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October 20, 2022 | The Pace Press

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October 20, 2022

Volume 79 | Issue 2

the pace press Est. 1948

www.thepacepress.org

“Honesty and Objectivity”

University Chair of the Political Science University’s reproductive Department sheds light on the Ukraine and justice panel addresses abortion advocacy amid Russia prisoner swap overturn of Roe v. Wade LUKE POMFRET Contributor

The Russia-Ukraine conflict has world leaders on edge. Since the invasion of Ukraine in February 2022, tensions between the countries have continued to increase and do not show signs of slowing down anytime soon. One form of cooperation between the two war-torn countries has been the introduction of exchanging prisoners. Dr. Amy Freedman, Chair of the Political Science department at the University, defines the purpose and practice of prisoner swaps. “Prisoner swaps are common during times of war, although they may not happen as regularly and as humanely as many would like. The purpose is to protect human dignity, well-being and rights as much as possible during times of war.” Dr. Freedman analyzes the reasoning behind these prisoner swaps, explaining that “[The prisoner swap] is being done both in following conventional rules of war and for practical purposes when those being exchanged are injured and can no longer participate in the war. It is also being done for political reasons when the prisoners are not Ukrainian citizens. In this case, American and British citizens, a Moroccan and a Swede fighting for Ukraine are being released.” “The exchange seems to mostly benefit Ukraine, but Russia may have wanted to do this to keep on good terms with Turkey and Saudi Arabia,” Dr. Freedman speculated.

Dr. Freedman also noted the important events that happened over the last week and could affect the war. She says the Russian Referendum in Russian-occupied territories was “bogus” and “not free to all people.” The Russian Referendum went from city to city asking people to vote on becoming part of the Russian Territory, and participants were forced to vote yes. As for the future of the two countries, Dr. Freedman says, “it is hard to see how this will end. Putin seems unlikely to accept defeat without attempting a nasty escalation of how he wages war, and Ukraine is going to want to continue to overturn Russian gains.” Kat Reed, a junior Political Science major, gave her perspective on the prisoner swap as well, expressing that she worries “about the safety of these prisoners, but [she] hope[s] the exchange will ease some tensions.” Reed said that she is most nervous about introducing nuclear weapons in the war, “So far, it appears that Russia keeps bombing pipelines and is looking into the possibility of using nuclear weapons. I find this to be the biggest worry right now.” At this time, the Russia-Ukraine war is ongoing, and The Pace Press will follow the unfolding events closely.

Incarcerated trans artist makes debut in solo exhibition, ‘Even Flowers Bleed’ ANNA MURPHY Contributor

Tucked away in a ninth-floor art gallery in Chelsea, Jamie Diaz’s debut solo exhibition “Even Flowers Bleed” is a stunning collection of watercolor paintings made between 2013 and 2022 exploring the complexities of queerness and the strength of the human spirit. Anyone entering the exhibition at Daniel Cooney Fine Art without knowing who Diaz is will be shocked to find out that everything was created within a prison cell. However, incarceration is nowhere near the entire story of Jamie Diaz, a Mexican-American transgender woman who creates art to celebrate queer joy. Diaz was born in Illinois in 1958, grew up in Houston and has been creating art since she was a teenager. Her biography within the exhibition references a broad range of artistic inspiration, ranging from tattoo artist Ed Hardy to the Dutch Masters. While this exhibition is entirely watercolors, Diaz has worked in many mediums throughout her life, including tattoo work. Her preferred medium is oil paint, but, due to being incarcerated, she is limited to watercolors. The exhibition gets its name from her series of still lifes featuring vases of thorned roses and claws dripping blood. In her statement on the exhibition, Diaz explains, “everything bleeds, everything feels pain. We’re not the only ones… even flowers can hurt. That’s just part of nature.” The pieces all bear common motifs: thorns, claws, little angels and devils. Some feature white doves, a symbol Diaz uses throughout her work to represent the queer spirit. In addition to the still lifes, there are portraits of the artist and her friends as well as more surrealist figures that explore the balance of opposites. Good versus bad, light versus dark; these dichotomies are the theme of pieces like “Raising the dead,” which depicts a violin player who stands on a black ground of thorns against a bright blue sky filled with doves. This contrast shows the balance of joy and struggle that comes from experiencing life as a queer person. Diaz also shares with viewers her raunchy humor through her comics, focusing on the queer angel and devil characters that are in many of her pieces. In the comics, they serve as protectors and friends, watching over her and reminding her how great she looks. They can get very explicit, and Diaz shared that censorship is something she’s had to deal with when mailing her art out. Diaz’s comics have been Credit: “Raising the Dead” by Jamie Diaz in multiple publications and her first full-length comic book, “Queer Angels and Devils,” is being published through A.B.O. Comix, which aims to “amplify the voices of LGBTQ prisoners through art.” University junior Pat Steinger shared that the comics were their favorite part of the exhibition. “I love how real they were and the contrast between the colorful cartoon style and somewhat serious topics they discussed created a really interesting dynamic that tells you a lot about the artist,” they said. “I also really enjoyed that you get to see Jamie’s self-image evolve over time through her art.” The self-portraits of Diaz display the unique and powerful talent that she is. The piece “Queer Spirit” shows her strutting confidently down the street in pink leggings and a signature tight black shirt, carrying a pride flag below a rainbow and a dove with the words “Our flaming queer hearts will not be denied” on the piece.

KAI JONES Contributor

49 years ago, Roe v. Wade was enacted, establishing the right to control one’s own sexual and reproductive decisions. On June 24, 2022, that decision was overturned by a majority ruling within the Supreme Court where now 36 states hold restrictions against legal abortions. On Sept. 29, the University hosted a panel in the Student Center to discuss the movement for reproductive justice. Panelists Dr. Meghana Nayak, the Chair of Women & Gender Studies, Dr. Emily Welty, the Director of Peace & Justice Studies and The Pace Press’ Assistant Social Media Manager, Mikayla Meachem, Credit: Photo from daisydeadair.blogspot.com expressed their knowledge and provided resources on how to be involved in advocating for this freedom. The panel began with Dr. Denise Belen Santiago, Director of Multicultural Affairs, sharing an anecdote related to the experience of those who have gone through an abortion, specifically during a time when the lack of safe accessibility was prohibited. Dr. Nayak took the stand, or rather the screen through Zoom, to introduce the framework of the panelist discussion explaining the genesis of a group of black feminists known as SisterSong in 1994 Chicago, as well as calling attention to the forced pregnancies and forced deliveries that happened in war and conflict zones. Centering on the problem, Dr. Nayak explains how anti-choice lawmakers hold great power in the reproductive justice discussion outside of the U.S., and despite it being mentioned in passing in the United Nations (UN), there is no “stand-alone human rights convention about reproductive and sexual health and reproductive justice.” Another hindrance is the Helms & Hyde amendments that were put into effect after the approval of Roe v. Wade, restricting federal funds from any organization that provides abortion care and/or speech. Dr. Welty discussed the list of intersectional issues including sovereignty, race, class, migration, colonization, incarceration and even environmental justice, and how they all play a role in reproductive justice. In addition, Meachem mentions the purpose of intersectionality as a way to establish a long-lasting community of people with continued on PAGE 8 shared experiences who can provide support and access to resource centers.

I miss the old Kanye JAEDEN PINDER Executive Editor

What defines something as art? Art has become so subjective at this point, but a working definition that has stuck is this: true art is meant to elicit reaction. As bloated as it sounds, art should make you feel something, even if that reaction is immediate disgust and shock. However, a white supremacist motto screen-printed across a long sleeve sweatshirt is definitely not considered art, as much as someone might attempt to convince you. Even if it’s Kanye West. Especially if it’s Kanye West. In the past, West’s actions have been excused as minor quips; even I have fallen victim to chalking his jests up as part of the grander Ye archetype as memeable bits. The excuse of his antics as part of an artistic scheme cannot continue much longer, especially if it falls into the realm of hate speech and hanging out with a charlatan like Candace Owens, who has openly decried Black Lives Matter, is doubtful of the impact of climate change and maintains that Ukraine didn’t exist until 1989. Only one day before chaos ensued, West was praised for opening the latest Balenciaga show at Paris Fashion Week, albeit looking like a brutalist Roblox character.

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INSIDE @thepacepress

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