WHO’S WHO PRODUCTION

DOMINGO MANCUELLO (Stage Manager) (he/him) Domingo has worked on stage management teams for over 60 regional productions at the Fulton, Creede Rep, Maine State Music Theatre, and American Players Theatre. During the COVID shutdown, he worked for Brunner and Associates Organ Builders, where he assisted in tuning, maintaining, and building pipe organs. He is an established 1920s-style pianist and arranges music rolls for antique automated musical instruments. @thedomingo

TYLER MILLER (Production Assistant) is happy to be back in the studio theatre for Doubt. Their previous Fulton work includes serving as the production assistant for Changing Channels, Sweat, and For Colored Boyz on the Verge of a Nervous Breakdown when Freedom Ain’t Enuff. They have also worked as the assistant stage manager for Man of La Mancha and Jersey Boys. Tyler is excited to be once again working on the projects that the Tell Studio Theatre produces. Much love and many thanks to Momma Tammy for all the support.

MARC ROBIN (Executive Artistic Producer) began 21 years ago (guest director in 2001 for Evita), Artistic Director in 2009, and is now in his 6th year as Executive Artistic Producer.) He has staged over 450 productions including shows in London, New York, Chicago, and California. He has garnered many awards including Joseph Jefferson, Barrymoore, Vicky and BroadwayWorld to name a few. When he isn’t at the Fulton, he can be found at his second home at Maine State Music Theatre in Brunswick Maine where he recently began his 16th Season..

MEG VALENTINE (Props Designer) Is very excited and thankful to begin their 2nd season with The Fulton Theatre and to be completing thie first solo studio design with this show. Meg is a Long Island, NY native who graduated from Fredonia State University with a BFA in Theatre Production & Design with a focus in Scenic Design. Since graduating, they have held multiple carpentry and artisan positions all over the 5 boroughs of NYC as well as spending 2 summers with Maine State Music Theatre. A very big thank you to everyone at The Fulton for being such welcoming collaborators. She/They.

ACTORS’ EQUITY ASSOCIATION “EQUITY” - founded in 1913, represents more than 51,000 professional Actors and Stage Managers nationwide. Equity seeks to foster the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. #EquityWorks

CONCORD THEATRICALS (Licensing) is the world’s most significant theatrical company, comprising the catalogs of R&H Theatricals, Samuel French, Tams-Witmark and The Andrew Lloyd Webber Collection, plus dozens of new signings each year. Our unparalleled roster includes the work of Irving Berlin, Agatha Christie, George & Ira Gershwin, Marvin Hamlisch, Lorraine Hansberry, Kander & Ebb, Kitt & Yorkey, Ken Ludwig, Lin-Manuel Miranda, Dominique Morisseau, Cole Porter, Rodgers & Hammerstein, Thornton Wilder and August Wilson.

Who’s Afraid of Virginia Woolf won the Tony Award, Drama Critics Circle Award, and Foreign Press Association Award for best play in 1962. Executive Artistic Producer, Marc Robin’s choice of Edward Albee’s dark comedy, 61 years after its first showing, gives Fulton audiences a chance to peak into this character driven, dynamic and exemplary play.

Six decades later, this truly is a present day cautionary tale of truth verses fiction. Living in an isolated fantasy world to survive the tragic reality that life has handed you is something to witch we all can relate. No one gets everything they want, but living an illusion is not a long term solution. George and Martha are no exception, nor are Nick and Honey as it turns out. This well crafted play reveals many secrets, fabrications and half-truths as George and Martha play insider games between themselves and their newly welcomed guests.

As the actors take this tumultuous ride with a physical, physiological and emotion toll each and every performance, they bring to life a broken University home in need of sobriety and honesty.

Characterized by some as “the classic melodrama of its time” I am honored to be in a long line of directors who have cultivated, shaped and presented this play. Thank you for being apart of its rich history.

- Kevin Earley, Director