Student Exhibition Catalog 2016

The Design School Student Exhibition 2016

The 2016 Design Excellence Student Exhibition presents the work of undergraduate and graduate students majoring in architecture, design science, industrial design, interior design, landscape architecture, urban design, and visual communication design in The Design School. As a comprehensive design school embedded within a public research university, our mission is to educate the next generation of design leaders by providing broad access to a trans-disciplinary model of design education.

Cover Lithograph:

Spring 2016

Graduate Final Year Visual Communication Design: Advanced Visual Communication Design Studio IV

Student: Christian Montoro Faculty: Andrew Weed

Split-Fountain Serigraph: Hawai’i Volcanoes National Park

Please enjoy the student work contained within this catalog illustrating the intellectual and creative work of individual students as well as the collaborative work of teams of students. I trust you will also see the influence of The Design School’s distinguished colleagues committed to re-imagining design education and design practice as a means of improving the quality of the built environment while transforming society by design.

Lauren McDermott Interim Director The Design School Herberger Institute for Design and the Arts Arizona State University

INSPIRING INTERACTION

Herberger Cultural Gallery

Responding to intersections created by circulation patterns that move through the site, the layout of the student center engages students and provides a space for inspiration. Using principles of compression and expansion, the rising roof of the steel structure establishes a hierarchy of space, and introduces voids within the form it envelops. Working with this steel structure, the overhangs that divide the program of the student center create distinct thresholds and frame the spaces where artwork is displayed.

When the sun is up the perforated facade filters natural sunlight while providing the galleries with outdoor spatial qualities. At night, the facade disolves and reveals the exhibitions within the galleries.

Exterior lounge space

Interior lounge space

Exterior facade at dusk east to west section 1/8"= 1'

North

South

west to east section 1/8"= 1'

East

q

Elevations 1/16” = 1’-0”

Structure + Voids

West

buildings aimed at different qualities of light act as beacons shiniging in all directions that

N. Section Cut 1/16” = 1’-0”

Section

light the way to unite our community

7 1 6 3

5

4

2

1. Main Gallery 2. Secondary Gallery 3. Lounge 4. Cafe 5. Restrooms 6. Outdoor Seating 7. Bike Locker

Site + Building Plan 1/16” = 1’-0”

Fall 2015

Undergraduate Second Year Architecture: Design Fundamentals III

Student: Abel Clutter Faculty: Claudio Vekstein

Architecture: Design Fundamentals III

Student: Lindsey Griffith Faculty: Scott Murff

The main purpose of this de-

REVIVAL

sign is creating an exhibition structure for Herberger Institute to exhibit students’ design works. The structure is located between Payne Hall and Farmer Education Building on Mall.

It needs to provide a major exhibition space, a minor exhibition space, a cafe area and two restrooms. The considering start point is the purpose of building for this design: exhibition building of students’ design works. Therefore, “wings” are used as the actual start point of this design to show the meaning of “flying”, which shows design students’ utmost pursue to the dream, also sends the best wishes to design students and their works.

Reconnecting Icons of the Sonoran Desert

F r e e d o m tT o F l y

Map Aerial rr Cu

Site Context & History

Since 1914, the Papago Park became the PapagoSaguaro National Monument, and it was sold to the City of Tempe in 1930.The Moeur Park is an extension of the Papago Park that is located on the south side.The Moeur Park was named after Tempe’s first governor’s wife, Mrs. Honor Anderson Moeur, in 1977. The Moeur Park is located above the Red Mt. Freeway and is boarded by the Curry Road on the north side. The park is mostly used for hiking, biking, and other recreational activities in today.

oad

yR

Exterior Rendering 1

riangles folded together in this work to show the meaning of “wings”, thus became the basic elements of design. Triangles are not only to express the abstract pattern of “wings”, but also to create more interesting, more three-dimensional and more effective spaces after overlaying and folding together effectively. At the meantime, it reasonably meets the design requirements of multiple functional partition. Whatever acquiring a broad space for the exhibition building itself, or good wish for students to realize their dreams in the future, there is no doubt that this design gives them freedom to fly.

Red Mountain Freeway

Site Analysis

Secondary washes, providing more water for the surrounding plants

Between two existing trails, easy to have secondary trails to enter the site Scale: 1” = 400’

Major Exhibition Rendering

Figure 1 is the site plan. The red highlighted area is the construction area.

Figure 2 is the function partition floor plan of the structure.

Figure 3 is the building and site exploded diagram. The underground level of Coor Hall plays a connecting role. If this element can be extended to wider area, there will be more and richer space being created. It makes the campus more stratified and creates more optional choice for students to cross the campus. The red area is the underground area in the site, which can be extended. There are two slopes less than 8.5 degrees going down from the ground level, which are provided for people (include disabled people) to access to the underground level. They are combined with the entrances of the structure effectively meanwhile, making the functionality better.

SITE PLAN Gentle slope, necessary requirement for saguaros

Land soil is good to build structures on the surface

figure on the bottom left shows the two exhibition spaces. The lower-right slope divided two exhibition spaces. When visitors walk along the slope, they can see all the exhibits in both of the two exhibition spaces. At the same time, it also plays the role of connecting the underground level with the coffee shop which is on ground level (the middle-left figure). In the coffee shop, the joint of the slope and ground has also successfully separated the counter and the seating area. The slope in the upper-right figure is set in the coffee shop. It connects the coffee and the roof garden (the upper-left figure).

vegetation wash canal bird habitat area

Design a habitat area to bring back the icons of Sonoran Desert in Arizona, both the Gila Woodpeckers and the vegetation. Looking for the connection between these two, and to make a functional space.

Figure 4 is the exploded diagram of the three parts of the structure and two in the structure, and the Figure1

viewpoint access point new trails major trails

Canal, providing large amount of water to the vegetation

Male Gila Woodpecker

Scale: 1” = 400’

Female Gila Woodpecker

New Trails Building Structure

Mesquite Tree

Desert Carpet

Figure2

Exterior Rendering 2

Saguaro

SITE PLAN

Scale: 1” = 20’

Cottonwood Canal

Cross Section Scale: 1/8” = 1’

Figure3

Cafe Rendering

Mesquite & Desert Carpet

South Elevation

Building Structure

Person

Mesquite & Desert Carpet

Longitude Section Scale: 1/8” = 1’

West Elevation

Figure4 East Section

Person

Building Structure

Saguaro & Desert Carpet

Saguaro & Desert Carpet

VIEWS TO THE HABITAT North Section

Model Photos

Physical Model Scale: 1/8” = 1’

Architecture: Design Fundamentals III

Student: Yuchen Zhao Faculty: Joe Pritchard

Landscape Architecture: Design Fundamentals III

Student: Tian Fang Faculty: Allyce Hargrove

Cottonwood

Canal

Undergraduate Second Year Industrial Design: Industrial Design I

Student: Ravenna Curley Faculty: Roozbeh Valamanesh

The concept for House Finch Habitat is to create a sense of seclusion near populated areas of the park. Moeur Park is used throughout the community for its hiking and biking trails, as well as the archaeological site, and with the additon of the House Finch Habitat, it will be a place for all visitors to rest in a tranquil environment. The trails are designed to wind through the property, like the bounce in the flight of the House Finch. The vegetation adds to the natural beauty without disrupting it by using native plants. These plants will provide a lush environment in certain areas that will provide shelter for visitors, food and habitats for the areas insects and animals, as well as beauty for the community. The House Finch Habitat will also serve to educate visitors with discreet plaques placed throughout, that will tell about the history, wildlife, and vegetation facts and encourage more people to visit – potentially transforming a natural habitat into a destination location for generations to come.

• To create a habitat that is secluded, but also near the populated areas of the park.

• Close enough to the trails to be inviting, but does not harm the nearby paths.

• Use the space for viewing and educational purposes.

• Be on the flat ground, but near mountains for a scenic view.

FinchWing North-South Elevation

The pavilion cuts into the east side of the wash and stands just above the west side.

Located inside the pavilion are a variety of benches and a table to learn more and observe the House Finch.

Inspired in one place and designed in another? Stay and appreciate or leave and create? The artist’s crisis. No more laptops or having to carry a tablet or even sit down. The complete, Omnilux set literally gives you the capability of digital drawing at your fingertips, the computing and rendering power of tomorrows smartphone technology and seeing through the lenses 2D and 3D scanning. With this you can become a designer on-the-go and be ready to capture and create.

East-West Elevation

What innovations can make this possible?

Fountain in the site cools down both humans and animals in the area.

Pathway is eight feet wide allowing all types of people to enter and move through the site.

How does it work?

1. Activate wrist piece, via power button or unlock. The hand will not need to be turned on.

Site Plan Drawings

2. Test on a surface to ensure the hand, the wrist and glasses are all in synchronization. The view can then either remain in the focus of the glasses laser grid, or a “snapshot” of the picture can be taken. All of the movement will be tracked, recorded and displayed on your wrist piece. Calibrate sensor grid by turning on glasses via power buttons on either side. It can be set to 3D scan or rasterization into 2D.

1” = 200’ scale Opportunities and Constraints:

• The site is located on the East side of the park. Allowing access from both the Lizard and Loma trail.

• The site is in close range to a playground and parking lot.

• With the pavillion being on top of a wash, it creates more of a challenge to design it efficient and sustainable.

• The observation area provides scenic views of the mountains and Tempe skyline.

• Noise disrubtion is a big concern due to the four roads and air path above.

3. Start drawing. Once a frame is locked, the settings can be switched so that the grid is no longer referenced by the glasses, but as a fixed image save on your wrist piece. You then hold your wrist piece at an easy point of view and use alternately, or synchronously to your advantage.

4. Build your library by saving what you find, or what you design. If the grid is locked then the hand module no longer needs to be looked at as all your motion will be rendered onscreen. A setting can then be activated on the back of the hand piece to switch to texture mapping, by tracking the texture of whatever you touch.

By taking the time to scan an object a data library can be built of textures and materials for later use. Store it for later on the cloud or memory plugin.

1” = 40’ scale 1/8” = 1’-0” Scale.

The building took its shape after a modernized verion of a House Finch’s wing.

What do the parts do?

Input Design 1.0

The initial design of the Omnilux, this design has a futuristic look to it, incorporating inspiration from the medical field with a touch of futurism.

This was ultimately changed to the homage toward Wacom style design after completing the 1.0 model in Solidworks.

The Pathway winds through the site and acts as a ramp from the pavilion to the trail.

Pathways are made up of stone, cut and found from around Moeur Park

Gather information

Hand Model Designed by XAMR on GrabCAD.com

Grid Projector - 4 sensors and 2 receivers mounted on any glasses frame for laser grid tracking or 3D scanning.

Input Design 2.0

- -Point cloud laser - -2D tracking with a coordinate grid - -3D scanner with rasterization

Redesigned to look more like a drawing device, with a built in pressure sensor and Laser sensors.

A trigger finger drawing tip and a thumb eraser, both have a hotkey and wire embedded rubberized fittings with embedded batteries.

Display, edit and store

Output HUD - Flexible Interactive LED display with a soft touch button housing. An X shaped wire embedded rubber fitting and battery housing.

Carpodacus mexicanus (House Finch)

- -Combined receivers for glasses and hand - -Acts like a next gen smartphone - -Specialized for design work

The House Finch has an average height of twelve centimeters and a weight of sixteen grams. The finch likes to perch in tall suburban areas. The males are red on the top of the head and chest. The females are grey on the head and chest. They consume berries, seeds, and grains.

Site Materials

Draw Trigger finger - -Precision mode button - - Secondary soft nib for texture - -Wrap around fitting

Erase

Fouquieria splendens

(Ocitillo) They have small, two inch leaves and dense clusters of red flowers.The Ocotillo grows from twelve to fifteen feet tall and prefers to live in open, rocky desert soil.

Fall 2015

Cylindropuntia fulgida

(Jumping Cholla) Birds enjoy this plant for nesting purposes. Grows around ten to twelve feet tall. Blooms orange flowers.

Lives in hot climates.

Carnegiea gigantea

(Saguaro) Grows only in Arizona. With branches high above the ground, it provides a great habitat, as well as food for the birds. Saguaros can grow up to forty feet tall.

Thumb piece - -Squeeze fitting - -Eraser nib - -Thumb piece can be left hanging for precision

Parkinsonia microphylla

(Foothill Palo Verde) Has green bark and yellow flowers. The tree has small leaves and is multi-trunked.

Requires very little water.

Natural Stone

Concrete

Wood

Undergraduate Second Year Landscape Architecture: Design Fundamentals III

Student: Audrey Newlen Faculty: James Coffman

Industrial Design: Industrial Design I

Student: Joshua Chang Faculty: Dean Bacalzo

CE N E D I S E R ER THE RESSL

LUNA RUN NATURAL SAFETY LIGHTS MADE FOR NIGHT RUNNERS

DESIGN Luna Run’s outer shell comes in a variety of colors, with the option of adding additional reflectors as well as replaceable lining for the bioluminescent water.

The driving force behind this renovation was integrating ease of use & aesthetic appeal without compromising one for the other. Combining a level of modernity that allows for optimal organization and function while blending Mr. & Mrs. Ressler’s more traditional tastes was key in this project. Due to their age, accommodations to assure that the transitions that come with aging could be made seamlessly were imperative.

The couple also needed a space that could better accommodate their guests during their holiday parties & Mrs. Ressler’s weekly group card nights. Mrs. Ressler enjoys baking and cooking for her guests so a space that allowed her to be a part of the conversation while also accommodating her cooking needs was vital.

Mr. Ressler desired improved access to the outdoors in order to take better advantage of their backyard and improve upon the view of the golf course behind their home that he so enjoys. Lighting concerns were also a priority of Mr. & Mrs. Ressler. Due to the abnormal sleep schedule that Mr. Ressler’s work creates, full control of natural and artificial light was a crucial aspect the new design needed to address.

CURRENT SITE/FLOOR PLAN

SCALE: 1/16= 1’-0”

THE REDESIGN

ERGONOMICS With its slick and natural curve, Luna Run supplies comfort, support, but most importantly safety - using natural glowing marine organisms.

PROPOSED SITE/FLOOR PLAN

SCALE: 1/8”= 1’-0”

Strap Cuff Pastic protective shell

CONVENIENCE Luna Run can also be easily removed and added to any 1-litter hydration vests or packs.

FURNISHINGS

INTELLIGENT DESIGN KITCHEN

LIVING ROOM

utensil & spice drawer divider next to stovetop

Replaceable plastic lining

bulthaup drawer divider for extra provisions dish drawer with dowel organizers

tall pull out cabinet for non-perishables

undersink storage pocket doors to hide appliances

MASTER BEDROOM

next to sink storage

PATIO THRESHOLD automatic pergola shade with side blinds to protect western and southern sides from exposure

MATERIALS

white oak

LIGHTING

concrete

quartz

aluminum

Modern more industrial materials such as raw concrete and aluminum framing were used to reference the modernity in the space while natural oak accents warmed the space and tied in the couple’s more traditional style. These materials provide high color contrast allowing for better visibility whilst one ages in the home, as well as durability ensuring the longevity of the design.

Industrial Design: Industrial Design I

Student: Ravenna Curley Faculty: Roozbeh Valamanesh

marine grade polymer outdoor kitchen to match white interior & provide durability

Interior Design: Interior Design Studio I: Residential

Light control is optimized through use of dimmable recessed lighting and motorized roller blackout shades. Both of these options allow for an environment that can be completely controlled by the user while also allowing for unobstructed views of the surrounding vistas.

Student: Clara Medland Faculty: Milagros Zingoni

EXTERIOR PERSPECTIVE

CONTEXT INSERTION

Diamond Crossings is a place to escape from the high speed of everyday life. To provide the chance to get in touch with nature in a new way. To appreciate the soft natural light that enters through the windows spotlighting the beau beautiful features of each individual space. Like the kitchen with its pop of patterned tile or the family room arranged perfectly to relax or have a conversation. The space is filled with natural materials and neutral color. Wood beamed vaulted ceilings, beautiful textured walls and floors, unique industrial lighting fixtures and one of a kind artwork complete the space. The spiral staircase make transitioning into the next space a unique experience,

SECTION

DIAMOND CROSSINGS

EXTERIOR PERSPECTIVE

PROCESS

BOTTOM & TOP FLOOR ATMOSPHERE / PLAN

SECTION MODEL

FLOOR PLAN DIMENSIONS

WRITING OF FLOOR PLAN

MATERIALS & FURNITURE PALLET

Located at the address of 1100 E Ocotillo Dr Scottsdale, AZ the home is perfectly situated in a neighborhood that has a sense of community, privacy and unique views of the center bouldering mountains. The windows of the home are greatly inspired from the Melnikov house in Russia. The di amond shape windows that reach to the tall ceilings extending eighteen feet floor to ceiling allows for light to travel into the windows and create their own pieces of art. Each window frame creates a different views of the beautiful natural desert landscape. With the diamond windows orien tated to the south-east, the sunlight moves beautifully from the east to the west. While the south wall provides a serene water feature and unique entrance.

Beginning with the bed of my own bed and growing into the space of the bedroom is where this project began. Continuing to grow into the home, the inspiration process started with the windows of Melnikov’s house in Russia. The idea expanded with the desire to have lofted bedroom to create a place to escape. But also to incorporate a second story, play with the variations of high ceilings creating intimate spaces in the dining room and bedroom but open and welcoming spaces in the kitchen and family room. The shape of the house was born from the writing of words and imagining the movement of bodies throughout the home. How they would experience the light, the architecture and the surrounding landscape.

Fall 2015

Undergraduate Second Year Interior Design: Interior Design Studio I: Residential

Student: Cassidy Williams Faculty: Elena Rocchi

Visual Communication Design: Design Drawing I

Student: Ryan Luy Faculty: Marsha Minniss

Visual Communication Design: Letterform

Student: Andrew Salomon Faculty: Andrew Weed

Visual Communication Design: Visual Communication Design I

Student: Alec Lund Faculty: Marsha Minniss

Prospect | Refuge

Tangency

PIESTEWA PEAK SITE ANALYSIS In addition to standard site analysis diagraming, the below graphic is an in-depth study on how the geology of the site has influenced space. After showing the different rock types, shadows, and fault lines, and geometries one can follow the progression to the identified of “Fault Spaces” on the site.

A compelling structure protrudes out of the geometric mountain providing spaces of prospect and refuge for the community.

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VE

Piestewa Peak, Phoenix, Arizona

GE

PIESTEWA PEAK SITE ANALYSIS

TA TIO

N

In addition to standard site analysis diagraming, the below graphic is an in-depth study on how the geology of the site has influenced space. After showing the different rock types, shadows, and fault lines, and geometries one can follow the progression to the identified of “Fault Spaces” on the site.

A redefinition of place is characterized through the intimate exploration space. The transformation of public space - in this case, a library - is the resonant state of community. In this civic center, the universal familiarity of perfect geometries, paired with the visual tangibility of place. Foundational acknowledgment is the key for the art of community

WAT

ER

SU

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GEOLOGICAL FAULTS

Metarhyolite

Variable Schist Greenschist Alluvium Reverse Fault

VE

WIN

D

Reverse Fault

Site Boundry

Reverse faults are created from compressional stress between two plates deep within the crust. As a result, the hanging wall is pushed up above the foot wall.

GE

TA TIO

Precedence

N CIR

CU

Case Studies

LA TIO

N

WA TE

R

VIE

WS

GEOLOGICAL FAULTS

Metarhyolite

Variable Schist

GEOMETRY OF REFUGE SPACES ON SITE

Greenschist Alluvium Reverse Fault

WIN

ZO

HO

US

Refuge Space

A “Refuge Space” is formed when a hanging wall creates a sense of protection and shelter for the visitor. In a “Fault Space” a user should be able to lean against the rodk face and feel comfortable enough to read a book.

IN

G

CO

circle encased by square

Seattle Central Library

NTE

XT

LA TIO

N

Mimicing the geometry of the mountain, the form of the library adopts the natural characteristics of the landscape

Process

VIE

WS

GEOMETRY OF REFUGE SPACES ON SITE

Receiving Z ON IN G

Front Desk

Book Swap Lounge Community Cafe Kids Check Out Support Reading Offices Stacks Teen Computers

Refuge Space Scope of Work Site Boundry HO

US

A “Refuge Space” is formed when a hanging wall creates a sense of protection and shelter for the visitor. In a “Fault Space” a user should be able to lean against the rodk face and feel comfortable enough to read a book.

Greenschist

Piestewa Peak; Pima name

study corral G

CU

Alluvium

central core

NIN

Metarhyolite

Greenschist

CIR

Variable Schist

native american tribe center; Pima

Site Boundry Variable Schist Alluvium

Refuge Space

Pima Tribe

perfect geometry for structural influence

Scope of Work

Reverse faults are created from compressional stress between two plates deep within the crust. As a result, the hanging wall is pushed up above the foot wall.

Metarhyolite

Kiva

Louis Kahn

Refuge Space

D

Reverse Fault

Site Boundry

Inspiration Exeter Library

Understanding the refuge spaces influenced by the geology of the site determined the best place to build on the site. Positioned right off of the road insures minimal impact to the landscape

IN

G

Refuge

Prospect

Community

Front Desk

Lounge

Kids

Receiving

Reading

Cafe

Stacks

Check Out

Teen

OMA

Roden Crater

distinction of specific floor functionality

oculi

social vs. private space

light guides experience

exposure to natural light

descension into space

Circulation

Natural Light

Ventilation

James Turrell

Structure

Support Offices

CO

Book Swap NT

Computers

EX

T

Reading

After identifying the essential programs of a library and studying their primary function, programs were catagorized as either refuge or prospect. Form was then altered in section in order to provide optimal spaces for the program

central core as centerpiece for ventilation, light, & structure

detachment of floors and retaining wall allow for natural ventilation & reflected natural light

Stacks

Reading Reading

Kids

Reading Front Desk

TEENS Stacks

Community Receiving

Offices

Check Out

Support BOOK SWAP

Computers

Reading

Cafe Community

Mass and Void Third Floor: Prospect Glass and Steel

Second Floor: Prospect Glass and Steel

First Floor: Refuge Concrete

Site Plan

1/64” = 1’-0” Second Floor 1/16” = 1’-0”

Site Plan 1/64” = 1’-0”

Section 1/16” = 1’-0”

5

First Floor 1/16” = 1’-0”

4

3 2

6

2

4

3

1 1

1 2

5

1. Entry 2. Coffee 3. Self Check Out 4. Cyber Cafe 5. Offices 6. Recieving and utilities

1 8"

= 1'

First

Floor

1/16” = 1’-0”

1. Circulation Desk 2. Teen Center 3. Classroom 4. Outdoor Patio 5. Kids Area

1. Information Kiosk 2. Outdoor Patio 3. Bleachers

3

1 8"

= 1'

Second Floor 1/16” = 1’-0”

1 8"

= 1'

Third Floor 1/16” = 1’-0”

SouthEast Axonometric

North East Axonometric

Fall 2015

Undergraduate Third Year Architecture: Architectural Studio I

Student: Josh Greene Faculty: Claudio Vekstein

Architecture: Architectural Studio I

Student: Nicole Bone Faculty: Mark Ryan

Study Pod - Social vs. Private Space

PRIMED

JUXTAPOSING THE DARK ENCLOSURE OF THE MOUNTAIN WITH THE ENLIGHTENING OPENNESS OF THE LIBRARY SPACE our DeSign aimS to comPliment the mountainSiDe anD caPture the Stunning SurrounDing viewS while leaving the lanDScaPe moStly unDiSturBeD. the entrance to the liBrary actS aS a gateway to the exiSting trail, ProviDing an outDoor relaxation SPace For hikerS aS well aS liBrary viSitorS. context maP

Site analySiS

FIRST AID KIT

Site maP

ProceSS DrawingS

Primed First Aid Kits provides traditional first aid supplies in a new modular packaging so you know when you have run out and can instantly replace the need supplies at the store.

In emergencies the kit simply unfolds, allowing you to view all the supplies without even opening the kit. Once done lift up on the handle to fold the kit up and GO!

Floor PlanS

grounD Floor Plan

RESEARCH

Basic First Aid Injuries

First Aid Kits are generally not the most organized product on the market and can cause more havoc than help in emergency situations. They can be a struggle for the user to open and operate causing the whole experience to be more stressful than what it should be. Therefore many people opt for the DYI First Aid kit which inevitable becomes a bin of random first aid supplies. In all current First Aid kits the supplies inside becomes out of order and it becomes hard to keep track of what supplies are in the kit

Cuts & Scrapes

Bumps & Bruises

Burns

Stings

Not participating in activities

Being Sick

80% of mothers and 77% of fathers know how to take care of their child’s injury using basic first aid

Punished The Dentist Nightmares Vegetables

FirSt Floor Plan

Section DrawingS

Section cc

Baths

Getting in trouble New foods

School

Failing

Wearing Helmets

The dark

Divorce

Getting hurt

Fallowing rules

Yelling

The Doctors

Medicine

Being Picked Last

Being teased Homework Tests Bullies Being grounded Confessing Shots Being Scared Moving

Waiting

Skinned Knees

16.5 million mothers and 15.25 million fathers do not know how to take care of their child’s injury with basic first aid

Losing

Eating with utensils

Bedtime

Monsters

Speeches

86.6% of parents experienced a bonding with their child when they are treating minor injuries

Muscle & Joint Aches

Chores

What do children dislike?

Ideation and Form Studies

Final Model 5

9 Section aa

Section BB

2

3

6

8 7

2

b. Mechanism Arms- Injection molded polystyrene

5

9

4

1. Rubber Base, Injection molded rubber 2. Kit Base, Injection molded Polystyrene 3. Handle, 2 part Injection molded rubber 4. Lid- Injection molded polystyrene 5. Button- Injection molded polystyrene 6. a. Mechanism Base- Injection molded polystyrene

1

7

6a

6b

4

c. Mechanism Pin Lock- Injection molded polystyrene

7. Air Tight Cap Sealer- Injection molded polystyrene 8. Spring- Hardened Steel 9. Window- Injection molded polycarbonate

3

Using Primed First Aid Kits ServiceS

Book ShelveS anD taBleS

Pack Up & Go

reSt roomS, oFFiceS anD circulation

Spread Kit

Spread first aid kit by pulling outward from the bottom to be able to see all the contents of the kit

Buy Packages

Push Button

Remove Lid

Press the button on top to release the lid Press button back down to seal lid

Purchase individual first aid items to customize the kit to the users specific needs

Punch Hole

Break the perforated hole to create a tab to open when the package is in the kit

Lift from handle

Chose Item

Place Package in Slots

Secure lids and lift from the handle to fold up the kit

Pick the appropriate first aid item for injury

Features and Packaging Airtight seal to keep water and dirt out of first aid items

Research

Hinge allows the kit to unfold for the user to see all contents

Band Aids

Burn Gel

Medical Wrap

Ibuprofen

Antiseptic Wipes

Hand Sanitizer

Ice Pack

Scissors & Tweezers

Nitrile Gloves

Antibiotic Gel

Moleskins

Gauze

Individual first aid packages to easily customize and refill

Band Aids Push lock button creates the air tight seal and prevents lid from accidentally opening

Band Aids x30

Primed Band Aids heal your minor

cuts and scrapes faster with antibacterial cotton and stay on longer with a stronger adhesive. Primed Band Bids will protect your wounds and get you back out there.

First Aid Kit

Architecture: Architectural Studio I

Students: R. Chiago / M. Gresko Faculty: Catherine Spellman

Industrial Design: Industrial Design III

Polycarbonate window to view contents with out opening

Student: Ian Hefflefinger Faculty: Roozbeh Valamanesh

PRIMED

Rubber Base to take impacts from typical use

preserving positive memories

Bespoke Hosting

MensWear FashionShow

520 S Mill Ave. Tempe AZ

How can caring for a loved one with dementia produce positive memories?

This project is a Prada menswear store located on Mill Avenue in the historic Tempe Hardware Building. Mill Avenue is an unusual home for a luxury brand like Prada since customers in this area are mostly ASU students. In addition, there is a Prada store in Scottsdale only five miles away from the site. Our strategy is to design a bespoke menswear Prada which can attract interest from out of town visitors, and also host art and fashion shows for all to enjoy.

In many cases, when family members assume the role of caregiver for a parent or spouse with dementia, their role as a

child or spouse falls second to caregiving. Because of this, when the loved one passes away, the caregiver is left feeling a lack of purpose in addition to dealing with the loss of a parent or spouse. Serving as a memory box, Kin encourages a time of reflection between family caregivers and loved ones effected by dementia. During this time, the child can record memories for the parent, and vise versa. While the parent or spouse is still alive, Kin will sit on their bedside table and play comforting memories to alleviate the anxiety people with dementia often have due to the transition between day and night, often times a result of sundowning. After the parent passes away, Kin will move to the child or spouse’s bedside table in order to comfort them during their time of loss.

Light Mode:

Memory Mode:

When device is not in use,

Kin displays images via a

it is used by a light on the

projector when stories are

users bedside table.

being played back to the user.

Prada is a brilliant, creative, artistic, and humble brandthey exhibit an extensive art collection in galleries around the world; they have branched into film, to critical acclaim; they successfully introduced Nylon as a viable material into the fashion world. We created a specialized gallery space for Prada “ because fashion will never stand confidentially without art.” A humble gallery space with a subtle, tailored asymmetry is the best way to respect the historical building and Prada.

Stiching, hardware, zippers, and leather... the essentials of Prada fashion. We transferred those essentials into functional and aesthetic interior design elements- shelving, display cases, handrails, etc.- to create a finely detailed design as if created by Prada itself

The prominent entry stair allows for product display and circulation. The steps also serve as raked seating, hosting the occasional visitor and larger fashion show audience.

LIGHT/PLAY BUTTON

Old - New The original brick is more rough and textured than the tailored Prada aesthetic. By incorporating an interior façade of smart glass panels, the old building is celebrated and framed, revealing the beauty of the original brick while feeling more smooth and polished. The smart glass also allows Prada to display video and motion work during fashion shows. The f lat head brass brackets anchor to the old wall to hold the new together.

Flat head brass glass bracket design for glass wall in Prada store. The bracket design derives from the hardware feet of prada bags and celebrates the hardware building history.

Coved lighting integrated into the handrail, steps and elevation changes accommodate way finding and illumination needs while maintaining a clean visual aesthetic.

Furniture Design Showroom

SEND FILES FROM PHONE TO DEVICE VIA BLUETOOTH

Display block, coffee table, brass clothing hanger, and glass brackets are all inspired

by Prada fashion techniques and gallery aesthetics.

Lighting Design Recessed lighting is derived from the threads and stitching of Prada products. Integrated C-channels house strip fixtures and allow light to articulate interior walls.

9.

The marble wall tile installation mimics the thin threads on Prada bag linings.

Elevation

TURN DIAL TO INCREASE LIGHT INTENSIT Y/VOLUME Section The interior walls are held off the f loor with reveals and integrated cove lighting, which washes the recycled leather f loor. The resulting light functions as way finding.

First Floor Floor Plan

Product Use: Kin is coupled with an application to allow the family member to record the stories, and edit them after the stories have been captured. The caregiver would send an image to be displayed on the device, and would record on their phone. When the recording is finished, and

View from the back entrance High end clients can park directly behind the building and be received in a semi-private lobby.

edited, the caregiver can send the story via bluetooth to the device. The application would allow them to delete stories off the device, and edit the recordings. The images are displayed via a projector from the inside of the device onto the outer display.

Products Display Area

Mezzanine The catwalk wraps the perimeter of the two story space, framing the view from the entry stair, and during events and fashion shows, directing models past the front windows extending Prada to viewers on Mill Avenue.

Fall 2015

Second Floor Floor Plan

Undergraduate Third Year Industrial Design: Industrial Design III

Student: Anastasia Miller Faculty: Dean Bacalzo

Interior Design: Interior Design Studio III: Hospitality and Retail

Students: J. Wen / B. Xu Faculty: J. Bernardi / B. Smith

From Home to home...

Land Use Master Plan Scale: 1’’= 2450’-0’’

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Creek Community strives for net zero in four ways, centralizing public transit, requiring green buildings, green streets, and storm water management.

1 2 3 4

Legends (Land Use) Industrial

AC

This Queen

1 MILE

0

sustainable systems in mind, like on site renewable power, storm water collection, and reduction of heat island effect, a net zero community is achievable.

6,4 RES

Design Introduction:

2 MILES FROM TOWN CENTER

16

To make a net zero community many aspects must be considered. Planning decisions not only affect building energy consumptions and emissions, but transportation energy consumption and water use as well, all of which have large environmental implications. Designing with

The site is located at the Northeast part of Gilbert. Our site is surrounded by large amount of Residential area, which is the home of around 70,000 people.

The site has includes Freeway 202; and it lies near the Gateway Airport and ASU polytechnic Campus. Meanwhile, the site also includes lots of existing farmlands. These conditions create great opportunities for developing Food Production Industry based on local source.

The target customers will be the residents in Gilbert; and the factories will also be opened for Sightseeing and Education.

Commerial

NET ZERO COMMUNITY 640 AC

The major goal of this site design is the Milk and Cereal production based on Local Pasture and Argiculture: “Your Breakfast grown and processed from big community Home to your little sweet home.”

192 AC

Design Goal:

Town Center

1. By centralizing the commuter rail in the community, it is easily accessible by all and encourages use of public transit. Also by surrounding the transit hub with mixed

Master Plan (Whole Site) Scale: 1’’= 2450’-0’’ Community Center:

use developments and walk and bike friendly streets visitors from outside the community are attracted to the community.

Grains Warehouse:

Core area of whole site, which is for Commerical use and Community activities.

2. Requiring new buildings to meet green building standards (green roofs, solar panels, green screens, etc.) and implementing renovations for existing buildings lowers the communities carbon footprint.

The grains collected from farms will be Stored here, then delievered to the Factory.

Community Parks:

3. Green streets shade heat absorbing surfaces like concrete and asphalt. The tree canopy also shades pedestrians creating a pleasant walking environment and allows separation between traffic and pedestrians. Green streets also reduce underground infrastructure by handling storm water effectively and ethically.

Oat Farm:

Green area, which provide Open space, Lawn and Shades.

Urban Argicultural area which provides Oat for Cereal Production.

Wheat Farm:

Urban Argicultural area which provides Wheat for Cereal Production.

4. Storm water in the community is handled several ways and focuses on infiltration back into the groundwater. Check dams used to slow the flow of precious storm water, green streets replace underground storm water systems, and pervious pavement allows for water infiltration and safe pavement solutions.

Power Canal:

Row House Plan View

The canal goes through the site from North to South.

Corn Farm:

Industrial Area:

Urban Argicultural area which provides Corn for Cereal Production.

Including Milk & Cereal Factories, which are seperated by the Canal.

Pasture:

Local pasture which feeds the cows for Milk production.

Pond:

The pond which collects the Waster Water from pasture & Factories.

Building Outline Building Interior 1st floor

0 1” = 150ft. 300

N

150

Section of Industrial Area Scale: 1’’= 400’-0’’

500’

Green Street section Resdential Upper Levels-

Community Center Master Plan Scale: 1’’= 150’-0’’

allows for higher concentration of population

Commercial on Ground Floorputs business and customers closer creating convinence.

N

Underground Parking - reduces heat island effect

Green Street Perspective

Row House Perspective Row housing will be placed outside of town center within a mile of the transit center.

The objective is to get more people towards the center of town reduce the need for individual car use. Row housing still provides families their own private property while using less space in the community.

The Row Housing community features underground parking and community mini parks for outdoor activities.

Community Center The Community Center is located at the Northwast part of the site, where is currently an empty space.

The proposal Community Center will be a Mixed land Use area where includes Community Center Park, an Art Center (Clover shape), several markets and other commerial buildings.

The Community Center will serve the People from the surrounding Residential area, providing them the place for Gathering, Resting, Dining, Fitness, Shopping, Entertainment and Parking.

Also, the Breakfast food from local farm and factories will be available in the markets here.

Community Center Park The Community Center park is the Land Mark of the site.

The park has a Milk Bottle shape; and the lawn inside imitate the Pattern of milk cow, which represents the local food industry.

The park provides lawn, benches and shades. The lawn has Different Heights from 1 foot to 5 feet, which creates interesting landscape and the views from Different Eye Levels.

Meanwhile, the trees and lawn around the “Bottle” provides people shades and some Private space, which is suitable for those Families and Friends gathering and activities.

Landscape Architecture: Landscape Architecture I

Student: Zitao Cui Faculty: K. Brooks / G. Kim

Check Dam - Check dams slow the rushing water from monsoons.

- Create small resevoirs that allow water to replenish groundwater.

- Agriculture fields add a unique element to the community while relating to Queen Creek’s past.

Flow channel allows flow downstream

Landscape Architecture: Landscape Architecture I

Student:Brandon Ramirez Faculty: K. Brooks / G. Kim

Number/Number Logo Video In this project, I made a logo which consists of two numbers, eight and six. In the video, the petals flutter to form the flower shape. At the end, the petals transform from the flower into the logo.

Fall 2015

Undergraduate Third Year Visual Communication Design: Technology for Design I

Student: Mitzvah Estevez Faculty: K. Larkin / A. Sanft

Visual Communication Design: Visual Communication III

Student: Sara Suzuki Faculty: E. Montgomery / L. PeĂąa / K. Salem

KNOT THE KNOTS

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Source: www.animatedknots.com www.howcast.com

While water is a precious resource in the desert, it is often rejected by the urban fabric. Harnessing the missed opportunity of water collection in Phoenix, we propose a new prototype for the future of a city’s soft infrastructure, transforming it into a living system that is responsive, participatory, and cooperative.

While still fulfilling the rigid programatic requirements of an emergency response location, the station works with the existing constraints of a developing city to conserve and extend the building’s lifespan. Water is the literal and figurative foundation for the future of firefighting.

Undergraduate Fourth Year Visual Communication Design: Visual Communication III

Student: Hongjian Li Faculty: E. Montgomery / L. Peña / K. Salem

Architecture: Architectural Studio III

Students: J. Case / J. Wilhelm Faculty: Philip Horton

STATION 55 |

F I R E S T A T I O N # 9 .

C O M M O N G R O U N D

CONTEXTUAL RESPONSIVENESS PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

4 6 E .

C O L U M B U S A V E .

A

Responding to the biological, cultural, and vernacular characteristics of the community and environment, Fire Station 55 has the opportunity to go beyond conventional functions and set a precedence to encourage community sustainable design strategies and conscientious lifestyles. Contextual features influenced the form and angles of the station in order to respond to the community and environment.

Amplification and emphasis of sustainable elements and systems provides a palpable inspiration for the community to follow the lead of the fire station.

WHILE THE TYPICAL FIRE STATION IS AN INSULAR ENTITY WITH AN ARCHITECTURALLY AMBIGUOUS RELATIONSHIP TO THE PUBLIC T H A T IA T S E R V E S , W E E N V I S I O N A N E W P R O T O T Y P E : O N E I N W H I C H THE STATION’S RESIDENTIAL COMPONENT IS SUSPENDED ABOVE― LIBERATING THE GROUND PLANE AND RECLAIMING IT FOR PUBLIC USE.

RESIDENTIAL ZONE: “HANGING MASSES”

BATTALION BLDG.

PUBLIC REALM

B

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

A S THIS A R EA C O N TIN UE S TO BE C O ME M O R E DE N SE, A NEED FOR A M E A N IN G F UL AND E QUITA BLE P U BLIC F O R UM W ITHIN TH IS UR BA N IZ I NG C O M M UN IT Y W ILL A R ISE.

AMPHITHEATER

M A I N E N T R Y W A Y :

C O N T E X T : Maricopa County Department of Public Health

Phoennix Fire Station #9 (Existing)

LIGHT RAIL SITE Arizona Department of Veteran’s Services

27th Avenue

F IR E STA TIO N #9 IS LO C A TE D BE TWEEN SIN G LE - F A M ILY R E SIDE N C ES TO THE E A S T A N D H IG H- R IS E DE VE LO P M E NT TO THE W E ST .

OPEN-AIR APPARATUS BAY

Arizona Department of Water Resources

United Phoenix Firefighters

NEARBY GOVERNMENT BUILDINGS ARE NONDESCRIPT AND UNINVITING.

RESIDENTIAL QUARTERS

OPEN-AIR APPARATUS BAY

U.S. Immigration Court

Site Plan

1/32”=1’-0”

PUBLIC ENTRY

D

C

THE FIRE STATION BECOMES A BACKDROP TO COMMUNITY LIFE ENHANCING ITS SENSE OF INSTITUTIONAL TRANSPARENCY WITH THE PUBLIC THAT IT SERVES AS FIRE FIGHTERS AND COMMUNITY MEMBERS BOTH SHARE AND DISCOVER COMMON GROUND. GYM

15

STATION BALCONY

E

WHILE THE PRIV ACY OF THE STATION’S RE SIDE NTIAL COMPONE NT IS MAINTAINE D, THE OPE N-AIR APPARATUS BAY ALLOWS THE PUBLIC TO INTE RACT WITH THE FIRE STATION AS AN ICON AND TO OBSE RV E ITS E ME RG E NCY RE SPONSE FUNCTIONS.

F FITNESS PARK

6

12

12

12

12

BATTALION BALCONY

12

H

12

12

CITY + SITE

Level 2

Site Plan 1/32"=1'-0"

14

6

12

G

10

13

Shade Screen

12

12 12 12 12

12

12 12

12

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1/16”=1’-0” PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

GYM

8

STATION KITCHEN AS SOCIAL HUB

6

WELDON AVE. 6 VIEW OF AMPHITHEATER AND BATTALION BUILDING

PARKING + EXTERNAL STORAGE

6

5

6

5

5

2

5

9 3

PICNIC AREA

1

1/16”=1’-0”

E

1. Public Meeting 2. Tactical Command 3. Kitchen 4. TV Room

5. Office 6. Storage 7. Laundry 8. Decontamination

9. Apparatus Bay 10. Gym 11. Study/Library 12. Dorm

13. Men’s Bathroom 14. Women’s Bathroom 15. Mezzanine Storage

FITNESS PARK

WALKWAY UNDERNEATH BATTALION BUILDING

J

FIRE STATION #9 DORMITORIES TURNOUT AND STORAGE

MEDITATION GARDEN

PLAYGROUND AMPHITHEATER

C

K

FIRE POLE

J

FIRE POLE

G

B F H

PUBLIC ENTRY

WALKWAY UNDERNEATH I BATTALION BUILDING

PATIO SEATING

FIRE POLE

OPEN-AIR APPARATUS BAY

D

A

COLUMBUS AVE.

COMMUNITY CENTER

BATTALION #9

GYM

APPARATUS BAY

FITNESS PARK

K

PLAYGROUND

Fall 2015

Open Facade for Transparency, Awareness, & Air

4

Level 1

I

Monumental Stack Effect Ventilation

7

Undergraduate Fourth Year Architecture: Architectural Studio III

Students: N. Liebgold / A.Whitesides Faculty: Dennis Bree

Architecture: Architectural Studio III

Students: Z. Howser / R. Kiefer Faculty: Scott Murff

Provocative Roof for Shade and Water Harvest

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

DORMITORIES

SALUD

Self Checkout System for Apparel Stores Waiting in the checkout line is the worst part of the shopping experience. The current check out system is very inefficient. Brezi is a self checkout

HOME MEDICINE

SOLUTION

00 10 20 30 40 50 60

system for apparel stores that solves long lines.

The rise in elderly population since 2000.

IS O L

Percentage of seniors who wish to age in place.

EN

TS

3 Check your scanned

BOTTLES: these specialized

items and pay on the app

purchasing

ID

2 Scan all the items

AC C

1 Hang the clothes you are

ON

HE ALTH

TI

Risks to aging at home.

90

%

A

pill bottles are pre-stocked by pharmacist with an NFC chip SCREEN: LCD creates interac-

4

5 Remove the top of the tag

Place the magnetic tag on

6 Remove the buttom part

tive display to assist patients with medication management

the remover

LEVER: right lever has a deep channel that allows the pills to slide into the user’s palm

7 Place the tag on the bar

8 Leave the hangers on the bar

9 Check your receipt

GRATE: collects any dropped pills and keeps them dry and separate from spilled water.

Simplifying Commerce The experience around current the commerce activity is arduous because of it’s complexity. At the root, commerce is about exchanging values. This is exchange is one of the strongest foundation of our world and is a form of a communication. Brezi simplifies the store checkout system in simplest form.

Call Store Clerk

Scanner

Industrial Design: Design Project I

Student: Hyunsol Park Faculty: Dosun Shin

Industrial Design: Design Project I

Student: Muriel Shields Faculty: Dosun Shin

EXPLINATION: One of the most prominent risks associated with aging-in-place is medication mismanagement.

This can be caused by inconsistent dosage times, mixing up medications, or forgetting to take them altogether.

Undergraduate Fourth Year Landscape Architecture: Landscape Architecture Studio III

Students: A. Chen / V. Chung / N. Kirby Faculty: Paul Coseo

An inconspicuous and integrated indoor navigation aid for the visually impaired that utilizes a smartphone app and bone-conduction headphones

Emotion

Texture

Arrangement Working closely with our two clients, we started the design process with an envisioning session. Step one: arrange sets of three images in which they enjoyed the most to the least. Step two: place the images they enjoyed most in areas of the building that they would like to evoke the same emotion or style. The final step in the envisioning session: find similarities in the two clients choices and learn more about who our clients are and how they run their businesses.

Beneath the Canopy

Savidge Photography and Flower Bar Designs are two companies with very opposite work processes but have many of the same clients in common. Both owners create stories for their clients through photography and floral arrangements. We wanted to create a concept story of the blending of two companies under one roof. With their combined passion for nature, health, wellness, and happiness, we created a concept of being Beneath the Canopy. Our research on nature and its benefits to human productivity and creativity lead us to the conclusion of blending nature in the work place. In our workplace design we create a story of communion with nature as our clients walk beneath a weaving canopy and experience the touch, smell, and sight of nature.

Scope of Work

Not in Scope

Scope of Work

Employee + Client Parking

Addition

Carved from Building

Tempe Circuit Building 615 South River Drive, Tempe, AZ

Employee Entrance

Main Entrance

An expressive and personalized household hub that helps to organize and keep track of the belongings of people who are visually impaired

90,000 sf. / 100,000 sf.

Warehouse

Theater Entrance Client Parking

Deliveries

Creative Office

Wo r k . C o l l a b o r a t e . R e l a x

N Rendered Floor Plan + Reflected Ceiling Plan

Shared Mezzanine 2

Shared Mezzanine 2

Savidge Mezzanine 1

Flower Bar Mezzanine 3

Savidge Mezzanine 1

Flower Bar Mezzanine 3

A central path is created using custom designed planter benches and tables that sit beneath open sky lights and then hide intimately under the mezzanines. The perforated bridge between the mezzanines cast a canopy effect from the natural light above. The wood canopy ceiling grows down the stair wells and acts as way-finding.

As you look down from the heights of the mezzanines we created a 3-D roofing system on the offices that reflect the angles and texture found in nature and the client visioning session. The colors represent trees changing colors during the seasons and distinguishes the clients separate work areas.

The North facade consists of three additions that mimic the placement and size of the three interior mezzanines. The wood canopy concept starts above the mezzanines and extend out of the building and grows down the front of the additions. Exterior stairs allow the clients to climb up into their own tree house and become closer with nature.

The central addition with a double height ceiling is designated for the main entrance to welcome clients of both Flower Bar and Savidge Photography. It showcases the wood canopy ceiling that leads you into the building. The custom front desk wall is inspired by the office roof design and behind it is a full coffee bar for clients.

The West exterior space can be open to the interior retail and gallery to create a large venue area for public events. The shooting studio reflects the North facade with the same wrapped wood canopy concept. the green wall, garden, and skylights begin here and grow into the space making a connection between interior and exterior.

The path of custom planters wonder through the three mezzanines and ends at a cafe and break room. A green wall is placed on the East wall under a skylight very similar to the green wall in the West entrance. The garden cafe allows employees a break from work to connect with nature and increase productivity and creativity.

Beneath the mezzanine we created a hideaway library for employees to enjoy and expand their knowledge. The custom shelves are inspired by the shapes in a leaf and the suspended seats are a comfortable cocoon. The first floor walls of the mezzanine act as a gallery for clients to view work of Flower Bar and Savidge Photography.

The open work areas consist of custom workstations with durable butcher block surfaces, frosted glass privacy screens, and dry erase marker boards. Booth seating rooms allow for brainstorming, collaboration, and creativity. The diagonal suspended lighting provides more light and mimics the canopy effect of the wood ceiling concept.

An educational tool that makes the invaluable skill of echolocation accessible and feasible for daily use by people who are blind

Fall 2015

Undergraduate Fourth Year Industrial Design: Collaborative Design Development I

Students: R. Price / A. Hickey / K. Lawless / J. LeClair / S. McNicol Faculty: R. Bone / C. Boone / P. Boradkar / S. Clark / A. Fischer / C. Hedges / S. Reeves / S. Trimble / R. Trujillo

Interior Design: Interior Design Studio V: Work Environments

Students: C. Blackhurst / J. Blake / B. McIntire / C. Niu Faculty: N. Davis / R. Rosso

LEHI GREEN LINK R E STO RAT IO N

E DUCAT IO N

R EC R EAT IO N

Lehi falls+ Sunset park

The

forgotten sanctuary

7 6

The vision for the forgotten sanctary is to create a sence of place influenced by mesa’s history and to reinvent forgotten spaces into a cohesive system that evokes awareness, an appreciation for ecological importance, and a drive for a more sustainable future.

5

Sunset park

4

LEHI, AZ

MESA, AZ

8

MARICOPA COUNTY

ARIZONA

3

Mesa Company from Utah and Idaho

irrigation cannals

2

1

CITRUS GROVES

FIRST MESA SETTLERS

Hohokam

1450

1878

1860

over 80,000 acres

1890

2015

1970

1000’

JACK SWILLING

reconstruction of canals for agriculture

citrus groves 500’

2000’ current conditions

AZ becomes 1 of the 4 citrus-producing states

1000’

Master Plan

500’

Cascade Diagram

lehi falls

Slope 8% or more 5% or less 0-2%

Function Entry/Exit Large Turnout Medium Turnout Small Turnout

open space

retention basin

views of red mountain

2000’

abandoned overpass

The history of Mesa, Arizona influenced the overall design scheme of The forgotten sanctuary.

By using the historical timeline of the site, areas Inspired by those events were designed to celebrate the past, present and future of the site. An extensive trail system connects all of the forgotten sanctuary to its surrounding context allowing seamless connectivity for the visitors to the site.

CulTural | Connectivity social media

history

art

Circulation Proposed Multi-Use Path

generation

BRIDGE

SUNSET

park

Proposed Pedestrian Path

LID Tools

Views

Underpath

iconic

FALLS

Palo Verde

C

Trails

Chinese Pistache Mesquite Desert Willow

B

Trails

Forgotten Sanctuary

sculpture

Iron Wood Citrus Tree

resourceful

Trees

Trails

LID Tools

groves

restoration

SUNSET

habitat Trails

Trails

Biome Dense Vegetation Grassland Riparian Area Desertscape

LOCAL Commercial

GREEN INFRASTRUCTURE GREEN INFRASTRUCTURE

ec

pixilated parking

Function Entry/Exit Medium Turnout Small Turnout

Existing Trail Proposed Trail

RIPARIAN BUFFER

Flood Area Retension Basin

1

trails

Rainwater Collection Roof

2

riparian habitat

Palo Verde Mesquite Desert Willow Cotton Wood Creosote

Biome Dense Vegetation Wetland Riparian Area Desertscape

LID Tool-kit Constructed Wetland

allows for filtering for pollutants

desert habitat

4

natural canal

5

lehi falls

en

DECREASES LOCAL TEMPERATURESDECREASES LOCAL TEMPERATURES

(University of Arkansas;LID Tool Kit)

tor

v ati

GREEN INFRASTRUCTURE

REDUCES ENERGY USE

REDUCTION OF HEAT ILLNESS REDUCTION OF HEAT CAUSED ILLNESS LOWCAUSED IMPACT DEVELOPMENT

(David Mills; Health Benefits of Urban Heat Island Mitigation) (David Mills; Health Benefits of Urban Heat Island Mitigation)

6

pixilated parking

7

proposed access tunnel

8

sunset park entry

9

recreational fields

10

access road

11

vehicular drop off

Submergent Vegetation

GREEN ROOFS

STORMWATER MANAGEMENT

increased soil moisture, STORMWATER MANAGEMENT evapotranspiration, +

gathering/picnic areas

13

sculptural park

14

dog park

15

playground

WATER HARVESTING MINIMIZED FLOOD PEAKS

(University of Arizona; Desert Water Harvesting Initiative) (University of Arizona; Desert Water Harvesting Initiative)

OF IRRIGATION DEMAND REDUCTION OF IRRIGATION DEMANDREDUCTION (University of Arkansas;LID Tool Kit) (University of Arkansas;LID Tool Kit)

DECREASE THE EFFECTS OF THE URBAN HEAT ISLAND THE EFFECTS OF THE URBAN HEAT ISLAND allowsDECREASE for filtration of pollutants

INCREASES ENERGYaEFFICIENCY INCREASES ENERGY EFFICIENCY vegetationcreates more

comfortable climate 12

BIORETENTION BASIN

increased soil moisture, evapotranspiration, + WATER HARVESTING vegetationcreates a more MINIMIZED FLOOD PEAKS comfortable climate

1* IMPROVED AIR QUALITY

IMPROVED AIR QUALITY

allows for filtration of pollutants

infiltration of runoff into groundwater

infiltration of runoff 15 into groundwater ii.

14

12

view of sunset park

11

10

9

12

HEAT ISLAND MITIGATION

PIXILATED PARKING

GREEN ROOFS

Allows for filtering of pollutants

allows for ground water recharge

1*

8 7

6

III 1

walkable canal + fitness trails

5

3

Mesic Xeric

Gre

HEAT ISLAND MITIGATION HEAT ISLAND MITIGATION REDUCES ENERGY USE

4 Soil Moisture Range

r es

SURFACE WATER MANAGEMENT SURFACE WATER MANAGEMENT

PERMEABLE PAVEMENT

Alternate to traditional stormwater pipes

* elevated trail

3

SHARED STREETS

Infiltration of runoff into groundwater

2

Water Table

II

2

Land-Water Ecotone

Hhydric

equestrian

REDUCTION OF IRRIGATION DEMANDREDUCTION OF IRRIGATION DEMAND

13

Caballo del Rio

Emergent Vegetation

VEGETATED SWALES

creates wildlife habitat and corridor

Iron Wood

Upland Vegetation

LID Tools

TOOLS USED ON SITE

INFILTRATION OF STORMWATER

Trees

Facultative Range:

GREEN INFRASTRUCTURE

MINIMIZE HEAT ISLAND EFFECT MINIMIZE HEAT ISLAND EFFECT

Direction of Water Flow

A

more green more green infrastructure infrastructure bioretention basins

ic

PERMEABLE PAVEMENT PERMEABLE PAVEMENT

(University of Arkansas;LID Tool Kit)

Circulation

Stormwater Runoff

om

on

8% or more 5% or less 0-2%

GREEN INFRASTRUCTURE

shared Streets

riparian buffer

Slope

Bike paths

e|

GREEN INFRASTRUCTURE

GREEN INFRASTRUCTURE

Cascades at Lehi

Caballo Diagram

outdoor gym

canals

1 i.

I

Retention Pond 3 Scene A : Caballo del Rio Trailhead

lehi falls

100-Year Available Storage 50-Year 25-Year Normal Water Level Permanent Pool 4’ Average Depth (10’ Maximum)

Sunset park

Compressed Air Tubing

100’

500’ 200’

1000’

N

view of the riparian habitat along natural canal

SECTION I

Compressor

RIPARIAN HABITAT

Overflow Slope, 3:1 or less

Pond Aerator Sediment Storage Volume

Emergent plants

45’

Infiltration Trench

20’

75’

mcdowell rd. + median

80’ buffer

170’

8’

desert habitat

60’

trail riparian habitat

65’

49’

natural canal

trail

180’ desert habitat

60’

140’

40’

canal

buffer

canal

SECTION II

Pervious Pavers Open Graded Base (Depth Varies by Design Application)

2’-8’ width

Filter fabric-lined Excavation

Scene B : Cascades Amphitheatre 3’-12’ depth

Aggregate Bedding

sunset park

Curb-Cut

Filter fabric-lined detention media containing clean crushed gravel and uniformly graded aggregate between 1”-3” with 40% void

Overflow system for poorly-drained soils or large storm events

Filter Fabric

80’

40’

150’

70’

35’

20’

35’

buffer

trail

dog park

buffer

trail

planter

trail

generation bridge

1 trails

thomas rd. abandoned overpass

3/4” Gravel Base

105’ children’s park

5

generation bridge entrance

2 groves

6

limited accress shared street

3 buffer

7

rolling structure

35’

20’

buffer

road

4 pixilated parking perforated underdrain

Rolling Structure: Using the historical significance throughout the site, the bridge rolling structures symbolize the movement towards the future. The structure itself acts as a shade structure, seating, planters and for the framing of views

7

5

Riparian Buffer

4 6

Zone 3: Runoff Control Consists of perennial grasses, with herbaceous and woody vegetation that slow runoff and absorb most contaminants

3

2

3

Zone 2: Managed Forest Consists of slow-growing trees and shrubs that provide wildlife habitat, and mitigate remaining contaminants from zone 3

1

Zone 1: Undisturbed Forest Streamside zone consists of fast-growing, flood-tolerant trees and reed plants that stabilize banks and cool water through shading

200’

50’ 100’

500’

Scene C : Cactus Sculpture Garden

N

watching fireworks over lehi from generation bridge

SECTION III

generation bridge 730’ generation bridge

Landscape Architecture: Landscape Architecture Studio III

Students: A. Chen / V. Chung / N. Kirby Faculty: Paul Coseo

Landscape Architecture: Landscape Architecture Studio III

Students: C. Castro / C. Sachetta / E. Zambrano Faculty: Allyce Hargrove

THE SEVEN PRINCIPLES OF LEAVE NO TRACE

As a team, we were responsible for directing, filming and editing a nature themed instructional video communicating a step-by-step process. The video educates how to enjoy the outdoors responsibly, based on the seven principles established by the Leave No Trace Center for Outdoor Ethics. Drawing inspiration from 70’s films, we adopted a retro aesthetic and incorporated it into every aspect of the project,

270

including the typography, credits, music, transitions, and composition.

times

1,800 times

WHIP MY HAIR

TOUCHING

15

times

Hair Flipping 20% Running Fingers Through 50%

Simple Touching 20%

Twirling

10%

33 times

5 times

Putting Hair Up Then Taking It Out 50%

NERVOUS HABITS Combing Hair With Fingers

13 times

40%

Combing 30%

0 min

Straightening

10 min

20% “Did you know that roughly 300 million people visit national parks every year? Which is great - but, this means that more people are entering the parks...”

“...which puts more of a strain on the natural environment. And that’s where I come in. Today, I’ll be teaching you the Seven Principles of

“The first principle of Leave No Trace is: Plan ahead and prepare.”

Leave No Trace.”

STYLING Hair Dryer

40 min

Up Do 20%

Veteran camper has all camping equipment and gear ready.

“Before embarking on your trip, be sure to check weather conditions, and get to know the area...”

He also makes sure to research the park before he embarks. “...by checking maps and reviewing park regulations.”

30%

30 min

I tracked and recorded the amount of times I had touched my hair with in a 24 hour time period.

Whether it be touching my hair to get it out of my face, styling it, nervous habits, or changing it into a ponytail.

“When packing, it is crucial to include a first aid kit...”

Hair Info graphic 23 in x 28.75 in Rookie camper wakes up in the afternoon, unprepared. “...and make sure to have enough food and water to last you the duration of the trip.”

“Make sure to bring the proper gear and clothing for the skill level of your trip. The more you plan ahead and prepare, the more you can

“Principle number two: Travel and camp on durable surfaces.”

I was asked to track and record a specific action. I chose to record the amount of times I touched my own hair with in 24 hours.

Whether it be touching my hair to get it out of my face, styling it, nervous habits, or changing it into a ponytail.

enjoy your trip.”

Hair touching consists of the number of times I touched my hair in the 24 hour period. Simply flipping my hair, touching and just running my fingers through it.

Veteran camper avoids straying off the path.

“Be sure to stay on established trails...”

Rookie camper leaves trail, gets lost in wilderness. “...and never make your own paths.”

“The third principle of Leave No Trace is: Dispose of waste properly.

Pack it in, pack it out.”

270

times

Someone is breaking principle number three.

“Hey!”

“Principle number four: Leave what you find.”

*blows whistle*

“As tempting as it may be to pick up and pocket that old rock or arrowhead...”

1,800 times

TOUCHING

Rookie camper picks up skull and takes selfie with it.

Veteran camper takes a picture of it from a distance and moves on.

“...out of respect for future explorers...”

“...it is courteous to admire them at a distance...”

“Principle number five: Minimize campfire impacts.”

“Principle number six is to respect all wildlife.”

“...instead of removing them, so that others may experience that same joy of discovery as well.”

Veteran camper uses a small stove.

Rookie camper makes an unecessary fire.

“Campfires can cause lasting impacts to the land.

Use a lightweight stove for cooking...”

“...and keep your fires minimal.”

Rookie camper chases small wild animal across screen.

“And lastly, the final principle of Leave No Trace,is to be considerate of other campers.”

15

times

Hair Flipping 20% Running Fingers Through 50%

Simple Touching 20%

Styling consists of the number of percentage I styled my hair in the 24 hour period. Straightening, combing, hair dryer, and up do’s all are things used or done in order to style the hair a certain way.

Combing 30%

0 min

Straightening

10 min

20%

STYLING Rookie camper blasts music on speakers.

Grumpy camper at adjacent campsite rolls his eyes.

“Let nature’s sounds prevail...”

“Be courteous and respectful of other campers and their experience.”

“There are ways you can enjoy these parks and nature, while maintaining the land for generations to come.”

Up Do 20%

Fall 2015

Hair Dryer

40 min

30%

30 min

Undergraduate Fourth Year Visual Communication Design: Motion Graphics / Interaction Design

Students: C. Choi / C. Chmaj Faculty: Michelle Fehler

Visual Communication Design: Visual Communication Design V

Student: Haley Coyle Faculty: W. Heywood / A. Sanft

0 5 10

25

50

A Tucson Clay CO-OP The downtown Barrios are unique in the city of Tucson. The Barrio is very important because of its culture, diversity, and strong community ties. The people that live in the Barrio take a lot of pride in that. The culture is one of art, music, and food. The people who live here come from diverse backgrounds, although many are long time Tucsonans who have had family in the Barrios for generations. The neighborhood has its problems though – namely low income, a fair amount of crime, and, in many cases, stressful lives.

The Tucson Clay CO-OP will give these people a creative outlet, a place to relieve stress, and a place to make things like plates, spoon rests, vases, etc. that can be used in their homes or be sold to make money.

Earth, clay, and the hands have been used for creation in the Tucson area for thousands of years, with the Hohokam making pots that can be seen at the Arizona Historical Society. Clay was important to early civilizations and is still important today.

B

Graduate Three Plus Year Visual Communication Design: Collaborative Design Development I

Students: K. Kemp / M. Millhollon / V. Micevic / A. Stelung Faculty: R. Bone / C. Boone / P. Boradkar / S. Clark / A. Fischer / C. Hedges / S. Reeves / S. Trimble / R. Trujillo

Architecture: Core Architectural Studio I

Student: Andrew Carlson Faculty: Max Underwood

I envision this place being one that brings the COMMUNITY together, reinforces the community’s connection with the EARTH, and helps maintain the idea of CRAFT. This adobe and rammed earth building is like a clay pot, made of earth with the hands, which holds the community together.

The large skylights and trees in the courtyard keep people connected with nature and the Earth. The artists who rent space here and/or teach classes can offer help for the visitors to learn how to elevate their craft.

Together, the Tucson Clay CO-OP will become a place for connecting and reshaping the Barrio, celebrating family and community, and creating a place they can call their own.

520 S. MILL AVENUE

DIGITAL

HARDWARE

LUXURY

BACKGROUND INFORMATION The Historical Tempe Hardware Building was originally built in 1898 as an Odd Fellows hall fourteen years before Arizona became a state. In fact, it is the oldest remaining three story brick building from the Territorial Period in Maricopa. This building played a key role in the commercial, religious, political, and social activities in the area. Some of the groups that used the space were: the Masonic Lodge, Pythian Sisters, American Legion, Rotary Club, Good Templars, and the Latter Day Saints. Not to mention it was used for political meetings and speeches. The second floor ballroom once held biweekly dances that were significant to early social life. The building has housed the Tempe City Council meetings and been the headquarters for the Salt River Valley Water User’s Association. In 1906 M.E. Curry, George L. Compton, and B.B. Moeur opened the Tempe Hardware Company.

The store stayed in business for 70 years and when it closed it was recorded as the oldest continuously operating businesses in Tempe’s history. Through all of the changes, it is no doubt this building has played a key role in making Tempe what it is today.

PRADA ON MILL AVENUE

IMPROVEMENT OPPORTUNITES

FITS BETTER IN FREEZER

SIMPLE TO USE

REDUCES CHURNING TIME

BETTER QUALITY ICE CREAM

EASY TO CLEAN

FEATURES Freezer bowl is chilled in freezer prior to making ice cream Transparent window to monitor the ice cream’s progress

Revolving wheels to both oscillate the freezer bowl and lock it into place

Elongated freezer bowl to more easily fit in limited freezer space

DESIGN STRATEGIES 1) GOAL: HONOR THE PAST

-Further the legacy and heritage this building has had on the community of Tempe

Spiral paddle shape to better mix and circulate the ice cream

Locks lever to body to prevent the freezer bowl from moving

Tilted oscillating body to help evenly mix the ice cream for better consistency

Handle for moving and carrying the machine

STEPS TO USE

DESIGN STRATEGIES

2) GOAL: CELEBRATE THE FUTURE -Further the legacy of Prada

-Create a luxurious interior space that follows the overall vision of Prada by adapting and reusing the Tempe Hardware Building -Create a Digital Art Museum in the space, this will honor the history of the building by inviting the community into the space and engaging them with digital art and fashion -Create a shopping experience that allows the shopper to become part of the brand -Materials will incorporate a luxurious hardware design DRESSING ROOMS AND TAILORING ROOM

LIVING ART WINDOW

Prepare the Ingredientszzzz

1.

3.

2.

SHOPPING EXPERIENCE

Prada is well known for their windows. It is said every Prada window tells a story. In this store shoppers get to become part of the staged window creating living art. The manikins tell the story as one ascends up the stairs.

Prepare the Ingredients

Pour into Freezer Bowl

5.

4.

Insert Paddle and Twist Lid On

MATERIALS FLOORING: UP-CYCLED BELTS

6.

COLOR PALLET

MODEL Put Freezer Bowl into Tumbler

Fall 2015

Close and Lock Tumber Lever

Turn On

Graduate Three Plus Year Industrial Design: Core Industrial Design Studio I

Student: Trevor Heder Faculty: Donald Herring

Interior Architecture: Core Interior Architecture Studio I

Student: Whitney Fearing Faculty: Jose Bernardi

These smart-glass dressing rooms and tailoring room showcase technology Prada is currently using in their flagship store in New York. Each fitting room has a private display inside.

The second floor is dedicated to the current season’s campaign and projected fashion for the coming year. Shoppers can browse through the interactive-screens to shop.

A R E ST O RAT IV E OA S I S

TO AVOID CRITICISM

say nothing do nothing be nothing

H EA LT HY L IV I N G & H EA LT H CA R E C O N C E PT In Gilbert, AZ, many of the people that live there are family oriented and have a need to active, healthy living. With many families living in Gilbert, there is also a need for specific healthcare center and places to promote therapy if ever needed. My community project focuses on healthy living as well as healthcare in Gilbert. color collective

In order to create this type of community, my goals would be to create a

Sense of Place as well as a Sense of Escape. Not only do people need to feel

attached and comfortable in their community, but there also needs to be a semblance of mental restoration and physical rehabilitation for those who need to heal. To reach these goals, there are four main objectives to consider and pursue in order to create this new community environment.

1. Promote general well being and attachment to the community through natural features 2. Create proximity and safety to major locations such as the Urban Core 3. Create accessable rehabilitative trails to promote restoration and physical therapy in a natural setting 4. Create positive surroundings to ease the human subconscious and push out negative thoughts in order to promote healing.

LA N D A L L O CAT I O N

TO AVOID CRITICISM

By using a Functional Matrix, I was able to see which land uses would fit better together or separated. After going through 3 iterations, I landed on the Land Use Allocation Map for my community on the right. With lots a walkable trails and use of the existing canal, we see how active healthy living and rehabilitation can be achieved.

Land Uses

Village Core

Active Recreation Sites

Residential Land Use

Commercial Land Use

Institutional/Government

Light Industrial

Agriculture

Open Space Corridors Freeway/Major Arterial Road

Wldlife

Trailheads

Village Core Active Recreation Sites Residential Land Use

Legend

Commercial Land Use Institutional/Government Light Industrial

Local Roads

Low Density Residential

Agriculture Open Space Corridors

Collectors

Medium Density Residential

Freeway/Major Arterial Road Wildlife

Artierals

High Density Residential

Trailheads

Railroad

Community Parks Good

Local Trails

Neutral

Agriculture

Bad

Canal Open Space/Preserve

Commercial Vertical Mixed Use: Commerical on 1st floor, Residential on 2-4 floors Institutional Light Industrial

URBAN CORE The urban core is located in the southern section the Gilbert community, near the existing Gilbert Hopsital.

MEDICAL BUSINESS PARK PARKING

MEDICAL BUSINESS PARK

say nothing RESTAURANT AREA URBAN CORE PARKING

do nothing be nothing

color collective

URBAN FORESTRY CONNECTIVITY TO TRAIL SYSTEM URBAN CORE ENTRY THERAPUTIC PATHWAY

WATER FATURE IN URBAN CORE CENTER

Gilbert Medical Park and theraputic trails are close to the village core, promoting healthy living, connectivity, healing, and general wellness.

P E R S P E CT IV E & S E CT I O N D RAW I N G S

TO AVOID CRITICISM

say nothing Section 1: Theraputic Pathway

Section 2: Center of Urban Core

do nothing be nothing

color collective

Landscape Architecture: Core Landscape Architecture Studio I

Student:Catherine Ruggiero Faculty: K. Brooks / G. Kim

Visual Communication Design: Core Visual Communication Design Studio I

Student:Alessandria Clark Faculty: Scott Curtis

ASU

DESIGN SCHOOL HIDA THE CURRENT ASU DESIGN SCHOOL IS DIVORCED FROM 3 MAIN QUALITIES THAT MAKE UP THE NEW AMERICAN UNIVERSITY. THESE QUALITIES ARE AS FOLLOWS. 1.) THE DESIGN SCHOOL IS AN INSTITUTION THAT IS THE HOME OF 6 SCHOOLS, ALL OF WHICH WORK INDEPENDENTLY. 2.) THE BUILDING IS DIVORCED FROM THE UNIVERSITY AND THE PUBLIC. WE DESIGN FOR PEOPLE SO PEOPLE SHOULD KNOW OF THE WORK WE CREATE. 3.) THE CURRENT BUILDING IS NOT RESPONDING TO THE DESERT CLIMATE THAT WE LIVE IN. THE PROPOSAL FOR THE NEW DESIGN SCHOOL IS ABOUT TAKING THESE 3 MAIN QUALITIES AND INSERTING THEM INTO THE PROJECT IN SYNERGISTIC WAYS TO BRING THE BUILDING UP TO AND BEYOND THE STANDARDS OF THE NEW AMERICAN UNIVERSITY, BY CREATING A SUSTAINABLE, COLLABOARTAIVE AND URBAN BUILDING.

RICHARD VAN HORNE ADE 522/ ARCHITECTURAL STUDIO IV FALL 2015 PETRUCCI

A

GROUND FLOOR PLAN SCALE 1”=32’

SECOND FLOOR PLAN SCALE 1”=32’

B

1960’iv 1980’S

THE PIT RED SQUARE

EXISTING CONDITION THE DESIGN SCHOOL IS CURRENTLY TWO SEPARATE AND DIFFERENT BUILDINGS AND MUST BE TREATED AS SUCH. TO THE SOUTH IS A 1960’S BRUTALIST BUILDING TO THE NORTH IS A 1980’S POST MODERN BUILDING.

GIVEN OPPORTUNITIES BOTH OF THE BUILDINGS HAVE OPEN VOLUMETRIC SPACES WHICH CAN BE MANIPULATED TO CREATE NEW INTERNAL RELATIONSHIPS. DESIGN NORTH HAS RED SQUARE AND DESIGN SOUTH HAS TALL HALL (THE PIT).

REMOVING SPACE BETWEEN EXISTING VOLUMES THE MINOR SPACE THAT CURRENTLY EXIST BETWEEN THE TWO VOLUMES IS REMOVED CREATING A LARGE VOLUME THAT BECOMES A SPACE OF COLLABORATION FOR THE SCHOOL CITY AND STUDENTS.

SPACIAL INSERTION A PROGRAMATIC SPACIAL BAR IS THEN INSERTED AROUND THE NEW VOLUMNE. THIS SPACIAL BAR IS A RICH PROGROMATIC FILLED WITH COLLABORATIVE STUDIOS, MAKER SPACES, PROFESSORS OFFICES ECT...

PROGROMATIC RESPONSE THE BUILDINGS FACADE AND EXTERIOR FORM WAS THEN CREATED INTO RESPONSE TO THE GIVEN PROGRAMMATIC ELEMENTS. THE BUILDING RESPONDS TO THE CLIMATE, THE COMMUNITY AND THE INTERIOR STUDIO ACTIVITIES.

ACTIVITY THE BUILDINGS MINOR REMOVAL AND INSERTION ALLOWS FOR THE BUILDING TO BE TRANSFORMED. IT IS NOW ABLE ACT AS A NEW ROAD OF COMMUNITY, COLLABORATION AND SUSTAINABILITY.

+55

+55

+45

+45

+35

+35

+25

+25

+15

SECTION a

Fall 2015

+15

SECTION a

Graduate First Year Architecture: Advanced Architectural Studio I

Student: Shuairan Sun Faculty: Kasey Josephs

Architecture: Advanced Architectural Studio I

Student: Richard van Horne Faculty: Darren Petrucci

Architecture: Advanced Architectural Studio I

Student: Xueke Yang Faculty: Diego Garcia-Setien

Industrial Design: Advanced Industrial Design Studio I

Student: Nicholas DeConzo Faculty: Joseph Velasquez

Imagine If (I2) Learning Communities “If we teach today’s students as we did yesterday’s, we rob our children of tommorrow” -John Dewey

We BELIEVE all people can make a positive, meaningful, and lasting impact in their own lives and on the world.

Our mission is to equip, inspire, and empower them to do so. Through properly designed spaces we can begin to rewrite traditional education.

Engaged and Purposeful Learning Meaningful Shared Experiences Demo Plans Center St, Mesa, Arizona Built in 1899 and occupied for a varity of uses from an elementary school, design school, & performing art center. In response, the building went through numerous renovations between 1936-2005.

Responsibility and Empowerment Transending Intellectual Boundaries

Daily School Activities

Arrival

AM Group Seminar

Dialogue between historical & new building Existing Trusses Implimented skylights into the new building cordinating with the existing windows from the old building.

Lunch

Integral Relationship between inside & outside PM Independent Discovery

Evening Community Activities

Inspired By Tezuka Architects Fuji Kindergarten circular design opened to the outdoors.

Inspire Wonder to create better

Learning Environments

Fall 2015

Graduate First Year Industrial Design: Advanced Industrial Design Studio I

Student: Jiwei Huang Faculty: Joseph Velasquez

Interior Architecture: Advanced Interior Architecture Studio I

Students: E. Aguilera / A.B. Banduvula / Y. Li / G. Rittman Faculty: Milagros Zingoni

3D Typographic Poster Series

Cady Mall Re-envisioned Shading structure to the Language and Literature building facade provides seating, bicycle parking, and fountain plaza space

Entrance to Old Main

Bosques of Native Trees

Project Statement

Final Poster – 24” × 36”

Native vegetated arroyo serves as stormwater management throughout Cady Mall with plants that bloom in celebration after rains

New Entrance Sign

Design Process

The design elements for this series began with explorations of 3D typography and color compostion. The quotes about typeface articulate a funny atmosphere, and the descriptions of the typeface offer good content for typeface knowledge. A good poster is capable of compability of content and form. By working fast and iterating many variations, I was able to create a harmonious combination of visual language and the content of the quote.

Typeface

Water level LED illuminated cistern

Vision and Goals

This project aimed to enhance Cady Mall’s adaptive capacity of water resources based on the resilience concept “resilience capacity can be strengthened by bio-diversity, modularity, tight feedbacks, social capital, acknowledging slow variables and thresholds and innovation”.

(Walker & Salt 2007) The site’s adaptive water capacity was defined as ”the capacity of the system to respond to change or disturbance without changing its basic state” (Walker & Salt, 2006). Analysis for this project examined the local and regional environment, ecology, and water flows (stormwater runoff, irrigation, and water consumption across campus). It aimed to implement modular design components, make elements multi-use/ multi-functional, and intelligently uses and reuses water throughout multiple systems.

Goal: 1 Conserve and diversify water resources

Goal: 2 Enhance ecosystem biodiversity and functions

Goal: 3 Educate on sustainable water use in the Sonoran Desert

Water

Biodiversity

Sense of Place

Goal: 4 Enhance human environment

Human Environment

ASU’s Tempe campus is a national leader in sustainable water management. The resilient strategies embraced by ASU support a biodiverse campus through visible and educational systems that inspire innovative designs for integrating the human environment with ecological systems in which a system complements and enhances one another. The resilient social-ecological systems will sustain not only the ASU Tempe campus but the surrounding city of Tempe to withstand and mitigate increased extreme weather from climate change.

Site Context

Master Plan and Design Elements

Site is located south of University Dr. and College Ave. on ASU’s Main Campus in Tempe, Arizona encompassing the northern section of the mall. This area is the first point of contact on the campus for prospective students.

Landscape areas around buildings will be developed in partnership with departments and student groups to promote sense of place and ownership

ASU entrance sign and native vegetation set the tone of a university that thrives in harmony with the arid climate.

Arroyo collects excess runoff and directs it through campus to be utilized for irrigation and finally collected in storage areas around Gammage SCHOOL OF HUMAN EVOLUTION AND SOCIAL CHANGE

MATTHEWS CENTER

Each building has beautiful water harvesting systems that are visible and demonstrate sustainable water use methods in the Sonoran Desert

COWDEN FAMILY RESOURCES BUILDING

N

B

C

WRIGLEY HALL SCHOOL OF SUSTAINABILITY

N

UNIVERSITY DRIVE

Arroyo

A

A

B

C

Laser Cut

DURHAM LANGUAGE AND LITERATURE BUILDING

SOCIAL SCIENCES BUILDING

Durham Plaza combines bike parking with seating and a water feature that is part of the filtration process of harvested/ recycled water

Oct 2015

Photos of site after 10 yr storm

Site size: 4.117 acres Yearly Rainfall: 9.41 inches Slope of Area: 0-4% from NE to SW Infiltration Rate: 0.75 in/hr Determination: Suitable for encouraging infiltration to groundwater

Vine covered arches create a sense of entrance and transition from Cady Mall to the historical area of Old Main 12.5’

50’

SCALE 1”=25’ 25’

Existing: Proposed:

Impermeable area: 2.829 acres Pervious area: 1.288 acres ASU Potable Water vs Recycled Water Impermeable area: 2.727acres Pervious area: 1.39 acres Use in 2014 ASU Water Use in 2014

Showcase native plants along campus periphery

Wrigley Hall - School of Sustainability

Color Spray Planting in arroyo mimics natural biotic community plants found in washes to encourage infiltration, reduce erosion, and filter runoff

865.530418

900 800

Gallons (Millions)

700 600 500 400 300

16’ Pedestrian Bridge

200 100

9’-12’ Micro-basins

11’

12’

Pedestrian Bridge

Entrance Sign

University Dr.

Cross Section A-A

Arroyo - Stormwater Overflow Conveyance

N

2.411796

0

Potable Water

Section B-B

Recycled Water

Potable Water Use Water Recycled/ Issues: existing stormwater system is insufficient to meet current retention needs and overflow stormwater runoff inundates the adjacent Tempe Reused on Campus stormwater sewer system during storm events.

Opportunities: stormwater is collected and utilized along flow areas to support vegetation rather than utilizing purely potable water for irrigation.

Integration of low impact development (LID) tools be applied to slow, collect, and manage water movement on campus to create an interconnected system of blue-green infrastructure. Drainage movement travels South West through Tempe and then moves North to eventually join up with the Salt River.

Proposed Stormwater Management: Majority of stormwater utilized on site where it falls, excess is transported into adjacent areas. Largest collection and storage area is located around Gammage Auditorium. The design creates a 30% decrease in stormwater runoff; 27% increase in infiltration.

Drainage Movement •

• 17 drywells - ASU wants to move away from dry wells as solution

Rain Garden

Permeable Paving

Desert Arroyo

Paving

36’

15’

20’

30’

10’

E

Does not meet requirement by ASU Stormwater Management plan or Tempe agreement

• 6 existing retention basins - basins too small for current capacity needs

Font Photography

Extended Greenroof/Wall Covered Patio

PROPOSED DRAINAGE

EXISTING DRAINAGE

o Drainage movement in zone D flows onto Mill Ave

o Focus drainage area contains:

Durham Plaza

Bioswale

Existing Patio

6’

18.5’

Durham Plaza

D

Existing Stormwater Proposed Stormwater G Existing Stormwater F Distribution N Distribution Distribution 23% 31%

31% 53%

53% 16%

Existing Stormwater Distribution

Infiltration

Evaporation Infiltration

Background Photography

19%

58% Water collected from harvested rainwater, HVAC condensate, and building gray water (drinking fountains) filters through Anemopsis californica and then is directed through rills to the native wildflower gardens on the other side of the green wall.

16% Proposed Stormwater Distribution

Runoff Infiltration Evaporation

Evaporation Runoff

Section C-C

Runoff

Desert green roof using drought tolerant plants, a trans-disciplinary and research opportunity for schools like Design, Sustainability, and Horticulture Precedent project – Prickly pear green roof by Steve Martino to experiment.

Photoshop Test

Green roofs and water harvesting systems collect stormwater.

Bioretention areas hold runoff and utilize desert adapted plants that celebrate the monsoon moisture with beautiful blooms, a colorful visual response to presence of water that mimics native ecology.

Tree canopies intercept and slow stormwater. Deep roots encourage infiltration.

Precedent project –ASU Polytechnic Campus

Vegetation filters and slows flow of runoff. Water harvesting overflow directed to rain gardens, swales, and microbasins.

Plants encourage infiltration and improve water quality.

Mimicking natural conveyance of monsoon water, the artificial arroyo uses native plants found in washes to filter runoff. Water that exceeds capacity of LID systems is conveyed by the arroyo through campus to storage areas.

Permeable paving increases infiltration, excess directed to vegetation.

Precedent project –ASU Polytechnic Campus

Central arroyo collects runoff overflow from other collection areas, a series of microbasins collect and slow flow of stormwater while encourage infiltration. When a microbaisn is full, it spills into the next microbasin and so on to control extreme flows. Arroyo area populated with vegetaion found in native washes that reduce erosion and filter runoff.

N

An extension to the facade of the Language and Literature Building creates a comfortable patio space that leads to building’s entrance under a green Precedent project –ASU Polytechnic Campus wall of several species of vines.

N

Design Element/ Techniques and Correlation to Goals

The campus landscape has potential to be a landscape of learning and interactive signage helps to focus learning opportunities with displays that are controlled by the adjacent departments and illustrate the rich history of Cited precedent project –Desert Botanical Garden the university.

Greenroof

Water Harvesting

Permeable Paving

Bioretention

Bioswale (Arroyo)

Luminous Cisterns

Green Wall

Irrigation Fountain

Green Arches

Meets

Welcome Sign

Collapsable Bike Rack

Somewhat

Evaluation Methods of Design Goals and Overall Success Interactive Signs

N/A

Wildflower Garden

Goals

National Stormwater Calculator

Long Term Hydrologic Impact Analysis

Water Quality Survey

Analysis of Building Energy Use

Analysis of Water Use Data

Soil Survey I-Tree Survey

Human Comfort Formula (COMFA)

Behavioral Campus Observation Metabolism Analysis

Meets

Post Extreme Weather Observation

Somewhat

Fauna Population Samples

Flora Population Monitoring

N/A

Proposed design will correlate design elements with as many goals as possible to emphasize multi-functionality. The design goals will be determined A new welcome sign sets the tone for a strong sense of place in Arizona at successful based on systematic evaluations of impact on the local and regional environment, ecology, and water flows. The resilient systems will this main point of entry to the campus, especially for potential incoming sustain not only the ASU Tempe campus but the surrounding city of Tempe to withstand and mitigate increased extreme weather from Precedent project –ASU existing sign on University Dr. climate change. student tours.

Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio I / Advanced Urban Design Studio I

Student: Paula Wheeler Faculty: Chingwen Cheng

Visual Communication Design: Advanced Visual Communication Design Studio I

Student: Yu Tian Faculty: Lindsay Kinkade

aura Audio for New World

Circular Economy

A circular economy is an alternative to a traditional linear economy (make, use, dispose) in which we keep resources in use for as long as possible, extract the maximum value from them whilst in use, then recover and regenerate products and materials at the end of each service life

Design for Circular Economy

SYNAESTHETIC DESIGN EXPRESSION

Design Strategy Design for Ease of Maintenance and Repair

The Blending of the Senses and its Implications on Brand Expression

Materials Selection The product needs to be manufactured with materials that age gracefully and create a character for the product. This would make the product emotionally connectable with use.

INTRODUCTION

METHODOLOGY

This research investigates the synaesthetic responses consumers have to package designs to aid the design development process.

Through the proper application of synaesthetic design expression, companies can create holistically honest, multi-sensorial brand expressions that are loved and trusted by consumers.

Literature Review Research Data Collection + Analysis

SIGNIFICANCE There is an opportunity for CPG companies, design firms and retailers to create better user experiences by appealing to multiple senses, thus; creating a stronger bond with the consumer. Consumers don’t experience a stimulus through one sense at a time and our design development process should focus on multi-sensorial expression. Throughout the literature review, there is a gap in scholarly study that connects synaesthetic multi-sensory stimulation or the blending of the senses to the design development process. “At various contact touch points with consumers, brands provide multi-sensory stimulations through sight, sound, smell, touch and taste” (Schmitt 2011). Most research in psychology and consumer psychology has been on the study of individual senses. Research exploring cross-modal correspondences has just begun.

QUESTIONS • Do consumers have synaesthetic responses to brand expressions?

• What are the synaesthetic responses?

• Do synaesthetic responses guide consumer preference?

Experience

Replacable Earpads

Solderless Speaker Component

Aesthetics The design is suppose to last for long time. Therefore the aesthetics need to stay relevant through the time.

Choice of textures

EXPECTED RESULTS My hypothesis is that consumers do have synaesthetic responses to brand expressions and that stimulus of the visual sense will activate the sense of smell and taste primarily.

Replacable Components USERS

USE CYCLE Durable

FUTURE IMPLICATIONS

EXTRACTION

MANUFACTURING

There is an opportunity for further research that proves, appealing to multiple senses creates a stronger bond with consumer that achieves brand trust.

Components

PURCHASE

Upgradable modular parts

Seondary and Tertiay use cycles

Refurbishment and Extraction of usable parts

LANDFILL

RECYCLE

COMMITTEE John Takamura : Chair Al Sanft : Committee Member Nancy Miiller : Industry Expert Amy Rhodes akrhodes@gmail.com Visual Communication Design

CONCEPTUAL FRAMEWORK Stimuli

Replacable Band

Hybrid Business Model Upgradable, Replaceable parts by manufacturer

Response

Visual Package

Preference

Product Smell

Synaesthetic Stimulation

Concept

Volume button with tactile bulging and recessing buttons

Headphone jack between two parts to avoid cams in mold

Details

Angular Aesthetic to fit perfectly flush on your head

Spring Action to avoid wear and tear of the headphone jack

Sideways articulation to make for easy flat packing and adjustment

Angular articulation to fit different face shapes

Articulation

Fall 2015

Translation of Force to pull the headphone jack out

Graduate Final Year Master of Science in Design: Thesis / Applied Project

Student: Amy Rhodes Faculty: John Takamura

Industrial Design / Interior Architecture / Visual Communication Design: Adv. Industrial Design Studio III / Adv. Interior Architecture Studio III / Adv. Visual Communication Design Studio III

Student: Dhyey Acharya Faculty: Philip White

WEAVE

The fiber of a restored riparian habitat will be the catalyst for ecological development in Goodyear, AZ. Sited at a unique place, the Salt, Aqua Fria and Gila Rivers converge creating a landscape that should be celebrated. This proposal elaborates on the initial concept put forth by the collaborative studio. Goodyear City is imagined as a vibrant community of interrelated systems that will be an example of sustainable development that restores habitat and creates a connection to nature for the community. Systems weave together to create a sustainable urban center within the context of suburban sprawl.

GOODYEAR CITY MASTERPLAN+PUBLIC SPACES

The image above is a view of the crosswalk leading away from Le Bataclan.

Le Bataclan—a theatre in the 11th arrondisement of Paris—is one of the sites of the November 13th terrorist attacks (2015). The text on either side of the crosswalk reads: “vous soyez vous-même, je vais être moi-même”.

Roughly translated: You be yourself, I’ll be myself.

physical model (with Conor Keilty)

1937 Gila River Habitat initial concept to be designed further

habitats and city intertwine

normative riverfront condition vs. woven park

SITE PLAN 130 ACRE SITE AREA 1” = 250’

This image is at Rue Nicolas Appert, the site of the January 2015 attack on the Charlie Hebdo offices. The reflections in the mirrors are distorted and the text reads “Voyant est pas toujours croire”. Translated, seeing is not always believing.

URBAN EDGE

CENTRAL PARK

The bridge is painted with a false facade representing the view behind it, thus giving the impression of a disappearing bridge from the vantage point of the Boulevard Périphérique, which forms a line of separation between the city of Paris and the banlieues(suburbs). The text reads: “Un pont manquant de la pensée”, which translates to a missing bridge of thought.

Architecture / Urban Design: Advanced Architectural Studio III / Advanced Urban Design Studio III

Student: Kevin Kolden Faculty: Kristian Kelley

Architecture / Interior Architecture / Urban Design / Visual Communication Design: Adv. Architectural Studio III / Adv. Interior Architecture Studio III / Adv. Urban Design Studio III / Adv. Visual Communication Design Studio III

Student: Soumya Kasuganti Faculty: Thomas Hartman

Graduate Final Year Architecture / Industrial Design / Interior Architecture / Landscape Architecture / Urban Design: Adv. Architectural Studio III / Adv. Industrial Design Studio III / Adv. Interior Architecture Studio III /Adv. Landscape Architecture Studio III / Adv. Urban Design Studio III

Students: A. Cleveland / G. Palav Faculty: Marthe Rowen

displacement & other retellings imaginitive design in istanbul and las vegas

objective

1. select an artifact from istanbul, turkey

The course objective is to inspire ideas and encourage imaginative design through making -- making both physical objects and images. Success was measured by our ability to provoke thought and discussion.

Throughout the semester, we were encouraged to establish rules in our making. By following the rules carefully, or by breaking the rules drastically, we were each surprised by the resulting ideas. Our process is outlined with the headings that follow.

Photograph of the Bosphorus, c. 1880 from Constantinople by E.D. Amicis

2. go to istanbul and find the present-day incarnation of the artifact

3. design an event/decide the narrative that explains the difference between the artifact & the current condition

Left (Above) The Bosphorus is a connection, a barrier and a way of life in Istanbul.

Left (Below) What if the Bosphorus had been dried in 1946 for defense?

Right Istanbul is a densely populated city and among the fastest growing metropolitan areas in the world. It’s likely that development would have replaced the the water, and the Bosphorus would become a city.

Bosphorus Strait

Bosphorus Valley

Istanbul, Turkey | c. 1880

Bosphorus City

Istanbul, Turkey | 1946

Istanbul, Turkey | 2015

4. explore the implications, pt. I

Left Topography of the Bosphorus Valley and surrounding land Right (Above) Imagined ship discovered in the below sea level after drought Right (Below) Uncovered wreckage

5. drift - pick up the design and discover its place in las vegas, nevada

The Bosphorus in Las Vegas (Left - Above) moving the strait to Las Vegas, NV. Expanses of Parking (Left Below) Testing and applying the drought in a new city.

The Flood of Las Vegas Boulevard (Right) The movement in, around and through this major street is comparable to that of the Bosphorus.

6. tell a new story

Above A relocated landscape decorates Las Vegas Boulevard.

Above Plan view of the renovations,

7. explore the implications, pt. II

Above (3 Images) The suburban sprawl leads to the displacement of the Red Rocks.

Excavation Calico Canyon is crushed for distribution.

Fall 2015

Re-placement Calico Canyon in Las Vegas Boulevard.

ADE 621 / LDE 690 / GRA 621 / IND 621: Fall 2015 Advanced Architectural Studio III / Advanced Landscape Architectural Studio III / Advanced Visual Communication Design Studio III / Advanced Industrial Design Studio III Graduate

Above Forming the Bosphorus in Las Vegas.

Below A new skyline.

Student: Jenny Robertson Instructor: Elena Rocchi

Final Year

Architecture / Industrial Design / Landscape Architecture / Visual Communication Design: Adv. Architectural Studio III / Adv. Industrial Design Studio III / Adv. Landscape Architectural Studio III / Adv. Visual Communication Design Studio III /

Student: Jenny Robertson Faculty: Elena Rocchi

Industrial Design: Advanced Industrial Design Studio III

Student:Yiyang Zhang Faculty: John Takamura

Urban Memo in Color

Tucson's Barrio Historico Tucson’s Barrio Historlco stands as the sole reminder of a Tucson that existed a century ago. It has survived, however, not because it has been cherished by successive generations of Tucsonans who have maintained the buildings and streets through an awareness of historic preservation, but rather, it exists because it has long been forgotten and neglected by the city as a whole. This project is trying to document the region by featuring its unique colorful Sonoran adobe architecture.

1 program masses

2 tech shop

3 faculty live/work

4 cafe

5 gallery

6 courtyard

7 graduate lofts

8 completed

4 3 4

3

2

1

1 1

9

2

2

2

2

5

8

6

7

GROUND FLOOR

1. TechShop 2. Faculty Live/Work 3. Graduate Lofts lobby 4. HIDA plaza 5. Courtyard 6. CafĂŠ 7. Installation Space 8. Restrooms 9. Mech Room

2

5 3

5

4

MEZZANINE

1. Sleep 2. Live 3. Flex 4. Cafe Mezzanine 5. Shop Computers

6

1. Bed 2. Live 3. Work 4. Laundry/Lounge 5. Corridor 6. Deck

THE CLOUD

Reference: Bell, D. (1972). Barrio historico, Tucson. Tucson, Arizona: College of Architecture, University of Arizona.

Architecture / Industrial Design / Interior Architecture / Landscape Architecture / Urban Design: Adv. Architectural Studio III / Adv. Industrial Design Studio III / Adv. Interior Architecture Studio III /Adv. Landscape Architecture Studio III / Adv. Urban Design Studio III

Students: A. Cleveland / G. Palav Faculty: Marthe Rowen

Architecture / Interior Architecture / Landscape Architecture / Visual Communication Design: Adv. Architectural Studio III / Adv. Interior Architecture Studio III / Adv. Landscape Architecture Studio III / Adv. Visual Communication Design Studio III

Student: Minhua (Iris) Zhu Faculty: Andrew Weed

ASCENDING THE DEPTHS

Pioneer and Military Memorial Park

PIONEER AND MILITARY MEMORIAL PARK

East Section (1/64” = 1’)

West Section (1/64” = 1’) N North Section (1/64” = 1’) N South Section (1/64” = 1’)

Bird’s-Eye Perspectives

DN

DN

DN

DN

DN

DN

0'

0'

ASCENDING THE DEPTHS IS ABOUT ENTERING THE SPACE AND FEELING THE COMPRESSION FROM THE BUILDING, AND HAVING IT BEING LIFTED OFF YOU. AS YOU MAKE YOUR WAY THROUGH THE ENTRY OF THE SPACE IT BEINGS TO OPEN UP. ONCE YOU BEGIN TO SEE THE LIGHT FROM THE OPEN COURTYARD THE WEIGHT BEGINS TO RISE RELIEVING YOU OF ALL FEELINGS OF COMPRESSION.

0'

0'

0'

0'

-7'

-7'

DN

DN

-7'

-7'

LOUNGE

EXHIBITION/ STAGING

CONFERENCE

ARCHIVES

INNER COURTYARD KITCHEN/ BREAK

MENS BATH

DN

DN

-7'

-7'

LOUNGE/ WAITING WOMENS BATH

OFFICES

RECEPTION

0'

0'

0'

0'

-7'

-7'

DN

DN

-7'

-7'

-7'

-7'

-8'

-8'

0'

DN

0'

0'

-7'

-7'

-7'

-7'

-7'

-7'

DN

NORTH ELEVATION 1/16”=1’

0'

0' -7'

-7'

-7'

-7'

0'

0'

-7'

-7'

0'

0'

-7'

-7' -7'

-7'

DN

-7'

-7'

16'

SCALE:

1 32"

32'

= 1'

0'

0

Site Plan @ Lower Level (1/64”=1’)

SCALE:

SITE PLAN - LOWER LEVEL

Trailing Rosemary

0

Deergrass

Coolibah

0'

0'

Magle Dulce

0'

Site Plan @ Ground Level (1/64”=1’)

SITE PLAN - GROUND LEVEL

16'

1 32"

32'

= 1'

Board Form Concrete

DN

SITE PLAN 1”= 128’

Catalogue (Veg. & Mat.)

FLOOR PLAN 1/16”=1’

EXPLODED AXONOMETRIC

GROUND PLAN 1/16”=1’ LOUNGE

EXHIBITION/ STAGING

CONFERENCE

ARCHIVES

INNER COURTYARD KITCHEN/ BREAK

MENS BATH

LOUNGE/ WAITING WOMENS BATH

OFFICES

SECTION A 1/16”=1’

RECEPTION

N FLOOR PLAN - EXHIBITION BUILDING

Building Roof Plan (1/32”=1’)

Building Floor Plan (1/32”=1’)

0

SCALE:

4'

8'

1/8" = 1'

Building Courtyard Renderings SECTION B 1/16”=1’

Building Section - East (1/16”=1’)

Building Section - North (1/16”=1’)

Building Section - West (1/16”=1’)

Building Section - South (1/16”=1’)

SECTION C 1/16”=1’

AXONOMETRIC

Building Model Photos

Spring 2016

Building Exterior Renderings

Undergraduate Second Year Architecture: Design Fundamentals IV

Student: Dash Bernhard Faculty: Diego Garcia-Setien

Architecture: Design Fundamentals IV

Student: Angel Rivera Faculty: Claudio Vekstein

SE7

THE ATM RE-IMAGINED

Light and Metaphor

SECURITY CAMERA ILLUMINATING RING PRIVACY SCREEN

RF CARD READER CASH SLOT

PRIVACY SCREEN REDUCES GLARE AND ONLY ALLOWS A NARROW VIEWING ANGLE PERPENDICULAR TO THE SCREEN

Plan

AFTER ENTERING THE IR SCANNER’S DETECTION AREA, THE UNIT EXITS SLEEP MODE. THE SCREEN TURNS ON AND THE LIGHT RING ILLUMNATES

NO SWIPING OR INSERTING A CARD NECESSARY. WAVE THE CARD IN FRONT OF THE SCANNER TO BEGIN TRANSACTION

Research | Diagrams

OBJECTIVE: CREATE A MINIMALISTIC INTERFACE FOR MANY USER GROUPS. FOCUS ON GIVING USER AS FEW NEW SCREENS AS POSSIBLE AND PRESENTING MULTIPLE OPTIONS SIMULTANEOUSLY.

Architecture: Design Fundamentals IV

Student: Andrew Synacek Faculty: Scott Murff

Industrial Design: Industrial Design II

Student: Nicholas Cyr Faculty: Roozbeh Valamanesh

Monster Max User Experience

Promotes Creativity

RC REMOTE AND MUSIC MIXER

Stimulates Visual, Aduitory, and Tactile Learners

MEDIA LAYOUT EASY, FUNCTIONAL LAYOUT FOR BOTH YOUTH AND ADULT AUDIENCES

Objective : Design a user expereince for children ages five to seven years old introducing features of camera editing software in a simple and fun to use application.

Promotes Self Expression

MEDIA SCREEN FOR EASY ACCESS TO MUSIC AND MUSIC MIXING OPTION

User Journey CUSTOMIZABLE FLIGHT CAMERA SCREENS: OPTIONS SHOWN: -FIGHTER JET COCKPIT (ABOVE) -IR CAMERA (BELOW)

BEATS PER MINUTE (BPM)

PITCH CONTROL

HARD SOUND

SOFT SOUND

YAW CONTROL

Select a photo?

RIGHT HAND CONTROLS

LEFT HAND CONTROLS THROTTLE CONTROL

Take a photo?

ROLL CONTROL SOFT SOUND

HARD SOUND

The Wavelength RC remote acts as both a music mixer and touchscreen RC plane remote, allowing the controller to see and hear any flight plath their imagination can conceive.

GREEN CENTER POINT TRACKS MOVEMENT OF THUMB OVER TOUCH PAD. CENTERED POINT IS ORIENTED TO FLY STRAIGHT WHEN THUMB IS NO LONGER TOUCHING PAD.

Tool Drawer: Editing Functions

Tap anywhere on the image to take photo

REMOVABLE HAND REMOTES DETACH FOR USER COMFORT AND MOBILITY

STAND ALLOW USER TO WATCH THE FLIGHT CAMERA WHILE CONTROLLING PLANE WITH REMOTES DETACHED

JOAQUIN LONGORIA

Spring 2016

hi

Undergraduate Second Year Industrial Design: Industrial Design II

Student: Joaquin Longoria Faculty: Roozbeh Valamanesh

Industrial Design: Industrial Design II

Student: Tessa Nyre Faculty: Roozbeh Valamanesh

hi

yo

THE

Prickly Pear

The Prickly Pear is a boutique hotel and restaurant concept located in Downtown Phoenix in the Roosevelt Row Arts District.

The Prickly Pear is a playful destination.

A unique place where locals and visitors can come experience a native fruit--the prickly pear!

The cohesion between the restaurant and guest rooms make The Prickly Pear a destination. It is a place for far away visitors to come and experience the fruits of the desert as well as locals looking for a weekend get away.

NORTH BUILDING PLAN |

R E S TA U R A N T

SCALE : 1/8” = 1’0”

EXTENSION OF PRICKLY PEAR RESTAURANT

ROOFTOP

12 15 20

SEATING ANALYSIS

LOUNGE

BAR

TABLES

GUEST ROOMS & SUITE

10 24 81

WINDOW

MATERIAL & MOOD BOARD

COMMUNITY

SECOND FLOOR

SEATS

GUEST ROOMS & SUITE PRICKLY PEAR RESTAURANT

GROUND FLOOR The Prickly Pear creates energy in the space by using a sunshine yellow and cactus greens. Leather and cowhide incorporate the desert feel. Patterns pull inspiration from cactus pricks. Native bougainvillea and cacti, including the prickly pear, bloom pops of color.

8 2

ROOMS

SUITES

RESTAURANT DESSERT & DRINK CONCEPT IMAGES

SOUTH BUILDING PLAN |

GUEST ROOMS

SCALE : 1/8” = 1’0”

The restaurant is a dessert bar concept which serves everything from prickly pear candies, glazed donuts, sorbet, ice cream and the best prickly pear margaritas.

1 NORTH BUILDING |

RESRAURANT PERSPECTIVES

1 PERSPECTIVE VIEW & SECTION CUT LEGEND

2

2

3

3

1

NORTH BUILDING | W E S T W A L L

2

SCALE : 3/16’ = 1’0”

4

NORTH BUILDING | N O R T H W A L L

SCALE : 3/16’ = 1’0”

5

SOUTH BUILDING |

SOUTH BUILDING |

LOBBY PERSPECTIVE

ROOM PERSPECTIVE

4

5 4

SOUTH BUILDING | W E S T W A L L

EXTERIOR |

Interior Design: Interior Design Studio II: Hospitality

Students: L. Deshamp / C. Medland / J. Nguyen Faculty: Elena Rocchi

SCALE : 3/16” = 1’ 0”

5

SOUTH BUILDING | N O R T H W A L L

NIGHT PERSPECTIVE

Interior Design: Interior Design Studio II: Hospitality

Student: Cassidy Williams Faculty: Brie Smith

SCALE : 3/16’ = 1’0”

PERSPECTIVE VIEW & SECTION CUT LEGEND

MORE OF MILL A MASTERPLAN DESIGN PROCESS Though out the semester our group has studied downtown Tempe and analyzed five other cities walkability master plans and consulted with experts.

We found there are key connections between design elements and the walkability of a space. These connections are the size of the sidewalks, the amount of pedestrian open space, the diversity of stores and businesses in the area, climate comfort, and pedestrian safety. With this information we formed our walkability master plan and design guidelines for downtown Tempe.

ANALYSIS OF THE EXISTING existing parkings

path connections

Opportunities: • Public Life (restaurants, shops, residential, leisure/parks) • Close to campus • Good parking (lots and garages) • Improved coexisting between bikers, cars, and pedestrians • Improve shade • Opportunity for eye catchers and art • Improve seating • Improve night lighting

• Improve pedestrian flow in walkways (density)

PEDESTRIAN

Constraints: • • • • • • • • •

Recreation Buisness Mill Ave. Others

region sections

Cars dominate street space High noise pollution Streets get blocked off (events and trains passing through) No separation between cars, bikes, and pedestrians Hot, limited shade (few structures/ Trees) Dull, uninteresting hardscape Poor seating (awkward placing, uncomfortable) Narrow sidewalks irregularly throughout Mill Not enough night lighting (safety/ aesthetic)

PUBLIC TRANSPORTATION

Parking Skatepark Fields Residentials Picnic Area Shops

Scale: 1” = 600’

Scale: 1” = 600’

VEGETATION

Playground Elder Area

PUBLIC USES

Recycling Food Audience Bikes Parking Theatre Scale: 1” = 600’

Scale: 1” = 600’

Pets Area

STUDY AREA MASTERPLAN Living document to be revisted and reanalyzed every five years.

VISION STATEMENT Our vision for the downtown Tempe area is to create a more inviting space by focusing on walkability and lingering.

Lively downtown areas need good pedestrian circulation and E Rio Salado Rkwy

vibrant gathering areas. The plan is going to provide space that appeals to a diverse community of families, children, students, elderly, disabled, and tourists. We plan to improve

S Mill Ave.

S Ash Ave.

W 3rd St

downtown Tempe by focusing on the experience the users E 5th St

have during both day and night and making that experience

E 6th St

more pleasant and safer. We are doing this by implementing

E 7th St

our design goals, objectives, and guidelines where our larger focused areas are lighting, shade, and sitting.

E University Dr

DESIGN GUIDELINES Boost Walkability by Adding: - Adequate street lighting in lightly walked areas.

- Reflective lighting on sidewalks in heavily and medium walked areas.

- Lights under trees to light up canopies in heavily walked areas.

- Different color lights in heavily and medium walked areas.

- Lighted bricks to sidewalks in heavily walked areas.

- Shade structures in heavily and medium walked areas.

- Deciduous trees in all areas.

- Planters with shrubs, perennials, groundcovers and trees in heavily and medium walked areas.

- Wall art in heavily walked areas.

- Sculptures in heavily walked areas.

- Barriers like planters, trees, and vibration strips between pedestrians and cars in heavily and medium walked areas.

- Make bike lanes green.

- Remove all street side parking in heavily walked areas.

CONCEPT SKETCHES

Better lighting system along the walkway and bike lane

Lighted bricks on both the pathways and the building walls at night time

before

after

Removing the side street park lots and replaced with new bike lanes

Lights underneath the tree in heavily walked area

DAY TIME VIEW

Spring 2016

Bike lanes are painted in bright green color for safty

Rotating wall shading structure with benches sitting

Make Lingering Spaces by Adding: - Fixed benches in all areas.

- Movable seating in heavy and medium lingered areas.

- 3 parklets on Mill Avenue.

- Reflective lighting in heavy and medium lingered areas.

- Deciduous trees in heavy and medium lingered areas.

- Planters with shrubs, perennials, groundcovers and trees in heavily and medium lingered areas.

- Drinking fountains in all areas.

- Restrooms in heavily lingered areas.

- Trash cans and recycling bins in all areas.

- Barriers like planters, trees, and vibration strips between pedestrians and cars in all areas.

NIGHT TIME VIEW

Undergraduate Second Year Landscape Architecture: Design Fundamentals IV

Students: J. Chen / T. Fang / A. Miller / M. Runnels Faculty: P. Coseo / R. Fish Ewan

Visual Communication Design: Typography

Student: Lauren Schaecher Faculty: Marsha Minniss

Visual Communication Design: Visual Communication II

Student: Weiyao Zhang Faculty: Andrew Weed

Visual Communication Design: Visual Communication II

Student: Madisen Fedo Faculty: Jill Boots

RO-RO FLEX At the double corner of Central Avenue, Roosevelt Street, and First Avenue sits the gateway to Phoenix’s vibrant Downtown; and the Roosevelt Arts District. Built around a main courtyard of activity, this design sets out to celebrate the differences that make this city thrive, pulling the city’s street life in and up, through a yin and yang of hybrid, flex spaces; fusing live, work, and the arts.

URBAN SHIFT

THE GATEWAY THE SITE

The issues addressed in the design include a need for dense, cost-effective housing, studio spaces that are well-lit naturally, a lack of green space in the surrounding area, connection to the rest of ASU campus, and an urban permeability throughout the site.

Masses are arranged in reaction to movement along the street and contain a variety of exterior spaces from shifting the masses.

-CENTRAL AVE. & ROOSEVELT -“GATEWAY” TO THE CITY -DENSITY ALLOWED: 384 UNITS -ZONING: DOWNTOWN GATEWAY BUILDING STATS: -PUBLIC UNITS: 90 UNITS -PRIVATE UNITS: 150 UNITS -TOTAL UNITS: 240 UNITS (62.5% OF ALLOWED) -TOTAL PARKING: 284 UNITS

“RO-RO” ROOSEVELT ROW -7TH AVE. - 16TH ST. -DOWNTOWN PHOENIX ARTS DISTRICT -CONNECTS 9 HISTORIC NEIGHBORHOODS -HOME TO PHOENIX’S ART WALK “1ST FRIDAY”

micro unit

studio

one bedroom

two bedroom

PUBLIC SPACES -MARGARET T. HANCE PARK -32 ACRES -JAPANESE FRIENDSHIP GARDEN -IRISH CULTURAL CENTER -PHOENIX CENTER FOR THE ARTS -CIVIC SPACE PARK -2.77 ACRES -JANET ECHELMAN SCULTPURE

floor 25

floor 19

-PORTLAND PARKWAY PARK SITE PLAN 1|64” - 1’

floor 14

1 BED 1 BATH UNIT + CORNER UNIT 1|16” - 1’

floor 9

FLOOR PLAN LEVELS 3, 5, 7, 9 1|64” - 1’

2 BED 2 BATH UNIT + CORNER UNIT 1|16” - 1’

FLOOR PLAN LEVELS 4, 6, 8,10 1|64” - 1’ 3 BED 3 BATH LOFT UNIT 1|16” - 1’

JUXTAPOSED AGAINST THE URBAN EXTERIOR, THE PLYWOOD WRAPPED, CAST IN PLACE WALLS ACT AS ANCHORS FOR THE HYBRID SPACES, BRINGING WARMTH INTO THE INTERIOR.

FLEX BAYS (MIXED USE) 1|16” - 1’ REINFORCED CONCRETE ROOF SLAB

FLOOR PLAN GROUND AND LEVEL 2 1|64” - 1’

SMALL MODULES OF SPACE EXTEND INTO THE WALKWAYS, ACTING AS FRONT YARDS, THAT ENGAGE BOTH THE COURTYARD BELOW AND THE “STREETS” OF EACH LEVEL.

THESE SPACES GIVE RESIDENTS AN OPPORTUNITY TO EXTEND THE HYBRIDITY OF THEIR UNITS OUT, ACTING AS STORAGE UNITS OR FRONT GARDERNS; OR SHOP EXTENSIONS FOR THE PUBLIC UNITS.

HYBRIDITY DIAGRAM

TEAL RESIDENTIAL | PRIVATE YELLOW COMMERCIAL | PUBLIC

AFFORDABILITY - density - micro units - modular - fiber cement panels URBAN CONNECTION - open plaza - cafe - restaurant - permeable LIVING - north south orientation - balconies - community garden(s) - pool HERBERGER SCHOOL OF DESIGN - studios oriented north - gallery on plaza

DROP WOOD PANEL CIELING (HIDDEN AIR DUCT)

SLIDING GLASS DOOR (INTERIOR FLOOR RAISED FOR DRAINAGE)

INSULATED CAST IN PLACE WALLS (SLAB TO WALL CONNECTION)

SLIDING PERFORATED STEEL DOOR

PRECAST CONCRETE COLUMN TO SLAB (CONNCETION)

E|W SECTION BB (NOT SCALED)

Spring 2016

EXPRESSING THE EXPOSED POST TENSIONED SLABS, AN ORAGAMI LIKE FOLD OF PERFORATED AND UNFINISHED STEEL BENDS IN AND OUT OF THE PATIO SPACES, PULLING THE CITY WITH IT.

DETAIL SECTION AA 3|16” - 1’

Undergraduate Third Year Architecture: Architectural Studio II

Student: Megan Baker Faculty: Wendell Burnette

Architecture: Architectural Studio II

Student: Olivia Raisanen Faculty: Scott Murff

The Abbey on monroe

C900 Screw Gun

Powerful Performance

Portable, powerful, and ready.

Tethered battery for the best of both worlds.

Adjustable strap doubles as a holster.

Screwgun Exploration A screwgun is a specialized drill with a depth-stop, an anti-spin clutch, and a trigger lock. In combination, these allow professionals to safely install drywall at extreme speeds.

Part of construction culture is that you have to look tough, and your tool is a display of strength.

In a group of males, no one wants to be the smallest or lightest because that means you’re the weakest.

Compensation had to occur. The tool is lighter, and it is smaller, but a large tethered battery, an aluminum frame, and a solid steel base was integrated to assert a proverb:

Good things come in small packages.

Interviewee Considerations Jeremy

Jesus

Patrick

Mark

Nicolas

Don

“Lasting battery is crucial”

“If it looks weak, I won’t buy it”

“Cords restrict and are hazardous”

“The smaller, the better”

“They don’t have a friendly interface”

“Weight and Size is a problem”

:

The only consensus forums and reviews had were that it should be wireless, and it had to be tough

Features + Use The Gun -2500 & 4000 variable RPM brushless motor gets the job done -Smaller, a center of gravity almost in the palm of your hand -Lighter than comparable products The Battery & Tether -18v Li-ion battery guarantees a full day of power -Attaches to arm with band, or outfit with clip -Helical cord ensures no excess slack

Simple Removal Easy reverse switch

Easy to Carry

Belt clip and band

Avoid Hassle Power Indicator

Easy Depth Adj.

Large grooves for grip

Super Durable Aluminum frame

Easy Trigger Lock Keeps you going

2-Stage Trigger

Tough and easy jobs

Steel Base

Quick hammering, shows strength

Jack Scheren | Rowen | ADE 322

Architecture: Architectural Studio II

Student: Jack Scheren Faculty: Marthe Rowen

Industrial Design: Industrial Design IV

Student: David Guido Faculty: Donald Herring

PRO•WORK

ELECTRIC PLANER

TOOLS & EQUIPMENT

CIRCULAR SAW

MOTOR GRIP - HANDLE ATTACHES TO BOTH TOOLS

A planer cuts wood surfaces to the desired thickness and evens out the level.

A circular saw cuts wood such as 2x4s and wood panels.

Grip Handle Release Button

Detachable Power Cord

Trigger

Safety Button

Ideation: Concept Development

Models: Study Models through Sketch

Model/sketches: 1 to 1 scale modeling study drawing/internal configuration.

Solidworks Model: Using 2D sketches in planes

Keyshot Rendering

What do planer users have in common? Not an average home user.

RYKER (ASU Shop) I would the a table saw to trim the 2x4 and then plane it.

LOUIS (Homedepot) I would plane down the door frames and smooth out the rough surfaces.

JESUS (ASU Shop) First I look for the brand name, type of iron, quality of the materials, placement of triggers, on/off switch.

BRETT (ASU Instructor) No, battery will not be powerful enough and would add more weight.

JERRY (Contractor) I like that it is portable. Quick set up and use it and done.

Users Case: A user is interchanging the attachable tool to complete a task.

Spring 2016

Undergraduate Third Year Industrial Design: Industrial Design IV

Student: Yousin Smith Faculty: Roozbeh Mehdigholi

Interior Design: Interior Design Studio III

Students: L. Justice / S. Smith / P. Yang Faculty: Laura LeGoullon

D I S C O N N E C T E D D O W N T O W N

C H A N D L E R

Th e p ro j ec t d es ign was d er ived from the conce pt of conne c t and dis conne c t. The re’s a dis conne c tion be t we e n the his tor y of C handle r, Ar izo n a an d it s recent d evel o p ed cit y. I n the proce s s of de ve loping a bigge r cit y the outcome was s lowly dis inte grating C handle r ’s h is to r y l eavin g C h an d l er w it h o ne true pos s e s s ion of its his tor y, downtown.

D ow ntow n C h an d l er is em b el l is he d with r ich his tor y but its core (the par k ) is als o be ing fragme nte d with the e nlarge me nt of Ar izona Aven u e l o c ated in t h e m id d l e o f the s ite and the incor poration of more par k ing s pace s. With this div is ion of D owntown’s core the re l ac ks t h e co n n ec t io n to b r in g cohe s ion into the place to fe e l lik e one.

Th e g o al fo r t h is p ro j ec t is to c re ate a conne c tion with the Eas t and We s t s ide s of the par k to have cohe s ion. H ow I inte nd to cre ate t h at co h es io n is by u s in g fo r m al ge ome tr y from his tor y, with e mbe llis he d points of conne c tiv it y and point of bar r ie rs. The de s ign will in c l u d e areas o f co n n ec t io n an d dis conne c tion as a re pre s e ntation of C handle r ’s is s ue. The e mphas is of C handle r ’s his tor y be come s t h e f l es h o f t h e d es ign , as el em ents of the s ite conne c t back to its his tor ical conte nt.

55’-7”

Site Plan Buffalo Stre e t 5

D is co n n ec ted S eat in g Sp aces Ar izo n a Ave n u e

M ed ian

4

421’-9”

“Can al s & Cro p s” Fiel d

O p en Event Sp ace 73’-9”

C W C Sh ad e St r u c t u re Cro s s Wal k

2

St ag e S et U p G ras s Lowered 3 2 ” O p en Event Sp ace G ras s at l evel

Le n g t h O f Par k 1 0 5 6 ’ - 1 ”

“ Wo r ker s” Fiel d

G ras s R ais ed 3 2 ” 560’-7”

“G ras s p h it h eter ” G ras s Level ed

D e s e r t Willow

G ras s R ais ed 3 2 ”

C hine s e Pis tache

3

R em ovab l e S eat in g Sp ace

1

C hine s e e lm

“G en erat io n s” Fiel d

As h Tre e N o r t h Ent ran ce

D albe rgia s is s oo 80’

B os ton Stre e t

N

S cale 1:60 0’

Perspective 1

Perspective 2

3

G e ne rat i o ns Fi e ld Lo o k i ng N o r t h Sh ad e s t r u c t u re t h at rep res ent s t h e o l d Co m m o n Weal t h Can al.

O p en event s p ace

Section 1

1

As you walk you fe e l a dis conne c tion with the ground (it ’s lowe re d 3 2 ” )

Agr iculture fe e l with the t y pe of ve ge tation in the s e plante rs.

Pave rs that run hor izontal acros s s ite to conne c t the s ite. The pave rs are diffe re nt tex ture s to s till cre ate that dis conne c tion.

S ale 1:20

Th is s e c tion is de mons trating are as of conne c tion and point of bar r ie rs.

0’

2

E a s t to We s t

G ras s phithe te r

5 9 ’8 ”

94’3”

5

N o r t h to S o u t h 1 /4 s c a le D is co n n ec ted area fo r s m al l er g at h er in g s

20’

Ar izona Ave nue

C WC S hade Struc ture

100’10”

47’7”

0’

20’

Students: M. DiBella / N. Hayes / R. Wesolowski Faculty: Milagros Zingoni

80’

90’7”

31’7”

Desert Willow

G ras s e s : M uhle nbe rggia R ige ns M uhle nbrgia capilllar is M uhle nburgia dumos a N as s e lla te nuis s ima B oute loua cur tipe ndula B oute oua gracilis N olina microcar pa H e s pe raloe par v iflora D as y lir ion whe e le r i Agave ge miniflora Euphor bia lome lii

8 ’ S ide walk 1 8 ” x 2 ’ S e ating

C hine e s e Pis tache

Dalbergia s is s oo

27’

Interior Design: Interior Design Studio III

8’

40’

R ais e d and lowe re d G ras s

This s e c tion is de mons trating the are as of point of bar r ie rs. (are as of dis conne c tion)

24’ 4’

80’

S ale 1:20

32’8”

S ale 1/4”=1’- 0” 0’

40’

3 2 ” Cut Plante r

41’

Th is s e c tion is de mons trating how the canal s hade s truc ture conne c ts the Eas t and We s t s ide s of the s ite acros s Ar izona Ave nue.

Ope n Eve nt Space

Section 3

S ide walk

248’2”

Section 2

240’

4

N o r t h to S o u t h

288’

120’

N o r t h Eas t Co r n er lo o k i n g Wes t

Lowe re d gras s for s e ating and walls borde r ing gras s are e ngrave d with C handle rs his tor ical fac ts.

O p en Event Sp ace

60’

16’

Landscape Architecture: Landscape Architecture II

Student: Kimberly Rodriguez Faculty: Kristian Kelley

18’6”

Spring 2016

Undergraduate Third Year Landscape Architecture: Landscape Architecture II

Student: Jordan Ward Faculty: Allyce Hargrove

Visual Communication Design: Visual Communication IV

Student: Brian Le Faculty: E. Montgomery / L. PeĂąa / K. Salem

Donate Smart

Visual Communication Design Program Students in the Herberger Institute for Design and the Arts

the exact supplies needed in the exact quantity, it also helps stimulate the effected economy. The goal is to get people to be involved, donate smart, and that cash is the best method to held during a disaster.

Breanna Alarcon, Keila DeZeeuw, Jean Hsu, and Hunter Rohrer, This card was designed by

People who donate goods like clothing and canned foods often mean well but sometimes it can cause more harm than good. With cash, it enables you to tackle the disaster head on. It helps relief organizations to be able to buy

Focal_Holiday Card_1.pdf 1 4/15/2016 2:07:13 PM

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wishing you a sweet holiday season Visual Communication Design Program

Students in the Herberger Institute for Design and the Arts

Breanna Alarcon, Keila DeZeeuw, Jean Hsu, and Hunter Rohrer, This card was designed by Old Main

Disaters come in many different sizes; like War

Natural Disasters

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sweetest greetings wishing you a sweet holiday season Visual Communication Design Program

Students in the Herberger Institute for Design and the Arts

Breanna Alarcon, Keila DeZeeuw, Jean Hsu, and Hunter Rohrer, ASU Gammage Old Main

The donations of goods can sometimes cause more harm than good

This card was designed by

And even Disease.

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With cash relief organizations can buy what they need

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sweet wishes

Visual Communication Design Program

But with cash you can tackle the disaster head on

Students in the Herberger Institute for Design and the Arts “A” Mountain

Breanna Alarcon, Keila DeZeeuw, Jean Hsu, and Hunter Rohrer, This card was designed by C

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and in the exact amount.

This also helps to stimulate the local economy

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sweetest greetings From ASU

So remember...

Visual Communication Design: Visual Communication IV

Student: Michelle Gonzalez Faculty: E. Montgomery / L. Peña / K. Salem

Visual Communication Design: Visual Communication IV

Students: B. Alarcon / K. DeZeeuw / J. Hsu / H. Rohrer Faculty: E. Montgomery / L. Peña / K. Salem

BINARY

HERBERGER

FOLIE À DEUX

ZHANG & TIDWELL | SPELLMAN

YOUNG

The country dweller, better than any other, knows that purity is in danger, because he also knows enough to drink clear, fresh water at the right moment, in those rare moments when the insipid has flavor, when our whole being desires pure water.

CREATE

INNOVATE

PLAY

-Gaston Bachelard

INSPIRE

SCHOLARS

ACADEMY /////////////////////// 2016-FUTURE

This Water Issue Studio is not an attempt to solve the “water issue” that Arizona and the global community face.

The shared madness of HYSA is its belief in the crazy idea that education can be better. How can architecture support and share this message, leaving room for an open-sourced future and the free radical of serendipity?

Instead the approach was to design along the Arizona Canal in a way that would uplift, educate, and enlighten the local community. We didn’t design a solution, we designed for impact, with an aim to increase community discussion.

Fragmented pieces of concentrated activity are linked by an affinity spacea place of mixing ideas, embracing a chance encounter, and discovering the new. At once a skate park, sculpture garden, Shakespearean theatre, and event space, this affinity deck brings disparate subject matter together in moments of exploration and play.

As we approached the idea of bringing the program of a water temple to the Granite Reef Dam site, we were entranced by the idea of Temples being the place where man and Deity “touch”.

Expect this: The future of education is the unexpected.

We considered what this would mean in terms of water. When a finger touches the water there is inherently a ripple. How would this ripple look as we touched the water at Granite Reef Dam.

Site Plan - Granite Reef Dam (Left) Temple Abstraction - Ripple Collage (Right Bottom) Abstraction Process - Ripple Modeling (Right Top)

PLAN & PROCESS

interaction + interplay

1

The reservoir behind the Granite Reef Dam posed an opportunity to emphasize the playful and invigorating nature of water.

We interpreted this as a wooden dock, anchored to the river’s bottom, but appearing to float atop the water’s surface.

The abundant supply of water meant that visitors could splash and swim, boats could embark from our “dock” for exploration, and others could bask in the warm sunlight.

3

The structure would become a temple for the irreverent needs of man.

5

Floor Plan - Floating (Right)

6

4

Structural Diagram - Floating (Left)

7

2

Section - Floating (Below)

WHIMSY

8

IRREVERENCE

TEMPLE A: IRREVERENCE

Architecture as Generator Independent pavilions or follies provide content to the affinity deck- a public space of free play. Event is triggered by the overhead performance canopy, for an augmented and immersive experience.

1 Performance Canopy 2 Affinity Deck 3 Ecology 4 Art-Maker 5 Tech-Virtual 1

The opposite side of Granite Reef Dam was characterized by the primarily dry, abandondoned river bed with only a small trickle of residual overflow water.

This we interpreted as a solemn space where visitors would descend below the ground plane into a quiet, permanent space, where water is scarce but revered.

A constructed wetland process “elevates” water to a purere state as course rock, and aquatic plants filter out pollutants gathered along the river’s course.

INLET ZONE Inlet Zone

2

6 Philosophy-Spirituality 7 Interstellar 8 Offices

Limitless Possibility

Contrasting adjacencies and a changing stock of specific pavilions create frictions that encourage unexpected connections to be made.

This structure has become a temple for the reverent needs of man.

Macrophyte MACROPHYTE ZONE Zone

Floor Plan - Temple B (Left) Constructed Wetland - Temple B (Right) Section - Temple B (Below)

3

SOLEMN CATCHMENT & RECHARGE Catchment & Recharge

REVERENCE

5

3

TEMPLE B: REVERENCE REVERENCE - CONSTRUCTED WETLAND

While we may often think it so, human nature, as well as the nature of water are NOT binary.

The two temples were at first designed as binary dualites, reverence or irreverence; but it became obvious they were missing connection. There was a tension between the two, and we exploited this with the connection of a water bridge.

The water was supplied by a beautifully vernacular spiral pump inspired by the technology of irrigation streams in Zambia. As the wheel is turned (manually cranked by participating visitors on the floating dock), the water is brought up towards the center of the weel, which then continues to exert a pressure on the ever compressing water, so much so that it spurts out 5’ above the top of the wheel, spraying playfully on those who cranked and then supplying a stream of water.

SPIRAL WATER PUMP ROTATIONAL WATER WHEEL

8 4

MANUAL CRANK

LINEAR PISTON AIR PUMP

The water then cascades just along the bridge path, before it drops to fantastical water wheel which produces rather whimsically a rotational motion that turns a crank shaft that powers a series of air pumps that enhance the filtration effect of the aquatic plants.

6

BRIDGE: TENSION

Spring 2016

Undergraduate Fourth Year Architecture: Architectural Studio IV

Students: C. Tidwell / M. Zhang Faculty: Catherine Spellman

Architecture: Architectural Studio IV

Student: Jacob Wilhelm Faculty: Max Underwood

LIFE UNDER GROUND

Calle RasCuaChe

Ashley Whitesides Undergraduate Thesis S2016 Director Darren Petrucci ADE422 TRUONG SANCHEZ ROCCHI

Promoted by the city to increase land values and provide jobs in the barrios of South Phoenix, industr y became a force of massive disturbance along Buckeye Road, interrupting the residential scale with large industrial lots, many of which have been abandoned. However, latent in the landscape are remnants of better times in the vibrant gestures of ever yday urbanism.

1 2

Inspired by this palate of lively, idiosyncratic street designs- created out of necessity by people making-do- this project seeks to bring identity, value, and vitality to this challenging human environment.

3

This project uses concepts and processes of disturbance ecology and ecological succession, specifically the role played by pioneer species and biological legacies in the immediate af termath of the catastrophic eruption of Mount St. Helens, to develop an urban revitalization plan for Buckeye Road.

4 5

eVeRYDaY uRBaNIsM ON BuCKeYe

SECTION A

MOBILE VENDING MACHINE unregulated food sales with a limited variety and quantity of goods

1 6 7

OPAQUE STOREFRONT

8

secure and blocked-off facade

2

SECTION b

FLEA MARKET outdoor market where secondhand goods

3

The angle of the ramp is influenced by the setting sun, illuminating the pathway as you enter the excavation.

Our communal bathroom celebrates the purifying quality of water by having it work in tandem with light. Standing in the bath, you are simultaneously basking in water and light.

9

after journeying into the earth, you encounter a relaxing atmosphere created by a courtyard and a reflecting pool.

BUCKEYE RD.

Circulation is vital in portraying the beauty of the excavation. The main entrance lies at the end of the eastern alley and diverts the user down into a ramp that descends further into the heart of the subterranean world.

vendors

sell

INFRASTRUCTURE FOREST abundance of vertical infrastructural elements in a relatively small area

4

SCRAP METAL SIGN displaying business-specific scrap parts as unofficial signage

5

DRIVE THRU STORE a store that motorists can browse through without leaving their car

6

SECTION c

MOBILE BUS STOP

SECTION d

signs indicating where the bus will stop to pick up passengers, can move depending on the day

7

10

hIsTORY

FENCE STOREFRONT fence that displays goods to people on the street and provides security

8 11 1949

RETAIL MUSEUM designed display of cultural artifacts

9 Although South Phoenix has always been reserved for poor residents and minorities, it used to have a much denser residential scale.

POP-UP CRAIG’S LIST

10

1982

CATALOG FACADE

Industry begins to infiltrate South Phoenix as the city promotes development.

11

1991

12

Industrialization decreases already low land values and drives away residentces, raplacing them with wide open lots.

floor plan 2

store facade that informs motorists on the street of the contents of the store

PORCH

12

floor plan 1

temporary unregulated sales appropriating everyday space

transitional space that allows people on the street to interact with the more private activities of the business

a DaY ON BuCKeYe 2013 Morning

The industrial scale along Buckeye Road remains legible today, while the residential scale that used to be there has faded away.

DesIGN 2016 Afternoon

2020

Night

2025

site plan

Architecture: Architectural Studio IV

Students: Q. Truong / R. Sanchez Faculty: Elena Rocchi

Architecture: Barrett Honors Independent Thesis

Student: Ashley Whitesides Faculty: Darren Petrucci

Undergraduate Fourth Year Interior Design: Interior Design Studio V

Students: C. Blackhurst / A. Robinson Faculty: J. Bernardi / S. Bochart

Activo improves poor posture and sedentary behavior in the workplace by monitoring sitting position and requiring users to take active stretching breaks.

KAIROS SKY Live Timeless

Our daily lives are oriented around the clock time since the Industrial Revolution. This evolved our relationship with the clock time to be purely based on the amount of things one can get done in a certain amount of time. We have been orienting our lives around the clock time (industrial time) and neglecting the event time (natural time). Kairos Sky tells time with the color that parallels the current color of the sky. Kairos Sky intends to evoke more emotional and natural relationship between the time and person. Instead of seeing

Monitor Sitting Posture

Plan A Breaktime Schedule

Increase The Motivation

Help users to detect whether they are sit with poor posture and send notification to remind users to correct the sitting position.

Draw up a breaktime schedule for users depend on their daily work schedule. It will help users to increase number of breaks from sitting times.

Activo allowed users to earn some credits if they follow the guidance and task that Activo required. Users can share and compete their score with other people or use credits to get benefits in kind.

the numerical clock time, you’ll see a color gradient printed scroll of canvas that parallels to the color of the sky. Users can also custom print the scroll to add a personal meaning.

360 180

Stereo Camera

Charge Port LED Light

The function of rotation allowed user to adjust the best viewing angle of the Activo, thus achieving accurate monitoring. It has three different color, which are orange, ponegranate red and dark grey. Those colors are appropriate for any modern work environment.

Smart Grip

Step 1 Set the Activo on the side of desk. Smartgrip allowing the device firm stand on the table and lift natrallly.

Step 2 Click the power button to active the device

Step 3 Log in the App and start to connect the Activo.

Step 4 Adjust for the best viewing angle depend on the guidance of App

Step 5 Start to monitor sitting posture by distance and spine shape and then deduces it into signals and passes it to the App.

Step 6 App will identify the poor sitting posture depend on the data collected from Activo. LED light will change color to remind user they are sit with poor position or require them to take active breaks.

Before

180

After

15’in

KAIROS CLOUD Be Conscious of the Moment

Essentially, time is information that we intake everyday. In today’s world we constantly and mindlessly consume this data because of the instant availability from the phone and watch, something we take for granted.

With the Kairos Cloud, time is not always readily available for instant

20’-28’in

consumption. The current time will only be revealed through a process which You are leaning

to the front

Correct sitting

Upper back straight with shoulders relaxed at sides

posture

is designed to enable consciousness of the user. When you tilt your wrist

sides Arms relaxed at and with upper arm a lower arm forming 90 degree angle

on Hips as far back the chair as possible

a Lower legs at 90-120 degree angle

Feet flat on the ground or resting on a footrest

Monitor

Schedule

Analysis

Benefits

to see the time, an LED light will illuminate the hands of the watch which lie underneath a fabric on the face of the watch, displaying the time with a shadow. This small intentional delay in displaying time is a subtle reminder to users that they should not take time for granted and have more conscious thought to it.

Activo

Analysis

Break schedule

Benefits

Stand hours

List

Monday Day

Week

Month

Stand hours

Reset

Year

Month list

Stand up

You are leaning to the front

Today

User name

4 hrs 30 mins

1

8:30 am

S

5

pm

ing tch tre

9 am

1 hour

Analysis

Benefits Benefits

Sign up 30s

Analysis

Credit score

Use credit

3 pm

2 pm

Schedule Schedule

Schedule

Lower legs at a 90-120 degree angle

Benefits

1pm

Activo Monitor

Activo

Log in Arms relaxed at sides with upper arm and lower arm forming a 90 degree angle

Activo

nch Lu k l Wa

Feet flat on the ground or resting on a footrest

am

Hips as far back on the chair as possible

20mins

Schedule

Analysis

12

Upper back straight with shoulders relaxed at sides

4.5 hrs

Break time schedule in workplace

11 am

Sit hour Stand hour 5.5 hrs

Forget passcode?

Correct sitting posture

12 AM

4 pm

Remember me

12 PM

10 am

Passcode

12 AM

910

1.

Joy

910 credits

2.

Dora

903 credits

3. 1hour

Mike

4.

Jony

Monitor Benefits

890 credits 880 credits

Schedule

Analysis

Benefits

KAIROS ECLIPSE Measure the Moment

Time-telling began as a measurement of the movement of the sun. Days were created off this movement, our lives confined to its rhythm. Today, we currently have resorted to measuring this movement in 24 hour time periods, conscious only of hours left in the day as it moves onward without halt. We wanted for this watch to turn the attention from movement of the day as a whole to movement of each moment, eliciting an awareness of your current state of being. For the Kairos Eclipse, we intentionally implemented a simple timer as the only feature of the watch. Eclipse’s only purpose is to measure a specific block of time relating to the particular moment in which you currently reside. Users will not view time as minutes and hours, but rather moments and their quality.

Jiaxin Ruan IND 461 Spring 2016

Spring 2016

Tanner Wills & Hyunsol Park IND 461 Kairos

Undergraduate Fourth Year Industrial Design: Design Project II

Student: Jiaxin Ruan Faculty: R. Valamanesh / B. Vierck

Industrial Design: Design Project II

Students: H. Park / T. Wills Faculty: R. Valamanesh / B. Vierck

SANCTUARY M O U N TA I N PA R K H E A LT H C EN T ER , T EM PE, A Z

A PLACE OF REFUGE AND RESPITE. A CONDITION OF BEING PROTECTED AND COMFORTED.

McClintock

I-202

Site

I-101

Broadway

Stop and Listen.

I-60

Naavi is an interactive learning system to teach visually impaired people how to echolocate.

Our educational system comprises of a smartphone app and a pair of bluetooth boneconduction headphones. This combination allows people to partifipate in a lesson, listening to directions from NAAVI, while simultaneously practicing the skill of echolocation.

SO U T H TO N O R T H

emit

listen

navigate

W E S T TO E A S T

Mountain Park Health Center is a local non-profit organization, who is “In the Business of Caring” by providing af fordable healthcare to multi-generational, low-come individuals. As an organization they are passionate about showing compassion to their staf f, patients and the surrounding community. Their philosophy of “people heal through medicine and community,” was fulfilled through the following program requirements: 6 “of f-stage” provider rooms which house 36 providers, 10 “of f-stage” nurse sync stations, 40 exam rooms, a large “on-stage” waiting room and large community and training spaces all which have clear wayfinding techniques and circulation. Great at tention to detail was taken towards biophilic design through a new roof struc ture for a rain catchment system, natural lighting throughout the facility due to solar tubes, mimicking nature through angular forms, graphic frac tal pat terns, warm, natural, sustainable materials along with succulent walls and planters. Changes in ceiling heights create surprise and wonder, refuge and comfor t.

Wayfinding is delineated by changes in flooring and ceiling, color, and materiality. Appreciation is shown to staf f by using energizing colors, allowing for means of healthy workplace with bike racks, gym, and kitchen.

Specialty materials highlight work areas and bring life into the space. Circulation is easy and programmatic for all who occupy the space.

NORTH

WAITING ROOM

Driven by people.

Bolstered by technology.

Industrial Design: Collaborative Design Development II

CLINIC CORRIDOR

STAFF LOUNGE

NURSE/PROVIDER MA STATIONS

EXAM ROOM

Interface design by Stephanie McNicol

Students: R. Price / A. Hickey / K. Lawless / J. LeClair / S. McNicol Faculty: R. Bone / C. Boone / P. Boradkar / S. Clark / A. Fischer / C. Hedges / S. Reeves / S. Trimble / R. Trujillo

Interior Design: Interior Design Studio V

Students: C. Blackhurst / A. Robinson Faculty: J. Bernardi / S. Bochart

Undergraduate Fourth Year Visual Communication Design: Visual Communication VI

Student: Hannah Kretzschmar Faculty: M. Fehler / W. Heywood / A. Sanft

Building a Resilient Kearny

5th Street is the humanizing of downtown by establishing flexible spaces that allow for bike and pedestrian comfort while showcasing the beauty of the desert through sustainable practices. Heavily focused on vehicular traffic, the existing 5th Street provides minimal comfort and safety for humans and the ecological community that exists in the downtown Tempe area.

Through the introduction of seamless pedestrian/bike circulation, cohesive and functional streetscapes, versatile spaces to gather, desert native species, and a modern aesthetic, 5Th street refocuses to accommodate the comfort of pedestrians, bikers, and the ecological community before vehicular traffic.

humanizing downtown

Cristal Castro. Gunwoo Kim. LDE 462.

United States of America

Arizona PHOENIX

Gila River

GILA RIVER KEARNY

Kearny

Existing.

Icon Key. Bike Lanes

Green spaces

Pedestrain friendly sidewalk

Dog friendly area

Part of the process was focusing on comfortable linkages for pedestrians and bikers. This included the narrowing of existing roads and the elimination of on street parking to promote walkability. In doing so, wider sidewalks and bike lanes were implemented. Not forgetting stormwater runoff and the ecological community, sidewalks and bike lanes are structurally engineered to “float” above ground. This strategy allows for maximum width of sidewalks and bike lanes while allowing trees to mature to maximum potential. Due to the elimination of compacted soil underneath, trees are given unlimited space for root growth. Road and sidewalk runoff also flows into planters before being directed to drainage system.

5th Street

Flood Mitigation & Improving Water Quality

Analysis.

Tempe Town Lake Access

G

I

L

mckellips Rd.

rio salado pkwy.

rio salado pkwy.

university dr.

university dr.

university dr.

apache blvd.

apache blvd.

apache blvd.

broadway rd.

broadway rd.

broadway rd.

southern ave.

southern ave.

southern ave.

baseline rd.

baseline rd.

baseline rd.

guadalupe rd.

guadalupe rd.

guadalupe rd.

elliot rd.

elliot rd.

elliot rd.

warner rd.

ray rd.

chandler blvd.

chandler blvd.

chandler blvd.

Pixilated Parking

priest dr.

warner rd.

ray rd.

mill ave.

warner rd.

ray rd.

price rd.

mill ave.

price rd.

rural rd.

mckellips Rd.

rio salado pkwy.

dobson rd.

priest dr.

Site Plan.

mcclintock dr.

To Arizona State University

mckellips Rd.

rural rd.

Farmer Avenue.

priest dr.

College Avenue.

dobson rd.

Mill Avenue.

mcclintock dr.

Ash Avenue.

Downtown Core

I

V

Transportation Hub

Gathering Plaza

A R

mill ave.

Hydrology

Vehicular traffic

price rd.

A-Mountian

Process.

Hiking trailhead

Gathering/Event spaces

rural rd.

To Tempe Town Lake

dobson rd.

Located near the Gila River in the Copper Basin area, “Building a resilient Kearny” worked hand-in-hand with the Town of Kearny, Arizona and key stake holders to develop a sustainable restoration and community development plan.

A thorough investigation of dynamic interactions of social and ecological structure and functions of the Gila River and the Town of Kearny, aided the design in an attempt to mitgigate extreme fire and flood hazards. With an emphasis on community workshops and site analysis, the project was broken down into four systems; Hydrology, Habitat, Recreation, and Trails. Combined, these four systems created a natural balance between social, environmental, and economic outlooks, geared towards a resilient and sustainable design.

mcclintock dr.

ARIZONA

E

R

s.01

s.02 5th Street

5th Street

Complete Street

College Avenue.

Mill Avenue.

Re-Linking Potential Wildlife Corridors

Ash Avenue.

Farmer Avenue.

Habitat

Pixilated Parking Dog Park 20’

80’ 40’

Phasing.

240’ 160’

400’

N

G

PHASE 1 + 2

PHASE 3

PHASE 4

PHASE 5

Phase 1 + 2 has been clustered into one for it focuses on the development of all the widening of sidewalks, bike lanes, and creating the planter spaces for all the trees to be planted in phase 3. Phase 1 entails all sidewalks and bike lanes from College Ave to Mill Avenue. Phase 2 continues and completes the development from Mill Avenue to Farmer Avenue.

Phase 3 is the installment of all native tree species along sidewalks and bike lanes to allow time for trees to mature into full growth. City Hall Trees and turf area to be installed as well as Farmer Avenue Dog Park and Green Corridor towards Tempe Town Lake. Existing parking lots are transformed into parking spaces highly vegetated planters.

Phase 4 completes the project installment by adding all plaza spaces.

By incorporating efficient circulation first, plaza spaces at the end are equipped with all necessary tools in order to be successful in downtown.

Aside from plaza spaces, median retention basins are also installed along with supporting native vegetation.

Phase 5 allows for all trees and vegetation to mature over time. Phase 5 also entails the responsible and appropriate maintenance not only for streets, bike lanes, and plazas, but trees and vegetation as well. Maintenance oversight is part of the phasing over time to ensure native species can thrive fully in an urban setting without being hindered of growth.

CURRENT CONDITIONS.

2 YEARS.

5+ YEARS.

Vehicular traffic dominates the site of 5th street, leaving a harsh bike + pedestrian environment. Pedestrian/bike safety + importance becomes the second focus as ecological processes + vegetation are of least concern.

Vehicular traffic becomes less important as pedestrian and bike lanes are improved and widened. New tree and vegetation species are introduced, allowing the ecological community to flourish.

Less vehicular traffic allows for more bike + pedestrian activity as well as for the ecological community to grow and establish a micro habitat, linking back to larger ecological communities in surrounding area.

Recreational Providing Passive and Active Recreational Space

Componants.

Green Space.

s.01.

Green spaces consist of elevated sidewalks creating tree planters with maximum root growth with access to storm water runoff, City Hall turf area, residential dog park, tree allee path towards Tempe Town Lake, retention basin medians, and pixilated parking areas.

7

5

2

3

6

4

1

8

Sections.

sidewalk

tree planter

bike lane

road

road median retention basin

bike lane

tree planter

dog park + retention basin

sidewalk 2.5’

10’ 20’

5’

N

The pedestrian realm consists of all sidewalks as well as shared plaza spaces that can be closed off during festivals, concerts, or large events. All include lighting for comfort and safet y. Several connections are made to surrounding area for easy and comfortable access.

s.02.

Trails Fire Breaks and Trails

Pedestrain Realm.

A

Bike Realm.

12’

5’

8’

12’

sidewalk

tree planter

bike lane

road

14’ median retention basin

12’

8’

5’

12’

road

bike lane

tree planter

sidewalk

2.5’

10’ 20’

N

D

B

5’

Designated bike lanes are elevated to sidewalk level and adjacent to tree planters for maximum safety from vehicular traffic and access to shade. All bike lanes are a maximum of 8 feet wide for comfortable two way traffic or side by side riding.

Kearny Masterplan All 4 Systems Incorporated into Building a Resilient Kearny

Highway 177

E

V

Spring 2016

R

I

R

A

L

I

G

Highway 177

Undergraduate Fourth Year Landscape Architecture: Landscape Architecture IV

Students: V. Chung / M. Hernandez / F. Rosales / E. Zambrano Faculty: Chingwen Cheng

Landscape Architecture: Landscape Architecture IV

Student: Cristal Castro Faculty: Gunwoo Kim

Her Lifetime, My Year

For GRA 462 Spring 2016

A two-sided book documenting both the details of life endured by victims of human trafficking and the year Hannah Kretzschmar graduated from Arizona State University.

Learn more at thepriorityproject.org

vet outreach expanding veteran resources

The Lifetime of Horror Endured by an Estimated 2.4 Million People Worldwide

My goal is to show the magnitude of veteran suicide.

The Veteran Affairs (VA) estimates 22 veterans a day commit suicide. Each wooden figure on the display represents a veteran that has committed suicide over the last 10 days, that

“...22 veterans commit suicide everyday...” equates to 220.

The Year Hannah Kretzschmar Graduated From Arizona State’s Graphic Design Program

Pertinent information about veteran suicide is revealed when a viewer takes a figure such as, “every sixty-five minutes a veteran commits suicide.” By taking a wooden figure, viewers are making a commitment to be aware of veteran suicide and reach out if they know a veteran who might be struggling.

Viewers can also take a printed brochure that tells Vet Outreach’s story and provides resources to veterans and their famalies. There is a 120 page campaign book, Bridging the Gap.

hmkretzschmar.com

Visual Communication Design: Visual Communication VI

Student: Hannah Kretzschmar Faculty: M. Fehler / W. Heywood / A. Sanft

Visual Communication Design: Visual Communication VI

Student: Erik Tingle Faculty: M. Fehler / W. Heywood / A. Sanft

A New Way To Experience Learning Team Keen

Andrew Hickey Engineering

Krista Lawless Sustainability

Stephanie McNicol Graphic Design

Reid Price Industrial Design

Jordan Leclair Business

Navigating unknown spaces can be a challenge for the visually impaired. Team Keen attempts to solve that problem by teaching people how to use echolocation with our educational app, Naavi.

When paired with the Naavi headset, users experience the fun and empowerment of learning a new skill set.

Exhibit Design

Sustainability

Ground Floor

Second Floor

App Design

Discoveries

Book Design

Accessibility Efficiency

Video

Visit stepholio.com/naavi for more information.

Spring 2016

Undergraduate Fourth Year Visual Communication Design: Collaborative Design Development II

Graduate Three Plus Year Students: S. McNicol / A. Hickey / K. Lawless / J. LeClair / R. Price Faculty: R. Bone / C. Boone / P. Boradkar / S. Clark / A. Fischer / C. Hedges / S. Reeves / S. Trimble / R. Trujillo

Architecture: Core Architectural Studio II

Student: Hao Lin Faculty: John Meunier

IMPOSE

YOUR WAY OUT

Darklite in an intra-dependent navigation device, that tracks a caver’s path in an underground environment (impervious to GPS, radio, and cellular signals) without requiring user engagement. Its stowable handheld unit displays an unambiguous exit path derived from the path traveled into the labyrinth.

Saves Lives

Eliminates $ Millions in Annual Rescue Expenses

Preserves Fragile Ecosystems

Prevents Panic, Fear, Stress, & Anxiety

Enhances User Adventure

C O N C E P T, D I A G R A M S, & I T E R A T I O N S The Liberty Wildlife Rehabilitation Center mission is to “nurture the nature of Arizona through wildlife rehabilitation, natural history, education, can conservation service to the community.” Ultimately, they see a time when wildlife is recognize as an integral part of our natural world while being protected and preserved. It is integral for them to instill compassion and stewardship while safe keeping the natural world.

With their mission in mind, when thinking about the natural environment and how we see it today, it takes on its own form within the urban environments that surround it. Animals survive and adapt to our urban, “rigid” world as opposed to their “fluid,” natural environment. My concept for Liberty Wildlife Rehabilitation Center is to juxtapose these two environments by imposing the wild, fluid environment on the visitors instead of the opposite way around. By using the natural lines of the new building as well as the Salt River, I was able to merge the human and wildlife environments.

Once a visitor enters from the parking lot and courtyard path to the building, they will immediately see the entryway to the wildlife enclosures within a Mesquite Bosque. The can also interact one on one with the animal through the enclosures while meandering through the bosque. Winding all the way around the property, the path meets up with the Multi Use Trail that already exists. This concept is suppose to bring visitors a better understanding of their environment as well as educate them on how they can help protect that environment.

Use

SPRAWL

Human

Wild

+ Human

= Wild

RADIATE

IMPOSE

BREATHE

S IT E P LA N Easy Access Show & Stow Display

Intuitive Display & Operation

Hands-free Tracking Calculates Location Within a Space

Features

Potted Neodymium Magnets Retains Display in Cradle Uncradled Unit

Piezoelectric Speaker: On/ Off & Low Battery Alert

PCB Back

Micro Gyrocompass

Barometer

3 Access Accelerometer Adheres To any Caving Helmet with Adhesive

Thermometer

Ultra Sonic Transducer (Measures location in space)

CPU Lithium Ion Batteries (12 hour Operation)

PCB Front

Power / Function Buttons 50 MHz Ultra Sonic Rear Transducer (50 ft. Range) USB-C Charging Port

Ultra Bright LED Flash Ambient Light Sensor 170° Camera Captures Path Traveled

P E R S P E CT I V E & S E C T I O N S

Polymer Faceplate Polymer Cradle

Pass Through for Transducer

Walkable pathway by enclosures

Edge of Enclosure

Middle of Enclosure were visitors can go up to birds

Benches by enclosure for peronsal experience with birds

Pathway that leads to wildlife building

Mesquite Bosque Section

Shatterproof Display Transducer Screen Pathway that leads to Mesquite Bosque and Enclosures

Polymer Bezel

Entry courtyard Pathway that leads to Wildlife building

Signage and benches

Bus Drop Off and Fire Lane

Gabion Walled Outdoor Classroom

Sketches

Industrial Design: Core Industrial Design Studio II

Student: Kevin Chapanian Faculty: John Takamura

Landscape Architecture: Core Landscape Architecture Studio II

Student: Catherine Ruggiero Faculty: Kristian Kelley

Pathway to Rio Salado Multiuse Trail

Entry Courtyard Section 1” = 30’

Graduate First Year Architecture: Advanced Architectural Studio II

Students: Y. Alroumi / C. Salinas / R. van Horne Faculty: Thomas Hartman

ASU

P O LY T E C H PAV I L I O N

CONCEPT

INHERIT MLK

PROGRAM ORGANIZED PROGRAM / Broke down program to categories and sub categories

THROUGH DEEP RESEARCH AND SITE ANALYSIS WE IDENTIFIED A SERIES OF PRIMARY, SECONDARY AND TERTIARY AXES THAT EXIST WITHIN THE POLYTECHNIC CAMPUS.. WITH OUR DESIGN IT IS OUR GOAL TO ACTIVATE THESE AXES BY IDENTIFYING AND ACTIVATING THE 12 DISTINCT PROGRAMS THAT WE HAVE IDENTIFIED. THESE PROGRAMS WERE CONDENSED DOWN TO THREE DISTINCT MANIFESTATIONS TO BE APPLIED TO OUR DESIGN. 1.)OCCUPYING INFRASTRUCTURE / TO ACTIVATE THE SPACE BETWEEN THE BUILDINGS. 2.) MULTIPLE EXPERIENCES / EXPERIENCING THE BUILDING, SITE AND CONTEXT IN SEVERAL WAYS. 3.) CLIMATICALLY RESPONSIVE / RESPONDING TO THE CONTEXT AND CLIMATE.

BY IMPLEMENTING THESE THREE IDEAS AND ACTIVATING THESE AXES ON THE SITE THE PROJECT SPARKS A CAMPUS WIDE WOVEN Z SHIFT, WHERE ALL THESE AXES BECOME ACTIVATED WITH ACTIVITY AN D LIFE.

event eoss academic administration lounges offices support

Organized program / laid program out in pinwheel. Creating 3 buildings / 3 zones / 1 core collaborative active study

2 3

WOVEN PARADIGM SHIFT 1

HARD SHELL SOFT INTERIOR / lobbies placed to core unifying the three buildings Program function

OCCUPY INFRASTRUCTURE

MULTIPLE EXPERIENCES

CLIMATICALLY RESPONSIVE

EVENT SPACE / event space placed on top further unifying the buildings, and creating a beacon to the context.

event

ACADEMIA

PRIDE

EVENT

RECLAIM

PROGRAM

EXISTING

NETWORKING

VIEWS

STRUCTURE

CONTEXT

TECHNOLOGY

HABITAT

RECLAME

FUTURE

NATURE

SUSTAINABILITY

PLANS GROUND FLOOR PLAN 1. STUDY LOBBY 2. SOCIAL LOBBY 3. COLLABORATIVE LOBBY 4. COLLABORATION ZONE 5. CONFERENCE ROOM 6. STUDY 7. SUPPORT 8. KITCHEN 9. LOADING DOCK 10. SMALL STUDY

2

SECOND FLOOR PLAN

N

N

OV

1. EVENT 2. CLASS ROOM 3. TERRACE 4. SUPPORT 5. ACADEMIC ROOM 6. RESTROOM 7. SOFT SEATING

4

455

6 7

1

3

1

4

11

6

7

2 2

2

2

4

4

PTFE FIBRE GLASS SCREEN VAPOR BARRIER OPEN WEB TRUSS 10

DROP CEILING GLASS CURTAIN WALL 5 VERDAILLE TRUSS FINISHED FLOOR PLENUM INSULATION 4” LAYER OF CONCRETE

METAL DECKING

wall section a

South elevation

INHERIT MLK

Spring 2016

Graduate Three Plus Year Visual Communication Design: Core Visual Communication Design Studio II

9

Graduate First Year Student: Jun Wang Faculty: Scott Curtis

Architecture: Advanced Architectural Studio II

Students: Y. Alroumi / C. Salinas / R. van Horne Faculty: Thomas Hartman

Arizona State University Student Pavilion Downtown Phoenix Campus

VERSUS INTERACTIVE TARGET SYSTEM

To Grand Canyon

17

Peoria

Thunderbird

campus

West

north

51

campus

101

Scottsdale

Glendale

ACA DE

MI C

P U B LIC

202

10

To California

Downtown Sky Harbor Phoenix International campus

SI

NE

SS

INSPIRATION

Mesa

Tempe

campus

ACADEMIC

60

Airport

BU

101

Phoenix

BUSINESS

Gilbert

Chandler 101

10

PUBLIC-RESIDENTIAL

Polytechnic 202

campus

Site Analysis

Site Relation

Concept Diagram

Student Experience

IDEATION SKETCHES

Business Professional Experience

Public Experience

The ASU Student Pavilion is a focal point where education meets business and the public realm. It is located on ASU Downtown Phoenix campus, adjacent to the Walter Cronkite School Journalism and Mass Communication, and across the street from the Phoenix Civic Space Park. This makes it a great location for the interaction of the students with businesses of downtown and the public. Therefore, the building was designed as three zones; the student academic zone, the business office zone, and the public zone.

The ground floor of the site, which opens to Fillmore Street, Central Avenue and First Street, is retail space that benefits from the economical value from the building site. Entrances from these three streets guide all users to a central grand staircase, which in turn would guide them up to the ‘urban room’ from which they head to the student or the business lobbies.

The ‘urban room’ is an outdoor public space where the three characters of this story meet. It is framed by the student academic building from the west, the business office building from the east, the retail space below, and the event space above. It is a flexible space where people can meet and relax outdoors, eat in the ‘urban room’ cafe, play in the media lounge, or attend an event.

The Student Pavilion has a double envelope protecting it from the heat and ventilating it. The exterior skin is made of perforated copper panels located on the east and west facades where most heat and dominant wind exist. The narrowness of the tower benefits from cross ventilation of the prevailing east-west wind. The wing added to the roof of the building, also made of perforated copper panels, creates a wind tunnel effects that pulls and accelerates the air from the gap between the interior and exterior envelopes. Allowing for enhanced cross ventilation.

B 9

12'-4"

10

11

21'-8"

12

28'-0 1/32"

29'-10 1/2"

A

A

UP B

C

D

E

F

G

8'-11 17/32"10'-7 3/32" 10'-3 5/8" 10'-7 5/8" 11'-4 19/32"

A

Office Lobby

Fan Room

UP

tel.

25'-3"

DN

I

elect.

Janitor

6'-0"

H

Floor 7

Dust proof silicone function buttons

B T1

T2

T3

30'-8 21/32" 1

30'-6 1/16"

2

T4

30'-8 21/32"

30'-8 21/32"

B

T5

30'-8 21/32"

T6

T7

30'-8 21/32"

3

21'-8"

Swivel feet hug the ground

34'-0" 9

12'-4"

10

11

21'-8"

12

28'-0 1/32"

A

DN

29'-10 1/2" B

C

D

E

F

G

A

Pre-event Space

Event Space

Dressing + Green Room

Control Room

Terrace

Fan Room

25'-3"

tel.

elect.

I

UP

6'-0"

UP H

Duraseal self-healing material

UP Storage

8'-11 17/32"10'-7 3/32" 10'-3 5/8" 10'-7 5/8" 11'-4 19/32"

A

Floor 6

B B 1

30'-6 1/16"

2

3

21'-8"

25'-8 31/32"

4

5

25'-4 31/32"

6

7

51'-2 21/32"

51'-2 21/32"

8

9

12'-4"

10

11

21'-8"

12

28'-0 1/32"

29'-10 1/2"

A

Cafe'

UP UP UP B

C

D

E

F

G

8'-11 17/32"10'-7 3/32" 10'-3 5/8" 10'-7 5/8" 11'-4 19/32"

A

Academic Work EOSS Stations Open Academic Workstations

Student Building Lobby

Media Lounge

Office Office Office Lobby Building Lobby Lobby

DN Casual Lounge

25'-3"

Work Work Room Room

6'-0"

I

Fan Fan Fan Room Room Room

Elect.

UP UP

H

A

UP UP

Active Active Learning Learning Classroom Classroom

UP UP

tel. tel.

Tel.

elect. elect.

Kitchenette Kitchen Janitor ette

Janitor Janitor

Floor 5

B B 1

30'-6 1/16"

2

3

21'-8"

25'-8 31/32"

4

5

25'-4 31/32"

6

7

51'-2 21/32"

51'-2 21/32"

8

9

12'-4"

10

11

21'-8"

12

28'-0 1/32"

Cafe'

UP B

C

D

E

F

G

8'-11 17/32"10'-7 3/32" 10'-3 5/8" 10'-7 5/8" 11'-4 19/32"

A

29'-10 1/2"

A

Media Lounge

Office Building Lobby

DN Casual Lounge

25'-3"

UP

tel.

Tel.

Target system where people compete to spin the top to one side or the other before their opponents.

elect.

Work Room

6'-0"

I

Fan Room

Elect.

UP

H

A

UP

Student Building Lobby

EOSS Open Workstations

Janitor

Janitor

Floor 2

B B 1

30'-6 1/16"

2

3

21'-8"

25'-8 31/32"

4

5

25'-4 31/32"

6

7

51'-2 21/32"

51'-2 21/32"

8

9

12'-4"

10

11

21'-8"

12

28'-0 1/32"

29'-10 1/2"

A

Retail

Retail

Retail

Retail

Retail

UP B

C

D

E

F

G

8'-11 17/32"10'-7 3/32" 10'-3 5/8" 10'-7 5/8" 11'-4 19/32"

A

UP Retail

THE TOP

THE INTERNALS Retail

Retail

Retail

Retail

Retail

Retail

Retail

UP 25'-3"

A

UP

Retail

DN

Fan Room

Elect.

Tel.

Loading Dock

Kitchen's Storage

Kitchen

DN

UP

tel. elect.

Janitor

I

Janitor

6'-0"

H

Floor 1

B

N

Bullets spin the target. The spinning motion is translated to a linear motion on the internal rail. The motor returns the target to center

The interlocked self healing targets can be replaced by removing the master bolt.

PRODUCT GOALS

Section A-A

Architecture: Advanced Architectural Studio II

Section B-B

Students: N. Ansara / B. Desai / S. Malak Faculty: Philip Horton

INCREASE ACCURACY

IMPROVE HAND-EYE COORDINATION

Industrial Design: Advanced Industrial Design Studio II

BUILD COMMUNITY

Student: Warren Tenney Faculty: Joseph Velasquez

A

C

CALEB ALVARADO PHOTOGRAPHY

18,646 sq. ft. provided 46 open workspaces 16 private offices 2 shooting studios 3 design labs 3 meeting spaces

THE CLIENT Caleb James Alvarado, Photographer/Cinematographer Arizona State University Alumnus BA Humanities + MArch Multidisciplinary studio specializing in photography, motion, design, and drone photography

Amenities - Interior Open Air Courtyard - Collaboration Spine - Community Gathering Space - Gallery - Library + Reading Room - Public Cafe/Bar with Patio - Dog Run - Employee Kitchen + Break Room - Fitness Room + Showers

THE SITE Phoenix Seed and Feed Warehouse, built in 1905 as Sturges Brothers Hay and Grain Warehouse Located on S. 2nd St. north of E. Buchanan St. (in Phoenix Warehouse Dist.)

Oldest remaining warehouse in Phoenix

FEATURES

2

National Register of Historic Places in 1985

A commuter jacket with wind-stopping performance and a tough denim shell.

Built for cyclists. Made in Arizona.

4

7 Exterior pockets & 4 Interior pockets for all your stuff Windbreaker vents for keeping you cool on the go

1

3

THE CONCEPT Widely regarded as the device that led to photography, the camera obscura reflects and flips an external image by the passing of light through a pinhole. Inspired by this photographic relationship between nature and the built environment, the office design language comes from a diaglogue between raw and refined.

Sleeve pocket for your smartphone Reflective details to keep you visible at night

THE SENSORY WORKPLACE

Strapped cuffs and vents for improved fit Detachable hood that fits under your bike helmet Internal strapping system for travel

Activating the five senses within the workplace will make you and your employees happier, healthier, and more productive!

1 - COMMUNITY ROOM TASTE

Team performance is improved when employees eat meals together.

- Increase in concentration and focus - Improve alertness - Increase brain function/cognition - Improve creativity - Promote social interaction - Decrease stress levels - Improve communication - Increase happiness

SIGHT Research shows that people with creative jobs benefit from having color integrated into their workplace.

2 - CAFE

SOUND

SMELL Lavender reduces stress, calms nerves, and decrease. depression.

Moderate noise levels (like that of a café) increase creative cognition in adults.

SMELL

Research suggests the aroma of coffee alone activates genes in the brain which reduce stress and the effects of sleep deprivation.

3 - WORKSPACE

TASTE

Caffeine consumption improves alertness and performance, makes humans more supportive of others, and reduce risk of workplace accidents.

4 - COURTYARD

FEEL Psychological research shows that tactile stimulation can be even more desirable than food.

SOUND

Nature sounds in the workplace can reduce muscle tension, heart rates, and stress.

FEEL

REFLECTED CEILING PLAN

Fresh air boosts the immune system, reduces stress, increases happiness, and even has an energizing effect on 90% of people.

SIGHT Employees with access to natural light sleep 46 minutes longer and are more physically active than those without.

RESEARCH & IDEATION Nearly 75% of the world’s fashion market is concentrated in the US, Europe, China and Japan.

The bicycle is the world’s most popular form of transit.

In the US, the number of people who commute to work by bicycle increased 60% over the past decade.

WEST FACADE

NORTH SECTION

EAST SECTION

MATERIALITY | RAW

LIGHT WALNUT

Graduate First Year Industrial Design: Advanced Industrial Design Studio II

Student: Alexander Forestier Faculty: Joseph Velasquez

Interior Architecture: Advanced Interior Architecture Studio II

Students: Y. Cao / D. Hoffman Faculty: Rachel Rosso

HERMAN MILLER MESSENGER

FURNITURE

FILZFELT DESIGN FELT

FLOORS

SANDBLASTED CONTRETE

HUNTER DOUGLAS NATURA

FURNITURE

SHAW - TINGE

BLACKBOARD

LIGHT ASH

FLOORS

WALLS

CEILINGS

IVORY LEATHER

POLISHED CONTRETE

FURNITURE

WALLS

PERFORATED CORTEN STEEL

ARCHITECTURAL SKIN

RED LAMINATE

WHITEBOARD DRYWALL

ARMSTRON METALWORKS

HUNTER DOUGLAS - TECHSTYLE

Spring 2016

FLOORS

FROSTED GLASS

WALLS

CEILINGS

FURNITURE

FILZFELT AKUSTIKA - ROST

FLOORS

BOLON SHELL - IVORY

WALLS

PERFORATED STAINLESSSTEEL

ARCHITECTURAL SKIN

TEXTURED GYPSUM WALL

MATERIALITY | REFINED

(36)

(27)

(26)

Boradkar Fehler

Sanft

265

267

269

(28)

(26)

White Christensen

Rosso Fanger

Coseo Kelley

271

277

281

283

CAM Plants for Green Roofs The Potential in Desert Species That Perform Crassulacean Acid Metabolism

University Joseph Abstract: Succulence and the ability to perform crassulacean acid metabolism, a processClassroom Research Problem: The most extensively studied green roof Valasquez Storage 270U2 during daylight272 280 of CAM plants that cannot tolerate by which plants limit gas exchange with their environment hours, are often cited 274 plant materials are sedums, a genus as reasons why temperate climate Sedum species are successful as green roof materials. While 297sf the extreme conditions of the170sf arid Southwest 94sf Sedum are not adapted to the hot arid climate of Phoenix, many species of CAM plants including John CAM plants, including agaves and cacti are native or adapted here. In order test the suitability of four native species, Research Question: Can arid-adapted M.to Kroelinger Takamura Ozel twenty pre-fabricated plastic green roof modules wereF. purchased from a manufacturer in Mexico agaves and cacti provide similar ecosystem service benefits as sedums if B. Brandt in the arid Southwest? and planted with to different treatments of mulch. These species show promise for performing the they are used as green roof plant materials284 262 ecosytem services associated with green roofs, including stormwater mitigation, reduced heat 128sf 122sf with edible landscapes. Stormwater Hypothesis: Arid-adapted CAM plants can provide the same island effect, wildlife habitat, and cultural services associated mitigation and urban heat island reduction were the focus of this research, with water retention and ecosystem service benefits that sedums Diane provide in temperate climates, Allyce Hargrove Bender thermal properties of the plants being the quantifiable results. and may have additional benefits as urban agricultural crop species

Computer Lab

Poised to surpass the Phoenix area in population, Buckeye presents a unique opportunity for development in Arizona as a majority of the land is still wild Sonoran Desert but most has already been entitled to developers. Rather than creating an overall master plan for the area that would be nearly impossible to implement the studio chose to create instead a vision of a future Buckeye through new evolutions of existing urban design typologies that braid the urban fabric with the existing natural systems in a way that would spark real change.

k Mou ntai ns To Wh ite Tan

255 1260 sf

Sun Valley Parkway

Kristian Kelley

254M1 MEN

ADE 422 (45) Horton Murff Bree 2080sf

290 122sf

Modular Green Roof Plan: CDN Terrace:

254W1 WOMEN

Existing Conditions A high tension power line creates a utility corridor east of Sun valley parkway which runs north and south

Prasad Boradkar

285

288 114sf

256 130sf

The design focused on a case study area that included a wildlife corridor that connected the White Tank Mountains on the east and the Vulture Mountains to the west and incorporated the existing Sun Valley Parkway.

• Approximately 120,000 square miles in area • The most biodiverse desert on Earth • Native plant species appeared 4,500 years ago • The largest set of urban protected lands in the United States

Dosun Shin

258 113sf

Computer Lab

Design Concept

286 114sf

Christian Stayner

Vending Machines

The City and the Desert

260 110sf

254A

BRAIDING THE BUCKEYE BANDS

263 1202sf

Charlie’s Cafe

292u1 ELEC.

254T1

254J1

291

Charlie’s Cafe - Terrace

Hydrology This design begins by starting with the hydrology of the existing landscape through locating flood zones and prioritizing major washes.

Flood plain identified by Maricopa County

SCALE 1” = 10’

.BJO FOUSBODF Planting Treatments and Infrared Thermal Images: PO GJSTU GMPPS Moveable Modules with CAM Plants

253

Opuntia ficus-indica + Soil

Wildlife Corridor • Approximately 9,000 square miles in area • Less than 150 years old • More than 16 million visitors each year • One of the fastest growing metro areas in the country Option 01- proposed by Game and Fish, corridor width- 5248 ft

This area has been identified as the best fit for a wildlife corridor and it is where we find great potential for development that weaves together the natural and the built environment

Opuntia engelmannii+ Soil

Cylindropuntia bigelovii+ Soil

0’

5’

10’

Minimum Corridor width required- 3280 ft Crossing 01, over the Sun Valley parkway- 150ft wide Crossing 02- Parkway is embedded into Natural Topography

The Bridge

DESIGNNORTHLEVEL2 Opuntia ficus-indica + Soil

Opuntia engelmannii+ Soil

Cylindropuntia bigelovii+ Soil

Agave murpheyi + Soil

Opuntia ficus-indica + Perlite

Opuntia engelmannii+ Perlite

Cylindropuntia bigelovii+ Perlite

Agave murpheyi + Perlite

Opuntia ficus-indica + Perlite

Opuntia engelmannii+ Perlite

Cylindropuntia bigelovii+ Perlite

Agave murpheyi + Perlite

Density Warp Our built topography creates a valley around the wildlife corridor which we call the density warp

Growth of the City

Incorporate Important Washes Prioritizing these as natural amenities to be woven into the urban landscape reveals developable land

1912 - Population 56,000 Time from center of the city to the edge of the desert 5 min

Laying the Roads Braiding urban circulation in response to natural amenities creates conditions for development to capitalize on land that connects more people to the urban and desert systems 2013 - Population 4,329,000 Time from center of the city to the edge of the desert 63 min

Proposed Zoning By braiding together washes with roads we can identify new land uses which allow for increased density and equal access to amenities

The Density Warp was designed to mimic the benefits of the form of mountain 2040 - Population 7,110,000 Time from center of the city to the edge of the desert 95 min

Evolution of Single Family Lot For our focus area in buckeye, we wanted to redefine the convention in order to accommodate the coexistence of nature and urban. The redesigned house gets rid of the front yards and back yards found in a typical single family house and transforms itself into a house with a long side yard. This strategy of making the plot porous ensures visual connectivity from the urban to the natural

Conventional Single Family housing from Phoenix Plot size- 9785 sq.ft House size- 4577 sq.ft

Breaking down the components allows us to identify opportunities for new design.

Circulation Increasing the height of development as it moves away from the corridor mimics and integrates with the ventilation system of the White Tanks. Air currents become breezes as they funnel down washes and through canyons of condos.

Cooling temperatures as it flows.

Light Intensity is directly proportional to Urban Density Light intensity is directly proportional to urban density.

Allowing the corridor to experience a more natural day and night cycle

Water Retention (Weight) During Drydown:

Land value Land value increases as height increases because homes and amenities are stacked

The side yard setbacks and underutilized front yard present opportunities to maximize space

If we remove the side yards and combine the backyard and driveway we create a more usable domestic landscape

Optimized sizes Plot size- 7280 sq.ft House size- 4152 sq.ft

Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio II / Advanced Urban Design Studio II

View Sheds The density warp provides unobstructed views across green roofs and of the desert landscape.

Creating a healthy visual connection to nature

Students: J. Jain / S. Lele / M. Miller / J. Roche / A. Sharma / Y. Tang / P. Wheeler Faculty: P. Coseo / D. Petrucci

N

Agave murpheyi + Soil

Corridor PinchThe Buckeye Braids will guide animals to a crossing where the natural environment and the built environment are integrated to become a system which facilitates the safe movement of wildlife between the mountains

20’

Landscape Architecture: Advanced Landscape Architecture Studio IV

Student: Peter Price Faculty: Edward Cook

Redefining the Phoenix Canals Integrate Nodes of Density

suburban (L)

suburban (M)

S4

S3

suburban (S)

suburban (typ)

S2

urban

S1

agriculture

desert

A

U

D

D

D

Questioning is the act of learning.

The moment you stop questioning is the moment you stop being a designer.

S1

S4

Current model of urban sprawl

Be brave.

Canals catalyze density

S3 D S1

S2 U

S1

Strategy: Transform a mostly singular infrastructure into a multivalent system which incorporates public space, energy production, and becomes an engine for development. Focusing on the Arizona Canal as a prototype for metro-wide canal development.

S1 S1

suburban (S)

S4

S1 S1

A

S1 S4 A S1

Arizona Canal: After cataloging all the different canal sections and various context, there were seven different conditions present throughout all the canals of metropolitan Phoenix. However, the only canal which had all seven unique types was the Arizona Canal. As a result, I focused my prototypes here and they could be translated to the other canals. suburban (M)

D

S1

Tactics: Selecting intersections of infrastructure and unique context, the goal is to develop flexible programs that share a connection to their location. These sites incorporate a variety of programs in order to strengthen their use, evolution, and relationship with the context.

suburban (L)

A

S1

U

A

A D

suburban (typ)

urban

agriculture

desert

Integrated Tower

+

+

+

Ask questions.

You will make mistakes and will fail.

Bravery comes from moving on and learning from the mistakes and failures.

water storage +

+

+

CMYKelseyHinesley.com

bird watching

+

CMYKelseyHinesley.com

Purchased Inputs Canal Water

Power

evaporative cooling

Kit-of-Parts

plant-hosting skin

pv panel Rain

Water Storage

pre-fab frame PV

suspended planter Evaporative Cooling

Wind

Sold Outputs

Natural Inputs

Sun

Artificial Light

Plants

Carbon Sequestration Insects + Wildlife

Used Outputs

Cellular Canopy

Evaporative Cooling Strategy

Projected Future

Mini malize.

Work, life and play.

Do not let one overwhelm the other.

Walk outside.

Find what is essential and what is decorative– in your work and in your life.

Look away from your work on a screen on occasion.

Look instead at the work of life around you.

CMYKelseyHinesley.com

CMYKelseyHinesley.com

CMYKelseyHinesley.com

tower module

adaptable roof

Find your limits.

Desert Prototype

R

This prototype looks at combining public space, hydroponics, education, and opportunistic farming. This allows the public to be educated on farming practices in the desert alongside education about the role of the canals. Additionally, campsites are shaded and condensed to reduce their impact on the surrounding landscape.

e l

cellular canopy

e

structural datum

a s

e

hydroponics + education

your emotions. shaded campground

Work within a space; recognize what can and cannot be done and design around your limits.

Cry. Laugh. Even scream.

Do not hold back on feeling your emotions– you need them to feel empathy.

CMYKelseyHinesley.com

It will calm you and allow your mind to step back and come to a possible solution that you might otherwise overlook.

CMYKelseyHinesley.com

CMYKelseyHinesley.com

Suburban Prototype The suburban prototype looks at taking advantage of an existing bat cave, where people currently re-appropriate the space to watch bats who live in an empty storm water tunnel. Introducing a wetland into the currently empty concrete retention drain allows migratory birds cohabitation with the bats. A highly flexible space is created as well which adjusts to optimize birdwatching and tiered seating. The location has the ability to rapidly transform programmatically in order to accommodate the evolving needs of this suburban context.

Articulate your

(Golden Repair)

Learn how to explain your work to many people.

Pull ideas from your head into the world–say or write them out loud.

CMYKelseyHinesley.com

X

O2

ecological cohabitation

program flexibility

Learn to be naive.

thoughts and process.

Some things are more beautiful for having been made or remade from an accident.

CO2

bird-watching

concert

sports

wedding

farmer’s market

exercise classes

See the world through a child’s eyes and let go of your biases.

Your work can then cross boundaries.

CMYKelseyHinesley.com

CMYKelseyHinesley.com

Urban Prototype

Value the little things

The urban prototype attempts to resolve the disconnect found in many areas of the canal where vehicular circulation overrides pedestrain circulation. This public overpass and park is a direct result of a response to the layout of the canal and streets. At moments the park folds down to the street-level allowing for pedestrains to use the park and, simultaneously, spaces for relaxation and entertainment are created. Additionally, this prototype leverages the already successful “Canal Convergence” art show by introducing a scultpure park at the southwest end and also the ability to become a linear art walk at specific times of year.

Let your work

r e

Be pragmatic.

s

play

sculpture garden

o Find ways to connect and form empathy in viewers. Your work will be all the more powerful for the connection.

a n

gathering

SRP gallery

amphitheatre

pedestrian disconnect

t

elevated overpass/park

pedestrian/vehicular movement

structural system

performative canopy

relax

learn

watch

play

e Solidify your foundations– in your life and in your design.

By doing so, you will be able to build skyscrapers.

art

Something as small as a dot can have a big impact on your design.

integrated programs CMYKelseyHinesley.com

Spring 2016

CMYKelseyHinesley.com

Graduate First Year Visual Communication Design: Advanced Visual Communication Design Studio II

CMYKelseyHinesley.com

Graduate Final Year Student: Kelsey Hinesely Faculty: Lindsay Kinkade

Architecture: Advanced Architectural Studio IV

Student: Aaron Cleveland Faculty: Diego Garcia-Setien

H Y P E R W E L L Physical and Hydrotherapy Center in Desert Hot Springs, California

LEARNING THROUGH NETWORKS NEURAL NETWORK

FORESTRY NETWORK

SOCIAL NETWORK

EDUCATIONAL SILOS

SITE PLAN

VASCULAR NETWORK

TRANSPORTATION NETWORK

VOID INTEGRATION

ANIMAL NETWORK

BLENDED PROGRAMMING

NETWORK DIAGRAMS

1/16” = 1’

SHADOW NETWORK

DW REF.

HYPERWELL explores the metaphysical theories of object-oriented ontology (ooo).

Specifically hyperobjects, which are so massively distributed in time and space as to transcend spatiotemporal specificity, such as global warming, styrofoam, and radioactive plutonium. The ‘Giant Rock’ in Landers, CA is abstracted with a series of geometric operations to create a center for healing in the Coachella Valley.

0’

10’

20’

40’

80’

OUTDOOR AFFINITY NETWORK

N

DW REF.

FLOOR PLAN

1

8

2

7

9

3 6

10

4

5

CLASSROOMS

12

13

ELECTIVES

AFFINITY HUBS

INDOOR AFFINITY NETWORK

5

11

AUG

MAY

FEB

DEC

NOV JUN

5

APR

MAY

5

SEP

FEB

MAR

OCT

5

JUN

AUG

APR

JAN

JUL DEC

SEP NOV

MAR JAN

JUL

3.

0’

3.

1.

3.

2.

3.

6.

1.

4.

40’

2.

4.

3.

1. LOBBY 2. OFFICES 3. BREAK ROOM

4. DIGITAL SPACE 5. CLASSROOM 6. STUDENT LOUNGE

7. LIBRARY 8. TESTING 9. LABORATORY

80’

10. GALLERY 11. THEATER 12. THEATER STORAGE 13. MAKER SPACE

LEVEL 1: CLASSROOM SOCIAL NETWORK

2.

3.

20’

5.

4.

N

JAN 40

FEB 48

MAR 56

APR 64

MAY 72

JUN 80

JUL 72

AUG 64

SEP 56

OCT 48

NOV 40

ENVIRONMENTAL NETWORK

DW REF.

2.

4.

10’

1.

6.

5.

5.

4.

6.

7.

1.

7.

LEVEL 0

LEVEL 1

LEVEL 2

LEVEL 3

scale 1/16” = 1’

scale 1/16” = 1’

scale 1/16” = 1’

scale 1/16” = 1’

1. hydrotherapy pools 2. sauna 3. restroom 4. storage 5. mechanical room 6. pool pump room

1. staff area (front desk/conference/offices) 2. physical therapy gym 3. restroom/locker rooms 4. yoga studio 5. group meeting rooms 6. physician offices 7. auditorium

1. resident kitchen/lounge 2. physical therapy gym 3. healing garden 4. residences 5. group therapy room 6. drug rehabilitation 7. mental health

1. physical therapy gym 2. residences 3. community lounge 4. meeting rooms

LEVEL 2: BLENDING PROGRAM NETWORK DW REF.

WEST ELEVATION

SOUTH ELEVATION

TEXTURE/MATERIAL NETWORK

PERSPECTIVE SECTION

LEVEL 3: COLLABORATIVE DIGITAL NETWORK

CIRCULATION NETWORK

ARCHITECTURAL MODEL

Architecture: Advanced Architectural Studio IV

Student: Kevin Kolden Faculty: Claudio Vekstein

Architecture: Advanced Architectural Studio IV

Student: Melissa LeBlanc Faculty: Michael Rotondi

DEC 32

HAPPY TO HELP @ ASU

HAPPY TO HELP is a project aimed at rethinking the service offerings of International Students and Scholars Center at Arizona State University. incongruent user experience The new service offerings help students transition across various service channels into the culture of ASU | USA without any obstacles.

W A T E R S C A P E

key findings from interviews

Facilities for aquatic competition are engineered to provide a highly controlled environment optimized to do one thing, increase performance of swimmers. This singular objective typically inhibits the facility from assimilating into its local community.

language barriers makes communication difficult

My proposal attempts to integrate the necessity for a high-performance competitive swimming pool with the desire for a multivalent facility that promotes community interaction.

The project manifests itself as a new civic waterscape that synthesizes public & private with specificity & adaptability through 21st century water rituals.

struggling with effective processing and delivery mechanisms ISSC has modeled itself as a central hub and outsources work to departments that are good at it

the services offered by ISSC are not discoverable and accessible

incongruent user experience KEYservice FINDINGS across various channelsFROM

Hamad A.C.

London 2012

Beijing 2008

IUPUI

OHIO STATE

USC

Georgia Tech

Weyerhauser

Stanford

?

Sydney 2000

key findings from journey/empathy maps

29

28

Myrtha Pools

ISSC is looking for ways and means to co-create value added services

INTERVIEWS WITH for students

MINNESOTA

D’Coque

Mare Nostrum Barcelona 1992

UNLV

Athens 2004 Mona Plummer Tasmajdan Pool

UTAH

CAL

ARIZONA

Schwimmbad Mühleholz

Athens 2014

Neighborhood

Hotel Pools

Beijing 2015

Ásvallalaug

Hillcrest

Laugardalur

Vatnaveröld

Sun Devil Canyon | ASU Sports District Blue Lagoon

Hofsós Pool

O R I E N T A T I O N

Waterparks

excitement phase pre arrival

arrival

sinking phase

excitement phase

absorption phase

post arrival

pre arrival

Students think about their things and experiences in terms of their physical journey ( pre arrival, arrival, post arrival ). The emotional part of the journey/empathy map can be divided into three categories 1) excitement phase (new places, new things to do) 2) sinking phase (home sink, responsibilities) 3) absorption phase (acclimatized to the challenges).

sinking phase

arrival

absorption phase

post arrival

Another key finding, ISSC conducts the orientation ( where students know about the various services ) at the time when students are experiencing a sink in their emotions.

recommendations

Existing

Student off-shore interaction with ISSC

Proposed

Creation of Case Reference File (CRF)

Student reaches out to different service channels

Location

Resolving the case

Updating the CRF

Update the case manager system

Routing the case to appropriate fulfillment group

To provide omni-channel experience, introducing the Case Reference File (CRF) in the service system. The CRF helps keeps track of the users journey through the system and provides information on request to any service channel. It updates the user by means of notifications and provides them feedback at each and every point through the process.

N E W

Vertical Program 1) short informational videos 2) digital information resources

O R I E N T A T I O N

1) visa / immigration related paper work 2) help in settling down

P L A N 1) detailed overview on various aspects 2) addressing special needs as per demand

Connecting Water With Water

excitement phase pre arrival

Circulation

arrival

sinking phase

absorption phase

post arrival

Rethinking the orientation as ongoing process for a span of 3 months.

我怎么帮你 | Carving For Viewing

Briefly explain what are you looking for today |

Rethinking digital gatekeepers as living services offered in international languages.

ETFE Shading

IND 622 Abhishek Edla Ashok Spring 2016

Lauren McDermott Dean Bacalzo

Graduate Final Year Architecture: Independent Culminating Graduate Studio

Student: David Adalsteinsson Faculty: Darren Petrucci

Industrial Design: Advanced Industrial Design Studio IV

Student: Abhishek Edla Ashok Faculty: D. Bacalzo / L. McDermott

ATMOSPHERE OF PRINT

HYDRATION PACKS

MUST HAVES

MUST HAVES

MESH SIDE POCKET TOP SEAL

HOSE

BITE VALVE

HANG HOOK

SHOULDER STRAPS

TOP LOOP

MAIN POCKET

HOSE ATTACHMENT

STERNUM STRAP

MATERIAL: POLYURETHANE COST: $25-$40 CAPACITY: 1L - 3L WEIGHT: 6.0 - 7.0 OZ *3.4 - 5.7 OZ *ALTERNATIVE TOP SEAL

TOOL ATTACHMENT

WAIST BELT

MOUTH-PIECE CLIP

MATERIAL: HIGH TENACITY NYLON RIPSTOP COST: $75-$150 CAPACITY: 10L - 28L WEIGHT: .5 LBS - 2.6 LBS *DIMENSIONS: 21” H x 12” L x 8”D [53 x 30 x 20cm] *BASED ON 20L BAG IMG SRC: http://akamai-ssl.burton.com/2014/images/pdp/bag-illustrations/F16-136441_i.gif

MESH STRAPS

HANDLE RESERVOIR POCKET

STERNUM STRAP

REDWOOD

HAWAI’I VOLCANOES

SHENANDOAH

YOSEMITE

FRONT POCKET

BACK EVA PANEL

REFLECTIVE TRIM

HIP BELT & POCKET TOOL ATTACHMENT nomad

7 in. (17.78cm)

9 in.

(22.86cm) 3 in.

(7.6cm)

REV 2 APRIL 13, 2014

12 in.

(30.48 cm)

20 in (50.8 cm)

REV 2 APRIL 13, 2014

WEIGHT: 1lbs 14.68oz (870g)

WEIGHT: 1lbs 14.68oz (870g)

MATERIAL: +300d Robic 79% Nylon/21% Polyester Ripstop +135d 100% Polyester

MATERIAL: +300d Robic 79% Nylon/21% Polyester Ripstop +135d 100% Polyester

COLOR: Reflective Trim

COLOR: Reflective Trim

WEIGHT: NA MATERIAL: +135d 100% Polyester EVA Foam Insert COLOR: Black/Grey PERFORMANCE: AirFlow Back Panel

PERFORMANCE: Day Pack : Hiking

PERFORMANCE: Day Pack : Hiking

REV 2 APRIL 13, 2014

11 in (27.9 cm)

16.5 in (42 cm)

Zippered Side Pocket (Both Sides) 8in (20.32 cm)

nomad

nomad

5 in. (12.7 cm) 12 in. (30.48 cm)

SIDE

FRONT 10.5 in.

(26.6cm)

10 in. (25 cm)

TRENTON JONES

BACK TRENTON JONES

TRENTON JONES

REV 2 APRIL 13, 2014 12 in. (30.48 cm)

REV 2 APRIL 13, 2014

3 in.

(26.6cm) 0.5 in.

(1.27cm)

WEIGHT:

WEIGHT: NA

MATERIAL: COLOR:

MATERIAL: +135d 100% Polyester EVA Foam Insert

5 in.

(12.7cm)

PERFORMANCE:

COLOR: Black/Grey

1 in.

(2.54 cm)

PERFORMANCE: AirFlow Back Panel

.5 in.

(1.27cm)

5 in.

(12.7cm)

7 in.

(17.8cm)

STRAPS -TOP TRENTON JONES

BACK PANEL TRENTON JONES

1 in.

(2.54cm)

TECH PACK & COLORWAYS nomad

BIRDWAY COLOR PALETTE

nomad

CACTUS WREN

FALCON HARRIS HAWK BLACKBIRD

ROADRUNNER

DESERT DOVE

Industrial Design: Advanced Industrial Design Studio IV

HAWK

CARDINAL

Student: Trenton Jones Faculty: D. Bacalzo / L. McDermott

Visiting national parks in the United States is a spiritual experience, absent of visual and auditory noise, that relaxes the mind and has a transformative effect on the human psyche. This research emulates the atmospheric quality of national park landscapes through a printmaking process of split-fountain serigraphy. Each print is an abstract representation of a unique park I have visited, with color as the critical identifier of place. With this visual language of printed work established, I designed a poster series for the National Park System. The intent of this project is to effectively communicate the value of this land and garner greater support for the National Park Foundation.

Visit atmosphereofprint.com to view the full project.

Visual Communication Design: Advanced Visual Communication Design Studio IV

Student: Christian Montoro Faculty: Andrew Weed

Rethinking Campus Voids as informal learning spaces to promote creativity and collaboration The problem Since their origins, university campuses have revolved around the traditional classroom settings. These spaces were created for a one-way transfer of knowledge from the professor to students. Being able to memorize and repeat were the major requirements for students of that time (Cornell, 2002). The new “knowledge era” expects students to be more independent, possess creative and collaborative skills (Schon, 1987), and be able to deal with fast-paced professional and personal environment. This leads to a shift from the traditional pedagogy to less structured, informal ways of learning. Despite this paradigm shift campus design has not adapted to address the changes. Environmental and physical atmosphere on campuses continue to be dictated by behavioral control settings (Laurillard, 2002). Spaces beyond that realm, such as lounges, hallways, courtyards and food courts are rarely considered “learning” spaces and are designed as “ancillary” zones. The disconnection between student learning needs, campus amenities, and infrastructure is further aggravated by the lack of understanding of students’ perceptions of a successful informal learning environment (Jamieson, 2000).

The current study attempts to fill this gap by exploring students’ perceptions on what environmental settings support informal modes of learning and are conducive to creativity and collaboration. The findings of the study are analyzed and translated into a set of design guidelines that are are further applied in the design of conceptual collages, showing how ASU Tempe campus void spaces can be transformed into informal learning spaces conducive to creativity and collaboration.

Methodology RQ1: What activities students engage in while on campus, and what spaces do they occupy and why?

RQ2: What are the students’ perception of an environmental setting that nurtures creativity and collaboration and supports informal learning?

RQ3: What are the environmental factors that impede students’ creativity and collaboration and are not conducive of informal learning?

RQ4: How the “environmental voids” found on campus can be transformed to engage students in meaningful learning experiences and promote creativity and collaboration?

Research Approach:

Built Environment

Qualitative, grounded theory (Merriam & Tisdell, 2016) Research Methods:

Collaboration

Questionnaires - open-ended questions

Creativity

Interviews - allow to adjust topics and questions Case Studies - collecting data in natural setting. 5 case studies were conducted in spaces on campus students reported as their preferred informal learning spaces

Informal Learning

Sampling: Non-radom, volunteer

Data Analysis

11

6

6

Crowded

Open/Big space

13 9

View to outdoors No natural light

Unorganized space

Lighting

Natural light 13

People around

Quietness 8

7

Ambient noise

Silence/Noise restrictions

Vivid colors 6

6

Cozy/ Comfort

Neutral/ Warm colors

Creativity Collaboration 30

18

Large tables

20

Group seating

13

7

Welcoming 6

Moveable furniture 6

9

8

White boards

7

5

5

5

Colors

No large tables

5

5

Same projects

Around people

impede

6

42

15

40 30 20 10 0

foster

Fluorecent Lighting

Case Study: MU Starbucks

na p

w. up

l

top ap

Activities

Layers

gro

B “This place has one of the best physical stimuli out of all of the Design Library area”

Static furn

iture

People

Natural light/views

Activities

in

Ou

tdo

or

sea

e read lin

Fluorecent Lighting ch

tin

B

g

Access to coffee

A

Tables/chairs

w

ph o

s

group

read

at

ne

dy tu

Natural light

C

Social environment

Moveable furniture

7

Natural light/ Views

8

6

Being outside

Quietness

Natural light/views

Primary material: wood

Large tables

Crowds

Walls/ Partitions

11

10

Silence/Noise restrictions

People not working

Big/open space

Technology Separate seating

11

Closed off/ Single desks

7

6

16

Noise

9

Abundance of seating

16

12

Big/open space 12

Same projects

8 9 10

productive

7

16

13

happy/content

Vivid colors 14

10

15

Dull/sterile space

16 15

14

Temperature/ Weather

Views to outdoors

Visuals/ Decor

Small spaces

welcomed

Natural light

18 16

Big/open space

17

Nature

17

Layers

Case Study: Design Library

foster

56

Darkness

foster

People

Other

motivated/ eager to work

18

Music

Access to staff support

Tables/chairs

Courtyards

Co m

Co m

rs

ge

oo

un

td

CP

Lo

Ou

Stu dio Co ffe e sh op Stu dy Ro om

ry bra

Do

Li

rm

0

Starbucks

rs

10

Walkways

ge

20

Lawn/Grass

un

30

Table/Bench

td oo

40

People around

13

Dean’s Patio

CP

50

impede

17

3

2

2

2

19

Outside MU

Lo

low bg noise

around people

nature/air

resources

privacy

personalized

technology

comfort

open/spatious

quiet

welcoming

16

16

3

9

9

Social Media

Quietness 24

Study 4

Ou

10

surveys

8

10

6

Rest

Noise/Talking 31

30

Nature

3

4 6 12

11

interviews

Creativity and Collaboration

43

surveys

3 5 3

16

Study + Rest

interviews

Criteria for choosing spaces

foster 5

5 6

Other

8

68

28%

GYM

Home/Dorm

32

9 Sleep

Studio

Computing Commons

calm/relaxed

6% 6%

60%

Browse/Play phone

10

Other

13

Coffee shop

Spaces occupied on campus: outdoors

11

Exercise

19

4 2

Library

focused/alert

Arch Psyc

12

5

MU

ry

Interior Design

68

Read

Study

2

5 5

rm

57

16 Eat

9

Rest 2

20

ra

Major

=

38

6

9

11

33 18

Do

+9

48

Design management Aerospace Engineering Education Mechanical Engineering Computer science Finance/Economics Nursing Design Studies Accounting English Landscape Architecture Health Science Math

Interview Participants

41

Study + Rest

12

Lib

33%

27 9 12

Socialize

Stu dio Co ffe e sh op Stu dy Ro om

21%

Study

k-up orde r p ic

46%

Other

38

How does the space makes you feel

Marketing

68

e

Interior Design

Spaces occupied on campus: indoors

Architecture Psychology Design studies Design Management Supply Chain Management Mechanical engineering Aerospace Communication Landscape architecture Graphic Design Math Digital Marketing / Psychology Theatre Accounting Biochemistry Visual Communications

108

Activities on campus

Major

Sample

=

dy/lap. pho n

+ 25

83

tu .s

Survey Participants

A

C Lounge area

“At times it gets so crowded that it is hard to focus on the assignment”

p

Activities

h con. grou p hig

People

l the ea

Fluorecent Lighting

dy stu

on laptop

Case Study: Hayden Library Lower Level

Tables/chairs Layers

Computer labs

D

Group tables

A Ind

ivid

ual

Stu

dy

C

Moveable furniture

“When you’re here and working on the paper, without natural light, you kinda loose track of time. It’s like a ... casino effect”.

t you

le la

xib Fle

B

Design Guidelines

Open space layout Connection to nature and natural light Areas of various noise levels

Variety of furniture arrangements

Flexible space

Visual stimulation

Collaboration triggers / Focal points Access to Wi-Fi, outlets and media screens.

Comfort

Conceptual Collages Old Charlie’s, Design North

before

after

Wexler Hall 2nd floor patio

after

before

Red Square, Design North

Spring 2016

Graduate Final Year Science in Design: Thesis / Applied Project

Student: Yuliya Lapatkova Faculty: Milagros Zingoni

Farmer Ed building courtyard

Science in Design: Thesis / Applied Project

Student: Yuliya Lapatkova Faculty: Milagros Zingoni

Catalogue printed on Forest Stewardship Council certified Mohawk Options

Printed by Prisma Graphic Phoenix

Pages 4, 5, and 76 Photographs

by Craig Smith and Tim Trumble Photography

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ASU Herberger Institute for Design and the Arts Š 2015 Arizona Board of Regents.

All rights reserved.

http://issuu.com/ thedesignschoolasu Catalogue and Exhibit Production by Carl Ryan Luy and Lauren Schaecher

Cover and Catalogue Design by Andrew Weed

The Design School

PO Box 871605 Tempe, AZ 85287-1605 design.asu.edu