Issuu

October 2026

Exclusive Fan Magazine

Issue 11. Vol. 1

The Maxton Edit

CAUGHT IN THE MOMENT Cast Collages, Candid Moments & More

BEYOND MAXTON HALL Mama, Corpus Delicti & More

Between Stage, Screen and Sound

EXCLUSIVE: INTERVIEW WITH GOVINDA GABRIEL

WHAT AWAITS US AND A REWIND The Story Continues: Everything You Need to Know To Watch Season 3!

MAXTON NEWS & FANDOM LOVE

New Projects, Creative Highlights & A Fan Account You Need To Know

the

maxton Edit

Table of Contents

ABOUT GOVINDA GABRIEL

MAXTON NEWS

CAST MOMENTS

ELI RICCARDI & TONI MOR LIGHT UP KÖLN

EXCLUSIVE: GOVINDA GABRIEL INTERVIEW

TOMMY HILFIGER COLLAGE

WHAT AWAITS US IN SEASON 3

IN PRODUCTION

STAFF PICKS

SOON IN CINEMAS: CORPUS DELICTI

CORPUS DELICTI PREMIERE & INSIGHTS

HIGHLIGHTING A FAN ACCOUNT

THANK YOU

MEET THE STAFF

BACK COVER

THE MAXTON EDIT

ABOUT GOVINDA GABRIEL

When Govinda Gabriel stepped into the world of “Maxton Hall - The World Between Us”, Usˮ, he became Keshav Patel, a character who has been part of the series from the very beginning. But there is more to Govindaʼs work than his role in “Maxton Hallˮ. His previous projects have already allowed him to explore very different characters and stories. In “Encounters”, “Encountersˮ, he took on the role of Waleed, while “Kairosˮ saw him play Lias. Both

projects

gave

Govinda

the

opportunity to take on leading roles and approach characters outside the world audiences now know him from. Rather than being defined by one particular type of role, his work so far shows a willingness to explore different sides of acting. That variety also continues on stage. Govinda has appeared in productions including “Die Klima Monologe”, Monologeˮ, “Rot” “Rotˮ and “Die Vertreibung aus dem Paradies”. Paradiesˮ. Alongside acting, he has another creative outlet in music: he has been playing the drums for more than ten years and has performed

different

bands

and

projects. © Elena Zaucke

What makes his journey interesting is the way these different experiences come Name: Govinda Gabriel

together. From the more intimate stories

From: Munich

of Kairos and Encounters to he ensemble

Work: Actor

world of “Maxton Hall”, Hallˮ, Govinda has

Known for: Encounters, Kairos and Maxton Hall

already had the chance to approach acting from different perspectives - while still being at the beginning of his career. 3

WHAT’S NEW? WHATʼS

Maxton News A NEW ERA: PRIME VIDEO HEAD OF GERMAN ORGININALS SAYS GOODBYE!

Prime Video Germany is saying goodbye to Philip Pratt, who is leaving Amazon after 11 years with the company. As Head of German Originals, he played a key role in shaping many successful productions, including Maxton Hall. While a successor has not yet been announced, Prime Video confirmed that current and upcoming projects will continue as planned. THANK YOU PHILIP!

SAVE THE DATE: MAXON HALL RETURNS ON DECEMBER 9TH! © Prime Video

The new season of Maxton Hall will officially premiere on December 9th, 2026. It has not yet been confirmed wheather all episodes will be released at once or follow a certain release schedule. MORE DETAILS TO COME!

MAXTON HALL TAKES OVER THE OBSESSED RETREAT! © Prime Video Germany

The Obsessed Retreat took place in the Bavarian Alps in September and included several special moments for Maxton Hall fans. Harriet Herbig-Matten and Damian Hardung joined the event, while guests were among the first to watch the opening episodes of the new season. The retreat concluded with a Maxton Ball, bringing the world of the series to life for the final Retreat evening. 4

C ast M oments

Collage by Elise (Editor-In-Chief)

ELI RICCARDI & TONI MOR LIGHT UP KÖLN Eli Riccardi and Toni Mor seriously blew me away in Köln. Their sound was unlike anything I have heard live before and the best way I can describe it is jazz punk in the coolest possible way. It was groovy and completely unpredictable, and I loved every second of it. Both of them were incredible, but I also have to give so much credit to the supporting band. One of my favorite moments was when the saxophone and trombone players came off the stage and went straight into the crowd, with everyone around them dancing and moving with the music.

The crowd honestly made the night even better. Everyone was so into the music without being obnoxious about it, which made the whole concert feel even more electric. Germans seriously understand concert etiquette, so major props there. This was easily one of the best concerts I have been to in a long time, and exactly the kind of night that reminds me why I love live music so much. I walked out of the venue still completely buzzing from it all. If Eli Riccardi and Toni Mor are ever playing near me again, I will absolutely be there.

Between Stage, Screen and Sound GOVINDA GABRIEL ON KESHAV & HIS CREATIVE JOURNEY &

Best known to Maxton Hall fans as Keshav, Govinda Gabriel brings a quiet complexity to his character. We sat down with him to talk about finding his role, his journey as an actor, life beyond the screen – and what he can already tease us about Season 3.

Wie würdest du Keshav jemandem beschreiben, der Maxton Hall noch nicht gesehen hat? / How would you describe Kesh to someone who hasn’t met him yet? Ich würde ihn als introvertierten jungen Mann beschreiben, der eigentlich gut beziehungsweise einfach so sein möchte, wie er selbst ist. Gleichzeitig hat er das Gefühl, von der Welt um ihn herum in eine bestimmte Ecke gedrängt und verurteilt zu werden. Er scheitert ein Stück weit an seinem Umfeld – und daran, so zu sein, wie er eigentlich sein möchte. I would describe him as an introverted young man who actually wants to be good, or simply to be the way he truly is. At the same time, he feels like the world around him is pushing him into a certain corner and judging him. To some extent, he struggles because of the people around him – and because he is unable to be the way he actually wants to be.

Was glaubst du, wonach sich Keshav insgeheim am meisten sehnt? / What do you think Keshav secretly longs for the most?

Ich glaube, vor allem danach, akzeptiert zu werden. I think, above all, to be accepted. Was war für dich die größte Herausforderung daran, eine eher ruhige und innerlich zerrissene Figur wie Keshav zu spielen? / What was the biggest challenge for you in playing a rather quiet and internally conflicted character like Keshav?

Für mich persönlich war es am Set nicht immer einfach, die Gruppenszenen und Partyszenen zu drehen, weil man dabei sehr viel improvisieren und laut sein musste. Das fällt mir etwas schwerer. Ich kann besser arbeiten, wenn ich einen Text und damit ein gewisses Gerüst zum 7

Spielen habe, auf das ich mich vorbereiten kann. Spontane Szenen mit sehr vielen Menschen fordern mich manchmal schon heraus.

How do you develop a character: mainly based on the script, through conversations with the director, or more from your own instincts?

Das hat gleichzeitig aber auch gut zu meiner Rolle gepasst, weil Keshav sich zumindest in den ersten beiden Staffeln in einem ähnlichen Zustand befindet. Über die dritte Staffel darf ich noch nicht viel sagen. Teilweise musste ich dadurch gar nicht so viel spielen, weil ich mich selbst ein bisschen fehl am Platz gefühlt habe. Ich glaube, das sieht man in manchen Szenen automatisch ein wenig. For me personally, it wasn’t always easy to film the group scenes and party scenes on set because you had to improvise a lot and be loud. That’s a little more difficult for me. I work better when I have a script and therefore a certain framework for acting that I can prepare for. Spontaneous scenes with a lot of people can sometimes be quite challenging for me. At the same time, that also suited my role quite well because, at least in the first two seasons, Keshav finds himself in a similar situation. I’m not allowed to say much about the third season yet. In some cases, I didn’t even have to act that much because I felt a little out of place myself. I think you can automatically see that a little in some scenes. © Prime Video

Wie entwickelst du eine Figur: hauptsächlich auf Grundlage des Drehbuchs, durch Gespräche mit der Regie oder eher aus deinem eigenen Instinkt heraus? /

Meistens gehe ich erst einmal so an eine Rolle heran, dass ich mir selbst etwas überlege – es ist schließlich meine Rolle (lacht). Das beginnt bereits beim Casting oder Vorsprechen: Du musst etwas anbieten, um die Rolle überhaupt zu bekommen. Das ist deine erste Idee von der Figur. Wenn diese Idee angenommen wird, verändert sich daran häufig gar nicht mehr so viel. In der Regel wirst du schließlich besetzt, weil du den Charakter bereits verstanden hast und weißt, was du damit machen möchtest. Ich bereite mich normalerweise nicht mit einem persönlichen Coach auf eine Rolle vor. Es gibt Kolleginnen und Kollegen, die das machen, aber ich persönlich arbeite lieber mit meinen eigenen Ideen. Im Laufe des Prozesses hatten wir vor Beginn der Staffeln allerdings immer gemeinsame Coaching-Sessions, und die haben auf jeden Fall etwas gebracht. Vor allem bei der dritten Staffel konnte ich mich noch einmal sehr gut darauf einlassen. Das liegt auch daran, dass es für Alistair und Keshav in Staffel drei etwas aufregender wird. Mehr sage ich dazu nicht (lacht). In der zweiten Staffel gab es für uns beide nicht so viel zu tun, dementsprechend waren die Vorbereitungen damals auch nicht ganz so intensiv. Most of the time, I initially approach a role by coming up with something myself – after all, it’s my role (laughs). That already starts during the casting or audition: You have to offer something in order to get the role in the first place. That’s your first idea of the character. If that idea is accepted, it often doesn’t change that much anymore. Usually, you’re cast because you’ve already understood the character and know what you want to do with it.

I don’t usually prepare for a role with a personal coach. There are colleagues who do that, but personally, I prefer working with my own ideas. Over the course of the process, however, we always had joint coaching sessions before the start of the seasons, and they definitely helped. Especially with the third season, I was able to really get into it again. That’s also because things get a little more exciting for Alistair and Keshav in season three. I won’t say any more about that (laughs). In the second season, there wasn’t that much for either of us to do, so the preparations weren’t quite as intensive back then either.

Wusstest du beim Casting bereits, dass es um Maxton Hall geht, oder war das bei dir – ähnlich wie bei Harriet und Damian – noch geheim? / Did you already know during the casting that it was for Maxton Hall, or was it still a secret for you – similar to Harriet and Damian? Ich wusste gar nichts. Bei mir hieß das Projekt ebenfalls Stuart College und Keshav hieß beim Casting noch Noah. Ich hatte damals ein kleines Buch, in dem ich meine Notizen und Gedanken zu meinen Rollen festgehalten habe. Darin gibt es noch immer die Seite zum Casting für die erste Staffel mit all meinen Gedanken zu Noah – also zu Keshav alias Noah. I didn’t know anything at all. For me, the project was also called Stuart College, and Keshav was still called Noah during the casting. Back then, I had a little book in which I wrote down my notes and thoughts about my roles. It still has the page from the casting for the first season with all my thoughts about Noah – so Keshav, aka Noah.

Wie würdest du die dritte Staffel von Maxton Hall beschreiben? / How would you describe Season Three of Maxton Hall?

Bisher habe ich nur die Szenen gesehen, die ich nachsynchronisieren durfte – und das waren noch nicht einmal alle meine Szenen. Was ich

aber sagen kann: Die dritte Staffel hat mir persönlich bisher am meisten Spaß beim Drehen gemacht. Ich hatte eine unglaublich tolle Zeit am Set. Vielleicht liegt es auch daran, dass ich ein bisschen mehr zeigen und machen durfte – wer weiß? So far, I’ve only seen the scenes that I was allowed to dub – and those weren’t even all of my scenes. But what I can say is this: Personally, the third season has been the most fun for me to film so far. I had an incredibly great time on set. Maybe it’s also because I got to show and do a little more – who knows? Wann hast du gemerkt, dass du Schauspieler werden möchtest, und was hat dich auf diesem Weg inspiriert? / When did you realize that you wanted to become an actor, and what inspired you along the way?

Ich habe tatsächlich bereits mit acht Jahren angefangen, im Kindertheater zu spielen. Das war ein Angebot, für das an meiner Grundschule geworben wurde. Ein Mädchen, das damals eine Stufe unter mir war, spielte ebenfalls in der Theatergruppe und ihre Mutter war Agentin. Da sie viele Nachwuchsschauspielerinnen und schauspieler betreute, nahm sie mich in ihre Agentur auf. Als Kind hatte ich dadurch bereits viele Castings, beispielsweise für Emil und die Detektive, Die Wilden Kerle oder Teufelskicker. Ich habe für viele Projekte vorgesprochen, bei denen man zunächst gar nicht wusste, worum es sich genau handelt – ähnlich wie später bei Maxton Hall. Ich konnte mich als Kinderschauspieler allerdings nie richtig durchsetzen, weil ich das damals noch nicht so ernst genommen habe. Ich erinnere mich noch sehr gut an meine erste Absage. Das war für mich als Kind natürlich ganz schlimm. Meine Mama hat mich damals nach einem Casting in München abgeholt und ich habe nur noch geweint, weil ich mit neun 9

Bei dieser Agentin bin ich tatsächlich bis zu Maxton Hall geblieben. Sie hat mir damals auch das Casting für die Serie vermittelt. I actually started acting in children’s theater when I was eight years old. It was something that was advertised at my elementary school. A girl who was one grade below me at the time was also part of the theater group, and her mother was an agent. Since she represented many young actors, she took me into her agency. As a child, I already had many castings because of that, for example for Emil and the Detectives, The Wild Soccer Bunch, or Devil’s Kickers. I auditioned for many projects where, at first, you didn’t even know exactly what they were about – similar to Maxton Hall later on. However, I never really managed to establish myself as a child actor because I didn’t take it that seriously back then. I still remember my first rejection very well. As a child, that was obviously terrible for me. My mom picked me up after a casting in Munich, and I just cried because, at nine years old, I couldn’t understand why they hadn’t cast me (laughs). As a child, of course, you don’t yet understand how this business works. At the same time, though, that reaction showed me how badly I wanted it and how much I enjoyed it. That’s how it all started. I actually stayed with that agent all the way until Maxton Hall. She was also the one who got me the casting for the series back then.

Jahren nicht verstehen konnte, warum sie mich nicht besetzt hatten (lacht). Als Kind versteht man natürlich noch nicht, wie dieses Geschäft funktioniert. Gleichzeitig hat mir diese Reaktion aber gezeigt, wie unbedingt ich es wollte und wie viel Spaß ich daran gefunden hatte. So fing alles an.

Das ist natürlich besonders schön! Du bist dem Theater bis heute treu geblieben. Wie unterscheidet sich die Arbeit auf der Bühne für dich von der Arbeit vor der Kamera? / That’s especially nice, of course! You’ve stayed connected to theater to this day. How does working on stage differ for you from working in front of the camera?

Das hängt immer sehr vom Skript und von der jeweiligen Inszenierung ab. Der größte Unterschied ist aber, dass man im Theater vieroder fünfmal pro Woche, manchmal einen Monat oder länger, jeden Abend dieselbe Geschichte von Anfang bis Ende spielt. An einem Filmset dreht man dagegen vielleicht einen ganzen oder einen halben Tag lang eine Szene. Danach ist sie im Kasten, vorbei und es geht weiter. Beim Film wiederholt man eine Szene zwar mehrfach, aber wenn sie fertig ist, ist sie wirklich abgeschlossen. Im Theater spielt man am nächsten Abend das gesamte Stück noch einmal von vorne. Diese Art zu arbeiten finde ich persönlich sehr anstrengend. Ich habe im Frühjahr in München in einem vierstündigen Stück und einer sehr emotionalen Rolle gespielt. Das jeden Abend aufs Neue zu machen, war schon herausfordernd. Am Set hast du vielleicht ebenfalls eine schwierige Szene, aber irgendwann ist sie vorbei und du kannst dich gezielt darauf vorbereiten. Bei emotionalen Szenen geben dir die anderen meistens die Zeit, die du brauchst, um in deinen Fokus zu kommen. Ich habe 10

beispielsweise Damian am Set oft dabei beobachtet, wie er vollkommen fokussiert herumläuft, bis er bereit für die Szene ist. Das kenne ich auch von mir selbst. Im Theater funktioniert das nicht in derselben Weise, weil du das Stück von Anfang bis Ende durchspielst.

For example, I often watched Damian on set walking around completely focused until he was ready for the scene. I know that from myself as well. In theater, it doesn’t work in the same way because you perform the play from beginning to end.

Auch das Publikum macht einen großen Unterschied. Bei einem Filmdreh gibt es zwar Komparsinnen und Komparsen, die zuschauen, aber intime oder emotionale Szenen werden meistens mit möglichst wenigen Menschen gedreht. Das ist etwas ganz anderes, als jeden Abend vor 200 Menschen und einer immer wieder anderen Geräusch- und Stimmungskulisse zu spielen.

The audience also makes a big difference. On a film set, there are extras watching, of course, but intimate or emotional scenes are usually filmed with as few people as possible. That’s completely different from performing every evening in front of 200 people with a different atmosphere and different background noises each time.

Beim Film ist der Fokus außerdem ein anderer und man ist weniger auf sich allein gestellt. Dort arbeiten alle gemeinsam daran, dass man für das Endprodukt das Beste aus sich herausholen kann. Auf der Bühne ist man dagegen den gesamten Abend über stärker auf sich selbst gestellt. It always depends a lot on the script and the particular production. But the biggest difference is that in theater, four or five times a week, sometimes for a month or longer, you perform the same story from beginning to end every night. On a film set, on the other hand, you might spend an entire day or half a day filming one scene. After that, it’s done, over, and you move on. In film, you do repeat a scene several times, but once it’s finished, it’s really finished. In theater, you perform the entire play from the beginning again the next evening. Personally, I find that way of working very exhausting. In the spring, I performed in Munich in a four-hour play and had a very emotional role. Doing that all over again every evening was definitely challenging. On set, you might also have a difficult scene, but at some point it’s over, and you can prepare specifically for it. With emotional scenes, the

With film, the focus is also different, and you’re less on your own. Everyone there works together to help you get the best out of yourself for the final product. On stage, on the other hand, you’re more on your own throughout the entire evening. Welche Faktoren sind für dich ausschlaggebend, wenn du entscheidest, ob du ein Projekt annimmst? / Which factors are decisive for you when deciding whether to take on a project?

Leider sieht die Realität momentan so aus, dass ich noch nicht völlig frei entscheiden kann. Ich bin in meiner Karriere noch nicht an dem Punkt, an dem ich mir Projekte einfach aussuchen und sagen kann, was ich gerne machen möchte. Ich muss, wie alle anderen, ganz normal zu Castings gehen. Am Theater oder in der freien Szene ist das vielleicht etwas leichter. Momentan bin ich deshalb vor allem offen für unterschiedliche Projekte und freue mich über jede spannende Möglichkeit. Unfortunately, the reality at the moment is that I can’t choose completely freely yet. I’m not at the point in my career where I can simply pick projects and say what I would like to do. Like everyone else, I have to go to castings normally. At the theater or in the independent scene, that might be a little easier. So at the moment, I’m 11

mainly open to different projects and happy about every exciting opportunity.

Gibt es trotzdem eine bestimmte Rolle oder ein Genre, das du unbedingt einmal ausprobieren möchtest? / Is there still a particular role or genre that you would really like to try someday? Ja! Vor allem nach Maxton Hall würde ich gerne einmal etwas richtig Ernstes spielen, beispielsweise einen Krimi oder einen Thriller. Das würde mich interessieren – einfach ein vollkommen anderes Genre als Maxton Hall. Yes! Especially after Maxton Hall, I would like to play something really serious for once, for example a crime drama or a thriller. That would interest me – simply a completely different genre from Maxton Hall. © Instagram I govinda_gabriel

Du bist neben der Schauspielerei auch musikalisch aktiv. Welche Bedeutung hat Musik für dich und dein Leben? / Besides acting, you’re also active in music. What significance does music have for you and your life?

Musik hat eine ziemlich große Bedeutung für mich. Neben der Schauspielerei ist Schlagzeugspielen wahrscheinlich das, was ich am besten kann. Ich verdiene damit gelegentlich auch Geld und es ist auf jeden Fall ein großer Teil meines Lebens. Ich habe die Musik allerdings nicht so stark professionalisiert wie die Schauspielerei. Sobald

man sagt: „Ich mache das jetzt professionell und versuche, damit Karriere zu machen“, verlangt es einem noch einmal mehr ab und kann manchmal sehr frustrierend sein. Bei der Musik kann ich stattdessen sagen: „Ich spiele den Gig, der gerade kommt, habe Spaß und das reicht mir.“ Ich spiele auch gerne mit meinen Freunden in einer Kneipe, alle bekommen etwas dafür und wir haben eine gute Zeit, anstatt unbedingt Teil einer großen Band sein zu müssen. Deshalb ist das Musizieren für mich etwas sehr Persönliches. Ich mache es, um mich auszudrücken, Spaß zu haben und mit anderen Menschen in Verbindung zu kommen. Das Gefühl so einen ganzen Club zum Tanzen zu bringen, ist einfach toll. Gerade als Kontrast zu emotional anstrengenden Theaterrollen ist das etwas vollkommen anderes: Man bringt den Menschen Spaß, anstatt eine schwere oder emotionale Stimmung zu verbreiten. Music has quite a big significance for me. Besides acting, playing the drums is probably what I’m best at. I occasionally earn money from it as well, and it’s definitely a big part of my life. However, I haven’t professionalized music as much as acting. As soon as you say, “I’m going to do this professionally now and try to make a career out of it,” it demands even more from you and can sometimes be very frustrating. With music, instead, I can say, “I’ll play whatever gig comes up, have fun, and that’s enough for me.” I also enjoy playing with my friends in a pub, everyone gets something for it, and we have a good time instead of necessarily having to be part of a big band. That’s why making music is something so personal to me. I do it to express myself, have fun, and connect. The feeling of getting an entire club to dance is simply amazing. Especially as a contrast to emotionally exhausting theater roles, it’s something completely different: You bring people joy instead of creating a heavy or emotional atmosphere.

Was gibt dir im Alltag neue Energie und Inspiration? / What gives you new energy and inspiration in everyday life?

Gute Frage! Ehrlich gesagt sind es mittlerweile vor allem Dinge wie Zeit mit meinen Freunden zu verbringen, auszugehen, neue Leute kennenzulernen oder feiern zu gehen. Einfach mit guten Freunden zusammen zu sein, inspiriert mich wahrscheinlich am meisten. Natürlich geben mir auch Filme und Serien viel Inspiration. Ich habe häufig Phasen, in denen ich sehr spezifisch die Filme eines bestimmten Schauspielers oder Regisseurs schaue. Dann studiere ich diese Person beinahe und versuche, ihre gesamte Filmografie anzusehen. Es gibt mittlerweile schon viele Namen, bei denen ich das gemacht habe. Manchmal kann ich mich während einer solchen Phase kaum auf etwas anderes einlassen. Wenn ich bei jemandem bin und die Person einen bestimmten Film sehen möchte, weiß ich manchmal gar nicht, ob ich mich darauf einlassen kann, weil ich gerade so sehr auf diese eine Person beziehungsweise Filmografie fokussiert bin (lacht). Zu beobachten, wie unterschiedliche Schauspielerinnen und Schauspieler an ihre Rollen herangehen, inspiriert mich auf jeden Fall. Good question! Honestly, by now, it’s mainly things like spending time with my friends, going out, meeting new people, or partying. Simply being with good friends probably inspires me the most. Of course, films and series also give me a lot of inspiration. I often go through phases where I very specifically watch the films of a particular actor or director. Then I almost study that person and try to watch their entire filmography. There are already quite a few names I’ve done that with. Sometimes, during a phase like that, I can hardly get into anything else. If I’m at someone’s place and they want to watch a particular movie, sometimes I don’t even know if

I can get into it because I’m so focused on that one person or filmography at that moment (laughs). Watching how different actors approach their roles definitely inspires me. Hast du dafür ein Beispiel? / Do you have an example for that?

Mark Ruffalo steht auf meiner Liste sehr weit oben. Er hatte seinen großen Durchbruch ebenfalls vergleichsweise spät, erst mit Anfang oder Mitte 30. Angefangen hat er mit eher düsteren Indie-Filmen und Rollen, die häufig sehr tragisch waren. Das gefällt mir persönlich sehr gut. Er entspricht außerdem nicht unbedingt diesem klassischen „Pretty Boy“Look, was ich ebenfalls spannend finde. Ich finde ihn auf jeden Fall extrem interessant. Natürlich könnte ich noch viele weitere Namen nennen. Generell finde ich es spannend zu sehen, wie heutige A-List-Schauspielerinnen und -Schauspieler angefangen haben. Dazu gehört für mich auch, ihre vermeintlich „schlechten“ oder vergessenen Filme anzusehen und zu beobachten, wie sie beispielsweise mit einem schwächeren Drehbuch umgehen. Mark Ruffalo is very high up on my list. He also had his big breakthrough comparatively late, only in his early or mid-thirties. He started out with rather dark indie films and roles that were often very tragic. Personally, I really like that. He also doesn’t necessarily fit that classic “pretty boy” look, which I find interesting as well. I definitely find him extremely interesting. Of course, I could name many more people. In general, I find it exciting to see how today’s Alist actors got started. For me, that also includes watching their supposedly “bad” or forgotten films and observing how they deal with, for example, a weaker script.

Gibt es zum Abschluss noch etwas, das du unseren Leserinnen und Lesern persönlich mitgeben möchtest? / To finish, is there anything you would personally like to say to our readers?

Freut euch auf Staffel drei!! Sie wird der Hammer! Und supportet die Side Stories! Look forward to season three!! It’s going to be amazing! And support the side stories!

@harriet.herbigmatten

NEW YORK CITY

y m m o T

FASHION

@benfelipe

SHOW

r e g i f l i H @damianhardung 15

What Awaits Us in Season 3 © Prime Video

A final chapter, unfinished questions, and a return to Maxton Hall one last time.

Two seasons brought us into the world of Maxton Hall. Now, one final chapter has to bring it all together. Ruby Bell and James Beaufort started out in completely different worlds, but their story quickly became about much more than romance - family, expectations, ambition and the question of how much your future is shaped by where you come from. Season 2 raised the stakes and left several stories unresolved. And that is exactly where the final chapter begins.

One Last Return to Maxton Hall Season 3 will mark our final return to the world of Maxton Hall, bringing Ruby and Jamesʼ story - and the stories surrounding James’ them - to an end. Based on Mona Kasten’s Kastenʼs third novel, Save Us, the final season is not only about what happens next. It is about where everything we have followed for the past two seasons will ultimately lead. For Ruby, the future she has worked towards from the very beginning suddenly feels far less certain. After what happened in

the Season 2 finale, what does her new

situation mean for everything she has been working towards? And how will she navigate a moment in which so much appears to be outside of her control? James, meanwhile, continues to find himself caught between the person he wants to become and the Beaufort world he was born into. His relationship with his family,

But saying goodbye to Maxton Hall also

the expectations placed upon him and the

means saying goodbye to an entire world.

future of the Beaufort fashion company have followed him throughout the series -

Across two seasons, the story has grown

and with only one season remaining, those

far beyond Ruby and James. Friendships

threads can no longer stay unresolved.

have shifted, families have fractured and characters who once stood at the edges

And then there is Ruby and James together.

have found stories of their own.

Their

existed

Now, the final season has to bring those

happening

paths together. How will the Beaufort family

around them. Again and again, their own

change? What future awaits the company

fears, ambitions and family situations have

that has shaped so much of James’ Jamesʼ life?

found their way into what they have

And when the doors of Maxton Hall finally

together. Season 3 therefore has one

close, who will everyone have become?

relationship

separately

from

has

never

everything

particularly important question to answer: after everything they have fought through

For readers of Save Us, answers are already

individually and together, what does a

waiting on the page. But part of the

future for Ruby and James actually look

excitement lies in seeing which moments

like?

remain familiar, which take on a new form and where the series might still surprise us. We won’t wonʼt spoil those answers here. For now, we only know the questions. And perhaps that is what makes December 9

exciting:

after

two

seasons

wondering what comes next, Season 3 © Prime Video

finally has to tell us where it all ends. 17

IN PRODUCTION: NEW BEGINNINGS New films and mysterious projects are currently underway and Maxton Hall cast continues to stay busy. Let’s take a look at what Harriet Herbig-Matten, Andrea Guo, and Frederic Balonier have been working on and what we can look forward to seeing from them next. ©ahoiagency ©leitwolf.film

Mama? Wraps

House of Yang available for streaming

New Project for Frederic Balonier

Something new and exciting is coming from Frederic Balonier! AHOI Agency has teased that Frederic is currently filming a new project in Italy, but details surrounding the production House of Yang is an important remain under wraps. series that follow the Yang family and with themes that No title or any information are center around identity, family, out just yet, but we’re definitely and the realities of finding rooting for Frederic and cheering your place between worlds. him on as we see him back in With its online release just our screens. around the corner, viewers are in for a treat to discover the full story. House of Yang is almost here! On October 9, 2026, the series starring Andrea Guo will be available to stream on ARD Mediathek.

A new project has wrapped for Harriet Herbig-Matten! Mama?, the new NDR film starring Harriet alongside Ludger Bökelmann, has wrapped production after filming in Hamburg. Produced by Leitwolf Filmproduktion and directed by Katharina Sporrer, Mama? follows Tini, a young woman navigating motherhood, love, and the realities of life. This marks another exciting role for Harriet and we’re especially looking forward to seeing her take on the role of a complex character and we know she will do amazing.

STAFF PICKS STAFF PICKS THE LOVE HYPOTHESIS

Short Synopsis The Love Hypothesis follows Olive, a Ph.D. student who finds herself fake dating the last person she ever expected: Dr. Adam Carlson, the brilliant but intimidating professor everyone seems to fear. What starts as a simple arrangement soon becomes something much more complicated as real feelings begin to blur the lines.

The Love Hypothesis is one of those adaptations that simply feels good to watch. As someone who already loved the book, I was really happy with how the story was brought to the screen. It keeps the charm that made the original story so enjoyable while still working really well as its own rom-com.

Of course, there were a few scenes from the book that I personally would have loved to see make it into the film. But with any book adaptation, some moments inevitably have to be left behind - and for me, that never took away from the overall experience. What especially made the film work was the cast. The characters and their dynamics translated beautifully to screen, making the story just as fun and easy to get invested in as I had hoped. Overall, The Love Hypothesis is a really lovely adaptation and exactly the kind of rom-com you can put on, enjoy and probably end up wanting to watch again. As both a fan of the book and of the genre, I definitely left happy. Would I rewatch? Absolutely.

STAFF PICKS STAFF PICKS THE MAP OF LONGING

With “The Map of Longing” , Netflix has brought a new romance series to our screens that is about so much more than falling in love. At the heart of the story is Greta, whose life changes completely after the loss of her sister, Lucy. Before her death, Lucy leaves Greta a very personal challenge: a map filled with tasks that push her to leave her comfort zone, face her fears and discover what she truly wants from life. Then there is Will. What starts as an unexpected encounter slowly develops into a connection that is impossible to ignore. As Greta follows Lucy’s map, she and Will find themselves sharing moments that are sweet, funny and deeply emotional. But the closer they get, the more we begin to understand that both of them are carrying things beneath the surface. What makes “The Map of Longingˮ so special is how effortlessly it blends romance, self-discovery and emotion.

Set against the beautiful Spanish landscape, the story draws you in with its warm atmosphere and the undeniable chemistry between Greta and Will. The series completely captivated me from the very first episode to the very last – I laughed, I got emotional, I fell for Greta and Will, and I constantly wanted to know what would happen next. There is something wonderfully warm and intimate about watching Greta slowly open herself up to new experiences again. At the same time, the story never loses sight of the people and memories that shaped her. It is the kind of series that makes you want to press “next episode” even when you know you should probably go to bed. If you are looking for a romance with heart, beautiful scenery and characters you will quickly grow attached to, The Map of Longings is definitely one to add to your watchlist. 20

Soon in Cinemas: Corpus Delicti A Closer Look at Corpus Delicti with Lena Stahl “Corpus Delicti” takes place in a society where health has become the highest priority and citizens are expected to follow the strict rules of the state-controlled Method. At the center of the story is Mia Holl, whose faith is the system begins to unravel after her brother, Moritz, is accused of murder. Mia starts to question everything she knows about herself and the society she has been accustomed to. For director Lena Stahl, the appeal of “Corpus Delicti” went far beyond adapting Juli Zeh’s novel for the screen. Stahl explained that what first drew her to “Corpus Delicti” was the its intimate story intersects with much larger questions about society, freedom and control. Mich hat die philosophisch-politische Potenz des Stoffes sofort interessiert. Vor allem in Kombination mit einer sehr emotionalen Geschwister-Geschichte und der Idee, einen großen Genrefilm daraus zu machen. So etwas gibt es im deutschen Kino ja kaum. Die Geschichte behandelt zudem die ganz großen Themen unserer Gesellschaft – oder vielleicht jeder Gesellschaft über die Jahrhunderte: Sicherheit versus Freiheit, Individuum versus Kollektiv, Intimität versus Öffentlichkeit. Solch einen Film genau jetzt zu machen, wo die Übermacht der Daten einem immer gläserner werdenden Menschen gegenübersteht und wo bereits in Ländern wie China eine totale (digitale) staatliche Kontrolle allgegenwärtig ist, schien mir zudem sehr reizvoll. © Stanislav Honzik

Mich hat die philosophisch-politische Potenz des Stoffes sofort interessiert. Vor allem in Kombination mit einer sehr emotionalen Geschwister-Geschichte und der Idee, einen großen Genrefilm daraus zu machen. So etwas gibt es im deutschen Kino ja kaum. Die Geschichte behandelt zudem die ganz großen Themen unserer Gesellschaft – oder vielleicht jeder Gesellschaft über die Jahrhunderte: Sicherheit versus Freiheit, Individuum versus Kollektiv, Intimität versus Öffentlichkeit. Solch einen Film genau jetzt zu machen, wo die Übermacht der Daten einem immer gläserner werdenden Menschen gegenübersteht und wo bereits in Ländern wie China eine totale (digitale) staatliche Kontrolle allgegenwärtig ist, schien mir zudem sehr reizvoll. I was immediately interested in the philosophical and political potential of the story, especially in combination with a very emotional sibling relationship and the idea of turning it into a major genre film. There are hardly any films like this in German cinema. The story also deals with some of the biggest themes of our society – or perhaps of every society throughout the centuries: security versus freedom, the individual versus the collective, intimacy versus the public sphere. Making a film like this at this particular moment, when the overwhelming power of data is confronted with an increasingly transparent human being, and when total (digital) state control is already omnipresent in countries such as China, seemed particularly compelling to me. Through Stahl’s approach, “Corpus Delicti” becomes more than a dystopian story. It becomes a reflection on freedom and the systems we place our trust in, while never losing sight of the deeply personal relationship at the heart of the film.

One of the central ideas running through “Corpus Delicti” is the question of what freedom really means in a society shaped by control, infomration and competing versions of the truth. We asked Stahl how she views that idea today, particularly as the film places such importance on the human right to question and doubt.

Ich glaube, dass der Freiheitsbegriff leider gerade von vielen Gruppen missbraucht wird, gerade von der neuen Rechten. Mia Holl sagt in einer entscheidenden Szene im Film, dass wir nicht aufhören dürfen, die Wahrheit zu verteidigen, unser Recht, zu zweifeln. Das ist für mich eigentlich der Kernsatz des Films. Der Zweifel ist eine zutiefst menschliche Komponente. Ohne Zweifel gibt es keine Erkenntnis, das ist auch in der Wissenschaft so und auch in der Religion war es von jeher ein großes Thema. Die Vorstellung, dass jemand oder etwas uns diese Möglichkeit nehmen könnte, ist verstörend. Gleichzeitig wimmelt es im Netz an Verschwörungstheorien und krankhaftem Zweifel und wir sind dabei, vor allem im Bereich von KI regelrecht unkontrolliert Kontrolle abzugeben. Ein großer Zwiespalt. Das empfinde ich persönlich als eine der größten Herausforderungen unserer Zeit und ich würde mir wünschen, dass wir dazu breiter und nachhaltiger in die Diskussion gehen würden. I believe that the concept of freedom is unfortunately being misused by many groups at the moment, particularly by the new right. In a crucial scene in the film, Mia Holl says that we must not stop defending the truth, our right to doubt. For me, that is actually the core statement of the film. Doubt is a deeply human component. Without doubt, there is no knowledge or understanding; this is also true in science, and it has always been an important theme in religion as well. The idea that someone or something could take this possibility away from us is disturbing. At the same time, the internet is full of conspiracy theories and pathological doubt, while we are in the process of giving up control in an almost entirely unchecked way, particularly in the field of AI. It is a great contradiction. I personally see this as one of the greatest challenges of our time, and I would like us to engage in a broader and more sustained discussion about it. Stahl’s response highlights one of the the central tensions in “Corpus Delicti”: the importance of doubt in a world where truth, information and control are becoming increaseingly difficult to separate. Rather than offering an easy answer, the film asks audiences to consider what freedom and personal responsibility mean within that uncertainty.

At the center of “Corpus Delicti” is Mia Holl, a character whose journey is shaped not only by the system she begins to challenge, but by the persoanl risks that come with doing so. We asked Stahl about the importance of placing a complexn female protagonist at the heart of a genre film, and how her own perspective as both director and screenwriter influenced the way Mia was brought to the screen.

Meiner Meinung nach gibt es immer noch zu wenige Filme mit starken weiblichen Heldinnen, gerade im Genre Bereich. Von daher war auch das ein zentraler Aspekt in der Entscheidung für das Projekt. Mia ist eine erwachsene, hochgebildete und professionelleFrau, die alles zu verlieren hat und dennoch den Mut beweist, zu sich zu stehen. Ein Film trägt immer persönliche Aspekte in sich, gerade wenn man wie ich auch das Drehbuch schreibt. Insofern transportiert Mia auch die „weibliche Erfahrung“, die sich auf die spezifischen sozialen, psychologischen und kulturellen Gegebenheiten des Lebens als Frau beziehen, die ich natürlich gut kenne. Emotionale Rahmenbedingungen, gesellschaftliche Belastungen und einzigartige Herausforderungen, die das Frau sein, auszeichnen, lassen sich aus meiner Interpretation dieser Geschichte nicht wegdenken. Und offenbar auch nicht aus der Zukunft. In my opinion, there are still too few films with strong female protagonists, particularly in the genre space. This was therefore also a central aspect in my decision to take on the project. Mia is an adult, highly educated and professional woman who has everything to lose and yet has the courage to stand up for who she is. A film always contains personal aspects, especially when, like me, you also write the screenplay. In this sense, Mia also embodies the “female experience,” referring to the specific social, psychological and cultural circumstances of life as a woman, which I naturally know well. Emotional circumstances, social pressures and unique challenges that characterize womanhood cannot be separated from my interpretation of this story. And apparently, they cannot be separated from the future either. Mia’s journey gives the film a deeply personal center, grounding its larger political and philosophical ideas in the experience of one woman navigating pressure, expectation and loss. Her strength does not come from being untouched by those forces, but from continuing to define herself in spite of them. That perspective adds another layer to “Corpus Delicti,ˮ allowing its dystopian world to feel intimate as well as unsettling.

Casting Hannah Herzsprung and Damian Hardung was key to making Mia and Moritz’s relationship feel believable. Stahl shared how both actors helped shape that bond on screen. 24

Ich hatte Hannah schon beim Schreiben im Kopf, da sie für mich eine spannende Spielerin zwischen Kraft und Verletzlichkeit verkörpert, die ich mir für Mia sehr gut vorstellen konnte. Sie ist jemand, die sich einem Projekt ganz hingibt, wenn es sie fordert, und als Mia Holl war sie bis auf einen Drehtag täglich am Set und vor der Kamera. Sie war eine wahre Partnerin für mich, immer der gemeinsamen Vision verpflichtet. Damian habe ich für mich neu entdeckt. Als ich Kontakt zu ihm aufgenommen habe, wusste ich nicht, dass er Moritz Holl bereits einmal auf der Bühne gespielt hatte. Wir begannen, uns über Briefe zu der Rolle auszutauschen, was ich als sehr inspirierend und auch konstruktiv empfunden habe. Er hatte die Rolle schon einmal durchdrungen und dann noch einmal neu interpretiert, zusammen mit mir. Als ich Hannah und Damian dann bei einer ersten Leseprobe zusammen erlebt habe, wusste ich, dass sie eine ganz intuitive Verbindung zueinander hatten, die die Geschwister sofort glaubhaft werden ließ. Diese Emotionen haben wir dann in den Proben intensiv erforscht und den beiden Figuren eine Vergangenheit erarbeitet, von der Hannah und Damian beim Dreh zehren konnten. Wir hatten eine sehr starke gemeinsame Basis, die uns durch die wirklich anspruchsvollen Drehtage getragen hat. I already had Hannah in mind while writing, because to me she embodies a fascinating balance between strength and vulnerability, which I could very easily imagine for Mia. She is someone who completely dedicates herself to a project when it challenges her, and as Mia Holl, she was on set and in front of the camera every day except for one day of filming. She was a true partner for me, always committed to our shared vision. I discovered Damian in a new light. When I first contacted him, I didn’t know that he had already played Moritz Holl on stage once before. We began exchanging letters about the role, which I found very inspiring and constructive. He had already explored the role once and then reinterpreted it together with me. When I saw Hannah and Damian together for the first time during a read-through, I knew they had a very intuitive connection with each other that immediately made their sibling relationship believable. We then explored these emotions intensively during rehearsals and developed a shared history for the two characters that Hannah and Damian could draw on during filming. We had a very strong foundation together, which carried us through the truly demanding days of filming.

Overall, Stahl’s reflections reveal “Corpus Delicti” is shaped as much by its characters as by the questions it asks. At its heart, the film invites audiences to question, reflect and decide for themselves where they stand.

CORPUS DELICTI PREMIERE & INSIGHTS

Corpus Delicti celebrated two premiere nights in Berlin and Munich. The cast, including Hannah Herzsprung, Damian Hardung, Alexander Fehling and Haley Louise Jones, joined director Lena Stahl on the red carpet alongside guests from the production. After watching the film ourselves at a pre-screening yesterday, Elise and I wanted to share one of our favourite scenes with you — and tell you why it stayed with us.

One of my favorite scenes as there are so many My favorite moment in the film is definitely one to pick from is when Heinrich Kramer walks into involving Mia and Moritz. Their relationship and the interrogation room and meets Moritz Holl for the way their bond is portrayed throughout the the first time. You could see the udder confusion story really touched me. The image I chose on Moritz’s face and throughout their whole captures that feeling beautifully and reflects the interaction the tension could be easily cut with a emotional connection between them without knife. That power dominance between a brother giving anything away. It’s a moment that and a possible “friend” to Mia was truly a genuinely brought me to tears and will stay with moment I will never forget. - Elise me for a long time. - Janina

Highlighting A Fan Account What started as a love for Maxton Hall grew into a dedicated fan account for Damian Hardung. Run by Ploy, @damianhardungth has become a space for sharing her passion for Damian, his work, and the world of Maxton Hall with fellow fans. In this issue, we take a closer look at Ploy’s journey, the inspiration behind her account, the experiences that have shaped it, and what being part of the Maxton Hall fandom means to her. Could you introduce yourself and your fan account to our readers? Hi! My name is Ploy, and I’m from Thailand. I run Damian Hardung Thailand Fan Page, @damianhardungth. What inspired account?

you

start

your

Moritz from Corpus Delicti, James from Maxton Hall, and Nick from Into the Deep Blue. Damian liked it and left a in the comments, which made it even more special to me.

🤍

fan

🤭

Damian, obviously! Like many of us, I first discovered him through Maxton Hall. After that, I started learning more about his work as an actor and who he is as a person. I felt that more people should discover his work, so I decided to start a Thai fan page dedicated to him. What kind of content do you enjoy creating the most for your fan account, and is there a particular type of content you’re especially proud of? enjoy creating photo edits and fan posters the most, and it makes me happy to see other people enjoying them too. The one I’m especially proud of features three of Damian’s characters from three different projects:

If you could choose any Maxton Hall character other than James to spend a day with, who would you choose and what would you do together? I’d like to spend the day with Ruby. Iʼd take her to my favourite places in Thailand, try some delicious Thai food together, and find a quiet café where we could talk about anything and everything. The Maxton Hall fandom is such a creative and supportive community. What has being part of this fandom meant to you personally?

It means so much to me. I’ve felt welcome since I first started the page, and Iʼve received support from people all around the world. Whenever Iʼve needed advice or guidance, people have been willing to help, even though weʼve never met in person. For me, it really is the best fandom! What song would you choose to represent your Maxton Hall experience, and why? It doesn’t have to be from the Maxton Hall soundtrack, but it can be! “Long Live” by Taylor Swift. For me, Maxton Hall has become more than just a series. It has inspired me to do things I never thought I would do, like run a fan page and travel for something I love. Along the way, Iʼve made new friends and memories I never imagined making. This song captures that feeling of wanting to hold on to those special moments and the people who made them unforgettable. Is there a particular moment, scene, or storyline from Maxton Hall that you feel especially connected to, and why? For me, it’s Ruby and Jamesʼs love story as a whole. Maxton Hall tells a story we may have fallen in love with many times before: enemies becoming lovers, forbidden love, and two people from very different worlds finding each other.

What do you enjoy most about running your fan account? I enjoy learning new things and sharing my ideas with other fans through pictures and videos. But more than anything, I treasure the friendships I’ve made with people who share the same love for Damian and Maxton Hall. Your fan account has given you the opportunity to experience some very special moments. If you’d like to share: could you tell us a little about your experience of meeting Damian Hardung? What was that moment like for you? It was beyond anything I could have imagined. I went to Germany simply hoping to support Damian’s new film, Corpus Delicti. Then, the day before my flight, I found out I had a ticket to the premiere. That was already such an unexpected surprise! On the day of the Berlin premiere, Damian was very busy, so I didn’t initially get a chance to meet him. Just as I needed to go inside the cinema, he was heading outside to meet the fans again. Some friends I’d met in Germany pointed out that I had come from Thailand. He asked about me, and I came over to meet him. He gave me a warm hug, and we talked briefly before I had to go inside.

But what makes it magical is Ruby and James. Their chemistry and the way Harriet and Damian bring these characters to life make me believe in them and root for them. Their story gives me that feeling that true love is real, and I think that’s why it means so much to me.

I met him again the next day in Munich, and he greeted me by name. He remembered my name! We talked about my journey from Berlin to Munich and what I planned to do during my time in Germany. He was so kind. I still can’t quite believe I met him two days in a row. Has Maxton Hall or your experience of running a fan account changed the way you see certain things, or is there something you’ve learned along the way? When I started, I had no idea how to run a fan page or what I should post. I’ve learned so much along the way, from editing videos and using Canva to choosing content that I hope other fans will enjoy. Beyond running the account, Maxton Hall has taken me to places I never imagined visiting because of a show, including Oxford, Berlin, and Potsdam. Getting to stand in those filming locations and see them for myself has been such a wonderful experience. Has there been a Maxton Hall fandom moment or interaction that stayed with you? If so, what made it memorable? Yes. Since I started my page, I’ve received such a warm welcome from everyone in the Maxton Hall fandom. What I love most is that there doesnʼt seem to be any competition between us. We genuinely support one another, and if we know someone needs help, we reach out. I received so many lovely messages when Damian liked and commented on my posts, and even more after I finally had the chance to meet him. Everyone was incredibly supportive and genuinely happy for me, which meant a lot. It made me realize that we all came together because of our shared love

for the show. Even though we’re from different places and may have never met otherwise, Maxton Hall has created this wonderful community where people celebrate each otherʼs special moments. For me, thatʼs one of the things that makes Maxton Hall and its fandom so special. With Season 3 being the final chapter of Maxton Hall, what are you most looking forward to, and what do you hope the fandom will take away from the series? Honestly, I have mixed feelings about the final season. I’m so happy that James, Ruby, and the whole gang will be back on my screen, but at the same time, it will be very hard to say goodbye to a show and characters we love so much. Luckily, we can always go back and watch it all over again! I hope the fandom has enjoyed this journey as much as I have. As we look forward to this final chapter, I hope we can celebrate the show together and appreciate all the memories and friendships it has given us. Is there anything you’d like to say to our readers and fellow members of the Maxton Hall community? I’d like to say thank you for the friendships Iʼve made since starting this page and for all the kindness people have shown me along the way. The number of lovely messages I received when I met Damian meant so much to me. Thank you for sharing that happiness with me. Maxton Hall and Damian have brought us together from different parts of the world, and to me, that’s one of the things that makes this community so special.

Thank You! As another issue of The Maxton Edit comes to a close, we are once again reminded of all the wonderful people who help bring these pages to life. We are incredibly grateful to Govinda Gabriel for taking the time to speak with us and share his insights, and to Elena Zaucke for allowing us to feature her beautiful photography on our cover. A special thank you to LEONINE Studios for making our giveaway possible and for connecting us with Lena Stahl, who generously took the time to speak with us about Corpus Delicti. We’re also so happy to have Ploy (@damianhardungth) as our Highlight A Fan Account feature and to share her love for Damian and Maxton Hall with our readers. To our wonderful team of editors and writers, thank you for the creativity, time, and heart you continue to pour into every issue. And finally, to our dear readers, thank you for continuing to support The Maxton Edit and for sharing this little corner of the Maxton Hall world with us. We are so grateful to have you along for the journey!

xoxo, The Maxton Edit Team

Elise

Jana

Editor in Chief & Content Director

Production Editor & Interview Management

MEET THE STAFF

Janina

Hannah

Interview & Feature Director

Artist & Creative Mind

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The Maxton Edit Issue 11. Vol. 1