Skip to main content

Spring in War-Time by Theodore Tavi Hein

Page 1

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re Theodore Tavi Hein

Spring in War-Time Words by Sara Teasdale For SATB Choir and Piano


Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re


Program Notes

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

My piece is a setting of the poem "Spring in War-Time" by Sara Teasdale (1884-1933), which was written in the early to middle years of World War I. Throughout her powerful text, Sara Teasdale explores the painful juxtaposition of the renewal of spring against the tragic loss of life in a war that never seems to end. Each stanza ends with a rhetorical question, expressing the deep grief of a world torn apart by a brutal war. My piece musically illustrates each line through the use of word painting and emotional harmony. The harmony of the main theme, which rst appears at rehearsal A, is set in a dark and introspective c sharp minor, which represents "a world in grief." Starting at rehearsal E, the line "The grass is waking in the ground" is set to a motive that rises and falls in its melodic shape, representing dormant seeds bursting with energy and life upon the arrival of spring. The same undulating motive is also set to the line: "Soon it will rise and blow in waves." The increasing propulsive motion of this motive and two other motives builds to the climactic nal line of that stanza, ending with "New graves?" At the end of each stanza of the poem, the chorus sings a loud, full chord, signifying each piercing question. The last measure of the piece ends on an unresolved chord and represents the tragic unanswerable questions posed throughout the poem.

Spring in War-Time

I feel the spring far off, far off, The faint, far scent of bud and leaf— Oh, how can spring take heart to come To a world in grief, Deep grief? The sun turns north, the days grow long, Later the evening star grows bright— How can the daylight linger on For men to ght, Still ght? The grass is waking in the ground, Soon it will rise and blow in waves— How can it have the heart to sway Over the graves, New graves? Under the boughs where lovers walked The apple-blooms will shed their breath— But what of all the lovers now Parted by Death, Grey Death?

- Sara Teasdale

Duration

Ca. 4:30


Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re


SPRING IN WAR-TIME

Theodore Tavi Hein (2026)

Sara Teasdale

   Soprano  



Lacrimoso  = 50 rit.

     

Alto

Oh

    

 

   Oh



rit.

a tempo

 

 



 



 

molto rit.

 



 

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

Tenor

   



a tempo

           

 

feel the spring far off,

far off,

                  I

                     I

  

feel the spring far off,

   

  

  

feel the spring far off,



             

                           

feel the spring far off,

  

    

  

far off,

I

 

 

  

             

            

  

 

               

   

I



    

Oh

             

5                  A a tempo

   

l.v.  

 



Piano

               

l.v.  



Bass

 

far off,

  

far off,

The faint, far scent of bud and leaf—

The faint, far scent of bud and leaf—

             

The faint, far scent of bud and leaf—

The faint, far scent of bud and leaf—

   

   

   

Copyright 2026 Theodore Tavi Hein, All Rights Reserved

B

                Oh,

Oh,

how can spring take

how can spring take

              Oh,

 

how can spring take

              Oh,

 

how can spring take



 


2

Spring in War-Time by Theodore Tavi Hein

12          

 

 

heart

 

heart



heart

       

heart

  

  

  

  

to

come

  

to

come

  

 To

a



To

a

  





world in

world in

            

             

  

to

come

to

come

  

To

to



a

a

world in

world in

 

17        

   

  

grief,



 

grief,

 

 

Deep



grief?

 

 

 

 

Deep

 

grief?

 

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

       

   

 

 C      

The

grief,



 

  

  

          sun

Oh        The

grief,

   

sun

          Oh

turns north,

  

Oh

 

 

the

  

       turns north,

Oh

the

  

Oh

 

Deep



Deep

 



   

days

grief?

             

 

grow long,

     

Oh

   

long,

       

days

    

grow long,

     Oh

grief?

 



   

   

                     long,

l.v.

   

   


Spring in War-Time by Theodore Tavi Hein

 21          

La - ter

 Oh     La - ter

the

eve

  

-

 

 

  

-

ning

-

Oh

Oh

     

 

the

 

eve

Oh

  

  

-

 

  Oh

 

    

How

    

How

can the

can the

day

-

day

  

can the day

  

-

-

light

light

light

                     How

can the day

-

light

   

  

            How

star

Oh

            

star

ning

D

24

grows

  



bright—

lin

 

 

Oh

ger

on

bright—

   

 

 

 

           bright

 

 

men

to

men

ght,

to

ght,

           

men

-

ger

lin

-

ger

 

lin

-

 

ger

on



on



on

 

 

For

For

    

For

lin

 

 

ght,

 

to

men

 

   

For

-

grows

 

  

bright—

  

  



   

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

   

  

3



            to

ght,

  


4

Spring in War-Time by Theodore Tavi Hein

    E

27    

ght?

ght?

  

 

  

30    

    

ght?

  

 

ght?

 

ground,

     

   

     

  

  

  

  

The grass is wak - ing in the

 

          

     

         

Soon it will rise and blow in waves

The grass is wak-ing in the

             

The grass is wak-ing in the ground

   

      

            

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

Still

Still

   

Still

 

   

Still

  

 

ground

 

   

 

 

      

   

        

Soon it will rise and blow in

 

 

  



     

   


Spring in War-Time by Theodore Tavi Hein

32    

 

     

 

  

 

How can it



waves—

 

     

 

Soon it will rise and blow in waves

34     

 

sway

  

sway

   

waves—

  

      

have

      

heart

to

How can it

have

the

heart

to

have

the

How can it

heart

to

               

sway

 

   



   

 



              sway

  



          

 

How can it

      

 

  

How

    

How

  

How

  

How

 

 

  

can it

     

can it

can it

  

can it

the

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

 

F

5

  

   

have

the

heart

to

         

       

have

the

heart

to

have

the

to

have

heart

the

heart

to

have

the

heart

to

         

          

 

 

 

       


6

Spring in War-Time by Theodore Tavi Hein

36    

 

  

sway

    

sway

sway

 

     

38     

         

ver

    

 

  O

O

    O - ver

   

 molto

O - ver

  

        

-

ver

graves,

 molto    O

graves,

O - ver graves,

    

O

 

 

O

 molto     

O - ver graves,

   

-

  

-

ver

-

ver

O

   graves,

O

 

-

-

ver

ver

  

graves,

  

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

  O

sway

G

O

-

-

ver

ver

 molto  

   

 

    

O - ver the graves,

molto

         

              

graves,

     

O - ver the graves

O - ver the graves

       

 

 

 

 

 

 

 

 

graves,

   

O - ver the graves,

ver

         H

graves,

graves,

-

 

     

 

 

New

New

 

New

 

New

   

 

 

 

 

 

 

 

  


Spring in War-Time by Theodore Tavi Hein

 41   

  

   

graves?

    





I

l.v.



 



     

  



  

  

  

  

    

  

Un - der the boughs where lov - ers walked,

 

    

  



  

    



 

  

  





Un - der the boughs where lov - ers walked

 

    

    



 

  

Un - der the boughs where lov - ers walked,





The

The

  

The

  

 

 

 



 

    

   

 

ap - ple - blooms will

 

 



 

ap - ple - blooms will

 



 

ap - ple - blooms will

   

   

   

 

shed their breath—

     

shed their breath—

shed their

    

breath—

 



   

46         



     

                 

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

graves?

graves?



graves?

7

 

  



  

      But

       But

                   

But



But




8

Spring in War-Time by Theodore Tavi Hein

         J

51

     

what

     

what

         

of

   

all

the

  

   

  

the

of

the

of

all

   

of

what

all

all

54        

    lov

-

-

-

-

-

-

 

-

-

-



ers

now

 

 

ers

now

 

ers

now

   

        -



 

lov

Death,

Death

      

lov

the

                               

lov

  

        



Par



 

Par

 

Par

-

    -

Death,

 

          Death

   

 

-

-

ers

 

Grey



Grey

Grey



Grey

  

 

   

       

now

  

Par

 

by

-

-

ted

by

-

-

ted

by

Death?

  

Death?

ted

   

by

  

  

Death?

Death?

     

   

-

 

-

 

 

    



ted

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

what

     

    

  

  

  

   

   


Spring in War-Time by Theodore Tavi Hein

9

58  





K

 

 

 



 

 

 





 





 

Co P e py ru rig sa l h Ta t O n T vi l h y He eo in do re

  

    

   

   

   

 


Turn static files into dynamic content formats.

Create a flipbook
Spring in War-Time by Theodore Tavi Hein by theodoretavihein - Issuu