls

With minimalistic spaces, there’s no need to fill every inch of wall space, so put down the hammer and nail. The thought of bare walls may feel boring; however, with the right finishing around other areas, you will appreciate this tip because embracing white space can feel elegant and upscale. Design-wise, minimalism allows for a little breathing room, so pass up on wanting a gallery wall and let a few standout pieces take centre stage instead.

Select Your Items

As you create a minimalist space, seriously consider each of your possessions. Do you genuinely love it? Is it functional? Take out the unnecessary ones and keep just your favourites.

That will create a more meaningful minimalist design. Deciding which items to keep and which ones to take out can be overwhelming, so take it one room - or even one shelf or drawer - at a time.

Let The Light In Minimalist spaces have a reputation for feeling too cold, which is wrong. But, wrong or not, there’s an easy way to combat that reputation: by using ample natural light. If you have many windows, allow as much sunshine as possible to stream in. Invest in gauzy curtains that allow for privacy while letting light filter in.

Revisit Your Since bookcases can easily get overloaded, they are

one of the first places to begin with when creating a minimalist space. Start by removing and donating the books you are sure you will not read again and allow for tidy organisation of upright bookends and horizontal placement. You can lighten up the look with vases and decorative objects, but only meaningful ones.

Take a step back to see where you want to place the decorative item on the shelves; this will ensure you put the right decor in the right place.

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VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

BON APPÉTIT

HEALTHY SWEET TOOTH Y

BY IJEOMA EZEANYIKA

ou can indulge in the sweeter things of life without totally abandoning your healthy lifestyle.

Rather than reaching for highly processed, sugar-loaded foods every time you crave something sweet, update your snacks arsenal. Make these tweaks, and you’re not only cutting down on the not-so-healthy stuff but also nourishing

your body with vitamins and minerals, filling fibre and protein, and healthy fats, which will help quell hunger pangs until your next meal. Next time your sweet tooth calls, reach for a wholesome snack that’s naturally sweet and satiating.

Here are some options that fit the category.

DARK CHOCOLATE-DIPPED FROZEN BANANAS You should try this one if you’re craving something cool and sweet.

You can make this by peeling bananas, inserting popsicle sticks into them, and melting 70 percent cacao or more chocolate chips in a double boiler.

Dip the bananas inside, freeze, and enjoy. Frozen bananas make for a delicious and nutritious treat.

GREEK YOGHURT PARFAIT For a quick and nutritious treat, you can enjoy just about anywhere; reach for a Mason jar and layer in your favourite granola, Greek yoghurt with a swirl of honey, and chunks of kiwi. One fun fact is that a single kiwi fruit provides over 100% of your daily value of vitamin C, which helps support a strong immune system.

Not only are you taking in something sweet, but you are also nourishing your body.

COCONUT CASHEW ENERGY BITES

AVOCADO CHOCOLATE MOUSSE Unlike the traditional chocolate mousse, made with heavy cream, whipped cream, and a load of added sugar, opt for avocado chocolate mousse instead. Make avocado chocolate mousse with 1 avocado, ¼ cup of honey, ¼ cup of unsweetened cocoa powder, 2 tablespoons of unsweetened almond milk, a teaspoon of vanilla extract, and a pinch of salt. Avocado is high in fibre and heart-healthy fats. You can top off this mousse with fresh berries and a sprinkle of nuts.

PAGE 12

For another no-bake goodie, throw together these coconut cashew energy bites. This sweet snack is delicious and filling: Mix shredded coconut, creamy and nutrient-dense cashew butter, chocolate chips, a swirl of maple syrup, vanilla extract, and cinnamon. Add a ¼ cup of vanilla or chocolate protein powder to boost the protein content.

CHIA PUDDING

Chia seeds are tiny little powerhouses.

They are packed with fibre and provide some protein as well. Chia pudding is a delicious sweet snack and a favourite for meal preppers.

VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

BEAUTY

Hair Care Chronicles:

Tips and Trends for Gorgeous, Healthy Locks

BY DORCAS AKINTOYE

A

re you prepared to learn the secrets to having beautiful, captivating hair? Whether you have long, flowing locks or wear a short, sassy style, achieving happy and healthy hair is possible.

This article will examine six simple trends and ideas to help you get the hair of your dreams without using timeconsuming procedures or pricey products.

(3) MINIMAL HEAT STYLING

(5) EMBRACING NATURAL TEXTURES

It’s fashionable to have natural hair textures, a trend supporting healthy hair. Let your natural texture shine in curls, waves, or coils. Use hair treatments made for your type of hair to accentuate and define your curls. Embracing your natural texture minimises heat damage.

(1) EMBRACE THE POWER OF NATURAL INGREDIENTS Going back to nature is among the most popular hair care trends. In favour of products made with natural substances, many people are shunning those with chemical ingredients. Seek shampoos and conditioners with botanical ingredients like aloe vera, lavender, or argan oil. These components can nurture your hair and leave it feeling smooth, lustrous, and chemical-free.

Embrace the minimal heat trend and bid everyday heat styling farewell. Overheating can harm your hair over time, leading to breakage and dryness. Try air-drying your hair or utilising heat-free techniques like braids or twists whenever possible. By doing this, you’ll see an improvement in the health and lustre of your hair.

It’s not just skincare and makeup embracing the trend toward sustainable and cruelty-free goods; the hair care sector is also catching on. Consider buying hair care products from brands that emphasise sustainability, use eco-friendly packaging, and never test on animals.

The planet’s health and your hair’s health can go hand-in-hand.

(2) THE RISE OF HAIR MASKS The world of hair care is exploding with hair masks. A spa-like experience can be achieved at home with these deep conditioning procedures. If your hair needs hydration, repair, or colour protection, choose a hair mask that is appropriate for it. To revitalise and fortify your locks, use it once a week.

(6) SUSTAINABLE AND CRUELTYFREE PRODUCTS

(4) SCALP HEALTH MATTERS Healthy hair begins from the roots. Scalp health is becoming increasingly popular as people realise how important it is. Invest in a high-quality exfoliating shampoo or scalp scrub to remove buildup and encourage a healthy, balanced scalp. Strong, gorgeous hair can grow from a healthy scalp.

CONCLUSION You can achieve the lovely, healthy locks you’ve always desired by incorporating these hair care suggestions and trends into your routine. Take care of your locks, appreciate your natural beauty, and enjoy the journey to fantastic hair by remembering that healthy hair is beautiful hair.

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VOL 3 NO. 49 • DECEMBER 03, 2023

TRAVEL

THEWILL DOWNTOWN • www.thewilldowntown.com

HOW TO SAVE

FOR THAT UPCOMING TRIP

BY IJEOMA EZEANYIKA

W

ho already has travel plans for the holiday season? I bet you do!

Whether it is to visit family and friends abroad or to revisit your favourite holiday destination, you probably have travel plans already. You will need money for the trip, so here are five valuable tips to help you save up for the trip.

SET YOUR INTENTION Begin by declaring to yourself your intention to travel. Here is an example: This holiday, I am going to travel to Seychelles, or I want to visit relatives this holiday. Having a very clear idea in your mind of what you want to achieve will help you with your plan on how to save money for travel. You can make your intention more powerful by writing it down in a journal. Believe you will travel, and watch it manifest.

PLAN YOUR TRAVEL BUDGET

Now that you have decided to travel, work out how to plan your travel budget.

Begin your research on how much it will cost to get there and how much you will likely spend during your stay. Once you know this, look at your daily budget and see how long it will take you to save from it. If it seems like it won’t be enough, don’t panic; the following tips will help you.

PAGE 14

SET UP A DIRECT DEBIT TO YOUR SAVINGS ACCOUNT

Setting up a direct debit to your savings account is a great tip to help you save money for travel.

If you have not done so already, contact your bank right now. This is money you are not allowed to spend until you go on your trip. By putting money aside every day from now, no matter how much or how little, you’ll soon see your savings grow into something encouraging.

CANCEL UNNECESSARY SUBSCRIPTIONS Cast a critical eye on all your monthly subscriptions and ask yourself this question: Do you need them? If you are not watching Netflix 99% of the time, perhaps it’s time to cancel that monthly subscription plan. Look at the next thing you have subscribed to and ask yourself again: Are you using this subscription enough to merit having it? It could be that you have a gym membership. If you only work out once a fortnight, it might be time to cancel it.

GIVE YOURSELF A COOLING-OFF PERIOD FOR PURCHASES Have you ever bought something impulsively, only to regret the purchase later? This is very common. To prevent this from happening, allow yourself a cooling-off period whenever you want to buy something you do not need.

The festive season is right around the corner; you will see beautiful pairs of shoes and gorgeous outfits in stalls and at the mall. You know you don’t need them, but the mood of the season and the fact that they look so beautiful makes you want to buy them.

Instead of following your impulse, go home and wait three days. If you still want the shoes, you can go back and get them. You’ll probably discover that your desire to have these impulse buys fades away, which equals more money saved.

VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

LIVING

CREATING YOUR VISION BOARD

FOR THE NEW YEAR

FIND IMAGES AND OBJECTS THAT REPRESENT YOUR VISION You’ve gathered your materials; now, it’s time to prepare them to be displayed on your board. You can also add quotes that you either wrote yourself or printed out.

You can also add craft items or things from nature if they resonate with your vision.

For example, adding some leaves could remind you of your goal to spend more time with nature.

BY IJEOMA EZEANYIKA

T

he new year is crawling in; it’s time to set your goals and targets for 2024. But what if you can’t see it?

The anxiety about setting the right goals for the new year keeps your sight unclear.

Without a clear vision, it is hard to direct your efforts in ways that serve your goals. Now, that is where a vision board comes in. Vision boards are a collection of images or objects arranged to help you manifest your goals or vision. Creating a vision board can be fun and easy; you don’t need to overthink the process. Here are five simple tips on how to create a vision board.

TAKE SOME TIME TO CLARIFY YOUR VISION

GATHER YOUR MATERIALS

To make a vision board, you will need a variety of materials. For instance, you will need a board as a base, or you can use cardboard. You will also require images to add to the board. Next, you would need something to secure your items to your base, like a pin, clip, glue sticks, or tape.

Creating a vision board requires you to reflect on your desires and aspirations. What do you want to manifest with your board? Before you start crafting, take more than a few moments to clarify your vision. Don’t rush this step; it is the foundation of your entire board. Don’t distract yourself; remaining self-aware is important.

You will get even more clarity and detail as you create the board.

ARRANGE YOUR MATERIALS Now it’s time to take everything you’ve prepared and arrange your board. It’s okay to have fun with this step; no need to rush it. Your layout should inspire you. You may discover you are missing something. If you do, don’t hesitate to go back and add it. When you are done, secure everything in place.

CONCLUSION PLACE YOUR VISION BOARD WHERE YOU WILL SEE IT

It’s finally time to place your vision board. Choose a place that makes sense for you and should be accessible daily. You could put it on your fridge, an empty wall in your kitchen or bedroom or a mirror.

You can use your newly created vision board in several ways to help your manifestations come to life. First, consider including it in your daily selfcare routine, and take time each day to look at it. Another way is to speak your goals out loud. Then, the best way is to ensure it doesn’t end at just knowing your goals; take action.

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VOL 3 NO. 49 • DECEMBER 03, 2023

THEWILL DOWNTOWN • www.thewilldowntown.com

BY BOLUWATIFE ADESINA MOVIE REVIEW:

The Hunger Games: A Ballad Of Songs and Snakes

Vader. But while George Lucas took three movies to show us Anakin’s fall into darkness, Lawrence and screenwriters Michael Lesslie and Michael Arndt try to do it in one overstuffed instalment.

t’s been eight years since the release IHunger of the last Hunger Games film, The Games: Mockingjay — Part 2, which

means enough time has passed that it feels appropriate to return to the well that produced big box-office dollars for Lionsgate and made Jennifer Lawrence a household name. It also helps that author Suzanne Collins released a prequel novel in 2020, The Ballad of Songbirds and Snakes, which explores the young adult life of Coriolanus Snow, the future tyrannical president of Panem (played by Donald Sutherland in the films).

There is something comforting about slipping back into the world of Panem, dystopian and brutal as it is, especially in the capable hands of director Francis Lawrence, who helmed three out of four Hunger Games films: Catching Fire and both Mockingjay instalments. He is a true craftsman and an audacious visual stylist, bringing a Cold War Soviet flair to the Panem of 64 years before Katniss Everdeen’s emergence.

The movie invites viewers to learn more about the background of Coriolanus, played here by Tom Blyth, and to witness the early days of the Hunger Games, in which the spectacle of children killing each other for sport is wielded as a tool of propaganda.

Though the games have already been happening for a decade in the era of Songbirds, the film follows the addition of mentors for the young tributes, here culled from the top students at a wealthy academy in the Capitol. Coriolanus is the orphan scion of an aristocratic family who lost everything in the war: He lives in a crumbling, formerly spectacular apartment with his declining grandmother and his cousin Tigris, played by a wonderful Hunter Schafer, who is unfortunately relegated to the house for almost the entire movie.

Corio, as he’s nicknamed, strives to be the best and keep up appearances. When a cash prize is on the line for being the best mentor, he throws himself into the task, gaining the trust of his tribute, a fiery, spirited young woman from District 12: a folksy songstress named Lucy Gray Baird (Rachel Zegler).

There is one pretty good “Hunger Games” movie here, the first 95 minutes.

Sure, it’s a bit predictable and overwrought, but the style is excellent, the characters are engaging, and Viola Davis and Jason Schwartzman devilishly devour the scenery as Dr. Volumnia Gaul, Head Gamemaker, and Lucretius “Lucky” Flickerman, the first television host of the Games.

Then, the bad section starts.

After we’ve watched an entire bloody Hunger Games unfold, the audience has to follow Coriolanus to District 12, where he’s been banished to work as a Peacekeeper.

Then we have to witness his turn from lovesick young man to rightwing Panem fascist. The character beats don’t track, and it’s exhausting to even try to follow them.

It feels like a sequel movie that’s been hastily tacked on, with a distinctly different look and feel, set in the retro-industrial environment of District 12, and the characters in completely different psychological mindsets. As a book adaptation, it makes sense, but as film storytelling, it does not work, and it’s unfortunate that these aren’t two different movies.

The good news is that Blyth is terrific, delivering a star-making performance as Coriolanus. The issues with his character shifts are never about what he does on screen but failures of writing or perhaps hastily-excised scenes that would have helped to understand him more. Zegler cements her charm in a role that plays to her vocal strengths — her bluegrass performances are incredibly appealing. There’s so much that works about The Hunger Games: The Ballad of Songbirds & Snakes; it’s unfortunate that it’s all been crammed into one overly long film.

The film is essentially the Star Wars prequels of the Hunger Games world, as we watch Coriolanus turn from idealistic young man to power-hungry sadist, in the same way we Rating:9/10 watched Anakin Skywalker become Darth

PAGE 16

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WATCH OF THE WEEK

INVINCIBLE SEASON 2, PART 1 Invincible, the animated series adaptation of Robert Kirkman’s comic, captured the attention of an audience eager for an adult look into a familiar superhero world. The show grew in popularity quickly as it reached a broad audience, many of whom had never heard of the comic but very much knew of the tropes it was riffing on.

The universe is a twisted perspective on what the DC Comics world could look like if certain canonical factors changed. Omni-Man is a nihilistic version of Superman but of a race with a view of universal domination.

As enticing as this all seems, what engaged audiences was the grounded nature of the relationships that these superheroes developed.

What would a super-powered teen look like? Should your powers only be used to stop “bad guys,” or can there be a more efficient use? Each character had a unique personality and raised real-world questions about this larger-than-life universe.

Now, season two aims to take a step back from the insanity of Omni-Man’s brutal decimation of Chicago to focus on the toll the tragedy of the Chicago massacre has taken on Mark and his mother, Deborah.

Invincible season two takes significant steps forward in its storytelling but introduces an overused trope that may hinder the rawness of emotion intended to be felt in these first few episodes.

Season 2 opens up with Mark reeling from the trauma he faced in that ruthless battle with his father. Mark (Steven Yeun) had to overcome not only the emotional devastation of learning about his father’s deception and true fascist nature but also the callous murder of thousands of people. He is left in disarray, with nothing to do but help who he can when he can.

However, the thought of turning out like his father proves to be more traumatic for Mark. Does he have the capacity to become a murderous conqueror? Is it his destiny to become his father? These questions torture Mark throughout his final days of high school.

Mark’s desire to make up for Chicago leads him back to Cecil Stedman (Walton Goggins), the head of the Global Defense Agency, as he looks to fill these overwhelming thoughts with

mindless missions that he enacts without question.

The other side of this trauma lies with his mother, who was married to Nolan/ Omni-Man for 20 years, only to realise now that she was nothing more than a “pet” to him. Deborah (Sandra Oh) spirals into a depressive state, unable to find an outlet for escape. These contemplative looks into these primary characters already make season two stand out. Invincible prides itself in its stellar animation and detailed fight sequences, but the character development was always its hidden strong suit. This character work gets even more time in the spotlight, with four episodes showcasing the ebbs and flows of moving past such a traumatic event. For Mark, his friends and his girlfriend help him along his journey of healing, but for Deborah, her pain and loneliness only increase as Mark goes off to college.

Season 2 also introduces us to a new potential rival to Invincible, Angstrom Levy (Sterling K. Brown), a multi-dimensional traveller who sets in motion a twist in the story that sometimes feels overplayed. If there was one thing that Season 1 lacked, it was a more contemplative look into the weight of the actions of these heroes and villains; this season attempts to remedy that with more profound questions on the toll this life might take on you. Angstrom Levy ushers in a fun wrinkle yet slightly undermines the heavy lifting this season has been doing so far. Hopefully, the show keeps the energy that part one has established.

Invincible Season 2, Part 1(can shows stop doing this two-part thing, by the way? It’s so annoying) unravels the overwhelming weight this world can have on a hero, from confronting horrifying massacres to taking on the responsibility of protecting the universe. It offers a much more reflective look into the devastation that trauma can have on an individual. How is healing achieved in an ever-changing, cruel, and bizarre world? These questions elevate season two into a more complete story. Although some elements recently introduced may seek to undermine some of these themes, the story offers plenty of moments and character interactions that feel rewarding after such a fast-paced and relentless first season. Part 2 should be a lot of fun.

Alex Isley_ Jack Dine - Too Bad I Forget

Common_ PJ - What Do You Say (Move It Baby)

Courtney Barnett - Small Poppies

Hiatus Kaiyote - Molasses

Kacey Musgraves - Oh, What A World

KAMAUU_ Adi Oasis - MANGO (feat.

Adi Oasis)

Lana Del Rey - Doin’ Time

Maeta_ Buddy - Teen Scene (ft.

Buddy)

MATVEÏ - OVERDOSE