
TRIVIAL COMEDY FOR SERIOUS PEOPLE
FEATURING ADDITIONAL TEXT, “ON THE LANGUAGE OF FANS”, BY ALISTAIR NEWTON BY OSCAR WILDE

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TRIVIAL COMEDY FOR SERIOUS PEOPLE
FEATURING ADDITIONAL TEXT, “ON THE LANGUAGE OF FANS”, BY ALISTAIR NEWTON BY OSCAR WILDE

TITLE SPONSOR


BMO is pleased to support the Grand Theatre and the artists that are captivating audiences with exciting, innovative, and entertaining productions.
We’re proud to sponsor the Grand Theatre's 2025/26 Season.
We’re so glad you’re here.
The Grand Theatre acknowledges that we are located on the traditional territories of the Original storytellers and caretakers of this land, and of the Nations, both settler and Indigenous, who continue to uphold the various treaties of the Anishinaabek, Haudenosaunee, and Lunaapéewak.
In London, our treaties include the 1796 London Township Treaty and the 1822 Longwoods Treaty. The London Township Treaty was a regional treaty signed by diplomats representing all parties living on the land, which today we know as Southwestern Ontario. The Longwoods Treaty was signed by representatives of the Crown and the Chippewas of the Thames First Nation and covers approximately 580,000 acres in the area.
Locally, there are three First Nations Communities. They are the Chippewas of the Thames First Nation, the Oneida Nation of the Thames, and the Munsee Delaware Nation. We would also like to recognize the growing Indigenous urban population, comprised of First Nations, Métis, and Inuit people, and affirm our commitment to welcoming these communities to the Grand Theatre, while working to remove barriers to access and participation.
We value the significant historical and contemporary contributions of local and regional First Nations, and all of the Original Peoples of Turtle Island (colonially known as North America), and acknowledge the traditional lands upon which we live, work, share, and tell stories together.
Designed by Katie Wilhelm


The Importance of Being Earnest is considered by many to be Oscar Wilde’s greatest dramatic achievement. It is undeniable that the play’s biting wit and social commentary remain relevant today, and that as a source of entertainment it has stood the test of time. I felt that if we were going to bring this play to our audiences at the Grand, we wanted to bring a bold idea to it. Enter Director Alistair Newton.
Alistair has been a friend of mine since we were both Intern Directors at the Shaw Festival in 2014. Having known him now for more than a decade, I have experienced his work as thoughtful and intelligent, aesthetically bold in a way that is deeply rooted in the text, and original in its interpretation. He brings vigour and joy to his work in a way that is relentless in its pursuit of vision, while never getting in the way of the story that is written.
What Alistair proposed to me was clear in its artistic goals and captivating in its cultural commentary. It felt true to the script, and like a treasured gift inviting us to experience the depth of Oscar Wilde from an insider’s perspective. When we asked Alistair to describe this play in three words he said “delightful, subversive, and surprising.” That’s exactly how I like my theatre!
We at the Grand are incredibly proud of our “London Made” identity. That is absolutely, unequivocally true for every show we put on our stage. But occasionally shows are programmed that ask for the world from our teams, and this is one of these shows. The design of this show is exquisite, and the worldcalibre artistry required to execute this vision is all taking place in our Grand shops, with craftspeople and artists based right here in London realizing all of that beauty.
Step back in time with us. Delight in the humour and mischief of this story. Let the context show you things you haven’t seen before. This stop in our 2025/26 season is a delicious one!
photo by mai tilson RACHEL PEAKE ARTISTIC DIRECTOR, Grand Theatre






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SPRIET Stage, MARCH 24 to APRIL 12, 2026
Opening Night: MARCH 27, 2026

FEATURING ADDITIONAL TEXT, “ON THE LANGUAGE OF FANS”, BY ALISTAIR NEWTON
The Importance of Being Earnest runs 2 hours and 35 minutes, which includes one intermission.
Photography and video/audio recording of this production is strictly prohibited.




Miss prisM
a lgernon Moncrieff
john worthing
gwendolen fairfax
l ady bracknell
l ady stella clinton / MerriM an
r ev. c anon chasuble / l ane
cecily c ardew
DEENA AZIZ
JAMES DALY
JULIEN GALIPEAU
KAYLEE HARWOOD
CLAIRE JULLIEN
BILLY LAKE
BEN SANDERS
MIRABELLA SUNDAR SINGH
director ALISTAIR NEWTON
Music director
choreographer
set designer
costuMe designer
lighting designer
sound designer
dialect coach
stage Manager
assistant stage Manager
a pprentice stage Manager
STEPHEN INGRAM
GEORGE ABSI
MICHELLE TRACEY
JUDITH BOWDEN
SIOBHÁN SLEATH
OLIVIA WHEELER
PHYLLIS COHEN
MICHAEL HART
JORDAN GUETTER
TSZ TING LAM
The Grand Theatre is an active member of the Professional Association of Canadian Theatres (PACT). The Grand Theatre also acknowledges, with thanks, the co-operation of the Local 105 and 828 of the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists, and Allied Crafts of the United Stages, its Territories and Canada, and the London Musician’s Association Local 279.






“RARELY
HAS THE STILETTO OF DISSIDENT HUMOUR BEEN DRIVEN SO SMILINGLY BETWEEN THE RIBS OF BOURGEOIS CONVENTION.”
- NEIL BARTLETT, INTRODUCTION TO IN PRAISE OF DISOBEDIENCE: THE SOUL OF MAN UNDER SOCIALISM AND OTHER WRITINGS BY OSCAR WILDE
In only the last few years, The Importance of Being Earnest has been revived by the Shaw Festival, Theatre Calgary, and Edmonton’s Citadel Theatre, and it will open at Stratford Festival later this year. Seeing that the play made its debut at London’s St. James’s Theatre on Valentine’s Day in 1895, the question must be asked: what is it about this particular play that seems to so deeply engage both theatre artists and audiences alike at our current moment? Perhaps the answer lies in Wilde’s magnificent balancing act of populism and subversion.
When Oscar Fingal O’Flahertie Wills Wilde began writing what many would consider to be not only his, but one of the great masterpieces of English comic theatre, he was on holiday in the seaside town of Worthing. His companions were sometimes his wife Constance and their two children, and sometimes his tempestuous lover, the minor poet (and evil twink) Lord Alfred Douglas. Under these circumstances Wilde composed a plot centred on two men who construct different methods by which they can escape from under the oppression of their respective societal expectations. Once free of the moral strictures of either town or country life, one might be able to run away to behave in a perfectly scandalous (and thoroughly liberating) manner.

It seems to me that productions of The Importance are usually accompanied by associations—heavy curtains, fussy furniture, lace doilies—which are drawn more from our culture’s received ideas about the late Victorian period than from an aesthetic universe whose dramatic language included melodrama and the transgressive queerness of the music hall. In fact, Wilde’s plays have the potential to illuminate the 19th Century in ways that challenge many of these preconceptions, full as they are of secret codes, hidden symbols, double entendres, and perhaps above all, delightful paradoxes.
For this production, I have tried to stay true to Wilde in both his populism and his subversion; as Gilbert says to Ernest in Wilde’s The Critic As Artist, “the one duty we owe to history is to rewrite it.”
ALISTAIR NEWTON DIRECTOR, The Importance of Being Earnest







Deena Aziz
Miss Prism
f or t he g rand t heatre: A Thousand Splendid Suns.
t heatre c redits (selected): Life of Pi (Citadel/RMTC); Sakura, Thy Woman’s Weeds (Centaur Theatre); Birthday Candles, American Fast (City Theatre); The Supine Cobbler, Behaviour, The Gravitational Pull of Bernice Trimble (GCTC); Intractable Woman, If We Are Birds (Imago); The Tempest (Pittsburgh Public); A Thousand Splendid Suns (Vancouver Arts Club); Dust (ATP); Rice Boy (Canadian Stage, Stratford Festival); Julius Caesar, Twelfth Night (Repercussion Theatre); Another Home Invasion (Tableau d’Hôte Theatre); The Aeneid (Talisman Theatre).
fil M & tv c redits (selected): Transplant (CTV); Plan B, Diggstown, This Life (CBC); Helix, Being Human (SyFy).
Algernon Moncrieff
f or t he g rand t heatre: Cabaret.
t heatre c redits (selected): Dracula: A Comedy of Terrors (Menier Chocolate Factory in London, New World Stages off-Broadway); La Cage aux Folles, Wendy and Peter Pan (Stratford Festival); Damn Yankees, Grand Hotel, Oh What A Lovely War (Shaw Festival); Mythic (Segal Centre); Master Harold... and the boys (Shaw Festival/Obsidian Theatre)
fil M & tv c redits (selected): Letterkenny (Crave); Murdoch Mysteries, Frankie Drake (CBC); Workin’ Moms (Netflix).
other : James Daly is an award-winning Canadian Actor. He is a proud graduate of the National Theatre School of Canada. @jamespatrickdaly
John Worthing
f or t he g rand t heatre: Debut.
t heatre c redits (selected): Fairview (Search Party Productions); Much Ado About Nothing (Bard on the Beach).
other : Graduate of Studio58’s theatre conservatory.
Kaylee Harwood
Gwendolen Fairfax
f or t he g rand t heatre: The Invisible, Controlled Damage.
t heatre c redits (selected): Bright Star, Life After, Titaníque (Mirvish); Kiss Me, Kate (Drayton); Beautiful: The Carole King Musical (1st US National Tour & Arts Club); Waitress (Capitol); Serving Elizabeth (Aquarius); Radio City Christmas Spectacular (NYC); The Sound of Music (WCT); Cabaret, The Light in the Piazza (Shaw); Camelot (Stratford); Jesus Christ Superstar (Broadway/Stratford/La Jolla); Sweeney Todd (Citadel); Niagara Symphony.
fil M & tv c redits (selected): Star Trek: SNW, Workin’ Moms, Reign, Christmas Movie Magic, Mayday, Assassin’s Creed: Valhalla, America’s Got Talent, The View, The Tony Awards. @kaylee.harwood





Claire Jullien
Lady Bracknell
f or t he g rand t heatre: Einstein’s Gift, A Streetcar Named Desire, Miracle On 34th Street, The Turn of the Screw.
t heatre c redits (selected): Witness for the Prosecution (Drayton Entertainment); A Niagara Christmas Carol, Screwball Comedy (The Foster Festival); Middletown (Crow’s Theatre); King Lear (Lincoln Center Theater); Blithe Spirit, An Inspector Calls (Aquarius); The Homecoming, Medea (Royal Manitoba Theatre Centre); A Midsummer Night’s Dream (Festival of Classics). Over 40 productions and 26 seasons combined with the Shaw and Stratford Festivals.
fil M & tv c redits (selected): Murdoch Mysteries (CBC); Elizabeth Rex (Rhombus Media).
other : Graduate of the University of Windsor BFA Program.
Billy Lake
Lady Stella Clinton / Merriman
f or t he g rand t heatre: Debut.
t heatre c redits (selected): Priscilla, Queen of the Desert, Kinky Boots, Beauty and the Beast, Thoroughly Modern Millie, Lucky Stiff, and many, many pantos (Drayton); Beautiful: The Carole King Musical (Stage West); Cinderella... if the Shoe Fits (Orangeville); Camelot (VPP); Back in ‘59 (Thousand Islands); Pal Joey, Kiss of the Spiderwoman, Emily (TiFT); Stonecliff (Yukon/ Alaska); Snow White and 007 (Ross Petty); and ten seasons with the Shaw Festival.
other : Director: The Judas Kiss (TiFT). Graduate of Sheridan College. @billyonthelake (he/they)
f or t he g rand t heatre: The Lion in Winter, Dry Streak, A Christmas Carol.
t heatre c redits (selected): Angels in America (That Theatre Company), The Divine, The Intelligent Homosexual’s Guide, Dracula, Sex, Getting Married, Major Barbara, Misalliance, French Without Tears, Cabaret, Our Betters, O’Flaherty, V.C., An Ideal Husband, Serious Money, The Sea, St. Joan, On the Rocks, The Adventures of the Black Girl in Her Search for God (Shaw Festival), The Sylvia Project, Red (Theatre Kingston), Gaslight (Chemainus).
fil M & tv c redits (selected): Frankie Drake, Murdoch Mysteries (CBC); Malory Towers (BBC); Fellow Travelers (AMC); Mistletoe Murders (Hallmark); Cross, Mayor of Kingstown (Paramount+); Hudson and Rex (City TV); Transplant (CTV); Locke and Key (Netflix); Five Days at Memorial (Apple TV); Queen Tut (Fae Pictures); What We Do in the Shadows (FX).
f or t he grand t heatre: Debut.
t heatre credits (selected): Fifteen Dogs (Mirvish, Segal Centre, Crow’s Theatre); Into The Woods (RCM); Christmastown (Capitol Theatre); NEW (RMTC, Canadian Stage); Mamma Mia! (Drayton Entertainment). Upcoming: Cinderella (Shaw Festival).
fil M & tv credits (selected): The Testaments (Hulu); The 52: Stories of Women Who Transformed Toronto (Museum of Toronto); Life with Luca (Family Channel); SkyMed (CBC); Sisters (Factory Theatre); Brothers in the Kitchen (Hot Docs Film Festival); The Next Step S1,2 (Temple Street Productions).
@mirabella_lydia


Director



f or t he g rand t heatre: Debut.
t heatre c redits (selected): Witness for the Prosecution (Shaw Festival, Revival at Drayton Entertainment); Love and Information, King Lear (Canadian Stage); Of a Monstrous Child: a gaga musical (Buddies in Bad Times Theatre/ Ecce Homo Theatre).
other : Graduate of the BFA program at the University of Victoria, and York University and Canadian Stage’s joint MFA program in stage direction. Dora Award-nominated playwright for Of a Monstrous Child. Instructed at University of Victoria, Dalhousie University, Toronto Metropolitan University, and George Brown College.
Music
Director
f or t he g rand t heatre: Waitress, Juno’s Reward.
t heatre c redits (selected): Gypsy, Brigadoon, A Grand Night For Singing (Shaw Festival); Cinderella: The Panto, Jack and the Beanstalk: The Panto, Memories of the Rat Pack, Glory Days, Memphis To Motown (Lighthouse Festival); Home for the Holidays, A Hamilton Holiday (Aquarius); Bad Hats’ Peter Pan (YES Theatre).
other : Stephen was nominated for a 2024 London Music Award after releasing his debut album Fridge Magnet Symphony and is releasing his sophomore album later this year. @stephenjamesingram
f or t he g rand t heatre: Debut.
t heatre c redits (selected): La Cage aux Folles, Wendy and Peter Pan (Stratford Festival); Cinderella: The Panto, Kinky Boots, Sleeping Beauty Panto, Disney’s Newsies, Priscilla Queen of the Desert, Wizard of Oz Panto (Drayton Entertainment); Chris, Mrs. (Winter Garden Theatre); Mamma Mia! (Aquarius); Beauty and the Beast (Neptune).
fil M & tv c redits (selected): Schitt’s Creek (Netflix); The Handmaid’s Tale (Hulu); The Boys (Prime Video); Once Upon a Time (ABC); Zoey’s Extraordinary Playlist (NBC); Let’s Go Luna! (PBS Kids); Full Out (Netflix); Cirque du Soleil; Canada’s Got Talent (Choreographer); Ukulele U (Assistant Choreographer); Slumberland (Netflix).
@georgeabsi
f or t he g rand t heatre: Debut.
t heatre c redits (selected): Roberto Zucco (Buddies in Bad Times); Candida, The Clearing (Shaw Festival); Every Little Nookie, Nathan the Wise (Stratford Festival); Behind the Moon, This Was The World, Much Ado About Nothing (Tarragon Theatre); Indecent (Studio 180); The Welkin, WILDWOMAN, Wedding at Aulis, Sisters, Waiting for Godot (Soulpepper Theatre).
other : michelletraceydesign.com


Costume Designer



f or t he g rand t heatre: Fall on Your Knees, Einstein’s Gift, Beauty and the Beast.
t heatre c redits (selected): Set and Costume Design: Ransacking Troy (Stratford Festival); Othello (Royal Shakespeare Company); Tons of Money, The Apple Cart, Playboy of the Western World, Saint Joan, The Lady Killers, The Ideal Husband, Grand Hotel, Sweeney Todd, Peter and the Star Catcher, Sunday in the Park with George, White Christmas, Holiday Inn, A Room of One’s Own (Shaw Festival).
Costume Design: Fall on Your Knees (Canadian Stage, National Arts Centre, Grand Theatre, Neptune Theatre); Cabaret, The Secret Garden (Shaw Festival). More than 25 seasons with the Shaw Festival.
Siobhán Sleath
Lighting Designer
f or t he g rand t heatre: Homes: A Refugee Story, Charlie and the Chocolate Factory, In Seven Days, Heist.
t heatre c redits (selected): Witness for the Prosecution, The Horse and His Boy, Wilde Tales (Shaw Festival); The Rising World (Seoul Arts Centre); Canoe (Unsettled Scores/Native Earth); Snow White (YPT); Come From Away: The Concert (Marquis Productions); Ring of Fire, On a First Name Basis (Aquarius); The Hobbit (Adirondack Theater Festival); The Great Divide (Harold Green Jewish Theatre); Ann (Arkansas Rep Theatre); Figaro’s Wedding (Against the Grain); Miracle on 34th Street, A Year with Frog and Toad, Shrek and The Addams Family (Neptune Theatre).
other : siobhansleathdesign.com
f or t he g rand t heatre: The Secret to Good Tea.
t heatre c redits (selected): Witch, The Comeuppance, Alligator Pie, De Profundis: Oscar Wilde in Jail, The Walk-Up (Soulpepper); Octet, The Bidding War (Crow’s); Romeo & Juliet, Playing Shylock (Canadian Stage); Infinite Life (Coal Mine); Forgiveness, Cymbeline (Stratford); Love You Forever and More Munsch, The Fixing Girl (YPT); Mad Madge (Nightwood); Here Lies Henry, Armadillos (Factory Theatre); Between a Wok and a Hot Pot (Cahoots); Iris Says Goodbye (Mixtape Projects/Toronto Fringe); Legally Blonde (Theatre Sheridan), ECHO (Next Stage); A Sapphic Affair (Stages Theatre Festival). other : oliviagwheeler.com
f or t he g rand t heatre: Fall on Your Knees, Fully Committed, Silence: Mabel and Alexander Graham Bell, Einstein’s Gift, Strawberries in January, Schippel, The Plumber, The Wind in the Willows, Great Expectations.
t heatre c redits (selected): Dangerous Liaisons, The Goat or, Who is Sylvia?, Casey and Diana, The Rocky Horror Show (Stratford Festival, 29 Seasons); Casey and Diana (Aquarius/RMTC); A Christmas Story, The Musical (Aquarius); Casey and Diana (Soulpepper); Angels in America (That Theatre Co./Buddies); Fall on Your Knees (Canadian Stage, Neptune, NAC, Grand); Constellations (Centaur/Canadian Stage); Body Politics (Buddies); The Death of the King (Modern Times); The Winter’s Tale (Groundling).


jordan guetter
Jordan Guetter

Assistant Stage Manager
for t he grand t heatre: Disney’s Frozen, The Play That Goes Wrong, Elf, Mary Poppins, The Sound of Music, Million Dollar Quartet, Charlie and the Chocolate Factory, A Christmas Carol, Chariots of Fire. t heatre credits (selected): Richard II, The Diviners, Love’s Labour’s Lost (Stratford); Don Giovanni, Carmen, Die Vögel, Il Trittico (Pacific Opera Victoria); Mamma Mia! (Neptune); Baskerville (Chemainus); The Music Man, Serving Elizabeth, Kim’s Convenience, Ring of Fire (Thousand Islands Playhouse); R.U.R. A Torrent of Light, Oksana G (Tapestry Opera). other: Jordan has also worked with Soulpepper, TIFT, Musical Stage, Volcano, Drayton, Lighthouse Festival Theatre, and more.


Apprentice Stage Manager
f or t he g rand t heatre: Pride and Prejudice. t heatre c redits (selected): Faus t (COC); Three Islands (UofT Opera); Munschables, Island Steps (Charlottetown Festival); Tartuffe (Opera Nuova); Bluebeard’s Castle (Against the Grain Theatre).
other : 2023 Metcalf Intern Producer (Nightwood Theatre); Mental Health Coordinator in Training.


Taste Dinner Series: Wine vs. Beer – April 9, 2026
Five courses. Dual pairings. Unexpected discoveries. Explore how beer and wine transform each dish — and challenge your expectations.
Learn more and get your tickets at TasteWFD.com



THE TRUTH IS RARELY PURE AND NEVER SIMPLE.” “
~ Oscar Wilde

When business disputes threaten your company, you need more than just legal advice; you need strategic representation.
AT LERNERS, OUR FOCUS IS YOU.

“I MYSELF WOULD SACRIFICE EVERYTHING FOR A NEW EXPERIENCE, AND I KNOW THERE IS NO SUCH THING AS A NEW EXPERIENCE AT ALL.”
- OSCAR WILDE

Oscar Wilde (b. 1854 – d. 1900) was an Irish author, poet, and playwright—and one of the most popular and influential artists of the Victorian Era. He moved in the most fashionable circles of London, England and is closely tied to the Aesthetic Movement, which championed “art for art’s sake” (appearance over function) and continues to be an icon of wit, design, and sophistication.
Wilde is known for his comic masterpieces including The Importance of Being Earnest, of course, as well as his only novel The Picture of Dorian Gray. His works continue to fill theatres and delight audiences around the world.

The Importance has been translated into dozens of languages and has been adapted across each performance form— as an opera, a musical, for radio, and then television and film.
The Grand Theatre’s production of The Importance of Being Earnest features a new role—Lady Stella Clinton, the real-life 19th Century queer trailblazer, is an addition by Director Alistair Newton. Ernest Bolton lived and loved as Lady Stella, and is known in particular for attending a performance at London, UK’s Strand Theatre in women’s evening wear in 1869. For this and other surveilled behaviour, she was arrested and criminally charged with conspiracy to commit a felony—and found not guilty, greeted with loud cheers and bravo’s from the gallery. Twenty-five years later in 1895, The Importance of Being Earnest opened at what is thought to be the peak of Wilde’s career. Wilde is now known, and perhaps was known then as well, for his relationships with men which were illegal at the time, resulting in conviction and time served. Upon release, he fled to France and lived out the final two years of his life in near anonymity.



SCENIC ART APPRENTICE


TD READY COMMITMENT SUPPORTS THE DEVELOPMENT OF THE NEXT GENERATION OF ARTS TALENT AT THE GRAND THEATRE THROUGH THE TD EMERGING TALENT PROGRAM.
WHAT IS UNIQUE ABOUT THE TD EMERGING TALENT PROGRAM?
Being able to transfer between the departments of Props and Scenic Art was a new experience for me. There are certain skills that are specific to each department, and I appreciate the opportunity to work in both shops so I can broaden my skillset.
WHAT ARE THREE HIGHLIGHTS OF THE PROGRAM SO FAR, FOR YOU?
Due to this being a mentorship program, you have the ability to ask lots of questions in a learning environment. You are given the chance to develop as an artist in a welcoming atmosphere, which is very helpful for developing professional skills. The opportunity to learn different techniques is another highlight. I got to experience new things such as texturing scenery and upholstering furniture. I have also seen how to properly run a calm, organized shop. There is also the opportunity to see the operations of a large regional theatre. You can see the intricacies of the different departments and how important it is that everyone can work together to make the creative vision come to life.
WHAT ARE YOUR HOPES FOR YOUR THEATRE CAREER?
I hope to work at a variety of theatres throughout Ontario and possibly do projects out of province one day. I’m open to work in both props and scenic art. I believe that gaining experience working with multiple artists will help me become a better artist overall. Then I will be able to show someone else what I have learned and implement the skills I have accumulated into running a shop. I also have some friends in the industry that I haven’t collaborated with yet, and I would like to work with them on a production in the future.
WHY DID THE TD EMERGING TALENT PROGRAM SPEAK TO YOU?
The program stood out to me for a couple of reasons. Firstly, it was for a full season, so there was more time to spend at the shops and you can work on multiple productions which I find helpful because you can experience a nice variety of work and challenges that come with different shows. Secondly, it was a “learn-by-doing” position. You are supported by mentors who have a lot of experience in their fields. The goal for the position is to cultivate knowledge and that is exactly how I want to grow as a professional.







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Glen & Marg Gagan
Gloria & Joseph Gilbert
Mary Gillett & Thomas Burnett
Wendy Gilmour
Heather Greenfield Charitable Trust
Neil & Suzanne Gysbers
Nancy & Barry Holt
Brenda & Morrison Hurley
Mary Jansenberger
Carey & Paul Jennery
Mary Ellen Kirk
Evan R. Klassen
Marty Kolls Schram & Mark Schram
Steve Kopp
Mary Margaret & Gary Koreen KPMG
Jennie Kraehling
Kapil Lakhotia
Ruta & William Lawrence
Ron Lawton & Steve Chitovas
Clark Leith
The London Economic Development Corporation
Carl Lukings
Liz & David Macdonald
Murray MacKenzie
David MacNeill
Darlene & Larry Marshall
Dianne & Ian McIntosh
Nancy & Bill McKeough
Libby McMillan
Beth & Bob Mepha
Brett Morritt
bronze supporter ($100 - $499)
Angela Abdallah
Judy & Jack Abell
Shannon Ablitt
Brian Adkin
Barb & Peter Aharan
Cheryl Anderson
Florence Andrews-Perkes
Marguerite Annen
Yvonne Archibald
Sheila M. Aston
Marian & David Atkinson
June Ayrhart
Carol & Ted Aziz
Linda Badke
Anne Souter & William Dawson
Susan & David Steven
Norma Stokes
Patricia Superville
Brian & Krys Teall
Beverly Thompson
Jurgen Tietz
Dr. Nancy Tuttle
TW Johnstone Company Limited
JoAnn Van Engelen
Kim Shanklin & Kirk Wallis
Peter & Beth Whatmore
William Horne Charitable Account
Anonymous (1)
Deborah & Joe Owens
Andrea Payne
Norma & Jim Poel
Cathy & John Pollock
Janet Pope
Wesley & Wilma Prescod
Deborah & Ronald Purdy
Lili Rechnitzer
Karen & Paul Romanson
Elizabeth & Ralph Rudy
Carolyn & Jack Scott
Elisabeth & Todd Shaddick
Estate of Paul Shaw
Sifton Properties Limited
Celia & Rod Silverson
Joanne & Jack Smit
Anne M. Smith
Victoria Smith
Helena Steinmetz & Bruce Hewitt
Janet Stewart
Diana Tamblyn & David Pasquino
Maureen & Mike Tilson
Pauline & Marc Trudell
Lisa Uptigrove
Alexis van Logtenstein
Jackie & Peter Vettor
Carol & Bill Vezina
Diane Visser
Dennis & Joan Vollmershausen
Western University Housing
Dr. Malcom & Mrs. Monique Wood
Doug & Terry Zavitz
Anonymous (3)
Kim Baigent
Karen Bailey & Lynn Heinitz
Rob Bain
Silvia Orsini & Fraser Ball
Joan & Michael Bancroft
Caroline Barandowski
Nicole Bardikoff
Catherine & Charles Barnum
Anne & Bruce Barran
Cody Barteet
Nino Basacco
Ethne Beeckmans
Janis & Henry Bens
Ingrid & Monica Betz
Marjorie & Daniel Braatz
Carol Breen
Dawn Brennan
Suzanne Brett Welsh
Veronica Brett
Donald Bryant
Jennifer Buchanan
Shelley & Al Bulckaert
Bill Burdick
Moira Burke
Sharon Burns
Linda & Larry Burt
Jeff Burton
Dorothy Byrne-Jones
Mildred F. Caldwell
Patrick Callon
Marilyn & Keith Campbell
Kim Carlton
Michael Carnegie
Dawn Munday & Paul Carson
Paul Cavanagh & Amy Lee
Ashley Charlebois
Benjamin Charlebois
Norma Coates
Paul Cocker & Trish Fulton
Kayla Coddington
Karen Connor
Judith Cooper
Mary Lois Cooper
CORE Tutoring
C J Cornhill
Larry Cornies
Kenneth Cossoy
Richard Cote
Mike Cotton
Joan & Mike Cresswell
John Cuddle
Lora & Bill Cummings
Jennifer Curry
Paul David
Chantelle Davidson
Cecilia & William Davies
Sylvia Davis & Bill Stewart
Don & Suzanne De Jong
Majda Delic
Brenda Dewaele
Adam Deweyert
Joanne Dow
Mary Dryden
Alanna & Adam D’Silva
David Duffy & Cassandra Townsend
Susan & Robin Easterbrook
Jeanette & Stuart Eberhard
Doris England
Muriel & Bob Estey
Liz Etherington
Wally & Carol Ewaskiw
Kim Eyre
Laura & Doug Fairbairn
Lorne Falkenstein
Mary-Lou Falla
Laurie Farquharson
Barb & Bruce Fearnall
June Ferguson
Linda & Louis Ferraro
Mary Field Keenan
Jan Filman
Sabina & Irwin Finestone
Linda Fischer
Yvette & Chris Fliesser
D.M. Foreman
Joyce Lynne Fortey
Lorie Forwell & William Clark
Lori Fraser
Jim Frederick
Rhonda & David Freeman
Deanna Friesen
Anita Gaffney Misener & Kevin Misener
Gallagher Insurance
Jeffrey Gandz & Elizabeth Spracklin
Vicki Gerth
David & Beth Girvan
Rigmor & Gary Glen
Alex Goertzen
Margaret & George Goodlet
The Gord & Victoria Drimmie
Family Fund
Michael & Linda Grace
Scott Grant
Christine Gribowski
Susan & Tom Grieve
Laura Gurr
Julie Gustin
Kelly Haagsma
Karen Hamilton-MacDonald & Jim MacDonald
Helen Harper
Deborah & Jim Hartley
Najet & Hanny Hassan
Alyson Hawken
Michael Hayman
Stephanie Hayne Beatty
Lois & Glenn Hayter
Glenna Hemphill
Judith Higgs
Nancy & Martin Holmes
Linda Hoover
Louisa Howerow
Rebecca Howse
Christine & Mark Hulan
Suzanne & Norman Huner
Kenneth & Marlene Hunt
Murray Hunter
Heather & Paul Huston
Jenna Hutchison
Patricia & Richard Hutchison
Rosalie & Levi Irvine
Erik Jacobsen
Wayne Jamieson
Christopher Jefferies
Peter Jensen
Allan Johnson
Elana Johnson &
Christopher Collins
Ann Judson
Heather Kane & Glenn Whitehead
Allan Kaufman
Natalie E Kearns
Heather & David Keast
Maurice Keidan & Rosalind Callard
Rhonda & Gene Kelly
Michael Keys
Michael Kim
Sheila & Stan Kogon
Susan & John Koval
Mark Kraatz
Lesley Kribs & Stewart Kribs
Susanna & Herald Krimmer
Margaret E Laird
Tori Laird
Nadine Lalonde
Robert Landry
Suzanne Lanthier
Ingrid Larking
Jacqueline Lawrence
Jennifer & Wayne Lawrence
William & Shirley Lawrence
Simon Leibovitz
Gail McHardy-Leitch & Donald Leitch
Allison & Walter Lenny
Lee & Steve Leonard
John & Jane Lesaux
Cheryl Letheren
Marie Liddell
Rebecca Liddiard
Mary Catherine & Joe Liebregts
Karen Lilley
Mary & Roger Lillyman
Geoffrey Little
London Afrocentric Arts Association
Isobel Lonsdale
Ken Lund
Linda MacIntosh
Carol & Michael MacKenzie
Dayna & David MacNeill
Patricia MacPherson
Suzanne Majhanovich
Melissa Maloney
Sharon Marks
Lynn Marshall
Jennifer Martino
Judith Mathany
Cathy Maxwell
Janet & Heinz Mayr
Cheryl & Jamie McCallum
Elizabeth & William McConnell
Mary McDonagh
Nancy & Ian McDowell
Ann McEwan-Castellan
Lynne McGregor
Ken McGuffin
Daniel McHardy
Sheilanne Lindsay & Ian McIlraith
Luella & Paul McKnight
Debora McLachlin
Peter and Lori McLaren
Heather McLean
Nancy C. McNee
Gail McNeil
Marilynne McNeil
Sean Noguera & Michelle McNeill
Allan McPhee
Jana McQuarrie
Katherine & William Meath
Louise Milligan
Beverley & Paul Mills
Beth Ann & Jim Mitchell
Debra Jared & John Mitchell
Marisa Modeski
Shelly Moffat
Margaret Moore
Mary Anne Morrison & Terry Rushton
Sarah Morton
Wendy Mukerji
Eva Munoz
Anne Murphy
Michelle Mylemans
Liezel Naidas
Arthur Naregatsian
Catherine Nichols
Celia Nichols & Cam Johnston
Joanne & Volker Nolte
Mariko Obokata
Colleen O’Brien
Maureen O’Dea
Andrea Ostler
Mary Parks
Neil & Kristen Parry
Jeanette Pastorius
Ileana Paul
Ingrid Pawley & John Schucht
Sandra & Robert Pearson
Sebastian Pedreros-Roussy
Lea Pender
John Peebles
Nancy Pettigrew
Pat & Dale Pettit
Ann Pinchin
Elizabeth Place & Peter Calvert
Michael & Patricia Plastino
Norman and Jewel Poole
Jerry & Mary Pribil
Allison Price
Diane & Gary Alan Price
Inge & Rick Pudelek
Nancy Quinn & Jeff DeLuzio
Gail & Gary Rains
Dawn Ralph
Anne Ramdhan
David Rayfield
Mark Rayner
Kate Reeves
Bonnie & Peter Regier
Kathryn Reid
Phyllis Retty
Anne Reuber
Kathleen & Douglas Richards
Doris Robak
David Roberts
Judy Roberts
Stacey Robertson
Barbara & William Robins
Nancy Rogers
Nancy & Jonathan Romsa
Joanne Ross
Dianne & Rick Rumney
Lynda & Howard Rundle
Louise Sabourin
Julia Salton
Pat Savage
Julia Schmalz
Patricia & David Schned
Hans Schreff
Margaret & Barry Scott
Mary Margaret Scott
Catherine & Gordon Sellery
Linda Shapiro
Valerie & John Sharpe
Alon & Sari Shatil
Pirkko & Douglas Sheldrick
Kathryn Sherwin
Jennifer Shields
Brenda & Derek Shipley
Margaret & Robert Shirley
Joe Silva
Carol & David Smith
Jean Faulds & Doug Smith
Judith & Robert Southcott
Mariann & Randy Southen
Sarah Stewart
James & Julie Stockford
Joan & Robert Stuart
Nancy Suchard
Joan & Ken Sumnall
Kevin & Brenda Switzer
Elenor & Donald Taves
Janice Thielenhaus
Robert & Ann Thomas
Denise Thompson & Ron Kilgour
Diane & Steve Thompson
Alan & Jeannette Thomson
David Thomson
Ian Thomson
Cynthia Tielemans
Joanne & Brian Timney
Lindsay Tohn
Keith Tomasek
Ann & Roy Tonkin
Joan & Ross Totten
Diane & Jonathan Townsend
David & Michelle Traher
Heather Trevithick
Cathie Turner
Scott & Dawn Turner
Rochelle & Ian Underhill
Tammy Vacante
Elizabeth Van Dongen
Christine & Jake Van Dyk
Mike Varanelli
Kathryn Varey
Cecilia Preyra & Aniko Varpalotai
Catherine Vermue
Mario Vertulb
Linda Vurma
Gayle Waite
Judith Walker
Janis Wallace
Beth-Anne & Alex Wasko
Dorothy Weatherstone
Lynne Weaver
Marlaine Weber
Kelly & Paul Weber
Donna Webster
Viola & John Weil
Western Fair District
John & Carin Whittal
Katie Wilhelm
Laura & Jeffrey Williams
Lynn Williams
Lynne & Paul Williams
Robert Williams
Faye & Rod Willis
Cheryl & Mark Willison
JoAnne Wilson
Ian & Mary Wilton
Bernie Wong
Cathrine Woods
Andrew Wright
Pat & Glen Wright
Sharon Wright-Evans
EJ Lamb & Richard Yake
Krista Young-Wells
Tova Zarnowiecki
Anonymous (11)
THANK YOU TO THOSE WHO GAVE IN MEMORY OF CHERISHED FRIENDS OF THE GRAND—THEY ARE DEARLY MISSED.
Peter Brennan
Shirley Brown
Bill Burns
Dr. Charles Coates
June Cole
Noreen Davis
Vivian Deleary
Noreen DeShane
Lucille (Sam) Grant
Mary Loncke
Kahani Wali Collective
Bhooma Bhayana
Zahra Kassam
Roxanne Persaud
Irene Pinto
Fazeila Prabhakaran
Chitra Prasad
Leemala Ragubance
Corrine Rahman
Sulo Samuel
Madhu Sanwal
SUPPORTING WOMXN AND NON-BINARY PEOPLE IN THE ARTS
Maia Bent
Lynn Davis
Sonia-Michelle De Souza
Dorothy Downs
David Mahadeo
Eleanore Reynolds
James A. Ross
Elizabeth Ruby
Pamela & Joseph Samuels
Anita Shah In Memory of Jyoti Shah
Ritu Shah
Anita Sharma
Minni Singh
Beckett Smith
John E. Turner
Ian Underhill
Robert Swartman & Lister Waugh
Jatinder Takhar
Bogeswari Venkatesan
Kirsten Krose
Jenn Matthews
Susan Nickle
Patricia Superville
Thank you to the following members of our community who welcomed visiting artists into their homes:
Barb MacDougall • Jill Ellis-Worthington • Bob Ward & Susan Yerema • Aaron & Josh Swan • Leon Melville • Cam Quinn • Brian Baillargeon • Neila Lawson • Delilah Cummings • Janet McAllister • Julie Ryan • Francine Rheault • Sergey Bornow • Ingrid Johnsrude • Songbird & Leaf • Cathy Page • Candace Banack • Bill & Maryanne McGrath • Bob Mitchell • Bonnie Delanghe • Jan & Peter Vogel • Heather Heathcote • Lia Karidas & George Skagos • Nevzeta Velagic • Cindy Woods • Genevieve Metson • Julianna & Alex Goertzen • Maria Calleja • Diana Coates • Brigette MacMillan • Jesse Root & Efra Barcenas • Kristen Mould • Maria Marques
We are deeply grateful to the compassionate individuals who have made the important and thoughtful decision to make a planned gift to the Grand Theatre. We honour them through their membership in the Proscenium Society. Their legacy will help ensure that the Grand continues to flourish:
Barbara Belbeck
Hazel E. Bell
Marista Ateena Brooks (Mikolaski)
Carson Bruce McIntosh
Robert Crawford
Buck A. M. Cuddy
Theresa Cutler
Lynn Davis
Helen Ann Day
Joyce Lorraine De Vecchi
Walter R. (Wally) Duffield
Cathy & James Dunlop
Lucille (Sam) Grant Innis Hammond
Barbara Horne
Dr. Nicole le Riche & Dr. John Howard
Beryl Ivey
Elizabeth Ann Jones
Karen Killeen
E.J. Lamb
Mary & Roger Lilliman
Myrtle McCallum
Carson Bruce Mcintosh
Douglas McCullough
Mary Eleanor Miller
Susan Nickle
Diane & Gary Alan Price
Glenda Robinson
Membership to the Proscenium Society is available to those who have chosen to make a planned gift in one or more of the following ways:
• Bequests (donations through your will)
• Listed Securities
• Life Insurance Beneficiary Designation
• Charitable Gift Annuities
• Life Insurance Policies, RRSP, RRIF
Maureen Elizabeth Ryan
Joseph Samuels
Pam Samuels
Donald Smith
Doris Spence
Robert & Roberta Sokol
Helen & Andy Spriet
Elizabeth Stratton
Judy White
Michael Wojtak
















































OFFICIAL PIZZA PROVIDER FOR STUDENT CLUB









ARTISTIC DIRECTOR
Rachel Peake
EXECUTIVE DIRECTOR
Lyndee Hansen
ARTISTIC ADMINISTRATION
PRODUCER
Christine Gruenbauer
ASSOCIATE PRODUCER & COMPANY MANAGER
Vanessa Spence
APPRENTICE ARTISTIC DIRECTOR
Nicole Wilson *
EDUCATION & COMMUNITY ENGAGEMENT
DIRECTOR
Breanne Ritchie
ADMINISTRATION
IT DIRECTOR
Barb Whang
TESSITURA ADMIN
Britt Duncan
EXECUTIVE & ADMIN ASSISTANT
Ben Leibovitz
OPERATIONS
BUILDING MANAGER
Mike MacDonald
ASST. BUILDING MANAGER
Aaron Simmons
HOUSEKEEPING
Patricia Sexsmith
Ben Storie
SECURITY
Ankit
Shannon Goneau
Marty Peterson
Luke Morrison
John Whitty
FINANCE
SENIOR MANAGER
Alison von Krause
FINANCE ASSISTANT
Pauline Hare
FINANCE ASSOCIATE
Charmain Callender
MARKETING & DIGITAL STRATEGY
DIRECTOR
Lia Karidas
DIGITAL MARKETING SPECIALIST
Gwen Blackwell
MARKETING PROJECT MANAGER
Kyle Greenwood
COMMS & P.R. MANAGER
Melissa Mae Shipley
RESEARCH ASSISTANT
Meghan Falco
Kira McCallum
MARKETING INTERN
Evan Rogers
DEVELOPMENT
DIRECTOR
Heather Siskind-Levite
DIRECTOR OF BUSINESS DEVELOPMENT
Monica Coddington
BUSINESS DEVELOPMENT & RENTALS COORDINATOR
Jacob Wiley
INDIVIDUAL GIVING
COORDINATOR
Farrell Tremblay
PATRON SERVICES
FRONT OF HOUSE
MANAGER
Ali Samuel
LEAD BARTENDER
Mackenzie Bishop
BAR & BEVERAGE
Mackenzie Bishop
Ahri Diaz
Michaelanne Hathaway
Haleigh Paschink
Peter Trigg
Hannah van-Alphen Fyfe
Emma Vanderkuyl
Emma Wilson
Lisa Wright
Helen Zhang
BOX OFFICE
SUPERVISOR
Denise Hay
REPRESENTATIVES
Brittney-Lee Lowey
Karen McDonald
Cheryl Willison
DIRECTOR
Paul Fujimoto-Pihl
TECHNICAL DIRECTOR - SCENIC
Julia Callon
TECHNICAL DIRECTOR - STAGE
Sonja Niedermaier
PRODUCTION DRIVER
Jim Doucette
PROPERTIES
HEAD OF PROPS
Natalie Kearns
PROPS BUILDER/BUYER
Natalie Tsang
WARDROBE
HEAD OF WARDROBE
Lisa Wright
CUTTER
Elisabeth Marshall
ASST. TO THE HEAD OF WARDROBE
Meghan Choma
SENIOR ACCESSORIES BUILDER
Elaine Ball
SEWER
Morgan Cameron
Lacie George
Julia Nelham
APPRENTICE
Rae Hutchinson *
SCENIC CARPENTRY
HEAD SCENIC CARPENTER
John-Michael Plester
INTERIM HEAD SCENIC
CARPENTER
Zac Barker
2ND SCENIC CARPENTER
Jonathan Tschirhart
SCENIC CARPENTER
Josh Mindorff
SCENIC ART
HEAD SCENIC ARTIST
Richard Lawler
SENIOR SCENIC ARTIST
Craig Guthrie
APPRENTICE
Emma Gray *
SPRIET STAGE
HEAD STAGE CARPENTER
Rory Leydier
HEAD OF AUDIO
Aaron Ouellette
HEAD OF FLYS
Jared Whitty
HEAD OF LIGHTING
Liam Arbogast
HEAD STAGE WARDROBE
Sarah Tracy
STAGEHAND
Brad Fuller
Mark Jovanovich
DRESSER
Tasse Koumoutsidis
WARDROBE MAINTENANCE
Chris Lake
AUBURN STAGE
HEAD TECHNICIAN
Steve Allen
BOARD OF DIRECTORS
CHAIR
Matt Parr
VICE-CHAIR
Nicole Blanchette
PAST CHAIR
George Kerhoulas
TREASURER
Jamie Campbell
SECRETARY
Anne Toal
DIRECTORS
Christopher Alleyne
Sukhveer Bains
Robert Bierbaum
Carl Cadogan
Blair Fantillo
Ron Koudys
Jennie Kraehling
Beck Lloyd
Jen Matthews
Tyler Reavell
Jane Scholes
Dr. Robert Sokol
Katie Wilhelm
FOUNDATION BOARD
CHAIR
Ron Koudys
VICE-CHAIR
Jamie Crich
SECRETARY/TREASURER
Bill Assini
DIRECTORS
Tom Burnett
Dianne Cunningham
Elizabeth Drewlo
Chris Jackman
George Kerhoulas
Peter Markvoort
Matt Parr
Bob Schram
Anita Shah









