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Vol. 35, No. 1
March rch h 2022
%\ '$9,' +$=/(',1( 6WDII :ULWHU Live music is one of the many facets of the entertainment industry hard-hit by COVID-19. And though performers are eager to get back on stage, some of the venues that host them are having a hard time meeting expenses as many music fans remain wary of crowds, particularly indoors. “It’s been a challenge,” said Jessie Sensenig who books bands for Goshen Brewing Company, which currently hosts free Wednesday night concerts. “We’re fortunate to have a loyal group of people wanting to support local music.” During the lockdown, he recalled, many musicians turned to the internet. GBC, for example, produced a series of live music feeds on Facebook drawing as many as 100 viewers. GBC, as well as other venues such as Ignition Music Garage, also in Goshen, benefitted from “very essential” government funding following the early days of the pandemic lockdown, without which some may not have survived. And cancelled
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shows, along with rescheduling 287'225 $'9$17$*( ³ :DUVDZ 3DUNV· IUHH VXPPHU FRQFHUW VHULHV IHDWXUHV D GLYHUVLW\ when possible, continue to pose RI PXVLFDO VW\OHV 7KH FRQFHUWV DUH KHOG DW &HQWUDO 3DUN 3OD]D DQG WKH UHFHQWO\ DGGHG /XFHUQH frustrating dilemmas. $PSKLWKHDWHU ORFDWHG EHKLQG WKH 6HQLRU $FWLYLWLHV &HQWHU %HFDXVH RI &29,' PDQ\ FRQFHUW According to Julie HershJRHUV DUH PRUH FRPIRUWDEOH DWWHQGLQJ VKRZV RXWGRRUV 3KRWR SURYLGHG E\ :DUVDZ 3DUNV DQG berger, manager at Ignition, 5HFUHDWLRQ which also sees revenue from the continuing rise of vinyl sales, the venue 5+<7+0 $1' had roughly 13 shows %/8(6 ³ &ODVVLF to reschedule when it EDQG 7KH 6SDQLHOV “cautiously” returned to SHUIRUPHG DW 0LOIRUG live music in the spring )HVW LQ 7KH of 2021. HYHQW ZKLFK WDNHV “Everything falls on SODFH RQ 0HPRULDO the venue,” she noted. 'D\ ZHHNHQG KDV On top of the cost of QRW IHDWXUHG OLYH PX paying employees and VLF IRU WZR \HDUV sound equipment, most SDUWO\ DV D UHVXOW of the touring bands RI &29,' 0DQ\ LQ Ignition books have not GRRU PXVLF YHQXHV lowered their guaranFRQWLQXH WR VWUXJJOH tees. Ignition owner Tim WR GUDZ SUH &29,' Hochstetler conceded DWWHQGDQFH OHYHOV professional artists are 3KRWR E\ 'DYLG +D “hurting like crazy,” ]OHGLQH and their agents’ job is to make them money; however, Ignition audiences, which are often largely composed of people over 50, are still not venturing out at pre-COVID levels. The venue’s turnout has hovered around half of what it Continued on page 3
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