06
SEPTEMBER/OCTOBER 2026
THE
EDIIT. lifeST YLE, EDITED.
STATEMENT
PARIS
the new CLASSICS.
&
12 PIECES THAT DEFINE THE SEASON
Founder & Editor-in-Chief
Ashley Cannon
The EDIIT was founded by Ashley Cannon as a study in restraint - an exploration of fashion, beauty and lifestyle through a lens that values clarity over excess. With a background in visual storytelling and brand direction, her perspective is guided less by trend and more by instinct - an understanding of what feels considered, enduring and quietly impactful. Each issue reflects a deliberate edit: pieces chosen not for immediacy, but for their ability to hold relevance beyond the moment.
PURPOSE The EDIIT exists to refine the way we see, select, and experience style - distilling what feels relevant while filtering out what does not last.
EDIIT. THE
SEASONAL SHIFT
lifeST YLE, EDITED.
LESS NOISE. MORE NUANCE. Editing the way we live, dress and experience life.
THEEDIITMAGAZINE.COM
THE.EDIIT.MAG@GMAIL.COM @THE.EDIIT.MAG
CONTENTS
P.
07
FRONT MATTER
03 PUBLISHER LETTER 04 TEXTURAL FEELING CURATED
06 STATEMENT PARIS FEATURES
15 FEATURES 16 ROUCHA 17 ISABEL MARANT 18 REFORMATION 19 THE BRAND MERCER 20 BARBOUR 21 RETROFÊTE 22 LIFFNER 23 HERMÈS 24 RAG & BONE 25 TOTEME
26 TANYA TAYLOR 27 CELINE 29 BEAUTY IN TRANSITION EDITORIAL
31 A BEAUTIFUL STANDARD: NICHOLSMD
SPOTLIGHT
38 SÉZANE
EDITED, NOT EXCESSIVE.
THE
EDIIT. lifeST YLE, EDITED.
I’ve become less interested in what is new. Not because newness has lost its appeal, but because I find myself increasingly drawn to a more difficult question: What lasts?
THEEDIITMAGAZINE.COM
THE.EDIIT.MAG@GMAIL.COM @THE.EDIIT.MAG
Fall has a way of bringing that question into focus. We return to clothes with weight, to richer colors and familiar textures. We pull things from our closets that have been waiting for us and, occasionally, discover that they mean more now than they did when we chose them. The best pieces seem to do that. They don't simply survive time, they acquire something from it. It is an idea I kept returning to while putting together this issue. Our cover story with Amélie Huynh of STATEMENT Paris begins with jewelry, but ultimately becomes a conversation about something much larger: the objects we choose to mark our lives. An achievement. An ending. A . beginning. A decision made entirely for ourselves. We may choose a piece for its beauty, but eventually, if we're lucky, it becomes inseparable from the life lived while wearing it. We choose the object for one reason. Life gives it another. Perhaps personal style is built the same way. Not through constant reinvention, but through accumulation of a different kind—the gradual understanding of what belongs to us. The silhouette we return to. The color that becomes a signature. The beauty choices that reveal rather than disguise. With time, taste becomes instinct, and instinct becomes identity. That philosophy runs quietly through these pages. Our fall edit isn't concerned with novelty for novelty's sake, but with pieces that make the familiar feel relevant again. And in beauty, my conversation with Dr. Kim Nichols explores a similar restraint: the increasingly radical idea that improvement doesn't have to mean transformation. There will always be another season. Another trend. Another thing we're told we need. THE EDIIT has always been about editing. But editing isn't simply the act of taking away. It is the confidence to know what stays. And maybe that is the most interesting thing about style: eventually, the things we choose begin to tell us something about ourselves.
Ashley Cannon
Founder & Editor-in-Chief
THE DOUBLE “I” IN EDIIT IS AN ODE TO MY DAUGHTER, LILA GRACE AND I. EVERYTHING I DO IS FOR HER.
TEXTURAL F E E L I N G
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3. 4. 2.
6.
5.
EDITOR’S PICKS @styleelyst
1. TOTEME 35 Embellished Leather Pumps in Black | $780, 2. LAUREN MANOOGIAN Coto Belted Alpaca-Blend Cardigan in Dark Green | $690, 3. Sydney Evan Burst Flower Heart 14-Karat Gold Diamond Necklace | $4,755, 4. Cartier Eyewear Signature Round-Frame Acetate Sunglasses in Brown | $945, 5. LES VACANCES D'IRINA The Little Velvet Sack Cotton Pouch in Gold | $635, 6. Brunello Cucinelli Bead-Embellished Shearling-Lined Leather Boat Shoes | $1,700
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Fall Fall the new CLASSICS. 5
STATEMENT PARIS
the weight of a statement
A
With STATEMENT Paris, Amélie Huynh has given fine jewelry a language of strength— sculptural, architectural and unapologetically present. But the Maison’s most compelling proposition is a quieter one: that what we choose to wear can become a record of what we have lived.
STATEMENT PARIS 1/9 Statement.Paris | @Statement.Paris
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“When I started the brand, I obviously saw my designs as statements: the use of pavé silver, the shapes, the rebellious side of it all,” she tells THE EDIIT. “But it was also my own statement—my goal that had finally become an achievement.” AMÉLIE HUYNH
STATEMENT PARIS 2/9 Statement.Paris | @Statement.Paris
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Jewelry is one of the few things we wear with the expectation that it might outlast the version of ourselves who chose it. A dress belongs to an evening, a coat to a season; a jewel has a more complicated relationship with time. It follows us. Years pass, circumstances change, and an object once selected for its beauty begins to acquire another kind of value altogether. It remembers. Amélie Huynh has built STATEMENT Paris around that tension between the object we see and the meaning we don't. Her jewelry is hardly reticent: architectural geometry, sculptural volume, pavé diamonds against silver, forms with enough physical presence to suggest armor. Huynh came to the language of fine jewelry through Place Vendôme, but the vocabulary she developed for herself is less interested in conventional preciousness than in character. “When I started the brand, I obviously saw my designs as statements: the use of pavé silver, the shapes, the rebellious side of it all,” she tells THE EDIIT. “But it was also my own statement—my goal that had finally become an achievement.” That idea has not been replaced so much as complicated by experience. Huynh began with jewelry capable of making a statement and found herself increasingly fascinated by the statements being made around it: the decision to buy, the occasion deemed worthy, the private significance a wearer could attach to an object no stranger would ever understand. “The choice of jewelry is a statement. The fact that you achieved something is a statement too,” she says. “Sometimes it might be a statement just for you, and that’s perfectly fine. Actually, that’s all that matters.” It is an unexpectedly intimate philosophy for a Maison named STATEMENT. Fine jewelry has long been entrusted with the task of making our milestones tangible, though historically many of its rituals have begun with a jewel being given: an engagement, an anniversary, an inheritance. Huynh still believes deeply in the significance of the gift. But almost from the beginning of the Maison, another ritual began presenting itself. Women arrived at the showroom to choose pieces for themselves, carrying stories of new jobs, diplomas and long-awaited pregnancies. Others came after divorces.
STATEMENT PARIS 3/9 Statement.Paris | @Statement.Paris
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Those women stayed with her. “It wasn’t necessarily about celebrating, but about marking the end of something: the end of a chapter, a portion of life that was over, newly gained freedom, and the beginning of a new one,” she says. “Sometimes that deserves to be acknowledged too.”
There is considerable power in the word acknowledged. Not every meaningful moment arrives dressed as a celebration. Some are survived rather than achieved; some involve leaving rather than acquiring. Huynh's clients effectively broaden the traditional vocabulary of milestone jewelry by claiming the authority to decide what, in their own lives, merits permanence. Over time, those choices begin to resemble an autobiography written in objects. “Take a look at your jewelry collection,” Huynh says. “It’s not just a collection of ornaments. It’s the story of your life.”
STATEMENT PARIS 4/9 Statement.Paris | @Statement.Paris
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If the sentiment is intimate, its physical expression is often anything but delicate. Huynh's work has the confidence of protection: structure, weight, geometry, metal arranged around the body with an almost defensive quality. To her, vulnerability and strength are not contradictions to be resolved. One gives the other meaning. “We’re human, after all— we’re made of contradictions and dozens of different emotions. I think you are only as strong as you are aware of your own vulnerabilities.” That duality was present in the Maison's first creation. My Way began as a shield for the index finger, an area Huynh considered strangely overlooked in jewelry and a placement she liked for its symbolism: the finger that points, “hopefully towards the right direction.” The design became the seed of STATEMENT Paris, proliferating into an entire family of pieces while retaining the geometry and attitude of the original. Its name now feels almost prophetic. Before there was a Maison, there was a woman creating a protective object called My Way for the hand that indicates where one intends to go.
STATEMENT PARIS 5/9 Statement.Paris | @Statement.Paris
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Huynh's eye, however, is as interested in what supports the monumental as in the monumental itself. Rivet originated not with a building or work of art, but with the unremarkable hardware on the back of one. A painting Huynh had grown tired of was removed from her office wall and left facing backward near her desk. What began as procrastination became observation. Her attention settled on the small metal rings used to hang the canvas—industrial details never intended to be seen, yet without which the artwork could not be displayed. “Such a big thing needs these very small elements in order to be able to shine and be seen,” she recalls. The thought became a collection, but it also reveals something essential about Huynh's creative intelligence. She is interested in significance before spectacle: the overlooked mechanism, the hidden support, the ordinary thing whose importance changes the moment someone pays attention to it. “For me, beauty can be found in the smallest, most insignificant details,” she says. “I know that now.”
STATEMENT PARIS 6/9 Statement.Paris | @Statement.Paris
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The same instinct—to look beyond the obvious reading of something—became more personal with Jewellery Portraits. Its first subject, Violette Serrat, is a close friend and one of STATEMENT Paris's earliest supporters. Huynh had no interest in reducing that relationship to the familiar mechanics of a collaboration. Instead, she approached Serrat as a portrait, studying her style and exploring with her ideas of color, form, softness, the body and femininity. “I wasn’t really a designer, per se—I was creating a portrait of a friend, I don’t paint… but I create jewelry.”
STATEMENT PARIS 7/9 Statement.Paris | @Statement.Paris
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“I don’t paint… but I create jewelry.” AMÉLIE HUYNH
STATEMENT PARIS 8/9 Statement.Paris | @Statement.Paris
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It is a particularly beautiful medium for portraiture because jewelry refuses to remain fixed. Once it leaves its maker, it begins another existence against the skin of its wearer, gathering scratches, memories, associations and years. A portrait can preserve a person at a moment in time; a jewel is allowed to accompany her beyond it. That possibility of discovery extends to the women who encounter Huynh's work. She has watched clients accustomed to traditional jewelry try on a STATEMENT piece—a substantial ring, mismatched earrings—and recoil slightly from the unfamiliarity of their own reflection. Some leave, only to return later. “Because they had discovered a new side of themselves,” she says. It is here that Huynh's philosophy becomes most interesting. We tend to imagine personal style as the consequence of selfknowledge: first we understand who we are, then we choose the things that express it. But sometimes the process works in reverse. An object can reveal an appetite, an audacity, even an identity its wearer had not yet articulated. What initially feels too much becomes, with a subtle recalibration of the eye, unmistakably one's own. Huynh calls her pieces affirmations, though she has little interest in determining precisely what they should affirm. Their meaning becomes the wearer's to author. “I hope you can think of them as your daily affirmations too,” she says. “Just not in words. In heavy metal.” And perhaps that is the contradiction that makes STATEMENT Paris so compelling. These are jewels created to command space, yet their most important meaning may remain completely invisible. To anyone else, the piece is diamonds, silver, geometry, design. To the woman wearing it, it may contain an achievement, an ending, a beginning, a memory, a decision—or simply the moment she recognized something new in herself.
The statement is visible. What gives it weight is entirely her own.
STATEMENT PARIS 9/9 Statement.Paris | @Statement.Paris
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FEAT URES
SHOP THE EDIIT
on ShopMy at @styleelyst
15
THE RED LINE EDITOR’S TAKE | Temper the bold red with winter white: relaxed trousers, a fine-gauge knit and barely-there black accessories. The contrast feels considered rather than coordinated—the kind of highlow tension that makes a look.
ROUCHA
Roucha’s Janssen Jacket makes a compelling case for color this fall. Cut with sculptural volume and a fluid, oversized silhouette, it brings unexpected sophistication to a traditionally utilitarian layer.
Janssen Jacket in Red, $285
16
ISABEL MARANT
EDITOR’S TAKE | Play against the polish. Wear them with an oversized knit and bare legs now, then tuck them beneath a sweeping midi skirt as temperatures drop. Jany 100 leather knee boots in Black, $1,990
TALL ORDER.
The knee-high boot reclaims its place as fall’s most enduring power move. Isabel Marant’s Jany pairs razor-sharp proportions with smooth black leather and a sculptural twotone heel—timeless, but far from predictable.
17
Alice Sheer Alpaca Crew in Barley, $198
SOFT FOCUS. The season’s essential knit gets a lighter touch. Reformation’s Alice Crew pairs sheer alpaca with a barely-there neutral, bringing an understated sensuality to fall’s return to layers.
REFORMATION EDITOR’S TAKE | Lean into the transparency with a tonal bralette and tailored trousers. Add a strong belt and pointed flat for a look that feels quietly undone, but entirely intentional.
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The retro runner continues its evolution from sportswear staple to wardrobe mainstay. The Mercer Brand’s Re-Run Drive in rich brown suede delivers the right mix of nostalgia and polish for fall.
OFF THE TRACK.
THE MERCER BRAND
EDITOR’S TAKE | Skip the obvious denim. Pair them with tailored trousers, a crisp button-down and an oversized coat—the sneaker brings just enough ease to otherwise polished pieces. The Re-Run Drive in Brown, $219
19
Barbour Delilah Checked Showerproof Jacket in Birchwood Dress, $325
CHECK, PLEASE.
BARBOUR Heritage dressing gets a graphic refresh with Barbour’s Delilah jacket. The oversized check and cropped silhouette strike the balance between country classic and modern cool—an easy answer to fall’s transitional days. EDITOR’S TAKE | Keep the styling crisp: a white buttondown, dark straight-leg denim and polished loafers. Add a slim leather belt and gold jewelry to take the look firmly out of the countryside.
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RETROFÊTE After-dark dressing takes a molten turn with Retrofête’s Saba Dress. Liquid gold pleating, a sculpted strapless bodice and an asymmetric drop waist create a silhouette that feels both decadent and distinctly of the moment.
Saba Dress in Golden Port, $698
EDITOR’S TAKE | Resist the urge to over-accessorize. A barely-there heel, sculptural earrings and little else let the metallic finish carry the look.
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LIFFNER
EDITOR’S TAKE | Carry it against contrasting textures: soft cashmere, crisp poplin or a great wool coat. The simplicity works best when the rest of the look feels equally considered.
The Pushlock Pouch is an exercise in understated impact. Supple black leather, a softly sculpted silhouette and a signature gold closure give it the quiet confidence of a piece you’ll reach for now—and still be carrying years from now.
Pushlock Pouch in Black, $625
IN THE CLUTCH.
22
HERMÈS TIME, WELL SPENT. A study in enduring design, the Cape Cod watch balances architectural lines with the richness of a deep brown alligator strap. Its sculptural case and quietly distinctive dial make the argument for choosing pieces that outlast the moment.
EDITOR’S TAKE | Treat it less like a timepiece and more like jewelry. Wear it against a vivid white cuff with mixedmetal bracelets kept to a minimum—the watch should be the point. Cape Cod watch, 41 mm with Havane Strap, $7,175
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EDITOR’S TAKE | Go tonal with a navy cashmere knit and chocolate leather accessories. Finish with a pointed heel and let the extra-long hem break slightly over the shoe for an effortless, elongated line.
Denim goes back to its most polished form. A saturated indigo wash and long, lean silhouette give the classic cigarette jean a sharper point of view—clean enough to anchor everything from weekday tailoring to after-dark dressing.
Sutton Full Slim Cigarette Jeans in Darkrinse, $258
DARK MATTER
RAG & BONE 24
TOTEME The day bag returns with purpose. A structured silhouette and glossy croc-embossed leather bring a distinctly polished sensibility to the carryall— spacious enough for the everyday, sharp enough to elevate it.
EDITOR’S TAKE | Use it to sharpen softer fall layers. Carry it with an oversized cashmere knit, relaxed trousers and a slim loafer for a study in proportion and polish.
Medium Croco-Embossed Day Tote in Black, $1,790
BUSINESS CLASS
25
TANYA TAYLOR The ease of a slip dress, recast for the richness of fall. Draped olive satin moves with an almost liquid quality, while the asymmetric neckline gives the silhouette just enough tension to feel distinctly now.
EDITOR’S TAKE | Layer it beneath a tobacco suede jacket and add a sharp black slingback. It’s the kind of unexpected mix—earthy, polished, a little undone —that makes September dressing interesting.
Adrien Dress in Sprout, $645
26
CELINE
Medium Bucket Louise in Smooth Calfskin in Chestnut, $3,550
RICHLY GROUNDED.
Celine gives the bucket bag a polished new proportion in smooth chestnut calfskin. Sculptural, understated, and finished with gleaming Triomphe hardware, it makes a compelling case for brown as the season’s defining neutral.
EDITOR’S TAKE | I’m treating chocolate brown as fall’s answer to black. Pair it with cream, denim, or head-to-toe tonal dressing.
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SEA SON . AL shift
BEAUTYIN
TRANSITION
As summer gives way to fall, beauty shifts with the season. Skin turns toward renewal, hair takes on a more polished finish, and makeup deepens into richer, more nuanced tones. From restorative treatments and year-round protection to conditioning care and effortless color, these are the formulas defining beauty’s transition into fall.
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EDITOR’S PICKS @styleelyst
1. goop beauty Lift + Depuff Eye Masks | $125, 2. HOURGLASS Phantom Blur Balm in Whisper - Pink Mauve | $38, 3. Dr. Diamond’s Metacine Contour Collection EyeLift Bioremodeling Peptide Multiplex | $225, 4. SkinCeuticals Glycolic 10 Renew Overnight (1.7 fl. oz.) | $96, 5. FORAH Everyday Mineral Sunscreen in SPF 30 | $55, 6. CROWN AFFAIR The Leave-In Conditioner | $48
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EDITOR’S PICKS @styleelyst
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A
BEAUTIFUL
STANDARD
With a newly expanded Greenwich flagship, NicholsMD enters its next chapter with the philosophy that built its following firmly intact: exceptional aesthetic medicine should leave you looking less transformed than entirely yourself.
Photo | Bevy Rutledge
Beauty has always had its tells. The unmistakable haircut. The season’s defining shade. The procedure everyone suddenly seems to have had. But in aesthetic medicine, where possibility has expanded at extraordinary speed, sophistication increasingly lies in something more difficult to identify. You notice the person, not the treatment.
NICHOLSMD 1/7 KimNicholsMD.com | @NicholsMD_Dermatology
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Photo | Bevy Rutledge
“The goal should never be to look different. It should be to look like the healthiest, most confident version of yourself.”
NICHOLSMD 2/7 KimNicholsMD.com | @NicholsMD_Dermatology
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It is an idea Dr. Kim Nichols has been refining for years. As founder of NicholsMD, the board-certified dermatologist has built a practice around an approach that feels deceptively simple: understand the face in front of you, respect what makes it distinctive, and never allow the pursuit of improvement to eclipse the person herself. “The goal should never be to look different. It should be to look like the healthiest, most confident version of yourself.” That philosophy now occupies considerably more room. NicholsMD recently moved its established Greenwich, Connecticut practice into an expanded flagship at 32 Field Point Road, joining its Stamford and Fairfield locations. The new address marks a significant evolution for the practice, but walking through the doors, the ambition is not to overwhelm. It is to let you exhale.
NICHOLSMD 3/7 KimNicholsMD.com | @NicholsMD_Dermatology
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“My vision for our new flagship home was for patients to immediately exhale. From the moment they walk through our doors, I want them to feel that everything has been thoughtfully considered, from the warmth of the welcome to the flow of the space.”
NICHOLSMD 4/7 KimNicholsMD.com | @NicholsMD_Dermatology
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There is something telling in her choice of words. Not impressed. Not indulged. Cared for. For all the visual language associated with luxury, its most convincing expression has always been emotional. The best hotel remembers how you take your coffee. The exceptional tailor understands that the garment should belong to the wearer, rather than the other way around. The details are meticulous precisely so the person experiencing them never has to think about the effort behind them. Nichols approaches her practice much the same way. “I’ve always believed that medicine, art and hospitality should go hand in hand,” she says. At NicholsMD, that means the clinical and the experiential are not treated as separate considerations. The conversation matters alongside the treatment. So do the welcome, the privacy, the follow-up and the feeling that the person sitting across from you is considering not simply what can be done today, but what will still make sense years from now. That last distinction has become increasingly important. Aesthetic medicine is no longer a rarefied corner of beauty culture. Treatments have become easier to find, terminology once confined to consultation rooms has entered everyday conversation, and social media has made both procedures and their results extraordinarily visible. Access has expanded. So has the temptation to treat aesthetics as something that can simply be ordered from a menu. Nichols resists that premise. “Trust, expertise, and individualized care” should never become commoditized, she says. “Not everyone understands when not to treat, how to customize a plan, or how to think years ahead instead of one appointment ahead.” There is considerable expertise hidden inside that when not to treat.
NICHOLSMD 5/7 KimNicholsMD.com | @NicholsMD_Dermatology
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The difference between enhancement and alteration can be measured in millimeters. It requires an understanding of anatomy, certainly, but also proportion, movement, age and the subtle relationships between features that make a face belong to one person and no one else. More treatment does not necessarily produce a better result. Sometimes expertise reveals itself in what a practitioner chooses to leave alone. For Nichols, the ultimate result is one that inspires curiosity rather than recognition. “The best compliment my patients can receive isn’t, ‘Who did your filler?’” she says. “It’s, ‘You look amazing. What’s your secret?’” It is the ethos behind #NaturalAtNichols and, perhaps more importantly, an increasingly compelling counterpoint to an era in which aesthetic work can become an aesthetic unto itself. Natural does not mean untouched. Nor does it require pretending that Botox, Daxxify, filler, lasers or any of the increasingly sophisticated tools available to modern dermatology do not exist. It means using them with enough precision that the treatment remains secondary to the person. Technology, after all, is only as discerning as the hands—and judgment— behind it.
“We embrace innovation, but we never let Every new device, treatment and skincare product technology replace introduced at NicholsMD is evaluated against standards of safety, science and outcome. Innovation is relationships.” welcomed, Nichols explains, but never simply because it is new.
It may be the most enduring idea within the practice. A machine can become more precise. A formulation can become more advanced. A treatment can accomplish something that would have been impossible a decade earlier. But none can listen to a patient explain what she sees when she looks in the mirror—or understand what she hopes not to lose. That remains profoundly human. “Patients aren’t just coming in for a treatment... They’re trusting us with how they look and feel.” The new Greenwich flagship is, in many ways, an investment in that trust. More space allows NicholsMD to expand what it offers, but its significance is found in the experience the practice intends to preserve within it: personal, considered and remarkably attentive in an industry moving faster by the year. When Nichols talks about what she hopes someone feels after leaving, she speaks about confidence, but quickly moves beyond appearance.
NICHOLSMD 6/7 KimNicholsMD.com | @NicholsMD_Dermatology
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“We don’t just want patients to love what they see in the mirror. We want them to feel understood, empowered, and excited about taking care of themselves.” Perhaps that is where the most interesting conversation about beauty is heading. Not toward perfection. Not toward a universally recognizable face. And certainly not toward the erasure of age, expression or individuality. Toward discernment. Toward care. Toward looking in the mirror and recognizing yourself—not despite having done something, but because what was done understood what was already there. NicholsMD may have a beautiful new home in Greenwich. But the standard it represents is considerably harder to build.
FROM THE EDITOR I came to NicholsMD as a patient long before I approached the practice as an editor. Over the years, I have sat in the chair with both Dr. Kim Nichols and Mikayla Mueller, MSN, NP-BC, trusting them with Botox, Daxxify and, more importantly, my insistence that the result never announce itself. I love aesthetic medicine. I simply never want it to be the first thing someone notices about me. I want to look rested when I am tired, refreshed without looking altered, and ultimately like myself. That requires more than knowing how to administer a treatment. It requires understanding when a little is enough. Years of returning to NicholsMD have made my perspective on the practice deeply personal. But they have also made it remarkably simple: I trust them with my face. For me, there is no greater endorsement.
code
ASHLEY15 for 15% off your first treatment
NICHOLSMD 7/7 KimNicholsMD.com | @NicholsMD_Dermatology
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brand spotlight
EDITOR’S PICKS @styleelyst
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EDIIT. lifeST YLE, EDITED.
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