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Sailing at Night under the Bridge by Anonymous..................1 After the Storm by Anonymous.............................................2 Concessions by Michael Goodman.........................................6 God Bless His New School by Lisa Starr.................................18 Am Mammal by Emma Winsor Wood................................24 Widowmaker by Emma Winsor Wood...............................25 Translation of Alessandro De Francesco by Belle Cushing....28 Almost There by John Richmond.......................................59 Navigation by Luke Taylor..................................................66 Gauging the Invasion by John F. Buckley and Martin Ott....71 My Motherâ&#x20AC;&#x2122;s House by Tess Carroll......................................77 Your Cul-de-Sac at Night by Larry Narron...........................84 July Waxes by Sarah Bence...............................................88 the dahlias on the breakfast table by Sarah Bence...............89
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One by Kevin Pires.............................................................94 Two by Kevin Pires.............................................................96 Confusing the Gods by Bill Wolak.......................................100 How Evil Enters the Body by Bill Wolak.............................101 The Unfaithful Wife by Bill Wolak....................................102 Io by Daniel King..............................................................104 The Siege of Tr채umen by Daniel King.............................106 Poem of Tribute by!"#$%&'&!()*+,-.$/&00000000000000000000000...109
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Claire Read...........................................i; v; 3-5; 16-17; 19-23 (-1&!2&$3455-!*!6#7/4550000000000000000000000000000000000000000000000000089:8; Annika Finne.....................................................................58 Cole Hager....................................................................62-65 Maliya Travers-Crumb...................................................68-70 Maya Mason..................................................................74-76 Carol Kim.....................................................................82-83 Lucy Kissel...................................................................86-87 Eleanor Leonne Bennett............................91-93; 97-99;103 Nicolas Hen......................................................................108
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Sailing at Night under the Bridge
Anonymous 6<4!'&34.!5&=$!&>?!7@.5$!&A&#>$3!3<4!'--? A murmuring evensong in the dark good >#A<30!!B@.!A<-$35*!'4?A4!-C!.@$35#>A!$&#5! $5#?4$!#3$!=-#>3!&7.-$$!3<4!>#A<3!=-#>3$!-C!3<4!$/*0 D!'4?A4!-C!$=.4&?#>A!'&/4!?#$3@.,$!3<4!=&54 +-->E$!+#..-.F!#>!<4.!$=47/54?!,4?!-C!$3&.$0 6<4!<@55E$!$-C3!?.@+!3.&>$=-.3$!3<4!A4>354!$-@>?$F! '<#54!7&.G#>AF!&A&#>$3!3<4!5#A<3$!.4H4734?!E.-@>?F #3$!-'>!?&./!75-$4!<-.#)->0!!D5#4>!7&.$ hum high across the bridgeâ&#x20AC;&#x2122;s distant steel, &!'-.5?!&=&.30!!D>?!A4>35*!*-@!&>?!I &.4!1554?!'#3<!'<&3!'4!<4&.F!&>?!$44!&>?!C4450 B@.!'-.5?!'#3<#>F!7&.4$$4?!,*!'#>?!&>?!$4&F D3!->74!#++4?#&34!&>?!#>1>#3*0
6
After the Storm
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Emma Winsor Wood I!3<#>/!I!/>-'! better than yesterday '<&3!3-!?-!3-?&* ,@3!$3#55!I!&+!$3#55 &3!3<4!'#>?E$!'<#+$*a a severed branch caught I!3<#>/!I!/>-' better than yesterday ,@3!$3#55!I!&+!$3#55 a severed branch caught ,43'44>!,.&>7<4$F!=-#$4? I!3<#>/!I!/>-'! better than yesterday '<&3!3-!?-!3-?&* ,@3!$3#55!I!&+!$3#55 7&@A<3!,43'44>!3.44$F =-#$4?!3-!?.-= I!3<#>/!I!/>-' '<&3!3-!?-!3-?&*a 3-!?.-=!->!'<&3: 4G4.!,5-'$!#>! 3-+-..-'!
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Translation of Alessandro De Francesco
Belle Cushing
The End _@!>!E!&!A!4!>!?!&`
4-56#5$(7#("8#*+(0-*(.&95:(4-56#5(69/;5#(6-(0#"*<#(=#(7#++#(#>9?#"7#( &0+9@'#(@'9$(=-"*(6-(+5-=9+9&"(&779=#"+-6#$(*&'3#+(=#0'9*(=#*(3966<"-95#*("&+5#(-005&7,#(=#*(7,&*#*(#+("&'*(9".9+#(A(0#"*#5(*&'*(6-( ?-5-"+9#(=#(6-(6'39;5#(&'(*&'*(6-(3#"-7#(=#(68-/*#"7#(=#(6'39;5#: Maurice Blanchot
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The End _&!>!!&!A!4!>!?!&`
B0#-C9"?(9*("&+(*##9"?:(B0#-C9"?(69/#5-+#*(+,#(+,&'?,+(&D(+,9*(&0+97-6(#>9?#"71(+,-+$(9"(+,#(E#*+#5"(+5-=9+9&"$(,-*(D&5(3966#""9'3*( subdued our approach to things and invites us to think under the ?'-5-"+##(&D(69?,+(&5('"=#5(+,#(+,5#-+(&D(+,#(-/*#"7#(&D(69?,+: Maurice Blanchot
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?#++#!7-+4!=-3.4#!?#.3#! 7<4!#>!V@4#!A#-.>#!#-!>->!7E4.-! che i nastri giravano a vuoto e una curva si annidava $-33-!54!7-=4.34! #+,.&77#&G&+-!#5!3454C->-!!!!!.#7-.?#! smettevamo di cercare
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?-=-!7<4!n!&>?&3&!G#&!<-!=.4$-!5E&$74>$-.4! @.3&G&!?-574+4>34!7->3.-!54!=&.43#! continuava a scendere anche ?-=-!7<4!#5!?#$=5&*!$4A>&G&!l! +#!7<#4?-!!!!$4!C-$$4!$74$-!&>7-.&! cosa sarebbe accaduto avrei C-.$4!.#3.-G&3-! 5&!+&77<#>&!?#!=5&$3#7&! =4.$&!#>!@>E&53.&!7#33o!!!! +4>3.4!$=#>A4G-!G#&!5E#>C&>)#&!>455E4.,&! 5&!7->-$74>)&!>->!$&.o!?&3&! 7#!#>#433#&+-!?4#!=#&>#!$4V@4>)&!! A#.#&+-!@>!15+!A#o!+->3&3-! >4#!7-.=#!?4A5#!&53.#! $#!+->3&!@>&!=&>>&!#+=&))#3&
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talora il dolore si mostra 7-+4!=.4$4>)&!#554AA#,#54!!!!!!!!7-+4!$@=4.17#4!$4>)&!C->?-! &!V@4$3-!=@>3-!$&.4#!#>V@&?.&3-! ?&55E&53-!!!!!!!#>!=#4?#!?#!C.->34!&!34! >455&!=4>-+,.&!!!!! solo #>!$4)#->4! ?#43.-!54!3&==&.4554!!!!!>455E4.,&! solo #>!=#4?#!?#!C.->34!&!34
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END
@6
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Navigation
Luke Taylor
F-.9?-+9&"G(H"(45-9*#(&D(H33#=9-+#(I5-+9!7-+9&"( (All Else Equal) 6.&>$5@74>3!=45543$F!EC-.4!'4!7&>!+-.4!75-$45*!G43!3<4+F O453!@$0!D>?!'4!7&55!3<4+!<&#5F!+-$3!5#/45* Hasting to hide, not thinking our skin thick M>-@A<!3-!3@.>!3-54.&,54!,@+=$0 b43F!$&*!'4!<&#5!3<4!?-'>7-+4F Sleuth out its booniness. We could emerge the more hale. D>?!$<-@5?!'4!1>?!,4&@3*F!3--Y Bc! A halo. At last. _J43E$!$&*F!4G4>F!3<&3!->4!7-@5?!1>?!&'4!#>!&!$7&=4! <-'4G4.+@7<!H&'4?R D!5#3354F!#>$@=4.&,5*F!4K7.@7#&3#>A5*!H&'4?0` b43!$<-@5?!3<4!54A4.?4+&#>#$3!<&G4!54C3!<#$!<&>?$!&3!<-+4F B.!$<-@5?!<4!3@.>!7-5?$3#CC!'#3<!&A4F Or intermittently, D>?!74.3&#>!C&73$!.4G4&5F (@7<!3<&3!$7.-@>A#>A!1>?$!'&.+3<!C-.!->5*!->4!<&>?F
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Gauging the Invasion
John F. Buckley and Martin Ott D54.34?!,*!?44=:$=&74!3.&>$+#$$#->$F!3<4!S#A<!2-@>7#5!-C! Qr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only the Geico gecko commercials, the Galactic Constant, =.-G4?!C&+#5#&.!&>?!'-.3<*0!D55!45$4!$44+4?!7<&-$F!3<4!?@$3! -C!&!A&55-=#>A!$4G4>:5#+,4?!$344?!7<@.>#>A!#>!3<4!>&G4!-C!&! 34+=540!T-3<#>A!'&$!$3.@73@.4?F!>-3<#>A!'&$!$3.->AF!>-3<#>A! $@AA4$34?!/>-'#>A!3<4!6<'@N!(*+,#-3#7!S*=-3<4$#$0 The mystics and mathematicians could not understand the 5-$3!*4&.$F!3<4!7&G4+4>!&>?!4*4,&55!+->4*F!?4G#&3#->$!C.-+! 3<4! @.:V@4$3! 3-! .&74F! ,457<! H&+4$! &>?! $44?! 3<4! $/*! '#3<! =-#$->!$+-/40!6<#$!?4$#.4!3-'&.?!?4G-5@3#->!&>?!&!C@3@.4! '<4>!5#C454$$!+&7<#>4$!5&*!.@$3#>A!#>!?#37<4$ .&3<4.!3<&>!<4'#>A!G&3A.-'>!H4$<!#>!A5-.#-@$!A5&?#&3-.#&5! 75&$<4$!$4>3!7<#55$!?-'>!3<4!3.#=54!$=#>4$!-C!3<4!,&3:+&.3*.$! +&>>#>A!3<4!$7&>>4.!&..&*$F!'#55#>A!3-!$@CC4.!&>?!$<.#G4!C-.!
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A4
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My Motherâ&#x20AC;&#x2122;s House
Tess Carroll
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This is the guestroom, mother says. The '#>?-'$!5--/!-@3!&3!3<4!.#G4.,&>/!'<4.4! #>!$=.#>A!I!@$4?!3-!?#A!@=!$544=#>A!3-&?$! &>?!=.434>?F!&+#?!3<4!7->$3&>3!$V@&55!-C! $-@>?F!3<&3!I!7-@5?!<4&.!3<4+!,.4&3<#>A0! 6<4#.!$5-'F!,.-'>!.&$=$0
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Your Cul-de-Sac at Night
Larry Narron the houses arranged like a smacked mouth 3<&3!$'&55-'$!3<4!5&$3 $3&54!7.@+,$!-C!$@++4.0 3455#>A!5#4$!'4!=.434>?!3-!,45#4G4!#> #>!3<4!-.&>A4!=-=$#754!5#A<3F 3<4!3.4+,5#>A!H#7/4.!-C!&!A&AA4?!C&>3&$#&F -@.!<4&?$!C@55!-C!75#=!&.3!s!$=&+0 3<4!'&*!3<&3!*-@!$=4&/!3-!+4F '#55#&+!$<&3>4.#>A!'-.?$!#>!3<4!'&* our english teachers used to demonstrate 3<4!'&*!3<4*!3<-@A<3!#&+,#7!=4>3&+434. should be read aloud. 3<#$!'&$!*-@.!#?4&F!>-3!+#>4R!&!=@,5#7!=5&74 C-.!'<&3!<&$!,47-+4!&!.#3@&5 ,4>4&3<!&>!&@?#4>74!-C!$3&.$!3<&3!,.@#$4!3--!4&$#5*0 the sky must have contracted some disease. ->!3<4!-3<4.!$#?4!-C!3<4!=5&>43!#!7&>!<4&.!3<4!,.-&? s!4G4>!4K<&5&3#->$!-C!&!'<44)#>A!$@>F *-@.!-'>!,.4&3<#>A!$=44?#>A!@=!3-!$*>7<.->#)4!&!$->A0 +-$V@#3-4$!,4&3!3<4+$45G4$!3-!?4&3<!&A&#>$3!3<4!5&+==-$3$0 '<4>!*-@!5--/!&3!+4!#3!#$!&$!#C -@.!4*4$!&.4!C.#4>?$!=5&*#>A!7&37< ->!&!,@.>4?!145? #>!3<4!$>-'$!-C!&>-3<4.!74>3@.*0 3-!/44=!#3!A-#>A!1.$3!&534.>&3#G4$!3-!,&$4,&55 -77@=*!3<4!+#>?R!#>!7&$4!*-@!<&?>E3!A@4$$4?F!#!&+!3<#>/#>A -C!$3->4<4>A40
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Confusing the Gods
Bill Wolak A Kurmi bridegroom #$!&5'&*$!34..#14? 3<&3!3<4!A-?$!'#55!7@.$4 3<4!<&==#>4$$!-C!<#$!'4??#>A!?&* ,47&@$4!-C!3<4!,.#?4E$!,4&@3* &>?!3<4!'#5?!&,&>?-> -C!3<4!>@=3#&5!7454,.&3#->0 (-!3-!7->C@$4!3<4!A-?$ &>?!3<4.4,*!?4H473 3<4#.!N4&5-@$*!&>?!4>G*F in a solemn ceremony <4!1.$3!+&..#4$!&!+&>A-!3.440
655
How Evil Enters the Body
Bill Wolak The Berbers believe that evil doesnâ&#x20AC;&#x2122;t enter the body through the eyes or ears, >-.!3<.-@A<!3<4!$4K@&5!-.A&>$F not even through the mouth or nostrils. 6<4*!&.4!34..#14?!-C!4G#5!$=#.#3$ 4>34.#>A!3<4!,-?*!3<.-@A<!3<4!C4430 (-!->!3<4#.!'4??#>A!>#A<3 &>?!C-.!$4G4>!>#A<3$!3<4.4&C34.a '<4>!3<4*!,47-+4!+-$3!$@$74=3#,54 3-!+&54G-54>3!#>H@4>74$a 3<4*!+&/4!5-G4!&>?!$544= #>!3<4#.!$5#==4.$0
656
The Unfaithful Wife
Bill Wolak D+->A!3<4!B$3*&/$!-C!(#,4.#&F!&!<@$,&>?!-CC4.$!<#$!'#C4 &!3@C3!-C!<&#.!=@554?!C.-+!&!C.4$<5*!/#554?!,4&.E$!=4530 IC!$<4E$!?4G-34?!3-!<#+F!$<4!&774=3$!#3F 3#4$!3<4!<&#.$!&.-@>?!&!?-G4E$!C4&3<4.F!&>?!'4&.$!#3!=.-@?5* ?&>A5#>A!->!&!$3.#>A!,43'44>!<4.!,.4&$3$!&$!&!5-G4!3-/4>0 IC!$<4!.4C@$4$!#3F!<4!/>-'$!3<&3!$<4E$!,44>!@>C&#3<C@50 IC!$<4!&774=3$!#3!,@3!<&$!,44>!@>C&#3<C@5F ,4C-.4!3<.44!*4&.$!3<4!3@C3!-C!<&#.a>-!+&334.!'<4.4 #3E$!,44>!<#??4>!-.!,@.#4?!-.!,@.>4?a3.&>$C-.+$!#3$45C #>3-!&!,4&.F!1>?$!3<4!@>C&#3<C@5!'#C4F!&>?!4&3$!<4.0
654
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Daniel King I!7&>>-3!$34=!#>3-!3<#$!$3.4&+!&A&#>F D>?!$-!+@$3!,#?!C&.4'455!3-!I>&7<@$F "<-!#$!C-.!4G4.!7<&>A#>A!&>*'&*0 I!<&G4!,47-+4!&77@$3-+4?!3-!$@7<!7<&>A4F L@3!3-!,4!,@.?4>4?!'#3<!&!<4#C4.E$!C-.+!#$!@>C-.A#G&,540 (@.45*!$-+4!&$=473!-C!+*!4$$4>74!<&$!.4+&#>4?Y (@.45*!$-+43<#>A!#$!-'4?!3-!?#A>#3*Y IC!3<#$!#$!3<4!=.-3473#->!-C!+*!J-.?!t4@$F 6<4>!S4.&!+@$3!,4!3<4!&=4#.->!#3$45CF D>?!I!+@$3!,4!&$!G#A#5&>3!&$!3<.4&34>4?!D.A@$R D!'&37<4.!-C!3<4!'#>?!&>?!-C!3<4!7.-$$:7@..4>3U! A hearer. . . . 6<4!'-.?!.4G4&5$!$<4!<&$!&5.4&?*!#>153.&34?!+*!#?4>3#3*F D>?!I!+@$3!H440 6<4!I->#&>!(4&c 6<4!?&./!>#A<3!75#CC$F!3<4!5#>4$!-C!'&G4$ J#/4!$4>34>74$!#>!$-+4!+*$34.#-@$!7&55#A.&=<*F Q45#+#34?!,*!?#$3&>3!C@3@.4!I3&5*R D!'&>?4.4.!&33.&734?!3-!+*!$#5<-@4334!&3!$@>$43 _6<4!$#5<-@4334!-C!+4!&$!I!'&$` ]#A<3!,4!#>$=#.4?!3-!'.#34!&!=-4+ D>?!=@3!&!3#>73@.4!-C!<#+$45Ca 6<4!WIX!_4*4Y!&*4Y`a#>3-!#3F S#$! -@34.! ,4#>A! &55! 3<4! '<#54! ,4?47/4?! #>! ?&#5*! 5#G#>AE$! bovine garb. D>?!3<#$!4K=&>$4!-C!'&34.!A.&$=#>A!&$!#C!#>!&!1$3!3<4!-7<.4!
65I
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coast ]#A<3!3<@$!,4!C-.!<#+!->5*!$-+43<#>A!,5@4!5#/4!#>/F D>?!3<4!+&??4>#>A!A&?H*F L5#$34.#>A!+*!<#?4!5#/4!,5&??4.'.&7/F 6<4!#+=@5$4!4G4.!3-!7->3#>@4!3-!3<4!5#>4!,45-'F MG4.!3-!7&=3@.4!7<&>A4F I>!$-+43<#>A!>->43<454$$!434.>&50 IC!$@7<!7->74.>$!&.4!&5$-!+#>4!3<4*!&.4!$@,+4.A4?!?44=F P-.!I!&+!C&.!+-.4!&'4?!,*!'#5?!O-$4#?->E$!7<#55!$=#3F Glistening on the shore, "<#7<!I!?4=&.3!&5+-$3!#>!$=#34!-C!+*!?4$#.40 Already the benumbing line has reached my thighs, L@3!I!#A>-.4!3<4!/45=E$!7&.4$$F 6<4!/>-334?!'&34.E$!#>?#CC4.4>3!.4$#$3&>74F D>?!C-7@$!->!3<4!&5A&5!=<-$=<-.4$74>74F O.434>?#>A!3<&3!4&7<!$=&./54!#$!&!$3&. D>?!I!&!$&3455#34!-C!3<4!+-$3!+&$$#G4!=5&>43F D!,5#$34.:=4&.5!#>!#3$!3#&.&0 (@7<! .@+#>&3#->$! +&/4! +*! =&$$&A4! 3-! 3<4! C&.! MA*=3#&>! shore less daunting, MG4>!#C!,*!7-+=&.#$->!3<4*!+&/4!C-.43-5?!4G4>3$ J#/4!+*!.4=.#$4!-C!<@+&>!C-.+F!3<4!$->!I!+@$3!7->74#G4F! ]-.4!=.-$&#7U For their transcendence leads me to believe _6<4!$#5G4.*!+4>#$7@$!$5#=$!-G4.!+4!>-'F D>?!I!#><&54!3<4!'-.5?E$!'&.+!,5--?`! 6<&3!3<-@A<!I!7&>>-3!$34=!#>3-!3<4!$&+4!$3.4&+!3'#74F 6<4!(&+4E$!&==.-K#+&34!.43@.> ]&*!,4!C&7#5#3&34?!,*!$@,+#$$#->!3-!#3$!&,$-5@34!?4=&.3@.40
65J
The Siege of Tr채umen
Daniel King 6<4!D.A#G4$!#>!3<4!<4&.3!-C!6.-*0!(-!B?*$$4@$!<&?!3<-@A<3 "#3<!4G4.*!$5&@A<34.:=&@$4!3-!$7&>!3<4!.&+=&.3$ I>!-.?4.!3-!.4+4+,4.!4G4.*!-,N473!5&34.!$+&$<4?0 D>?!*43!<4!+#$$4?!3<4!P-55*!-C!M55#=$4$ 6<&3!7&$3$!+&.-->!.4H473#->$!#>!3<4!#>/*!.#G4.F Because he missed the river too. 6@.>#>A!?-'>!3<4!'&5/:'&*$!-C!6.4*!<4!+&*!<&G4!7<&>74?! @=->!&!$-5#3&.*!3&G4.> L@3!C&#54?!3-!$44!&!?-)4>U [4=3!<#$!&334>3#->!->!3<4!5#A<3<-@$4!$54>?4.!&$!&!=4>!&>?! high as night b43!>-3!=4.74#G4?!3<4!3.#=54!3-'4.$F!'&34.$=-@3$!-C!3-@.+&5#>4F!#>!3#4.$!&,-G4!3<4!,5@CC$U Q.4&+4?F!#>!3<4!$3.443$!-C!6.u@F!-C!<#$!?4$3.-*#>AF!->4!,*! one, each dictionary-thick abutment, BC!&..-'#>A!3<4!.4$3!-C!O.#&+E$!.43#>@4F I>!&>!&334+=3!3-!A&#>!D7<&4&>!?-+#>&>74!,*!+&3<4+&3#7&5!$@,3.&73#->a B>5*!3<4>!3-!?#$7-G4.!3<&3!&>!&..-'!?-+#>&34$!N@$3!->4! =-#>3 "<4.4&$!&!5#+4$3->4!,&..#7&?4!=.-3473$!&>!#>1>#3*!-C! them; I>!#..#3&3#->!7->4?!<#$!<&>?$!&3!3<4!#><&,#3&>3$!3-!C-55-'! Odysseus, f>&'&.4!-C!4G-5G#>A!G-7&5!5-7#!&$!<4!>4&.4?!3<4!@>$44>! V@&*$F S#$!#+&A4!$=5#33#>A!#>3-!=5&>4$!-C!<&)4F
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65A
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Poem of Tribute
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Clouds 6.&>$5&34?!,*!(3&>#$%&'!L&.&v7)&/!&>?!25&.4!2&G&>&A< IE?!<&G4!3-!,4!.4&55*!V@#7/! 3-!?4$7.#,4!75-@?$a! &!$=5#3!$47->?E$!4>-@A<! g!C-.!3<4+!3-!$3&.3!,4#>A!$-+43<#>A!45$40 6<4#.!3.&?4+&./R! 3<4*!?->E3!.4=4&3!&!$#>A54! $<&=4F!$<&?4F!=-$4F!&..&>A4+4>30 f>,@.?4>4?!,*!+4+-.*!-C!&>*!/#>?F! 3<4*!H-&3!4&$#5*!-G4.!3<4!C&73$0 "<&3!->!4&.3<!7-@5?!3<4*!,4&.!'#3>4$$!3-Y! 6<4*!$7&334.!'<4>4G4.!$-+43<#>A!<&==4>$0 2-+=&.4?!3-!75-@?$F! 5#C4!.4$3$!->!$-5#?!A.-@>?F! =.&73#7&55*!=4.+&>4>3F!&5+-$3!434.>&50
65G
Poem of Tribute T4K3!3-!75-@?$! even a stone seems like a brother, someone you can trust, '<#54!3<4*E.4!N@$3!?#$3&>3F!H#A<3*!7-@$#>$0 J43!=4-=54!4K#$3!#C!3<4*!'&>3F! &>?!3<4>!?#4F!->4!&C34.!&>-3<4.R! 75-@?$!$#+=5*!?->E3!7&.4! '<&3!3<4*E.4!@=!3-! ?-'>!3<4.40 D>?!$-!3<4#.!<&@A<3*!H443! 7.@#$4$!$+--3<5*!-G4.!*-@.!'<-54!5#C4! &>?!+#>4F!$3#55!#>7-+=54340 6<4*!&.4>E3!-,5#A4?!3-!G&>#$<!'<4>!'4E.4!A->40! 6<4*!?->E3!<&G4!3-!,4!$44>!'<#54!$&#5#>A!->0
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