Student Exhibition Catalog 2017

The Design School Student Exhibition 2017

The vision of The Design School is to serve as the pre-eminent institution for trans-disciplinary design education and research, to empower local and global communities to better comprehend, re-imagine and steward the built environment.

The work illustrated in this catalog represents the creative work of The Design School students during the 2016-2017 academic year in the disciplines of architecture, design science, environmental design, industrial design, interior architecture,

interior design, landscape architecture, urban design, and visual communication design. You will also see the influence of The Design School’s distinguished faculty who are committed to re-imagining design education and design practice.

Lauren McDermott Interim Director The Design School Herberger Institute for Design and the Arts Arizona State University

Undergraduate Second Year Industrial Design: Industrial Design I

Student: Calvin Henderson Faculty: Joseph Velasquez

Reaching For Connections

The Aperture

Project Description

I Based my design on the idea that small, secluded areas become popular. In the site there is a small courtyard with dense seating that is closed off from the mall. This becomes a key aspect in the design. From the outside I wanted people to feel compelled to walk inside and from the inside I wanted people to feel an urge to connect with others. The feeling of being away from the traffic and the intensity of the coutyard help to accomplish my goals.

The Aperture on Forest Mall is the merging of two forms, a gallery and a cafe, with light 'apertures' or slits between wood beams. The beams work to connect the two forms while the space between lets in a specified amount of light, similar to a camera aperture.

Design Process

Plans/ Sections Section DD 1/16"=1' 0"

Section CC 1/16"=1' 0" Context Plan 1/64"=1' 0"

View from the North

Building Plan 1/16"=1' 0"

View into the Art Gallery

Entry + Gallery 1

Open Space and Coffee Shop

Cafe + Gallery 2 Material / References

Fall 2016

Undergraduate Second Year Architecture: Design Fundamentals III

Student: Juan Garcia Leyva Faculty: Claudio Vekstein

Architecture: Design Fundamentals III

Student: Emily Kellogg Faculty: Elizabeth McLean

JUXTAPOSING ELEMENTS

BEOSCALE

Premium dispensary-grade cannabis scale Bluetooth connectivity with an intuitive touch interface

FORM

Strength from materials

PARTI DIAGRAM

The strong aluminium lid protects the accurate measuring platform from dust and damage, while the polymer base keeps the BeoScale in place on your counter

EXPANSION TRAY

Punching above its weight Beoscale features an integrated expansion tray in the lid, which allows for a large weigh area in a small package

CONNECTIVITY

Payments made easy Beoscale connects easily over Bluetooth to the BeoWeigh app or via USB-C to a computer for simple integration into inventory and payment systems.

BEOWEIGH APP WEIGH

SOUTH ELEVATION

NORTH ELEVATION

Architecture: Design Fundamentals III

Student: Alexandra Patrick Faculty: Scott Murff

Industrial Design: Industrial Design I

Student: Calvin Henderson Faculty: Joseph Velasquez

PHIELIPP, ZINGONI RESIDENCE 1409 WEST KIOWA AVE. MESA, AZ 85202

PROFESSOR MILAGROS ZINGONI

FALL 2016

PROGRAM ANALYSIS Our client is a family of five from Argentina plus one exchange student. They originally purchased the house for the view of the golf course south of the property and the large backyard. They spend lots of time on the weekends entertaining and often have over 100 people over at a time. Currently, the first floor of the house lacks good circulation for large amounts of people. There are not many south-facing windows or glass doors, so there are limited views of the golf course and backyard. Due to this, little natural light enters the space and many rooms rely on artificial light.

ACTION CAMERA

CONCEPT: CONTINUITY The concept for my proposed design is the overall theme of continuity-- not only through circulation but in materials used throughout the house as well. Opening up the floor plan for the first floor allows for better circulation and large glass windows and sliding doors blurs the transition of inside to outside, thus adding to the sense of continuation.

VENTURE Action Camera has been designed to create an enjoyable and passive experience that will allow the user to capture some of the most memorable moments of the user’s life without sacrificing performance, quality, and comfort. The VENTURE Action Camera has been designed to be versatile, sleek and stylish without the bulkiness and boxiness of the current competition.

W KIOWA AVE

DAG TAN

SS E

COMPETITION

NORTH

GOLF COURSE

The Action Camera market is as competitive and fierce as the user’s themselves. Each of the “big hitters” to the right have certainly earned their space on the shelves with their advanced technological features, memory capacity, etc. However, an important design component has been overlooked. The design and aesthetic of these Action Cameras are large, boxy and seemingly awkward making the cameras vulnerable to low branches and snagging.

!

WARNING! WARNING!

OBJECTS ARE VULNERABLE TO DAMAGE &

High Clearance RequiredMAY SNAG WHILE SHREDDING THE GNAR!

SITE PLAN SCALE: 1/32” = 1’ - 0”

SECTION A - A SCALE: 1/16” = 1’ - 0”

TOM TOM Bandit

GARMIN Virb Ultra 30

GoPro HERO Session

- ceiling continues from inside to outside creating a sense of extension and a cantilever effect - glass sliding doors in dining room provide a large view of the backyard and improved circulation for entertaining

INSPIRATION

SECTION B - B SCALE: 1/16” = 1’ - 0” LOFT PLAN

KATELYN LENTZ MILAGROS ZINGONI FALL 2016 PHIELLIP, ZINGONI RESIDENCE PROPOSED FIRST FLOOR PLAN " = 1'-0"

B

EXISTING SECOND FLOOR PLAN

KIDS BEDROOM

MASTER BATH

GYM

KIDS BATHROOM CLOSET

DN

KIDS BEDROOM

A

IDEATION & STUDY MODELS

FAMILY ROOM

KIDS BEDROOM

A

MASTER BEDROOM

NORTH

DECK

B

PROPOSED SECOND FLOOR PLAN SCALE: 1/8” = 1’ -0”

PROPOSED FIRST FLOOR PLAN SCALE: 1/8” = 1’ -0”

KITCHEN DESIGN MATERIALS

2.

3.

1.

4.

5.

6.

10.

9.

• Indoor/outdoor countertop -- window slides up for entertaining and can be closed during hotter months • Nook for kids to do homework without being in the way of kitchen activities • Chalkboard wall allows for children to add creativity to the space • Argentinian tiles pay homage to the family’s culture

7. 8.

12.

11.

1. Stainless Steel Refridgerator 7. Stainless Steel Oven 2. Argentinian Tiles

13.

15.

14.

16.

17.

18.

15. White Quartz Countertop 16. Garden Backless Bar Stool 17. White Back Painted Glass Backsplash

12. Stainless Steel Sink Basin

BATHROOM DESIGN

FINAL PRODUCT

13. Concrete Floor

8. Sliding Glass Door and Window 14. White Plastic Seated Morph Stool

3. Dark Stain Bamboo Cabinets with Black Metal Hardware 9. IPE Outdoor Seating 4. Stainless Steel Microwave 10. Concrete Fire Pit 5. Stainless Steel Faucet 11. Stainless Steel Handles 6. Chalkboard

18. Steel I Beam

MATERIALS

VENTURE Action Camera has been designed to allow optional camera mounting, 360 Degree rotation, and 25 Degree camera tilt to accommodate the user’s video recording needs in any situation.

4.

25°

2.

1.

25 Degree Tilt 360 Degree Rotation

3.

7.

6.

10.

OPTION 1

OPTION 2

11.

On/Off and Record Button Brushed Aluminum Case

13.

14.

15.

16.

1. Brushed Bronze Showerhead

7. Ceramic Vessel Sink

12. Dark-stain Bamboo Tiered Shelving

2. Brushed Bronze Vanity Light 3. Marble-- Sink Countertop

8. Porcelain Tile Flooring-Stone look

13. Brushed Bronze Shower Faucet

5. Brushed Bronze Towel Rod

15. Cimarron Comfort Height Water-Saving Toilet 10. Brushed Bronze Towel Hooks 11. Ceramic Hand Painted Moroccan 16. Opaque Glass Wall - Allows for better circulation and allows the bathTiles

-Same material used for countertops in 9. Dark-stain Bamboo Cabinets kitchen-- creates cohesiveness -Same material as cabinets in kitchencreates cohesiveness 4. Can lighting-- Above Shower

6. Bamboo-sided Trash Can

Waterproof (131’) Flat Glass Lens Cover 4K30/1440P80/ 1080P120 Camara

• Opens to backyard -- people can go directly to the bathroom to shower after the pool instead of walking through the house

12.

9.

8.

Anodized Aluminum

5.

-Can hold towels or bathroom accessories

14. Brushed Bronze Sink Faucet

room to be read as a whole

ENTRY DESIGN

FAMILY ROOM

DESIGN

Swivel Mount Slots Designed to fit straps up to 1.5” thick.

360 degree Swivel Mount 25 degree tiltable Camera

Fall 2016

• In addition to the front door, the Nanawall allows large amounts of people to enter the house

• Sliding whiteboard lets children add creativity to the space • Loft for children to read and relax (also can be used as an extra bed) • Under loft is a small gym (equipment does not get used often)

Undergraduate Second Year Industrial Design: Industrial Design I

Student: Brian Skeet Faculty: Roozbeh Valamanesh

Interior Design: Interior Design Studio I: Residential

Student: Katelyn Lentz Faculty: Milagros Zingoni

R E F R E S H and refine

EXISTING FIRST FLOOR

+ SMALL KITCHEN + CURVED WINDOW - INEFFICIENT USE OF SPACE + SUNKEN LIVING ROOM

EXISTING SECOND FLOOR

+ NO MAJOR ISSUES + FOCUSED ON MAIN LIVING AREAS

DESTINATION MILL Transform...

In any place that is successful in social activity, there must be a variety of features that make a space inviting and enjoyable.

In order for an individual to want to visit a space there must be a recognizable destination worth pursuing. Currently Mill Encourage...

Avenue itself is viewed as a space filled with a variety of destinations such as restaurants, bars, shops, and movie theaters. The Destination Mill Project seeks to transform Mill Avenue into its own attraction by Revitalize... implementing new features to encourage social interaction, showcase local artists, and bring the community together to better utilize this space as a modern district.

the streets of Mill Avenue and Tempe Beach Park into an art-filled district.

• Place a variety of artistic figures to make the site visually pleasing • Redesign and add more plant life for a fresher environment and combine urbanity with more vegetation.

• Implement eye catching features at entrances

movement within the space through the positioning of interactive features.

• Place interactive lights on the sidewalks that react to movement.

• Construct a moving-panel wall with rotating pieces.

• Erect an event space in Tempe Beach Park for a more accessible use of the site.

outdoor spaces that are currently unused to initiate social interaction.

• Add moveable seating in currently unused spaces.

• Create comfortable outdoor social patios for groups.

• Convert excess parking to wider sidewalk spaces and seating areas.

THE KITCHEN The largest modification I made was in the heart of the home. My clients are all about entertaining.

They enjoy hosting friends and family gatherings, but their current floor plan made it somewhat difficult. I switched the location of the family room and kitchen, which modified the circulation of traffic and allowed the kitchen to double in size.

FINAL TRANSFORMATION ARTFUL ATTRACTIONS INTERACTIVE SPACES TRANSFORMED LOT

SOCIAL COURTYARDS

• provides vast open space to engage large quantities of pedestrians

rio solado

Reflective Panels

OVERALL AESTHETIC

TEMPE BEACH PARK • attracts pedestrians with a grand, nature-influenced entrance

Touch Activated mill avenue

My clients love to play with color. They will paint walls on a whim and are always bringing in colorful pieces. They lives for change. I decided to keep a neutral palette throughout the home to allow them to experiment how they choose.

5th street

PARK EVENT AREA

PROPOSED FIRST FLOOR

TOUCH LIGHTS

• provides vast open space to engage large quantities of pedestrians

• guides pedestrians down the avenue by interacting through touch 6th street

+ SWITCHED FAMILY ROOM WITH KITCHEN

CORNER BENCHES + SQUARED OUT CURVED KITCHEN WINDOW

7th street

• supply seating on street corners that allows space to showcase local artists’ work • increases vegitation on Mill

INTERACTIVE WALL

• engages pedestrians through the implementation of rotating feautures

+ RAISED LIVING ROOM FLOOR 1 - LIVING 2 - DINING 3 - KITCHEN 4 - FAMILY 5 - POWDER

6 - GUEST BED 7 - GUEST BATH 8 - LAUNDRY 9 - GARAGE 1 10 - GARAGE 2

+ CREATED GUEST ROOM & FULL BATH

university drive

AMC ROUND-A-BOUT

MARKET SPACE

• provide a new social space in an area void of seating, art, and native plants

PROPOSED SECOND FLOOR

• encourages pedestrians to occupy and remain within the new space 1”=100’

TRANSFORMED PARKING SPACES

+ ADDED MORE WINDOWS TO THE SOUTH - SHOWCASE GOLF COURSE VIEW + LOFT AREA FOR KIDS

11 - BED 1 12 - LOFT 13 - BED 2 14 - OFFICE 15 - MASTER BED

Currently, the width of the street takes up the majority of space on Mill, while sidewalks remain narrow.

BEFORE

AFTER

To improve walkability as a whole, it is necessary to dedicate more room for pedestrians.

Each unit would take up three spaces to attract pedestrians and encourage dwelling.

16 - MASTER CLOSET 17 - MASTER BATH 18 - BED 3 19 - KIDS’ BATH

FAMILY ROOM DETAILS

Interior Design: Interior Design Studio I: Residential

To utilize excess streetside parking on Mill Ave, parkletts will be put in place incrementally to increase usable areas for pedestrians.

Student: Emily Smith Faculty: David Siegman

WANDER • wide open spaces promote exploration throughout the space • these spaces create opportunities to transform parking lots into small parks, promoting a more natural setting within the urban environment

Landscape Architecture: Design Fundamentals III

GUIDE • narrow corridors guide people through a space • these spaces require adequate lighting during the night to promote safety and moveable seating to express a controlling factor

REMAIN • closed off spaces encourage individuals to remain in the space • these spaces require attractions to engage individuals such as perfomers, market spaces and social spaces

Students: K. Keane / N. Salazar / K. Squyres Faculty: Rebecca Fish Ewan

Fall 2016

Undergraduate Second Year Visual Communication Design: Design Drawing I

Student: Cecilia Ramey Faculty: Nicole Dahlin

Visual Communication Design: Design Drawing I

Student: Katherine Sutton Faculty: Marsha Minniss

INFRASTRUCTURE INFILL HOUSING AT INDIAN BEND WASH INDUSTRY

Eighteen units occupy the threshold that separates the reality of industrial zoning, and the restored habitat of the Indian Bend Spillway. Following the edge of the narrow site, the project acts as an extension of the existing levee that separates it from the wash. With the living spaces lifted above the parking, each unit plants itself firmly into the bank, while offering views of the riparian habitat to the east.

In response to its context of auto body shops and scrap metal recycling centers, the western façade reflects a collage of raw and refined panels. Daylighting and views take advantage of extruded north and sound openings, preventing harsh western sun exposure.

section north

- 1440 sq ft - 1200 sq ft - 960 sq ft 1bed - 960 sq ft 2 bed - 720 sq ft flats - 720 sq ft lofts site Plan - Massing + ground level 1/32” = 1’ - 0”

Plans - level 2 - 4 1/32” = 1’ - 0”

east elevation

West elevation

Undergraduate Third Year Visual Communication Design: Letterform I

Student: Hailey Tang Faculty: Andrew Weed

Architecture: Architectural Studio I

Student: Abel Clutter Faculty: Thomas Hartman

GRAND AVE

SITE LOCATION

RESURGENCE

1501 West Roosevelt Street, Phoenix, AZ 85007

CONCEPT

CABANA INGRESS

302 W 1ST ST. Tempe, AZ 85281 is an empty lot located in the heart of downtown Tempe. The concept of having individual bungalow styled units floating above the natural topography of the site comes from creating a positive bond between nature and architecture.

The light touch of the steel columns creates a massive garden of 47,186 sq. feet for the community to enjoy. The bridging system between the units creates a more private and secure area for the residents to interact within.

DIAGRAMS

NATURAL VENTILATION

INTERACTION

1 BEDROOM UNIT 2 BEDROOM UNIT 3 BEDROOM UNIT

ENGAGEMENT

Studio Unit

SOUTH SECTION

Studio

1Bedroom

2 Bedroom

3 Bedroom

SCALE 1/16”= 1’0”

4 Bedroom Scale: 3/32” = 1’ - 0”

EAST SECTION

SCALE 1/16”= 1’0”

SITE PLAN

SCALE 3/64”= 1’0”

East Section / Elevation

Ground Level

Fall 2016

First Level

Second Level

Undergraduate Third Year Architecture: Architectural Studio I

Student: Yara Kamali Faculty: Mark Ryan

Architecture: Architectural Studio I

Student: Corey Martorano Faculty: Amit Upadhye

dr p Dysmenorrhea, or menstrual cramps, is a topic that many people do not talk about. This is mostly because it can be an uncomfortable topic, however, 50% of our population suffers from it.

How can we bring awareness to this problem, and design a sustainable product that females can use to relieve their menstrual cramps?

A smart cold brew coffee machine

Findings ① Unstable structure.

Girls Who Suffers from Menstrual Pain

② Difficult to clean.

③ Hard to store after brewing.

④ Measuring cup is needed.

types of remedies what do you do to relieve the pain? take medicine 41 (50.6%) 24 (29.6%)

sleep/rest

Yes 84%

one out of four women experience menstrual pain

hot water bottle/ microwaveable heater

54 (66.7%)

apply heat apply pressure

49 (60.5%)

nothing

stick on heat pad

15 (18.5%)

other

11 (13.6%)

livia

electric heater

ibupr ofen

medication

Out of 408 Female Univertisy Students

Concept development

moves with your body

metalic surface heating device metalic surface heating device magnet

circuit board battery

How DROP works? magnet

clip

micro-usb silicone power port rubber button

1. Take off the water container and put coffee ground into the filter. At the same time, check the data on the app to help control the volume of coffee ground.

2. Add water into water contaniner. When a red line apears, the water has reached the desired amount.

3. Put lid back on, and wait. You can track the estimating brewing time on the DROP app.

light indicator

1

2

3

4. Take out filter and put it into the water container to prevent rest of the coffee from dripping on the table.

open 4

5

turn on 6

5. Put lid on the top of the coffee pot, pour desired amout, and store the rest in the refridgerator.

put in place

looks invisible

dai comes with an app that helps regulate the tempurature of the device, along with record, store, and inform you about your menstrual cycle.

temperature

my log

s

first day of period

november

m

t

w

th

f

s

Interface

30 25 20 15 10

10

7

12

12

sept

oct

8

9

5 0

jul

aug

predicted start day of cycle in december:

nov

dec

98.5°F dai

dec. 9, 2016

today: november 13, 2016

body 12:00 PM

pain scale

notes

diet

activities

mood

weight

99°F 1:00 PM

period

day 6 temperature of dai

temperature of body

Design by Tong Zhang / Tina E-mail: tzhang76@asu.edu More info: www.tinazt.com

Industrial Design: Industrial Design III

Student: Cindy Tran Faculty: Roozbeh Valamanesh

Industrial Design: Industrial Design III

Student: Tong Zhang Faculty: Magnus Feil

ZION Background The Zion Evangelical Church is located at 911 Woodland Avenue, Phoenix, Arizona. This building is registered on the National Register of Historic Places and became vacant several years back.

The church is comprised of three parts, built in three different architectural eras, beginning in 1918 and finishing in 1959.

Floorplan

The project was focused on an existing site, located in downtown Phoenix. Lying at the head of the thriving Grant Avenue Arts District and at the edge of the Woodland Historic District. The building, Zion Evangelical Church, once was a place of worship, socialization and served as a community hub. Now the new owner, a devotee of the arts, plans on creating an arts and entertainment venue for large and small gatherings. The design challenge here was to re-purpose the cherished historical building by linking the value of the historic remnants of the building with those of the art community and connecting it to the current neighborhood.

1938 1959

Branding

Scale: 3/32” = 1’-0”

1918

The building was built in 3 phases, the first being the original portion of the building in 1918. The second phase, which was the addition of the sanctuary, was created in 1938. The 3rd and final addition was the multipurpose area, built in 1959.

CONCEPT The Wood is a place of gathering for all the diverse communities of the area: local, art, music, etc. In order to retain the identity of the church, the idea of the holy trinity was the core inspiration of the design creating the concept of the power of three. The space is designed to spark curiosity into the user. Each space has a preview into the adjacent room. Even the basement holds an interest as it lures one down into the space below. The Wood creates a single community that enjoys food, music, art and experience.

Zion is my proposed adaptive reuse rehabilitation for the historic church. Zion is a community center that is multifunctional with two stages and a transformable dining space, as well as a retail wing.

The brand that is Zion is unique and vibrant, yet calm and relaxing with its Indian infusion of color and spice. The evolution of the project was initiated by the string art, and throughout iterations it became abstracted in all aspects of design. The 1938 sanctuary remains the focal point of Zion, now housing live music venues. Its dramatic form is heightened by the art installations of vibrantly colored strings attatched to the newly whitewashed walls and wooden ceiling. The furniture throughout Zion plays a big role in the functionality of the space.

I designed a kit of parts with custom tables and millwork while choosing existing chairs that could all be easily taken apart and stored.

VENUE 2 PERSPECTIVE

Sanctuary RETAIL PERSPECTIVE

VENUE 1 PERSPECTIVE

The creation of the simple triangular motif was influenced by the irregularity of the triangle shapes seen within the trusses.

Each repeated motif is rotated at 90 degrees, in which creates a unified pattern that makes up the screen walls between the retail and venue 1 space.

Original Removed Proposed 1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

Value Study

13.

14.

15.

16.

Dining Room East View

Remove existing carpet and repair concrete underneath Remove existing Flooring and replace with cement tiles.

Refinish existing mill-work Repair existing windows Remove existing door, install counter top connecting to new bar.

Relocated existing stairs, en large space, install elevator Raise sunken room Relocated doorway to install bathroom facility Raised exterior pathway Relocate existing doorway ADA ramp installed Move electrical box inside room Extend basement Add firewall and stair case Close off existing mechanical fixtures All doors in 1930s space and basement modified to ADA requirements.

Dining Room West View

SITE/FURNITURE PLAN 1/16” - 1’0”

DEMOLITION PLAN 1/16” - 1’0”

Patio

Lounge West View

Greenroom

Lounge East View

Venue 1

Venue 2

Kitchen

NORTH PATIO PERSPECTIVE

SOUTH PATIO PERSPECTIVE

Outdoor Walkway

Retail

Kit Of Parts BASEMENT PERSPECTIVE

The custom furniture designs incorporate the use of triangular formations. A few ready-mades that show a connection to the design approach, such as the YY Chair and the original church pews, are also included connecting all the furniture with one another.

Fall 2016

Undergraduate Third Year Interior Design: Interior Design Studio II: Retail

Student: Emma Phillips Faculty: Elizabeth Minchew

Interior Design: Interior Design Studio II: Retail

Student: Brianna Raya Faculty: Brie Smith

Retail Office Bar Utility Lounge

GRANT OPPORTUNITY

ORCHARD CITY

Green Infrastructure Community - Queen Creek, AZ LAND USE PLAN

- NEW COMMUNITY DEVELOPMENT FOR THE TOWN OF QUEEN CREEK, ARIZONA -

MISSION STATEMENT To create and design a lifetime learning environment for the public and to gain the appreciation and satisfaction of the people from the community, based on what their attitude and behavior have been changed and transformed through the design after learning and understanding about green infrastructure.

LEGEND & CHART

Village Core

%

4.1% 5.6%

9.3

18.4%

42.7%

10.3% 19.6%

Scale: 1” = 2000’-00” 0

1000 2000

FUNCTIONAL PROGRAM MATRIX

4000

VISION STATEMENT By introducing green roofs, facades, and streets into individual housings and apartments, also providing a “tree museum” as a part of the key elements into the community.

LOCATION SR Most Compatible Moderate Compatible

use

unt

Rd

Queen Creek Wash E Riggs Rd

Hwy

PROJECT OBJECTIVES

- Carbon sequestration - Reduction in urban heat island - Stormwater management - Stress reduction - Food production

- Integrate urban forestry into a sustainable community design - Provide 2 trees per residential lot - Grow and harvest fresh fruit for local public schools - Choose tree species that sequester >100 lb carbon per specimen at maturity - Plan and educate for long-lived, healthy trees

MASTER PLAN

TREE MUSEUM

GREEN FACADES

Creating an interconnected system of parks and open space is manifestly more beneficial than creating parks in isolation.

Green facades include most of the benefits of green roofs, but also: Temperatures behind green facades can be reduced by as much as 10 degree celsius (50 dgree fahrenheit).

When planned as part of a system of green infrastructure, parks also can help shape the urban form and buffer the incompatible uses.

nho

WH

Poorly Compatible

COMMUNITY KEY ELEMENTS

Cities can use parks to help preserve essential ecological functions and to protect biodiversity.

itte

S Ellsworth Rd

The satisfaction from the community will largely benefit and make people willing to have similar land use in different areas. Making the expansion of this type design, and leading more people to receive benefit from it.

View of the streetscape in the community core

WHY URBAN FORESTRY?

GREEN ROOFS

Large naturalistic park near Queen Creek Wash

Schnepf Farms

GREEN STREETS

Green roofs can help regulate a building’s internal temperature, reduce stormwater runoff, and mitigate the urban heat island effect.

Green facades can help reduce sound reflection.

Green roofs offer significant economic benefits, including a longer roof life and heating and cooling energy savings.

Through shading, the green facade can lower temperatures in summer and reduce energy costs by 23%.

Green roofs also provide an opportunity for the urban food production, and to increase urban biodiversity.

Queen Creek Olive Mill

Green street designs turn city streets into stormwater management systems while still maintaining their primary function as a transportation pathway for vehicles and pedestrians.

Agritainment for tourism

In addition, Green streets can improve pedestrian and bicycle safety, improve air quality and help alleviate the Urban Heat Island effect by reducing the air temperature, and enhance the aesthetics of the right-of-way.

Extensive park system with greenways

COMMUNITY CENTER MASTER PLAN (45 ACRES) Mixed Use

6-mile looping multiuse trail, plus 2 miles connecting the loop to various destinations

Community Core

Air strip

Higher-density housing near community core

Mixed Use

KEY ELEMENTS SYSTEM DIAGRAM Interconnected Park System

Apartment

B

LAND USE Community core: vertical mixed use Commercial Low-density residential Medium-density residential High-density residential Light industrial Institutional Agriculture Parks and greenways Existing development

Green Facades System

Single Family Housing

Apartment

Parking

Apartment

Low-density residential preserves rural feel

San Tan Mountain Preserve

Mixed Use

Green Roofs System

B’ Green Streets System & Open Spaces

sin

g

A’

E Pegasus Pkwy

Densely-treed park with paved event space and strolling path

Fa mil yH

ou

Pa rk

ing

Sin gle

Apartment

COMMUNITY CORE

Park

A

Sin

gle

Interconnected Park

Fam

ily H

ou

Lush streetscapes with street trees: a mix of shade trees and edible fruit-bearing species

Scale: 1” = 100’-00”

sin

g

0 25 50

100

200

SECTION A - A’

ds

n ee s Gr oof R

Bir

Pedestrian walkway

n ee s Gr cade Fa

n ee s Gr cade Fa

n ee Gr oofs R

Vertical mixed use: commercial, office, institutional, and residential S 224th St

Scale: 1” = 20’-00” 0 5 10

20

40

n ee Gr oofs R

ing s ild re Bu uctu r St

r we Po ole P

ing s ild re Bu uctu r St

et re St ights L

s ay ew riv

et re St n rs ee nte Gr Pla

D

ing ad ure Sh uct r St

d te ec nn co ark P

er

Int

SECTION B - B’

n ee Gr oofs R

Plaza park

Streets aligned towards view of the San Tan Mountains 0

50

100 ft

1 in = 100 ft

0 5 10

20

40

ing ad ure Sh uct r St

ing s ild re Bu uctu r St

et re St ights L s ay ew riv

D r we Po ole P

ing s ild re Bu uctu r St

d te ec nn alk co W er en Int Gre

Scale: 1” = 20’-00”

STREETSCAPES IN SECTION

0

4

8 ft

1/8 in = 1 ft

Wide planters collect stormwater and give tree roots access to air, water, and nutrients in the soil.

COMMUNITY STREET PERSPECTIVE Wide sidewalks encourage walking.

Parallel parking eliminates the need for large, unsighly parking lots.

Vegetated buffers protect cyclists from cars.

Street trees provide shade for pedestrians and cyclists

Vertical mixed use densely combines commercial, residential, and institutional uses on the same land.

COMMUNITY CORE / MULTIMODAL

Landscape Architecture: Landscape Architecture I

Student: Tian Fang Faculty: Kenneth Brooks

Landscape Architecture: Landscape Architecture I

Narrow lanes result in slower, safer traffic speeds. This encourages residents to spend time outside and directly experience the benefits of urban forestry.

LOCAL

Trees on a median create a boulevard effect, and their shade prevents the pavement from absorbing as much solar radiation.

COLLECTOR

Including sidewalks in neighborhods protects pedestrians from vehicles.

Fewer pedestrians than in the community core mean that sidewalks can be narrower.

ARTERIAL

Student: Patricia Ronczy Faculty: Gunwoo Kim

Buffer-protected bike lanes provide safe, pollution-free access to different parts of the community.

Sound Visualization Animation I made a fifteen second animation to accompany its printed infographic.

Animated to Peter William’s “Triple 1111,” the motion graphic displays the interaction of sound components that make up the electronic song.

Stereophonic Makeup Triple 1111 by Peter Williams

Elements come in and out as well as occupy different points in space.

Tamborine

Bass

Tone

Kick

Snare

Synth

Hi - Hat

R

L

00

01

02

03

04

05

06

07

08

09

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

44

45

Fall 2016

Undergraduate Third Year Visual Communication Design: Technology for Design I

Student: Ryan Luy Faculty: K. Larkin / A. Sanft

Visual Communication Design: Visual Communication III

Student: Ryan Luy Faculty: E. Montgomery / H. Park / L. Peña

LAND

Monarchy Censorship in the Modern World So... where are the monarchies?

REMAINING NATIVE HAWAIIAN LAND, AS IT EXISTS TODAY

[WAIMEA] STUDIO

Monarch is head of state

Monarch has some powers Monarch is figurehead

U.K Commonwealth (Figurehead) No Monarchy

What is being censored in the world today?

Militant Groups 1%

Academic 2%

Labor Groups 5%

Religious Groups 2%

Independent Media 6%

Government Media 2%

Private Businesses 6%

International NGOS 2%

Government 3%

Locally Focused NGOs 9%

Regional NGOs 4%

Individual 9%

Forums 5%

Political Parties 19%

Blogs 20%

How many people even have access to the Internet?

Least Access

Most Access No Data

100% FOOD

RITUAL

10%

OF FOOD CONSUMED IN HAWAII USED TO BE GROWN ON THE ISLAND

OF FOOD CONSUMED IN HAWAII IS NOW GROWN ON THE ISLAND

“THE PRIORITY OF THIS COMMUNITY IS A PLACE TO BURY THEIR LOVED ONES” - MIKE HUDSON, Waimea Hawaiian Homesteaders’ Association

HEALTH

“Our Kapuna, our elders, who have health issues do not want to go to the hospital to get treatment, fearing that it is a place of death” - MIKE HUDSON, Waimea Hawaiian Homesteaders’ Association

PANIOLO How censored are the monarchies on internet?

Rated out of 185 (1 being the most censorship) Freedom of Speach

1803

1832

1908

A GIFT BY AMERICAN, RICHARD CLEVELAND, INTRODUCES HORSES TO ISLAND

JOHN PARKER CONTACTS MEXICAN VAQUEROS TO LEARN HOW TO RANCH

JOHN PARKER’S GREAT GRANDSON, IKWA PURDY, WINS FRONTIER DAYS WORLD CHAMPIONSHIP

2016 RANCHERS IN WAIMEA TODAY HAVE LOST TOUCH WITH THIS CULTURAL TRADITION

Internet Accessability

132.31

141.03

Spain 147.28

159.32

162.44

Sweden 165.77

Netherlands 169.94

44.57

Micah and the cultural division are lacking a cultural hub to practice and store

Denmark 172.41

Oman

76.21

116.87

98.00

76.11

110.36

72.30

63.76 46.60

Tonga

96.30

68.60 93.70

76.24

72.67

107.03

93.10

95.20

Luxembourg 165.77

38.43

31.15

57.60

Liechtenstein

Malaysia

103.45

70.57

66.64

99.96

95.80

70.82

Belgium

72.30

42.36

30.14 158.08

88.50

93.00

Monaco

Brunei

Morocco

95.74

91.17

65.08

57.40 91.10 148.50

Vatican City

Bhutan

89.98

Japan

65.60

54.27 36.90

64.70

86.21

65.08

49.03

Qatar

25.28

40.51 45.70

40.47 42.70

20.60 56.22

United Arab Emirates

Saudi Arabia

Jordan

83.17

82.20

Kuwait

Thailand

76.82

91.90

79.90

Bahrain 121.64

Lesotho

92.00

60.43

48.27

Swaziland

91.50

30.14

55.41

52.41

Cambodia

27.80 32.63

11.11 44.30

CULTURE

Norway 174.21

140.17

Works Cited: mappingmediafreedom.org

en.wikipedia.org/wiki/Internet_censorship

en.wikipedia.org/wiki/List_of_current_sovereign_monarchs

internetlivestats.com

rsf.org/en

http://www.royaltymonarchy.com/sovereigns/0000world.html

Undergraduate Fourth Year Visual Communication Design: Visual Communication III

Student: Lauren Schaecher Faculty: E. Montgomery / H. Park / L. Peña

Architecture: Architectural Studio III

Students: J. Greene / Y. Martinez / C. Rowden / J. Scheren / K. Ayotte / R. Duplantier / X. Fan / T. Ibrahim / Y. Luo / H. Mu / B. Nakhle / Q. Zhang / A. Dunaway / B. Crittendon Faculty: Philip Horton

Tabula

“The sensitivity to atmospheres is in a way the classic task of the architect. You have to be passionate for architecture as a real thing: the presence of architecture. First of all you have to see it in a reality, be sensitive to each situation. You have to like it… as an architect I am interested in this because I create real things: I am not creating ideas and abstractions. Therefore I have to focus on my material, I have to understand why and when things look the way they do, why this is high and this is dark and this is light” Peter Zumthor Transcending aesthetic, form, and progression, emotion conceives the deepest architectural experience. Effectively designing experiential architecture requires an integrated organization of structure and systems dedicated to delivering atmosphere. Atmosphere is conceived by a culmination of all the senses, which together allow the emergence of emotions within a space. Through the careful examination and defining of eleven different atmospheres, the incorporation of the five senses of humankind, and the utilization of concrete as a material, a phenomenological system of design that encompasses emotion creates a tabula of concrete.

Going Small

Going small has become an increasing trend in such circles as the tiny home movement. While a tiny home may work for some, a majority of people do require more than 120 square feet for their living needs. There is a balance to be struck between 120 sqaure feet per person and 1000. This project seeks to expose the barriers that keep people from going small, while leveraging what they do enjoy about going small.

Atmosphere Sections

lly

su

co re ns so er ur ves ce s

ai na bl e

“going small”

ta

lit

y

/s ca la

su st

le e

bl

Sustainability is the prevailing factor behind people wanting to simplify and go small. As shown in the diagram there is a sustainable aspect behind each ofthe tangible benefits of going small. Going small is a win for the end user, and the earth as well.

sustainable monetarily

Respect Respect

the want to simplify

Comradery Comradery

Comradery

Love Love

Increase Comradery

Independence Independence

Isolation Isolation

Heartbreak Heartbreak

Community Community

Climax Climax

Decay Decay

Mad Mad

en

cost effective

climax

Super Elevation

Change Change

m

ab

decay

e

ce

heartbreak, isolation, & independence

bl

du

community

na

ro

change & isolation

ai

-p

respect & comradery

re

en vi ro nm en ta

st

societal acceptance living space funcionality transit options

Atmospheric Block

attachment to objects sentimental value tied to the “home” link between house size and status

Public

An entirely new system of architecture inspired

by Frank Lloyd Wright’s textile block. This system of building is reintroduced using concrete and mechanisms held within devoted to the delivery atmosphere. The form is derived from the scripting of a book – allowing the potential for the narrative to be rewritten in a manner that best responds to site and context.

Introverted

Roof Plan

Social Senses: Change see: shelter hear: soft piano taste: rosemary touch: rough walls smell: rosemary Madness see: egg crate hear: silence taste: prickly pear touch: foam on wall smell: damp concrete

Comradery see: flickering fire hear: wood burning taste: food touch: warmth smell: fire, food

Floor Plan

Where do we go from here?

Educate

Touch

Climax see: camera obscura hear: water moving taste: herbs, earthy water touch: vines smell: vegetation

curriculum for a weekend seminar editorial on the benefits of downsizing Taste

Community see: towel detail hear: water movement taste: green wall, herbs touch: towels smell: fire, water

Atmosphere

Atmospheric Zones

Mad see - egg crate hear - silence taste - prickly pear touch - burnt form concrete smell - damp concrete Comradery see - ickering light, ame hear - wood burning taste - food touch - warmth smell - re, home cooked meal

Independence see: sky, water on floor, sink detail hear: water falling taste: mouthwash touch: rough walls, wet floor smell: wood, fire

Decay see - stones s underwater, ruins hear - water falling taste - spring water touch - mossy grass smell - wet grass Climax see - light/ views, camera obscura hear - water/ natural sounds taste - vines, earthy water touch - smooth smell - vines/ water Community see - towel detail hear - bubbler, splash taste - green wall tas touch - cold water, soft towels smell - wood/ cedar

Create Hear

Respect see - light from re hear - steps on steel taste - mint touch - metal smell - fresh f linen, mint Independence see - light, water on oor, sink hear - running water taste - mouthwash touch - rough walls, wet oor smell - wood/ re

2-3 floorplans of “small” living spaces space saving furniture

Heartbreak see: darkness hear: silence taste: sour berries touch: burnt form concrete smell: rotting

Isol Isolation see - wood/ wall detail hear - water on ground taste - water/ lavender touch - wood/ concrete smell - lavender/ wood Heartbreak da see - darkness, light hear - nothing taste - sour berries touch - coarse, burnt form smell - rotting

Create spaces that exemplify what people want to see when going small.

Possible Project Areas:

Isolation see: stake floor/ wall hear: water spraying taste: water, lavender touch: wet wood smell: lavender, wood

Love see - ickering light hear - music taste - chocolate, fondue touch - warmth of ground below smell - roses

Educate people on the benefits they are missing, by not going small.

Possible Project Areas:

Respect: see: light from fire hear: steps on steel taste: mint touch: cold steel smell: mint, fresh linen Love see: flickering light hear: music taste: chocolate touch: soft linen smell: roses

After really getting a closer look at what people look for in a living space, I found one common denominator.

Social interaction was the key behind people either enjoying their time spent in the living room, or wishing they were alone in their own room.

The key to successful “small” living spaces is balancing extroverts and introverts needs and wants.

Private

Smell

Decay see: stones underwater hear: runing water taste: spring water touch: mossy grass smell: damp grass

Change see - shelter - no natural material hear - soft piano - responds to step taste - rosemary touch - roughness of walls smell - no native n plants, rosemary

Decrease

Cross Sections

Collaborate

See

Collaborate with users and designers to dive deeper into the data, and find meaningful solutions.

Possible Project Areas: deeper/more focused research on going small

Atmosphere

Tabula

Ink and watercolor on craft paper 45.72 cm x 1645.92 cm (18 in x 648 in) Italo Calvino’s The Baron in the Trees emotional mapping and representation

Fall 2016

Senses Axonometric

Undergraduate Fourth Year Architecture: Architectural Studio III

Students: J. Melton / O. Raisanen Faculty: Elena Rocchi

Environmental Design: Environmental Design Synthesis I

Student: Thomas Keating Faculty: Collin Smith

menstrual hygiene kit

Self Oveservation Reminder | Tracker

improving education, hygiene, and privacy concerns regarding menstruation in developing countries.

In India, menstruating women are not allowed to touch cows

Islamic Tradition menstruating women are not allowed to pray, touch the Koran, or observe fasting traditions

In some areas of Nepal, a woman is not allowed to interact with anyone on her period. She is sent to a hut in the wilderness until it is over.

In Venezuela, girls are forced to sleep in special huts when on their period

In many Southeast Asian communities, women are not allowed to use the same water because the fear of contamination

In rual areas of Ghana, a woman is not allowed to cook a man food while she is menstruating

Magnet

menstrual hygiene storage container

educational pamphlet

nylon wash bag

mesh drying bag

Removable Links

Record mood before self observation

Set self observation reminder time

Peace Corps volunteers hand out Purity Kits so girls know how to wash their reusable pads.

1

Girls sew their own reusable menstrual pads (RUMPS) given to them by Peace Corps Volunteers.

1

2

5

3

Girls take a-part their Purity Kit and read through their educational pamphlet.

Therapy session Review progress

Self observation

4 Record mood after self observation

Girls can clip their pads in their mesh drying bag to air dry in privacy.

Girls read the directions on their wash bag and are able to clean their pads.

Elastic Fabric

Ripples appear when it is time to do exercises Flatten up or down to record mood Proceed with exercise Flatten to record mood after exercise Share progress with therapist, get feedback

Industrial Design: Design Project I

Student: Emily Heck Faculty: Dosun Shin

Industrial Design: Design Project I

Student: James Jacobs Faculty: Renu Zunjarwad

THE

CENTER

OF

INNOVATION

KiN

KiN is a product targeted toward children with autism and their families.

Most therapy tools do not carry into a home environment, or tell the parents

about the progress of their child. KiN is a toy box of products that children with autism, and their parents can play with together.

TEMPO

Tempo is for individuals who have Parkinson’s disease. If you start a metronome and give the person inflicted with Parkinson’s disease a beat, they will regain a steady gait.

Flex is an assistive device that aids people with limited mobility to have full range of motion with their hands. This product targets people with Arthritis,

Fall 2016

We took the idea of a walker and a metronome, and put them into one product. Now individuals can hear and feel the beat to help them walk with confidence.

Down Syndrome and someone with any degree of paralysis. While using Flex we want our users to feel the independence they want to achieve.

Undergraduate Fourth Year Industrial Design: Collaborative Design Development I

Students: C. Burns / M. Clark / L. Emmerson / T. Hansen / H. Sosa Faculty: S. Behravesh / C. Hedges / R. Trujillo

Interior Design: Interior Design Studio V: Work Environments

Students: M. Chow / M. Hu / M. Watkins Faculty: Rachel Rosso

Joya Verde South Mountain Village is a unique community with residents of all walks of life living in close quarters in between two very rich habitat ecosystems. The mission of Joya Verde Green Infrastructure Plan is to reconnect both the surrounding natural habitats on a regional scale and connect its disjointed residents by creating an inclusive green network on a local scale. Joya Verde in Spanish directly translates to Green Gem, having the vacant land become the jewels in the sequence of urban nature and the neglected streetsides and corridors become the ribbon that together, provide a catalyst for future development.

Existing Conditions Visual Assessment

Analysis & Inventory

South Mountain Village is nestled between two existing joyas. South Mountain and The Rio Salado. Although heavily urbanized there are plenty of vacant properties and alleyways to create new gems within this community. Wide streets and canal easements have the potential incorporate green infrastructure. Most of the locations of this community that are dependant on public transportation have less accessablity.

Green Infrastructure Plan Goals

South Mountain Village

brownfields

high use of public transport

schools

high plant cover

parks

most densely populated

future restoration areas

lowest income per capita

agriculture & golf course

undeveloped land

multi-familiy residential

highest surface temperature

Master Plan

Green Street

Create green infrastructure to help bridge the socio-economic divide in South Mountain.

Increase educational opportunities and activate the community.

Canalscape Salt River

Ribbon Park San Fransico Canal

Nodes

Increase South Mountain Village’s walkability and provide safe and appealing access to alternative transportation.

Exisiting Trail Heads Riparian Restoration Community Gardens

Restore and rehabilitate habitat patches and create new linkages

Community Center Parks

Western Canal

Sonoran Parks Pocket Parks

Signifigantly inscrease vegetation cover to mitigate the heat island effect.

South Mountain

Existing Conservation Areas Existing School Yards Existing Golf Courses

Use biologic processes to manage and filter storm and gray water.

Existing Agriculture Fields

Joya Verde translated is green gem. This master plan’s aim is to connect to the existing joyas hidden within South Mountain Village and create new gems as well. These joyas are created by introducing green infrastructure and walkable solutions in areas with vacant land and neglected streets. They will form a series of connected joyas on the South Mountain Village gemstone necklace and bring unity to this diverse community.

Parks and Open Space Community Gardens

Pocket Park Proposed

Parks and community gardens are the true gems of the Joya Verde Green Infrastructure Plan. They create educational opportunities and give residents a safe and beautiful environment to interact and improve their mental and physical health.

Current

Ribbon Park

Proposed

Proposed

Green Streets and Canalscapes Street Scapes

Canalscape

Current

Proposed

Western Canal

Current

Central Ave Current

Proposed

San Francisco Canal/48th St Drain Proposed

Riparian Restoration

South Mountain Village (SMV) is bordered on the north by the Salt River a major riparian habitat area. The Salt River has been neglected, degraded, and contaminated for many years and is in need of restoration. The Joya Verde Green Infrastructure Master Plan identifies key areas where the most impactful restoration projects can take place and be polished into the true Joyas within SMV. This is a future action plan meaning these Joyas will be developed once occupying industries have ceased operations in the respective areas. This section will outline guidelines and performance standards for these restoration projects.

Interior Design: Interior Design Studio V: Work Environments

Students: N. Hayes / L. Justice / Y. Tu Faculty: Jennifer Davis

Landscape Architecture: Landscape Architecture Studio III

Students: L. Carnie / M. Flogel / B. Ramirez / K. Stone / Z. Yue Faculty: P. Coseo / A. Hargrove

Undergraduate Fourth Year Visual Communication Design: Visual Communication Design V

Student: Hongjian Li Faculty: W. Heywood / A. Sanft

Graduate Three Plus Year Architecture: Core Architectural Studio I

Student: Wang Yan Faculty: Joseph Pritchard

Gun Ownership Gun Incidents

Among the 90% of people in the United States who own guns, 1 in every 14 will cause a gun related incident. This clock highlights the relationship between gun ownership and the gun incident types in the United States.

G D S S A Po ste r S how

G D S S A Po ste r S how

GDSSA ALUMNI POSTER SHOW

GDSSA Al umni Po ste r S how

Nove mb e r 9, 2 016

11 9 16 // 6PM

1 1 9 1 6 // 6 P M // O L D M A I N

11 9 16 // 6PM // Ol d Mai n

6PM at Ol d Mai n

A S U Ol d Mai n

A collection of posters designed for you by ASU Visual Communication Design students throughout time.

E V O LV E GDSSA ALUMNI POSTER SHOW 11 9 16 | 6PM | OLD MAIN HISTORY IN POSTERS

A PRINTED EVOLUTION

GDSSA ALUMNI POSTER SHOW

GDSSA ALUMNI POSTER SHOW

GDSSA ALUMNI POSTER SHOW

11 9 16 | 6PM | OLD MAIN

11 9 16 | 6PM | OLD MAIN

11 9 16 | 6PM | OLD MAIN

11 9 16 | 6PM | OLD MAIN

A S U P O S T E R S H O W. C O M

A PRINTED HISTORY

WATC H H I S TO R Y U N F O L D AT THE VCD ALUMNI POSTER SHOW

WATC H H I S TO R Y U N F O L D AT

VCD ALUMNI POSTER SHOW 11 9 16 | 6PM | OLD MAIN

H I S T O R Y W I L L U N F O L D N O V E M B E R 9, 2 0 1 6 AT T H E V I S U A L C O M M U N I C AT I O N D E S I G N A L U M N I P O S T E R S H O W AND AUCTION.

6PM

|

400 E TYLER MALL, TEMPE, AZ 85281

This poster was designed for the first Visual

Communication Design Alumni Poster Show. The auction

was comprised primarily of alumni work, with the exception of the posters submitted by the Senior class. By rotating the A, the S, and the U, I was able to connect the past, present, and future of our program. Most importantly it

highlighted the Seniors’ effort to honor the students of the past, while inspiring the students of the future.

Fall 2016

Undergraduate Fourth Year Visual Communication Design: Visual Communication Design V

Student: Hongjian Li Faculty: W. Heywood / A. Sanft

Visual Communication Design: Visual Communication Design V

Student: Caroline Booth Faculty: W. Heywood / A. Sanft

PRO2.

PRO1. OBJECT

We're required to use PhotoShop, collage and hand drawing to portray any space we are interested in.

We are asked to use an assigned object--mine is screws--to create three different spaces.

1 Exploit the diverse density and height to form the two layer space. Top surface is curved and bottom one is flat.

2 Array inclined screws to shape the space by distinct oblique walls. Generate different semienclosed rooms 2

This collage represents the abrupt city edge between I w a s i n s p i r e d b y t h e Scottsdale and Salt River Reservation. landscape ecology "corridor concept". Reverse the Stree I convert street form to the building Shape the road and apply this concept to shape to the the city edge. architecture which is a Indi an linear and low Sch ool rise building Rd. instead of the single homes in the Building neighborhood.

Shape The area of .

Rd the homes is a office Pim matched.

Convert

1

residence garage

N

retail

1. Release the ground floor as a public accessible green land, making a strong connection between the reservation and city.

2. The low rise structures allow great views of the reservation and mountains beyond.

3. Bring more program such as retail and office to the edge to create a lively edge of the city.

PRO3.

We're assigned to combine the two previous projects to develop a third project. I abstract the elements.

(

)

CURVED SURFACE

CURVED SURFACE

Site

)

TUBE

DENSITY

HIGH DENSITY

(

MIDDLE DENSITY

INCLINE

STRIP

LOW DENSITY

SECTION

ARCHITECTURE The program includes residential, office, garage and retail. The majore idea of the architecture is to use different densities of columns to replace walls and to define and organize the space, forming an interior forest. Meanwhile, the stepped floor slab generates a staircaselike flowing linear space.

2

GROUND

1

Ground plane is a natural landscape intended to provide native habitat for plants and wildlife. Car circulation is underground. People use pedestrian bridges to connect to the city street grid and from building to building. Or walk on nature trails. The pedestrian bridges lessen human disturbance and also act as nature observation decks.

1

FOREST

OFFICE Roof Garden Interior Garden Vertical Circulation

2

Rest Area Meeting Area Working Area Jogging Belt

office residence garage retail

car circulation

pedestrian circulation

Graduate Three Plus Year Visual Communication Design: Collaborative Design Development I

Students: S. Booth / T. Dong / C. Shoneberger / G. Sosa / Y. Wang / E. Whillier Faculty: S. Behravesh / C. Hedges / R. Trujillo

Architecture: Core Architectural Studio I

Student: Wang Yan Faculty: Joseph Pritchard

Some natural curved surfaces are community gardens; some are hollowed out to provide canopies for shading.

They offer different seasonal scenes and programs.

Ice The Quiet Personal Blender Don’t let a noisy blender interrupt your mornings! keep the conversation with your friends and loved ones going using Ice!

The Woodland

center for arts and culture A dilapidated Church in downtown Phoenix is transformed in to a vibrant cultural center that supports the community rather than colonizing it. Spaces for performance, workshops, events, and casual dining are available, made inifinitely flexible by the moveable furnishings they contain. Looking for a place where all are truly welcome?

GARDEN UNISEX BATHROOM OUTDOOR CLASSROOM KITCHEN

Operating ‘Ice’ is easy! Simply add your frozen and liquid contents into the glass blender jar, and attach the lid. Place the jar top down into the blender securely, and press the handle down to begin blending.

Keep the conversation with your friends and loved ones going. Ice’ is designed to operate at a much quieter noise level than a typical kitchen blender, yet still with lots of power! Enjoy perfectly blended smoothies in a calm and quiet atmosphere!

KITCHEN GREENROOM

Welcome to The Woodland.

CAFE + PATIO PERFORMANCE + GATHERING

GALLERY CLASSROOM + PERFORMANCE

OFFICE

Push me, pull you. Bungee cords and birch plywood create learning and listening spaces, architecture within architecture, and define each room’s temporary function. Even the furniture can be tailored to suit the user. Minimize or maximize privacy, and leave your imprint behind for another to redesign.

Opened

Heat Sync Aluminum

Motor Noise Reduction

Ice uses heat-sync technology to transfer heat away from the motor during operation.

The blender is designed to operate for approximately 30 seconds each operation. In that amount of time the motor will quickly heat up without a fan cooling it down.

A large portion of the irritating noise is caused during the operation of a blender comes from the motor. In order to reduce the noise, Ice uses the mechanism used to turn the blender on by pressing down on the handle to simultaneously insulate the motor while the blender is operating.

To help keep the motor cool, Ice’s jar has three aluminum fins near the blade and an aluminum housing surrounding the motor.

When the lid is secured to the jar and placed onto the blender housing, the aluminum from the lid comes into contact with the aluminum in the housing extruding down to the motor.

This contact diverts heat from the motor into the frozen contents in the jar.

Room for two.

The view from above in a mobile cube.

Closed

All-inclusive. This is as unstuffy as it gets. Materials found at any big box home store comprise the furnishings, ensuring that no one at The Woodland feels underdressed. The design is interactive and intuitive, encouraging playful experimentation.

Sketches/ Ideationh

A Moveable Feast. The central area in the 1950s addition becomes a cafe, with a reconfigurable bar. Tables and chairs can be moved in to the classroom space, or taken out completely for an open, ballroom feel, where the classroom doubles as a casual performance area. Swiveling, sliding glass partition walls add to the flexibility. Even when they are completely closed, they let diners peek in on the process of art-making.

One space, Endless possibilities.

Styrene and Foam Models

Fall 2016

Graduate Three Plus Year Industrial Design: Core Industrial Design Studio I

Student: Luke Williams Faculty: Donald Herring

Interior Architecture: Core Interior Architecture Studio I

Student: Courtney Davis Faculty: Brie Smith

10/12/2016

Google Maps

CONTEXT AND MISSION T E A M M I S S I O N S T A T E M E N T : to maximize the livability po-

to remedy some of the harsh truths of these suburban choices. An

tential created by the north-south axis delineated by the existing

urban forestry plan, it begins with creating a riparian retreat in the

canal. The team identifies this as a unifying feature in the landscape

canal, creating a strong central park to the overall town of Gilbert.

to create a community that embraces a reconnection with nature

This project then offers inspiration for a more extensive integration

that in turn enhances human experience within the space.

of park systems, agricultural preservation, and even informs the urban streetscape development within the core of the community.

V I S I O N S T A T E M E N T : the quick spread of Gilbert has left lit-

Lush, native treescapes help lessen the effects of urban heat island,

tle undeveloped land remaining. The hardened landscape of sin-

and also offer health and monetary value to residents. The mission

gle-family homes, and arterial roadways are softened only by a few

of Shade is not to create itself in isolation, but instead to become

remaining plots of farmland and the San Tan Mountain range. The

an anchor for surrounding larger community by offering more civic

canal, though man-made, is a remnant of what used to be a cool

and gathering spaces.

retreat and home to a broad canopy of cottonwood trees. Shade

MAPS.GOOGLE.COM

looks at one of the few remaining parcels of land as an opportunity

N

Imagery © 2016 Google, Map data © 2016 Google

2000 ft

LAND USE MASTER PLAN

EXISTING LAND USE FOR SURROUNDING SITE

https://www.google.com/maps/@33.2401755,-111.7261765,9745m/data=!3m1!1e3

Imagery ©2016 Google, Map data ©2016 Google

Imagery ©2016 Google, Map data ©2016 Google

500 ft

Imagery ©2016 Google, Map data ©2016 Google

Imagery ©2016 Google, Map data ©2016 Google

500 ft

Imagery ©2016 Google, Map data ©2016 Google

500 ft 500 ft

500 ft

Imagery ©2016 Google, Map data ©2016 Google Imagery ©2016 Google, Map data ©2016 Google

Imagery ©2016 Google, Map data ©2016 Google

500 ft

500 ft

Imagery ©2016 Google, Map data ©2016 Google

Imagery ©2016 Google, Map data ©2016 Google

500 ft

500 ft

Imagery ©2016 Google, Map data ©2016 Google Imagery ©2016 Google, Map data ©2016 Google

Imagery ©2016 Google, Map data ©2016 Google

500 ft

1/1

500 ft

Imagery ©2016 Google, Map data ©2016 Google

500 ft

Imagery ©2016 Google, Map data ©2016 Google

16%

A G R I C U LT U R E

1%

R A N C H ( L I V E STO C K ) / DA I RY

1%

PA R K / O P E N S PAC E

2.5%

CIVIC

1%

COMMERCIAL

0%

MIXED-USE (LIVE / WORK)

0%

M U L T I - F A M I LY R E S I D E N T I A L

78%

S I N G L E F A M I LY R E S I D E N T I A L

1%

INDUSTRIAL

500 ft

500 ft

500 ft

Imagery ©2016 Google, Map data ©2016 Google

500 ft

P R O P O S E D L A N D U S E F O R M A S T E R P L A N PA R C E L

20%

A G R I C U LT U R E

3%

R A N C H ( L I V E STO C K ) / DA I RY

23%

PA R K / O P E N S PAC E

3.5%

CIVIC

1.5%

COMMERCIAL

0.5%

MIXED-USE (LIVE / WORK)

2.5%

M U L T I - F A M I LY R E S I D E N T I A L

46%

S I N G L E F A M I LY R E S I D E N T I A L

The surrounding context was an important factor when planning for one of the few remaining undeveloped parcels of land within the town. With nearly 80% of the land use already dedicated to low-density, single family housing the other core community needs seemed poorly represented. A lack of parks and open space, combined with the site’s proximity to the mountain range and the canal offered an opportunity for implementing the principles of urban forestry at a larger scale while

0

supporting neighboring biological systems.

250

1000 ft 500

125

N

NEIGHBORHOOD CENTER PLAN

LAND USE DISTRIBUTION FOR NEIGHBORHOOD CORE

22%

PA R K / O P E N S PAC E

36%

CIVIC

5%

COMMERCIAL

4%

MIXED-USE (LIVE / WORK)

8%

M U L T I - F A M I LY R E S I D E N T I A L

25%

S I N G L E F A M I LY R E S I D E N T I A L

Flanked by the canal on its western edge, major roadway access to the community is offered from Riggs Road.

Here the community entrance is planned for commercial use creating easy access for residents within the core neighborhood as well as those nearby.

More land use is then dedicated to open space, parks, and civic spaces, offering much needed access to natural, cultural and educational amenities. Parks will weave between the civic and residential spaces knitting the community together as well as help in mitigating the effects of extreme heat caused by climate as well as the surrounding hardscape. Design of these parks will be inspired by the anchoring riparian canal and native landscape, offering biological corridors for native floral and fauna species.

Narrow roadways conform and expand on the few, already existing residential streets. They also feature dense rows of trees, and oversized planters that divide traffic to encourage slower driving and lessen noise.

0

50 25

200 ft 100

N

STREET SECTION

TREES:

before the rapid development of Gilbert,

the canal offered a valuable natural resource, and the banks were lined with Cottonwood trees. Tree selection will seek to restore some of this forgotten vision through the use of native species like the Cottonwood, and complimentary low-level planting that also offer ecological benefits and enhanced biological corridors to surrounding wildlife. Other low-BVOC emitting trees like the Ironwood, Palo Verde, Desert Willow, or Arizona Ash will diversify and balance the ample parks and streetscapes while encouraging diverse growth rates.

STORM

WAT E R

MANAGEMENT:

urban forestry

planning can require significant amounts of water. Balancing drought-tolerant trees and shrubs with thirstier species will help pacify this challenge. Similarly, engineered storm water systems can offer a more sustainable approach over the community lifetime. Bioswale planter beds and medians are proposed to help feed the landscape akin to the nature of the canal system itself.

7.5’ S I D E WA L K

15’ P L A N T E D B I O S WA L E

15’ O N E - W AY R O A D W AY

30’ P L A N T E D B I O S WA L E

15’ O N E - W AY R O A D W AY

15’ P L A N T E D B I O S WA L E

7.5’ S I D E WA L K

0

2 1

8 ft 4

V I E W O F S T R E E T S C A P E T O WA R D S C H O O L

Landscape Architecture: Core Landscape Architecture Studio I

Student: Jill Boots Faculty: Gunwoo Kim

Visual Communication Design: Core Visual Communication Design Studio I

Student: Margaret Sullivan Faculty: Andrew Weed

A D A P T A B I L I T Y

The existing university center building located in the heart of downtown phoenix belongs to Arizona State university. The building acts as the central hub for the downtown campus with an interdisciplinary and operations focus for ASU. The research leading to the final design yielded 3 primary issues with the building. The first: Lack of connection to the local context. The second: no presence that this is the face of ASU. The third: poor building performance and neglect of users both in and around the site.

The project progressed as a hybrid scheme of three concepts that helped address these issues. The primary concept is the idea to bring the life of ASU to the front elevation. The idea is to engage the public and surrounding context as well as provide the face for ASU. Essentially the circulation becomes the sign of the building. This idea of circulation lead to the decision of the facade and how both the intermediate space (the stair) and the conditioned spaces are to be represented independent of one another.

adapting: to change your behavior so that it is easier to live in a particular place adapt: to change so that it functions better or is better suited to its environment

The majority of the facade is a modular ceramic brick that provides optimal shading from the western summer sun, while still letting in the winter sun as well as providing views outward. The facade along the stair has two main purposes: 1. is to mediate the temperature in this intermediate zone and 2. is to talk to the city and promote asu and its life to the otherwise stagnant downtown. With addressing the issues at hand, improving the existing buildings place in the city and and performance. The idea is that this adaptive re-use project now fosters the symbiotic relationship that is thoroughly needed in a city center like Phoenix.

The area around 1 East Camelback Road is adapting to to a modern way of living. People are adapting, as well, to these changes; taking part in the change. 1 East Camelback has the ability to adapt as well.

203,122 sq ft APN: 155-27-01 APN: 155-27-02 APN: 155-27-03A 33.508753, -112.072948

Design concepts

1

Movement as the Sign

1 E Camelback is located in Phoenix, an arid desert climate. It if full of opportunity to adapt sustainable practices inside and outside of the building.

2

Adapting 1 E Camelback into a mixed-use building strengthens the growing urban community surrounding the site. Arizona State University is launching its fashion degree program in Fall 2017; including a studio within the building will give students a place to work in Downtown Phoenix once they graduate, surrounding themselves with the growing culture of the city. AR/VR is also a growing practice; providing an AR/VR studio will allow the further investigation into the medium. Fashion and AR/VR can also collaborate in a mixed use studio space.

Park as a parasite

West of 1 E Camelback is a vacant lot, zoned for a high to midrise building. Occupants of 1 E Camelback can adapt the vacant lot into a community garden, where they can grow crops for themselves, or sell them to the local supermarkets. When a building is proposed for construction, the occupants can then rely on the 1 E Camelback roof garden.

3

Opening the first floor to the elements allows the street to be engaged. Opening the atrium allows for a downdraft to occur. Cross ventilation within each unit allows for minimal usage of HVAC. With the addition of a shower tower in the atrium of the building, cool air is stored and moved throughout the building and units.

Interaction between facade and city

Vertical Courtyard - Stair Movement

PHOENIX CIVIC SPACE PARK

ASU SRC + THE YMCA

1st AVE. (southbound) -lightrail + Public transit + car-

Park grass + shade

Janet Eckelman Sculpture

ASU Classroom Building

The Saharan silver ant lives in an arid desert climate, and has adapted to its context/environment.

Silver hairs covers the ant's body and change orientation depending on how the hairs move along its body. Microscopically, each hair is a triangular prism that self shades during the day. Nanoscopically, each ahir has corrugations, which helpd with more shading. The silver hairs also reflect sunlight, which reduces the solar gain on the ant's body. Biomimetically adapting attributes of the Saharan silver ant are appropriate, as their environment is similar to Phoenix. Bi-fold, corrugated panels surround the building, helping with shading. The bi-fold, corrugated envelope influences cross ventilation that occurs within each unit; as the envelope opens, the windows open, allowing cross ventilation. The envelope can also be controlled manually, depending on the user. Perforations of the corrugated envelope allows light to enter the units, mitigate intense, direct sunlight, as well as allow views to towards the surrounding contexts. The envelope adapts depending on the façade of the building; the south façade has a horzintal envelope, while the north façade has a vertical envelope.

ASU DOwn town campus

Central Ave. (northbound) -lightrail + Public transit + car-

ASU Downtown Library

ASU Parking Structure

1st st.

ASU Law School

using the inserted vertical courtyard “stair” to improve the existing buildings performance and presence downtown

1

Ceramic Block Facade - Optimal Shading + Views

8”x 8” ceramic flue tile

Rotate on Y- 45 degrees

Increased view outward

8 x 8 SEWER TILE CERAMIC BLOCK

NEW W-SHAPE COLUMN

45 DEGREE ON Y AXIS

NEW W-SHAPE BEAM TO EXTEND CEILING

Rotate on x- 40 degrees

Blocks Summer sun, allows views and winter sun

Repeat the blocks to create solar + view facade

100°

78°

78°

Office Refuge + Student merger Scale: 1-1/2” = 1’-0” OPERABLE WINDOW- NAT. VENT. CURTAIN WALL SYSTEM. 1” HIGH EFF. INSULATED GLAZING

STEEL SUPPORT STRUCTURE

CURTAIN WALL SYSTEM. 1” HIGH EFF. INSULATED GLAZING

TERRA COTTA 2” TUBE - WET

78°

REFLECTIVE COATING ON CERAMIC LOUVER

78°

Co-op marketplace - Taylor Mall

2

Ceramic Cooling Louver Facade - Circulation + tempurature

Begin with a sun concious facade

Pinch/pull for views and air

Reflective surface engages City

Perforated panels allows views out

Operable mechanism

78°

Water circulating ceramic tubes cool the space

100°

90°

85°

82°

90°

85°

78°

90°

78°

Scale: 1-1/2” = 1’-0” EXISTING C.I.P. WAFFLE SLAB

RECYC. GREY WATER CIRC.

Facade System 2: Ceramic Louvers are located along the stair.

The louvers act as a layer between the harsh western sun and summer temperatures and the moderate exterior mode of transport. The operable louvers follow the path of the sun to mitigate the summer and accept the winter. The ceramic slats can take on water to help cool the exterior stair as much as 15 °. This improves the performance of the building and helps control the heat gain along the western facade.

-The idea is to have a dynamic facade along the stair to convey to the otherwise stagnant downtown phoenix that there is life and energy in the city. Not only does the circulation, but the facade helps engage this issue.

BRICK MASONRY SPANDREL + EXISTING CURTAIN WALL TO BE REMOVED 8 x 8 SEWER TILE CERAMIC BLOCK GROUT T-SHAPE STEEL SUPPORT STEEL SUPPORT STRUCTURE

BAR GRADING CATWALK CURTAIN WALL SYSTEM. 1” HIGH EFF. INSULATED GLAZING EXISTING C.I.P. WAFFLE SLAB BRICK MASONRY SPANDREL + EXISTING CURTAIN WALL TO BE REMOVED

78° Facade System 1: Ceramic Block provides optimal shading on the harsh western face of the building. While also controlling the views outward, allowing for a complete balance between the harsh exterior environment and the cooled interior space.

-The facade is pulled away 3’ from the glazing to promote maximum air flow and increased cooling for the inhabitants that open the glazing for fresh air. The ceramic material allows for this increased amount of natural cooling.

100°

95°

Scale: 1-1/2” = 1’-0” STEEL BEAM 3’-0” LENGTH

Fall 2016

78°

University Center - ASU - Downtown Phoenix Scale: 1/2” = 1’-0”

Graduate First Year Architecture: Advanced Architectural Studio I

Student: Miles Foster Faculty: Wendell Burnette

Architecture: Advanced Architectural Studio I

Student: Zachery Howser Faculty: Kasey Josephs

Architecture: Advanced Architectural Studio I

Student: Kaisi Liu Faculty: Thamarit Suchart

Industrial Design: Advanced Industrial Design Studio I

Student: Huixin Ding Faculty: Philip White

VISION AND SITE

“We envision a campus that is embedded within the city and embraces the cultural, social and physical setting of urban downtown in the 21st century.”

University Center houses student services, enrollment and registeration and the main library of the dowtown campus along with classrooms, offices, labs, seminar rooms, study areas and a cafe. It caters to the college of public programs which includes the schools of community resources and development, social work and public affairs. it also hosts the nursing and journalism school in downtown phoenix.

Problem Statement ABOUT THE AGORAS

Research shows that deaf people can only read 30% of lip language, and when the conversation is easily predictable, the comprehension will goes up to 60%. Deaf people can communicate with hearing people through simple body language or writing and typing, which then could be considered as an inefficient way.

The agora was a central spot in ancient Greek city-states. The literal meaning of the word is gathering asembly. The place or asembl agora was the centre of artistic,athletic, spiritual,philosophical and political life of the city.

COMPAS is a conceptual product that reads sign language by sensing the mucle movements. It translate sign language to voice message as an output and convert voice to text message as an input.

w

What’s your address?

P R O G R A M

Convert speaking language to text displayed on the screen

A N A L Y S I S

Two main design ideas of the agoras is that, the activity spots define the circulation and the layered nature of the activity spots, which are used in this design.

Translate sign language to voice message and output through speaker FLOOR PLANS

Convenient

Portable

Efficient A

5

9

10

9

Switch Speaker

Paired arm band for the other hand

A

A

Mic

10

B

B B

5

B

B

B

1

1

4

Muscle Sensor

Spring structure designed for different sizes of wrists

10 8

1

9 9

9

2

5

3

The sensor will measure the filtered and rectified electrical activity of a muscle, in order to capture muscle movement. But to

5

2

2

read sign language, enormous data needs to be collected and also does programming works need to be done.

6 7

5

3

4

3

4

A BASEMENT FLOOR PLAN

Innovation SHOW TIME

9 GROUP STUDY

2

TECH KIOSK

10 COLLABORATION

3 4 5

THINK PODS

1

The armband designed for people with hearing problem can provide constant translating service. And the users can access to it anywhere anytime, which is a brand new concept that there is no existing product can compete. The product can be used with free hand so the convenience it provides could attract a huge group of potential users.

Ecodesign Strategies

POLICE COMPUTER

6

BREAKOUT

7 8

NAPPING AREA DECISION ROOM

Reduced Material Impacts

The armband is defined as a smart wearable device that use a smart operating system with muscle sensors. The system can always be updated for better user experience by connecting to the internet.

VIEW OF GROUP STUDY NICHES IN THE BASEMENT LEVEL

VIEW OF GROUP STUDY ROOMS AND STAIRS IN THE BASEMENT LEVEL

Ideation Sketches

3 D

A

A

1

THE PLAZA

2

CAFE

1

LOOK OUT

3 4 5

MAKERSPACE STUDENT SUCCESS CENTRE FOOD TRUCK

2

SELF STUDY

3 4

BOARD GAMES GROUP STUDY

MEZZANINE FLOOR PLAN

CONCEPT DIAGRAMS

V I E W S

The armband designed for disabilities with hearing problem is the equipment that potentially be in use every day.

And the device is constantly contacting to human skin, so the material chose for it should not be harmful to human body.

Transitional System

GROUND FLOOR PLAN

The design borrows ideas from the Greek agoras.

The programs are seen as activity spots just like how different kinds of activities pop up in the agoras. These activity spots in turn guide the circulation paths. Further each activity spot is the most energetic at the centre and fades out as one moves away from the centre, just like the concentric layers of the agora. The circulation path of all the levels are connected to a grand staircase connecting all the three levels.

O F V A R I O U S

SECTIONAL PERSPECTIVE VIEWS

S P A C E S

SECTION A-A

VIEW OF STUDENT SUCCESS CENTER IN THE GROUND FLOOR LEVEL

VIEW OF CAFETERIA IN THE GROUND FLOOR LEVEL

SECTION A-A mezzanine level +16’ 1” Ground level +/- 0’0”

Basement level - 13’5”

Fall 2016

Graduate First Year Industrial Design: Advanced Industrial Design Studio I

Student: Churan Li Faculty: Joseph Velasquez

Interior Architecture: Advanced Interior Architecture Studio I

Students: S. Cherian / S. Jayakumar Faculty: Milagros Zingoni

TROUBLE in paradise

PART ONE: Inventory & Analysis

CHILDREN SHIELD provides free stranger and online safety programs that provide valuable safety lessons to children in preschool, elementary, and middle school.

to be continued... Spring 2017

Statewide Problems Food-Security-Import 90% of food

Animation: The animation is one of a series that teaches lessons for children to be strong and independent. It will have more sections in the future.

Water- Use more than is being replenished Energy-Rely on fossil fuels for 75% of energy

The Hawaiian view is NOT Western view

Climate Change -Is already there

“To understand Hawaiian thought, one must first realize that the Hawaiian truly experiences the world differently.”

“In the Hawaiian view the world is alive, conscious, and able to be communicated with...Man participates in a community with all of the species of nature, a community in which all beings have rights and responsibilities to one another.”

Hawai’i’s Past

TIMELINE SHOWING DISCONNECTION TO LAND 1778

1800

1850

1950

1900

Food Self- Suffic iency

100%

Taro Field

N at iv

e H aw

10%

ai ia n

Po pu

la tio

Last on Waikiki Buried for Development

n

800,000

Pineapple

39,000

Measles, mumps, Smallpox whooping cough, Leprosy influenza

Syphilis Gonorrhea

Tourism

300,000

84,000

Disease

The living land... sees, hears, feels... http://imgur.com/VDIzq81

2050

2000

Fish Pon ds

8M

Bubonic plague Cholera

Exploitation

u To 8,000

3,000

Captain Cook -Sandalwood

Whaling Sugar/ Pineapple

r is

6M 4M

ts

296,000

46,000

20,000 Last sugar plantation closing on Maui

THE DISCONNECT

Explanation of Images

VISION OF THE FUTURE

There were no photographs of the earliest Hawaiian origins, but the image of a taro field above is meant to symbolize the past, when Hawaiians lived closely with nature. Taro fields have been there through it all; they have seen, heard, and felt everything.

Capitalism

After twelve centuries of being undisturbed, Hawaiians experienced the presence of outside influence and westernization. Their vital connection to nature and to the land dissipated as American businessmen expanded their vision of capitalism and profit-making to the islands. This exploitation began in the 1800’s with sandalwood, whaling, sugar, pineapple, and continues with tourism today.

Profits

Local Problem in Waikiki: The Ala Wai Canal

Focus on O’ahu

O’AHU

Hand-outs: During the program, each child will receive a “SHIELD” bag, which contains a notebook with safety tips and a DVD has three safety lessons animations.

Three animations include: 1. Don’t take free candies from strangers. 2. Remember your “SAFE” code. 3. Be brave to say “NO”.

Natural wetland destroyed by greed Drained to develop a world-renowned tourist destination Wetland farmers forced to leave...abandoning livelihoods and ancestral connection to land BEFORE & AFTER- the filling of O’ahu’s wetlands HONOLULU

W = Waikiki District = Watershed

W

Fish Ponds Fish Ponds

Fish Ponds

Palolo - Polluted

BEFORE- MARSH/FARMS

Ala Wai

hly Polluted

Diamond Head

STILL WATER

2016

O’ahu translated— Place of spouting waters

Indictment from Chang Fow,farmer of the former Waikiki Beach area, responding to Hawaiian Dredging Company.

“Salt water escaped into my fishponds and killed all of the fishes in them. Then when my flock of five hundred ducks swarm about the ponds and ate the dead fishes floating in them, they got ill and died at the rate of about twenty to thirty every day until now I have only about a hundred of them left. The ducks died in such number each day that I have not had time to bury them fast enought and in the course of a day or two worms begin to creep out of these carcasses and when my chicken, numbering over a hundred, ate those worms, most of them got sick and perished. It cost me about $2.25 to raise a duck from a duckling up to the time she begins to lay and multiplying 400 ducts by $2.25, I have calculated my loss in ducks alone to be $900.”

Feeser, Andrea.-Chan, Gaye. Waikiki : A History of Forgetting and Remembering. Honolulu, US: University of Hawaii Press, 2006. ProQuest ebrary. Web. 20 November 2016.

Copyright © 2006. University of Hawaii Press. All rights reserved.

Concrete jungle of still, polluted water

Where does a beach come from?

Where does sand come from?

1930’s

1946

1930’s

Active Farming Rice, Taro, PondsFish Ponds Active Farming: Rice,FishTaro,

AFTER-FILLED WITH CORAL REEF

Canal- Hig

Waikiki Beach Tourist Destination

Diamond Head

1920 1920

Fish Pond in Waikiki, 1914

Fish Pond in Waikiki

All 3 Streams Listed as Impaired

Fish Ponds

SPOUTING WATER

1892

Manoa - Polluted

Makiki- Polluted

Palolo Stream

Manoa Stream

Makiki Stream

1914-1915

The Moana Hotel

Farms and Fish Ponds are gone Ala Wai Canal

Dredging through Coral Reefs The Royal Hawaiian

The Moana Hotel

The Moana Hotel

-2nd hotel on Waikiki

-First Hotel on Waikiki

Where does the watershed drain now?

Figure 23. Aerial photo looking toward Diamond Head, 1946; Cassidyʼs Point, lower left and Fort DeRussy, 1946. Note dredged channel in front of Fort DeRussy. (From Isaacs, 1946.)

DeRussy can be seen on the right side of the aerial photo, Figure 7.

In 1929 an experiment was made to pump sand from the reef flat to the beach here, using a centrifugal pump and a pipeline about 600 feet long (Crane 1972).

The experiment worked, but was discontinued as the equipment was not of sufficient size to be efficient.

built in 1917 at the easterly boundary, can be seen at the top center. The beach, about 1,800 feet long, was made with about 82,000 cubic yards of dredged coral material and concrete debris. Unwashed crushed coral sand was used to cover the fill (Thompson 1985). During construction Waikiki was subject to high winds and waves by a storm on 13-14 January 1970; but there was no damage to the beach or to construction equipment (Yoshimoto 1970).

In 1976, a two-foot layer of quality sand was placed on top of the beach (Thompson 1985). Beach maintenance was done in 1981, in 1987, and again in 1994 (following Hurricane Iniki) (USACE, Honolulu District 28 February 1975; 5 May 1975; 23 May 1975; 2 June 1975; 1987; 1993).

Streams now flow to man-made, concrete Ala Wai canal—they sit stagnant, collecting pollutants Fort DeRussy Beach. An aerial photo looking toward Diamond Head from offshore Cassidy’s Point shows Fort DeRussy in 1946, Figure 23. Compare this with the 1999 aerial photo, Figure 7.

TOXIC CANAL

In Thompson’s book (1985) on the history of the Corps of Engineers in the Pacific, he says the “pulverized coral that had been laid down in the 1960s had compacted into a hard surface, more like an airfield than a beach.”

Pa lo

lo

Manoa

Tune (1975) said:

Page 22

-2,500 Storm Drain Inlets -All 3 streams listed as ‘impaired’

phthalates, PCB’s

SEDIMENT

bentazon-herbicide phosphorous

nitrogen

dieldrin-pesticide

leptosporidia and fecal contamination

ala wai canal EPA listed Mamala Bay as

Mamala Bay

pollution to coral reef

gasoline

chlordane-pesticide

polluted ala wai canal

Waikiki Beach

Posters:

WATER IS DISCONNECTED FROM THE LAND

TRACE METALS CLING TO SEDIMENT

Enlarged Sediment

having poor water quality due to sediment load

sewage

Shore & Beach Q Q Vol. 76, No. 2 Q Q Spring 2008

ted llu po of s m w flo syste y cit m elo ea h-v str hig ter in wa pollution to aqifer

-Impaired Water Quality

and reefs

Badges: Each child will receive a badge once they finish the safety program.

early 1970s the Corps’ spent Urbanization more“Inthanthe$1,000 Forest Reserve a month to scruff up (sic, Duke Kahanamoku Beach and Lascarify) the coral three times a week...the streams act as pollution (originally Kaiser) Hamachine looks like a freshwater tractor with a giant goon; lossHilton and erosion comb dragging at the rear.” Later, the cost waiian Village. This 1,000-foot-long concave shaped beach and lagoon are beincreased to $1,500 a month. transports -Water does not slow and infiltrate as nature intended

Ala Wai Canal

there are 2,500 drainage outfalls in the urban area that transport polluted water to streams

Mamala Bay

A concrete box culvert/groin is between Fort DeRussy and the former YWCA (site of the present Waikiki Shore Apartments); at the easterly (“Diamond Head”) boundary of the military reservation. The culvert runs along a 10-footwide easement. According to Crane (1972) the concrete storm drain, which was originally built in 1917, was lengthened from 70 feet to 300 feet in 1969, and a rubble-mound/stone-face groin 160 feet long was build against the westerly side of it in 1969. The date 1969 is in error, as owing to a delay, the rubblemound groin was not completed until July 1971; the crest elevation is +7 feet above MLLW (USACE, Honolulu District 25 Jan. 1972).

High velocity, high erosion, low infiltration

these 3 streams act as vessels that carry polluted surface water from urban areas to the ala wai canal Makiki

According to AECOS Inc. (1979), in 1971 a thick layer of silt formed over the shallow reef flat off Fort DeRussy after the crushed coral had been placed on the beach.

Urbanized Ala Wai Watershed

The early work at Fort DeRussy has been described in a previous section. In 1957 “one severe storm caused the beach to virtually disappear” (USACE, Honolulu District 5 May 1975). A postcard of an aerial photo of Fort DeRussy, circa 1967 (Dexter Press), shows four groins with evidence of alongshore transport of sand towards “Diamond Head.” According to Crane (1972) the groins were removed in 1970. In 1969 a beach construction project was authorized, which was done in 1970. This beach was built -Trash, Pollutants, Nutrients in front of the seawall. An aerial photo -No circulation, stagnantof the work underway is in Figure 24.

The box culvert and groin, which was

beach closures from sewage 2015

lead

uranium

arsenic

barium

Watershed Before Development

2006

Low velocity, low erosion, high infiltration

FLOODING -Climate Change as Driver

Ala Wai Canal

Streams act like streams

-There is no Ala Wai canal in a healthy watershed

-Carry excess surface water to lower elevations without climax

Forest Reserve Ua (rain) falls on forest floor and seeps in -Water is slowed and infiltrates as nature intended

-Heavily vegetated banks, low erosion -Support great plant, marine biodiversity -Are sacred vessels that transport and clean water

Toxic water from canal is unleashed, mobilized in the city

Mamala Bay -Healthy coral reef -No sedimentation

Springs -Supply fish ponds with clean water

Rainwater seeps through soil and rock to form an underground aquifer

excess water that didn’t soak into ground drains to ocean

39% of population live in flood hazard area 46% of people defined as ‘total poverty’ live in this inundation area

Ahupua’a Watershed

w

Ha

ver

e

Tim

46k

15k

20k 8k

3k

WATER TABLE DROP

sO

urist

To ai’i

1946

1951

1928 1917

1900 Moana Hotel opens

Waikiki Growth

6.7 M 8.3 M 4.25 M 2015 296k 1998 1984 Waikiki is the number 2 hotel city in 1960 the nation, second to NYC

News reports call Waikiki a “concrete jungle” because of its 120 high-rises (28 more on the way)

Airline service between Honolulu and 87 U.S. cities Building boom begins

WAIKIKI GROWTH

1880 42 Ft

Water Table

1990

Park Beach Hotel -1st hotel to open

Beijing No.1 preschool, room 204

Beijing No.1 preschool, room 204

22 Ft

Matson Navigation -Transports sugar and tourists

Water Table

CONTACT US

Sea Level

Tel: 710-816-8056

Email: childrenshield@gmail.com

www.childrenshield.com

CONTACT US

Tel: 710-816-8056

Email: childrenshield@gmail.com

www.childrenshield.com

WATER TABLE DROPS 20 FEET

Data from composite of wells in Honolulu

Landscape Architecture: Advanced Landscape Architecture Studio I

Students: K. Antkoviak / O. Bracamontes / L. Gibbons / N. Knoebel / J. Lee / C. Li / C. Ruggiero / N. Weller / C. Willie Faculty: Chingwen Cheng

Visual Communication Design: Advanced Visual Communication Design Studio I

Student: Mingyang Li Faculty: Danielle Foushee

Graduate Final Year Architecture / Industrial Design / Interior Architecture / Urban Design / Visual Communication Design: Adv. Architectural Studio III / Adv. Industrial Design Studio III / Adv. Interior Architecture Studio III / Adv. Urban Design Studio III / Adv. Visual Communication Design Studio III

Students: L. Bian / Y. Cao /H. Hong / C. Li / P. Pandeya / A. Roberts / R. Roshani / C. Sauey / S. Tang / Y. Tang / S. Thanawala / Y. Tian / Z. Wang / D. Williams Faculty: Darren Petrucci

KOSOVO Informal Settlement Redevelopment

OF PHENOMENAL EXPERIENCES

Settlement GROWTH

Community Garden

SECTION A-A

“SEQUENCE” ADAPTIVELY REUSES THE PHOENIX SEED AND FEED BUILDING, STRIVING TO ENRICH THE CONTEXT WITH A DEDICATED PLACE THAT ENCOURAGES A QUIET, REFLECTIVE ENVIRONMENT SUITABLE FOR STUDYING, GROUP MEETINGS, CONVERSING, LEARNING, AND NURTURING THE SPIRIT THROUGH ART AND NATURE.

ARTISTS’ WORKSHOP 5

GALLERY

DERIVED FROM MY OBSERVATIONS IN VENICE OF WHAT PHENOMENAL ELEMENTS INFLUENCED INDIVIDUALS TO REST, LOOPS OF SPACES ARE PUNCTUATED BY: LIGHT/VIEWS, THE UNEXPECTED, PROMPTINGS OF MOVEMENT, AND ENVIRONMENTAL CONDITIONING. A

A 4 1 2

PROMPTINGS OF MOVEMENT ENVIRONMENTAL CONDITIONING

2015 Site • Land Area: 7500 sqm • Western section of Kosovo • Includes main access road • Housing: ~150 units

Site LOCATION

THE “UNEXPECTED” MANIFEST AS PODS WHICH FACILITATE THE COMMUNITY’S FLUCTUATING PROGRAMMATIC NEEDS: MEETINGS, STUDY SESSIONS, YOGA CLASSES, WORKSHOPS, PRESENTATIONS, ETC.

1999 2001 1992 2008 The Kosovo Informal Settlement is located within the Phillipi Township, in the Cape Flats west of the Cape Town, South Africa Downtown Area. It is one of the oldest and most dense informal human settlements. Settlement began in 1998. Citizens began moving here in search of new economic opportuinties and a better life. Kosovo has a land area of 28 hectares with approximately 26,000 people within 6,500 households.

PLANT NURSERY

LIGHT/VIEWS CAFE

THE UNEXPECTED

3

SITE PLAN

N

Cape Town Metropolitan

Kosovo Informal Settlement

Phillipi Township

19’

Site DEVELOPMENT

22’

26’

22’

67’

19’

Phase 1

Phase 2

26’

67’

Phase 3

ROLLER SHADE/ PROJECTOR SCREEN

BOARD FORMED CONCRETE

4” RECESSED LIGHTS, SQUARE TRIM SPRINKLERS ON 16’ GRID

PEGBOARD W/ ADJUSTABLE PEGS

Housing PLANS

The residents of Kosovo face many developmental needs. They need decreased crowding, suitable and safe housing structures, effective waste disposal and removal, mitigation of destruction from fires and flooding due to extreme density, as well as opportunities for economic development and employment.

ANODIZED ALUMINUM CLADDING

268’

134’

134’

Second Floor

Second Floor

Second Floor

Phase 4

268’

= Housing Units

The Site development was created in a sequence to allow for both housing and outdoor space within each land plot. As the plot phases are pieced together they create communitiy spaces at multiple scales.

Second Floor

12’

12’

9’

9’

POD SIGNAGE Ground Floor 22’

22 ’

PRIVACY SCREENS

24’

24’

Scale: 1/6”=1’

CONCRETE FLOORING

PERFORATED SCREEN GUARDRAIL, SQUARE METAL HANDRAIL

PERIMETER DIFFUSERS AND OUTLETS

Main Street- Nighttime

POD SIGNAGE (POWDER COATED METAL, ANODIZED ALUMINUM, LED HALO LIGHTING)

Ground Floor

Ground Floor

Ground Floor

ADAPTABLE FURNITURE

POWDER COATED METAL FURNITURE FRAMES IN FOUR SIZES, PINE BLOCKS IN DIFFERENT LENGTHS FOR VARIOUS SURFACES (SEATS, SEAT BACKS, TABLETOPS, ETC.)

FURNITURE ASSEMBLY

Community Recreation Field

POWDER COATED METAL BENCH FRAMES, BACK AND SEAT MATERIALS VARY (CONCRETE OR PINE) BY LOCATION

Site IMPLEMENTATION

Community Space between Homes

Housing Development - Nighttime

5

6

7 4

1 2

Upgrading will be implemented in 7 phases.

The site is split into 7 clusters and will be redeveloped by cluster.

Housing SECTIONS

3

Focusing on the redevelopment planning goals of creating housing units with 1:1 water and sanitation services, providing multiple plans for differing family size, area for growth and expansion, as well as meet the existing on site housing needs.

Wall Section A

Fall 2016

Scale: 1/6”=1’

Wall Section B

Scale: 1/6”=1’

Graduate Final Year Architecture / Interior Architecture: Advanced Architectural Studio III / Advanced Interior Architecture Studio III

Student: Cathleen Kebert Faculty: Jose Bernardi

Architecture / Landscape Architecture / Urban Design: Adv. Architectural Studio III / Adv. Landscape Architecture Studio III / Adv. Urban Design Studio III

Student: Nicolas Ansara Faculty: Edward Cook

ANT PATH

BACKGROUND & PROBLEMS

“Human can use higher cognitive function to combine information from a range of source...�

As part of the design team of Arizona State University, we are extremely excited to join in the trip to visit Venice from September 1st to September 9th in 2016. Tourism is all over the Venice. people crowded together, talking in different languages. People may not know each other, but everyone enjoyed the feeling of getting lost in the narrow alleys and exploring the exquisite accessories, amazing handicrafts, and delicious food. In Venice, it is easily to get lost in the complex landscage. Tools such as Gps, and Google map, didn't help at all. To improve the experience of way-finding in Venice, and to explore a new and exciting method of way-finding, I researched about biomimicry and designed a phone application to solve the way-finding in a place that has no Internet connection.

-- Michael Gross A science writer

BIOMIMICRY INSPIRATIONS Life's Principles

Functions

Primary

Primary Navigate without wifi.

Secondary

Secondary

Be resource efficient.

Be locally attuned & responsive.

Use low energy processes.

Use feedback loops.

Save time for visitors.

Give cues to location.

Monarch Butterfly

Desert Ants

Drosophila Fly

Count their steps to define distance

Follow their nose

Communicate by vibration

Communicate by sound

Sense the carbon dioxide to find home

Feel the magnet force

Feel the magnet force

Feel the magnet force

Migratory Birds

:RQ¡W LQIOXHQFH E\ WKH FKDQJH RI HQYLURQPHQW but their length of leg.

Make olfactory marks Look around

ANT PATH

Design your sense map.

Enjoy your way finding by impressively experiencing the city.

Based on human cognition, ANT PATH combined color and landmark with human sense to create new way-finding method.

ICON DEVELOPMENT

COLOR CHOICE

START

User name

FEEDBACK

Back

TEXT

Next

UI & UX DEVELOPMENT

CHOSE ONE SENSE TO EXPERIENCE. FOLLOW THE SENSE LANDMARK TO EXPLORATION. DESIGN YOUR LOVE

DESIGN YOUR OWN SENSE MARK.

TEXT(MAX 4 LETTERS)

Sense choice page

Navigation page

Design-your-like page

Back

Back

LOADING YOUR DREAM CITY. User name

LOG IN FOR MORE INFORMATION.

FEEDBACK

:H¡G OLNH KHDU IURP \RX

Password

SEND FEEDBACK TO HELP US IMPROVE.

Or login via facebook

START

Loading page

Log in page

SEND

Feedback page

ANT PATH

Design your sense map.

Architecture / Industrial Design / Visual Communication Design: Adv. Architectural Studio III / Adv. Industrial Design Studio III / Adv. Visual Communication Design Studio III

Student: Zhiyang Li Faculty: Michelle Fehler

Architecture / Industrial Design / Interior Architecture / Urban Design / Visual Communication Design: Adv. Architectural Studio III / Adv. Industrial Design Studio III / Adv. Interior Architecture Studio III / Adv. Urban Design Studio III / Adv. Visual Communication Design Studio III

Students: L. Bian / Y. Cao /H. Hong / C. Li / P. Pandeya / A. Roberts / R. Roshani / C. Sauey / S. Tang / Y. Tang / S. Thanawala / Y. Tian / Z. Wang / D. Williams Faculty: Darren Petrucci

Unfolding Aalto's Stairs View-section on stairs & plan

Library in National Pension Institution

PATIENT ROOM

STANFORD CHILDREN’S HOSPITAL NETWORK

Saynatsalo Town Hall

A NEW PERSPECTIVE ON CHILDREN’S HEALING ENVIRONMENTS

JAPAN EXPERIENCE THE FOCUS OF THIS STUDIO WAS ON UNIVERSAL DESIGN - DESIGN INCLUDING EVERYONE. WE BEGAN BY TRAVELING TO JAPAN TO STUDY THE JAPANESE CULTURE AND HOW THEY ARE UTILIZING DESIGN AS A TOOL TO INCORPORATE UNIVERSAL DESIGN INTO THEIR EVERYDAY LIVES. THE CONCEPT OF THE PROJECT WAS INSPIRED BY THE NATURALISTIC ENVIRONMENTS WE VISITED IN KYOTO AND THE IDEA OF A TREEHOUSE BEING AN OASIS FOR CHILDREN RECIEVING CARE. Aalto's House

Stories on Site

Enclosure Categories

Intimacy

Vacillation

Privacy

Extimacy

500 PHOTOS CLUSTERED INTO THE SEVEN UNIVERSAL DESIGN PRINCIPALS

BUILDING A BRAND

PANTONE P 1-1 U RGB 253, 248, 225

PANTONE 2288 C RGB 200, 227, 121

PANTONE 2323 UP RGB 184, 178, 152

PANTONE 10321 C RGB 95, 164, 48

CONCEPTUAL FRAMEWORK

BRAND ESSENCE COMFORT + BRAND PROMISE

EM

CHILD

ENT

M

O V

A CHILD’S EXPERIENCE THROUGH A HEALING SPACE

W AY

N

URBA

ING ND FI

PATTE RN

TURE -> NA

INTERA

C

T

NS IO

BRAND TAGLINE

PANTONE 2266 CP RGB 45, 86, 40

Modification from typography

CONCEPTUAL FRAMEWORK

NATURAL

“To provide a comfortable and naturalistic healing environment for patients and families to receive care at ease.”

PANTONE 2470 UP RGB 160,143,120

Combination

XIB

ILIT

Y

Unfolded Section 1-1 RE

TEXTU

FL

E

“Care Among The Trees Leaves Patients With Ease”

Site Plan 1/64"=1' MATER IAL

ITY

SKETCHES + DOODLES

Section 2-2 1/16"=1'

South Elevation 1/16"=1'

PLAN PATEINT PREP

OPERATING ROOM OPERATING ROOM

OPERATING ROOM

OPERATING ROOM

East Elevation 1/16"=1'

MOTHER’S ROOM

Plan 1/8"=1'

WOMEN’S LOCKER ROOM

RECEPTION

WOMEN’S RR

STAFF LOUNGE

MEN’S LOCKER ROOM

MEN’S RR

RECOVERY DOCTOR LOUNGE

RECEPTION

DOCTOR OFFICES

PATIENT ROOMS

PATIENT ROOMS

HEALING GARDEN

^ N

MODEL

CORRIDOR LEADING FROM SURGERY TO PATIENT ROOMS

MATERIAL SELECTION WC-1

HEALING GARDEN

LVT-1

WC-2

PT-6 PT-5 PT-4 PT-3 PT-2 PT-2

CPT-1

LVT-2 CPT-2

SS-2

SS-1 AM-1 AM-2 AM-3

U-1

U-2

U-4 U-6 U-3 U-5 R-1

PL-3

RB-1

PL-1

PL-2 RB-2

CHILDREN’S LEAF INSTALLATION

Fall 2016

Graduate Final Year Architecture / Industrial Design / Interior Architecture / Visual Communication Design: Adv. Architectural Studio III / Adv. Industrial Design Studio III / Adv. Interior Architecture Studio III / Adv. Visual Communication Design Studio III

Student:Katie Andes Faculty: John Takamura

Architecture / Industrial Design / Interior Architecture / Urban Design / Visual Communication Design: Adv. Architectural Studio III / Adv. Industrial Design Studio III / Adv. Interior Architecture Studio III / Adv. Urban Design Studio III / Adv. Visual Communication Design Studio III

Student: Xueke Yang Faculty: Claudio Vekstein

SPRUNG FROM THE DESERT

this project is based on the immigration to the cemetery. the site is working diagonal and natural movement of the people. it is a reflection of the path without restriction that the immigrants took. the history center in located in the middle of the diagonal movement. people going to the cemetery will only get a glance of the building through the large windows so they will be tempted to visit. a cemetery without graves is nothing. to represent the importance of those who are buried there the grave area is above the path.

peering into reflection space and columbarium

ORIGINS:

view from entry, facing south

Collective Movement

This project commemorates the generations who have come and left their mark on Phoenix by exploring the path our city traversed to become what it is today.

Divided into two components, the site guides the visitor on a journey from the lively, transparent history center to the deepest level of reflection: the heart of the memorial space.

diagramming :

programming : protect

1 . history :

a

north elevation

reflect

a

b

b perceived

open

reality

remember

west elevation

2 .

section aa concept

users

an experience

enclose

section bb

3 .

b

roof diagram

order

control

c s.1

c

access

a

a

2

3

40 42

s.2

b

s.2

section cc

the reflection space is for people to go and have a moment of peace. the roof is 1 foot from the walls to let light come in. there are columns inside the building but only 7 of them are supporting the roof. most of them are 5 or 6 feet in order to create a feeling of presence. the rest are less than 2 feet to be used as seating.

s.1

4

8

16

32

roof plan 1/128” = 1’-0” 1 / 16 “ = 1 ‘ - 0 “

site plan 1/16” = 1’-0”

section 1

section 2

view of history center, facing northwest

walking through memorial space

Spring 2017

Undergraduate Second Year Architecture: Design Fundamentals IV

Student: Adrian Castro Martinez Faculty: Claudio Vekstein

Architecture: Design Fundamentals IV

Student: Christina Lufkin Faculty: Elizabeth McLean

KAIBAB

TRAIL RUNNING SHOE

Opus One Sketching

Study Models

Final Model

Industrial Design: Imaging & Visualization

Student: Brian Skeet Faculty: Scott Reeves

Industrial Design: Industrial Design II

Student: Luke Ayala Faculty: Joseph Velasquez

SUMMI T LIGHT WEIGHT PORTABLE CAMPING STOVE

RESEARCH

INSPIRATION

Summit is a Lightweight Portable Camping Stove that is designed to heat water within considerable amount of time with less fuel. As an avid hiker, I know the importance of staying mobile and light. Every hiker knows that every ounce counts when you are in the backcountry. When you need less fuel to boil water, you have to option of carrying less weight.

MSR REACTOR STOVE Average Boil Time: 2.5 minutes Capacity: 1 Liter Weight: 13.5 Ounces Heat Transfer: Radiant heat with Little to no direct flame contact.

JetBoil Micro Cooking System Average Boil Time: 3 minutes Capacity: 0.8 Liter Weight: 12 Ounces Heat Transfer: Direct flame contact.

IDEATION

FORM DEVELOPMENT The handle of the Summit Portable Camping Stove is inspired by the Art Deco Streamline era with a twist of Diesel Punk. This gives movement and character to a product that is normally a static structure.

MODEL MAKING

FINAL MODEL

PORTABILIT Y DUAL INJECTION PLASTIC HANDLE

POWDER COATED ALUMINUM CUP

LIGHTWEIGHT SILICONE LID

ANODIZED ALUMINUM BURNER GUARD

E X PA N S I V E M E TA L MESH BURNER

Undergraduate Second Year Industrial Design: Industrial Design II

Student: Anna Bodney Faculty: Roozbeh Valamanesh

Industrial Design: Industrial Design II

SUMMIT portable camping stoves are designed to set up and break down in a few easy steps.

The cup also has a capacity to boil 32oz of water.

2

The cup can be removed from bottom base burner without unscrewing but still remain secure in uneven terrain.

3

The bottom base burner can be stored in the main cup container for easy packing and storage.

4

8OZ BUTANE FUEL CANISTER

Spring 2017

1

Student: Brian Skeet Faculty: Joseph Velasquez

The SUMMIT portable camping stove is designed to be portable, lightweight and easy to use.

Welcome to

THE

Alleyway THE Design

This boutique hotel project was based on the specified site, which is located on the Southeast side of Phoenix, Arizona.

Currently only the steel beams are left of the building marking the previous existing building. Only the lobby and restaurant was built within the existing site and all the extra space were built as in addition to utilize the given overall site spaces. South Mountain is located South of the structure and Baseline Road is located North of the site. Due to its recent renovation, separation between the low-income households and the newly renovated million dollar houses were distinctly noticeable, losing the most cherished idea of community around the area.

The Alleyway is a destination for travelers and locals enjoy the heart of Downtown Phoenix – The Arts District. Whether it be to enjoy a quick snack at the loud and vibrant restaurant or relax at the quiet boutique hotel, visitors will surely have a unique experience. The Alleyway features an industrialized aesthetic with hints of softness. The design inspiration came from exploring Downtown Phoenix. Walking around the site, I was inspired by the various combinations of old and new buildings. Materials such as metal, wood, and concrete dominate the urban landscape, but nature always has its way.

Little moments of nature constantly peek through cracks in the pavement. Due to the weeds and flowers, suddenly the cold, hard road became a bit warmer – like an alleyway.

The Alleyway’s main idea is to focus on the natural beauty found within an industrialized society.

THE ALLEYWAY

Concept: Remembering the importance of this neighborhood’s community, the hotel was built resembling the idea of a beehive. The surroundings of the hotel can be compared to the beehive; it may seem a bit dangerous and unsafe. On the other hand, the hotel can be seen as the honey, which is the crown and jewel of the neighborhood and ultimately gathers the community together. The Hive is a boutique hotel that was created as a celebration of the idea of community. Mimicking the interaction between honeybees, and through researching the importance of the community in their survival of nature, I desired to create a hotel that truly cherishes and believes in the importance of community to bring the surrounding diverse neighborhood together.

Hidden Gem: Hive is created to highlight the beauty of Phoenix’s scenery that is often concealed by the fact that it is located in the Arizona’s desert.

N

Synergistic: Hive unites old traditional raw, unpolished material with new technology to produce a combined effect that is greater than the sum of its individual effects.

RESTAURANT

Communal:Hive celebrates the true importance of community.

Organic: Hive appreciates and utilizes the local organic products.

HOTEL

Adventurous: Hive encourages people to adventure its surrounding.

THE ALLEYWAY OVERVIEW

Legend

South Mountain +12'-1"

+12'-1"

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L2

L10 L1

Bamboo Wood

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L6

L2

L6

L8

L10

L3

Bathroom

L1

L1

L1

L1

L1

L1

L1

L1

Manager's office

L2

+12'-1"

+12'-1"

L2 L5

L1

L1

L1

L3 L2

L2

L2

L1

L1

+12'-1"

Red Brick L1

L1

L1

L9

L2

L10

Bathroom

L2

L2

L10

Lobby

L9

L6

L2

L6

L6

L1

L1

L1

L1

L1

L1

L1

L9

Kitchen

Restaurant

L9

L1

L1

L5

The restaurant provides an energetic and vibrant atmosphere. Saturated colors such as poppy orange, blue, and shades of green can be found throughout. The furnishings mirror the industrial aesthetic with the occasional mixed and matched pieces as if one were to find a random chair on the street and bring it home. Large open windows and star-like lighting give the outdoor effect of an alleyway. Traces of greenery soften the space.

L9

L9

Secret Garden Bar

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L1

L4

984 sq ft

L5

L1

L1

L1

L1

+14'-10"

L9

+14'-10"

12"x12" Tile

Ipe Wood

Room 106

Room 102

333 sq ft

333 sq ft

05 Secret Garden

Room 101

Room 105

1040 sq ft

333 sq ft

Room 103

SCALE: 1/32” = 1’0”

the loud Restaurant

10"x 24" Wood

Enlarged Lobby/ Restaurant RCP -

SCALE: 3/16" = 1'-0"

5"x5" Mosaic Tile

Room 107

333 sq ft

333 sq ft

333 sq ft

Manager's Office 57 sq ft

Community Garden

Community Garden 155 sq ft

155 sq ft

Bathroom Bar

38 sq ft

Room 104

Room 108

130 sq ft

333 sq ft

UP

333 sq ft PU

Bathroom 38 sq ft

Elevator/Stairs

Elevator/Stairs

L1

157 sq ft

157 sq ft

L1

Bathroom

Kitchen N.I.SI

L1

+10'-6"

527 sq ft L1

L1 L1

Janitor's Closet

Janitor's Closet

176sq ft

176sq ft

L1

L1

N

TAG-FIXTURE FIXTURE NUMBER - MULTI-LEADER

L1

L1

Bedroom +10'-6"

L1

L1

L1

L1 L1

L1

L1

ENTRY

+10'-0"

L1

Baseline Road

-

SCALE: 1/16" = 1'-0" JOYCE CHOI 331 N BRIDLEGATE DR. GILBERT, AZ 85234

Lobby

Bathroom

403 sq ft

38 sq ft

PU

Kitchen N.I.S 527 sq ft

Entry

Waiting Area

Indoor Dining

113 sq ft

81 sq ft

533 sq ft

Room 102

Secret Garden Bar

333 sq ft

984 sq ft

333 sq ft

333 sq ft

Community Garden 155 sq ft

Room 104 333 sq ft

DINING

RESTAURANT ELEVATION

UP

Lobby

Outdoor Dining 224 sq ft

JOYCE CHOI 331 N BRIDLEGATE DR. GILBERT, AZ 85234

Room 101 Room 103

4377 East Baseline Road Phoenix, AZ 85042

57 sq ft Bar 130 sq ft

4377 East Baseline Road Phoenix, AZ 85042

38 sq ft

Enlarged Lobby/ Restaurant Floor Plan

Manager's Office Bathroom

Enlarged Amenity Floor Plan

01

SCALE: 1/8” = 1’0”

NORTH

RESTAURANT FLOOR PLAN

Overall Site Plan

403 sq ft

Elevator/Stairs

REVISIONS

157 sq ft

REVISIONS

Secret Garden Room 101

1040 sq ft

333 sq ft

DATE:

05.05.2017

SCALE:

-

1 8

Enlarged Hotel Room Floor Plan -

SCALE: 3/16" = 1'-0"

DATE:

05.05.2017

SCALE:

3 16

"=1'-0"

JSC

JSC

PROJECT NUMBER:

PROJECT NUMBER: SHEET:

"=1'-0"

DRAWN BY:

DRAWN BY:

SCALE: 1/8" = 1'-0"

001

04

ID 102

Enlarged Amenity Floor Plan -

SCALE: 3/16" = 1'-0"

NORTH

Enlarged Lobby / Restaurant Floor Plan

NORTH

02

03

SHEET:

004

ID 104

BAR RESTAURANT SECTION CUT

The quiet Hotel The hotel provides a quiet and relaxing atmosphere for guests who want to get away from the busy scene. The hotel palette features muted tones and softer, more comfortable furniture. Found materials are worked into the fixtures. Grey carpet tiles replace the concrete flooring to give a more inviting feel with similar aesthetics.

Lobby Interior

N

Bar Interior

HOTEL FIRST FLOOR PLAN

HOTEL ELEVATION

SCALE: 1/8” = 1’0”

N

HOTEL SECOND FLOOR PLAN

HOTEL SECTION CUT

restaurant Interior

LOBBY

Secret Garden / speak easy bar Exterior

HALLWAY

Hotel Room Interior TINY ROOM

TINY BATHROOM

Interactive Adjustable Hexagon Table:

Night table/ Bench Concrete night table that continues as a bench to create a sitting space while maximizing the space.

The community table was custom made for this hotel so that the height of the tables can be adjusted depending on the person’s need. This was purposed to create a sense of personalization for the users in the midst of community living.

Night table/ Bench This custom-made furniture is a bed stand that continues as a bench on the side of the room.

The custom night table/bench was made to maximize the space. Seatable spaces are found with linen cushion covers.

Interior Design: Interior Design Studio II: Hospitality

Logo: Each of the small triangles represents a different individual and his/hers own uniqueness. These triangles are all placed inside the hexagonal shape to show that even though everyone is different they come together to create one big community.

Student: Joyce Choi Faculty: Dala Al-Fuwaires

SUITE

Interior Design: Interior Design Studio II: Hospitality

SUITE’S BATHROOM

Student: Thao Ngo Faculty: Brie Smith

SIMPLE OBSERVATION EXPERIENCE WHEN THE NIGHT COMES TO LIFE WESTERN SCREECH OWLS AT MOEUR PARK

site: Moeur Park

circulation

elevation

vegetation

VISION The Western Screech Owl Observatory at Moeur Park is a project created for the use of both humans and Western Screech Owls during the hours of both the day and the night. By revitalizing an area encompassing riparian, bosque, and wash ecologies, and by utilizing a native plant pallet, the Observatory will be a sanctuary for Western Screech Owls in an otherwise dominantly urban environment. The project focuses on contrasting night and day experiences to introduce visitors to the intriguing nocturnal life of the Western Screech Owl and the beautiful desert world that comes to life at night.

Design Subject: The American Ketrel perch hunting – least strenuous (in terms of energy output) and most utilized method of hunting; searching for prey from a perch (tree, telephone pole, tall structure etc.)

The American Kestrel is the smallest bird of prey specieS in north america (beside owls). tHEY are found in a wide variety of habitats, including grasslands, meadows, deserts, and other open to semi-open regions

GOALS 1. Enhance the natural riparian, bosque, and wash ecologies within the habitat.

2. Emphasize the contrast between natural and urban environments.

3. Create a space that appeals to visitors of all ages.

4. Inspire interest about the Western Screech Owl species.

5. Expand the visitors’ ideas of perception of the site in the day versus the night.

Kestrels are Cavity nesters; they Generally prefer natural cavities (such as in trees) with closed tops and tight fitting entrances are preferred, as to provide maximum protection of the eggs and young.

Nesting boxes are also commonly utilized.

Kestrels have a wide ranged diet, consisting of: insects (grasshoppers, beetles, dragonflies etc.), small mammals, (mice, ground squirrels, etc.), small birds, and sometimes lizards, small snakes, and amphibian

WESTERN SCREECH OWL

Design: Observation Structure Distanced yet Encompassing Serene yet Wild

the primary goal of this project is to develop and provide a suitable habitat that successfully attracts and supports not only the needs of the American Kestrel, but also the many and diverse prey species that it relies on.

These are a couple of the descriptions of this project. Just as an admiring individual is separated from the American Kestrel, through the designed habitat the viewer is encompassed and indwelled in the serenely quiet, yet wildly breathtaking experience through the daily living of the very small, but fierce bird of prey.

Elevated Nesting structure

Boulders

OCOTILlo

shade structure

Habitat chosen for location by five main trails, and bosque, riparian, and wash ecologies.

Roost in cavities in deciduous trees, specifically the Cottonwood, or in saguaros in a desert environment. They exist in riparian, bosque, and wash ecologies.

native veg.

THE OBSERVATORY Trail system includes four external resting areas with benches and shade.

VIEW OF NEST

0

40

0

80

Observation structure

terraced SEATING

PALO VERDE

agave

8

Night garden contains native plants that flower only at night.

Slightly winding pathways mimic the mysterious and curious nature of the night. Trails were also influenced by the fascinating vein structure of the owl, which allow them to turn their heads so far without injury.

E-W

vIEW OF PERCHES

Loma del rio

Moeur Park is a southern extention of Papago Park, located to the east of Mill Avenue and north of Red Mountain Freeway in Tempe, Arizona.

Sound is extremely important to their existance. Their unique ping-pong-like call is used for communication and mating purposes, and hunting is focused on hearing rather than spotting prey.

The Secondary goal is to provide an environment for the (human) viewer that is interactive while at the same time giving the distance needed for the comfort levels of the kestrels and their prey.

Perching structures

CONTEXT

Small compact owl averaging nine inches tall with bright yellow eyes and grey, brown, or rufus coloring.

16

Brittle bush

Section WE

Northern observatory focuses on learning about the hunting habits of the Western Screech Owl and is angled down over the main hunting habitat.

Exploration garden contains elements of scale and interactive structures that explore how sound works.

E-W looking west down from entrance

0

20

Southern observatory focuses on the nesting and mating habits of the Western Screech Owl and is slightly angled up into the trees.

40

scale: 1”=40’

N

Smallest arch stands at 12’-0” tall and 1’-6” thick.

Height gradually increases down the slope until the tenth arch at 27’-0” tall.

Materials

Structure mimics the surrounding rock formations in Moeur Park or sound waves, which Western Screech Owls rely on for hunting, mating, and communication.

Boulders

The heavy material has a secure feeling, but separate arches allow for openness and a view of the stars at night.

Mimicking the large rock formations in the park

looking east up to front of observation structure

Two structures proposed to represent the social monogamus nature -mating for lifeof Western Screech Owls.

CONCRETE

Structure contains solar powered information boards and night vision telescopes to survey habitat at night.

E

Used for the amphitheater seating and the ground plane of the structure

PLANT PALETTE Riparian/Bosque Populus fremontii|Fremont’s Cottonwood| Prosopis pubescens|Screwbean Mesquite| Prosopis velutina|Velvet Mesquite| Night Bloom Carnegiea gigantea|Saguaro| Peniocereus greggii |Queen of the Night| Stenocereus thurberi|Organpipe Cactus| Wash Habitat Lycium fremontii|Fremont’s Desert Thorn| Parkinsonia microphylla |Yellow Palo Verde| Salix lasiolepis |Arroyo Willow|

MATERIALS Rusted Steel for the arches of the main structure.

W

Decomposed Granite walkways

Rammed Earth benches

COR-TEN STEEL Weathered steel used for thEshade structure, also mimicks therusty red of the kestrel

0

4

8

scale: 1”=8’

S

Section NS

GABION Looking west out to nesting structure

BLUE RIVER ROCK IN THE GABIONS MIMICK THE FADED BLUE COLORS OF THE KESTREL

Night Garden

Path

Observatory

0

Path

Section WE

Habitat

8

16

scale: 1”=16’

PLANT PALLETE native vegetation used around the structure consist of PARKINSONIA MICROPHYLLA Encelia farinosa, Fourquieria splendens, echinocactus grusonii, and agave sisilana

Wash

Night Garden

Observatory

Habitat

Path 0

4

8

scale: 1”=8’

Spring 2017

Undergraduate Second Year Landscape Architecture: Design Fundamentals IV

Student: Dylan Mayo Faculty: Allyce Hargrove

Landscape Architecture: Design Fundamentals IV

Student: Katryn Squyres Faculty: Denise Dunlop

Visual Communication Design: Typography

Student: Hailey Tang Faculty: Nathan Finden

Visual Communication Design: Visual Communication II

Student: Cheyenne Knippleberg Faculty: Marsha Minniss

Eroding Spaces

Site Strategy

Water Movement on Site

Circulation

Air and Light

Diagrams & Fluid Studies

Courtyard

Site Plan 1/16” = 1’-0”`

Gallery Space

Transversal Site Section

Longitudinal Site Section

A

B

Meditation Space Section A B

A

Meditation Space 1/8” = 1’-0”

Meditation Space Section B

Path Between Classrooms and Library

Spring 2017

Undergraduate Second Year Visual Communication Design: Visual Communication II

Undergraduate Third Year Student: Sara Mecca-Whitlock Faculty: Andrew Weed

Architecture: Architectural Studio II

Student: Maurice Calvendra Faculty: Kasey Josephs

EROS

The scope of this project was to design a 1/4 sheet sander for porter cable which would have a benefit for small hand users.

ENTRANCE TO SACRED SPACES

Target User:

designing a building for today and decay

Homeowners who frequently perform their own home maintenance Females who care more about aesthetics and have smaller hands

After interviewing the users who own palm sanders, I found that...

1/4 Sheet Sander Current Available

Porter Cable are losing their market shares due to the old design they had. The grip is too big for small hands users. Especially females. Most people thought the dust bag is useless. However, the vacuum cleaner can furthest reduce breathing dust the air. And the wire clamping system are uncomfotable to use, if users get really thin paper they might have problems. Also, the wire under tension is going to lose some of that stiffness over time

What if...

Reduce the overall size Combine the vacuum collector and handle together Use hook and loop fastener on the sanding pad instead of the clamp system

2nd Floor of lecture library Scale: 1/16” = 1‘- 0“

Circuit board Speed control 2nd Floor of sacred space

Floor plan

Scale: 1/16” = 1‘- 0“

Scale: 1/16” = 1‘- 0“

Procession towards enlightenment Sacred Architecture/Ruin

Motor

By looking at architecture of the past you see the sacredness of the space remains long after the structure is gone. Inspiration from this created a project that elevates you as you move through it, literally moving up towards heaven as you seek enlightenment. You feel it’s presence, it’s a living thing that talks to you in it’s massive silence. A building that will be precious and holy long after it’s occupation- a building built to be a ruin.

Dust fan

This vibration control has all been achieved by decoupling a handle section from the main housing

GALLERY

EAST WEST SECTION THROUGH SACRED SPACES

EAST WEST SECTION

LECTURE IN RUIN

THROUGH GALLERY & LECTURE LIBRARY

The size is reduce by 10%.

The top and body are covered with a soft grip material for vibration reduction which makes it more comfortable to hold

ENTRANCE TO COMPLEX

ENTRANCE TO SPACES

The container is transparenent.The material of the container is plastic. The dust bag and handle are combined together which would save space

The sand paper can abhere to the sanding pad

GALLERY ENTRANCE IN RUIN

LIBRARY LECTURE HALL

The sander can be griped with one hand on it’s top and another option to grip it around the waist.

LECTURE EXIT

LECTURE EXIT IN RUIN

SACRED SPACE

EXIT STAIRS

NORTH SOUTH SECTION THROUGH ENTRANCE, LECTURE LIBRARY, & SACRED SPACES

Architecture: Architectural Studio II

Student: Monique Paulis Faculty: Joseph Pritchard

Industrial Design: Industrial Design IV

Student: Xinyuan Min Faculty: Brian Cummings

Undergraduate Third Year Interior Design: Interior Design Studio IV

Students: E. Keith / E. Phillips Faculty: Jose Bernardi

OMOK Random Orbital Sander

Southwest College of Naturopathic Medicine combines the beauty of nature with the calming benefits of being outside. Inspired by the fluid movement of Arizona’s various landscapes, SCNM provides patients an outdoor experience while inside the facility. Located in the Valley of the Sun, SCNM’s location presents the facility the opportunity to connect with the beautiful natural landscape of the American Southwest. SCNM provides a diverse community whole patient wellness while embracing the healing powers of nature.

SCNM Southwest College of Naturopathic Medicine

Block Diagram

Context

Student Staff

Public

Private

OMOK uses a brushless motor to provide more power and a longer life span for sanding. The design of the OMOK gives you 3 variations to hold the sander. They are the handle, palm grip on the front, and the right angle grip with two hands. Unlike regular sanders, OMOK’s dust bag is attached to the handle to allow a larger range of movement while sanding. The amount of dust present in the dust bag can be seen through a transparent window.

Restroom Classroom Classroom

Restroom

Counseling

Elevator Reception

Greenhouse/Juice Bar

Integrated Work Area

Staff Lounge

Waiting Area Sauna

Steam

Colonic

Exam

Hydro

Toilet

Vitals Locker Room

Draw Room

Storage

Locker Room Sync Station Lab IV Room

Procedure Prep Procedure

Clean

Dirty

Interactive Garden

The grip is made out of a comfortable rubber to absorb vibration.

To lock the trigger, squeeze it first then slide the speed button.

Detachable windowed dust bag allows user to check the dust level.

As you make your way to the front entrance, you are immersed within a garden of native plants, fruits, and vegetables.

A juice bar is located within the greenhouse providing fresh pressed juice from the findings of the garden. This provides an interaction with nature while promoting a healthy lifestyle.

Juice Bar

Exterior Entrance

Interior Entrance

Waiting Area

Upon entering the waiting room patients feel as though they are being embraced by nature. Inspired by the various circular forms found throughout nature, organic sculptural screens provide a sense of privacy while allowing for views of the juice bar and garden.

Exam Room

Handle

Exam Hall

Sync Station

Right angle

Palm grip

The design of the OMOK is accessable for both men and women. Simplicity was the key factor for designing OMOK for its easy use.

Integrated Work Area 4.5”

The experience of exploring through the Arizona landscape is created through lighting and wall graphics. Light shines through slits in the wall, evoking a sense of sun beaming through a canyon. The organic screening used throughout the space allows for future flexibility as well as a more personal and transparent connection between the staff, students, and patients.

5.8”

10”

Spring 2017

Undergraduate Third Year Industrial Design: Industrial Design IV

Student: Seokhyun Park Faculty: Donald Herring

Interior Design: Interior Design Studio IV

Students: E. Keith / E. Phillips Faculty: Jose Bernardi

S C N M

southwest

college

of

naturopathic

medicine

“exposure to bright sunlight, or to lights that have the same intensity and wavelength spectrum as sunlight, can be used to treat patients.” Esther Sternberg, Healing Spaces

weave.

a strategy for urbanism and shared space in phoenix’s warehouse district.

downtown phoenix is organized among three axes, existing as three major streets, 7 Ave, Central Ave, and 7th St. although less apparent, certain dividing lines exist on top of these organizing elements; the downtown core, greater downtown, the warehouse district, and the southern residential areas.

People also move along these set of axes. Sports fans create striations from the residental area parking to the arenas, music and art seekers move from northern roosevelt row eventually south, draping circulation over downtown. downtown employees generally draw a line from the highway or aertial street to the government mall district and surrouding area.

Together these motives create an urban weave that amounts to downtown pheonix. the warehouse district must respond to this in order to successfully serve its nightlife and residential neighbors.

“when people view scenes that are universally preferred... the nerve cells in that opiaterich pathway become active.” Esther Sternberg, Healing Spaces

CONCEPT

scnm is a new take on healthcare. focusing on the natural environment, we look at emphasizing the connection of the user and nature to improve health.

PROGRAMMING W. LOCK

HYDRO

SAUNA + STEAM

COLONIC

WAITING ROOM

M. LOCK

SAUNA + STEAM

CH. STAT.

CLASS

community garden

community garden

community garden

employee garden

employee garden

employee garden

CLASS

LOBBY

CL INT.

CAFE + TEST KITCHEN

PROC. PROC.

LAB PHLOB

D+C UTILITY

IV PREP IV ROOM

PREP

EXAM ROOMS

SPATIAL PLAN café + kitchen off stage exam rooms

CIRCULATION patients staff students

hydrotherapy suite classrooms waiting area + lobby

DESIGN:

main entrance + exit community space entrances + exits

NATURE + TECH. views to nature technology access app integration

north

floor plan scale: 3/32” = 1’ - 0” section scale: 1/8” = 1’ - 0”

saguaro palo verde hydrotherapy-wf various plants various cacti

to meet. at the core of the warehouse district lies a magnet for social interaction.

to move.

the landmark provides ample shade and a monumental form for gathering.

purpose is evident while moving through the butte to the exchange. a circulation space barters with a gathering space to trade functions. ultimately with this transaction a dynamic space is created,

people meet here, they enjoy here, time moves slowly here.

first to move through, but with the option to coverge with.

the weave.

the exchange.

café-wf succulents exam rooms-wf prickly pear desert willow

the window.

RENDERS

lobby

exam room

waiting room

café + test kitchen

the existing railroad lines fulfills a void in the urban landscape and acts as a window to adacent areas of the city. the window structure allows for downtown visitors to view a series of warehouse district historic buildings giving a sense of place 22’ above historically significant infrastrucutre.

spatial weaving.

the window does not only serve activity on the surface of the structure, but beneath it. heavily vegetated beds and significant lighting allows for the place to serve the nightlife community just north of the site, as well as maintaining a nightime commute for cyclists.

user induced circulation and generational progression.

spots for experiencing

pathways created by the void of a malleable vegetation system.

shared space.

Interior Design: Interior Design Studio IV

Students: M. Abbott / L. Deshamp Faculty: Sonja Bochart

redefing urban circulation through uncertainty and awareness.

Landscape Architecture: Landscape Architecture II

Student: Regan O’Brien Faculty: Kristian Kelley

The Ribbon

430 Page Program Book

The goal of the Program Book was to create flexible

Hand bound with Kettle Stitch technique

editorial layouts that worked for many different types of

Exposed Spine

projects. This book encompasses both Sophomore

Downtown Phoenix is a lively and diverse area that never sleeps. There are always events from concerts to baseball games. Downtown Phoenix is where all the adjacent cities that make-up the Valley join, creating a focal point. Whether traveling from the North, East, or West side of the Valley, there is a pleasant experience transitioning into the jungle that is Downtown. The South side however has a buffer, the warehouse district, preventing an inviting transition into the area.

The goal is to revitalize this once prominent area and invite the adjacent neighborhoods.

7 in x 10 in

and Junior year projects from the Visual Communication Design Program into a large hand bound book, that implemented techniques learned in book binding. My approach was to create a simple layout that let the work speak for itself and not compete with the content.

Context Jefferson St

Madison St

Jackson St Railroad

7th St

5th St

4th St

3rd St

2nd St

1st St

1st Ave

Central Ave

Buchanan St

Office

Parking

4-Level parking

B

B

B

B

Talking Stick Resort Arena

Parking

1st St

Dudley Ventures

Central Ave

Master Plan

Retail

Jackson St

A A.C.T

Office

A

Hotel

The Croft Downtown

A Apartments

CCBG.

U-Haul

Retail

Legend’s Bar

A Gallery

Events on Jackson

2nd St

OIC Razor Emporium

3rd St

Khalsa Sevak’s Art Studios

KOI Education

Buchanan St 25 0

100 50

150

The Master Plan for the new vision of the Warehouse District shows a collection of spaces utilized for outdoor activity.

It is designed to get people to react within the environment and question their role as a Phoenician. There are various parks throughout the site including a larger ribbon of green space which replaced existing vehicle parking. Alongside this greenbelt are a skylight looking down at Central Avenue, a graffiti park for local artists, and a playground for all ages. Tying these spatial elements is a red interactive ribbon which ties the knot on the buffer between South Phoenix and Downtown, connecting all adjacent municipalities and cities into the center of the Valley.

Elevation

A

B

Perspective

Facing Southwest Entrance to the Green Ribbon Park on the intersection between 2nd St and Jackson St.

Facing Northwest Jackson Park on the intersection of the railroad tracks and 3rd St.

Spring 2017

Undergraduate Third Year Landscape Architecture: Landscape Architecture II

Student: Hunter Rand Faculty: Allyce Hargrove

Visual Communication Design: Technology for Design II

Student: Willow Smith Faculty: K. Larkin / A. Sanft

LOOK DEEPER SPEAK LOUDER

LOOK DEEPER SPEAK LOUDER

Everyone has a story.

What’s yours?

Everyone has a story.

What’s yours?

Find more on instagram: @asumlk

Find more on instagram: @asumlk

asu.edu/mlk

asu.edu/mlk

Everyone has a story.

What’s yours? asu.edu/mlk

Arizona State University President Michael M. Crow and the ASU Dr. Martin Luther King, Jr. Commitee invite you to the 33rd Annual Dr. Martin Luther King, Jr. Celebration Breakfast Thursday, January 18, 2018 7–9 a.m.

ASU Downtown Phoenix campus Arizona PBS Studio, 6th Floor Walter Cronkite School of Journalism and Mass Communication 555 N Central Ave, Phoenix, AZ 85004 Parking Parking has been reserved for you in the University Center Garage (UCG) on Central Ave and Polk St. Enter the garage from Polk St. Please follow the signs for the MLK Breakfast.

Questions Please call 480.965.5566 RSVP

By Wednesday, January 11, 2018 Click here to RSVP

Fillmore St. Fillmore St. Walter Cronkite School of Journalism and Mass Communication

Civic Space Park Taylor St.

Polk St.

University Center Garage 3rd St.

2nd St.

1st St.

Central Ave.

1st Ave.

2nd Ave.

3rd Ave.

Van Buren St.

Click here view map

ASU MLK Community Servant-Leadership Awardees Elva and Lattie Coor Elva and Lattie Coor are recognized champions of servant leadership. Their combined dedication to the community has elevated people and families in Arizona and around the country. Lattie Coor Ph.D., has served multiple leadership roles with the mission of making lives better for all citizens. Elva Coor, the wife of the former longtime ASU president, has generated her own platforms that benefit the community. The Coors’ commitment to service is a model for many and demonstrates the tenets set forth

by Dr. King on servant leadership.

ASU MLK Student Servant-Leadership Awardee Amber Poleviyuma Amber Poleviyuma is a Community Health major at the College of Nursing and Health Innovation at Arizona State University. She demonstrates her commitment to the community on many levels by elevating awareness and advocating for the disenfranchised. In addition to being actively involved in health efforts on her tribal nation as a member of the Hopi tribe, Poleviyuma has volunteered and served diverse groups and organizations on campus and throughout Phoenix. Her volunteer work is future-focused, and she seeks to create places for under-represented people at ASU. Her advice for other servant leaders: Step up when you can or when no one else is willing, step down when there are others willing to do the work or who have more experience and knowledge to lead, or step aside and co-lead and collaborate with others.

Upcoming MLK Events!

ASU MLK Commitee <asu.mlk@asu.edu>

Upcoming MLK Events!

LOOK DEEPER SPEAK LOUDER

ASU MLK Commitee <asu.mlk@asu.edu>

Everyone has astory.

Wh at’s yours?

EVENTS 01.12.18

MLK Day of Service / ALL

12 a.m. – 12 a.m.

01.15.18

MLK HOLIDAY / ALL

12 a.m. – 12 a.m.

01.17.18

March on West / WEST

Ma rtin LutherKing,Jr. Celebrati on Breakfast January 18,2018 7 –9 a.m.

LOOK DEEPER SPEAK LOUDER

ASU Do wn town Phoenix Camp us asu.edu/mlk

11 a.m. – 1 p.m.

01.18.18

Breakfast Celebration / DOWNTOWN

01.18.18

MLK Student Rally & Student Organization Fair / TEMPE

11 a.m. – 1 p.m.

02.07.18

12th Annual Peace Luncheon / Polytechnic

11 a.m. – 1 p.m.

7 a.m. – 9 a.m.

EVENTS SHARE YOUR STORY

Visual Communication Design: Visual Communication IV

Student: Madisen Fedo Faculty: E. Montgomery / L. Peña / H. Park

Visual Communication Design: Visual Communication IV

01.12.18

MLK Day of Service / ALL

12 a.m. – 12 a.m.

01.15.18

MLK HOLIDAY / ALL

12 a.m. – 12 a.m.

01.17.18

March on West / WEST

01.18.18

Breakfast Celebration / DOWNTOWN

01.18.18

MLK Student Rally & Student Organization Fair / TEMPE

11 a.m. – 1 p.m.

7 a.m. – 9 a.m.

11 a.m. – 1 p.m.

Students: S. Alaniz / R. Estes / R. Luy / L. Schaecher Faculty: E. Montgomery / L. Peña / H. Park

Native Storytelling

Schindler House

The contradiction to the rigidity of the existing architectural form can be found in the stories of the Akimel O’odham and Pee Posh people. A direct contrast to the of the existing house is the traditional stories of the Akimel O’odham and Pee Posh tribes.

revolutionized the American Home in 1921. Described as a “cooperative dwelling for two young couples” A private studio was given to each member of the household. The open studios pinwheel around three distinct courtyards, bridging the threshold between outdoor and indoor.

PROTEUS: THE MIGRATING NEO-NOMADIC MEMORIAL WHERE MEMORIAL IS DEFINED AS A PLACE OF REMEMBERANCE FOR THE HYBRIDIZED NEO-NOMADS AND THEIR STRUGGLE TO CULTURALLY ADAPT TO A PHYSICAL LOCATION.

HYBRIDIZED NEO-NOMAD : someone belonging to two or more cultures but does not feel like they truly fit in any and, as a result, retreat inwards mentally to make up for the identity gap that they have developed; additionally, they will try to change their characteristics and/or personalities in such a way that they can better to adapt to the place that they are in and to fit in.

La Carta: A Memory from the FIrst Hybridized Neo-nomad

The Models: 3D Representations of La Carta and The Map

The Map: A Graphic Representation of La Carta

Journey: Overlay Result of Several Spatial Prototypes of How To Experience Virtual or Imaginary Space

STORYTELLING EVENT

PINWHEEL

Storytelling culture is disconnected from

In this plan, there is little separation of rooms.

Instead of traditional rooms of the house, the Schindler House consists of four studios that

the everyday. At this storytelling event,

large open spaces with movable chairs allowed for storytelling to be told across generations.

overlap and pinwheel around open courtyards.

Movement through the house is diagonal,

BEDTIME STORIES

RAUMPLAN

and instead of doors, rooms are separated by compressions and change in direction.

Schindler seized the potential of Loos’s

the telling of native stories. The house

Raumplan, resulting in interior spaces as three-dimensional puzzles rich in complexity.

is composed of boxes beside boxes, resulting in the disconnection of family Story

Disconnect

Disconnect

This is evident not only in plan, but in section.

members under the same roof.

THE STORYTELLING HOUSE “How to become Modern and return to sources; how to revive and old dormant civilization, and take part of universal civilization” - Kenneth Frampton “Architecture that plays a role in the preservation and celebration of ancient traditions, while appropriately serving the needs of today” - Daniel Glenn

Within Proteus: Interacting With The Walls Pinwheel Plan

Traditional Pima Basket Design

Gila River Graphic

New Parti

Proteus is a migrating, neo-nomadic memory tool. It migrates at one hundred percent capacity, but likes to shed seventy-five percent of its adopted traits and retain twenty-five percent in order to reshift itself within new environments. Proteus does not remember where it came from, so its caretakers take it around the world to try and help it remember.

They ask neo-nomads to share their memories with Proteus on a piece of fabric that they can attach to its colorful walls in order to share in that cultural tension...to comemmorate the inability to fit in to an environment.

Proteus is trying to re-root...to re-align with its past. Thus, it leaves behind relics in the form of journals for people to continue to record their thoughts and memories so that, when it returns, it can share in their experiences.

It is always searching or the answer to its origins and, in the process, teaches its followers, the Proteans, to cherish their roots and always come back to who they are and where they came from.

Approaching The Site and Proteus

FLOOR PLAN

Exploring The Vault Above Hanny’s Used by Proteus’ Caretakers

Program Distribution

Pre-Proteus

Circulation

Hardscape

Topography

Vault

Walls and Roof

Retail

SECTION

Section A

THE STORYTELLING ROOM

Section B

THE STORYTELLING ROOM

Connection Detail B: Fabric To Steel Framing

Connection Detail A: Walls Plugging Into Foundations

ViLLAGE DRIFT

STORYTELLING EVENT

B

A

chen table, on your parent’s lap, on your aunt’s and uncle’s laps. Storytelling begins there, about who you are… Then it continues from there about who you are in the family; of where you are as a tribal member, as part of the particular nation; then where that nation is in the community; and where that community belongs in the world. There’s always circles upon circles upon circles (225).”

Muriel Miguel

Spring 2017

Undergraduate Fourth Year Architecture: Architectural Studio IV (Honors)

Student: Josh Greene Faculty: R. Hejduk / M. Zingoni / E. Rocchi / C. Vekstein

Architecture: Architectural Studio IV

Student: Bruna Nakhle Faculty: Victor Irizarry

nexus

THE DESIGN PROCESS:

establishing a series of moments through connections and links, while celebrating instances of self reflection through disconnect and withdrawal

INTRODUCTION

From Research to Realization RESEARCH

Process Mapping

Each of the 15 designers was recruited for this research either through online searches or personal connection, and were scheduled individually via personal correspondence (phone, text, e-mail, etc.). They each participated in a survey, a tour, an interview, or any combination of the three. Observations were recorded using video recording, photos, and/or written notes.

Through this research, it was found that (1) informally educated designers often made use of conceptual design tools without explicit knowledge of them, which in some cases made it more difficult for them to market themselves in the design industry. In addition, (2) some designers—especially those who were formally educated and currently working in a design field as a professional— had long processes that consist of many steps, and have trouble seeing their ideas come to fruition often.

The most common issue discussed across the various educational and professional backgrounds that were studied was the prevalence of (3) creative blocks.

disconnect connect site

downtown tempe

asu campus

Keeping Current Helping designers stay current and enabling them to provide products and designs that people want

Collaborative Process Making meaningful connections between designers and enhancing process through collaboration

expansion example

central tempe gateway aerial

Altered Perspectives Stimulating creativity through helping designers see their projects from multiple perspectives

Define the Problem (Assignment)

temporary components: boxed vegetation for easy relocation, painted pathways, temporary shade structures, etc.

ripple effect

casey rowden | ade422 | murff

Organizing a regional event for current designers

Making similar projects and designs readily available for reference

Incentives for collaborative projects and active collaboration in the process

Providing periodical media with trend data and global designs

Developing a set of exercises for resources that engage the designer in enhancing creative flow

Creating a platform for designers to actively receive feedback during their process

Collect Information

Brainstorm/ Analyze Ideas

Develop Solutions/ Designs

Get Feedback

Finalize Design

IDEATION Ideation began as a brainstorming of potential directions for each of my major findings: the issue of personal branding for untrained designers, long processes that delay the realization of a product, and creative blocks. These brainstorming sessions took place both in and outside of the classroom, allowing for an extensive range of ideas. The initial brainstorm process resulted in dozens of potential concepts that were eventually narrowed down to the focus areas shown in the illustration to the left.

n.t.s.

CASE STUDIES

n.t.s.

Inspiration for the prototype was found in referencing existing applications with similar aims, such as Lumosity and Osmo. Lumosity is a website and mobile application intended to “transform science into delightful games” and improve cognitive abilities (Lumosity, 2017). This is a similar concept to that of the Creative Block Toolkit, but with emphasis on cognitive rather than creative stimulation.

Similarly, Osmo is an interactive application that combines iPad play with physical, three-dimensional objects to create a more hands-on educational and creative experience for children (Osmo, 2017). While a Creative Block Toolkit does not yet exist, it is important to recognize that similar concepts are thriving in the real world, and these applications become sources of inspiration for later iterations.

n.t.s.

n.t.s.

n.t.s.

CONCEPT FEEDBACK

PROTOTYPE For my experiment, I gave the participant my iPad, on which there was a basic prototyped app for them to explore. As the users navigated through the prototype, I observed their actions and asked questions about the app and their experiences with it.

I then explained to the participant the research and concepts behind the prototype, and allowed them to read the rhetorical prototype. I received their feedback on this information, and asked questions regarding how well the app aligns with those concepts and accomplishes its intended purpose.

The purpose of the initial experiment was to receive feedback on the final concepts from ideation. This was done using a participatory research method called “Draw It”, in which each of the five participants was asked to draw what they thought a Creative Block Toolkit might look like. The results from one participant are shown on the right.

Others in the experiment imagined it as a set of flashcards, a digital platform (such as a website or an app), and a physical publication.

Participants were also given a survey to further understand their likes/dislikes regarding the concepts presented to them, as well as for gauging their potential application of each concept.

Participants listed mental and emotional stimulation as their primary concerns when experiencing creative blocks. The ideas presented to the participants were only vague concepts that would require further development and testing for more concrete data.

EXPERIMENTATION MICROPILOT

An artificial application (based on the Beta Prototype of the Creative Block Toolkit) will be sent via e-mail to 20 designers through Usertesting.com, which will record the users’ activity each time they access the app.

The designers would receive the link, and ideally return to it any time they experience a creative block or feel they need some sort of creative stimulation. As specified in the note above, this micro-pilot would take place over the course of 30 days. The users would then navigate through the app while their activity is recorded through Usertesting.com. Ideally, they would select and complete at least one creative activity within the application, and close the app whenever they feel they have experienced the intended creative stimulation. The data obtained through Usertesting.com will be reviewed at the end of the 30 days.

Taking into consideration the suggestions made by my peers, as well as what I observed during my experimentation, the core loop became the focus of my next iteration. Aside from the potential conceptual reward of creative stimulation and inspiration, there was no guaranteed rewards system to motivate users using the app or coming back to it. The existing potential for conceptual rewards was not enough to generate substantial interest in using the app. Users wanted to feel they are accomplishing something while using it, even if those accomplishments are small, digitally-constructed rewards.

In addition, the next prototype was developed to be more fleshed-out and visually appealing, as I learned that participants should be given as much information as possible—including visual information—for them to fully understand it. The bare-bones structure of the prototype I gave the users required a lot of effort to imagine the prototype’s potential to exist as a fully developed application. In addition, it would have all the necessary navigational tools (such as Home Screen and/or Back buttons).

Architecture: Architectural Studio IV

Student: Casey Rowden Faculty: Scott Murff

CREATIVE BLOCK TOOLKIT

Environmental Design: Environmental Design Synthesis II

Student: Carlee Farhar Faculty: Lauren McDermott

Quantum Racers is an interactive racing kit designed to be a fun learning tool. The purpose of the kit is to teach kids about Quantum Locking by using a race track to demonstrate the technology.

Vibrational Communication

Amplitude is a vibrational communication jersey designed to improve communication and safety in the cycling community.

WHAT IS QUANTUM LOCKING?

Quantum locking is a process by which a superconducting metal is "locked" in place within a magnetic field, by lowering it to its coldest possible temperature.

SUPERCONDUCTOR

MAGNET

Communication

Safety

Community

SAFE LIQUID NITROGEN INJECTION

CAUTION

Mini vibrating motor sewn into elastic of sleeves 10mm diameter

1.

2.

ASSEMBLE

4.

3.

INSERT

INJECT

RACE

NEXT GENERATION RACER. QUANTUM LEVITATION

PHANTOM

EXTREME COLD

FRICTION-LESS

Bluetooth reciever & lithium ion battery LIQUID NITROGEN

STAGE 1

STAGE 2

Bluetooth button Sends vibration pattern to other riders

Mike Jacobs IND 461

Spring 2017

Undergraduate Fourth Year Industrial Design: Design Project II

Student: James Jacobs Faculty: Roozbeh Valamanesh

Industrial Design: Design Project II

Student: Kyle McDonald Faculty: Abigail Wilkymacky

STAGE 3

HI M

o

DA v

a

b

l

e

E

x

BLOCK p

e

r

i

e

n

c

e

Hi Da Block is an innovative movable experience project that brings Herberger Institute of Design and the Arts into the community. We focused on bringing community together, restore relationships, connecting people to ASU, and making ASU transparent.

Our mission is to design a state of the art healing facility which provides the optimal environment for learning and growth, acting as a safe space for all users. By utilizing the theories of inclusive and empathetic design, we will create cohesive public and private spaces, bringing together not only all users within the facility but the ASU and Tempe community as a whole. This new environment will create a more warm and inviting experience for all guests and occupants, allowing for new respect for the Music Therapy students as well as a transformative interaction between user and space to take place. It is our hope that through our intervention, the Community Service Building will become not only a valuable asset to ASU, but also a beacon of hope and healing within the community.

CURRENT CONDITIONS

S TA K E H O L D E R S

LACK OF WAITING & LOUNGE SPACE STERILE

ADULTS/ ELDERLY

CHILDREN

EASY TO GET LOST

FACULTY/STAFF

YOUNG ADULTS

FAMILY/ CARETAKERS

STUDENTS

UNINVITING LOUD & DISRUPTIVE SEPARATION FROM CAMPUS

GOALS OF MUSIC THERAPY

C O N S I D E R AT I O N S

PHYSICAL

COGNITIVE

SOCIAL

AUTISM

+

from HIDA. The kiosks create opportunities and movable experiences for community engagement and activities. While HI DA Block is not traveling, they locate at the HIDA Corridor for students to facilitate and use. After arriving, the kiosks would be facilitate by one or more graduate student(s).

ACOUSTICS

PHYSICAL DISABILITIES

PTSD

EMOTIONAL

HI DA Block are 8x8x8 kiosks that serves multiple purposes of experience

D E S I G N S T R AT E G I E S

=

AT RISK YOUTH

WAY FINDING

The kiosk not only provides a stage to community engagements but it also brings ASU closer to the surrounding communities.

INCLUSIVE DESIGN

ENVIRONMENTAL PSYCHOLOGY

School of Art

PROPOSED NEW BUILDING SITE

The art kiosk serves as a gallery and an art learning space. The interactive shelves display studentsâ&#x20AC;&#x2122; ceramic and sculpture works. The flexible shelf panels could be attached to different height. The exterior wall could be transformed

into

desk

for

people

to learn drawing. The ceramic and sculpture works will be stored in the storage boxes while in transportation, when arrived at destination, those storage boxes become seatings.

GARDEN VIEW

Arts Media & Engineering Users

are

able

to

learn

different

media of digital technologies from WAT E R F E AT U R E

the outside to the inside of the kiosk.

The exterior walls is interactive with the Acrylic tubes that has pressure sensitive conductive paints painted on the surface. The circuit will complete when a person touches the conductive paint and lights and music will start playing. The entire kiosk is very transformative and the kiosk itself can be expanded when more space is needed.

THIRD FLOOR

FIRST FLOOR

BASEMENT FLOOR

FIRST FLOOR | LOBBY & CAFE

School of Design The

design

kiosk

offers

users

a

design experience through making, interacting,

and

presenting.

There

are two connected facade that can be interacted by pushing and pulling it from inside and outside, and both the interior and exterior space is changing along with the motion. The other half of this facade is a tool drawer and ENTRY EXPERIENCE

CAFE

exhibiting window that is attracting people to stop by and to have the hands

THIRD FLOOR | MUSIC THERAPY CLINIC

on experience.

Film Dance & Theatre Understanding different possibilities of change and diversity, the kiosk design is to create a minimal setting to MUSIC THERAPY ENTRY EXPERIENCE

M U S I C T H E R A PY S E CO N DA RY WA I T I N G A R E A

a maximum ways to transform for the performers. The kiosk has two pivot doors that create new atmosphere for the movements of the performers.

The kiosk also contain a custom build furniture for seating and storage while traveling.

MUSIC THERAPY SMALL SESSION ROOM

MUSIC THERAPY LARGE SESSION ROOM

School of Music

B A S E M E N T F LO O R | T H E AT E R & A M P H I T H E AT E R Anyone can keep a beat with the HIDA Music Kiosk. Opened or closed, this kiosk was designed for impromptu jam sessions on the drum panels, over-sized finger piano or chalk board xylophone â&#x20AC;&#x201C; with instruments on all sides, the music kiosk can be a traveling jam session ready for play! When the kiosk is supervised drum panels can open providing users access to small wooden or metal instruments.

T H E AT E R E N T R Y E X P E R I E N C E

Interior Design: Interior Design Studio VI: Institutional Design

A M P H I T H E AT E R AT D U S K

Students: M. Ator / M. Lopes Serratos / E. Martinez / S. Okawa / M. Thomason / M. Watkins Faculty: Milagros Zingoni

Interior Design: Interior Design Studio VI: Institutional Design

Students: M. Chow / J. Grysho / C. Wang / Z. Wang / J. Wen Faculty: Brie Smith

URBAN SPRAWL:

LIMITLESS CITIES. The dream to expand, build, and develop has fueled plannersâ&#x20AC;&#x2122; need to sprawl. The public needs to understand that as a city, we are expanding at a rapid rate and effects of sprawl are becoming more evident. We cannot stop the development of cities, but we can be smarter with itâ&#x20AC;&#x2122;s growth. Simpl y being informed is a start.

Spring 2017

Undergraduate Fourth Year Landscape Architecture: Landscape Architecture IV

Students: M. Bushnag / M. Flogel / B. Ramirez Faculty: Chingwen Cheng

Visual Communication Design: Visual Communication VI

Student: Jessica Chhou Faculty: Alfred Sanft

Site analysis

Volume analysis SITE: 23'*150'

ado

business

pkw

6t

h

y.

tourist

Mill Ave.

Sal

back alley

Rio

St

.

e.

l Av

Mil

UP

ROUGHLY AREA REQUIREMENT: 10000SFT

homeless University Dr.

23'

6t

h

150'

St

e.

l Av

.

Mil

Mill Ave.

resident

6th St.

student & faulcty

Concept diagram As the building needs go up, emphasize the vertical experience A open storage display entrance services for Mill Ave. 24/7

so, the new design need service for Mill Ave. 24/7

coffee bar terrace

4th floor 3rd floor

close storage

2nd floor

gallery

ground floor

basement

education meeting room

15' 3"

16' 4"

13' 9" 12' 9 "

ceramic staircase

gallery /event

12' 9 " 17' 0"

roof garden gallery

library/ archive

18' 1/2"

13' 3"

office

loading studio

freight core light shaft and elevator

coffee

gallery

close storage close storage

N

11' 3"

gallery gallery

gift shop/ reception open storage

entrance / open storage

14' 0"

12' 2"

8' 7"

open storage entrance

garden class room

Patricia Sannit's art installation

event & gallery terrace 4F

Wayne Higby's art installation

library/ archive 3F 4th floor

3rd floor

entrance /open storage 1F

2nd floor

open storage BF ground floor

basement floor

classroom BF

Facade

60' 0" 49' 6" 43' 0" south wall

Mill Ave. 5th St.

EAST

plan

4F

3F

2F

1F

GF

N

N BF

Graduate Three Plus Year Visual Communication Design: Collaborative Design Development II

Students: S.Booth / T. Dong / C. Shoneberger / Y. Wang / E. Whillier Faculty: R. Bone / S. Behravesh / D. Shin /R. Trujillo

Architecture: Core Architectural Studio II

Student: Yan Wang Faculty: John Meunier

Graduate Three Plus Year Landscape Architecture: Core Landscape Architecture Studio II

Student: Jill Boots Faculty: Allyce Hargrove

Campus

PROJECT : NYX The Complete Alterna�ve Lapmouse

Full Video THE PROBLEM

The Postures Project Description + Objectives The Southwest College of Naturopathic Medicine is a naturopathic medical school located in Tempe, Arizona (Broadway Rd and the 101). Founded in 1993, SCNM is one of seven accredited naturopathic medical schools in North America. Our goals for this project was to unify + create similar exterior and interior language (to marry this building as well as its neighboring sister building) ; to incorporate Biophilic design (as its neighboring sister building is Platinum LEED certified) ; to put an emphasis on education, as it is the Heart of this teaching clinic (putting the focus equally on staff and patients for wellness + health). One of our biggest moves to truly unify and bring these buildings together was taking out the road that divides them and creating SCNM a Campus. Using a mosaic art piece that is installed within the sister building (built by a local artist) that represents donors that have put efforts into this teaching clinic is where we got our inspiration for the line-work and organic movement of the site which carries itself into the building in many other forms.

According to the U.S. Ergonomics, the proper posture is having your arm angle °90 ~ 100° However, 87% of the people’s desks are too high, causing them to have bad postures.

Increases chance in getting Carpal Tunnel Syndrome

Context Map

Using wrists hurts wrists.

Solve only half the problem.

What We Have

The desk height problem unsolved

Site Map

Using thumbs hurts thumbs.

Labyrinth garden available for both staff + patients. From the parking lot this area is to excite and intrigue patients to venture over to this area for not only its outdoor vegetated seating areas - but to also enjoy juice from the Nektar, the local visiting herbal juice truck

De Quervain Syndrome

UP

UNISEX RESTROOM

UNISEX RESTROOM

EXAM

EXAM

EXAM

73 SF

73 SF

112 SF

112 SF

112 SF

E.V. ROOM/ MAINTAINENCE ROOM

E.V. ROOM/ MAINTENANCE ROOM

118 SF

79 SF

EXAM 112 SF

Water fountain that will help to drown out background noise from Broadway Rd in addition to help calm and soothe those that are walking into the Lobby

EXAM

EXAM

EXAM

RESTROOM

EXAM

107 SF

110 SF

110 SF

57 SF

112 SF

LOBBY 1340 SF

DIAGNOSTICS 18 SF

ANTE ROOM 85 SF

EXAM

EXAM

EXAM

EQUIPMENT ROOM

112 SF

112 SF

112 SF

73 SF

CLINICAL INTEGRATION

NURSE STATION

195 SF

198 SF

CLASSROOM 335 SF

RESTROOM

PHLOB

The Conclusion

111 SF

The solution should not require usage of desks and wrists.

CON. 1

CON. 2

85 SF

79 SF

OFFICE 1

OFFICE 2

98 SF

100 SF

RESTROOM

82 SF

HYDRO RELIEF

82 SF

121 SF

HYDRO

HYDRO

HYDRO

HYDRO

STEAM

75 SF

76 SF

75 SF

76 SF

124 SF

LARGE SAUNA 165 SF

STORAGE 60 SF

Outdoor area for patients to either wait (rather than waiting inside the lobby) or to just simply enjoy the outdoors - whatever they desire

SAUNA 2 96 SF

MEN'S LOCKER ROOM

WOMEN'S LOCKER ROOM

238 SF

238 SF

CLASSROOM

SAUNA 3

503 SF

99 SF

STAFF RELIEF NURSE STATION

248 SF

345 SF

UP

CLINICAL INTEGRATION

TREATMENT 1

226 SF

Outdoor area for staff that opens up to the staff relief.

This area also contains an herb garden for those to take part in for cooking/juicing programs for classroom/after hour activities

131 SF

TREATMENT 2 133 SF

COLONIC 105 SF

COLONIC 143 SF

LAB 274 SF

CLEAN

DIRTY

IV SUITE

IV PREP

94 SF

94 SF

315 SF

82 SF

PROCEDURE 1 169 SF

PROCEDURE 2 144 SF

PROCEDURE PREP 60 SF

Vegetated fenced wall to view those that are inside the clinic (to block Broadway Rd) - especially for those in the IV suite

1

Introducing NYX

Front Entrance Render

Level 1 1/16" = 1'-0"

Conceptual Entrance Sketch + Section of Lobby

The Lapmouse

which allows the users to use it as if they are resting their hands on the lap naturally

Interior Views

Intuitive Touchpad Ergonomically Optimized

by separating cursor movement and clicking buttons allows more intuitive pointing experience with invisible haptic shortcuts for seamless control

One Mouse For All

Broadway Exterior View

Exam Axonometric

Exchangeable Covers

come in different shapes to fit any sizes of hands providing the ultimate comfort to everyone Ease of access + readiness

Technology

Support + Company

Level of communication - Eye Level

Spring 2017

Graduate Three Plus Year Industrial Design: Core Industrial Design Studio II

Student: Min Daw Lee Faculty: John Takamura

Interior Architecture: Core Interior Architecture Studio II

Students: B. Cantin / M. Ali Faculty: Jose Bernardi

N A R R AT I V E

RIO SALADO

P R O J E C T A B S T R A C T : After it was dammed in 1911, the Salt River became a dry, barren wasteland, with industrial land uses dominating

park for nearby residents. It embraces the natural beauty of its native desert habitat, and strives to challenge conventional perceptions of a

H A B I TAT

its edge. The river quickly became a dumping ground and the location for numerous sand and gravel mining operations. The destruc-

“park.” While water is an important attribute of the site, the volume is intended to fluctuate with seasonality and environmental constraints

E A S T G AT E W AY

tion of critical riparian habitat in Arizona and the desire to revitalize the Salt River, in particular, prompted Phoenix officials to look at how the Salt River could be restored to reintroduce habitat that had been

transforming the visitor experience over time. While the wetter seasons make for full ponds, dry seasons leave behind sandy, open arroyos – perfect for exploring new terrain, or fort building in the shade

lost to industrialization.

of the mesquite bosques. In a similar way, the materiality of the site is also intended to morph with time.

The Rio Salado Habitat currently spans from 28th Street to 19th Avenue and includes 595 acres of riparian habitat, such as cottonwood-willow forests, mesquite bosque, lower desert palo verde mesquite asso-

The spirit of the park is to encourage children to see the desert as their playground, and to encourage adults to see it as their own par-

ciation, and wetland/marsh/aquatic habitat. It has over ten miles of public trails and is home to over 200 species of migratory birds, various mammals, reptiles, and amphibians. With plans to extend the Rio

cel of open space, not merely a “vacant lot.” The spaces for imagination and play are not predetermined with catalog equipment. The design instead, outlines areas for “fort building” or “swing-set groves”

Salado further, the City would like to develop an additional Gateway park to the east, at 24th Street and the Rio Salado.

encouraging a deeper connection with the landscape and a sense of discovery. Through these gestures, the hope is to instill a deeper,

D E S I G N R E S P O N S E : The concept for the 7.2 acre gateway site

nostalgia with the desert, and bridge the gap between merely knowing that these habitats are important to protect, to making them a part of your home.

is an adaptable, thriving ecosystem that also serves as a community

CONTEXT 19 4 9 H I S T O R I C A E R I A L V I E W O F D R I E D R I V E R B E D A F T E R D A M M I N G I N 19 11

2 017 CU R R EN T SI T E I N W I D E & N A R ROW CO N T E X T S

G I S . M A R I C O PA .G O V/ M A PA P P/G I O/A E R I A L H I S T O R I C A L

MAPS.GOOGLE.COM

CONCEPT PLAN

0

12.5 6.25

SITE OVERFLOW

50 ft

N

25

G AT E WAY

MESQUITE BOSQUE/

WALK ING

BUILD-A-FORT

TWO RAIN GARDEN

PITCHED ROOF

TRAILHEAD

COT TONWOOD GROVE

TRAILS

GROVE

A M P H I T H E AT E R S

FOR RAIN

T O / F R O M H A B I TAT

SWINGSETS

OPPOSITE ENTRY

WAT E R

C O U R T PAT H

CAPTURE IN

TRAILHEAD

S

.

2 4 T

H

S

T

R E E

T

CHANNEL

E .

SIGN

E L W O O D

S

T

R E E

T

RECYCLED

PRIMARY

PA R K A C C E S S

WAT E R C YC L E R A M A D A ,

PA R K I N G +

CONCRETE PIER

TRAIL

O N - S T R E E T PA R K I N G

P O L L I N AT O R H A B I TAT

BUS DROP OFF

S I T E S C H E M AT I C S

H A B I TAT S C H E M AT I C S

WAT E R C I R C U L AT I O N

B A S E L I N E CO N T E X T F O R H A B I TAT

TREE SPECIES: P L A N T I N G H A B I TAT ZO N E S

COTTONWOOD

IRONWOOD

MESQUITE

PA LO V E R D E

ENTRY COURT

DURING EXTREME DROUGHT

DURING E X TREME R AINFALL

CONTINUED DROUGHT

CONTINUED R AINFALL

Seasonal water conditions reinforce the adaptation of the site. With time, a new site will reveal itself. Eased edges will start to form in the water channels, while some will dry up and go barren, and others will merge together to create new unpredictable veins. Plant habitats will simultaneously thrive or dwindle based on evolving conditions.

DRY DESERT SCRUB

R I PA R I A N

TRANSITION ZONE

R I PA R I A N + WAT E R

S I T E S E C T I O N S & D E TA I L S S E C T I O N AT PA R K I N G L O T, E N T R Y & B U I L D I N G

D.G . PA R K I N G L O T

BIOSWALE

BIOSWALE ENTRY

SIDE ACCESS TO

STRUCTURAL BEAMS

CORTEN STEEL

ANGLED ROOF TO

P L A N T E R S AT

GARDEN

SITE TRAILS

RUN THROUGH

STRUCTURE /

L E A D R A I N WAT E R

BUILDING TO BACK

G L A S S WA L L S AT

PAT I O

ENTRY & REAR

PA R K I N G L O T

R U N O F F I N T O WAT E R CHANNEL & CARRY THROUGHOUT SITE WR AP-AROUND SIDE WALK

D.G. BUS

ENTRY

R A I N WAT E R

DROP OFF

COURT

PL ANTING BED

S W I N G S E T G R O V E & M A I N T R A I L W O O D I N L AY PAV I N G

R A I N WAT E R ENTRY

PL ANTING BED

S E C T I O N AT R A M A DA & P O L L I N ATO R H A B I TAT

W O O D P L A N K T R A I L PAT H ,

CONCRETE

STEEL SHADE STRUCTURE

PAT T E R N I N S P I R E D

BENCHES

MADE FROM RECYCLED

WAT E R C H A N N E L /

TRAIL

R I PA R I A N H A B I TAT

B Y W H E E L PAT T E R N F R O M

V E H I C L E S / O C TA G O N A L

E X I S T I N G J U N K YA R D S I T E

ROOF PITCH TO CHANNEL R A I N WAT E R

SWALE

Angular pathways, recessed into the earth instead of raised, and made from degradable materials, encourage visitors to leave the defined

0

–1

–2

–3

SWALE

OUTLET

P O L L I N AT O R

–4

–5

–6

P O L L I N AT O R

H A B I TAT S

trails and find their own familiar piece of the space. Swings hung from mesquite bosques reward this sense of adventure.

H A B I TAT S

S E C T I O N AT P I E R

+1

0

–1

MAIN SITE

MESQUITE BOSQUE /

DIRT

R I PA R I A N

MAIN SITE

TRAIL

COT TONWOOD GROVE

TRAIL

H A B I TAT

TRAIL

–2

–3

–4

–5

–6

–7

–7

–6

–5

RECYCLED

R A I N WAT E R F E D

CONCRETE PIER

P O N D F E AT U R E

–4

–3

Landscape Architecture: Core Landscape Architecture Studio II

–2

–1

0

0

–1

–2

–3

–4

Student: Jill Boots Faculty: Allyce Hargrove

–5

–6

–6

–5

–4

–3

–2

–1

Visual Communication Design: Core Visual Communication Design Studio II

Student: Lin Fan Faculty: Andrew Weed

CIENEGA TREATMENT CENTER Cienega Treatment center responds to the pre-existing urban conditions of los angeles in a variety of ways. water quality, and the health and wellbeing of its citizens, are the primary focuses of CTC. these conditions are remedied with the integration of a constructed wetland system and a detoxification system About 75% of the stormwater ends up flowing down the Los Angeles canals in a typical rainstorm and is lost to Santa Monica Bay and Long Beach Harbor.

In Los Angeles, the homeless population has jumped 12% in the last 2 years.

44,000 homeless people were tallied in January 2015, up from more than 39,000 in 2013.

Level 1: ground

Level 2

Level 3 & 4

Level 5

Level 6-15 without atrium

Southern California has long been an area where drug abuse and addiction has flourished, due to its location near the usmexico border. heroin • 2002 - 2013: • 2002 - 2013: •

2013:

heroin use increased 63% overdose deaths increased 300% 517,000 people reported that they had used heroin in the last year, a 150% increase from 2007.

perscription • 2014:

23,500 overdose deaths

meth • 2009-2014:

meth seizures increased 300%

Section through work space

Section through south of building

Section through lobby

EGRESS

stage 1: canal

stage 2: cistern storage

greywater ↓ GREYWATER storage tank STRUCTURE

stage 3: baffle system

greywater storage tank ↓ Unit planter boxes

HVAC

stage 4: limestone

stage 5: Aquaponics

S.O.A.P. Panels ↓ hot water storage

stage 6: Aquaponics

Hot water storage ↓ radiant heating floor coils

stage 7: oyster

RADIANT HEATING FLOOR COILS ↓ STORAGE TANK

stage 8: Retention

Spring 2017

Unit planter boxes ↓ S.O.A.P. PANELS

Atmospheric section through free event space

storage tank ↓ VEGETATION WALL

Graduate First Year Architecture: Advanced Architectural Studio II

Students: Z. Howser / S. Nabaty / C. Woosley Faculty: Thomas Hartman

Architecture: Advanced Architectural Studio II

Students: A. Carlson / A. Leavens / J. Childress / M. Nevarez Faculty: Philip Horton

Level 6-15 with atrium

Sound, Non-Lethal Protection

Project Concept

Our concept for this project is to re-imagine the typology for a community space. One that is inserted into an area of need. The typology change is needed to reflect the ever changing nature of Los Angeles and promote a sense of awareness. We believe that accompanying an awareness space with mixed use and business, we can create a dynamic space for the diverse community. We propose to implement this concept with 3 manifestations of our idea. The first: Creation of “the machine Wall” A vertical mass intended to provide the life and support for the building. The second: Street Scaping for a car driven city to promote walkability. The Third: is this idea of a future implementation. these three core ideas begin to re-think the way that Los Angeles plans for the future. our hope is that this can become an urban model for re-thinking the way large urban cities progress in the future.

View from Jefferson Blvd

1

2

manifestations

3

Billboard solar thermal hvac structure egress circulation natural ventilation thermal mass drainage radiant cooling chase

Mission

the machine wall

Capturing the street

future urban implementation

Decibel 130 is a research driven, non-lethal, self defense flashlight that utilizes proven techniques of strategic distribution of excessive light and sound projection to deter aggressors. Unlike traditional non-lethal devices, Decibel 130 is not a weapon.

It omits traditional requirements of training, aiming, accuracy, muscle memory, direct contact with an assailant, and dense manual-reading to prove effective.

Statistics + Market Violent Crime

1.2M

site context

7,121 Hate Crimes

764,449 Aggravated Assaults

Forecasted Market Growth: Non-Lethal Protection

+ 4.1%*

15,696 Murders 90,185 Rapes

Leading Non-Lethal Deterrent

+ 3.9%*

+ 6.3%* + 4.6%*

performance space

+10.8%*

*Based on 2015 statistics

outdoor terrace

a

User Scenario / Use

a

The result: Disengagement

coffee bar

hourly co-work

the ‘street’ - plaza space

machine wall + Billboard

level

5 At the sign of duress, pull Decibel’s two halves in opposing directions.

co-work + Community interior

Capsules eject from the rear and disperse while projecting ear shattering alarms.

Weekly co-work

a

capturing the street: to promote walkability and re-imagine the urban scene in Los Angeles. The street now becomes a plaza for program to spill out and engage the context.

Conceal or open carry as no one will suspect the compelling power concealed within Decibel 130.

a

Nausea & disorientation are induces via the blinding 1,000 lumen strobe.

By design, locating and containing the discharged capsules is implausible - the dispersion induces angst, confusion, nausea, & discomfort while drawing the attention of onlookers.

Optional SIM card /GPS tracking, enables police to be dispatched to your location.

community rooftop garden

digital library

! solar thermal facade collects the solar heat stores it then converts that energy into electricity to power the building + radiant cooling panels

Intuitive Operation

level sectional model + Context

3

west Building - ‘street’ facade

Attractive

Non-Tactical Aesthetic

Effective

In Preventing Assault

Inconspicuous

Concealed Functionality

Piezo PCB

7075 aluminum housing

roof top garden monthly co-work rentable space

Requires

No Training; No Aiming; No Contact

Anatomy / Split View Collar

Short term co-work + coffee - bar

co-work + digital library studio space + co-work informal library performance co-work

Under Extreme Duress

Battery

Power button rentable space

backstage

east Building - ‘street’ facade Glass lens performance space

Concealed cartridge

500W ultra bright LED

a

a

rentable space

End cap

Reflector 500W Ultra bright LED

west facade elevation

Concealed cartridge

plaza

Entry to the street Elevation

rentable space

Thermal management printed circuit board Controller SIM card

Co-work

Lanyard 18650 lithium battery

hourly co-work + coffee

level

daily co-work Digital library

walkway

1

rooftop garden long term co-work

performance space plaza

rentable space

parking

section a-a

Architecture: Advanced Architectural Studio II

Students: J. Ballard / M. Foster / B. Bailey Faculty: Amit Upadhye

Industrial Design: Advanced Industrial Design Studio II

Student: Kevin Chapanian Faculty: Joseph Velasquez

“

MEET MAKE JOY STUDIO!

Make joy studio is about getting to know clients oneon-one; understanding their personality, passion, and goals. Providing quality work and lasting relationships with clients, who equally appreciate the power of design

Established 2014 Founded by: Jennifer Testamarck

SERVICES brand design • special event branding • promotion design • design & marketing consultant • web design • content management

UTILITY

TECH MARKETING SUPPORT

HR

FINANCE

LIBRARY & LOUNGE

JEN’S RM EXTERNAL TEAM COLLAB

SMALL MEETING

WORKSTATIONS

SMALL MEETING

OFFICE SUPPLIES GALLERY

”

MAIL

OFFICE CULTURE

COMMUNITY SPACE

Recent clients include: The Sleep Center, Paradise Valley Foot and Ankle, artHAUS, Tempe First UMC, Paradise Valley UMC, Trinity Heights UMC, and City Square Church

LARGE MEETING

INTERNAL COLLAB

EXTERNAL TEAM COLLAB

INDDOR/ OUTDOOR SOCIAL

RECEPTION

RETAIL OFFICE SUPPLIES

A-A

COFFEE LOUNGE

MAIL

SMALL MEETING

KITCHEN & EATERY

MEDIUM MEETING

WORKSTATIONS LIBRARY & LOUNGE

PROGRAM: Required space to accommodate a 60 person studio along with five large offices for rent.

REMOTE HEART MONITORING / DEFIBRILLATION

FOCUS PODLINGS

PRINT RM

MOTHERS RM

FEMALE RESTRM

INTERNAL COLLAB INTERNAL COLLAB

MALE RESTRM

PRINT RM

OFFICE FOR RENT

OFFICE FOR RENT

OFFICE FOR RENT

Floor Plan 1/16”= 1’

B-B

New Home For Make Joy & Friends Talking Stick Arena

Oldest remaining warehouse in Phoenix.

Listed on State & National Registry of Historic Places in 1984. Added to the City HP List in 2004.

Chase Field

1909: Sturges Brothers Capitol Warehouse 1919: Phoenix Seed & Feed Capitol Warehouse 1946: Arizona Paper Box Company 2003: Acquired by Levine Machine 2017: Converted into office space

E. Buchanan

3rd et

stre

SITE INFORMATION BUILDING TYPE

-Historical -North and south facade to remain -Brick -Wooden truss structure

EXISTING SQUARE FEET: 13,700 LOCATION: S. 411 2nd St. Phoenix, AZ

-Down one block from talking stick arena -Three blocks from gensler phoenix -Industrial district

=Focus, Restore =Collaborate, Learn

=Restore, Collaborate, Socialize, Learn =Collaborate, Learn =Focus, Restore

MULTI LANGUAGE

REMOTE ASSISTANCE

COMPLETE INSTRUCTIONS

CAMERA 5” TOUCHSCREEN LCD BUILT-IN MICROPHONE & SPEAKERS

Concept Floor Plan

1. Possibilities

2. Existing Structure

3. A Slice of Nature

BATTERY CHECK SCHEDULES 4. Down to the Earth

AED PADS COMPARTMENT

5. Atrium

6. The Courtyard- Nature at the Center

This studio/office space was inspired by the earth, the seed and the growth. Having a multi purpose space that is “all about the community”, is an important aspect to our client. We wanted to create a central space that acted as the core or the heart of the building, that all other programmatic elements stemmed from. Our client likes to work outside, so we brought the outside in, creating a well lit space through an atrium and courtyard concept.

W 7” X H 16” X D 6”

7. Blurring the Inside and Outside

SECTION A-A

BY KASRA TAYEBI MEDIUM MEETING RM

COFFEE LOUNGE

PRINT ROOM

KITCHEN & EATERY INTERNAL COLLAB

Spring 2017

MAIL AND CRAFT WALL

INDOOR/OUTDOOR SOCIAL

Graduate First Year Industrial Design: Advanced Industrial Design Studio II

Student: Kasra Tayebi Faculty: Magnus Feil

Interior Architecture: Advanced Interior Architecture Studio II

Students: E. Aragon / S. Cherian Faculty: Rachel Rosso

GALLERY

COMMUNITY ROOM

PROJECT WATER IS LIFE FROM RIDGE TO REEF Indigenous Hawaiians understood water is a source of life and treated it as such. Currently, water is treated as an inconvenience, nuisance, and danger. It is channeled, contained, controlled. Regenerating the Ala Wai Ahupua’a requires treating water as a valued source of life.

Create Digital Experience

EMERGE is an annual transmedia art, science and technology festival designed to engage diverse publics in the creative exploration of our possible futures. The festival’s 2017 theme is Frankenstein, a 200-year old novel that still motivates us to think critically about our creative agency and scientific responsibility

RATIONALE Private rights have public responsibilities

Privatization of watershed

Watershed determined life

INSIGHTS Making Connections

Past, present, and future Science, art, and technology Expert and Common Man

+

Interactivity Inspiring Curiosity

Importance of storytelling

2. Balance content and creativity

3. Capture essence of the festival

Visitors became part of the exhibits Stronger connection to subject Lasting impression

Communication between artists and audience

= GOALS

Indigenous Practices

Industrial Development

Degenerative

Responsive

1. Create concepts that reflect insights

Contemporary Ahupua’a Waterhoods

Regenerative

By using indigenous Hawaiian knowledge and practices that were implemented to create prosperous, vital, responsive Ahupua’a systems, current degenerative industrial practices can be transformed into those of a contemporary Ahupua’a to be prosperous, vital, and regenerative.

CONCEPT 1

CONCEPT 2

INSPIRATION: Big Bang, Explosion and Time.

INSPIRATION: It is inspired by the story of Mary Shelley and the creation of Frankenstein, and people coming together to explore and encourage creativity.

GUIDING PRINCIPLES The Ala Wai Ahupua’a was a prosperity system for all life that, through spirituality and the resulting values and actions of reciprocity and responsibility, perpetuated vitality throughout the system and fostered regeneration of the system as a whole.

Spirituality: the awareness and experience of belonging to the larger, interconnected

community of life, of the purpose and meaning of life within this context, and the development of personal and community values and actions out of these Reciprocity: mutual exchange, dependence, action, or influence Responsibility: the state or act of being responsible, answerable, or accountable for

COLOR

COLOR

something within one’s power, control, or management Vitality: life force and capacity to live and develop with meaning and purpose Prosperity: the condition of thriving, growing and developing vigorously These principles form the core of our approach to ecosystem restoration; flood

mitigation; community education and engagement, cultural connections; community access, mobility, and recreation; and economic health and resilience.

URBANIZATION 1898

1934

HOMEPAGE

EXHIBITIONS ROOM

We use the clock as a navigation tool, and arrange 16 exhibitions according to the time line. When the audience visits the home page, the mouse will become a needle.

When the mouse hovers over the dot, it will show the exhibition photo in the middle.

When the mouse hovers over the animated icon, it will change colors.

Current

Other “exhibitions show walls”

CHALLENGES Pollution: The Ala Wai Canal is currently the most polluted body of water in the state. It concentrates storm water from the watershed above.

Flooding: A 1% chance storm in the Ala Wai Watershed will flood Waikiki.

Fragmentation: Current environmental efforts within the Ala Wai Watershed address disparate environmental problems.

DESIGN STRATEGIES

EXHIBITION PAGE

We propose 4 key design strategies: planning can begin within 12 months:

When click on the geometric shape, it will zoom into the gallery page.You can navigate through exhibits by clicking the arrows on either side.

1 Waterwalk: Boardwalk + passive flood protection = amenity armament (12 - 48 months) 2 Watercourse: Golf course + wetland = recreational ecology (48 - 72 months) 3 Waterview: Retention + development = infrastructure fund (48 - 72 months) 4 Waterhoods: Storm-watershed + neighborhood = distributed watershed management (12 months - ongoing) Each of these strategies engages indigenous knowledge to create the foundation of a regenerative, contemporary ahupua’a where private rights have public responsibilities.

EXHIBITION PAGE Photo Gallery

1 WATERWALK - Floating walkway connects people to water and nature, provides recreational space, actuates a floating stormwall - Wetland and floating vegetation improve water quality and create habitat - Bioswales with native vegetation capture and clean stormwater and connect users to Hawai’i’s ecocultural roots - Creates economic and so cial value for local businesses and community - Platform for community engagement in ecocultural and scientific education, stewardship, monitoring, and recreation

GALLERY When click on the geometric shape, it will zoom into the full photo.

Introduction

Quote from artist

ALA WAI CANAL existing sidewalk current land value

floating sidewalk + bioswale

polluted lake

Video of the exhibition

realign natural stream course

golf course stagnant Ala Wai

STEP 1

STEP 2

EXISTING CONTEXT

EMBED INFRASTRUCTURES

High flood risk and concentrated value.

Remove Ala Wai sidewalk and realign inside Ala Wai Canal.

ABOUT PAGE

Remove lower part of Manoa-Palolo Stream and realign with its natural course through golf course.

new urban development and value

STEP 3 NEW ADAPTIVE INFRASTRUCTURE Wetland detention and filtration system in golf course, and urban stormwater storage/parking in new development.

Landscape Architecture: Advanced Landscape Architecture Studio II

ABOUT PAGE

limited flooding extent

STEP 4 STORM EVENT New infrastructure increases resilience to storm events.

Students: K. Antkoviak / O. Bracamontes / L. Chunpeng / L. Gibbons / N. Knoebel / C. Ruggiero / N. Weller / C. Willie Faculty: Paul Coseo

Visual Communication Design: Advanced Visual Communication Design Studio II

Students: J. Clark / M. Li / Y. Liu / L. Wei Faculty: Danielle Foushee

REDEFINING THE TYPOLOGY OF DESERT RESIDENCES THROUGH THE “FAMILY ENERGY ROOM”

In_Collision Buildings have speed.

People have speed within buildings.

People experience architecture at a speed.

In the Phoenix Metropolitan Area our lives are largely spent traveling, always in transition from one place to another.

Within our freeway system, observed absences reveal that the moment of a collision is where our mental-absence is interrupted. People are made aware, not only of themselves and their mortality, but also of the absence of the freeway and the absence that defines Phoenix’s urban environment. The freeway is the most existential space in our urban environment. Every time we drive on the freeway we risk death, but it is a necessary infrastructure for living.

INDIGENOUS DESERT RESIDENCES evolved purely out of necessity to address their immediate context and climate while including an interior-exterior room shaped by support spaces

1. Program (Left to Right): Living Freeway Maintenance Drive-In/Media Performance

2. Collision potentials

3. Combine with infrastructure + circulation

4. “The Colliders”

MOTHER THE

tioGnathering ita Medtimate In

g in er th Ga te ce ma on an ti ni orm In eu rf R e P

Part y

P F ar Aces t

y valic ti em

202

ad

T

E

IUM D MED AVERAGE SENS P

TRAFFIC

E

+

HE

tion uca Ed

DAUGHTER

202

Pa F rt Aceastiy de val mi c

TH E

I-17

FORMER PER

I-10

TH

P Fe erf Mu st or lt iv m i- a M

on ti bi hi ce Ex a an l di e

E

D

FI TRAF C

3

Performance

E4X EC

Intimate Gather ing

2 Living

ER ATH DF

Rehnaiboinlitation Reu

CORPORAT THE E

THE GR AN

g atherin te G ima Inetuniogn R vin Li

Drive-In

Speed is registered / felt in the change from one to the other.

An acceleration .

Architecture must begin to accelerate to match our culture , technology , and space.

the project manager

1 Mechanic

Rehabilitation

Academic + Classrooms

Meditation

the corporate executive

Interior and exterior environments not only reunite individuals with their desert surroundings, but also improve their well-being through infused biophilic benefits.

the director

2 Living

Rehabilitation

Reunion

Party !

the student

Intimate Gathering

the retiree

3 Performance

the mother Meditation

Party !

Festival

Multi-Media Exhibition

the lovers

4 Drive-In

the art collector Academic + Classrooms

Intimate Gathering

Multi-Media Exhibition

Double Feature

THE POTENTIAL OF MARYVALE: RECONNECTION THROUGH EXTENSION

2

1

Living: Work + Sleep

Spring 2017

Maintenance: Car + Body

360° Drive-In

Performance

Graduate Final Year Architecture: Advanced Architectural Studio IV

Student: Cathleen Kebert Faculty: R. Hejduk / D. Petrucci

US-60 ng heri Gat

E EMPLOYE TH E

te ma ti ng In ivi L

Although the Family Energy Room is made up of components, it functions as a single component.

THE POTENTIAL OF KB HOMES: RECONNECTION THROUGH INTERNAL COURTYARDS

TY

LOW DE HIGH-S NS PE I E

The project creates a new typology of architecture and urban engagement based on speed and the collision 1 of architectures:

Maintenance

+

UDENT ST

101

This connectivity to the threshold is how other rooms are cooled. This threshold also acts as a porous and seamless framing device to the interior and exterior environments.

Y ITD

I-10

E IV UT

Everything that uses or produces energy is part of the thickened threshold. These components become the infrastructural core walls surrounding the Family Energy Room which mitigate temperatures, recover energy, and incorporate new technologies.

FFIC TRA

HIGH-DE LOW SPE NSI ED

RT COLLE E A CT TH O

Maintenance

THE FAMILY ENERGY ROOM embodies the contemporary atmosphere of the indigenous case studies in response to technological and material innovations

THE LO

Festival

M

R

KB HOMES PRESENTLY: DISCONNECTED HIGH-DENSITY

Dou Intible F mat ea e G tu at re he ri ng

Double-Fe Muilti-Medsture ia E xhi bit io n

TY

ng on eri iti th hib Ga Ex y te dia rt ma Me Panti tiI ul

n io at uc Ed

Programs intended for cars collide and create new uses. Users of the device are never to leave their vehicles, but certain characters and people will use the device differently according to their relative use of the freeway and place within the community.

Through this collision,the new infrastructure informs connections between the urban environment, the identified characters, and their personal relationships between each other and the potential for a culture developing around “the colliders”.

MARYVALE PRESENTLY: DISCONNECTED LOW-DENSITY

RS VE

101

A colliding architecture is designed to keep us alive, engaged, and living in Phoenix’s most scenographic and existential locations: the freeway.

AZ-51

existing environment which have been permitted by technological and material innovations

EE TIR RE

R

I-17

MARKET-DRIVEN DEVELOPER HOMES are not contextual in terms of topography, orientation, and integration into the more natural or

THE DI RE CT O

E TH

Architecture: Advanced Architectural Studio IV

Student: Nicholas Shekerjian Faculty: Elena Rocchi

Inti Liv

TH

branding

Restless legs syndrome (RLS) is a disorder of the nervous system.

Strong urge to move legs.

Research Insights

Gets worse when sitting or lying down.

Hard to fall asleep or to stay asleep.

Over medicated (has long term side effects)

Lack of sleep reduces productivity

Hypothesis

Studies showed biking exercises reduced tremors in people with Parkinson’s

What is electrical muscle stimualtion (EMS)?

Drug free alternative for RLS

How might I help people with RLS sleep better by the activation of muscles used when biking?

EMS is the elicitation of muscle contraction using electric pulses.

Suth uses EMS to activate the muscles in the thighs and hamstrings to simulate riding a bicycle.

accelerometer

gyroscope

Accelerometer and gyroscope combined detects RLS specific movement and soothes the wearer back to sleep The accompanying app easily helps set up Suth.

“Relaxing sensation - fell asleep quickly.”

F, 22, lived with RLS for 5 years

Tried and tested.

Testimonials

“My legs started resting in 20 minutes after the therapy.”

“I have to get me one of that.”

M, 25, lived with RLS for 6 years

Industrial Design: Advanced Industrial Design Studio IV

Student: Alexander Forestier Faculty: Tamara Christensen

Industrial Design: Advanced Industrial Design Studio IV

Student: Sujith Puthenpurakkal Faculty: Dean Bacalzo

65

% improvement in sleep latency

Exploration of Modern Visualization Techniques for Landscape Architecture Howdo dowe wecommunicate communicate as How as designers? designers?

Virtual Reality Example - The Experience

How do we communicate as designers?

Typical methods:

Typical methods: • Graphs and Charts Typical methods:

Focus:

• Conceptual Diagrams • Graphs and Charts • Graphs, • Plans charts, matrices • Conceptual Diagrams • Sections diagrams • Conceptual • Plans • Perspectives • Sections • Plans, sections, and • Perspectives

• Shared first hand experience

• Viewer autonomy - sense of exploration

• Multi-sensory • Human experience

Open the Youtube App and search for the video called “Buckeye Braids - 360 Virtual Reality”

perspectives Usually through prints, boards, and PowerPoints

Usually through prints, Usually through prints, boards, and PowerPoints boards, and PowerPoints

Maximize the video window on your phone and pan left and right 360 degrees around you to experience the design.

Image Source: Business First – Lee Jackson

Youtube

Image Source: Business First – Lee Jackson

As design problems and solutions become more complex, dynamic, and interdisciplinary, how do we communicate this complexity efficiently?

Evolution of Design Visualization Technology 1982: Era of Documentation • Design tools: pencil and paper + CAD drawings on personal computers

GENERAL NOTES GENERAL NOTES

1

2

3

1

2

PHOENIX DOWNTOWN HOTEL

4

5

3

4

6

5

A11.10

7

8

6

8

F

DRAKE HOFFMAN 1811 E APACHE BLVD TEMPE, AZ 85281 DPHOFFMA@ASU.EDU DRAKE HOFFMAN

THE RENAISSANCE DOWNTOWN PHOENIX HOTEL TAPS INTO THE SONORAN DESERT’S CLIMATIC DNA, PROVIDING GUESTS WITH AN INTERIOR EXPERIENCE AS DRAMATIC AND ELECTRIFYING AS THE EVENT THAT INSPIRED ITS DESIGN. ORGANIC INTERIOR ARCHITECTURE INTERVENES ON THE MINIMALIST LOBBY, PERPETUALLY CHANGING COLOR AND BRINGING A LIVELINESS TO THE HOTEL’S ADAMS STREET FACADE. THESE INSTALLATIONS INVITE GUESTS AND VISITORS ALIKE INTO THE HOTEL; OUT OF THE HEAT, BUT NOT OUT OF THE DESERT.

E E

CONCEPT

1990: Era of Simulation

9

EVERY YEAR, AS THE DRY SUMMER HEAT OF THE SONORAN DESERT ENVELOPS THE CITY OF PHOENIX, A MONUMENTAL CLIMATIC EVENT SWEEPS THROUGH THE CITY, 05 EXHIBITING A DIFFERENT SIDE OF THE SWELTERING DESERT. A11.10THE MONSOON IS A CATHARTIC EVENT WHICH PROVIDES A SPECTACULAR, ALBEIT TEMPORARY RELIEF FROM THE GAUNTLET OF THE SONORAN SUMMER. IN ITS BAPTISMAL WAKE, NEW LIFE POPULATES THE CITY, TURNING THE EXPANSIVE BROWN LANDSCAPE INTO A TECHNICOLOR 05 FLORAL OASIS.

F

RENAISSANCE RENAISSANCE HOTEL REMODEL HOTEL REMODEL

A. DESIGN ASSIST PACKAGE TO INCLUDE SHEETS: A11.00, A11.10, A11.20, A11.30 B. MINIMUM AND MAXIMUM OVERHEAD HEIGHTS IN REFERENCE TO BOTTOM CEILING.TO INCLUDE SHEETS:100 N. 1ST ST. A. DESIGN ASSISTOF PACKAGE C. REFER TOA11.00, SHEET A11.10, A11.00 FOR TYPICAL A11.20, A11.30ASSEMBLY DETAILS. B. MINIMUM AND MAXIMUM OVERHEAD HEIGHTS INPHOENIX, AZ 85004 D. ALL OPENINGS TO BE ATO MINIMUM OFOF 3' -CEILING. 0" WIDE. REFERENCE BOTTOM 100 N. 1ST ST. C. REFER TO SHEET A11.00 FOR TYPICAL ASSEMBLY PHOENIX, AZ 85004 DETAILS. D. ALL OPENINGS TO BE A MINIMUM OF 3' - 0" WIDE.

9

7

This works by taking the wide video file and wrapping it like a panorama in a sphere around the viewer’s location.

As you move your smartphone, the camera tells the video to pan the view within the spherical video so you can view 360 degrees around you.

• Design tools: pencil and paper, 2D CAD drawings + 3D digital modeling • Designers are able to visualize and experiment with three dimensional concepts in new ways

Tel 480.560.7645 Tel 480.560.7645

1811 E APACHE BLVD TEMPE, AZ 85281 DPHOFFMA@ASU.EDU

1990: Era of Communication

INSPIRATION

07 ________ ________ A11.10

D

A11.30

A11.20

D

3

01

A11.20 A11.10

PLAN (1/16” = 1’ 0”

Date

3

A11.10

A11.10

3

01 A11.10 08 ________ ________ A11.10

02

7 ________ ________ A11.20

Description

1 04.07.17 ISSUE FOR REVIEW - 80% 2 04.14.17 Date ISSUE FORDescription REVIEW - 90% 3 04.28.17 ISSUE FOR PERMIT 1 04.07.17 ISSUE FOR REVIEW - 80% 2 04.14.17 ISSUE FOR REVIEW - 90% 3 04.28.17 ISSUE FOR PERMIT

A11.30

02

3

Try me!

• Mobile hardware and cloud storage allow designers to connect with contractors, technicians, and consumers which helps optimize designs and construction

07 ________ ________ A11.10

MINIMALIST FINISHES

08 ________ ________ A11.10 7 ________ ________ A11.20

C C

1 A11.20

7 ________ ________ A11.30

A11.20 1

A11.20

A11.20

1

1 06

A11.20 5 ________ ________ A11.20

B

A11.30

8 ________ ________ A11.30

03 04 ________ ________ ________ A11.10 ________ A11.10 A11.10

4 6 ________ ________ A11.20 A11.20

5 ________ ________ A11.20

8 ________ ________ A11.30

5 ________ ________ A11.30

A11.30

Questions to help evaluate materials before the meeting:

Project Name

FASTENER STUD SILICONEMETAL SEALANT

ALUMINUM SKELETON ARCHITEN LANDRELL STRETCH FABRIC PANEL LED STRIP LIGHT

LED STRIP LIGHT ALUMINUM SKELETON (CNC)

FASTENER 1/4" ALUMINUM PLATE

ALUMINUM CLIPS

SILICONE SEALANT 1"- GRAVEL ALUMINUM PLATE EXISTING1/4" SLAB

• What are the different methods I am using to engage my audience with the concept?

Project Number Description

• Are there groups I’m not reaching?

• Do these methods fit within the time I have to present?

Description

EXISTING SLAB

DESIGN ASSIST

Techniques from education theory - multi-modal engagement:

Scale

As indicated

Ref North

• Engage through the senses - multi-sensory

Scale

SCULPTURE ASSEMBLY

03

SCALE: 3" = 1'-0"

03

SCULPTURE ANCHOR POINT

02

SCULPTURE ASSEMBLY SCULPTURE ASSEMBLY SCALE: 3" = 1'-0"

SCALE: 3" = 1'-0"

SCULPTURE ANCHOR POINT

• Engage different learning intelligences - multiple intelligence theory

Ref North

• Assess and Evaluate - observation of discussions, surveys/ polls, questionnaires

SCALE: 3" = 1'-0"

Try me!

RENAISSANCE HOTEL REMODEL

SHEET NOTES

ORGANIC INTERIOR ARCHITECTURE INTERVENES ON MINIMALIST INTERIOR SHELL, CONSISTENTLY CHANGING COLORS TO REFLECT ARIZONA CLIMATE AND SPECIAL EVENTS.

As indicated

A11.00 A11.00

SCULPTURE ANCHOR POINT

02

• Human experience

Youtube

• What is important to convey to my audience?

DESIGNINT622_HOFFMAN ASSIST

1"- GRAVEL

0' - 0 1/2"

0' - 2" 0' - 1"

0' - 2" 0' - 1"

ALUMINUM SKELETON ALUMINUM CLIPS 0' - 0 1/2" LED STRIP LIGHT

ARCHITEN LANDRELL STRETCH FABRIC PANEL ALUMINUM CLIPS ARCHITEN LANDRELL STRETCH FABRIC PANEL ALUMINUM CLIPS

• Sense of scale

• Comprehensive and can by any length required

Open the Youtube App and search for the video called “Buckeye Braids Video - Deconstructed to view the demo of video and animation strategies.

Strategies for improving communication:

RENAISSANCE - LOBBY Project Name REMODEL RENAISSANCE - LOBBY Project Number REMODEL INT622_HOFFMAN

METAL STUD

ARCHITEN LANDRELL STRETCH FABRIC PANEL

ALUMINUM SKELETON (CNC)

• Narrative storytelling

Seal / Signature

NOT FOR CONSTRUCTION NOT FOR CONSTRUCTION

SCALE: 1/8" = 1'-0"

LED STRIP LIGHT

• Quick overview of concepts

Benefits: • Easy to reference, share, and refine

KEY PLAN

Seal / Signature

REFERENCE PLAN - SCULPTURAL FORMS

100 N. 1ST ST. PHOENIX, AZ 85004

RENAISSANCE HOTEL REMODEL

SHEET NOTES

GENDER-NEUTRAL RESTROOMS CONVEY SENSE OF COMMUNITY AND ALLOW FOR EASE OF CIRCULATION

SECONDARY ENTRANCE

DRAKE HOFFMAN 1811 E APACHE BLVD TEMPE, AZ 85281 480.560.7645 DPHOFFMA@ASU.EDU

?

100 N. 1ST ST. PHOENIX, AZ 85004

Visual Visual Mediums Mediums Effectiveness Effectiveness Ratings Ratings for for Communicating Communicating Landscape Landscape Architecture Architecture Concepts Concepts

Educational Theory - Multiple Intelligences Charts, Charts, Graphs, Graphs, Matices Matices

2D 2D Drawings Drawings and and Plans Plans

Physical Physical Model Model

3D 3D Digital Digital Model Model

Flythrough Flythrough Animation Animation

Video Video Animation Animation

360 360 Panoramas Panoramas

Virtual Virtual Reality Reality

Since 1975 Howard Gardner and Thomas Hatch began research into:

1

• People perceive and understand the world through many ways

Educational Theory – Multiple Intelligences

SCULPTURE WEST - ELEVATION EAST

Visual Mediums Effectiveness Ratings for for Communicating Landscape • Each have theirMediums own skillEffectiveness sets that individuals use to understandLandscape and solve Visual Ratings Communicating

SCALE: 3/16" = 1'-0"

Date 4.17.17

BAR

01

CHECK-IN

DRAKE HOFFMAN 1811 E APACHE BLVD TEMPE, AZ 85281 480.560.7645 DPHOFFMA@ASU.EDU

Description

SHEET NOTES

SCULPTURE CENTRAL - ELEVATION EAST

Charts,

2D Drawings

Physical

Graphs, Matices Matices Matices

and Plans

Model

3D Digital

Flythrough

Video

360

Model

Animation

Animation

Panoramas

Virtual Virtual Virtual Reality Reality Reality

Charts, 2D Drawings Drawings Physical 3D Digital Digital and Flythrough Video 360 Howard Gardner Thomas Hatch been studying Charts, 2D Physical 3D Flythrough Video 360 • 8 main categories ofPlans human intelligence Graphs, and Plans Model Model Animation Animation Animation Panoramas Panoramas Graphs, and Model Model Animation

since 1975

RENAISSANCE HOTEL REMODEL

Bodily/ Kinesthetic

• People perceive and understand the world

Verbal Linguistic

through many ways.

Intrapersonal

Logical/ Mathematical •

Each have their own skill sets that

Visual Spatial

problems.

Interpersonal

individuals use to find and resolve

Musical

Book Example - The Written

Naturalist Effective Source: Multiple Intelligences Go to School: Educational Implications of the Theory of Multiple Intelligences Effective

100 N. 1ST ST. PHOENIX, AZ 85004

SCALE: 3/16" = 1'-0"

Architecture Concepts Concepts Architecture Architecture Concepts

problems

?

ISSUE FOR REVIEW 80%

INTERIOR LANDSCAPE

Date 4.17.17

Initial Hypothesized Engagement Effectiveness Based on Educational Theory Research

Description

Effective Effective Effective

ISSUE FOR REVIEW 80%

Somewhat Effective Effective Somewhat Somewhat Effective

Not Effective Effective Not Not Effective

Visual Mediums Effectiveness Ratings for Communicating Landscape Architecture Concepts

2

LPTURE WEST - ELEVATION SOUTH

/16" = 1'-0"

SCULPTURE WEST - ELEVATION WEST SCALE: 3/16" = 1'-0"

RTH

1

SCULPTURE EAST - ELEVATION EAST

RE CENTRAL - ELEVATION SOUTH

02

SCULPTURE CENTRAL - ELEVATION WEST

Charts, Graphs, Matices

CAFE

GENERAL NOTES

DRAKE HOFFMAN 1811 E APACHE BLVD TEMPE, AZ 85281 480.560.7645 DPHOFFMA@ASU.EDU

SCALE: 3/16" = 1'-0"

5

/16" = 1'-0"

SCULPTURE WEST - SECTION 1 SCALE: 3/16" = 1'-0"

2

SCULPTURE EAST - ELEVATION WEST

03

SCULPTURE CENTRAL - SECTION 1

Effective

Date

Video Animation

360 Panoramas

Virtual Reality

• Plans, sections, and perspectives

• Easy to reference, share, and refine

• Comprehensive and can by any length required

When to use:

SCALE: 3/16" = 1'-0"

SCALE: 3/16" = 1'-0"

6

SCULPTURE WEST - SECTION 2

Somewhat Effective

Not Effective

ISSUE FOR REVIEW 80%

Cautions and Limitations

NOT FOR CONSTRUCTION

Be thoughtful about what you show • Professionally produced imagery is powerful and can be misunderstood/ misleading • Be sure to make sure the level of accuracy in a visualization is well understood (example: conceptual images vs. final images)

RENAISSANCE - LOBBY REMODEL

Visualizations can be time consuming and costly

Seal / Signature

• Create visualizations purposefully and thoughtfully with the goal of communicating important concepts

Project Number

INT622_HOFFMAN

NOT FOR CONSTRUCTION

DESIGN ASSIST

GENERAL NOTES

Project Name

04

Flythrough Animation

• Case studies and data collection

• Analysis, opportunities, and constraints

Description

Scale

5

3D Digital Model

• Location context, history, and features

Benefits:

GENERAL NOTES Seal / Signature

Description

/16" = 1'-0"

Physical Model

Not Not Effective Effective

?

Project Name

LPTURE WEST - SECTION 4

2D Drawings and Plans

Somewhat Somewhat Effective Effective

Focus:

SCALE: 3/16" = 1'-0"

4.17.17

LPTURE WEST - SECTION 3

Spring 2017 RE CENTRAL - SECTION 4

6 ________ ________ A11.30

SCALE: 1/8" = 1'-0"

/16" = 1'-0"

RE CENTRAL - SECTION 3

4

Focus:

KEY PLAN

6 ________ ________ A11.30

REFERENCE PLAN - SCULPTURAL FORMS

01

LPTURE WEST - ELEVATION NORTH

UTH

4

5 A11.30 ________ ________ A11.30

A

RE CENTRAL - ELEVATION NORTH

Video and Animation Example - The Visual and Auditory

6 ________ ________ A11.20

A

01

A11.30

2

03 04 ________ ________ ________ A11.10 ________ 06 A11.10 A11.10

4

A11.30

2

A11.30

8 ________ ________ A11.20

B

2016: Era of Immersive Computing

8 ________ ________ A11.20

2

• Virtual and Augmented Reality allow designers to work and share in new ways that allow viewers to step inside designs and experience them.

• Brings a sense of exploration and discovery

7 ________ ________ A11.30

2

3/16" = 1'-0"

RENAISSANCE - LOBBY REMODEL

A11.20

INT622_HOFFMAN

Book Page Layout Example:

Be mindful of accessibility • Be mindful of people who are sensitive to motion sickness, have ocular impairments, or are visually impaired and have alternatives

There is no one tool for everything • Landscape architects should employ all skills ranging from hand drawn sketches to virtual reality as tools to help communicate concepts but be mindful that each type of visualization have strengths and weaknesses.

Project Number

Description

DESIGN ASSIST

SCALE: 3/16" = 1'-0"

SCULPTURE EAST - SECTION 1

Seal / Signature

SCALE: 3/16" = 1'-0"

Scale

3/16" = 1'-0"

Graduate Final Year SCULPTURE CENTRAL - SECTION 2

NOT FOR CONSTRUCTION

A11.10

SCALE: 3/16" = 1'-0"

Project Name

Interior Architecture: Advanced Interior Architecture Studio IV

6

SCULPTURE EAST - SECTION 2 SCALE: 3/16" = 1'-0"

Student: Drake Hoffman Faculty: Elizabeth Harmon-Vaughan

RENAISSANCE - LOBBY REMODEL Project Number

INT622_HOFFMAN Description

DESIGN ASSIST

Scale

3/16" = 1'-0"

Landscape Architecture: Advanced Landscape Architecture Studio IV

Student: Paula Wheeler Faculty: Rebecca Fish Ewan

Layout in Relation to Engaging Different Intelligences:

Creativity in Nature Biomimetic Sketchbook to provide designers with inspiration through Biophilic images Sketchbooks are one of the most accessible tools for designers to creating and presenting ideas. To support designers in finding ideas, this project focused on capturing observation in the form of a sketchbook. Due to the pressing issue of sustainability, and the great impact visual communication practices

Visual Communication Design: Advanced Visual Communication Design Studio IV

has on the environment, this notebook was designed with Biomimicry. Instead of Humancentered design, biomimetic solutions focus on life-centered design. Through this project, I learned the methodology of environmentalfriendly design, as well as was inspired by the wisdom of nature.

Student: Zhenqi Wang Faculty: Michelle Fehler

Catalog printed on Forest Stewardship Council certified Mohawk Options

Printed by Prisma Graphic Phoenix

Pages 4, 5, and 74 Photographs by Craig Smith

Responsible Forestry Certified SCS Global Services

Prismagraphic.com (602) 243 5777

ASU Herberger Institute for Design and the Arts Š 2017 Arizona Board of Regents.

All rights reserved.

http://issuu.com/ thedesignschoolasu Catalog and Exhibit Production by Carl Ryan Luy and Lauren Schaecher

Cover and Catalog Design by Andrew Weed

The Design School

PO Box 871605 Tempe, AZ 85287-1605 design.asu.edu