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Meditation by Theodore Tavi Hein

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Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi Theodore Tavi Hein

Meditation For Flute and Piano


Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi


Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi Program Notes

Meditation, for flute and piano, explores the duality of multiple natural elements working in tandem to create a meditative experience of sound. The piano and flute entwine through melody and counterpoint to communicate the yin and yang, push and pull, calm and understated force of nature. Like the coupling of nature’s creatures or the symbiotic relationship between flower and bees and butterflies, the piano and flute dance together through a meditative song of the natural world.

Duration Ca. :

'


Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi


MEDITATION THEODORE TAVI HEIN (2025)

 

Serene   = 72

Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi

Flute

Piano

Pno

Fl.

Pno

  

una corda



 

     

7

Fl.

    

                   

         

(u.c.)



13

 

  

 

  

          (u.c.)

   

 

      



       

 



    

  



                           

    

        

                 

  

 

     

  

 

  

 

       

   

     

Copyright 2025 Theodore Tavi Hein, All rights reserved

   

           



   

   


2



19



   

   

   

   

   

   

Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi

Fl.

Meditation by Theodore Tavi Hein

Pno

Fl.

Pno

Fl.

Pno

Fl.

Pno

 

           

   

(u.c.)



25





   

espressivo



 

 

          tre corde



32

 

 

  



39



 

      



   

      

    

  

   



  

 

 

    

 



 



     

 



dolce

  



  



 

  

  





         

   

                                          

             

     

 

         

                                    



    

   



    

       





  



  







  

       


          





     



   

       

 



    

 





 



    



      

3

   

     

                                                



Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi

Fl.



45

Meditation by Theodore Tavi Hein

Fl.

Pno

Fl.

Pno

Fl.

Pno

 



51

      



     



                 

       



   



  

  



  

 

                                                



57



  

                 

    

 

   

   



Pno

  

    

espressivo





  

espressivo

     



 

    

                                                                                                      

63

    

 


4



     

   



69

 







  

        





  

    

 



  



    

  

 

          

     

                

Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi

Fl.

Meditation by Theodore Tavi Hein

Pno

Fl.

Pno

Fl.

Pno

Fl.

Pno

 



75

              

          

  



 





 

    

                              

                             

                                                                                                           



81

 

                                                                                                     



87



 




Meditation by Theodore Tavi Hein

 

          



                 





    

  

Pno

Fl.

Pno

Fl.

Pno

 



97

 

                               



        

       

 

         

101

      



       

      

                             

   

 

      

         

    



 

                        

Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi

Fl.



92

5

  

 

      

 

      



              

 

 

   


6



104

    



   

        

  

       

  



   

   

    



   

           

Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi

Fl.

Meditation by Theodore Tavi Hein

Pno

Fl.

Pno

Fl.

Pno

Fl.

Pno

 

   

 

108

  

     

   

 cresc. poco a poco      

  

            

112

 



115

 

  



 

      

 

   

   



 cresc. poco a poco      

              

      

 

   

   

       

   

 

   





       

 

 

  





            

                 



  

          

   

  

            

           

 

    

 

 

   

 





   

  

  



  

  

 

   

 


Fl.

 



  

 













    





  

 





  



 







7

  

 



                 



             





 

Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi

Pno



119

Meditation by Theodore Tavi Hein

Fl.

Pno

Fl.

Pno

Fl.

Pno





125

 

 

 



131





 

  



 



  

136





  





  

 

  



    











                     

               

     



  

 











  







 

  





 

   

  

  

                                                  

























                                                                  

  

 

  





 










8



139





                           



  

 

Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi

Fl.

Meditation by Theodore Tavi Hein

Pno

Fl.

Pno

Fl.

Pno

 





144

 

    





       

    (u.c.)



   

 



           

(u.c.)

  



    



150

 

 

 



 

 

    

 

    

  



                



una corda











                  

   

  

              

  

   



 



                

 

  

 

           

 



     

 



 

     


Meditation by Theodore Tavi Hein



156



  

    



t. 

  

  

    

   

   

 

 

   

 



   

Pe ru C Th o sal p eo yr O n do ig ly h He re t in Ta vi

Fl.

9

Pno

Fl.

Pno

Fl.

Pno

 

        

        

(u.c.)

   

162

         

   

 

   

      

      

       espressivo

      tre corde

   

           

 

  

(u.c.)

168

 

    

   



   

  

           

   

   

    

  

 

   

 



   

          

 



    

         

 

    espressivo

   

 

 

 



      

      

         


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