Student Exhibition Catalog 2015

The 2015 summer exhibition presents the work of students from all of The Design School’s programs including architecture, industrial design, interior design, landscape architecture, urban design, and visual communication design. As a comprehensive design school embedded within a public research university, our mission to educate the next generation of design leaders is informed by our commitment to provide broad access to a trans-disciplinary model of design education.

This volume highlights the strength of each of our respective disciplines and collaborative endeavors, illustrating our commitment to investigate complex contemporary problems through a range of disciplinary methods and practices.

I invite you to review the projects contained within this catalogue which represent both the work of the respective student authors and serve as a summary of the intellectual values of a community of distinguished colleagues committed to re-imagining design education, and design practice as a means of improving the quality of the built environment and enhancing the public realm.

Craig Evan Barton Director

NESTLED OVERHANG

CONCEPT STATEMENT

BY CREATING THE NESTLED OVERHANG I HAVE DESIGNED AN OBSERVATION AREA TO EVOKE A REAL SENSE OF THE NORTHERN FLICKER’S NATURAL HABITAT. THIS STRONG STRUCTURAL DESIGN IS REMINISCENT OF THE ELONGATED AND CURVED STYLE OF THEIR NEST. WHILE BEING FULLY IMMERSED IN THE FLICKER’S HABITAT YOU WILL BE ABLE TO OBSERVE THE NORTHERN FLICKER FROM MANY DIFFERENT VIEWPOINTS, AS IT HUNTS FOR INSECTS ON THE GROUND AND TAKES SHELTER IN THE CANOPY. THE NESTLED OVERHANG IS VISUALLY APPEALING WITH FEATURES FROM THE METROPOLITAN PHOENIX AREA AND MOMENTS OF REAL SERENITY WITHIN THE STRUCTURE ITSELF. THE STRUCTURE WILL BE MADE OF MATERIALS THAT ARE MEANT TO WEATHER AND TAKE ON A NATURAL APPEARANCE REALLY CONNECTING TO THE BEAUTY OF THE NATURAL LANDSCAPE. YOU WILL TRULY UNDERSTAND THE NORTHERN FLICKERS HABITAT WHILE ALSO GETTING A SENSE OF PLACE WITHIN THE BEAUTIES OF MOEUR PARK.

1/4” = 1’ 0”

Materials Pallet - Perforated Steel that will cover the roof down approximately half way

- Treated Wood for the deck and approximately halfway up meeting the steel LANDSCAPE MATERIALS PALLET

MESQUITE

WEEPING WILLOW

PALO VERDE

BOULDERS/ ROCKS

GRASS

BARREL CACTUS

50’

40’

- Steel I-Beams for structural supports

1” = 40’ SCALE 30’

20’

10’

0’

40’

100’

NORTHERN FLICKER (Colates Auratus)

FLICKER TONGUE

FOOD NEST

- It pokes holes in the ground searching for insects (its favorite are ants) - Its tongue coils up in its head and shoots out to collect ants and beetles.

- It has a barb on the end of its tongue that helps collect more insects

Fall 2014

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals III

Student: Michael Anaya Faculty: Benjamin Mullings

Architecture / Landscape Architecture: Design Fundamentals III

Student: Roman Chiago Faculty: Allyce Hargrove

DESERT DREAM Upon a soft desert landscape, sharp earth protrudes skyward, aspiring to become one with the American Kestrel.

- What is a dream? What is dream-like?

- Intertwined within nature - Program of 3 spaces : Observing/Listening/Socializing 1930

1993

1969

1951

2014

Greater Phoenix Area

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CONSTRAINTS + OPPORTUNITIES

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SITE DIAGRAMMING

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Verdin

The coexistence between birds and observers is synthesized through the careful design of bird habitats and consideration of bird nesting tendencies to create a spectrum of individualized experiences.

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6in

Section 11 4.5in

AMERICAN KESTREL

KESTREL DISTRIBUTION

MALE

Moeur Park Papago Park Circulation

22-3 2-31 cm 80-1 80165g

The American Kestrel is the smallest falcon found in the Americas, however their tail is proportionally longer than other falcons.

These birds are unique of the falcon family because they are more colorful than any other bird of prey, and the male and female colors very extensively from one another.

Both male and females have double black lines on their white face, but the male has blue-gray wings while the female has rusty brown wings and dark bands on her tail.

Female kestrels are usually 10% larger than their male counterparts.

WINTER YEAR-ROUND WINTER + YEAR ROUND

Process

-Small -More sunlight -Higher elevation

-Large -Shaded -Lower elevation

Site Analysis

CURLY MESQUITE hilaria belangeri 10”X6” water: low

D

(Derived from nesting habits)

Verdins build multiple nests at a time, some solitary and some for the eggs and fledglings. In the Winter their nests are at a higher elevation with abundant sunlight to keep warm and in the Summer the nests are built at a shaded, lower elevation to keep cool. The verdin prefers to live along washes with thorny vegetation.

DESIGN EXPLORATIONS

PINK MUHLY muhlenbergia capillaris 3’X3’ water: low

Verdins are not migratory birds and are already found in Moeur Park. They prefer not to have people walk through their habitat, but are not easily scared off from those observing them.

Topography Site Boundaries Circulation Hydrology Bridge

Moeur Park

511-6 61 cm

FEMALE

Papago Park

Constraint: steep slope, road is noisy C

Constraint: abundance of growing vegetation

BLUE GRAMA bouteloua gracilis 1.5’X2’ water: moderate

WEBER’S AGAVE agave weberi 6’X6’ water: very low

top

top top

side

front

side

DEER GRASS muhlenbergia rigens 4’X4’ water: low

CHILEAN MESQUITE prosopis species 30’X30’ water: very low

Constraint: large rocks and boulders, difficult to navigate

front

Opportunity: flat, distance is a buffer for the noise from roads

front

side

C

DECOMPOSED GRANITE

Opportunity: flatter slope, good views, artwork in the form of rock formations

UNPAINTED WEATHERED STEEL

CONCRETE

A B

Constraint: small animal dwellings, steep slope

N 1

120

A

0

120

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Opportunity: flat slope, good views, feeling of seclusion in nature

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ORGAN PIPE CACTUS stenocerus thurberi 10’X10’ water: very low

ENGELMANN’S PRICKLEY PEAR optunita engelmanni 4’X8’ water: very low

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A

Constraint: steep slope, dense vegetation on current trail

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11

90

SAGUARO carnegiea gigantea 20’X10’ water: very low

BAMBOO MUHLY muhlenbergia dumosa 4’X4’ water: moderate

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8

0’ 50’100’150’ 8’

16’

0’ 50’100’150’

0’

20’

60’

40’

0’

B

24’

10 x 19 Corten Steel W-Beam 1/4” Welded Corten Steel Sculpture

No. 6 Rebar Steel Mesh Cage Reinforcement

Decomposed Granite

LADY’S SLIPPER pedilanthus macrocarpus 3’X3’ water: very low

Opportunity: vegetation is a good buffer for noise, shade and canal make area cool

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0’

CREOSOTE larrea tridentata 6’X6’ water: very low

Paloverde Tree Mesquite Tree Creosote Shrub

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NINA MASON PULLIAM RIO SALADO AUDUBON CENTER

A

10 x 19 Corten Steel W-Beam

1/4” Welded Corten Steel Sculpture

No. 6 Rebar Steel Mesh Cage Reinforcement

Decomposed Granite

B

Materials

BLUE PALO VERDE cercidium floridum 25’X25’ water: very low

40

Stretched canvas

C

20

D 5 10

0’ 37.5’ 75’

A

Corten steel

10 5

20

Corten steel

40

150’

0’

20’

40’

60’

80’

Concrete Corten steel Concrete Corten steel Concrete

N

B 0’

Architecture / Landscape Architecture: Design Fundamentals III

Student: Aubrey Jaros Faculty: Rachel Green Rasmussen

Architecture / Landscape Architecture: Design Fundamentals III

20’

40’

60’

80’

Student: Olivia Raisanen Faculty: Thomas Hartman

50’

100’

150’

gila woodpecker encounters:an exploration through darkness and light

abozita

moeur park | transect 14 1930 B.B. Moeur creates a 10 acres road-side are in honor on his wife.

It is located on the corner of (what is today) Mill Ave. and Curry Rd. 1936 Works Progress Administration field stone and concrete materials combined to create open space for recreational use.

1937 City of Tempe taken ownership and maintenance of Moeur Park.

1997 Nationally registered Historic.

moeur park filled with saguaro cacti before deforestation around the 1900’s.

WATER WILL TRAVEL FROM NORTH TO SOUTH INTO THE CANAL. BIRD DOES NOT NEED A LOT OF WATER. PROVIDE COVERAGE FROM DIRECT SUNLIGHT.

natural views: hills and mountains desert land trees and schrubs

bosque that provides an enclosed “dark” experience for the visitors as they move along the trail. maximum slop change over transect 14. provides an easier journey to walk, run or bike through without being directly hit by the sun light.

ASSEMBLY INSTRUCTIONS h end 002

m5 x 20 csk

the fine sand and low slope range make it easier to take a journey on.

6x

6x

MATERIALS WOOL FELT 100% BIO DEGRADEABLE MOISTURE RESISTANT SELF-EXTINGUISHING IDEAL FOR CONTRACT SETTINGS

100092

city views: tempe buildings mill avenue papago freeway tempe town beach park

1x

POWDER COATED ALUMINIUM RECYCLABLE PROTECTIVE FINISH

Gila Woodpecker

Melanerpes uropygialis

E E

Safuaro Cacti - 7.8 meters average Nests are typically situated 5.1 meters above the ground.

When a pair of Gila Woodpeckers excavates a nest hole in a saguaro cactus, it typically does not use it for 4 months-2years.

D

Drying is required for the inner pulp of the cactus to form a solid casing around cavity.

PACKAGING

D

A

The cavity itself inside a Saguaro is around 2-3 meters.

A A

The saguaro is the most sought-after nesting site because the cactus offers security with its spines and the 30 degree lesser temperature needed inside.

D

D A

CARDBOARD PACKAGING TO KEEP COSTS TO A MINIMUM

8-10 inches long Woodpeckers are noisy and make a loud, screeching call during flight.

They are moderate high flyers.

16 inches The wings on the lower portions are white.

Males have a small red cap on the top of their head.

B B

OMNIVORE: Insects, fruit, seeds, occasional birds' eggs, and lizards.

Very strong head and neck to withstand pecking in trees.

White upper tail is covered with striped central tail feathers.

B

B

C C

They use their inflexible tail feathers to stabilize and hold themselves straitght and erect.

Strong, black beak to peck at cacti and other trees.

Long sticky tongue with bristle-like tip.

A B

JOIN CORNER JOINTS JOIN LEG AND BACK SUPPORT PIECES

C

JOIN FRONT FOOT (REPEAT STEPS A-C FOR OPPOSITE SIDE) D SCREW SEAT IN PLACE

An adult Woodpecker weighs around 68 grams.

The legs are short with strong toes and sharp claws.

Woodpecker’s have 2 toes on each foot which are pionting forward and the other 2 backward.

The toes help them stick to trees and branches in a vertical posture.

The design focuses on bringing attention to the well-known pecking Gila Woodpecker, and to attract the bird to the site. The concept is to give the opportunity for visitors to observe the Woodpecker in its saguaro habitat and making noise, by using darkness and light on the site to elevate the view of the visitors so that they would feel as though they have become the bird.

E

SCREW BACK IN PLACE

F

SIT

COLOR OF TAG DENOTES COLOR OF JOINTS AND UPHOLSTERY

INTERNAL POSITIONING OF PIECES

SHIPPING

16.75

100.5

230.5

23.5

101.5 DESIGN PROCESS

case study 2: creating different natural light patterns and openings to provide coverage, vision and enjoyment.

case study 1 : folding element to create different sizes of space and different light components.

Structure to both blend and be able to be distinguished easily from the landscape and vegetation.

Acess points that are hidden; a new opening or journey.

SHIPPING CONTAINER 1740 UNITS PER CONTAINER

Opening of structure creates connection with park, natural lighting and cross ventilation.

(1 TEU X 8’6” X 8’6”)

Second floor ccross view connunication.

human interaction the interaction design is to be able to experience yourself being inside the cavity of the woodpecker; high up free and at the same time hidden and protected.

SHIPPING COST APPROXIMATELY: 2.30 US DOLLARS/ UNIT

INSTALLATION EXAMPLES

A second floor height creates a new experience, more shade and lighting options.

Natural ceoss ventilation throughtout both sections.

the second level at 22 ft. high provides a more intimate and close relationship to the bird. at some point (on either floor) you will be able to experience the life of a woodpecker no more than 8 feet in front of yourself.

N feeling enclosed and curious through the bosque of mesquite trees is the “dark” aspect throughout the sit. it gives a senseof being free and enclosed at the same time. it can also relate to the gila woodpecker being in its own habitat th, the saguaro cactus.

Fall 2014

ACESS POINT ON THE SOUTH END, WALKIGN OWARDS THE OBSERVAAION AREA ON THE NORTH END.

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals III

Student: Elisa Wright Faculty: Karin Santiago

Industrial Design: Industrial Design I

Student: Anastasia Miller Faculty: J. Velasquez / Z. Xu

3.5

Multi-One (MO) bottle is designed to be user and environmentally friendly. By using MO bottle, you are reducing the amount of plastic waste that could end up in landfills and our environment.

MO’s modifiable sizes and convenient ways to clean features, makes it more desirable than other reusable water bottles.

FEATURES 1.

1. CLEAN VALVE CAP Valve prevents air intake when not in use as well as accidental spills.

2. WATER POUCH Made of flexible and durable material that expends to the capacity of the adjustable bottle.

2.

Tilt Free Drink: Because it’s air tight, the pouch also works as a straw.

Easy Clean: Simply flip the pouch inside out for easy cleaning.

3. INTERCHANGEABLE BODIES Use a single attachable body or connect multiple bodies to increase the volume of the bottle.

Features includes: - 1/4 turn locking mechanism for easy connection - Double wall (insulated) - Fits in any standard cup holder - Band works a secure grip

3.

The MO comes in various sizes: MOR, MOS, MOL & MOX. (R) - Regular (S) - Small (L) - Large (X) - Extra Large

MOR

MOS

24 FL OZ

RESEARCH

Band for easy hold

10 FL OZ

FEATURED COMPANY

MOL

MOX

16 FL OZ

| LOGO & BRAND

|

ISSUES

32 FL OZ

|

PRODUCT DESIGN INSPIRATION

Columbia Sportswear Company manufactures and distributes outerwear and sportswear.

Using the SkyBlue color is a major brand strategy.

This shape is used to create the company’s logo and mark.

ORIGIN OF PRODUCT DESIGN AND INSPIRATION - Shape and form of Columbia logo

- Environmental impact

- Simple design and colorful products

- Competitor products

- Adaptive to daily/outdoor use

COMMON ISSUES IN REUSABLE WATER BOTTLES - Fixed size (may need different size for other activities)

= Too long, too short or too big for... hiking, biking, running, etc.

M.O. (MULTI-ONE) WATER BOTTLE.

VS.

- Various attachable body sizes (for activity or daily use) = Use appropriate attachments for the activites

- Difficult to clean (may require a cleaning kit)

- Easy to clean (flip the water pouch inside out to clean)

- May not be standard size

- Will fit in standard cup holders

- May not be stylish! (not all bottles are created equal)

- Any size will be stylish

- May not be insulated

- Double wall for insulation (can be used without the pouch)

- May need to tilt the bottle to drink

- Tilt free drink: the pouch works as a straw

FACTS: - 16.2 gallons of oil and 3 liters of water is used to package 1-liter water bottle - It takes 275,000 tons of plastic are used each year, producing 15 million water bottles daily - 90% of manufacturer’s costs is from making the bottle, label, and cap - Over 80% of plastic pollution in the ocean originated from the land - U.S. landfills are overflowing with 2 million tons of discarded water bottles alone ENERGY CONSUMPTION

RECYCLE

< 1% treatment at plant < 1% fill, label, and seal bottle

20% recycled after use

4% refrigeration

Only PET bottles can be recycled

45% transportation 50% manufacture plastic bottle

80% are not recycled

IMPACT ON ANIMAL AND MARINE LIFE

60 million plastic WATER BOTTLES

are used EVERY DAY in the US.

92% of the dead birds found around the landfill area ingested plastic 5% of their body weight.

1000 YRS

8%

decompose

death caused by others

A dead sperm whale found in CA had ingested over 450lbs of plastic and objects.

IDEATION SKETCHES

60M for plastic to

18,834,000,000 water bottles end up in landfills each year.

Sources: www.thewaterproject.org, www.environmentalhealthnews.org, www.totalsoftwater.com, www.valleywater.org, www.suntimes.com.

Industrial Design: Industrial Design I

Student: Yousin Smith Faculty: J. Velasquez / Z. Xu

Interior Design: Interior Design Studio I: Residential

Student: Nicole Hayes Faculty: Milagros Zingoni

PLAY WITH

LIGHTS & SHADOWS

AXONOMETRIC WITH MATERIALS

STRUCTURAL MODEL DUE TO THE COURSE'S PARTICULAR I N V O LV E M E N T W I T H R E S I D E N T I A L DESIGN, INTERIOR AND EXTENSION DESIGN FOR AN HISTORIC HOUSE AT CORONADO NEIGHBORHOOD WAS THE PROJECT SUBJECT. THE CORONADO NEIGHBORHOOD IS A HISTORICAL DISTRICT OF PHOENIX. THE DESIGN OF THE EXTENSION FOLLOW THE EXISTING STRUCTURE AND SYSTEM OF THE HISTORIC BUILDING. TO SATISFY THE CLIENT'S NEEDS IS THE KEY OF DOING DESIGN. THE CLIENT OF THIS PROJECT NEED AN INSIDE PATIO TO ENJOY THE BACKYARD VIEW. AFTER SOME GEOMETRICAL EXERCISES, A WAY TO EXTEND THE CLENT'S HOUSE HAS BEEN FOUND. THE CLIENT'S HOUSE CONSISTS OF A SERIES OF RECTANGLES, SQUARES AND ZIG-ZAG SHAPES, WHAT I CONSIDER THE DNA OF THE CLIENT'S HOUSE. DISCOVERING THE PATTERN OF THE HOUSE HAS BEEN A WAY TO FIND OUT WHERE TO BUILD THE EXTENSION. A SERIES OF ABSTRACT DRAWINGS A R E A WAY T O I M A G E H O W T H E EXTENSION IS GOING TO LOOK LIKE. THE EXTENSION SHOULD BE A REMOVABLE “BOX" BUILT ALONG THE EXISTING HOUSE. THE EXTENSION CONSISTS OF FIVE INCHES- WIDE WOOD STRIPS. FOR MAKING THE CONNECTION BETWEEN INSIDE AND OUTSIDE, THE REMOVABLE "BOX" EXTENDED ITS STRIPS TO THE GROUND. THE WOODEN STRIPS ARE ORGANIZED INTO VARIOUS GEOMETRIC SHAPES IN ORDER TO CREATE A GAME OF LIGHTS AND SHADOW AT THE PATIO. THE CLIENT NEED MORE STORAGE SPACE FOR SWIMMING TOOLS. CREATING STORAGE SPACES AT INSIDE PATIO PERFECTLY MATCHED HER REQUIREMENTS.

GEOMETRICAL FLOOR PLAN

SCALE 1/8’’=1’

ABSTRACT DRAWING

PROGRAMMING FLOOR PLAN

STRUCTURAL MODEL INTERIOR VIEW

SECTION A-1

SECTION A-2

WEST ELEVATION

FINAL MODEL

Fall 2014

SCALE 3/4’’=1’

Undergraduate Second Year Interior Design: Interior Design Studio I: Residential

Student: Meiqi Hu Faculty: Elena Rocchi

Visual Communication Design: Design Drawing I

Student: Zachary Anderson Faculty: Cooper Richardson

Visual Communication Design: Letterform

Student: Eve Whillier Faculty: Andrew Weed

Visual Communication Design: Visual Communication Design I

Student: Sydney Bradshaw Faculty: Jill Petticrew

Artist Rebirth

405 Farmer

Artist Community

155 S. Hibbert - Mesa, AZ 85210

Concept Statement:

To provide a close knit community feel for artists and designers in the Mesa Arts District area and to provide a variety of spaces to work on their art work both in a private and public setting. As well as restoring the origional art community that began here.

Design Inspiration

Building Diagram

The idea of offsetting the individual units comes from the idea to develope that same neighborhood feeling that is already prominent in the area. The Fill and Void space between homes. I wanted the area to have these setbacks just as your typical neghborhood would have between each house. It also allows for each unit to have its own ‘yard’ just as a house in a neighborhood would It also allows for the opportunity to play with protecting the units front and back yards from the harsh Eastern and Western light exposure. It will also allow for a variety of window options and the directions those windows may face. Not only will it affect the building but also the community space in between the two structures.

A great opportunity for light and shadows will come into play inside this community area in the center.

1

Shifted units introduce movement and broken surfaces

Units aligned for equal exposure to north light

Circulation cleared

Units rearranged for optimal openings and community space

This Mixed-Use Artist Housing project promotes the development of a new Art District along South Farmer Avenue with residences and retail.

Housing units designed for artists create a

Unit Layout

constant presence in the district while the artists’

Key 1 bedroom

x 8 =

Retail

3 bedroom

2 bedroom

Service Cooridor

North Windows

The one bedroom units had primarily south exposure with the studio in the north end of the unit. In order to bring the natural Northern exposure to the studio space I raised the cieling on the one bedroom since it is the only unit without the multiple levels. And by using that extra elevation, I fitted a window stretching the whole width of the unit (20ft) at the top that would allow a as much northern light as possible to seep in. Other windows in the rest of the units all take advantage of windows to the North as well.

Building Layout

involvement engages the community. includes restaurants, bars, galleries, and more.

Pedestrian Experience

The is enhanced with shade, reduced traffic, and a dynamic building facade. A Hierarchy of public

Courtyards

space, from street level to to the raised residences, creates different moments. The residential level forms privacy and is centered around shared space to encourage

Community and collaboration. Open

courtyards between the units foster a creative environment and bring abundant vegetation into the spaces. Each unit focusses on the optimal

Artists

living experience for with an emphasis on open space and northern light.

2

East-West Building Section

Unit Section- N-S

Floor Plans

2 Bedrooms Building Specs 1 Bedrooms

-800 sqft

(16)- 1 bedrooms (16)- 2 bedrooms (16)- 3 bedrooms

3 Bedrooms

-1100 sqft

-1600 sqft

Total Number of Units: 48

Number of Parking Spaces: 50 building Footprint: 42,000 sqft Park / Public Space: 32,000 sqft

3

Site Plan

4

A

S Hibbert

Ground Floor Building Plan

C

2

D

E

3

B

North-South Section

1st Floor

2nd Floor

3 Bedroom Plan 1/8”=1’-0”

A

3rd Level 1/32”=1’-0”

East-West Section 1st Floor

2nd Floor

2 Bedroom Plan 1/8”=1’-0”

Renderings

Entrance

A

View from Art Walk Cooridor

4

1st Floor

2nd Floor

1 Bedroom Plan 1/8”=1’-0”

B

View To Entrance

Park-Art Walk

Each Unit has an open floor plan featuring north-facing windows and a double-high space. Services are in line with the stairs, creating an open plan and provide a noise barrier against the street and the train.

1 2nd Level 1/16”=1’-0”

B

C

View from Inside Commercial Space

5

Section A

D

View from Inside 1 bedroom

Section B

Fall 2014

Undergraduate Third Year Architecture: Architectural Studio I

Student: Miles Foster Faculty: Thomas Hartman

Architecture: Architectural Studio I

Student: Ryan Kiefer Faculty: Thamarit Suchart

5 4th Level 1/32”=1’-0”

sim pl y painles s CORNER OF FARMER AND 5TH AVE. FACING NORTHEAST

SECTION AC

For this project I really explored the idea of the module. I believe, that in a perplexing contradiction, a wide variety of experiences will more often be created by repeating design elements than by designing them separately each time. By limiting your options, you are able to more easily and effectively adapt the project to the site, effectively expanding the possibilities. This is because usually design is more limited by a designer’s ability to understand the project than by the site or the laws of physics.

A rigorous system of organization allows the designer to understand the project more fully, and thus respond to the site and program more effectively.

ALL SECTIONS FACE SOUTH

Everything in this project is based on a repetitive set of designs that rotate and mirror in order to create unique and captivating experiences. I massed the building within a 16’(x) by 16’(y) by 10’(z) grid system. The circulation, hardscape, and units were all conceived within this grid system. The horizontal dimension (16’) was chosen based on a simple practical consideration. It is an approximate minimum size for a hallway, bedroom, and restroom to fit within a module.

SECTION AA

Utila is a tool designed specifically for the function of opening plastic packaging that many products are sold in. It offers an effortless and safe way to release products from their hard plastic entrapments. It has also been optimized for use by people with limited motor skills.

punch

insert

cut

open

SECTION W

SECTION Q

MODULE PLAN EXAMPLES

8’

16’

SECTION P

SECTION K

silicone insert molded ABS stainless steel punch

SECTION H

stainless steel blade

silicone feet SECTION D

8’

blade glider

16’

UNIT PLAN EXAMPLES

Architecture: Architectural Studio I

32’

CENTRAL COURTYARD FACING NORTH

INTERIOR OF A UNIT

ENTRY FROM STREET FACING EAST

16’

4TH FLOOR WALKWAY FACING SOUTH

Student: Derek Knochel Faculty: Douglas McCord

2ND FLOOR WALKWAY FACING NORTH

Industrial Design: Industrial Design III

Student: Reid Price Faculty: Magnus Feil

BURLAD CONCEPT

The inBin bulk food storage system provides users with a simple reusable system for storing and transporting bulk food goods between grocery and home while eliminating packaging and bagging waste. The system also provides measured dispensing in the kitchen, lessening the need for measuring utensils.

1. UNSCREW THE CAP AND LIFT

3. REPLACE CAP AND FLIP

2. FILL WITH GOODS

4. HANG AND DISPENSE

By partnering with food retailers, the inBin line delivers a convenient system to provide consumers fresh bulk goods with less cost to the environment.

SUITS, SCISSORS, AND LIQUOR: BURLAD—FOR THE MODERN LAD. PROVIDING TAILORED SUITS AND FITTED SHOES, THE PERFECT CUT, BUZZ, OR SHAVE, AND BAR FOR UNWINDING WITH A BEST MATE AND CHOICE DRINK, BURLAD IS THE HYBRID DESTINATION FOR THE CONTEMPORARY MAN. THE ALPHA TO ETINENNE AIGNER’S OMEGA, BURLAD’S GALLERY-ESQUE DESIGN PROVIDES MEN WITH AN APPEALING, LUXURIOUS RETAIL EXPERIENCE IN THE HISTORIC TEMPE HARDWARE BUILDING.

BURLAD MOBILE APP: ALLOWS CUSTOMERS TO SCAN MERCHANDISE THROUGHOUT THE RETAIL SPACE TO RECEIVE MORE INFO ON PRODUCTS, AND TO TAKE A LIST BACK TO THE FITTING ROOM SCANNER. ONCE IN THE FITTING ROOM SCANNER, ALL BODY MEASUREMENTS WILL BE TAKEN AND CUSTOM FITTED MERCHANDISE CAN BE ORDERED FOR THE CUSTOMER. THE APP MAY ALSO BE USED FOR SPECIAL DRINK OFFERS AND DEALS UPSTAIRS IN THE BARBER SHOP.

FLOOR PLANS / RCP BAR / BARBER RETAIL

BOH STAIR / ELEVATOR

LEVEL 2

LEVEL 2

PUBLIC SPACE

LEVEL 1

LEVEL 1

N

SECTIONS

FINALIZED CONCEPT Opening for easy hanging

N

KIT OF PARTS MARBLED AND MIRRORED SURFACES ADORN THIS ELEGANT AND TIMELESS KIT OF PARTS. THE SCULPTURAL FIXTURES PROVIDE AN UNOBTRUSIVE PLATFORM UPON WHICH TO EXHIBIT GARMENTS AND ACCESSORIES. A MONOCHROME PALETTE OF BLACK MARBLE, REFLECTIVE GLASS, SLEEK CONCRETE AND NICKEL-PLATED BRASS IS DETAILED THROUGHOUT EACH STAGE. POLISHED AND ARCHITECTURALLY PLEASING, THEY ADD VISUAL APPEAL WHILE NOT DISTRACTING FROM THE ITEMS ON DISPLAY. MARBLES’ SINUOUS GRAIN SLITHERS AMID THE SOLID PLANES, CAPTURING LIGHT AND ATTRACTING THE CLIENT’S EYE. THE ART-DECO INSPIRED GEOMETRIC FORMS, ARTICULATED SEAMLESSLY, SEEMINGLY DEFY GRAVITY AS THEY APPEAR TO FLOAT ABOVE THE FLOOR. ALL OF THE ELEMENTS, DEVELOPED TO BE DYNAMIC IN THEIR FORM, EXECUTION, AND MATERIALITY, PROVIDE ADDED VISUAL INTEREST AND PLEASURE.

Wide handle for comfortable grip

MATERIALS

Measuring marks to track quantity

A BLEND OF REFINED AND UNREFINED SURFACES PERVADE BURLAD’S INTERIOR. BOLD AND SLEEK, LUXURIOUS AND COARSE, LIGHT AND DARK: THE DESIGN AESTHETIC RADIATES AN EFFORTLESS FUSION OF HARMONIOUS CONTRASTS. THE GARMENTS ARE COOLLY SHOWCASED AMID GEOMETRIC EDGES AND INTRIGUING DIMENSIONS.

Clear window to view contents

PERSPECTIVES

Malleable bag for storage

Easy grip buttons to dispense

IDEATION

Fall 2014

Undergraduate Third Year Industrial Design: Industrial Design III

Student: Muriel Shields Faculty: Roozbeh Mehdigholi

Interior Design: Interior Design Studio III: Hospitality and Retail

Students: A. Pisani with support from Q. Nguyen and S. Park Faculty: Elizabeth Minchew

R E - B R A N D I N G

F O R

M E N

&

R E - D E S I G N I N G

A N

O L D

S PA C E

C O N F I D E N T C L A S S I C

S T U D Y I N G

O L D

A N D

N E W

R E L AT I O N S H I P S

I N T H E S E P R E - D E S I G N S T U D I E S , N E W M AT E R I A L S W E R E F O U N D T O B E V I S U A L LY O B V I O U S F R O M T H E O L D , INFLUENCING THE NEW DESIGN

S T R I K I N G

CAMINADA.

C A S U A L

The Sonoran Desert’s walkable community

G E N T L E M A N O N L O C AT I O N E N T R Y

-

“ H AV E N ”

M E N ’ S

D I S C O V E R I N G

S T O R E ,

C A N A D A

A N

D U M P S T E R

PA R T I

D I V E

Mission

D I A G R A M

CONTEXT

The community of Caminada focuses on the preservation of the natural environment while creating and integration between natural and built environments by developing a sense of effortless and seamless connectivity throughout, creating a scenic pedestrian friendly community that encourages a healthy lifestyle.

R A I L R O A D T R A C K S T H AT L E A D U P T O T H E E X I S T I N G FA C A D E I N F L U E N C E D T H E E N T R Y, C R E A T I N G A N E C E S S A R Y R A M P O N T H E I N T E R I O R A N D E X T E R I O R ( N O T E D T O T H E R I G H T I N PA R T I )

Goals 1.

T H E PA R T I S H O W S C I R C U L AT I O N D E R I V E D F R O M T H E E N T R A N C E , ALONG WITH A DIRECT REFLECTION BETWEEN THE ENTRANCE RAMP A N D S TA I R S

G U I D E L I N E S O L D

&

N E W ( N E W

F O R

D E S I G N

E X I S T I N G C O N S T R U C T I O N I S R E S P E C T E D B Y B U I L D I N G N E W C O N S T R U C T I O N D I R E C T L Y O N T O R AT H E R M I L D L Y S E PA R AT I N G T H E T W O

S I T E

P L A N

N E W

F A C A D E

2 : 6 I S

S T U D Y

friendly

pedestrian

P R O P O R T I O N F O U N D I N E X I S T I N G F L O O R P L A N U S E D W H E R E A P P L I C A B L E ; E L O N G AT E D L I N E S E M P L O Y E D I N D E S I G N

+Entry +Village core +Waterman Wash +Wash Way +Main residential +Commercial +Main Education +Botanical gardens

West Caminada

environment

+Main Trails System +Saguaro Buttes +Audubon Center +Camping +Hiking +SDNM

healthy living

5. Create a place that promotes through exercise and a connection with the outdoors

N O T I T B U T

N O T E : O N LY H A L F O F T H I S B U I L D I N G WA S U S E D I N T H E R E - D E S I G N I N G O F T H E S PA C E

P L A N S

North Caminada

destinations in a seamless way

4. Walkable areas to promote a

A S P E C T S A R E C L E A R L Y D E F I N E D C O N S T R U C T I O N I S W H I T E )

Parti

most of the existing natural landscape

Integrate Connect

GOODYEAR

Sonoran Desert National Monumenet

2. the natural Sonoran environment with the surrounding built environment 3.

E X I S T I N G B U I L D I N G - S E E D & F E E D | D O W N T O W N P H O E N I X 4 11 S . 2 N D S T R E E T, P H O E N I X , A Z

Preserve

MARICOPA

South Caminada

CAMINADA

+“Quiet” Residential +Private Trail +Close to SDNM

North Caminada

rm te

Wa

RED: NEW WALLS

an

B L U E : M O VA B L E F I X T U R E S

Wa sh

West Caminada

Legend Village Core Low Density residential Mid Density residential High Density residential

ic en

Sc

Hospital | Police | Fire

ad Ro

Light Industiral | Offices Commercial Botanical Gardens Audubon Center Agriculture Enhanced Natural Landscape Saguaro Buttes Camping Sites Trailhead

South Caminada

Highway Exit | Entry Proposed Highway Arterial Street Collector Street

Sonoran Desert National Monument

Trails Wildlife Corridor | Land Bridge

1/2 Mile 1 Mile

1/4 Mile

VILLAGE CORE

1 2 3 4 5 6 7 8 9 10

1 B E F O R E

K I T

A F T E R

O F

( D E S I G N E D

PA R T S

W I T H

A

2

5

G R O U P )

3

2

5

4

B U I L D I N G

V I E W

F R O M

E N T R A N C E S TA N D I N G

H A N G E R

S TA N D I N G

8

7

S H E L F

L O W

10

TA B L E

Trails V I E W

U P

T O

M E Z Z A N I N E

H A N G E R

O N

W A L L

C E I L I N G

Wash Way

H A N G E R

A C C E S S O R I E S

L I G H T I N G

&

F U R N I T U R E

Saguaro Buttes 5’ Buffer

10’

5’ Buffer

Unpaved Trail

L O O K I N G

T O W A R D

M O D E L

O F

E N T R A N C E

T H E

High Density | 200 Mid-Density | 1120 Low Density | 1808 Institutional | 480 Commercial | 512 Light Industrial | 192 Agriculture | 620 Botanical Gardens | 480 Audubon | 535 Enhanced Landscape | 2890 Turf Parks | 410 Village Core | 130 Open Space + Preserve | 8073

8

S H E L F

Natural Buffer Event Space | Plaza Shared Street Caminada Park Mixed Use Waterman Boulevard (arterial) Wash Way High Density Residential Sonoran Drive (Collector) Saguaro Street (Collector)

In squared acres

9

W A L L

| | | | | | | | | |

Acreage Table

6 E X I S T I N G

North

KEY

L O O K I N G D O W N M E Z Z A N I N E

F R O M

T H E

Natural Landscape

20’ Natural Wash

Village Core

5’

10’

Path to Local Street

12’ Paved trail

10’ Artificial Wash

12’ Paved trail

15’

5’

Enhanced Natural Landscape

10’

15’

B U I L D I N G

BASS WOOD: EXISTING CONSTRUCTION CHIP BOARD: NEW CONSTRUCTION

Enhanced Natural Landscape

40’ Gathering Space

Caminada Park

30’ 30’ 8’ Shared Street 8’ Gathering Space Landscape Landscape 10’

L O O K I N G

D O W N

O N

T H E

“ P L A N ”

Interior Design: Interior Design Studio III: Hospitality and Retail

N E W

F A C A D E

Student: Julieanne Whitt Faculty: Marthe Rowen

Landscape Architecture: Landscape Architecture I

Student: Cristal Castro Faculty: K. Brooks / J. Coffman

20’

30’

Business System

Candace Choi Graphic Designer 3660 S Camellia Place Chandler AZ 85248 Candace Choi Graphic Designer 3660 S Camellia Place Chandler AZ 85248

wwww.candacechoi.com choi.candace@yahoo.com 480 686 6020 www.candacechoi.com choi.candace@yahoo.com 480686 6020

Candace Choi candacechoi.com

Alfred C Sanft About Me ASU Design School PO Box 871605 Junior Graphic Design student with experience in print collateral, illustration, and layout design, Tempe AZ 85287 seeking part time employment where I can apply my current capabilities and skills.

Education

September 2 2014 Arizona State University Herberger Institute for Design and The Arts Tempe AZ Dear Afred: Bachelor of Science in Visual

Dean’s List cu inermis naiorum constituvae Lorem ipsum dolor sit amet, omnium invid unt intellegebar Communication (Graphic Design) – Spring 2014ei, diam conguv anate 2012 – 2016 ametper, (Expectedvis Graduation) ne diam viris quidam. Senamed os Fall mal 2013 uisset hendrerit GPA 3.78

detraxitos uber cum. Dic am salu tatus incidunt cu nam. Mel alta iisqu ad. Doctrus fen viaterat

Skillset

fabellas vaer est tem ea purto patrioque. Earo audiam aperiam, idvoci bu co piosaero mone atis vimn. Vel cu errem con est. Me ludus vocibum pri id ludus delenito audiam aperiam, rava

Adobe Illustrator

ci bu copio saem xei quo dsi delicati ssimil vet deratius quo sene serit vix an, mel idanime

Creating vector graphics as well as self

al legen do ex sint nulla ita ale pertinacia omittantur ne es ceter aliquid et.

initiated projects, including llustrations, logos, and technical drawings.

Molestiae constituto anius, ex aperiam ocureret est. Mel et dic avet laboramus contentiones

Adobe Photoshop sal tation melius his eu, pri id ludus delen ito, vitaer inciderint no vix. Exerci quodsi delica Adobe Indesign Enhancing andconsetetur. manipulating photos in atissimi vet.

Vertehe rerit eam ex, amex vo sit modus medios Antioam sene seritae Executing print-ready publication withue other Adobe programs designs; creating type, spreads, posters, Ex nam sumo enimcoordination vixo mel idanim al legendos. euri.Anne idus iusto diceret vis, exsimet for print media. flyers,and layout compositions. iuvaret vel. Possit om integrebla it quo ex, oportere disputationi pri euo, em vidisse adipisvo HTML/CSS

theoas tus quo. Vita alea pertinacia omittantur ne es ce ter aliquid et, temporebia vitaero.

Adobe Aftereffects

Creating responsive web pages with

Creating motion graphics for a business

Usu id iuvaret devi nieb. Dico utroque gloriatur system, te qui, mea ver ear quaere.

Vim to no cibo evertie in conjunction with audio

media queries, composing layout designs

definiebas. Ea brute script em ius. Exest nos ro vir tute, dynamic ei esse videam laoreet vi. Mel quasi execute visualizations.

and publishing it online via FTP.

laoreet anc illae in, es ceter aliquid et, zril tempor debitis ner mea. Idque altera disputatiama

ut, eisvitae viut qui provo it quo ex oportere sene serit vix an, mel idanime.

Work Experience Artem admodum argumentum cu ius, cu pos ea iriure eos. Qui unum melius disputationi ut em Self Employed Work Created print media such as posters, flyers, and DVDsu covers for partiendo the marketing and promotional eisvitae vix. Possit putant ea meaner, dolrum te quo.

Vel el ectram constituto material fortheo localphras film directors; worked and efficiently with theVim clients satisfy their tusex. His cu verclosely officiis, graece om nesque. no to cibo everti delneeds sol de finninoe. optimal solutions; applying time skillseito and provided Eav brutevo script rem ius. Ex estmanagment nostro virtute, esmeet sed deadlines. nos ro vir tute, ei esse vide laori

eet vi. Mel quas laoreet anc illae in constituto anius, ex aperiam ocureret est sint nulla iuvareti

Chipotle - Tempe AZ

possit integre bland Exest nos ro vir tute ei esse, videam laoreet vi.

Crew Member

November 2014 - Present Serving food on the line quickly and efficiently during rush hours, maintaining constant cleanliness Sincerely, of the restaurant, meeting the needs of customers, and working as a team with other crew members to provide smooth, quality service and customer experience.

Barro’s Pizza – Chandler AZ Counter Girl Choi June 2013 –Candace October 2014 Handled orders and transactions over the phone and at the cash register via a POS system, served food to patrons, ensured customers’ needs were met, maintained dining room cleanliness, and coordinated with other staff members to ensure smooth and quality customer service.

Rita’s Italian Ice – Tempe AZ Shift Leader April 2013 – June 2013 Hostess Served and prepared frozen refreshments to customers, handled cash and credit transactions at the July – October 2013 cleanliness of the store, and supervised treat team members. cash 2012 register, maintained Greeted and interacted with patrons in a frienly and meaningful manner, ensured quality service in the room, and handled The dining Good Egg – Chandler AZ transactions at the cashier via a POS system.

Candace Choi Graphic Designer www.candacechoi.com choi.candace@yahoo.com

3660 S. Camellia Place Chandler, AZ 85248

480.686.6020

Candace Choi Graphic Designer 3660 S Camellia Place Chandler AZ 85248

wwww.candacechoi.com choi.candace@yahoo.com 480 686 6020

Alfred C Sanft ASU Design School PO Box 871605 Tempe AZ 85287

September 2 2014

Dear Afred:

Lorem ipsum dolor sit amet, omnium invid unt intellegebar cu inermis naiorum constituvae ametper, vis ne diam viris quidam. Senamed os mal uisset hendrerit ei, diam conguv anate detraxitos uber cum. Dic am salu tatus incidunt cu nam. Mel alta iisqu ad. Doctrus fen viaterat fabellas vaer est tem ea purto patrioque. Earo audiam aperiam, idvoci bu co piosaero mone atis vimn. Vel cu errem con est. Me ludus vocibum pri id ludus delenito audiam aperiam, rava ci bu copio saem xei quo dsi delicati ssimil vet deratius quo sene serit vix an, mel idanime al legen do ex sint nulla ita ale pertinacia omittantur ne es ceter aliquid et.

Molestiae constituto anius, ex aperiam ocureret est. Mel et dic avet laboramus contentiones sal tation melius his eu, pri id ludus delen ito, vitaer inciderint no vix. Exerci quodsi delica atissimi vet. Vertehe rerit eam ex, amex vo sit modus medios consetetur. Antioam sene seritae vixo mel idanim al legendos. Ex nam sumo enim euri.Anne idus ue iusto diceret vis, exsimet iuvaret vel. Possit om integrebla it quo ex, oportere disputationi pri euo, em vidisse adipisvo theoas tus quo. Vita alea pertinacia omittantur ne es ce ter aliquid et, temporebia vitaero.

Usu id iuvaret devi nieb. Dico utroque gloriatur te qui, mea ver ear quaere. Vim no cibo evertie definiebas. Ea brute script em ius. Exest nos ro vir tute, ei esse videam laoreet vi. Mel quasi laoreet anc illae in, es ceter aliquid et, zril tempor debitis ner mea. Idque altera disputatiama ut, eisvitae viut qui provo it quo ex oportere sene serit vix an, mel idanime.

Artem admodum argumentum cu ius, cu pos ea iriure eos. Qui unum melius disputationi ut em eisvitae vix. Possit putant ea meaner, su dolrum partiendo te quo. Vel el ectram constituto theo phras tusex. His cu ver officiis, graece om nesque. Vim no cibo everti del sol de finninoe.

Eav brutevo script rem ius. Ex est nostro virtute, ei es sed nos ro vir tute, ei esse vide laori eet vi. Mel quas laoreet anc illae in constituto anius, ex aperiam ocureret est sint nulla iuvareti possit integre bland Exest nos ro vir tute ei esse, videam laoreet vi.

Sincerely,

Candace Choi

Candace Choi Graphic Designer 3660 S. Camellia Place Chandler, AZ 85248

www.candacechoi.com choi.candace@yahoo.com 480.686.6020

Unpaved Trails

Alfred C Sanft ASU Design School

oeni x dec 25

az

3660 S. Camellia Place Chandler, AZ 85248

ph

Candace Choi Graphic Designer

2 014

PO Box 871605 Tempe AZ 85287

85

287

49

USA

115060041108

Fall 2014

Undergraduate Third Year Landscape Architecture: Landscape Architecture I

Student: Mariana Lacerda Faculty: K. Brooks / J. Coffman

Visual Communication Design: Technology for Design I

Student: Candace Choi Faculty: Alfred C. Sanft

Zoned Out This self promotional piece was designed to give possible employers an idea of who I am as a person and as a designer. With this project, I was able to relate two of my passions — running and graphic design. Each ingredient of the trail mix represents a characteristic that I possess on the trails and in the studio.

In 2014, 32 teams qualified to compete in the FIFA World Cup. Those teams came from 20 different time zones around the world to compete in Brazil. Specialists say it usually takes one day for every time zone crossed for the body to recover from jet lag. How did jet lag affect teams trying to qualify for the second stage in the tournament? * Average time zone for countries spanning multiple time zones.

01 Algeria [ALG] +4

02 Argentina [ARG] 0

03 Australia [AUS] +13 *

04 Belgium [BEL] +4

05 Bosnia & Herzegovina [BIH] +4

06 Brazil [BRA] +0.5 *

07 Cameroon [CMR] +4

08 Chile [CHI] -1

09 Colombia [COL] -2

10 Costa Rica [CRC] -3

11 Côte d’Ivoire [CIV] +3

12 Croatia [CRO] +4

13 Ecuador [ECU] -2

14 England [ENG] +3

15 France [FRA] +4

16 Germany [GER] +4

17 Ghana [GHA] +3

18 Greece [GRE] +5

19 Honduras [HON] -3

20 Iran [IRN] +6.5 *

21 Italy [ITA] +4

22 Japan [JPN] +12

23 Korea Republic [KOR] +12

24 Mexico [MEX] -4 *

25 Netherlands [NED] +4

26 Nigeria [NGA] +4

27 Portugal [POR] +3

28 Russia [RUS] +11 *

29 Spain [ESP] +4

30 Switzerland [SUI] +4

31 Uruguay [URU] 0

32 United States [USA] -3.5 *

28

14 25 04

29 32

16

15

12 30

27 01

05 21 18

22

20 23

19

24

09

10

07

11 17 26

13 06

08

31 02

-5

-4

-3

-2

03

0

-1

+3

+4

+5

+6

+7

+8

+9

+10

+11

+12

+13

+14

+15

Indicates the time zone where most games were played in the 2014 World Cup in Brazil

First Stage Match Schedule 6/12 16/17:00

6/16

6/17

6/19

6/18

6/22

6/26

6/25

6/24

6/23

GER

POR

AUS

NED

ARG

IRN

BEL

RUS

URU

CRC

FRA

HON

IRN

NGA

BRA

MEX

ESP

CHI

URU

ENG

SUI

FRA

GER

GHA

KOR

ALG

AUS

ESP

ITA

URU

BIH

IRN

USA

GER

AUS

ENG

ITA

ARG

BIH

GHA

USA

RUS

KOR

CMR

CRO

JPN

GRE

HON

ECU

NGA

BIH

USA

POR

CMR

BRA

GRE

CIV

HON

SUI

ALG

RUS

CIV

JPN

CRO

MEX

JPN

COL

ECU

FRA

KOR

BEL

SUI

ECU

The graphs below show the difference between unadjusted and adjusted times

Winning Teams

ALG

6/21

GRE

NED

CHI

22:00

BEL

6/20

COL

ESP

MEX CMR BRA CRO

18/19:00

6/15

6/14

6/13

13:00

COL

CIV

ITA

CRC

Unadjusted time refers to the original time zone teams would be competing in at home

Unadjusted Adjusted

NED

CHI

CRC

ENG

NGA

ARG

POR

GHA

Adjusted time shows how long it takes teams to adapt to playing in Brazil. Starting with no adjustment on 6/12, each subsequence day moves teams one hour closer to zero until teams have adjusted to Brazil’s time zone.

90% of games are won by teams playing within a 4 hour time difference of Brazil

time difference

+15

+10

+5

0 -5

6/12

6/13

6/14

6/15

dates

6/16

6/17

6/18

6/19

6/20

6/21

6/22

6/23

6/24

6/25

6/26

6/23

6/24

6/25

6/26

By 6/16 all winning teams have adjusted to Brazil’s time zones

Losing Teams & Ties

Unadjusted Adjusted

100% of teams playing 6-13 hours ahead of Brazil’s time zones lose or tie their matches.

time difference

+15

+10

+5

0 -5

6/12

6/13

6/14

6/15

6/16

dates

6/17

6/18

6/19

6/20

6/21

6/22

By 6/25 all losing teams have adjusted to Brazil’s time zones, 225% longer than winning teams.

For more information please visit: webmd.com/sleep-disorders/sleep-travel fifa.com

Visual Communication Design: Visual Communication III

Student: Lauren Henry Faculty: Lisa Peña

Visual Communication Design: Visual Communication III

Student: Stephanie McNicol Faculty: Scott Curtis

Undergraduate Fourth Year Architecture: Architectural Studio III

Students: A. Nikkel / R. van Horne Faculty: Scott Murff

STATION

55 TECHNICAL

SOCIAL

APPARATUS BAY / 5,328 SQ. FT. STORAGE / 3,563 SQ. FT.

GIVEN PROGRAM

LIVING & DINING / 600 SQ. FT. DAY ROOM / 400 SQ. FT.

PROGRAM ANALYSIS

APPARATUS BAY

FIRE FIGHTER SPECIFIC PUBLIC SERVICE

STORAGE

TRAINING & COMMUNICATIONS / 1,200 SQ. FT. STORAGE / 200 SQ. FT.

OFFICE / 300 SQ. FT. PUBLIC SPACE / 500 SQ. FT. LIBRARY & STUDY / 200 SQ. FT.

DAY ROOM

ACTIVE

KITCHEN / DINING

GYM / 800 SQ. FT. PATIO / 400 SQ. FT.

PUBLIC SPACE TRAINING / COMMUNICATIONS

DORMS

GYM

OFFICE

TECHNICAL

PATIO

PRIVATE

APPARATUS BAY / 5,328 SQ. FT. STORAGE / 3,563 SQ. FT. STORAGE

DORMS / 100 SQ. FT. (X14) RESTROOMS / 300 SQ. FT.

LIBRARY / STUDY

ACTIVE DAY ROOM / 400 SQ. FT. KITCHEN & DINING / 600 SQ. FT. OFFICE / 400 SQ FT. PUBLIC SPACE / 500 SQ. FT. TRAINING &COMMUNICATIONS / 1,200 SQ. FT. STORAGE / 200 SQ. FT. GYM / 800 SQ. FT. LIBRARY & STUDY / 200 SQ. FT. PATIO / 40 SQ. FT.

BATHROOMS

PRIVATE DORMS / 100 SQ. FT. (X14) RESTROOMS / 300 SQ. FT.

PROGRAM DESIGN CONCEPTUAL APPLICATION

PASSIVE SPACES THE GYM, PATIO, AND PUBLIC GATHER SPACES WERE PLACED ABOVE THE MAIN PROGRAM TO REMAIN CLOSE TO THE BAYS, WHILE SEPARATING NOISE.

LIMIT SETS THE NORTHERN FOOTPRINT LINE, AND ESTABLISHES A CIRCULATION ROUTE AROUND BUSIER PROGRAM ELEMENTS

PRIVATE LIVING ENTRY

THE DORMS ARE SET BACK TO AVOID HEAT GAIN WHILE REMAIN AWAY FROM NOISEY SPACES

COURTYARD LIMIT

THEIS LINE OF SYMETRY SETS THE EDGE OF THE PROJECT AND ALLOWS THE BUILDING TO GROW TO THE NORTH AND SOUTH

ANCORS IN THE BACK VOLUME, WHILE SETTING AN EDGE FOR THE COURTYARD AND ENTRY SPACES TO BEGIN

ACTIVE SPACES THE MAIN SPACES WHICH HOLD FIRE FIGHTER ACTIVITY ARE PLACED CLOSE TO THE BAYS FOR EASY ACCESS

COURTYARD SETS THE STARTING POINT FOR COURTYARD SPACES AND WELCOMING PROGRAM ELEMENTS

PUBLIC USE PROGRAM DESIGNED FOR THE PBLIC IS PLACED ALONG THE FRONT OF THE PROJECT TO WELCOME VISITORS AND THOSE IN NEED OF HELP

PUBLIC / PRIVATE MULTIPLE ENTRANCES SIGNIFYING ENTRY FOR FIRE FIGHTERS AND THE GENERAL PUBLIC

UPPER FLOOR PLAN SCALE: SCALE TO FIT

DWN

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RIPARIAN HABITAT

BATH

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+30’

+30’

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WEST ELEVATION

SECTION A

SCALE: SCALE TO FIT

SCALE: SCALE TO FIT

PUBLIC ENTRY

SUSTAINABLE SYSTEMS NATURAL DAYLIGHTING

THE BUILDING IS DESIGNED TO CAPTURE LIGHT WHERE NEEDED, AND NATURALLY ILLUMINATES ACTIVE SPACES. SOLAR POWER IS UTILIZED TO CAPTURE AS MUCH ENERGYAS POSSIBLE. DAYLIGHT IS ALSO MAXIMIZED WITHIN COURTYARDS, DEEP WITHIN THE UPPER VOLUME.

HVAC SPLIT-SYSTEM

A HVAC SPLIT SYSTEM IS USED IN EVERY ROOM WITH MOTION DETECTORS. THIS SYSTEM ALLOWS FOR MAXIMUM EFFICIENCY AND SAVES ENERGY WHERE NEEDED. THE UPPER VOLUME IS ON A SEPARATE SYSTEM, ONLY IN USE WHILE THE SPACE IS ACTIVE.

EVAPORATIVE COOLING

WATER COLLECTED FROM THE ROOF DRAINAGE SYSTEM IS FED INTO THE RIPARIAN HABITAT. THERE, THROUGH NATURAL PROCESSES, THE WATER IS CLEANED AND SENT TO A HOLDING TANK. THEN THE WATER MAY BE UTILIZED FOR GREYWATER USE.

WATER COLLECTION SYSTEM

MORE THAN 50,000 GALLONS OF WATER IS PROJECTED TO BE COLLECTED FROM THE ROOF. THIS WATER WILL BE CIRCULATED BACK INTO THE GREYWATER SYSTEM, AND UTILIZED BY THE ENTIRE BUILDING. RUNOFF WILL ALSO BE USED TO WATER THE DESERT VEGETATION THAT LINES THE SITE AND WITHIN THE PUBLIC SPACES

Fall 2014

Undergraduate Fourth Year Architecture: Architectural Studio III

Students: C. Kebert / D. Lemma / D. Smith Faculty: Philip Horton

Architecture: Architectural Studio III STUDY SPACE

Students: A. Nikkel / R. van Horne Faculty: Scott Murff

ARTHRITIS: MOVING INTO THE WORLD

This semester Aleksandr Kuznetsov, Elizabeth Williams, and I set out on a journey to find out more about a difficult medical condition that, according to The Arthritis Foundation, affects more than 50 million Americans.

INSIGHTS 1. An active lifestyle is crucial to managing arthritis, not matter what kind it is. Many times people lack the motivation or confidence to begin good habits. This state of mind then affects the psychology of how arthritic individuals approach any task.

Through a semester’s worth of observations, interviews, assumption testing, evaluative interviews, and secondary research I was able to gain three key insights on the experience of living with arthritis (left) and then begin to develop concepts (below) to tackle these problems head on.

2. Arthritis can be “isolating, depressing, and sad.” People with arthritis, at times (especially those who are younger), feel like they just cannot do anything. It is almost as though they have lost a part of themself.

3. Many arthritic individuals are turned off to the idea of buying assistive devices such as canes or walkers because they are emabarassed to use them. They do not want to feel old. Rather than being thought of as a “medical device” they want to think of it as a “performance device.” It is well known that they are needed, but many will become uninterested if they do not like or enjoy what they are required to use.

WHAT MIGHT BE ALL THE WAYS? This tool allowed my group to frame our problems in such a way as to flush out all ideas in a specified problem area. The three questions that I wanted to focus on were: WMBATW... we can reduce the risk for arthritis and associated diseases?

WMBATW... we can create more physical independence for an individual with arthritis?

WMBATW... we can improve the experience of daily essential tasks?

With all of these questions tying into a root problem of mobility for an arthritic individual I then went through the process of developing three rough concepts.

CONCEPT 1: Sit-Assist

CONCEPT 2: Cayne

CONCEPT 3: Key Claw

One of the most frequently talked about difficulities of people with arthritis in their hips and knees is their ability to get up from a low, seated position. This was such an important issue to these people that they would have to plan and think about where they were sitting in the room in the event that they needed to leave quickly or even use the restroom!

Knowing that I could not expect the user of a product like Sit-Assist to bring a chair with them everywhere they went, I had to develop a mobile option. What could be more mobile than the Cayne?

The idea for the Key Claw came from a short, but meaningful observation about mobility. While thinking about the difficulties of individuals with arthritis in their knees and hips I realized that I did not spend time thinking about the mobility of people with arthritis in a completely different part of their body: the hands.

As a result came Sit-Assist.

STUDY MODELS

IDEATION SKETCHING

ROUGH MODELS

The user puts support on Cayne as they rise from a seated position.

When the user begins to ease into the seat, tension is stored in the bent plywood like a spring, to help them slowly lower into the chair.

Then when the user wishes to stand up, the chair will move with them and support them until they are in a standing position.

Architecture: Architectural Studio III

Students: S. Ding / A. Lufkin Faculty: Dennis Bree

Industrial Design: Design Project I

As the user is getting up, the Cayne handle moves with them into its upright position

Once upright, Cayne can then be simply turned around for support while walking, or be used in its upright position, much like a crutch.

Student: Tyler Lippert Faculty: Tamara Christensen

Move the key up to the claw area.

Place the key into the slotted side of the claw area.

Use claw, with slotted key, for leverage when turning the key in a lock.

increasing collaboration and creativity in the workplace

PEDIATRIC

Cancer

EXPERIENCE TechShop Chandler, AZ

HP, Design Office (Rendering) Palo Alto, CA

Seed Spot Phoenix, AZ

OBJECTIVE TASKED WITH IMPROVING THE CANCER EXPERIENCE, OUR TEAM OF THREE DESIGNERS INTERVIEWED PATIENTS, FAMILIES OF PATIENTS, MEDICAL TEAMS AND SUPPORT SERVICES IN ORDER TO FIND OPPORTUNITIES FOR IMPROVEMENT. KEY INSIGHTS FROM THESE FINDINGS WERE USED TO CONCEPTUALIZE IDEAS FOR ALTERING THE TREATMENT EXPERIENCE. CHILDREN WITH CANCER DESIRE THE CRUCIAL COMPONENT OF NORMALCY WITHIN THEIR LIFE. SIMPLE IMPROVEMENTS TO THE FRIGHTENING MEDICAL ENVIRONMENT PROVIDES THE ABILITY TO CHANGE THE FEARFUL EXPERIENCE OF CHEMOTHERAPY TREATMENT INTO AN EXCITING FANTASY ADVENTURE.

RESEARCH INSIGHTS:

1.

2.

3.

I.V. (CHEMOTHERAPY) POLES ARE EXTREMELY INTIMIDATING FOR CHILDREN BECAUSE OF THEIR SIZE, NOISE, AND THE MEDICAL APPEARANCE. CANCER PATIENTS OFTEN BECOME ATTACHED TO THE PEOPLE AND OBJECTS AROUND THEM DURING TREATMENT. THE ABSENCE FROM THOSE ELEMENTS AFTER THEY COMPLETED TREATMENT CAN CAUSE ANXIETY. CHEMO PORTS ARE EXTREMELY UNCOMFORTABLE, ITCHY, AND FRIGHTENING FOR CHILDREN BECAUSE OF THE LARGE NEEDLE.

CHEMO PROCESS COMPANION GOING TO THE HOSPITAL EVERY DAY FOR CHEMOTHERAPY CAN BE NERVE-RACKING AND SEEM LIKE A CHORE, WHY NOT PROVIDE THE CHILDREN A FUN EXPERIENCE TO REDUCE THE STRESS AND MONOTONY?

PRESENTING THE CHILDREN WITH A NEW PIECE OF A PUZZLE FOR THEIR IV POLE EACH DAY OF A CHEMOTHERAPY ROUND PROVIDES THEM SOMETHING TO LOOK FORWARD TO DURING THEIR TREATMENT.

CONCEPT

1

increasing collaboration and creativity through...

increasing collaboration and creativity through...

increasing collaboration and creativity through...

flexible work environments

fluid remote connections

efficient work and play

CHEMO PORT PAL BEING POKED WITH A NEEDLE CAN BE A TERRIFYING EXPERIENCE FOR CHILDREN. IMAGINE FOR A CHILD WITH CANCER ENDURING THIS EVERY DAY OF CHEMOTHERAPY TREATMENT.

TURNING THE EXTERNAL PORTION OF THE CHEMOTHERAPY PORT INTO A FUN CHARACTER WILL NOT ONLY REDUCE THE CHILD’S FEAR OF THE NEEDLE, BUT ALSO PROVIDE AN ANIMAL PAL TO WEAR AS A NEEDED FRIEND DURING TREATMENT.

CONCEPT

2

ON-THE-GO CREATIVE CHEMO STANDING ON THE BASE OF THE IV POLE AND RIDING IT DOWN THE HALLS OF THE HOSPITAL CAN OFTEN BE THE SOLE SOURCE OF ENTERTAINMENT FOR A CHILD WHEN HOOKED UP FOR CHEMOTHERAPY TREATMENT.

THE ADDITION OF A BUCKET STYLE PIRATE SHIP TO THE BASE OF THE POLE COVERS THE INTIMIDATING METAL AND MACHINES REQUIRED FOR TREATMENT AND ALLOWS FOR POSITIVE MEMORIES AND A UNIQUE PLAYFUL EXPERIENCE.

CONCEPT

3

Fall 2014

Undergraduate Fourth Year Industrial Design: Design Project I

Student: Brittany Herold Faculty: Philip White

Industrial Design: Collaborative Design Development I

Students: K. Bellman / A. Guccione / W. Gutkowski / R. Lynch / C. Nunez Faculty: Prasad Boradkar

Project influenced by the Storm and Flooding Event in Phoenix, that occurred on September 8, 2014.

Trespass

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

facilitating strategic co-creation

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Phoenix, Arizona

90,000 Square Feet PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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REVIVE Green Infrastructure Plan

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REVIVE Green Infrastructure Plan is a master plan that looks to promote community, engage history and culture, and find green infrastructure solutions that extend into the future. Their goals are to promote more green and less gray, enhance connectivity, invigorate economic growth, promote health and well-being, and establish sense of identity for South Mountain Village. Trespass is an important component of REVIVE Green Infrastructure Master Plan because it accomplishes all five major goals and follows the phases of the strategic plans over time. Trespass Project has design a public wetland where REVIVE had distinctively pointed out for proposed green spaces. Trespass Project definitely is decreasing the amount of gray material on site and proposing more vegetation, it is also promoting a stronger wildlife corridor and a sense of identity for the community. Trespass can also save a high amount of finance that may not be necessary to pay for a flood damage while promoting healthy activities.

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Trespass Project will look to benefiting the ecological and social qualities of, within and around South Mountain Village. It will enhance the social aspect by providing opportunities for human interaction with others or themselves for well-being. It will also bring people in by maintaining historical reminisces of South Mountain by having a museum, visiting center and interpretive trails. Trespass will also allow South Mountain have a peck of identity in this area.

Ecologically and environmentally, Trespass will respect the site’s living boundaries by allowing it restore itself after a help of mankind. It will then strengthen the wildlife and plant corridors that run along the Rio Salado. Trespass will bring and promote green space by allowing riparian restoration. By having the ability to connect watersheds, Trespass will revitalize the floodplain that existed before.

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Concept

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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Trespass Project conceptually demonstrates the act of human acts impacting nature and its living qualities. Overtime man-made infrastructure has enclosed and limited the freedom of nature, and this project thus shows the change nature needs to reform again.

Through time, the project goes through phases that reinforces the natural movement of the river and adjacent vegetation. The existing infrastructure remain on site to show the community a perspective of trespassing, and who really stepped on the other aspects boundary. The riparian restoration does not begin till after day one, where all vegetation is planted or seeded in an orderly grid. The grid is another factor that represents the actions of humans. From that point on nature takes charge and will decide which installed plants remain or sacrifice. The overall view of the project is the time it takes the project to take place and how distinctive the never ending result is to the beginning of our actions.

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Trespass River Project scored 150 points, Platinum, on the SITES v2 Rating System.

Majority of the components of the project is respecting the site by salvaging many resources or adapting to them. All Site Context points were accomplish because the project will connect to the adjacent land uses and future development. Trespass project will also involve the community’s participation during the pre-design assessment and planning. In regards of water, Trespass will do its most effort to reduce the amount of water necessary for outdoors. The vegetation planted will only need water when needed, but will not have an irrigation system incorporated. The existing soil will remain in the site, grading will utilize the soil that is from the same site. Native plants will also be incorporated and be used to reduce the amount of energy that will be needed by the site. Any existing infrastructure on site will be recycled and used again for design and construction. Trespass will establish many active opportunities to enhance human health and well-being.

During the construction phase Trespass will restore soil and salvage any vegetation in good conditions. Trespass project will allow for restoration purposes, therefore the maintenance level will be low as possible. Trespass project will provide educational and laboratory programs to experience the project through a learning technique. Trespass will use the minimal amount of energy sources, to allow the project to grow in healthy matters.

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the ability for the brain to change and adapt. A child’s brain is more ‘plastic’ and impressionable in early life, meaning that the brain is more open to learning.

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Ecological: -Restoring Riparian Vegetation: Will benefit the riparian vegetation by increasing its number.

-Revitalizing the Floodplain: Will bring the river to its comfortable boundary.

-Selecting a distinctive Plant Palette: Will strengthen the connection of key note animal species.

Social: -Interpretive trails: Will create learning abilities for the community.

-Visiting Center and Museum: Will enhance the sense of place within the area.

-Art Exhibits: Will promote community involvement.

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Vacant Lots, Brownfields, & Landfills Vacant Vacant Lots, Lots, Brownfields, Brownfields, & & Landfills Landfills

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The pleasure center (nucleus accumbens) is more active and “turned on” when we experience unpredictable pleasant things.

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“A study by MIT researchers was able to predict 35% of a team’s performance simply by measuring the number and quality of face-to-face interactions between team members.”

– “The New Science of Building Great Teams,” Alex Pentland, Harvard Business Review (April 2012)

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9 TYPES OF SEATING

The New Workplace

WAYFINDING LIGHT Collaboration Space, Brainstorming Playground, Large Conference Facilitation/Design Lab Quiet Room, Break Room, Game Room

Promote interaction. Work where you want. Make it your own.

N

Trail

Trail

~ 500’ Rio Salado

~ 1000’ Pantano del Rio

0 mi

Section B-B Reminisce Structures

movable toolbox

.75 mi

.25 mi

.50 mi

.75 mi

Year 50

~ 1300’ Rio Salado

~ 1400’ Pantano del Rio

Restoration

.50 mi

~ 900’ Rio Salado

~ 1200’ Pantano del Rio

0’

inductive charging surface

.25 mi

Wall Locations

Year 20 Trail

WB

1 mi

Trail

SURFACE

9

WINDOW NOOK

Wall

8

LE

CONFERENCE

E

MOVEABLE

WRITE-AB

WORK/DESIGN LAB E

PHON

SM. CONF.

PM

CONFERENCE

STORAGE

.75 mi

Day 1

Trail

THE

TOASTER COFFEE

PM VO VOID OID D

FACILITATION/DESIGN LAB C PRINT/COPY

SERVER

Felt Pods Pop-out Quiet Rooms Farmhouse Tables Bar Height Seating Built in Planter Workstations Brainstorming Swings Sliding Booths Flexible Workstations Window Nook

Wall

PRINT/COPY

7

LANDMARK TOOL SHED

MAINT.

PIT

MW

PARTIAL HEIGHT PLANTER WALL

CHALKBOARD WALL

STOR.

VO VOID OID D

BRAINSTORM PLAYGROUND WORK/DESIGN LAB D

1 2 3 4 5 6 7 8 9

BROADWAY

.50 mi

Trail

PLANTER

STORAGE

VENDING MACHINE

CUT OUT WALL

BREAK ROOM

3

BRAINSTORM PLAYGROUND (SWINGS)

Wall

4

REF.

1

President/GM

6

.25 mi

0 mi

Broadway Road

WORK/DESIGN LAB F

5

15TH AVENUE

M

ROO

2 CONSULTANTS

BROADWAY

Broadway Road

QUIE

At every intersection, there is an area for collaboration for those impromptu conversations.

PATHWAYS DIAGRAM

Broadway Road

CONFERENCE

STORAGE

Section A-A Pantano del Rio / Rio Salado

WORK/DESIGN LAB E

SERVER

200’

400’

600’

Reminisce Structures Rio Salado

0 mi

1 mi

N

Plant Placement Diagram Restoration

Reminisce Structures Rio Salado

Restoration

Reminisce Structures

Interior Design: Interior Design Studio V: Work Environments

Students: F. Agusta / C. Fox / N. Pannuzzo Faculty: S. Fanger / R. Rosso

0’

30’

90’

RIPARIAN VEGETATION

TRANSITIONAL PLANTS EMERGENT MARSH PLANTS SUBMERGED AQUATIC PLANTS FLOATING AQUATIC PLANTS TRANSITIONAL PLANTS

SONORAN DESERT VEGETATION 9TH AVENUE

19TH AVENUE

RIPARIAN VEGETATION

RIPARIAN VEGETATION

Reminisce Structure

TRANSITIONAL PLANTS

SONORAN DESERT VEGETATION

EMERGENT MARSH PLANTS

Interpretive CARt Trail Sculpture

Interpretive Trail

Interpretive Trail

Landscape Architecture: Landscape Architecture III

Interpretive Trail

CARt Sculpture

SUBMERGED AQUATIC PLANTS FLOATING AQUATIC PLANTS 15TH AVENUE

Section C-C Interpretive Trails

SONORAN DESERT VEGETATION

Rio Salado

BROADWAY

BROADWAY

0’

30’

60’

90’

Student: Cassandra Ortega Faculty: Paul Coseo

0 mi

.25 mi

.50 mi

.75 mi

1 mi

N

THE BACKPACKER’S GUIDE

ROJ ECT P T U O R TH E SP

preparing to take on the wild

d promote d deserts an ntings pla mitigate foo as a way to the types of farmer’s s for lot m nt far ca , to va ration ce for events agriculture d demonst t provide spa on and purpose to and urban seeding an s a tha ork as ses tw ts ou ac ne w functi the al wareh c transit site that ne t on e bli en cti pu giv an t Ov ks fun rm lin tha lties. erall, pe the Hub gram that er business e Hub is a offering mu nterparts of nursery pro Village. Th inity to oth the community. mic center satellite cou d by location and vic and econo Project is a g of South Mountain existing in The Sprout community ne tches are the ein a tem mi Pa is ll-b e sys ter b t we Th de Hu . d nsi an unity n the tch are the tra the health tches. Withi nding comm plantings of each pa the Hub to d in the Pa and surrou d connecting e crops an implemente storage for the farm Village by veloped. Th Mountain d markets an t are waiting to be de ghout South ou thr ure tha agricult vacant lots ject spreads Sprout Pro

Have you ever wondered what it takes to be an explorer, tackle the wild, and become one with nature? If so, “The Backpacker’s Guide” will change your life! This three minute how-to video showcases creatively hand-drawn, cut-out props; an educational, comical, and engaging plot; and an amusing acting cast of real backpackers.

Distinct colors and flat camera angles, inspired by Wes Anderson’s bold visual style, combine art and design to tell a compelling story.

This video will prepare any individual for a trip into the wilderness!

HOW-TO STEPS

SOUTH MOUNTAIN VILLAGE

Vacant Lot

OPPORTUNITIES AND CONSTRAINTS

Major Vehicular Route Industrial Zone

GOALS

Step 1: Choose your location

Residential Zone

Address the issue of the aesthetics of vacant land and urban sprawl

SPROUT + SITES The Sprout Project scored 125 points, achieving a gold certification for the Sustainable SITES Initiative. The project receives a substantial amount of points for the categories: site context, human health and well-being and operations and maintenance. Th Sprout Project focuses on redeveloping degraded sites connected to transit networks, providing onsite food production that supports social interactions and creating a plan for operations and maintenance that recycles organic matter to limit fertilizer use. The Sprout Project strives for successful stormwater management and urban heat island mitigation, promoting sustainable practices in all aspects of the program at both the Hub and Patch locations.

Provide healthier alternatives to processed food choices found to be the main source of nourishment in the area

SPROUT + REVIVE STRATEGIES Based on the Revive Green Infrastructure Master Plan for South Mountain Village, the Sprout Project seeks to reconnect the community by intertwining public transit networks and urban agriculture to create green linkages between South Mountain and the Rio Salado This ultimately mitigates the urban heat island, increases longterm connectivity and promotes overall health and well-being for the entirety of South Mountain Village. The goals illustrated in the plan “enhance connectivity,” “invigorate economic growth,” and “promote health and well-being,” inform site design goals such as increasing neighborhood public space which establishes ephemeral community gardens in vacant lots near bus stops, encouraging community service and education through programs at the Hub and incorporating cultural and historical influences to the crop rotation in the urban farms.

Make a more conscious and efficient use of resources for a more sustainable Phoenix

Step 2: Research with a ranger

the HUB

PICANTE PATCH: soil rotation 1. ‘Chiltepin’ Chile Pepper Capsicum annuum 2. ‘Habañero’ Chile Pepper Capsicum chinense 3. ‘Jalapeño’ Chile Pepper Capsicum annuum 4. ‘Tabasco’ Chile Pepper Capsicum frutescens 5. ‘Serrano’ Chile Pepper Capsicum annuum HISTORIC PROTEINS: nitrogen fixation 1. Squash Cucurbita argyrosperma 2. Corn Zea mays 3. Tepary Bean Phaseolus acutifolius PRODUCE PICKIN’S: organic fertalizer 1. Garlic Tulbaghia violacea 2. Shallots Allium cepa 3. Tomato Lycopersicon lycopersicum 4. Potato Solanum tuberosum 5. Chard Beta vulgaris

The Hub is the central component for The Sprout Project, it unites and manages the various Pop-Ups. The Hub will be built in 5 separate stages : Initial, 6 Months, 3 Years, 10 Years, and 25 Years. Each complimenting and diversifying the relationship with the community and the space throughout each phase. The seeding, growing, and planning of the pop-up patches takes place at the Hub and operations will stem from it and the adjacent transportation hub across Cental.

1. Ecological Services Plant Palette : A system of rotating plants that restores the soil, recalls history, and provides healthy food to the residents of South Mountain Village.

2. 4’x8’x10”: Typical Planter Dimensions, this allows ease of transport and changeable planters, a variety of plants to be circulated through, and the ability to rotate soils.

POLLINATOR PATCH: increasing urabn wildlife 1. Fern-Leaf Lavender Lavandula multifida 2. Rosemary Rosmarinus officinalis 3. Wild Bergamont Monarada fistulosa 4. Mexican Bush Sage Salvia leucantha 5. Passion Vine Passifl oracaerulea FRESH FRUITS: pollinating compost 1. Cantaloupe Cucumis melo var. cantalupensis 2. Strawberry Fragaria ananassa 3. Prickly Pear Cactus Opuntia ficus indica 4. Pomegranate Tree Punica granatum

3. Universal Accessibility allows users of all mobility types to be able to interact and grow the garden. The different heights embrace the variety of people The Sprout Project hopes to serve.

Step 3: Pack your backpack, and explore the wild!

2 typical planter size STORYBOARD

1 ecological services plant palette

3 universal accessibility

5 1

3

2

1

4 3

4

4

0’

the PATC

N

HES

Fall 2014

50’

100’

the LINKS

The Links which are the transportation systems, are used to connect the different vacant lots or Pop Up Patches to The Hub, this provides residents with access to healthy fresh food, otherwise not found in the area. By using the transportation system, this allows for ease of access and The Sprout Project to be implemented in other locations around the Valley.

1

25’

Every POP-Up patch site will be configured of stacked planters for accessibility. Periodically planters will be arranged in a horse-shoe shape for gardening tool storage.

The bus stop will provide more adequate shade to residents and be the lasting remain of a temporary garden instillation.

1. The process begins with a planter box loaded into the bed of a standard size pick-up truck. 2. The planter box can then be raised or lowered with the rail cart crank. 3. The crank lowered box can be rolled around the site to its desired location. 4.

The planter is then slid from crank in to the ground.

10’

1 warehouse 2 cafe 3 seed-house 4 planter railroad tracks 5 bus stop

2

3

4

To watch “The Backpacker’s Guide” visit joeyraiton.com/backpack

Undergraduate Fourth Year Landscape Architecture: Landscape Architecture III

Students: L. Kalland / K. Reeves / C. Seime Faculty: Kristian Kelley

Visual Communication Design: Motion Graphics / Interaction Design

Student: Joseph Raiton Faculty: M. Fehler / J. Elrod

Flexibility

in yo ur

spa

ce

Team Flo designed three product system solutions that improve creativity and collaboration in the workspace.

These product systems solutions improve public-to-private workspaces, reduce distractions, and create makeshift workspaces in an open concept office. Each poster exhibits the products’ functions and solutions.

C

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la

bo

ra

te

to

ge

th

er ,s

ep

ar

at

el

y

Eleon is a wall that allows for makeshift conference rooms in an open concept office. Each Eleon panel creates a flexible environment when different amounts of panels are combined to form varying sized rooms. The panels are designed to restrict and contain noises on both sides of the panel. They also slide seamlessly on lockable wheels and stack easily against a wall for easy storage.

Trenz is a four-person workspace that gives users the ability to work collaboratively or independently without moving from their desk. At the touch of a button, the center sections of users’ desks raise and lower, allowing for impromptu team meetings. Each individual workspace allows for storage solutions that double as seating to allow other team members to join in and collaborate.

Experience quiet in chaos

Audim rethinks the current cubicle design by implementing noise-canceling technologies, natural lighting concepts and exciting designs. The ridge design absorbs ambient noise to reduce distractions and increase productivity. The LED light module directs light directly onto the user’s desk space to reduce the need for harsh overhead lighting.

Visual Communication Design: Visual Communication V

Student: Nathan Hammond Faculty: Alfred C. Sanft

Visual Communication Design: Collaborative Design Development I

Students: A. Boden / M. Hughes / R. Dicicco / M. Lin / D. Luo Faculty: Michelle Fehler

COFFEE GRINDER

Smaller

Consistent

Quicker

Quieter

Cleaner

A coffee grinder that has the compactness of a blade grinder and the versatility of a burr grinder. The innovation lies within the internal configuration.

Internal Components Grind chamber

Grinder steel holder

Bean concentrator lid

Grind auger

Drive pulley

Grinder steel Motor

1

Drive belt

Grinding Process 1 2 3 4 5 6

Second Floor

Greenhouse Outdoor Kitchen Creative Garden Digital Garden Entry|Reception Restrooms 25’

10’

Cracking phase

Grinding phase

Cracks the coffee bean to around 3mm in size.

Grinder steel translates to get desired fineness.

Ideation Hopper 2

6

Grind Setting Knob

4

5

Power Button

3

Orifice Guard

3

Collector

1 2 3 4 5 6

First Floor

Greenhouse Outdoor Kitchen Creative Garden Digital Garden Entry|Reception Restrooms

Features

25’

10’

Guard keeps pests away.

Collector with Hopper has an easy pour easy pour spout and Borosilicate glass angle. to reduce static.

Setting for desired fineness.

Dimensions (in mm)

66

2 11

68 78

94

68 13 1

10’

Graduate Three Plus Year Architecture: Core Architectural Studio I

Student: Matt Boylan Faculty: Max Underwood

68

70

25’

Centro Juvenil Colmena: Jardín Fall 2014

Auto OFF after grinding.

Industrial Design: Core Industrial Design Studio I

Student: Sujith Sunny Faculty: Donald Herring

COLLABORATIVE WORK ENVIRONMENT

Butterfield Valley

A Lifelong Learning Community Context

Mission Statement

Located in southern Goodyear, Arizona along State Route 283 situated between Pinal County and the Sonoran National Monument.

The mission of Butterfield Valley is to create a physically and socially connected community that encourages lifetime learning by becoming an educational hub that provides quality learning experiences for all ages through conventional academic experiences and unconventional experiences that draw from the natural southwestern Arizona landscape, rich local history, and partnerships with local industries that develop in the area.



Legend

Create a connected community with attractive and safe neighborhoods, healthy populations, and sustainable environment

 

Master Plan

Med Density Res.

Parks

Low Density Res.

Open Space

Commercial

Agriculture

Cultivate a community that is sensitive and dedicated to preserving the unique nature and wildlife of the Sonoran Desert

“Education is the kindling of a flame, not the filling of a vessel.” - Socrates

8 7

Government, Quasi-Government

2

Proposed Highway 303

1

State Route 283 Arterial Road

LOCATION

3

Collector Road

1 North 1st, Phoenix, AZ 85004. The First four floors were built in the earily 1900’s, while the 4th and 5th floors were built in the 30’s, and the final 6th and 7th floors added in the late 50’s. The building consist of corigated metal desking, exposed cement colums placed roughly every 19 feetm and windows upgrated in 70’s on the South, West, and North windows.

the community through quality formal and informal educational experiences

Industrial

High Density Res.

Located in the heart of downtown Phoenix, the sixth floor of this historical building turned into a collaborative work space, cohabits a turn of the centruy office encourgeing chance interactions where inovation is created when people collide. Inspired by a multifunctional asthetic of things or places holding multiple functions; the work desks flow thoughout the space, lowered ceilings create connection areas for individuals to meet, and altering scale of the surfaces create varity suiting

Engage

 



Site

Goals

 

1 2 3 4 5 6 7 8 9

5

4

Trail Village Core Waterman Trailhead Espanto Trailhead Anza Trailhead

6

Stagecoach Trailhead Mobile High School Sunrise Senior Center and Preschool Natural Gas Harvesting/ Power Station

9

Mobile Elementary School/Public Library

“I am always doing that which I cannot do, in

order that I may learn how to do it.” -Pablo Picasso

1/2 mi.

DIAGRAMS

Land Use

1 mi.

High Density Housing (>8 du/acre)

Medium Density Housing (4-8 du/acre)

• 678.4 acres • 3.5% of site

• 2,880 acres • 15% of site

Low Density Housing (<5 du/acre)

Parks • 838.4 acres • 4.4% of site

• 1,363.2 acres • 7% of site

Industry

Commercial

• 976.8 acres • 4.5% of site

Picture Source: ArchDaily “Suburban Intervention” by Mohammad Askarzahed

• 518.4 acres • 2.7% of site

Open Space Agriculture • 998.4 acres • 5.1% of site

Government, Quasi-government • 518.4 acres • 2.7% of site

Preserve • 10,848 acres • 56.31% of site

Estrella Mountain Community College

FLOOR PLAN

Vision

←

N

Downtown District - Village Square

The Butterfield Valley community is known for beautiful natural washes,

Wa

term

trails, and paths offering excellent educational experiences for all ages and

an

promoting love for the Sonoran Desert in residents and visitors. Residents enjoy amenities such as Mobile Public Library, the Sonoran Center for the Arts, and Anza Community Pool thanks to shared usage partnerships

Wa

sh

Sonoran Desert Museum

between the city and local schools. Local industry and the community college partner to offer vocational training and unique tours of state of the

Estrella Foothills High School

Event Plaza

art natural gas electrical generating station that was built in conjunction with former Butterfield Landfill, Arizona’s largest landfill facilities, (now Butterfield Park) turning gases from the landfill into electricity. The Sonoran Desert Museum serves as the first stopping point for visitors to the Sonoran Desert National Monument, offering guided and self-guided hikes. Visitors enjoy conveniently located student and elder hostel facilities near th community core and major trails. The connected system of trails unite neighborhoods and is a symbol of the community’s commitment to

sustainability, lifetime learning, and an active healthy community.

Lost Dog Wash Trailhead in Scottsdale

Transit Routes

Desks Housing Clustered Around Park

Gathering Spaces

Walking to School

Hikers in Goodyear

Downtown District - Main Street

Kitchen Confrence Rooms Offices Restrooms/Locker Rooms Print Station

6’

10’

10’

Parking Lane

Bike Lane

Turn Lane

Travel Lane

5’ 5’

10’ Travel Lane

Bike Lane

Landscape Area

Student: Glory Rittmann Faculty: Mark Ryan

Sidewalk

Interior Architecture: Core Interior Architecture Studio I

7’

Neighborhood Street

8’

SCALE 1/6” = 1’

8’ Landscape Area

SCALE 1/6” = 1’

12’ Sidewalk

SECTIONS

Landscape Architecture: Core Landscape Architecture Studio I

“Tell me and I forget. Teach me and I remember. Involve me and I learn” Benjamin Franklin

Connecting Trails and Paths

Adjacent Patio Restaurant

10’ Paved Path

8’

15’

Unpaved Path

Equestrian Path

Student: Paula Wheeler Faculty: K. Brooks / J. Coffman

DOWNTOWN PHOENIX 3

2

1

4

5

6

7

8

9

8

10

13

12

11

14 15

16

1 PEEL

CIVIC SPACE PARK

CMU BRICK FACING

TAYLOR MALL

17

18

19

2

20

EXPOSE

21

22

23

3 REPROPORTION SHADE 24

1ST AVE

To humanize the monumentaility of exposed concrete, COR-TEN channels and angles are introduced against the facades. The result is a louver system that reproportions the concrete mass. The COR-TEN further reflects natural entropy within the adjacent park as it weathers against the structure.

CENTRAL AVE

The existing one-way slab and joist structure allows flexibility of interior programming to grow with the expanding Downtown Campus. Freedom exists through the repetition of columns. Brick and CMU infill is removed and replaced with floor to lintel glazing to restablish a visual connection with Civic Center Park.

1

WIDECK ED450A SHADE SYSTEM

2

X-CR P8 UNIVERSAL NAIL

3

WT 8x28.5 STRUCTURAL TEE

4

L3x3x3/16 ANGLE

5

C10x30 STRUCTURAL CHANNEL

7

EXISTING ONE-WAY JOIST SLAB

8

16” AIR SUPPLY DUCT

9

EXPANSION ANCHOR

10

3x3 STRUCTURAL TUBING

11

WT 6x20 STRUCTURAL TEE

12

C10x30 STRUCTURAL CHANNEL

13

LOW-E DBL PANE GLAZING

14

CONCRETE COLUMN

15

WT 6x20 STRUCTURAL TEE

16

C10x30 STRUCTURAL CHANNEL

17 18

1ST FLOOR

STUDY/LOUNGE ASU BOOKSTORE STUDENT SERVICES FOOD AND BEVERAGE RETAIL

1ST AVE

6TH FLOOR (4-8 TYP)

HAND RAIL

6

48” PENDANT LIGHT TYP. 3’ 5-1/2” SLAB EDGE

19

HORIZONTAL MULLION AT 6’ 8”

20

HORIZONTAL MULLION AT 4’ 6”

21

MECHANICAL LOUVER SYSTEM

22

MOTOR HOUSING

23

BEAM AND COLUMN BEYOND

24

PEDESTRIAN ARCADE

9TH FLOOR

UNIVERSITY OFFICES | THREE SUITES

UNIVERSITY OFFICES | TWO SUITES PUBLIC ROOF ACCESS

CIVIC SPACE PARK

CENTRAL AVE

EXISTING URBAN BASE SECTION: C. FORD

9TH FLOOR SUITE

CONFERENCE ROOM | 7TH FLOOR

1/2” MODEL | CONCRETE PROPORTIONING

Fall 2014

Graduate Three Plus Year Visual Communication Design: Core Visual Communication Design Studio I

1/2” MODEL | WEST LOUVER SYSTEM

1/16” MODEL | VIEW FROM SOUTHWEST

Graduate First Year Student: Kelsey Hinesley Faculty: Andrew Weed

Architecture: Advanced Architectural Studio I

Student: Cory Bruce Faculty: Wendell Burnette

COR-TEN LOUVER SYSTEM | WEST FACADE

CONTEXT

tempe, az

arizona state university

Typical Wall Section Detail 1 1/2” = 1’ 0”

BORATE

BL

IC

ICE

TH

Shade Fin Development

COLLA

OFF

GA

1

Synthesis

Antithesis

PU

GLIVAATE MA S S SS

a

PR

Thesis

TEMPE

North (West)

West

South (West)

South (East)

East

ASU

Solar and Contextual Impact: Coor Hall’s elevations face two different communities that need a collective response and transition space. To shade Coor Hall, either horizontal or vertical shade louvers need to be applied. Two different systems creates an unresolved transition corners.

North (East)

North (Center)

Welded Horizontal Tube (2”) Varies in length in accordance to fin

3

Existing Curtain Wall Glass and Mullion System

4

Aluminum Coping

5

Existing Parapet Wall Construction

6

Rigid insulation

7

Weatherproof protective layer

1

3

2

issues

4

8

Horizontal Aluminum Shelf (7 gauge) for South Elevation

9

Slotted Angle Bolt Connection of Horizontal Shelf to Horizontal Tube

5

energy performance | closed workspaces limit collaboration | interior disconnected from context

10 Steel Horizontal Tube (4”) 11 Stub Column with Fin Plate

Vertical Louvers

ER

Vertical Aluminum Fin Louver (10 gauge) Laser cut in shop to profile specification

2

efficient existing circulation: portal between Tempe + ASU

LATTIE F. COOR HALL

Southeast elevation panorama showing the transformation process of Coor Hall’s appearance from an entirely solid mass into a thin drapery that allows the glass structure and art glass to be discovered.

Coor Architonic

shaded gathering points

lattie f. coor hall

12 Two Part Epoxy Bolted Connection 13 Existing Concrete Slab (12”)

Transition

14 Steel Vertical Support Tube (3”)

Horizontal Louvers Northwest North (West)

West

West

Southwest

South (West)

Southeast

South (East)

East

East

Northeast North (East)

North

North (Center)

15 Foam Insulated Art Glass

Shadow Box 6

16 Recessed Dull

7

Aluminum Backing

Coor Hall does not relate interior program with exterior context. The building needs to respond to urban conditions and different program spaces in alignment with the New American University’s aspirations for ASU to embrace its cultural, socioeconomic and physical setting. Coor Hall adapts to the surrounding and user functions via a juxtaposition of tectonic and stereotomic techniques.

17 Typical Drywall

Construction 18 Built-in Attached Task

Desk (Particleboard, Melamine foil, Foil, ABS plastic 2”)

TEMPE

Spandrel Glass Clerestory Art Panel

ASU

Vision Window Spandrel Glass

Progromatic Impact: The group and individual spaces that line the exterior of each floorplate need different solar responses. The program determines the need for shade or the opportunity for more light. In addition within each floor different sections require more or less shade.

200

air temp. in cavity

UP

interior wall surface

8

11 9

12

10

private offices @ windows dictate light distribution

DN

interior air temp.

180

13 160 DN

14 19 Task Desk Leg (Steel,

interior program receives minimal natural light

140

Epoxy/polyester powder coating)

120

20 1” Insulating Glass Unit

100

building heat gain

separate offices reduce collaboration

80

12PM

12AM

15

Group

Tectonic: Shading the glass box with typical louvers-- horizontal for south and vertical for west,north, and east. Adding a single language on all the sides with each adjusted to act solarly appropriate. The result is a unique undulating pattern.

North (West)

Northwest North (West)

West

West

West

South (West)

Southwest

South (West)

South (East)

Southeast

South (East)

East

East

East

North (East)

Northeast

North (East)

Individual

North (Center)

North

insufficient natural light

existing skin North (West) North (West)

North (West)

West West

South (West) South (West)

South (East) South (East)

East East

West

South (West)

South (East)

East

West

South (West)

South (East)

East

Kinetic: The computer common is enclosed with glass curtain walls that disconnects from the surrounding movement. Replacing these with operable walls opens the space. The ground floor acts as an open active indoor and outdoor space.

North (West)

North (East) North (East)

North (Center) North (Center)

North (East)

North (Center)

North (East)

North (Center)

North (West)

West

Southw est

West

South (West)

Southeast

South (East)

Northeast

East

East

17

North (East)

NEW AMERICAN UNIVERSITY

19

North

20

solutions

North (Center)

Fin Array: Spacing of the fins changes for each elevation.

North (West)

North (West)

West

South (West)

South (East)

East

North (East)

West

South (West)

South (East)

East

North (East)

Program: Individual offices surround the floorplan. The introduction of open collaborative spaces in congruence with the New American University’s goal to create knowledge by transcending academic disciplines. The individual offices will become the core of the building while group activity spaces will move to the exterior.

North (West)

West

South (West)

South (East)

East

DN

18

16

Shade Light Vertical Shade Vertical Light Horizontal Light Transition Shade Horizontal Vertical Transition Horizontal Northwest

DN

DN

Combined: The result is a complex, connective language that moves in accordance to the many factors that make up Coor Hall; solar expectations, urban context, program requirement, and curtain wall composition. From the many elements forms a single component.

Light

Stereotomic: The public mass is solid. Carving out the Tempe and Campus elevation create a connective relationship. The joining of the exterior and interior gathering places initiates a more publicly used environment.

existing floor plan

North (Center)

North (East)

North: 2’ 6” o.c East: 16” o.c South and West: 11” o.c.

Fins vary in depth from 6” to 3’ 0” North (Center)

Engage Globally

Fuse Intellectual Disciplines

Be Socially Embedded

solving global issues through energy efficiency and striving towards net zero

promoting collaboration through architecture

enhance connection between Tempe + ASU

North (Center)

Coor Hall’s original shadow box curtain wall created a super heated condition that radiated heat into the building resulting in a poor building performance. A single layer of aluminum panels replaced the shadow box and allowed for the attachment of the vertical fin system. The art panels remain are were filled with insulation.

North (Center)

Coor Hall’s Skin: Techtonic and Stereotomic Design The identity of a building begins with its facade. This studio aims to design the building’s envelope to both protect the “private” and communicate with the public. Specifically, the focus is the renovation of Coor Hall, an Arizona State University office and classroom building located on the western edge of the Tempe campus. Parameters include building program, desert environment, and urban university conditions. To resolve Coor Hall’s paradoxical condition of exposed private and enclosed public, additive and subtractive techniques were implemented based on architect/historian/ethnographer Gottfried Semper’s classification of the process of building procedures; the tectonics of the frame, in which light-weight, linear components are assembled so as to embody a spatial matrix and the stereotomics of the earthwork, formed out of the repetitious stacking of heavy-weight units. The result is a play on pedestrian perspective that allows for a private office condition with thin moments of discovery and carved public connections.

Campus Side

Tempe Side

Southeast morning view

Southwest evening view

expanded aluminum skin reduces heat gain while maintaining views interior rooms get adequate lighting without exterior rooms to filter light defining east and west facades creates primary connection between ASU + Tempe adjustable vertical louvers shade building from solar gain

existing condition

proposed condition

small window openings limit natural light and views to context

removing shadow boxes reveal floor-to-ceiling glazing and increases natural light and connection to context

open workspace fosters collaboration and interaction

shade critical to shade the open glazing and prevent significant solar heat gain

Above: Interior view on the east side of the sixth floor in the late morning showing an open plan that allows for light to enter into the building in public spaces of the floor and shaded conditions for windowed task desks. Conferences in the corner with glass and reflective walls project more light. The open offices allow for greater collaborative chances between professors and fields of study that share the floor. Below: Interior view walking through the south hallway of the fourth floor at noon during the fall. The shade system allows for a patterned light to enter the building while the interior walls and shelves ungulate in a similar manner as the exterior fins.

proposed floor plan

PROCESS

existing condition

connect to context

strong east + west circulation disconnected from context, high heat gain

give mass views to surroundings by replacing shadow boxes with vision glass

reduce heat gain

activate roof

shade glazing at north and south facade with perforated skin

elevate street level and add collaboration space for classroom + changemaker @ ASU

reduce heat gain

shade + energy

shade glazing at east and west facade with vertical louvers

shade roof while generating energy

TYPICAL FLOOR PLAN summer sun

UP

DN

UP

DN

UP

connection point somfy motor system

winter sun

UP

low sun

steel frame supports skin

DN

UP DN DN

In the upper floors the existing utility spaces, such as bathrooms and staircases, are situated outside the conditioned space, leaving a question as to what should fill the middle of the floorplate. Moving the private offices to the center and the more open rooms, such as conference and lab rooms, to the outside allows for the natural light to penetrate deeper into the floor. Teacher and faculty assistance that previously were placed in a separate enclosed room are now moved to the exterior in a spacious environment.

open views

heat

vertical aluminum louvers

floor-to-ceiling glazing

floor-to-ceiling glazing

expanded aluminum skin

East + West skin assembly

North + South skin assembly Fourth Floor

GROUND FLOOR PLAN UP

DN

UP

UP

DN

UP

UP

DN

DN

DN

DN

DN UP

DN

DN DN

RAMP DN

UP

UP

DN

DN

DN

DN

DN UP UP

DN

DN DN

RAMP DN

The ground floor arrangement allows for a plethora of pedestrian activity and movement through its exterior hallways however the rooms themselves do not facilitate the same type of interaction. Carving the once fully enclosed assembly spaces allows a visual connection to the users within while still providing the “black box” necessary for presentations. The computer commons which once had stationary computers which prohibited an open facade will now have rentable only laptops that can be checked out similar to a library book. The laptops will be kept behind a secured space until rented in which the renter then becomes responsible for the technology.

In changing the process by which people gain access to information the architecture may become more accessible as well. By removing the stationary computers, there is room for many different activities as well as a cafe. This once closed single purpose space grows into an interactive performance space.

northwest

changemaker @ ASU space

office + lounge space

southeast

PROPOSED SOLUTION

Ground Floor

Ideal for desert landscaping grows best with partial shade/sun exposure.

Once established, bulbine is very drought tolerant.

bulbine

bulbine

bulbine

1

Lily turf endures heat, drought, full sun or heavy shade. Very little care required.

lily turf

lily turf

lily turf

lily turf changemaker @ ASU

bulbine

2

Open roof nodes allow for flexible program, primarily intended for study/gathering spaces.

3

roof plan

4 5 3

6 7 8

3

Somfy motor systems allows louvers to open + close

9 10 11

Mesh has horizontal orientation which allows for self-shading on the south facade

3 4 12

third floor plan (typ.)

14 15

13 8 18 19

UP

16 17

DN

Shaded gathering spaces at east and west end of Coor Hall

UP

Walkway serves as a portal between ASU + Tempe. Strong circulation corridor

UP

DN

DN

DN

DN

DN UP UP

DN

DN DN

RAMP DN

The analytic from the southeast corner demonstrates Coor’s change from a closed object to a dynamic system both inside and outside. Instead of a grid of drywall, the furniture of Coor becomes the architecture. The office bookshelves divide each office creating a rhythm throughout the floor while the assistant desks become the exterior walls. The office desks and chairs are movable to allow for individual customization of one’s space and facilitates movement to other parts of the floor. This allows professors to meet with their desks in the open collaborative spaces.

20 21

23 24

22

ground floor plan

25

(existing) LEGEND 1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

13.

14.

15.

16.

17.

18.

19.

20.

21.

22.

23.

24.

25.

26.

27.

South Perspective at noon in the summer shows shaded task desk.

This allows for efficient work flow with exterior views.

South louvers with horizontal shelves.

Architecture: Advanced Architectural Studio I

Northwest corner of Coor from the perspective of a pedestrian looking up at the building. This view reveals the light, techtonic addition of the fins despite its massive, private appearance in other perspectives.

Student: Lauren Bucher Faculty: Darren Petrucci

Photovoltaic panel Rectangular structural steel Aluminum panel siding Aluminum fascia Wide flange beam Metal furring channel Gypsum wall board Nozzle air diffuser Glass guardrail Glass storefront Concrete on metal deck Existing concrete slab Ceiling hanger wire 1” insulated glass unit (Low-E) Mullion, typ.

Expanded aluminum mesh Square structural steel Gypsum wall board Recessed LED light fixture Steel T Section Gusset plate Weld plate Return air grille Raised floor system, carpet tiles Existing clerestory Existing storefront Existing footing

South Profile and East Elevation above model render.

Architecture: Advanced Architectural Studio I

Student: Aaron Cleveland Faculty: Michael Jacobs

26

27

AROMA Redefine the Brand Value for AROMA

CUBIX

PROBLEM

The traditional outdoor speaker shape always like a brick,has the sharp Angle and the sharp edges. When user is hiking in the forest or the somewhere, the speaker easy to break during the crash.

PROJECT OVERVIEW

Only one way to hang the speaker.

2

1 Press button and open the top cover 12

Difficult to clean inside of the kettle because of the narrow top cover

11

Put kettle back on the base Pour remain water and clean

It is also a little bit small for a big family

sound effect.

Pour water into the kettle

MATERIAL&FINISHING

FORM

4 Look scale

Put the kettle on the base

5

Plug in 6

Unplug

Pour water to the cup

10

9

How to collect the wire?

Wire is so long

360 spinning to hang the speaker; no matter how

3 Close the top cover

USE CYCLE ANALYSIS

Handke is not comfortable when pour water

Hard to change the speakers dirction.

IMPROVED POINT

DETAILS

Sometimes, people need to hold up the kettle and look the scale or they need to crouch down. It is really inconvenient

When people use several times, button will be broken, water cannot pour out from the kettle

Maybe the user hangs it, the loudspeaker will be blocked to ensure satisfactory

COLOR

The objective of this project is to redesign AROMA’s electric water kettle that systematically use form, details, color, lifestyles to directy and subliminally communicate AROMA’s personality and values to the consumer.

Hold kettle from the base

How about design a screen on the base instead of a start button. people can set up temperature by themselves.

They also can choose different types of beverage.

Water boiling 7

8

RED PASSION BRIGHT HAPPY

Kettle will be hot because of the boiling water, especially kids are reallyeasy to get hurt

GREY CONTRAST BALANCED COOL NEUTRAL FORMAL

USEFUL REMINDFUL CLEAN SIMPLE PERFERMANCE

ABS SILICONE PP UV COATING ACRYLIC HIGH GLOSS

GEOMETRIC REFINED WRAPPED SOFT ROUNDER

CONCEPT DEVELOPMENT

CAP OPEN BUTTON

the user hangs it, the effect never be blocked.

WATER GUAGE

Exaggerated Packing, the X-shape is silica gel; it can effectively alleviate the impact of collision; can wrap all angles of the mold.

UP/DOWN BUTTON

ON/OFF

THE BASE

Bear Bell Hotkey,When there is a possible existence of wildlife around, press the hotkey and a harsh

DISPLAY

metallic sound can be created.

DESIGN DETAILS

SKETCH & RENDERING

SPOUT

THE BASE

RED BUTTON

Easy to collect the wire

Visual brand language

Insulated edge

Anti-skidding design

Self-luminous icon

Changable water filter

DISPLAY Pre-set program Pre-heating through Wifi Water temperature

USING SCENARIO 194 °F FOR TEA

FAMILY BREAKFAST--- THE KETTLE CAN SERVE ABOUT 6 PEOPLE

REMOTE BY SMART PHONE

205 °F FOR COFFEE

PRE HEATING

DIFFICULT TO CLEAN VS

WATERPROOF

DUSTPROOF

Fall 2014

NAME: Ruosi Shen INSTRUCTOR: Joseph Velaquez; Zheng Xu

Graduate First Year Industrial Design: Advanced Industrial Design Studio I

Student: Ruosi Shen Faculty: Zheng Xu

Industrial Design: Advanced Industrial Design Studio I

Student: Jing Shi Faculty: Joseph Velasquez

EASY TO CLEAN

Advanced Landscape Architecture Studio I

GOALS

1. Conserve Water 2. Reduce Heat Gain

3. Unify Campus 4. Create a Comfortable Environment

EXISTING CONDITIONS

RECOMMENDED MATERIALS Permeable Paving

Light-Reflective Material

Rough Surfaces

DRIVING ISSUE

• Walk-Only Zones in Campus • ASU Currently has no Core have displaced wheeled plans for enhanced wheeled paths or routes traffic • As enrollment increases, wheeled traffic will increase

IMPLEMENTATION FOREST MALL SITE DESIGN

EXISTING CONDITIONS

CONCEPT SKETCHES

APPROACH

1. WHEEL ROUTES • Unenforsable • Intrusive • Micromanagement

2. DYNAMIC PRIORITY 3. STATIC PRIORITY • Capacity exceeds planned demand • Minimizes planting areas • Compromises project goals

• Too compressive • Limits view triangles • Disrupts emergency access

The Object Becomes Balancing Dynamic and Static Space

Study of existing “Complete Streets” reveals screening devices that filter uses based on size, velocity and orientation.

SCREENING DEVICES

FIXED : Non-movable objects that physically disrupt select movement.

Examples: Street Trees, Planters, Monument Signs, Sculptures, Light Posts FLEXIBLE : Moveable objects that physically disrupt select movement.

Examples: Cafe Seating, Small Planters, Event Tents, Temporary/”Pop-Up” Signage IMPLIED : Environmental cues that discourage select movement.

Examples: Pavement Texture, Pavement Color, Messaging, Crosswalk Audio Signals

Strategic use of screening devices preserves emergency access, separates wheeled and pedestrian traffic, creates shade corridors, and allows for flexibility throughout the day and year.

A

Interior Architecture: Advanced Interior Architecture Studio I

Students: J. Croitoru / P. Orman Faculty: Milagros Zingoni

Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio I / Advanced Urban Design Studio I

Student: Jenny Robertson Faculty: Allyce Hargrove

3D TYPOGRAPHIC POSTER

LASERCUT

A great poster begins with a great process and finishes with a clearly communicated visual message. This poster began as an exploration of 3D typography. The color palette and font combination was researched and decided upon in a previous exercise.

A quote by Philippe Apeloig about the type design process

was selected as the message to convey visually. With the physical tools in place, I constructed a series of arrangements that followed thumbnail sketch concepts inspired by a grid system. The experimentation with lighting, photography and materials led to fascinating new visual discoveries. By working fast

TEST

PAINT

and iterating many variations of the original concept, I was able to push the idea until the visual language matched that of the quote — hazardous experimentation. Each typeface was then identified with an additional layer of information.

With minimal photo editing to remove the fishing line, the final poster was conceived.

PHOTOGRAPH

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FINAL POSTER — 2’ X 3’

ALTERNATES

Fall 2014

Graduate First Year Science in the Built Environment: Building Environmental Science

Students: G. Aldridge / S. Didwania Faculty: T. Agami Reddy

Visual Communication Design: Advanced Visual Communication Design Studio I

Student: Christian Montoro Faculty: Lindsay Kinkade

ASD affects

1 68 in

U.S. children

SELF RESCUE RAFT Triguard inflated raft aim to safety transfer kids. Unfold raft can rescue more people.

The product can be applied not only in the natural water disaster, but also can applied in ocean accident. The product will coming with a waterproof case which also can be a emergency bag. Also a beeping alert and light module, air compressor coming together with the raft. People inside the ‘raft tent’ can be easily rescued by helicopter and boat.

The project creates an urban housing complex located in San Francisco for both autistic and nonautistic residents alike. No two cases of autism are alike, therefore no two solutions can be either. It features customizable units to meet each individual’s spatial and sensory experience, safety and privacy for residents to feel secure and comfortable, and community spaces that foster inter-resident relationships

Single 16 units

Family 6 units

Commercial 1 restaurant 2 retail/coffee

Community

3 lounge 4 gallery 5 office 6 community garden

Family

Single 600 sqft

2400 sqft 1600 sqft 2400 sqft 2000 sqft 600 sqft

1200 sqft

AUSTISM SPECTRUM DISORDER - HIGH FUNCTIONING

SEVERE RE TT’ SS YN DR OM E

PD D-N OS

KA NN ER SA UT ISM

HF A

OC PD CH ILD HO OD DIS INT EG RA TIV ED ISO RD ER

AS PE RG ER ’S

AD D

AD HD

IDEATION

UNIT DESIGN

THIRD LEVEL

USAGE

ADJUSTABLE VOLUMETRICS Hiking Hook Beeping Alert & Light Module

ADJUSTABLE VOLUMETRICS 1 water heater 2 storage 3 sink 4 fridge 5 closet 6 shower 7 bathroom

Helicopter rescue: Several kids can sitting inside and get rescued by helicopter at the same time

Boat rescue: When boat approaching to the raft, open the zip and get kids on the boat.

Unfold raft: Rescue more people. The light module can be used indiviually.

Kids transfer: If it’s raining, the kids can sitting inside and fold the three pieces, then adult will take it to safter place.

SECOND LEVEL

et Mark

7 6

1

2

3

4

5

CUSTOMIZABLE MATERIALITY + PROGRAM

rail Light 800ft

St.

4 1

Eureka St.

6 operable window

glass louvres

PLEASANT + SAFE EXPOSURE GROUND LEVEL

He

ali

ng

Art

sS

tud

11

C

en

te Ps r fo yc r M ot in he d ra ful py 40 0f t

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00

ft

SPECIFICATION

Hiking Hook Beeping Alert & Light Module

Reflective Belt Waterproof Zip

PVC Transprency Sheet Velcro Connection

Inflate Air Compressor (Coming with the bag)

Waterproof Rubber Paint

Deflate Press the button inside and deflate.

Air Inlet

Graduate Final Year Architecture / Industrial Design / Visual Communication Design: Advanced Architectural Studio III / Advanced Industrial Design Studio III / Advanced Visual Communication Design Studio III

Student: Trevor Kowal Faculty: John Takamura

Architecture / Industrial Design / Visual Communication Design: Advanced Architectural Studio III / Advanced Industrial Design Studio III / Advanced Visual Communication Design Studio III

Student: Haichen Wu Faculty: Mookesh Patel

© Bill Timmerman

GMEX: A Glenn Murcutt Exhibition

Architecture for Place GMEX is a collaborative, multidisciplinary design studio, led by Jack DeBartolo 3, curating and constructing an exhibition of the works of Australian architect and Pritzker Prize laureate Glenn Murcutt.

HARMON CENTER

The exhibition, open December 2014 through spring 2015 at the ASU Art Museum, profiles a selection of Murcutt’s built works through his drawings and working methods.

This travelling exhibition is making it’s first appearance in the United States.

SOUTH CENTRAL PHOENIX, AZ

DESIGN PRINCIPLES

The goals of the exhibition are to expose visitors to the life and work of Murcutt, to educate them on responsive architecture, and to create a dialogue on the lessons to be taken from Murcutt as they apply to Arizona’s climate and culture.

CULTIVATE COMMUNITY GROWTH

Our graduate student design team consists of 7 architecture students, 2 interior architecture students, and 3 graphic design students. Through a series of iterations, including allusions to the eucalyptus forests native to Australia, and the concepts of indoors versus front porch versus nature, we ultimately came to a design that lets Muructt’s work speak for itself, with little voice from our curatorial team.

Process All furniture in the exhibition--tables, stools, and benches--were designed, welded, and constructed by the GMEX studio team. All graphics, both print and environmental, were designed by the GMEX studio team. These included a museum guide with data on selection of Glenn Murcutt’s built works, a website, vinyl lettering and steel waterjet-cut signage in the exhibition.

MAKE CONNECTIONS REVITALIZE AND IDENTIFY

We explored ideas of presenting a strong contrast between the methods and practice of Murcutt and the typical building development so prevalent in Arizona and the U.S., but came to the decision that we want our visitors to leave on a note of inspiration rather than shame--to leave wondering what they can do to bring Murcutt’s values into their everyday lives.

SITE PLAN

CHILDREN’S AMPHITHEATER

5th AVE & W YAVAPAI ST

COMMUNITY GARDEN

SEASONAL GARDEN EVENT SPACE HARMON GATEWAY HERITAGE BOARDWALK HARMON LIBRARY

PERFORMANCE TERRACE

HERB GARDEN EVENTS LAWN LEISURE PROMENADE WATER PLAY AREA / WATER FEATURE

ASCENDING GARDEN PARK

COMMUNITY DEVELOPMENT CENTER

EXHIBITION SPACE PERFORMANCE SPACE

Final Design

CLOUD CANOPY

HARMON CANYON

COMMUNITY CAFE / MARKETS

EXHIBITION SPACE

COMMUNITY RECREATION CENTER

WOMEN AND CHILDREN’S DEVELOPMENT CENTER

FLOOR PLAN GROUND LEVEL

COMMUNITY KITCHEN FOR EVENTS SMALL TRAINING ROOM LOUNGE STUDY ROOM EVENTS SPACE

TEACHING KITCHEN / INCUBATION KITCHEN

THINK TANK COMMUNITY ROOM RESOURCE CENTER / INFORMATION CENTER SEASONAL AND CULTURAL EVENTS SPACE

TECHNOLOGY SKILLS TRAINING EXHIBITION/MARKET SPACE

PARENT - CHILD INTERACTIONS LOWERED STAGE STEPPED CHILDRENS SEATING FLEXIBLE CLASSROOM TODDLER CLASSROOM

Final Plan not to scale

COMMUNITY LOUNGE

HARMON CANYON

© Bill Timmerman

© Bill Timmerman

CHILDREN’S CARE CENTER

© Bill Timmerman

Special thanks to: The Design School American Institute of Architects azarchitecture Bill Timmerman Bulthaup

Fall 2014

Creative Designs & Lighting the construction zone debartolo architects Dunn Edwards Evelyn Smith Exhibition Fund

Heldt Lumber Herberger Institute for Design and the Arts Metro Tint Rio Salado Architecture Foundation Rob Miller

Graduate Final Year Architecture / Interior Architecture / Visual Communication Design: Advanced Architectural Studio III / Advanced Interior Architecture Studio III / Advanced Visual Communication Design Studio III

Students: T. Berry / C. Choi / A. Hitt / R. Huff / B. Kahala / K. Keane / J. Sciarani / J. Sutton / J. Testamarck / R. Tribbie / C. Valencia / F. Zucchi Faculty: Jack DeBartolo

Architecture / Interior Architecture / Visual Communication Design: Advanced Architectural Studio III / Advanced Interior Architecture Studio III / Advanced Visual Communication Design Studio III

Student: Wesley Tafoya Faculty: Jose Bernardi

OPEN STRUCTURE In in the edge of chaos -Eduardo Chillida

Linking Communities by Partitioning a School sides to generate spaces that allowed for more social interaction. The goal of the design is to unify a community that is very separated spatially by realizing the latent potential of sports to create a pride of place in an area that currently has little.

The School This high school for sports challenges its program to be as much of a civic building as possible while still appropriately operating as a school. Capitalizing on the active programming of sports, the school is split into two segments (academics and athletics) in order to allow for sports to be an easily accessible place for the community during off hours. Circulation within the school was a main focus and utilized the split of the two

The Material Inspiration was taken from the work of Eduardo Chillida due to its relevance and compositional success to join multiple chaotic

paths (which was used to transition current paths into nodes and also connect major programs such as the youth olympic village and the high school) and its coherence of unordered and complex shapes (which was used to create connection with adjacent urban slums, or villas). There was attention to the work having richness in clarity for these factors and was used as a tool, or as the material, to move the project forward more rapidly and fluidly.

Hybrid possibilities and programs Rhizome grouth development

D

his The project speculates on a new methodology: founded on the idea of what would have happened if Gammage had never been completed in 1962 but instead grew as an open structure. and transcended its idealistic aesthetic of the “object in the field” to a complex open ended network of fragments where there’s no over arching scaffolding, and the links between fragments are the bonding agents. The structure is never complete, so it is not composed of parts of a whole; therefore fixed unity is not reinforced. Growth derives from is adaptability to the needs and opportunistic expansions.

These fragments can be combined additively or act as independent components. The open structure form is highly adaptable, and predictably unpredictable’s in a sensea super im-

D

The open structure condition is a critique on the rigidity of the city grid and its fixed and static geometries that create segreagation and left over and junk spaces. The open structure project is a dynamic self-organizing system where a hybrid of possibil-

ities and programs collide. The open structure not only defies the city grid by infiltrating underused its junk spaces but also links its nodes. The open structure project emerged from the a picture of the gemmate building under construction in 1958.

Promenade Master Plan 1000M

Site Design

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This pro ject is like arc essential hitecture ly a new as discri urban str “Unlik bed by the ate point, and e trees or the philosoph gy proposal bas ir roots, ed on a brings int its traits are the rhizom er Deleuze: rhizome not necess o e connec has neithe play very dif ferent reg arily linked to ts any point to r beginn any other tra imes of and which ing nor signs, and its of the sam end, but it oversp e nature always a even non ills.” ; it middle (mi sign sta tes. It lieu) fro m which it grows

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MI CH AE ML EN JA VI NT RO ZE NM N EN TS

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OPEN STRUCTURE

1960

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2014

CO MP ON EN TS

2030

IN TE RC HA NG EA BL E

8 17 9

It favors progragramatic and urban needs over form. it’s in a sensea super imposition on the city grid formal rigidity in order to create juxtaposition of unbroken link of urban activating programs. The open structure project is an architecture in an constant state of growth as the structure is highly adaptable and flexible due to its tectonic condition.

UP

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5M

10M

20M

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

Workshop Classroom Typical Classroom Classroom Courtyard Reception/Offices Auditorium Academic Lobby Library/Bookstore Main Courtyard Student Lounge Kitchen Multi-purpose Space Weightlifting Area Locker Room Athletics Lobby Gymnasium Storage Gymnasium Community Node

c

Heterogeneous open ended network | Site Axonometric

Transcending the “object in the landscape architecture” to a growing urban organism

View A

View B

Architecture / Landscape Architecture: Advanced Architectural Studio III / Advanced Landscape Architecture Studio III

new dynamic self-organizing system “Awhere a hybrid of possibilities and programs collide ”

View C

Students: D. Capulong / K. Fiano / M. LeMieux Faculty: Claudio Vekstein

Architecture / Landscape Architecture / Urban Design: Advanced Architectural Studio III / Advanced Landscape Architecture Studio III / Advanced Urban Design Studio III

Student: Jussara Scarle Faculty: Elena Rocchi

COLLABORATION

NATIVE AMERICAN CONNECTIONS, INC. This project was completed in collaboration with NAC, a not-for-profit organization who aims to improve the lives of those in need.

Lean-Led & Evidence-Based Design for Healthcare Environments Design Processes and Tools

Connection

Conversation

Creativity

Context

PHOENIX HEALING GARDENS

Banner Medical

1. Provide residents safety, security, and privacy in the living environment.

Banner Good Sam. Dignity Health Medical

2. Provide accessibile design

Phoenix Children’s

3. Provide an environment to engage in physical activities.

Scottsdale Health Th. Pk.

DESIGN PRINCIPLES

4. Provide an environment to engage in restorative activities.

5. Provide appropriate maintenance and sustainable design.

Many organizations have as objectives improve quality and significantly reduce cost while maintaining high levels of patient and staff satisfaction.

As part of the 6th year studio, our class traveled abroad to Australia to study their efforts in revitalizing aboriginal culture.

(Take-away messages)

Objectives:

After returning to ASU, further research was done on healing environments. Gardens of local hospitals were examined and evaluated as precedents.

The purpose is to analyze both trends, and create a set of guidelines, generated as research tools based on both lean methodology and evidencebased design for a lean-led healthcare environment design.

This research explores how evidence-based design and process improvement tools (Lean Thinking) can be related and integrated in the planning and design of healthcare facilities.

The following guidelines were developed to assist the NAC in the development of all future exterior healing spaces.

NAC TRANSITIONAL FACILITY

Evidence Based Design

2,500 sf interior, 8,000 sf yard

Lean Thinking

What is:

This study will focus on the processes that occur in the built environment.

And how Lean Thinking and Evidence Based design can inform the design of a healthcare environment that promotes better outcomes for the users.

Lean Thinking

EBD is defined as the use of evidence (credible research) during planning, design, and construction of healthcare facilities to harness better healthcare outcomes.

(Høybye, 2013)

A home-like living environment to assist women with re-integration after drug rehab.

Lean thinking emphasizes in streamlining processes to provide what the customer wants with minimal wasted time, effort or cost.

(Powell, Rushmer and Davies, 2009)

Environment

Processes

Research Questions Q1: How can lean thinking methodologies and evidence-based design be integrated and applied in the design process of healing environments?

12 beds, full kitchen, living, dinning & laundry The garden is a key component of the experiential therapies program that emphasizes body and soul, enjoying life and living in the moment.

Conceputal Framework

Based on the rising numbers of cancer patients, the lack of research for outpatient cancer treatment facilities, an outpatient infusion center was

Evidence Based Design (EBD)

CONTEXT

Exponential growth as Baby Boomers reach their sixties and policy and market pressures from the healthcare reform.

Hospitals and other healthcare organizations must think creatively to survive and must search for ways to deliver care in a patient-focused, value-added manner.

AUSTRALIAN ABORIGINALS

Caring

Significance

Drug treatment facilities should provide It is most often those who are not space for the development of coping adequately supported in recovery that skills and transitioning back to regular end up returning to their addiction. life.

DESIGN PROPOSAL WALK THROUGH

64% Of Substance users resume use within 1 year after treatment.

SITE PLAN 1/8” = 1’-0”

Colorful flowers within a raised planting bed combine with a dense massing of tall grasses at the front of the yard to direct patients to focus their attention on adjusting to life at the facility.

RENDERINGS

Q2: How can the built environment of an outpatient infusion center be modified to improve efficiency and the quality of care, based on evidencebased design and lean methodologies?

Literature Review

Quality of cancer care determines the likelihood of survival and the quality of life after cancer treatment.

Cancer

Integrated Care Front Entry A small sand garden provides space for patients to shape their environment, lending itself to developing their sense of control.

Patient-centered Organizing the care around the preferences and need of the patients and actively involve patients in their care.

Multidisciplinary care Optimal collaboration of all professionals involved in the care of the patients.`

Coordinated care Reducing fragmentation by optimal organization of the total care process of the patient

Evidence -based Delivering care according the best available evidence in making decisions about the care of individual patients

Continuous quality improvement Continuously assessing and improving care

Evidence Based Design The built environment is a powerful force in patient care.

When properly designed, it enables providers to do their work more effectively, and it has the potential to enhance the patient safety.

Sand Garden Beautiful views are framed at key points of the house, drawing the patients out of their rooms and helping them feel comfortable engaging within the shared spaces.

Reducing infections Healthcare environments plays an important role in reducing the problem of infection.

•hand sanitizer, •materials, •single-bed rooms

Bedroom View When patients decide to join the group therapy sessions, the meetings can be held outside within the gathering space off the kitchen.

Positive Distractions Access to nature views, music, virtual reality, aquariums, can help to reduces stress and pain of the patient.

Reducing Medical Errors Environmental variables (sensory) contribute to work place errors.

• standardization of space •Automation • Design to avoid sensory distractions

Sense of control and choice Patients have expressed the need of control related to light, sound and temperature.

The patient experience can be highly influenced by their surrounding environment and potentially be a factor to eliminate harm.

(Joseph & Malone, 2008)

Reducing Falls A common cause of fall is the presence of environmental hazards, such as slippery floors, low ambient light or poor placement of rails and accessories.

Inter-professional Practice Reduce communication barriers and promote a collaborative environment.

Noise Reduction Materials that are soundabsorbing , hard wall partitions, helps to reduce the sound propagation.

Privacy Research has shown that inadequate privacy may lower patient satisfaction and can worsen healthcare outcomes.

• Meeting Room (reduce interruptions) • Quiet Room for charting (privacy)

Natural Light can help in reducing depression, decreasing fatigue, improving alertness, increase level of serotonin,

Social Support High stress in combination with social isolation was found to be associated with higher death rates and poor recovery.

Lean Thinking : Some of the Tools

Large Gathering Space A rain catchment system at the side of the house directs water into a runnel which feeds the planting beds, maintaining the thought of water throughout the year.

The Institute for Healthcare Improvement believes that adoption of lean management strategies — while not a simple task— can help health care organizations improve processes and outcomes, reduce cost, and increase satisfaction among patients providers and staff. (Womack, et.al., 2005

People working in healthcare organizations become skilled in developing “workarounds”, which is a common response to the operational failures or waste. (Tucker, Heisler, Janisse,2013)

Value: Value is created when a good or service delivered to the patient is something for which the patient would be willing to pay.

Waste Can be defined as any activity or resource in an organization that does not add value to customer.

The 5 Step Process

The 5 S.

The 3 Ps

Rain Catchment System Each morning, the residents go to the backyard, face east and say a prayer of welcoming to the morning sun.

Project

Within Native American spirituality, the east represents the rising sun and new experiences.

Runnel

Research, Observe & Interview

The 8 step Process Based on the 5 step Process, 3 more steps where added to integrate Evidence Based Design.

Therefore, I have created room for private reflection on the east edge of the property.

Patients will sit within this space and see themselves surrounded by the landscape, beginning a new day of their life.

Design with 3P’s

Personal Reflection Space

A checklist using the 3Ps the design should support the value of the user. (People, Process, Preparation)

PLANTING & MATERIALS FLOWERS

SOIL & STONE Desert Marigold Baileya multiradiata

Stabilized Decomposed Granite

Purple Heart Setcreasea Pallida

Play Sand

Parry’s Penstemon Penstemon Parryi

Purple Gravel, >1”

Rain Lilly Zephyranthes Candida

SUCCULENTS Firestick Plant Euphorbia Tirucalli Totem Pole Cactus Pachycereus Schottii f.

Monstrosus Slipperfoot Pedilanthus Macrocarpus Aloe Vera Aloe Earbadensis

Mixture of: Pink Muhly Muhlenbergia Capillaris Blue Grama - Bouteloua Gracilis Deer Grass - Muhlenbergia rigens

Results

• privacy, lighting, temperature, different positive distractions, comfortable space, and way finding.

• work area that is standardized and visual that helps reduce errors Communication

Wood Fencing

• area that promotes communication between providers and patients.

Adobe Brick (North and South Perimeter Walls)

• a comfortable space with privacy for delicate conversations

Stucco Covered Masonry (Structural Walls)

TREES

• space that promotes and accommodates interdisciplinary care • Communication between departments. In a physical and technological way.

Movement

Desert Willow Chilopsis linearis

•an environment that promotes a smooth flow and journey for the users, technology and supplies.

• determine the best location for every space needed in the department and should include, when possible, the pathway between departments.

Improvement

San Marcos Hibiscus Gossypium harknessii Hybrid: Thornless Mesquite Prosopis x Phoenix

Continuous process, starting with lean, with the understanding and sorting, of the values for the users, will modify and inform the processes needed to achieve a positive outcome.

The processes need to be “straightened and shine” by once it is waste free, the process will mold and determine architectural design (physical space), where the flow of the users takes place.

The space should generate an environment that promotes healing, and should be informed also by evidence-based design.

And as part of the lean philosophy of continuous improvement, in order to sustain the value of the user, the the process should start again The circle that contains the healthcare system, refers to where can this be applied, as well as to the importance of the project description, and scope.

• multi-functional environment that can easily change with the improvements of processes, and the advancements of technology.

Chuparosa Justicia californica

Fall 2014

The users are represented as the target, which is it is the main focus of both models analyzed.

Rammed Earth (East Garden Wall)

Autumn Sage Salvia greggii

Desert Honeysuckle Anisacanthus thurberi

Conceputal Framework

Environment • family centered customizable environment.

Quartzite Pavers

Results

Design Strategy Recommendations

Cast in Place Concrete

Tiger Toounge Prickly Pear Opuntia Ellisiana

SHRUBS

Themes gathered from research, observation and interviews.

Are classified based on type of value ( Quality, Safety, Reduce Stress) and whether they are Process Improvement or Evidence Based Design.

Graduate Final Year Architecture / Landscape Architecture / Urban Design / Visual Communication Design: Advanced Architectural Studio III / Advanced Landscape Architecture Studio III / Advanced Urban Design Studio III / Advanced Visual Communication Design Studio III

Student: Kristen Garvey Faculty: Rebecca Fish Ewan

Science in Design: Master of Science in Design

Student: Ana Zenteno Faculty: John Takamura

Process Mapping

Science in Design: Master of Science in Design

Student: Ana Zenteno Faculty: John Takamura

FUSED LINEAGE

The divided upper and lower classes of the departed are fused together through a linear language to form a modern program that celebrates the history of Phoenix. Derived from the wealth inequalities of early Phoenix, the hardscape incorporates contrasting materials to create the memorial that invites visitors into the site and encourages visitation to new graves and the existing site.

The history center completes the transformation of the Pioneer and Memorial Park into a space that facilitates learning and reflection through a powerful pause in linear movement that overlooks the memorial walls and new graves.

N

C

A

0ʼ

-2ʼ

B

B

A C

0 1

2

4

1/8” = 1ʼ

CONCEPT

SUSTAINABLE SYSTEMS

Section AA University Park

Section BB

Bolin Memorial Park Library Park

Site

During the establishing moments of Phoenix, a harsh divide existed between the rich and the poor people of the time. Due to undesirable floods of the Salt River in South Phoenix, the poor were forced to settle in undesireable conditions while the rich lived in the dry parts of the north. This soon created a divide that ran along the present day Jefferson street. The cemetery, which lies directly on the dividing line serves as a boundary and a link between the two social classes. With two diverse groups of people buried within the same burial grounds, the cemetery has become a catalyst of bringing people together from all spectrums of society.

Section CC

This map shows community gather spaces and walkable areas surrounding the site. In an attempt to connect the city through more walkable spaces, the proposed site is invites pedestrian engagement and activity.

A

By designing for cross ventilation, the main gather courtyard will stay relatively cool during the summer months when there is a prevailing wind originating from the west.

8’

20’

40’

The memorial water features also act as an evaporative cooling agent for the site. As the water evaporates from the fountain, it cools the space immediately above. The tree canopy also delays the water’s upward movement, and traps the cool air.

Fishook Cacti

Velvet Mesquite

Desert Grass

Mastic

Bougainvillea

Mesquite

Glass

Decomposed Granite

Volcanic Rock

Exposed Aggregate Concrete

Onyx

Concrete

0’

SECTION A

Spring 2015

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals IV

Student: Nicole Bone Faculty: Claudio Vekstein

Architecture / Landscape Architecture: Design Fundamentals IV

Student: Josh Greene Faculty: Denise Dunlop

“Elysium” embodies the concept of alternating elevation changes, specifically working at grade and below grade. The entire journey warps users into a man-made experience of the five stages of grief that transforms from a respectful sombreness into an explosion of emotion and memory.

A 0’

40’

Pioneer and Military Memorial Park plants its roots in much of Arizonian history. The people buried there and B the cause of their deaths provide a prime example as to what the social and political circumstances of the time were. Generally, life expectancy was dangerously low and, at any moment, a loved one could pass away.

The site allows users to experience grief and memory as they explore the long, winding path with all of its parts and pockets. It immerses users in its own unique atmosphere, playing on emotion and perception in order to create a delicate yet intense atmosphere.

AN INTERRUPTED SPACE Through the years Pioneer & Military Memorial Park has been ignored and disregarded as the city of Pheonix was built up around it. Lack of consideration for history has left this site as an outlier amongst the various business parks. By using the existing grid systems, as a key design focus for the new portion of the cemetery, it relates the design to the existing layout. To represent the interruption of the the built environment the new buildings interrupt these grids at an angle, and force views towards the historical site.

In consideration of the play on earth that this project describes, the materials used are all earth-like in texture, including: rammed earth, stained concrete with exposed aggregate, and clay-like ground material.

0’

40’

A 0’

40’

B

Using four of the main grids on the site helped create four distinct sections, a public area with tables, a more private area behind the history center with privacy walls, the built environments, and the new burial sites.

The concrete pavers bleed into the existing brick work on the site as well as into the city side walk to create an integration of the site with its surroundings.

E

L

C

0’

10’ 5’

20’ 15’

D

F

1”=16’

K

1”=16’

G

H

I

J 10’

0’

5’

1”=16’ K L

I J

G H

20’ 15’

E F

D

C

MATERIALS PALETTE

RUSTED ETCHED METAL

CONCRETE PAVERS

The rusted metal will be used as hollow privacy screen walls and as panels on each gravestone with the deceased’s names etched onto it.The concrete pavers will be across the site dissapearing into existing walk ways and where vegetation is placed.The buildings, walls, and benches will be made of COLORED & NATURAUL CONCRETE two shades of concrete.

INTERIOR SITE PLANTS

WEEPING ACACIA THREAD GRASS WHITE GLOBE MALLOW

EXTERIOR SITE PLANTS

RAIN LILIES

DEER GRASS

The site itself will have tall trees to imitate the height of the surrounding buildings.

The rest of the vegetation wil be made up of various grasses and bushes with white blooms or no blooms at all.

On the outside of the wall will be various colorful desert plants to draw attetntion to the site creating a lively threshhold before entering the more simple cemetery.

EVER GREEN ELM

BIRDS OF PARIDISE BLUE GLOW AGAVE

Architecture / Landscape Architecture: Design Fundamentals IV

FAIRY DUSTER

PENSTEMON

Student: Elizabeth Madsen Faculty: Monina Ramirez

Architecture / Landscape Architecture: Design Fundamentals IV

Student: Bruna Nakhle Faculty: Diego Garcia-Setien Terol

OVERALL CEMETERY PLAN

ANATOMY

TIMELESS VALUE

TRAILSCAPE is great for hiking and trail running in different types of trails, such as along the rivers and streams, from light to rough terrain, and in wet or dry weather.

EYELETE RING

A swivel door and mortar washed brick walls with soaring windows invite the visitor in for a learning experience based on past influences, but with a modern twist

• Extra support

TONGUE • Padded tongue for comfort

Polished steel cut into 3700 squares and engraved with the names of everyone in the old cemetery make up the interactive, moving reflection space John

Smith

CONCEPT

Based off a MODERN DAY CONCEPTION of judging an individual’s worth, the site celebrates the VARYING VALUES OF LIFE measured solely through what IMPACT was made ON SOCIETY for the greater good. This site CELEBRATES THE INDIVIDUALS THAT TRULY DESERVE RECOGNITION. Proper memorialization brings these individuals “back to life” by NOTING their ACHIEVEMENTS RATHER THAN THEIR STATUS. Defining values and their importance help to INFUSE PAST IDEALS with PRESENT AND FUTURE ACHIEVEMENTS.

UPPER OVERLAY

LACE/GUARD

• Extra support for upper & locking system

• Omni-Fit lacing system • Extra support • Attachment mechanism for extra sole

SOFT MESH NYLON • Quick-drying upper mesh • Breathable material • Durable synthetic MIXING OF LIFE WITH WHAT IS “LIFELESS”

FOCUSING ON THE PERSON AND THEIR “VALUE” ESTABLISHED IN HIS OR HER LIFETIME

TOE GUARD

DRAINAGE SYSTEM

• Protect toes from various debris

• Drains water • Air ventilation

OUTER SOLE ala 226 spring 2015

I

instructor: Murff

I

student: Casey Rowden

• Synthetic rubber • Tractions - durability & grip • Arch support - pronation control • Slip resistance surface

existing site plan: 1" = 40'

TAKING THE HISTORY OF THE SITE AND THE EXISTING GRID THAT ORGANIZES THE OLD CEMETERY, AND CREATING A HISTORY CENTER INSPIRED BY THE SMURTHWAITE HOUSE

CEMETERY ANALYSIS 1.116

1.22 1.98

1.113

1.45

1” = 40’

1.25 1.43

1.13

1.10

1.71

1.6

1.9

1.60

COLOR SCHEME

1.8

15.2

• Primary

15.28

3.22 14.1

14.30

14.2

14.19

14.4

14.6 14.8

14.11

14.33

14.12

14.5

14.13 14.14

14.9 14.10

14.16 14.17

14.36 14.38 14.39

14.34 14.35

14.21

14.41

• Secondary

14.56 14.49 14.53

14.54

14.57

14.55 14.50

14.42 14.43

14.22 14.23 14.24 14.25 14.26 14.27

14.45 14.46

14.28

CONNECTING POINTS, DEVELOPING A PARTI

13.7

13.13

4.29 13.25

4.40

13.29

TAKING CIRCULATION FROM MULTIPLE POINT ENTRYACCESS ESTABLISHING MULTIPLE Taken from the notables map points and circulation points from area 15 of the cemetery, the first drawing depicts hierarchy through multiple chosen points ADJACENT CEMETERY PATHS of entry. Through these points, differing widths and mediums are chosen to further strengthen the points of entry into being unique modes of transitioning POINTS TO ALLOW VISITORS TO FROM THE SOUTH AND WESTERN into the site, while still creating a unifying theme and ambiance the memorial is striving to create.

“CHOOSE THEIR OWN PATH” AREAS

13.24

5.30 12.10

12.36 12.17

MULTIPLE POINT ENTRY

11.10

11.4

Taken from the notables map points and circulation points from area 15 of the cemetery, the first drawing depicts hierarchy through multiple chosen points of entry. Through these points, differing widths and mediums are chosen to further strengthen the points of entry into being unique modes of transitioning into the site, while still creating a unifying theme and ambiance the memorial is striving to create.

6.25

10.38

9.18

TAKING THESE PEOPLE FROM THE PAST AND USING THESE POINTS IN THE NEW SITE DEVELOPMENT

9.27

8.19

7.38 8.11

1” = 125’

1.6- GO F 4 CAL Inf., Civil War 8.19- Osborn: one of he best known and most respected 1.8- GO G2 D.C. Inf. pioneers in the AZ territory, built the first hotel in Prescott, 1.9- Maricopa County Sheriff explored Del Rio and the Verde Valley and eventually 1.10- GOB 4 OH Cav., Civil War settled in the Salt River Valley helping to assist in the 1.13- PVT CO. A. 47 ILL. Inf. location of PHX 1.22- GO G 18 NY Inf., Civil War Private 9.9- W. A. Hancock: "Father of PHX," laid out 1.25- Confederate Army first PHX site in 1870, member of 7 CA Inf., 1.43- C.J. Dyer Company C. of the First AZ volunteers @ 1.45- Robert E. L. Brown: "one of the Fort McDowell, superintendent f the govt. farm 1.60- Doctor @ McDowell, district attorney, probate judge, 1.71- CO A 50 Ohio Inf., Civil War first sheriff, first to survey a route to the Grand Canal 1.98- Confederate 9.18- Rosson Children 1.113- GO F 62 IL Inf. 9.27- W.S. McClintock SGT 1 terr US Vol. Inf. 1.116- CO D. 14 US Inf. Spanish American War best-equipped mining engineers in the world."

10.38- F. B. Moss: mayor, fire chief, wagon maker 3.22- B.J. Franklin: US Congressman, US of PHX Consul to China, AZ's 12th territorial gov. by 11.4- WJ Carrier Pres. Cleveland 11.10- L. Orme: one of the oldest residents 4.29- Barnum: 1st elected sheriff of Maricopa of the valley, elected sheriff in 1880, 82, 92, County member of territorial council, served in Army 4.40- S.C. McElhaney: "one of the best known of N. Virginia of Confederate States of ranchers in the valley" America, White Battalion of VA Cavalry "The Comanches" 5.30- J. Owen: Grand Army of the Republic, 12.10- William Isaac: served as a road overseer of treasurer of Maricopa County District 1, county surveyor, helped Capt. Hancock 6.25- Kings Woolsey: best known for his battles survey route for Grand Canal against Apache Indians, held various govt.

12.11- B.P.D Duppa: named PHX and Tempe, positions in he territorial legislature, served fought in Apache War as director inn several water companies 12.17- Sam Korrick: "revolutionized the mercantile aimed at more equitable distribution of water privileges business," no other man, "left such a deep 7.1- Jacob Waltz: "Lost Dutchman," allegedly impression upon the mercantile life of PHX" discovered a gold mine in Superstition Mountains 12.36- Columbus Gray: one of the original 7.30- D. Lenard CO K 2 TN Cav. PHX area pioneers, member of legislature, 7.38- J. L. Ward: one of the 4 original locators helped initiate first railroad to PHX, somewhat of the famous gunsight mine instrumental in forming Maricopa County 8.11- Graham: last man killed in the Pleasant Valley Wars

13.7- John T. Aslap: member of 1st Commissioners fo Salt River Valley Town Association, first mayor of PHX, Maricopa County probate judge 13.13- Knapp: Law Enforcement and military 13.24- Wayne Davis: deputy sheriff under Carl Hayden, AZ Ranger 13.25- Healdway: CO A. 124th 13.29- Davis: AZ Ranger 14.1- J. Dobbs: CO 8, 1st Kentucky Inf. 14.2- T. Montgomery: 1st US Inf. Band 14.3-Unknown: US Soldier, Civil War 14.4- J Malcolm: CO K, 5th Kansas Cal. 14.5- R. Pearson: CO C., 5th CA Inf. 14.6- Unknown: US Soldier, Civil War 14.7- B. Brown: Corporal, CO D, 111 OH Inf. 14.8- P. Ream: CO D., 34th OH Inf. 14.9- J Silsbee: PVT CO A, 10th REG NY Artillery 14.10- T. Buck: CO F, 2nd IL Artillery 14.11- F. Lake: CO F, 2nd IL Artillery 14.12- W. Millis: PVY, CO F 137, OH Vol Inf. 14.13- J. Broomell: Corporal, CO C, 124th Reg., PN Vol. Inf 14.14- Unknown: US Soldier 14.16-M. Raymond: Cooper's Comp, 10 Cav. Spanish American War 14.17-Unknown, US Soldier, Civil War 14.18- W Schindler: Lieutenant, ROM, 2 CA Inf 14.20-G. Eakle: Corporal, CO B, 4 MO S Cav 14.21-A. Stauffer-Missell: Corporal, CO , 46 Reg. Inf, Wisconsin Vol 14.22- G Sanders: CO C, 1st OH Artillery 14.23-J. Burrows: Sergeant, CO M, 5 PN Cav 14.24- W. Green: Sergeant, CO K 33rd MO Inf.

SITE PLAN

14.25-J. Hoople: US Soldier 14.26- C Proctor: Sergeant, CO F, 10 US Cav, Buffalo Soldier of Spanish American War 14.27- Unknown: US Solider, Civil War 14.28-W. Hickey: PVT CO 1, US Cav, Spanish American War 14.30-F. Ryland: Cos E&D, 50th & 52nd Indiana Inf. Vol. 14.31-D. Tooker: CO L, 3rd CO Inf. 14.32- W. Morrison: CO A, 1st CA Cav. 14.33- I. Skillen: CO F, 1st CA Cav. 14.34- J. Reynolds: Sergeant Major, CO B, 106 PN Inf. 14.35- W Shirley: Coproral, CO H, 5 W. VA Cav 14.36- E. Shwartz: Major, 4 & 9 NY Cav., GAR 14.38- W. Edwards: Sergeant, CO F, 183 PN Inf. 14.39- I Menges: CO F, 54th PN Inf. 14.53- G. Evans: 1st Serg, CO.F, 34 TX Cav, CSA 14.54- E Wallace: CS Navy, Ram TN 14.55- J. Snead: CO B, Powells Bat. MO 14.57- A. Graham: CO F 18th Rifle, TX, Surgeon 15.2- Sisto Lizamaga: "one of the most humble yet best known residents of PHX," "official" gravedigger of PHX 15.28- Scott Helm:well respected surgeon in AZ, state surgeon in general, active member of several fraternal organizations

NEW SITE INSPIRATION FOR DESIGN

N

B W JEFFERSON ST

KEY:

Military

Police/Fire/etc.

Government

Other

UPPER

- Breathable upper nylon mesh a& neoprene materials - Lightweight & quick-drying upper materials - Lace guard for extra support - Easy lacing system - Attachment mechanism for attachable outersoles - Rear pull tab - Wider foot entrance - Thicker tongue for support

MEN’S W.C.

WOMEN’S W.C.

STORAGE

OFFICE

KITCHENETTE

CONFERENCE

EXHIBITION

• • • •

Trails Beach Road Lake

A

IDEATION SKETCHES

ARCHIVE

SOLE

- Kinetic outsoles (shock absorption & traction) - Attachable sole for various terrain - Low cut shoe - Drainage & Ventilation

• Hiker: light and rough terrain (with attachment) • Runner: light terrain trail • Walker: wet trail & normal road

USERS

9.9

7.30

7.1

FEATURES

12.11

ENVIRONMENT

Visible Elements: Interpretive

14.3

14.7

14.31 14.32

14.18

B

A. SITE SECTION E-W

Reflection Space/ Memorial

New Burials

1” = 16’

Jefferson St.

History Center

1” = 16’

B. SITE SECTION N-S

LOGO DEVELOPMENT

Area 15 Old Cemetery

Transition

New Burials

Concrete Northern Benches

History Center

Jefferson St.

1” = 16’

MATERIAL PALETTE Cedar Shingles

VIDEO PRESENTATION

Concrete Pavers Mortar Washed Brick Exposed Brick Polished Concrete Floors Polished Steel Decomposed Granite (Tan) Decomposed Granite (Red) PLANT PALETTE Chinese Pistache Pistacia chinensis

STUDY & FINAL MODELS The southern parts of the site focus on a more lounge type seating allowing people to relax and enjoy views from both the new site and the old cemetery. These chairs are made of wood and compliment the cedar shingles on the history center

Memorial benches above ground in proximity of an individual’s burial place are composed of names that light up at night and the ability to put a personal narrative such as a biography, poem, or image from the life of the deceased

Inside the history center showcases unique influences from the Smurthwaite house like the light blue walls and brick, and can display anything from ancient artifacts from the time period of the park, or exhibitions that can come and

go

Blue Palo Verde Parkinsonia florida

Chaste Tree

Vitex agnus-castus

Desert Willow

The central path in the center of the site drops two feet down, to allow visitors with a unique experience to be closer physically to their loved ones, instead of solely being capable of looking down and standing above them

Chilopsis linearis

Oleander Nerium

Cape Honeysuckle Tecomaria capensis

Because the Smurthwaite is one of fewer than 100 19th century shingle style buildings left in Phoenix, I felt it was appropriate to respect this type of architecture through a modern take on cedar shingles that cover the eastern facade of the new history center

Pink Muhly

Muhlenbergia capillaris

Langman’s Sage

HISTORY CENTER

Leucophyllum langmaniae

Smooth Agave

Agave desmettiana

Spike Ice Plant

Carpobrotus chilensis

Spring 2015

The two foot drop in the central path also allows for more seating along the retaining wall and a place to not only visit, but enjoy the unique experience the site provides

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals IV

Student: Casey Rowden Faculty: Scott Murff

Industrial Design: Imaging and Visualization

Student: Yousin Smith Faculty: Lauren McDermott

BROADBAND PEDESTAL

skipper was designed with the consideration of urban communities and citys. this adaptable broadband pedestal housing is meant to enhance the brand of emerging, or existing urban citys.

INTERVIEWS after conducting interviews with cox cable field workers, city residents, and the mayor of paradise valley, it became evident there were two main problems to address. the city and residents both stated that current broadband units are an eye sore. broadband workers voiced the issue that current units lack room in the body for wires, and often the internal components suffer heat or water damage.

SKETCHES

MODELS introductory form was sketched while taking into consideration the internal components, the underground system, and city regulations. after interviews with relevant parties, and deeper consideration of function, more final concepts took shape. blue foam study models, sketches over solidworks forms, and 123d make models solidified the final design.

BIOMIMICRY structural ribs function the same way as the ribs of a cactus. each rib shades the portion below, keeping the superstructure cool. after the sun hits the ribs, it slowly disipates inside the body. without the ribs, the heat would be directly absorbed by the whole body.

IMPROVEMENTS current broadband units only have an inch of above ground water and corrosion resistance. because of this, there is often a problem with water getting into the body, and adversly effecting the internal components. additionally, current units do not have enough room to comfortably house the wires and internals. with this redesigned pedestal housing, giving space around the bracketry allows for more wire space, and seperating and raising the height of the base keeps water and contaminants out.

Industrial Design: Industrial Design II

Student: Anastasia Miller Faculty: R. Mehdigholi / J. Velasquez

Industrial Design: Industrial Design II

Student: Yousin Smith Faculty: R. Mehdigholi / J. Velasquez

THE FE TREE HOTEL

Spindrift is a fire sprinkler inspired by streamline design.

Spindrift features a replaceable activation system as well as rapid water propelled rotation providing an extensive range for extinguishing fire.

2D GRAPHIC

3D MODEL

LOGO

LOBBY/ RESTAURANT

Activation

FLOOR PLAN

CEILING PLAN

THE PRIMARY DESIGN CONCEPT OF THE FE TREE HOTEL IS INSPIRED BY THE 2D GRAPHIC AND 3D MODEL THAT WERE ASSIGNED BY THE COURSE INSTRUCTOR. THE IDEA OF THE FE TREE HOTEL IS TO ENCOURAGE PEOPLE, EITHER FROM OVERSEA OR LOCAL RESIDENTS, TO RELAX AND GATHER WITH FRIENDS AND FAMILIES UNDER THE IRON TREE.

2ND FLOOR INTERIOR RENDERING

EXTERIOR RENDERING

Replacement 1.

1ST FLOOR INTERIOR RENDERING

HOTEL ROOM THE FE TREE HOTEL HAS TWO DIFFERENT ROOM STYLES, FAMILY AND DELUXE. THEY CREATE VERY DIFFERENT LIVING ENVIRONMENT AND EXPERIENCE TO THE CUSTOMERS WHILE THEY EXPRESS THE SAME DESIGN ELEMENTS AS THE LOBBY/ RESTAURANT. WITH THE USE OF FULL HEIGHT MIRROR ON ONE SIDE OF THE ROOM, SPACE IN THE SHIPPING CONTAINER IS EXPENDED VISUALLY, WHICH GIVES CUSTOMERS AN ADDITION FEELING OF COZINESS.

FAMILY

2.

3.

FLOOR PLAN

1. Turn off water.

2. Push plug up.

FLOOR PLAN RENDERING

3. Snap on new Cap.

Sketching

INTERIOR RENDERING

SECTION

DELUXE

FLOOR PLAN

FLOOR PLAN RENDERING

Inspiration INTERIOR RENDERING

Spring 2015

SECTION

Undergraduate Second Year Industrial Design: Industrial Design II

Student: Eran Vautour Faculty: R. Mehdigholi / J. Velasquez

Interior Design: Interior Design Studio II: Hospitality

Student: Man Hin Chow Faculty: Sherry Engle

THE CONSTELLATION HOTEL As the client, Lorenzo with Venue Projects, largely emphasized nature and connectivity, this hospitality project incorporating shipping containers was designed to reflect a place where people can socialize and escape from everyday stresses. When creating the design feature for the diner/lounge area, a lookout on Mount Lemmon in Tucson, Arizona was the inspiration. The vastness of the colorful sky in this location allows its viewers to feel calmed and re-energized.

In order to bring elements of the sky into the different spaces, light fixtures were designed to resemble various constellations. These focal features are threaded with metallic cables that stretch long distances to ensure that the “stars” are connected to each other. The light fixture in the lounge creates a unique atmosphere where guests can casually sit on campfire-like seating underneath. The imitated night skies located in the bedrooms represent real constellations such as the Big Dipper and Cassiopeia. As guests walk through the long, trail-like space of the shipping containers, they will experience what it is like to follow the stars.

All colors, materials, and furnishings were chosen based on the client’s desire to utilize sustainable products and Arizona’s local aesthetic. A vibrant purple and natural green were chosen to represent the colors found in the desert sunset and vegetation. Finishes that are associated with camping, such as duct tape and wood, were also chosen to strengthen the outdoor theme in the hope that guests can simulate the experience of camping under the stars. When the guests leave The Constellation Hotel, they will be rejuvenated and aware of Arizona’s magnificent beauty.

LEVEL ONE

LEVEL TWO

LEVEL TWO - CUSTOM DESIGNED LIGHT FIXTURE

PARKING SPACES

LEVEL ONE - DINER

LEVEL TWO - LOUNGE

LEVEL TWO - BIG DIPPER BEDROOM

LEVEL TWO - CASSIOPEIA BEDROOM

Interior Design: Interior Design Studio II: Hospitality

Student: Nicole Hayes Faculty: Kai Ekbundit

Visual Communication Design: Typography

Student: Patrick Griffin Faculty: Nina Miller

M ARS MARS M ARSMARSMARSMARSMARSMARSMARSMARSMARSMARSMARSMARSMAR S MAR S MAR S MAR S MAR S MAR S MAR S MAR S MAR S MAR S MAR S

WI NT ER WINTER WI NT ERWI NT ERWI NT ERWI NT ERWI NT ERWI NT ERWI NT ERWI NT ERWI NT ERW INTERW INTERW INTERW INTERW INTERW INTERW INTERW INTERW INTER

Spring 2015

Undergraduate Second Year Visual Communication Design: Typography

Student: Eve Whillier Faculty: Marsha Minniss

Visual Communication Design: Visual Communication II

Student: Eve Whillier Faculty: Jill Petticrew

Cloud Space

Roots 220 North Leroux St. Complexity vs. Clarity

L

Mountain Views

L

L

L

Site plan Scale: 1/32"=1’

Most Direct Sunlight The roots community co-work space will foster the unique and active Flagstaff identity while providing a place for the community to gather and collaborate on a variety of projects and activities. Roots will extend the cozy, yet quirky Flagstaff character while promoting sustainable practices through the use of rainwater collection. Some of the amenities provided will be a makerspace, garden plots, private and public workspaces and a greenhouse. Located between residential and downtown Flagstaff, the existing economic Security Department will be transformed into a resting point that melds the two while maintaining the character of the original building.

Cloud Space

provides cloud based businesses the community and lifestyle of a small town while enabling them to grow their businesses. Focused on cloud based businesses, this collaborative work environment is breaking the boundaries of a typical office workspace through features such as the Rebar Room, Glass Whiteboard Wall, and half level mezzanines. This building connects to the surrounding context with its character.

The Concept

behind Cloud Space, is to create a spontaneous social environment. We accomplished this through a centralized movement core and community lounge, where members will cross paths together with the hopes of developing a relationship. Once a studio for an artists, a glass case and a slot window were created on the far west wall to cast a light beam down the wall to create an art piece. Located in the historical district, the character of the building was kept in tact as the insertion of the new program is pulled back ever so slightly as it extrudes up. As you ascend into the stars of the building on the third floor, virtical compression is apparent while a James Turrell inspired light monitor was placed for the release. Responding to Flagstaff’s love for the night sky, the last level of this building represents the stars of the night.

Plans

Process 10

Outcome 14

14

13

DOWN

7

B

8

Existing Building

New Building

DOWN

9

14

14

9

Third Floor

A

N-S Section - 2 9 11

Community Area

12

Keep Building Shell

DOWN

7

B

Lounge

Conf.Rm.

Conf.Rm.

Conference

Patio

8 UP

Elev UP

E-W Section -1

Drop in Work Areas

10

DOWN

10

Insert New Program

Down

A

Second Floor

6

Inset Second Floor

Work Desks & Offices DOWN

7

B 5

GreenHouse Section 8 UP

UP DOWN

Structural System

9

Insert Circulation Core

A

Second Floor Scale: 1/8"=1’

DOWN

Ground Floor

1

North Elevation Scale: 1/8"=1’

Office

Office

Office

Conference

Lockers

Storage/ Service

2

Frame Community Area & Existing Wall

Entry

Up

Elev

Circulation Core

B UP

Lounge

Reception

3

4

Basement Floor

Drop-In Desks

East Elevation Scale: 1/8"=1’

Community Space Kitchen

A

0’-3/32”=1’-0”

Water Collection

Patio Garden Plots

Section A

West Elevation Scale: 1/8"=1’

0’-3/32”=1’-0”

Section B

West Elevation Scale: 1/8"=1’

Stars at Night

Rebar Room

Third Level

Glass Writing Wall

Work Desks

Community Lounge

Undergraduate Third Year Architecture: Architectural Studio II

0’-3/32”=1’-0”

First Floor Scale: 1/8"=1’

Student: Jessica Case Faculty: Marthe Rowen

Architecture: Architectural Studio II

Student: Jacob Kackley Faculty: Mark Ryan

E Aspen Ave

The Flagstaff Culinary Co-opis aco workspace where members of the community can come to cook, learn about, experiment with food.

The Co-op provides space to gather friends and family to cook together, or host events as well as a large variety of expensive appliances and tools that might not be available in the typical home.

A

0

8

16

Agazzis st

San Francisco St

SEARCH AND RESCUE SAW

Flagstaff Culinary Co-op 111 E Aspen Ave, Flagstaff, AZ

The Vanguard Search and Rescue power saw is a revolutionary new tool from Stihl that combines emerging technologies to create an unparalleled rescue cutting experience. With the Vanguard, firefighters and emergency responders can perform vertical ventilation and other rescue cutting methods like never before.

The large existing windows along the alley have been replaced with large garage doors that allow the alley side of the building to be opened up to

B

Al

engage the community and activate the alley, providing space for the kitchen to open up and become a farmers market 3

Aluminum-ion

4, 9

DualSaw double blade technology allows for consistant and safer plunge cutting into any materials, even steel.

Scissoring blades means rapid cutting and short debris tails.

4, 9

4, 9 A

Eccentric driven RingSaw blades allow for incrediably deep cutting, meaning the blade diameter and tool size is reduced over traditional rescue saws.

Stanford developed Aluminum-ion battery with ultra fast one-minute recharge time, and no possibility of catching fire.

A

From the second floor kids space the children can look up and see people

enjoying and admiring the creations that come out of the experimental kitchens on the third floor. Here culinary artists or scientists can use 3D printers to make food, or experiment with new foods or

13

3

4

Large, rubberized, multigrip thermal insulated handle

LEDs for navigating smoky and dark environments, laser for precise cuts

edible packaging.

0

8

B

Lightweight and durable thermoset plastic construction

Material shredding and unmatched depth-of-cut DualSaw ring blades

LED/Laser toggle

3

Dual-trigger safety system

7

A

A

2

0

4

While the adults are cooking in the kitchen on the first floor, the children can go upstairs where play kitchens line the walls and kids can learn about food groups, nutrition and portion sizes, measurements, or simply play together, inspired by food and cooking.

8

Deep-cut blade reinforcing drive disk

Power/battery life indicator lights Battery release button

Aluminum-ion battery

Auto-retracting blade guard/ debris catch

F U N C I T O N S

Power-on pump-switch

B Motor housing air-intake

E Aspen Ave B

Program Elements

The large stairs from the alley lead up to the main floor, where a large home-style community kitchen welcomes visitors to cook around a large table. In the corner are a set of bookshelves full of cookbooks, cork board walls, and craft paper rolls for people to share recipes or plan culinary events.

13 1, 14

12

P R O C E S S

2

5

entry reception lounge office conference room (small) conference room (large) community area kitchen maker-space print/copy/scan lockers storage restrooms service MEP room

5, 7

3,6

alley

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15

A

A

13

10

3, 5

1

0

4

B

Final Model

8

Large glass garage doors along the alley open up to stadium seating that can be sectioned off to create a presentation space where community members and culinary students can come to learn from professionals.

11, 12

15 3

0

4

8

B

Spring 2015

0

4

MATTHEW FILIPPELLI IND 361 - HERRING

8

Undergraduate Third Year Architecture: Architectural Studio II

Student: Ashley Whitesides Faculty: Max Underwood

Industrial Design: Industrial Design IV

Student: Matthew Filippelli Faculty: Donald Herring

LOCAL STREETS LOCAL STREETS

UNION PACIFIC RAILROAD LOCAL STREETS UNION PACIFIC RAILROAD

THE WHEREHOUSE DISTRICT 1ST 1STAVE. AVE.

BUCHANAN STREET

1ST STREET

1ST AVE.

CENTRAL AVE.

SIDE WALK

CENTRAL AVE. BRIDGE LOCAL STREETS

LINCOLN STREET LINCOLN STREET

LIGHT RAIL

SIDE WALK

UNION PACIFIC RAILROAD LINCOLN STREET POLE

FIRE HYDRANT

UNION PACIFIC RAILRAOD UNION PACIFIC RAILRAOD CENTRAL AVE. BRIDGE CENTRAL AVE. BRIDGE THE DUCE THE DUCE

THE DUCE THE DUCE UNION PACIFICRESTAURANT RAILRAOD

L&C LIBRARY L&C LIBRARY L&C LIBRARY

THE BRIDGE CENTRAL AVE. BRIDGE

ENLARGEDGAME GAME PARK BOARD AVENUE ENLARGED GAME PARK

METER

CEMENT SIDEWALK

SLOPED DRIVEWAY

DIRT PATCH WITH PALM TREE

POLE

SOFT SEATING (STUDY) 267 SF

SOFT SEATING 615 SF ADULT- NON FICTION 1001 SF

STUDY TABLE 77 SF

OFFICE 166 SF

OFFICE 135 SF

OFFICE 146 SF

TECHNOLOGY AREA 391 SF

PRINTING/ QUICK SEARCH 113 SF

COLLECTION PROCESSING 1209 SF

SOFT SEATING 162 SF

TECHNOLOGY AREA 490 SF

ADULT-FICTION 420 SF

BREAK ROOM 94 SF

OPEN OFFICE 330 SF

STORAGE 126 SF

SELFCHECKOUT/ NAVIGATION MAP 134 SF

STAFF BREAK AREA 444 SF

L&C LIBRARY

ELECTRICAL ROOM 146 SF

FOR-SALE / ART DISPLAY 128 SF

ADULTFICTION 1072 SF

UNISEX 76 SF

SOFT SEATING 202 SF

STUDY TABLE 156 SF

STUDY TABLE 77 SF

STAFF MEETING 199 SF

IDF ROOM 118 SF

SEVER ROOM 81 SF

PRINTING/ QUICK SEARCH 133 SF

JANITOR ROOM 80 SF

ADULTFICTION 1151 SF

STUDY TABLE 77 SF

OFFICE 161 SF

ADULT- NON FICTION 610 SF

STUDY TABLE 77 SF

ENTRANCE/ LOBBY 728 SF

SOFT SEATING (STUDY) 340 SF

COFFEE AREA 271 SF

WOMEN 303 SF

MEN 250 SF

MECHANICAL ROOM 436 SF

COFFEE BAR 126 SF

POLE

COFFEE OUTDOOR SEATING

BUCHANAN STREET

CURRENTLY BLOCKED OFF

DUCE OUTDOOR SEATING PARK

MONOPOLY

CANDY LAND

24' 5" 19' 5"

SLOPED DRIVEWAY

(6) METERED PARKING SPOTS

THE DUCE ENLARGED GAME PARK

13' 2"

1ST STREET

TWISTER

DUCE PARKING

20' 10"

1ST AVE.

Palm Sander

The project was to connect the desolate warehouse district to the revitalized downtown Phoenix area. This included a new construction 30,000 sq ft library, a renovation to the existing restaurant - The Duce, reprogramming the bridge on Central to be safer, and designing a new community space in a nearby lot.

BIKE LANE

CENTRAL AVE.

The Perfect Tool For Any Household Project.

CENTRAL CENTRALAVE AVE ..

UNION PACIFIC RAILROAD

1ST 1STSTREET STREET

UNION PACIFIC RAILRAOD BUCHANAN STREET BUCHANAN STREET

CHUTES & LADDERS

CONNECT 4

13' 2"

FIRE HYDRANT

LINCOLN STREET

CLERESTORY WINDOWS -10' HIGH

POLE

STREET SIDE SERVICE WINDOW - CURRENTLY BOARDED UP

L&C LIBRARY

THE DUCE

The Duce intervention aimed to keep the Duce’s original integrity while providing a conceptual connection to the new library. A custom perforated metal shading was implemented above the existing patio i-beams. This shading was reminiscent of the night sky as seen by those hitch hiking on trains in the 1800s.

ENLARGED GAME PARK

THE BRIDGE The Bridge will now house a light rail and pedestrians only. Cutting off traffic and heavily lighting this area will provide a sense of safety and interaction thus allowing a fluid pathway into the warehouse district.

BIKE LANE

LIGHT RAIL

SIDE WALK

SIDE WALK

BIKE LANE

LIGHT RAIL

By Ryan Smith

SIDE WALK

SIDE WALK

METER

CEMENT SIDEWALK POLE

SLOPED DRIVEWAY

FIRE HYDRANT

DIRT PATCH WITH PALM TREE

BOARD GAME POLE

SOFT SEATING (STUDY) 267 SF

SOFT SEATING 615 SF ADULT- NON FICTION 1001 SF

STUDY TABLE 77 SF

OFFICE 166 SF

OFFICE 135 SF

OFFICE 146 SF

TECHNOLOGY AREA 391 SF

Board Game Avenue is a park filled with human scale board games. This is to appeal to both customers of the Duce and visitors of the library. Appropriate for all ages, it is your “ticket” to childhood and provides people another reason to travel to the warehouse district.

COLLECTION PROCESSING 1209 SF

PRINTING/ QUICK SEARCH 113 SF

SOFT SEATING 162 SF

TECHNOLOGY AREA 490 SF

ADULT-FICTION 420 SF

BREAK ROOM 94 SF

OPEN OFFICE 330 SF

AVENUE

STORAGE 126 SF

SELFCHECKOUT/ NAVIGATION MAP 134 SF

STAFF MEETING 199 SF

IDF ROOM 118 SF

SEVER ROOM 81 SF

PRINTING/ QUICK SEARCH 133 SF

STAFF BREAK AREA 444 SF

ELECTRICAL ROOM 146 SF

JANITOR ROOM 80 SF

ADULTFICTION 1151 SF

STUDY TABLE 77 SF

OFFICE 161 SF

ADULT- NON FICTION 610 SF

STUDY TABLE 77 SF

ENTRANCE/ LOBBY 728 SF

SOFT SEATING (STUDY) 340 SF

FOR-SALE / ART DISPLAY 128 SF

ADULTFICTION 1072 SF

STUDY TABLE 77 SF

UNISEX 76 SF

SOFT SEATING 202 SF

STUDY TABLE 156 SF

COFFEE AREA 271 SF

WOMEN 303 SF

MEN 250 SF

MECHANICAL ROOM 436 SF

COFFEE BAR 126 SF

POLE

COFFEE OUTDOOR SEATING

CURRENTLY BLOCKED OFF

DUCE OUTDOOR SEATING PARK

MONOPOLY

CANDY LAND

24' 5" 19' 5"

SLOPED DRIVEWAY

(6) METERED PARKING SPOTS

Speed Adjustment

Low Profile

Upgraded Motor - (Brush-less)

Multi Tool

The motor has been upgraded to a brush-less motor. This new motor is more efficient, quieter, less vibrant, and environmentally friendly.

The power switch was upgraded as it was not easy to tell if the tool was on or not before plugging it in.

I red ring on the right side and a green ring on the left side was added to the on / off switch to help.

13' 2"

TWISTER

DUCE PARKING

20' 10"

CHUTES & LADDERS

CONNECT 4 13' 2" POLE

FIRE HYDRANT

CLERESTORY WINDOWS -10' HIGH

STREET SIDE SERVICE WINDOW - CURRENTLY BOARDED UP

NEW CONSTRUCTION - PUBLIC LIBRARY The library is based off the Arizona railroad system. The concept emphasizes the relationship between the new and old within our site (the light rail vs railroad system, Baby Boomers vs Millennials, the warehouse district vs. cityscape). As the trains physically brought people from place to place, the library will bring you into the warehouse district. Finishes are drawn from the actual railroad and the trains; the idea of a train & railroad can be seen both interpreted through materiality and verticality as well as through more literal implementations.

L&C LIBRARY This front button release is used to release the motor and upper module.

This new feature allows for interchangeable bases, utilizing the same motor grip and major components between different bases.

A

C

D

SOFT SEATING (STUDY) 267 SF

SOFT SEATING 615 SF ADULT- NON FICTION 1001 SF

This redesigned dust collection allows for transportability between the different tool bases. Designed also for better efficiency of suction power

B

STUDY TABLE 77 SF

E

BOOK DROP

1

OFFICE 135 SF

OFFICE 146 SF

B

TECHNOLOGY AREA 391 SF

PRINTING/ QUICK SEARCH 113 SF

C

1

OFFICE 161 SF

STORAGE 213 SF

MULTI-PURPOSE ROOM 1175 SF

MEETING ROOM 491 SF

STAFF MEETING 199 SF

IDF ROOM 118 SF

SOFT SEATING 162 SF

TECHNOLOGY AREA 490 SF

ADULT-FICTION 420 SF

SEVER ROOM 81 SF

PRINTING/ QUICK SEARCH 133 SF

JANITOR ROOM 80 SF

TEEN-NON FICTION 1706 SF STUDY POD 90 SF

STUDY ROOM 174 SF

STUDY ROOM 196 SF STUDY ROOM 182 SF

COMMUNITY TABLE 331 SF

STAFF BREAK AREA 444 SF

READING ROOM 170 SF

STORAGE 58 SF

TEEN-FICTION 414 SF

TEEN-FICTION 414 SF

PRINTING/ QUICK SEARCH 161 SF

TECHNOLOGY AREA 440 SF

OPEN TO BELOW

ADULTFICTION 1151 SF

SOFT SEATING (STUDY) 340 SF

STUDY TABLE 77 SF

STUDY ROOM 189 SF

FOR-SALE / ART DISPLAY 128 SF

ADULTFICTION 1072 SF

STUDY TABLE 77 SF

STUDY TABLE 156 SF

CHILDREN (48" H) 533 SF

COFFEE AREA 271 SF

WOMEN 303 SF COFFEE BAR 126 SF

MEN 250 SF

STORAGE 89 SF

TECHNOLOGY AREA 154 SF

READING ROOM 176 SF

UNISEX 76 SF

SOFT SEATING 202 SF

4

4

UNISEX 64 SF

SOFT SEATING (STUDY) 232 SF

READING ROOM 187 SF

MECHANICAL ROOM 436 SF

WOMEN 303 SF

TEEN-FICTION 824 SF CHILDREN INTERACTIVE SPACE 1203 SF

FIRST FLOOR - FLOOR PLAN

SECOND FLOOR - FLOOR PLAN

FIRST FLOOR - LOBBY

FIRST FLOOR - MAIN WALKWAY

FIRST FLOOR - SELF-CHECKOUT AREA

FIRST FLOOR - TECHNOLOGY LAB

FIRST FLOOR - PRINTING - FEATURE WALL

FIRST FLOOR - COFFEE POT

SECOND FLOOR - CHILDREN’S SECTION

SECOND FLOOR - TEEN’S SECTION

SOFT SEATING 220 SF

Right hand and Left hand versatility

FS500 Type 1

Designed for quick and easy adjustment and operation

Model 3 120 v AC

RIDGID ( U.S) inc. Mesa, Arizona 210089

Because the bottom base is able to be removed the user can now utilize the motor and upper components for a variety of different tools reducing the cost it would take to by each tool individually. Some of these tools may include random orbit sanding, square oscillating sanding, triangular sanding, buffing bases, and a verity of different pads for any project.

Industrial Design: Industrial Design IV

Student: Ryan Smith Faculty: Ronak Valamanesh

TEEN FICTION 474 SF

ELECTRICAL ROOM 146 SF

3

3

WARNING To reduce the risk of injury, user must read and understand instruction manual.

Always wear eye protection and safety gear.

A titre preventif, lire le guide d utilisation

STUDY ROOM 238 SF

2

READING ROOM 195 SF

SELFCHECKOUT/ NAVIGATION MAP 134 SF

F

STUDY TABLE 129 SF

INTERACTIVE 258 SF

BREAK ROOM 94 SF

OPEN OFFICE 330 SF

E

SOFT SEATING 220 SF

COLLECTION PROCESSING 1209 SF

STORAGE 126 SF

ENTRANCE/ LOBBY 728 SF

D

STUDY ROOM 174 SF

ADULT- NON FICTION 610 SF

STUDY TABLE 77 SF

2

Comfort, Ergonomic design allows for a variety of 2 hand , and 1 hand positions

A

F

OFFICE 166 SF

Interior Design: Interior Design Studio III

Students: K. Dorman / T. Gross / N. Le Faculty: S. Fanger / M. Gonzales

JANITOR ROOM 102 SF

MEN 250 SF

IDF ROOM 151 SF

ELECTRICAL ROOM 141 SF

Phoenix Innovation Village

Site Location

Mission

Phoenix needs PHX Innovation Village and the reason for that it because Phoenix is becoming a technology reference with the on going plan called Phoenix Technology Innovation Corridor along Central Ave. Christine Mackay - Phoenix Economic Development director – has made a top priority to make Phoenix a technology reference nationally and internationally. Based on that, Phoenix Innovation Village comes to complement this current plan (Phoenix Technology Innovation Corridor) by providing a mix use development with quality housing, dining, learning, and entertaining opportunities to support the future demand for downtown Phoenix. It also supports the urgent needs for ASU students and Young Entrepreneurs to live, connect/network, merge ideas and talents, and promote economic growth.

Downtown Phoenix

This project is about providing the tools for the communty to grow and be sucessful while having lots of fun!

Site Location

Connection &Technology

Site is located South of W Filmore St and North o E Van Buren St between 4th and 6th Street.

“There is nothing better to describe connection in the Tech world than a computer chip.”

-- Thiago Pereira- VP of Tech of Code Red-I

Land Use and Site Analisys Student Housing

Incubator

INCUBATOR | where students and professional come together for mentorship programs, lectures, workshops, events, etc.

Hotel

Incubator Restaurants Park

MULTIPURPOSE PARK space for events, relaxation, exercise, concerts, food trucks, etc.

Luxurious Housing

Commerce and O ces

MIX USE | commercial stores, o ces, hotel, restaurants, residences, green space.

Wind, Solar, and View Analysis

After many proposal attempts, the design process was all based on the site analysis and the local needs of the community. There is a clear distinction between the north and south ends of the site witch required different approaches within the design process.

Elements

And only after many design proposal attemps, I realized that ...

In order to connect, one has to be apart...

The small details were inspired on the idea of connecting; lines that connect in an interesting way. The elements are modular and made of simple materials (concrete, steel, pvc), but showed in a different ways. Besides it is cheaper to manufacturer and assemble.

Planter

Bench

Sculptural Element

Shading Structure

Entertainment Belt

Site Plan

...and that starts to influence the design.

Pergola, Bus Stop, Building, Shading Structure.

Northwest Direction

Entertainment Belt

Scale 1:200

West Direction

Entertainment Belt Site Plan

Scale 1/8”=1’-0”

Student Housing Perspective | South Direction

Student Housing Site Plan

Scale in feet

0

15

30

60

Student Housing Bird’s eye view | South Direction

Hotel Site Plan

Scale in feet

0

20

40

80

Hotel Bird’s eye view | North Direction

Low Impact Development Tools Permeable pavements Rain Barrels and Cisterns Bio Swales Filter Strips - vegetation

Human Experience

Urban Park Site Plan

Scale in feet

There are many opportunities for human experiences throughout the site. The most important aspect of it is bringing people together; connecting them. A few elements that make it possible are: residential balconies facing the street and park; bike lane that crosses in the middle of the site by the restaurants, so you can dine and watch people; all the restaurants offer outside dinning; a couple buildings are raised up from the floor to create an open space and increase visually connection.

0

15

30

Hotel Perspective | South Facade

60

Urban Park Perspective | West Direction

Spring 2015

Undergraduate Third Year Landscape Architecture: Landscape Architecture II

Student: Vincent Chung Faculty: Kristian Kelley

Landscape Architecture: Landscape Architecture II

Student: Mariana Lacerda Faculty: Chad Atterbury

POSTERHEROES The goal of this poster is to raise public awareness about the environmental benefits that composting can generate.

Composting organic scraps can revitalize poor soil, promote higher yield of crops, prevent pollution, reduce waste, and can be used as a source of renewable energy via compost heat recovery systems.

Donation Machine

THE PROCESS

30 million tons

doesn’t have to

of food waste

be a bad thing.

PSAid Video

30 million tons of food waste

doesn’t have to be a bad thing.

Empty our landfills by composting.

Empty our landfills by composting.

Feed the Earth, not the landfills.

30 million tons of food waste doesn’t have to be a bad thing.

Compost your scraps.

Visual Communication Design: Visual Communication IV

Student: Candace Choi Faculty: Jarred Elrod

Visual Communication Design: Visual Communication IV

Student: Katherine McNamara Faculty: John Mahon

S.O.F.T.

an

d

Ca

SR-51

Gr

16th St

SITE EXHIBIT 4221 & 4229 N 16th St Phoenix, AZ 85016

na

l Indian School Rd

MATERIAL EXPLORATION After visiting our first site, we noticed the harshness of the materials surrounding the site. There was a large parking lot dividing the two builidngs and the area around the site was dominated by hard materials such as asphalt, concrete, stucco, bricks, and dirt. In this unwelcoming environment, we felt the need to "soften" the building. By doing this, we would create a more inviting place to learn and grow.

The search for a "soft" building explored many unconventional materials.

The solution for a soft building was found in bubbles. The geometry of bubbles produce a organic structure, and the properties of bubbles translate into flexible, reflective spatial qualities. The bubble intervention represents the creative energy spilling from the core of the school out onto the drop-off entrance and wraps around the 24th Street wall giving the building an identity.

The bubble structure functions as a softening facade, promotion, seating, lighting/digital interaction, and insulation.

Southeast Elevation

Level 1 Plan

Level 2 Plan

Section

APPLICATION OF MATERIALS After looking at countless materials, we feel that the coated chain and clear antiburst PVC balls provide the most feasible option.

For our final installation, we utilized trash bags and 10 mil plastic sheeting along with coated chain.

Spring 2015

Undergraduate Third Year Visual Communication Design: Visual Communication IV

Southwest Elevation

Undergraduate Fourth Year Student: Peter Williams Faculty: Lisa Pe単a

Architecture: Architectural Studio IV

Students: M. Pinson / A. Pizzino Faculty: Claudio Vekstein

new ASU art museum

SPECULATING DISTRIBUTED ARCHITECTURE air SUPERIOR, ARIZONA [mining town]

surface

ground

Through a comprehension of what has and is presently happening to the landscape of Superior, we speculate that the lack of sound infrastructure will ultimately consume the all that remains within the next half century.

In order to sustain any existence of what was, we must produce an architecture to reinforce history and presence. By creating a network of responses to existing conditions that contributed to the decay within the city, we can extend the deteriorating lifespan of Superior by projecting its story after its physical existence disappears.

After documenting several sites in Superior, Arizona, a complex relationship between ground, surface, and air rights was uncovered. Each site visually exposes a condition and utilizes it to help develop the story that will transcend the life of the town.

prespective from taylor mall

RESIDENTIAL DOWNTOWN PROTRUSIONS

VIEWFINDERS

BAKERY

BAKERY

RUINS

The architectural network is represented by a series of responses that are mapped above. Each response is conditioned by the immediate contextual conditions of the individual sites, while also contributing to a larger scheme of ground, surface, and air rights.

In the diagnosis of the town, it was crucial to recognize the role of key points of infrastructure. We realized that as these points are debilitated by the conditions of the town, the buildings around these points begin to fallout. The bakery performs as a demonstration of this effect. It’s copper frame pays reverence to the original infrastructure while a reflective copper panel is installed to reflect the crumbling of the community.

DOWNTOWN

BUILDING OVERHANG MIMICKED PEDESTRIAN PRESERVATION Downtown serves as another point of crucial infrastructure for the town of Superior. Its pedestrian corridor is crucial to the experience of Main Street, as building overhangs project from the facades and provide cover for people as they pass through. The response was to mimic the overhang typology and maintain the corridor as the downtown loses its integrity through the loss of the original typology.

8’0” DATUM

MAIN STREET PEDESTRIAN PRESERVATION

TURNBUCKLE

2nd floor plan 1/16” = 1’0”

siteplan 1/16” = 1’0”

3rd floor plan 1/16” = 1’0”

WELDED WEDGE TAB

4th floor plan 1/16” = 1’0”

SLIDING CONNECTION

AIRPLANE CABLE

TUBULAR STEEL COLUMN

RESIDENTIAL

The residential site exposes the issue of land subsidence as a result of intensive mining. As time passes on, the residential frames installed on the site will be subject to changes in the underground. Since the changes underground can’t be seen directly, the frames are detailed in a manner that will document the passing of time and surface the underground processes.

gallery

2015

research experience

pause moment

2040 2060 2080 2100

RESOLUTION COPPER MINING OVERBURDEN

PROTRUSIONS

site ASU future development

A huge chunk of mining overburden rests in the northeast of Superior and hovers directly over government owned land. A series of simple geometric volumes are inserted into the overburden to simulate an experience of what it is like to be inside of the mines that have consumed the minerals beneath the surface of Superior. Each volume offers an expansive view to key points in Superior’s landscape.

cultural center

PRIVATE PROPERTY UNDER ARS 13-1502 A.1

theater

RUINS

Floating directly over a site of ruins, this response is designed to alter the perception of people as they inhabit the ruins. A simple walkway directs attention towards crucial points of context and uses the geometry of copper panels to alter people’s horizons. The structure delicately touches down on the site as to not disturb the existing ruins.

entrance

VIEWFINDERS [HYBRID]

RUINS [AIR]

DOWNTOWN [AIR] RESIDENTIAL [GROUND]

BAKERY [SURFACE] TUNNELS [GROUND]

VIEWFINDERS

COPPER PANELS WITH STRUCTURAL WIDE FLANGE

smelter US60 church

bakery

US60 post office main street apache leap

downtown

housing apache leap high school mining shafts

residential

smelter overburden apache leap residential

tunnels

US60 post office main street apache leap

ruins

all above

Positioned at a higher elevation than any of the other responses, the viewfinders are a cartographic system that map the physical location of each response within the town.

As people overlook Superior, they are offered visual cues as to where each response can be located. Each viewfinder is designed specifically to the response it maps and also depicts how each response deals with the properties of ground, surface, and air.

viewfinders

prespective from filmore

Architecture: Architectural Studio IV

Student: Cristina Solis Faculty: Wendell Burnette

Architecture: Architectural Studio IV

Students: S. Ding / R. Manhardt / K. Spresser Faculty: Christian Stayner

Learning In Place

KOOKY CASTLE

The Tactical Architecture of Resource Based Education

IMAGINATION VOYAGE Imagination Voyage provides children with cancer the opportunity to play while undergoing chemotherapy, distracting them during this unpleasant medical procedure. The children can sail away or blast off to an imaginary world while hooked up to their IV as they ride in a themed bucket attached to the base of their IV pole. Each theme transforms the medical environment into a less intimidating place, allowing the children to keep their bright, youthful freedom.

1

SINK-OR-SWIM SUBMARINE

2

In response to the modern discussion of secondary education reform, a design is proposed for a decentralized high school composed of hybridized learning centers which respond to a pedagogy of Resource Based Learning and appropriate the Valley Metro Light Rail Line as the site network. In pursuit of symbiotic public/private relationships, the project offers a broad avenue of access to a diverse array of students and resources. The working design ultimately visualizes a radical potential for the classroom of the 21st century.

SILLY SILLY CIRCUS

READY-SET-ROCKET

CLIP-ON SIDE PANELS

INTERNAL SEAT

TANGLED TREEHOUSE

IV POLE SLOT

SHIVER-ME-TIMBERS SHIP

Spring 2015

Undergraduate Fourth Year Architecture: Architectural Studio IV (Honors)

Student: Angela Lufkin Faculty: Renata Hejduk

Industrial Design: Design Project II

Student: Brittany Herold Faculty: W. Balfour / A. Craft / D. Shin

Awa is designed to help remind an individual who lives with memory loss to eat throughout the day. During mealtimes, a food scent is released to remind the user to eat their meal on time and encourage daily activities.

DESIGNED FOR: INDIVIDUAL

CAREGIVER

-INDEPENDENT LIVING WITH MEMORY LOSS

-FAMILY MEMBERS & HEALTH PROFESSIONALS

COMMUNICATION AWA is a system that helps to improve the communication between an individual and caregiver.

HOW TO START: 1. FILL BASE WITH WATER

2. CLOSE LID

3. INSERT FILTER

4. PL ACE

5. TURN ON

AWA IS READY!

HOW AWA WORKS : NIGHT

MEAL TIME

DINNER

AWA RELEASES FOOD SCENTS TO REMIND PEOPLE TO EAT ON TIME The lid of AWA is constantly rotating to 4 programmed mealtime indicators (which secondary user programed) representing the 4 different mealtimes throughout the day, breakfast, lunch, snack and dinner. Once the lid reaches a mealtime, a red indicator is revealed and a scent is released for 15 mins.

BREAKFAST

LUNCH

High pressure areas

TASK COMPLETION

LID ROTATES AND DISPL AYS RED TO INDICATE MEALTIME

Users can stop the motion by simply tapping the lid of AWA. Once AWA receives a tapping motion, it will send a task completion check to a smartphone application which can notify secondary users. (caregivers)

TAP TO STOP & SEND TASK CHECK-IN

13% Pulse

74

bpm

Temp

98.6

SMART PHONE APPS Users can schedule the meal-time, choose food scents and customize the scented filters via a smart phone device. Caregivers can check the tasks completions of the user with their smart phone.

12 00

5.07.2015 WEEK 1

BREAKFAST LUNCH DINNER NIGHT

BREAKFAST 08:00 AM 15 MINS BEEF STEW

MEAL REMINDER SCENT-IMENTAL JOURNEY OF YOUR DAY

INDUSTRIAL DESIGN DOSUN SHIN

Industrial Design: Design Project II

Student: Jaeyeon Kwon Faculty: W. Balfour / A. Craft / D. Shin

Industrial Design: Collaborative Design Development II

Students: M. Jack / E. Jolley / R. Qiang / M. Small / J. Stevens Faculty: R. Bone / P. Boradkar / S. Peck

strive to build up respect and acceptance of diversity within communities by informing OUR MISSION: We parents, empowering students, and involving educators.

PARENTS

STUDENTS

Environment: Home Package: Website, Pinterest, Standards Book, Video

Developing research is evaluating methods in which the built environment impacts both community and patient healing experiences while contributing to measurable health outcomes. As a result, a sea of change is rolling through many systems as organizations are realigning and redefining themselves by integrating the paradigm shift toward evidence-based design to advance the condition of the human-being. The need to educate and prepare the next generation of leaders who will explore spatial relationships and humans needs is ever more crucial. Change agents

A WEB TOOL DESIGNED TO INFORM PARENTS ABOUT THE CAMPAIGN AND TEACH THEM HOW TO BECOME INVOLVED

DESIGNING SPACES IN THE KITCHEN, LIVING ROOM, AND DINING ROOM THAT HELP DEVELOP FAMILY RELATIONSHIPS

who think beyond traditional processes, rules of engagement and boundaries are in high demand.

At the core, the purpose of this studio and our collective findings explore the relationship between the vulnerable demographic needs with evidencebased design. At the same time, our research considers a multitude of healing approaches and connections to design the built environment. This work includes considerations for how designers could affect quality of life and wellness while examining a broad range of healthcare and healing experiences from the human perspective.

Spatial Layout Line of Sight Spatial Layout Flexibility Line of Sight Connections Flexibility Security Connections Materiality Security Spatial Layout Materiality

kid friendly

dining room and kitchen areas are flexible and can double as a place to work, do homework or eat

emphasis on visual balance

TEAM JOY

students with involved parents are more likely to succeed in life and school

emphasis on conversation

Our mission is to understand the impact of Joy and how it can be used as a tool to enhance experiences.

Joy...the world needs more of it. It’s a wonderful, mysterious force that we believe is not utilized enough in modern culture. Our goal as a class was to expose this attitude of the heart through current topics in regards to human wellbeing and to reveal Joy’s physical, mental, and spiritual healing powers. We found that the solutions to the problems addressed in each

Environment: School Package: Posters, Lessons, Standards Book, Installation

WEBSITE

THE HOME

What does healing, health and wellness mean to you? of holistic health and wellness.

Environment: Social Media, School Bus Package: Videos, Graphics, Website, Facebook, Instagram, Twitter, Standards Book

buildawareness buildtrust buildsupport

CONTEXT Both in the United States and throughout the world, communities are broken, vulnerable demographics are often overlooked, elderly are being harmed, children are dying and the weak are being marginalized. These issues are so complex that many can’t even begin to define the problem, process or solutions. It becomes a question of thinking, leadership, collaboration, commitment and passion. The world is begging for answers, leaders and agents of transformation to emerge. We are in need of design systems, solutions and spaces that address the root causes of these problems while helping our communities move towards models

EDUCATORS

open space plan allows for communication

emphasis on focal point

there are no boundaries, making for clear line of sight with other people in the room

Line of Sight Flexibility Connections Security Spatial Layout Materiality

eye contact is crucial in order to stimulate conversation

53

topic all narrowed down to or consisted of a simple concept called Joy. Our research suggests that we are born with a sense of Joy, however, for some it’s more difficult to uncover and embrace.

Through the good and the bad, Joy is always within us and at the end of the day it is a state of being that we all hope to connect with.

25% of youth report a higher quality of life when they have a positive relationship with their parents *prevnet.ca

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buildconfidence buildacceptance buildcharacter

Connections: The Full Circle

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Line of Sight

SOCIAL MEDIA Spatial Layout Flexibility

SCHOOL BUS

89 % OF YOUTH ARE ON SOME FORM OF SOCIAL MEDIA.

UP TO 20 PERCENT OF BULLYING OCCURS ON THE SCHOOLBUS. THE DESIGN OF THE BUS HAS NOT CHANGES SINCE 1939.

1 Healthcare Studio 28 Students 300 Pages 5 Research Topics: Joy Diversity Compassion Energy Medicine Refugee

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Spatial Layout Line of Sight Flexibility Connections Security Materiality

53

Spatial Layout Line of Sight Flexibility When students have a clear Connections line of sight with the bus Security driver, they feel they are held more accountable for Materiality their actions

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BOOK

53

WEB

All seats face another seat, so children directly face other children

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Scan QR Code to preview the book and website.

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Line of Sight Connections Flexibility Connections Security Security Materiality Materiality

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When peers intervene, most incidents stop in 10 seconds

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Seatbelts alone help to limit students’ movements

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The school bus redesign offers collapsible tables to be used in the seating pods of four There are also two rows of seats that fold down for ADA circumstances

Kids with healthy relationships with their peers see a 20% decrease in victimization

51 52

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The school bus redesign eliminates the issue of staring at the back of another person’s head

5153

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Spatial Layout Line of Sight Flexibility Connections Security Materiality

Interaction and communication is encouraged and helps to develop relationships

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Individual seating is used so students have a sense of personal space

All layout options look to promote communication and responsible behaviors

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53 buildinvolvement buildrespect buildtolerance

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RESTROOM

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70 % OF TRANSGENDERS HAVE EXPERIENCED SOME SORT OF NEGATIVE REACTION WHEN USING A BATHROOM.

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INSTALLATIONS

INTERACTIVE LEARNING TOOLS FOR TEACHERS TO USE

53 Communal sinks promote sense of community and encourages positive interaction.

51 51

Eliminating gender separation supports inclusive design for all identities

open restrooms provide transparency

There are more than 150 schools across the U.S. that have gender neutral bathrooms

Restroom stalls incorporate longer doors with a six-inch opening from the floor

51

52 Spring 2015

Undergraduate Fourth Year Interior Design: Interior Design Studio V

Open entryways and communal sink areas remove the sense of seclusion and isolation

52

Students: A. Curtis / H. Gutierrez / A. Hoover / N. Pannuzzo / K. Taie-Tehrani Faculty: James Shraiky

Interior Design: Interior Design Studio V

51

Students: C. Duran / N. Knoph / A. Lim / A. Rice / A. Schactner 52 / E. Vester Faculty: Sonja Bochart

retro[ACTIVE] Vicinity Maps

Context Map

City of Scottsdale

retro[ACTIVE] Boundary

McDowell Corridor

History

Demographics Income DIstrIbutIon

PoPulatIon

trenDIng lIfestyles In 85257

1997 Motor Mile

Young Educated Well Employed Mobile

Transitional Just Retiring Just Starting Out Primarily Renters

Less than $24,999 $25,000 to $49,999

Two Income Household First Time Homeowner Young Active Social

$50,000 to $99,999 $100,000 to $199,000

Present Day

Mission Statement

Program

Revitalize, repurpose, and redevelop a community that fuses work, personal, and social life to discover a Third Place, a location that anchors itself by creating social equity through promotion of both formal and informal gatherings. retro[ACTIVE] aims to stitch together the diverse urban fabric of Scottsdale by combining a multitude of residential densities, mixed use commercial zoning, and the local biodiversity.

INTER IMP

RE

[ACTIVE] CO

+ Revitalize

+ Repurpose

Created by iconsmind.com from the Noun Project

Redevelop

Goals 1. To create a sense of place and identity for the community by creating a third place 2. To fuse low residential suburbia and with the diverse urban fabric of Scottsdale through rezoning and recreational connections.

3. Utilize sustainable methods and minimize waste by creating net zero practices and sustainable design.

4. Revitalize and reface the neighborhood character by renovating vacant or underutilizedlocations along McDowell Road.

+ Identity

+ Link

+ Sustain

Character

Site Plan

Inter[ACTIVE]: (Acting upon or in close relation with each other) The public space.

A space where interaction happens between people in a positive space.

Shopping | Restaurant | Cafe | Plazas | Amphitheatre | Library Imp[ACTIVE]: (Making a strong impression. Compelling or impressive) Views.

Breathtaking + impactive views of Tempe + Scottsdale.

Papago Mtn. | Camelback Mtn. | Estrella Mtn. De[ACTIVE]: (To return from an activated state to a normal state) Private space.

An area where people can deactivate in their own space.

Housing (mixed-use, medium + low density) Bio[ACTIVE]: (Interaction w/ or response from living tissue) Green space.

Systems of ecology + biology interact with the urban fabric.

Gardens | Open space | Urban habitats | Natural systems Co[ACTIVE]: (Acting together) Mixed-use.

Integrating public and private space to diversify uses.

Live/Work Re[ACTIVE]: (Responsive to stimulus) Circulation + Transportation.

Reactivating the space with a network of transit systems connecting people to people.

Complete streets | Pedestrian + bicycle corridors | Public transit | Trails

]

B

0

100

200

DE BIO

]

C

] A

400

Site Elements Components of the redesign of McDowell Road: • Traffic Calming • Vegetated Median -Bioswale -Pedestrian Refuge • Frontage Road -Shared Use Path -Parallel Parking -Transit Stops • Through Lanes • Reduced Speed

Sections

A - McDowell at Scottsdale Road

B - 68th Street

Proposed Land Use Plan

Existing + Infill Buildings

Phasing Plan

C - McDowell Road

Landscape Architecture: Landscape Architecture IV

Students: K. Armer / V. Artuz / L. Kalland / K. Perkins / K. Reeves / S. Wang Faculty: Allyce Hargrove

Landscape Architecture: Landscape Architecture IV

Students: D. Cooley / J. Hines / Z. Kam / R. Schmidt Faculty: James Coffman

Location markers placed throughout the site to orient users. Inspired by the sculptures found in the Boundary Project

by Steve Martino (located on the southwest corner of McDowell Rd. and Galvin Parkway).

This project explores the issue of predatory lending in Arizona, and promotes awareness of its effects on the individual, the community, and the economy.

The audience for the exhibit was very different from the audience the campaign was intended for. The experience of the piece for the exhibition was designed with this in mind. The message focuses highly on what effects the issue is having on our community in Phoenix and our economy as a whole.

The challenge was to communicate with a viewer that may believe this problem does not affect them because they do not personally deal with car title lenders and the like. The goal was to generate awareness with viewers who likely have not put much thought into the issue. The thought I would like them to walk away with is â&#x20AC;&#x153;there is no place for these kinds of unethical practices in our community.â&#x20AC;?

The Less Waste, More Money campaign and app design focuses on scenery imagery, showing what could be bought with money saved from reducing food waste, a family vacation. The campaign provides statistics on the amount of food and resources wasted as well as information on how to reduce food waste in the home.

The book design provides information on the campaign, history and importance of food waste and how it is something that we all need to take part in reducing.

Spring 2015

A magnet takeaway with food waste tips becomes a simple reminder that is seen everyday to keep reducing food waste at the top of mind.

Undergraduate Fourth Year Visual Communication Design: Visual Communication VI

Student: Hannah McLean Faculty: Michelle Fehler

Visual Communication Design: Visual Communication VI

Student: Heather Rischmueller Faculty: Michelle Fehler

serious play

Ceramics have the unique ability to be exposed to natural sunlight, therefore the north 8 feet of this 23 foot wide Ceramics Research Center is made entirely of glass to let filtered light down through each floor. Additionally, the terraced form of this building allows for three outdoor patios which provide views down to Mill Avenue and out to “A” Mountain. Finally, the banner on the facade can be removed and the structure on the front allows for collaboration between the Research Center and local artists to display artwork on the facade.

meet otlet It’s not your typical piece of office furniture and it’s not your everyday gaming center. It’s not just meant to help facilitate meetings and it’s certainly not just meant to play games. It’s really not meant to do a single one of those things.

It’s meant to do all of them. And more.

Otlet is a multi-functional conference table that combines work and play to enhance creativity and collaboration in the workplace like never before. By serving as a hub for employees to ideate, innovate, and create using a new game-centric approach to professional collaboration, Otlet makes it hard to even call work...well...work.

eraser paddle

Studio

Roof Garden

idea puck

Kitchen Cafe

Sixth Floor

Studio

the process

Kitchen Cafe

Fifth Floor

Classroom

Library Studio

Office 1

Fourth Floor

Gallery|Open Storage

Actuating table legs allow for sitting or standing conference room meetings.

Recess inside whiteboard surface to reveal air hockey goals. Drawers for accessories.

Idea Pucks have a writable, inner whiteboard surface for creative ideas.

Studio

Share ideas and brainstorm more by sliding Idea Pucks.

Third Floor

Office 2

Loading Dock|Closed Gallery|Open StorageStorage

Reception

Retail

Rotate outside ring of Idea Puck to switch from slidable to magnetic surface.

Use magnetic side of Idea Puck and stick to a magnetic board, like a whiteboard.

Eraser paddles contain a felt bottom for revisions and cleaning of whiteboards.

Record, document, and capture Otlet sessions with overhead office camera.

Second Floor

Office 2

Loading Dock|Closed Storage

appearance model

Reception

Retail

First Floor

10’

N

Using a CNC Router (computer numerical control), Otlet was constructed in layers of MDF. Other materials consisted of Aluminum, Bamboo, and Whiteboard Material. The accessories were 3D printed with ABS plastic.

serious play 10’

10’

Graduate Three Plus Year Visual Communication Design: Collaborative Design Development II

Students: K. Bellman / A. Guccione / W. Gutkowski / R. Lynch / C. Nunez Faculty: R. Bone / P. Boradkar / S. Peck

Architecture: Core Architectural Studio II

Student: Matthew Boylan Faculty: John Meunier

Graduate Three Plus Year Interior Architecture: Core Interior Architecture Studio II

Student: Jennifer Cox Faculty: Jose Bernardi

a game for the senses

LUCA is a game set which utilizes multisensory stimuli to teach and enrich the centuries-old game of chess. Through touch, scent, and sight, a game which has long been a teaching tool for strategic thinking can stimulate the brain in exciting new ways.

INTERFACE

Brain training offers benefits for users of all ages.

Boosting executive function and memory can mean very real gains in confidence and independence, especially among the elderly (Nouchi, et al; 2012). LUCA’s unique spin on chess also fosters socialization, which has been shown to support better physical health and decrease recovery times from illness (Seeman, 1996).

GARFIELD GOODWIN BUILDING Tempe Hardware Building, 1898 Players identify each piece by sight, touch, smell, and even weight

Garfield Goodwin Building, 1928

Constructed in 1907, the Garfield Goodwin Building is a time capsule of Mill Avenue’s commercial heritage. Expanded in 1917 and remodeled by numerous tenants since, the Garfield Goodwin Building is the only remaining single-story cast iron storefront in Tempe.

Interface is designed to honor the history of the Garfield Goodwin Building and preserve the ambience of Mill Avenue while accommodating a new program which includes a retail store, cafe, gallery, and small public library.

Warehouse, 1919

Original Construction, 1907

Addition, 1912

Old Town Creamery, 1970

Knight

King

Queen

Bishop

Rook

Weight

Weight

Weight

Weight

Weight

Weight

Rigidity

Rigidity

Rigidity

Rigidity

Rigidity

Rigidity

Fragrance: Vetiver Woody, smokey, peppery

Fragrance: Bergamot Green, citrusy, bitter

Fragrance: Musks Warm, rich, animalic

Fragrance: Atlas Cedar Dry, earthy, dusty

Fragrance: Myrrh Aromatic, medicinal, sweet

Fragrance: Pink Pepper Fruity, rosy, ambery

FO U N D R Y

I N T E R FA C E

Pawn

New Construction

Existing Brick

GARFIELD GOODWIN LIBRARY 1 The liquid fragrance is held in the glass base and diffused by the natural sponge inside

2 When the player

picks up the piece the cap and pin unit rises, sucking fragranced air into the central chamber

3 As the cap and pin

The packaging makes for easy storage. Simply store the game pieces in the foam insert.

fall the fragranced air is forced out of the vessel, exhaling the scent

Original Construction New Additions

The cap and pin of each type of piece will fall at a different rate according to the piece’s value (e.g. the pin on the king will fall very slowly, while the pin on the pawn will fall quicker).

This will be accomplished by varying the tolerances between the cuff (see A.) and the pin (see B).

A

MILL AVENUE

B

Serving up hot coffee and fresh copies of the Tempe Daily News, the newspaper that occupied the building from 1946 until the mid-1960s.

This branch honors the legacy of the Goodwins, a prominent Tempe family, and provides the local neighborhood with access to community resources.

Foundry offers stationery, papermaking, and book-binding supplies.

The gallery is dedicated to showcasing the art and history of printing as well as local Arizona artisans.

N

Available in three colorways

Central Atrium Existing Brick Feature

OPTIONAL SMART BOARD FOR REMOTE PLAY

Children’s Story Nook Existing Brick Feature

Cafe Addition

Terrace

Cast Iron Storefront

Brand Manifesto In a world of screen-based technology LUCA is firmly rooted in the pleasures of the physical world. LUCA creates thoughtful products to stimulate the mind and the senses, resulting in a richer engagement with each other and our world.

Brand Essence Warmth & Elegance Warmth, for the inviting forms and empathetic experience design Elegance, for the grace and economy of every design decision made

r

k

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p

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GARFIELD GOODWIN LIBRARY

Vincent Malouf IND 590 Assignment 14 Brand Principles & Definitions April 3, 2015

First Floor

Brand Promise The highest quality products that you can enjoy for a lifetime Brand Mission LUCA creates products for individuals who are intelligent, curious, and empathetic.

Tagline A game for all the senses Brand Mark (at right) Brand Colors (at right)

new game

Board charges with universal charger

2

The first player makes a move in the app

3

The second player sees the remote player’s move illuminated on the board

Second Floor

Third Floor

S C A L E : 1/1 6 ” = 1 ’-0 ”

N

S U S TA I N A B L E D E S I G N Ideation included numerous form iterations and human factors testing

Spring 2015

Adaptive reuse

Low-water use fixtures

Sustainable material selection

Grey water use

Existing material reuse

Public transportation access

Climate sensitive design

Community resources

Access to daylight and views

Cultural preservation

Energy efficient building systems

Community education

FINAL MODEL

Remote games are begun on the free LUCA app for smartphone and tablet

M I L L AV E N U E FA C A D E ( E A S T )

1

Graduate Three Plus Year Industrial Design: Core Industrial Design Studio II

Student: Vincent Malouf Faculty: John Takamura

Interior Architecture: Core Interior Architecture Studio II

Student: Jennifer Cox Faculty: Jose Bernardi

Paragraph Exploration

Paragraph Exploration

Kelsey Hinesley

Kelsey Hinesley

Over the summer our class learned the way color can have a very important role in how legible text can be. Making sure there is a clear contrast between text and its background is a serious detail in design.

For example if a light grey text is placed on a white background the viewer will likely have a difficult time reading the text. On the other hand if the paragraph is black on a white background then there is ample contrast between the two values to be legible. To show the importance of contrast in typography I will experiment on color gradients for both text and its background.

It will demonstrate when a contrast between text and its background is illegible and when it becomes legible to viewers.

12 Three Background Colors/Text Color

Four Background Colors/Text Color

/

/

21 22

CMY/C CMY/Y

CMY/M CMY/K

CMK/C CMK/Y

CMK/M CMK/K

47 48

CMYK/C CMYK/M CMYK/Y CMYK/K

CMKY/C CMKY/M CMKY/Y CMKY/K

2 3 24

CYM/C CYM/Y

CYM/M CYM/K

CYK/C CYK/Y

CYK/M CYK/K

49 50

CYMK/C CYMK/M CYMK/Y CYMK/K

CYKM/C CYKM/M CYKM/Y CYKM/K

2 5 26

CKM/C CKM/Y

CKM/M CKM/K

CKY/C CKY/Y

CKY/M CKY/K

51 52

CKMY/C CKMY/M CKMY/Y CKMY/K

CKYM/C CKYM/M CKYM/Y CKYM/K

27 28

MCY/C MCY/Y

MCY/M MCY/K

MCK/C MCK/Y

MCK/M MCK/K

53 54

MCYK/C MCYK/M MCYK/Y MCYK/K

MCKY/C MCKY/M MCKY/Y MCKY/K

2 9 30

MYC/C MYC/Y

MYC/M MYC/K

MYK/C MYK/Y

MYK/M MYK/K

55 56

MYCK/C MYCK/M MYCK/Y MYCK/K

MYKC/C MYKC/M MYKC/Y MYKC/K

31 32

MKC/C MKC/Y

MKC/M MKC/K

MKY/C MKY/Y

MKY/M MKY/K

57 58

MKCY/C MKCY/M MKCY/Y MKCY/K

MKYC/C MKYC/M MKYC/Y MKYC/K

3 3 34

YCM/C YCM/Y

YCM/M YCM/K

YCK/C YCK/Y

YCK/M YCK/K

59 60

YCMK/C YCMK/M YCMK/Y YCMK/K

YCKM/C YCKM/M YCKM/Y YCKM/K

3 5 36

YMC/C YMC/Y

YMC/M YMC/K

YMK/C YMK/Y

YMK/M YMK/K

61 62

YMCK/C YMCK/M YMCK/Y YMCK/K

YMKC/C YMKC/M YMKC/Y YMKC/K

37 38

YKC/C YKC/Y

YKC/M YKC/K

YKM/C YKM/Y

YKM/M YKM/K

63 64

YKCM/C YKCM/M YKCM/Y YKCM/K

YKMC/C YKMC/M YKMC/Y YKMC/K

39

40

KCM/C KCM/Y

KCM/M KCM/K

KCY/C KCY/Y

KCY/M KCY/K

65

66

KCMY/C KCMY/M KCMY/Y KCMY/K

KCYM/C KCYM/M KCYM/Y KCYM/K

41 42

KMC/C KMC/Y

KMC/M KMC/K

KMY/C KMY/Y

KMY/M KMY/K

67 68

KMCY/C KMCY/M KMCY/Y KMCY/K

4 3 44

KYC/C KYC/Y

KYC/M KYC/K

KYM/C KYM/Y

KYM/M KYM/K

69 70

KYCM/C KYCM/M KYCM/Y KYCM/K

KYMC/C KYMC/M KYMC/Y KYMC/K

4 5 46

CMY/K

71 72

MKCY/C

KYMC/Y

MCY/M

KMYC/C KMYC/M KMYC/Y KMYC/K

56

13 14

23 24

53 5 4

71 7 2

Landscape Architecture: Core Landscape Architecture Studio I

Student: Mitchell Miller Faculty: Kristian Kelley

Visual Communication Design: Core Visual Communication Design Studio II

Student: Kelsey Hinesley Faculty: Andrew Weed

Graduate First Year Industrial Design: Advanced Industrial Design Studio II

Student: Zhaoyi Yang Faculty: Velasquez / Xu

CROSS POLLINATION + CATALYZING URBANISM industry shift start of construction

design

construction

traditional design-bid-build

start of construction what to design

repeat until complete

public industry

architect-led design-build

education Examining how to foster collaboration in our group project inspired us to manifest those findings in the building. By overlapping program, space, and function we create collaborative environments for the Center for Integrated Design and Construction Research. These overlaps are supported by six cores; like the users of the building each core is unique.

Overlap

academic current system isolated disciplines

insert new typology

encourage cross pollination and collaboration

redefine site typology

B

PROGRAM MASSING 6

A

6

8

A Program

1 16

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

9

14 15

17

9 5

public

academic

industry

“hinge”

11

7

B

Site Plan/Level 1

ACTIVATING THE ALLEY

B

A

Fabrication Lab Studio Classroom Informal Collaboration Lecture (raked) Research and Development Auditorium Model Supplies Store Retail WC Welcome Center Offices Graduate Studio Student Exhibition Wood Shop Metal Shop Hot Work

A

4 2 15’6”

5

4 18’0” 15’6”

2

13’0” 18’0”

12

13’0”

4

7

6

6

Level 2

28’0”

3

A

A 4

3

4

13

4

28’0”

3 33’0”

28’0” 30’6”

Level 3

33’0” 28’0” 30’6”

30’6”

12 30’6”

B

SYSTEMS DIAGRAMS

regenerative elevators

cross ventilation

harvesting thermoelectric energy

shade south/reduce heat gain

chilled beams

photovoltaic arrays

rainwater harvesting

1

1

1

12 5

8

3 7

4 8

15

2 7 6

11 9

9

5

Details

16

1 2 3 4 5 6 7 8 9 10 11 15 16

Corrugated Perforated Metal Roof Terracotta Panel Facade Aluminum Rain Screen behind Terracotta Panels Extruded Aluminum Attachment rails for Terracotta Panels Two Layer Variable Support System for Corrugated Metal Panels Perforated Corrugated Metal Panel 5/8 GWB on 5-1/2” Metal Stud Framing with Batting Insulation Bar Joist 3” Concrete on 3” B-Deck Castellated Beam 13 Storefront Window System Suspended Ceiling Distributed Above Ceiling Fan Coil

3

10

10

3 2

4

1

4

Section B-B Facade Detail Section

11 7

6

9

10

14

2

3

1

1

4 1

2

1 5

6

1

2

1

3

1. mechanical 2. open workspace 3. collaboration space 4. electrical/IT

7

2

2

3 3 4

4

8

3

4

5

5

5 9

3

7

5 5 4

3

3

5 5 4

2

3

5

5 3

1. mechanical 2. storage 3. classrooms 4. subterranean courtyard

1. mechanical 2. workshop 3. garbage 4. gallery 5. lobby 6. entry plaza 7. elevator lobby 8. courtyard 9. restaurant

3

5. lecture halls

basement

ground floor

4

4 6

3

1. graduate workspace 2. research/prototyping 3. mechanical 4. collaboration space 5. faculty workspace

second floor

5

5

3

1. patio 2. cafe 3. studio space 4. collaboration space 5. pin-up/flex space 6. print lab 7. storage

third floor

typical tower floor

3 2

1

16

Spring 2015

4

3

4

2

6

6

8

Graduate First Year Architecture: Advanced Architectural Studio II

Students: S. Bates / A. Cleveland / S. Dehghani / C. Willie Faculty: Philip Horton

Architecture: Advanced Architectural Studio II

Students: K. Agory / J. Elumalai / A. Hoque / C. Keilty Faculty: Thomas Hartman

9

Section A-A

WAKE

C B A CENTER

REM

FOR THE BUILDING ARTS

LIGHT SLEEP

Your professional sleep assistant.

DEEP SLEEP

Sound sleep during night Refreshed awakening in the morning.

“INTO THIS NETWORK ARE PLACED UNITS THAT CATER TO ALL NEEDS. THESE UNITS ARE PLANNED FOR OBSOLESENCE. THEY ARE SERVED AND MANEUVERED BY MEANS OF CRANES OPERATING VERTICALLY AT THE APEX OF THE STRUCTURE” -PETER COOK [ARCHIGRAM]

warehouse

crane

DESIGN-BUILD IS A NEW TYPOLOGY THAT HYBRIDIZES EXPERTISE, TIMELINES, CONSTRUCTION MEANS AND METHODS TO DELIVER BUILDINGS FASTER, CHEAPER, AND BETTER INTEGRATED THAN EVER BEFORE. A SCHOOL FOR SUCH A MODE OF DELIVERY MUST ALSO EMBODY THIS HYBRIDIZATION: OVERLAPPING AND FLEXIBLE PROGRAMMING, UNCONVENTIONAL AND INTEGRATED MEANS OF COLLABORATION, NEW TYPOLOGIES OF CIRCULATION AND SPACE UTILIZATION, PLIABLE AND ADAPTABLE ENCLOSURE SYSTEMS. IT MUST BE A MACHINE THAT IS HIGHLY ADAPTIVE, YET ROOTED IN PLACE; SPECIFIC AND RESPONSIVE TO CURRENT NEEDS WHILE FLEXIBLE TO TACKLE UNEXPECTED CHANGE. IT MUST BE A BUILDING THAT BUILDS ITSELF.

ERGONOMICS 1ST FLOOR

2ND FLOOR

3RD FLOOR

4TH FLOOR

PLUG-IN LIFT SUPER COLUMN CATWALK PREFAB UNITS

CHARGER/PORTABLE CASE A cute home for your earbuds. The PEAR can be charged on the go.

WIRELESS CHARGE CHARGE END

+0

+5

+10

PLUG-OUT

+15

+15

+25

+150

PLUG-IN

LECTURE

COMPONENT Bluetooth

Transducer

STUDIO

FABRICATION LAB

Capacitive Sensor Pulse Ear Bone Mic Electrodes Accelerometer Antenna Thermometer Ambient Monitor Microphone

PROFESSIONAL HYPNOTIC SOUND

RESEARCH

HEALTH DATA RECORDER

PERFORATED SKIN

ASSEMBLY PIT

NO CABLE

ERGONOMICS DESIGN

SLEEP PHASE-CORRELATED ALARM

PASSIVE NOISE ISOLATION

TRACK SLEEP PERFORMANCE

TOUCH CONTROL

Design by: Zhaoyi Yang IND 522 Adv Industrial Des Studio II Instructor:Joseph Velasquez

Architecture: Advanced Architectural Studio II

Students: B. Blake / C. Bruce / S. Morgan / L. Mu Faculty: Elena Rocchi

Industrial Design: Advanced Industrial Design Studio II

Student: Zhaoyi Yang Faculty: J. Velasquez / Z. Xu

Battery

Graduate First Year Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio II / Advanced Urban Design Studio II

Students: S. Feng / R. Gao / A. Kulkarni / P. Price / X. Qu / J. Robertson / Z. Wang / R. Wu Faculty: P. Coseo / D. Petrucci

3

PV Path

4

1. Solar panels 2. Charging station 3. Porous pavement

Platform 1. Triangle truss 2. ETFE fabric membrane 3. Trex seating and decking 4. Concrete ramp / counter top 5. Solar panels 6. Lighting / Speakers

5

1

2

1

2

3

2 1 6

4

Platform

3

1. Triangle truss 2. ETFE fabric membrane 3. Trex seating and decking 4. Concrete ramp / counter top 5. Solar panels 6. Lighting / Speakers

3 3

PV Path 1. Solar panels 2. Charging station 3. Porous pavement

2 5 1

2

1

1

2

Graphic Canyon 1. ETFE projection screen 2. Glass 3. Trex decking 6

CREATIVE INFRASTRUCTURAL LANDSCAPES

HIDA IN DOWNTOWN PHOENIX

1

3

4

PV Path

2

FOUR AXONS OF HIDA DOWNTOWN

1. Triangle truss 2. ETFE fabric membrane 3. Trex seating and decking 4. Concrete ramp / counter top 5. Solar panels 6. Lighting / Speakers

5

VISIBILITY

ACCESSIBILITY

6 1

Willow Walk Dead Wood Forest Gallery Bridge

1. Solar panels 2. Charging station 3. Porous pavement

Platform

4

3

Highly Identifiable HIDA design tactics that link the physical characteristics of place with an emotional experience of design and the arts, which could be seen, heard, felt, and stored as a powerful positive memory • Proximity to transportation, HIDA buildings and active space • Guided and signed by continuous HIDA features

1

3

1. Trex decking 2. Wooden utility poles 3. Steel cistern planters 4. Porous pavement for parking 5. Planters 7. ETFE projection screen

1

HIDA design tactics that seamlessly encourage use of and ease of entry into design and arts experiences • Permeating HIDA culture and programs throughout the site and downtown • Encouraging community involvement with HIDA 4

3 3

1. Solar panels 2. Charging station 3. Porous pavement

6

1

5

2

4

6

Graphic Canyon 1. Triangle truss 2. ETFE fabric membrane 3. Trex seating and decking 4. Concrete ramp / counter top 5. Solar panels 6. Lighting / Speakers

1

1. ETFE projection screen 2. Glass 3. Trex decking

Platform

5

1

2

4 1

1. Solar panels 2. Porous pavement for parking 3. Bleaches 4. Blackbox 5. Glass curtain wall

2

1. ETFE projection screen 2. Glass 3. Trex decking

3

PV Path

HIDA Signature Buildings

1

An ongoing process to expand the boundary of HIDA culture and build new mutually beneficial Canyon town-gownGraphic relationships • Involve HIDA with local communities, even bring more various group of people such as high school students and visitors • Collaborate events and infrastructure and re-form street to be a new topology for downtown Phoenix

3

5

4

BECOMING

2

Creation of outdoor participatory places that support collaboration between HIDA and the public for making and experiencing the design and the arts • Bring technology to HIDA programs and reimagine the presentation of HIDA culture

5

2

1

2

PARTICIPATION

2

3

1

3

Willow Walk Dead Wood Forest Gallery Bridge

2

3 1

1. Trex decking 2. Wooden utility poles 3. Steel cistern planters 4. Porous pavement for parking 5. Planters 7. ETFE projection screen

1

1 3 2

2 6

3

4

2

4

4

5

6

The Avenue

Platform

1. Street lights 2. Stage for art circle 3. Bollards 4. Vine wall 5. Porous pavement 6. Grass for recreation and water retention

3

3 5

Willow Walk Dead Wood Forest Gallery Bridge

5

1. Triangle truss 2. ETFE fabric membrane 3. Trex seating and decking 4. Concrete ramp / counter top 5. Solar panels 6. Lighting / Speakers

3

1

4

3

PV Path 1. Solar panels 2. Charging station 3. Porous pavement

6

3 1

HIDA Signature Buildings

1. Trex decking 2. Wooden utility poles 3. Steel cistern planters 4. Porous pavement for parking 5. Planters 7. ETFE projection screen

Graphic Canyon 1. ETFE projection screen 2. Glass 3. Trex decking

1. Solar panels 2. Porous pavement for parking 3. Bleaches 4. Blackbox 5. Glass curtain wall

4

1

2 1

1

2 2

1

2

4

3 3 3 5

2

4 5

4

HIDA Signature Buildings

6

1. Solar panels 2. Porous pavement for parking 3. Bleaches 4. Blackbox 5. Glass curtain wall

4

1

3

Willow Walk Dead Wood Forest Gallery Bridge

PV Path 1. Solar panels 2. Charging station 3. Porous pavement

1

3

1 1

1. Trex decking 2. Wooden utility poles 3. Steel cistern planters 4. Porous pavement for parking 5. Planters 7. ETFE projection screen

3

5

The Avenue 1. Street lights 2. Stage for art circle 3. Bollards 4. Vine wall 5. Porous pavement 6. Grass for recreation and water retention

2

6

3 2 2

4 4

Graphic Canyon 1. ETFE projection screen 2. Glass 3. Trex decking

3 3 5

HIDA Signature Buildings 1. Solar panels 2. Porous pavement for parking 3. Bleaches 4. Blackbox 5. Glass curtain wall

4

1 3

1

2

5

The Avenue 1. Street lights 2. Stage for art circle 3. Bollards 4. Vine wall 5. Porous pavement 6. Grass for recreation and water retention

6

4 5

6 1

Willow Walk Dead Wood Forest Gallery Bridge

Graphic Canyon 1. ETFE projection screen 2. Glass 3. Trex decking

3

3

1

2

1. Trex decking 2. Wooden utility poles 3. Steel cistern planters 4. Porous pavement for parking 5. Planters 7. ETFE projection screen

4

1

5

2

2

4

5

The Avenue 1. Street lights 2. Stage for art circle 3. Bollards 4. Vine wall 5. Porous pavement 6. Grass for recreation and water retention

4 3 3

6

5

6 1

Willow Walk Dead Wood Forest Gallery Bridge

HIDA Signature Buildings

3

1. Solar panels 2. Porous pavement for parking 3. Bleaches 4. Blackbox 5. Glass curtain wall

4

1

1. Trex decking 2. Wooden utility poles 3. Steel cistern planters 4. Porous pavement for parking 5. Planters 7. ETFE projection screen

1

2

4

3 2 3 3 4

5

HIDA Signature Buildings 1. Solar panels 2. Porous pavement for parking 3. Bleaches 4. Blackbox 5. Glass curtain wall

4

1

5

The Avenue 1. Street lights 2. Stage for art circle 3. Bollards 4. Vine wall 5. Porous pavement 6. Grass for recreation and water retention

6

The ArtCycle was conceived as the signature event of the HIDA District downtown. Trough ArtCycle, HIDA becomes an integral element of the city, engages new students, encourages collaboration between disciplines and benefits local high school kids.

3 2

4

5

The Avenue 1. Street lights 2. Stage for art circle 3. Bollards 4. Vine wall 5. Porous pavement 6. Grass for recreation and water retention

6

First Fridays is an established monthly local arts event that currently lacks presence west of Central Avenue. HIDA can leverage the activity generated by First Friday to strengthen the towngown relationship and complement the existing 2-D focus by promoting HIDA performance. HIDA will help elevate First Fridays from the local to the global level through open-house reviews and critiques aligned with the ArtLink calendar.

Integrating HIDA into the downtown area will affect the daily lived experience of HIDA students, local professionals and Phoenix residents. The paths of these publics will intersect and combine, contributing to a revitalized urban intensity, and transforming space into place through interconnected programs.

Spring 2015

Graduate First Year Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio II / Advanced Urban Design Studio II

Students: S. Feng / R. Gao / A. Kulkarni / P. Price / X. Qu / J. Robertson / Z. Wang / R. Wu Faculty: P. Coseo / D. Petrucci

Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio II / Advanced Urban Design Studio II

Students: S. Feng / R. Gao / A. Kulkarni / P. Price / X. Qu / J. Robertson / Z. Wang / R. Wu Faculty: P. Coseo / D. Petrucci

HIDA PUBLIC SPACE A new identity ISSUES

PV Panels

COMPONENTS

POSITION

205,000 sq.ft - 6,108 KWh

PV Panels Structure

Consolidate the program

Scattered satellite HIDA buildings

Upper level roof Upper level Exhibition - Performance Café - Art Design - AME - CoOp Music Dance - Theatre

Lack of identity and discipline crosspollination

Showcase identity and crosspollination Upper level framing Vertical Circulation Columns

Thin Surface

Thick Surface

New "Thick" Surface Study - Picnic - Yoga Playground Sports Events - Markets Performance

MANIFESTO MADE VISUAL

Solar heat island

Mitigate heat island and produce energy

Rain water wasted every year

Collect and reuse rain water

Manifesto | Design Dialectics

by Minhua (Iris) Zhu This series of posters visually shows my own manifesto as a designer. My manifesto indicates my methods, goals and aspirations as a designer. The manifesto is titled as Design Dialectics and has 3 parts, which are Thinking, Making and Reflecting respectively. This series of posters develops a visual system to use different background colors for the three parts and all circles as basic elements to showcase 15 points of my manifesto in a cohesive way.

UNIVERSITY DR

MYRTLE AVE

GROUND LEVEL

Poster Size: 11"×17"

PROGRAM UNIVERSITY DR

A

For more information, please visit: irischu.com

MILL AVE

behance.net/irischu

ACTIVITIES

N

A

0' 15' 30'

60'

PROGRAM

UPPER LEVEL UNIVERSITY DR

ACTIVITIES

MILL AVE

A

N

A

0' 15' 30'

60'

35' 80' 40'

LONG SECTION A-A

PROGRAM

SAMPLE BAY CONSRUCTION ASSEMBLY

Photovoltaic Panel

SAMPLE BUILDING CONSTRUCTION ASSEMBLY

Canopy Steel Structure Roof Insulation Metal Deck Steel Angle Bolted Steel Rectangular Tube Steel Beam

PV Panels Theatre scrim shading Steel Frame Glazing

PV Panels Structure

Roof deck

Curtain Wall Frame

Steel Cable Railing

Raised Floor Roof Bolted Steel Frame

Concrete on Metal Steel Girder Ceiling Track Steel Column

Building - One Unit

SOLAR POWER

Floor Deck Planters Column

Floor Bolted Steel Steel Staircase Curtains

WATER COLLECTION

Floor Track Electrical Plug Concrete Footing

FILTER

CISTERN

FILTER

Graduate Final Year Visual Communication Design: Advanced Visual Communication Design Studio II

Student: Minhua Zhu Faculty: Lindsay Kinkade

Architecture: Advanced Architectural Studio IV

Student: Francesca Zucchi Faculty: Diego Garcia-Setien Terol

SECTION DETAIL 1/4" = 1' - 0"

All human languages contain terms to characterize personality traits—relatively enduring styles of thinking, feeling, and acting. All human cultures include words for describing individual differences in personality.

Morphology

/mɔːˈfɒlədʒɪ/

The urban space of Helsinki is cut into blocks composed by series of attached interior spaces that wrap around courtyard spaces. However, due to the layer-bylayer accumulation process over time—similar to the various affixes added to nouns and verbs in the Finnish language—the void spaces in each element tends to vary.

Some words cannot be translated into a corresponding word in other languages. For example, the Finnish word Tokka means a large herd of reindeers; Sisu means taking action against the odds and displaying courage and resoluteness in the face of adversity, thus expressing the historic self-identified Finnish national character.

The morphology of something is its form and structure.

In linguistics, morphology refers to the way words are constructed with stems, prefixes, and suffixes. 1 Urban morphology is an accumulation of material and spiritual civilization in different historical stages of urban development, changing with the city's development. 2

Among the various patterns, three frequent patterns are abstracted from Helsinki’s urban area. One can see that these all these forms originate from a square. However, each of them changes its void shapes, representing the various affixes added to a sentence element.

Reference 1. Comrie, Bernard. Language universals and linguistic typology: Syntax and morphology. University of Chicago press, 1989.

2. Levy, Albert. "Urban morphology and the problem of the modern urban fabric: some questions for research." Urban Morphology 3 (1999): 79-85.

3. Dixon, Robert MW. Where have all the adjectives gone?: and other essays in semantics and syntax. Vol. 107. Walter de Gruyter, 1982.

4. McCrae, Robert R., and Paul T. Costa Jr. "Personality trait structure as a human universal." American psychologist 52, no. 5 (1997): 509.

5. Helsinki aerial photograph, Color photograph, http://virtual.vtt.fi/virtual/proj6/cost/c3/gallery.htm (accessed April 12, 2015) 6. Alvermann, Donna E., Margaret C. Hagood, and Kevin B. Williams. "Image, language, and sound: Making meaning with popular culture texts." Reading online 4, no. 11 (2001): 2-7.

7. Harley, Trevor A. The psychology of language: From data to theory. Psychology Press, 2013.

8. GH-1128435973, Urban contact diagram, http://designguggenheimhelsinki.org/finalists/GH-1128435973 (accessed April 28, 2015)

Different from English language, the structure of a Finnish sentence is always composed with no prepositions but with various affixes to nouns or verbs to describe a scene.

From an urban point of view The Helsinki logic

From a linguistic point of view The Finnish logic Scott Murff

Professor Xi ZHU Architect

MORPHOLOGY Spaces without preposition Guggenheim Helsinki

N

C

A

0ʼ

-2ʼ

B

B

A C

0 1

2

4

1/8” = 1ʼ

Section AA

Section BB

3 3

3

Section CC 1.Lobby and Visitors Services 2.Retail and Dinning 3.Exhibition Galleries 4.Collections Storage and Management 5.Events 6.Research and Office 7.Entrance Plaza 8.Bay Theather 9.Temporary Galleries or Dinning 10. Bay Park

5 3

6

1/50"=1'0"

6 7 1 4

3

3

2

3 10 9

8

11

Longitudinal Section Perspective

Spring 2015

Graduate Final Year Architecture: Advanced Architectural Studio IV

Student: Xi Zhu Faculty: Scott Murff

Architecture: Advanced Architectural Studio IV (Independent Project)

Student: Ali Abbaszadegan Faculty: Claudio Vekstein

Fishook Cacti

Velvet Mesquite

Desert Grass

Mastic

Bougainvillea

Mesquite

Glass

Decomposed Granite

Volcanic Rock

Exposed Aggregate Concrete

Onyx

Concrete

Transverse Section Perspective

SUBURBAN TACTICS PROGRAMMING VOIDS IN SUBURBIA

American suburbia over the past half century has created voids within both public and private spaces. Public-private thresholds become boundaries that separate neighbors causing social inaction. Examining the situations found in many neighborhoods within the Phoenix Metropolitan Area, suburban voids become programmed through the implementation of suburban tactics that respond to social connectivity, economic sustainability and environmental symbiosis, resulting in a holistic neighborhood on multiple scales.

ISSUE_SUBURBAN HOUSING IN A SPRAWL CITY

// PARALLEL 45

POSITION_URBAN CORE

MANIFESTATION_URBANIZED SUBURB

ANA . BIOTIC (sub)URBANISM

Parallel 45 is a concept development project aimed at using research insights to guide the development of three hunting pack concept designs.

ANABIOTIC SUBURBANISM noun 1. a resuscitation of life within the suburbs resulting from social activity, economic stability and environmental symbiosis through the collection of varied anecdotes of suburban neighborhoods.

TACTICAL FRAGMENTS

The tactical fragments are three case studies of anabiotic suburbanistic growth. From a tactical approach, the first changes to the neighborhood are hypothesized to begin from the desire to be more socially active followed by the economical and environmental paradigms. Each change to the neighborhood responds to the immediate needs of the homeowner, the needs of the neighborhood and the needs of the city.

THREE THRESHOLD CASE STUDIES

focusdesign Key insights from interviews were translated to personas to focus the next phase in the design process. Each persona has specific and shared design opportunity markers.

2_CORE

1_INTERSECTION

IDEATIONSKETCHES SITE PLAN

3_CORRIDOR

INSPIRATIONPRODUCTS simple|functional|clean|durable

4_CITY

N.T.S.

FINALCONCEPTS

1_INTERSECTION

REALITIES

2_CORE

GUIDELINEINFORMED

3_CORRIDOR

The previous fragments dealt with social conditions of public spaces while this case study layers in the realities of how to utilize the void spaces within the house and transform them into social, economical, and environmental spaces that diffuse out into the community fabric. The long term goal is to densify the neighborhood not only in population, but also in activity to produce an identifiable suburban community, which responds to the social inactivity found in many neighborhoods within suburbia.

WATERPROOF SIMPLE FORM

QUIET FABRIC INTUITIVE USE

CLEAN MATERIAL EXPANDABLE DURABLE

CUSTOM FIT FUNCTIONAL LIGHT WEIGHT

SPECPACK:

DESIGNGUIDE BACK

FRONT

13in.

1

1

body-main

2 body-accent 5 20.25in.

3

2

3

strapping

4

weapon sling

5 carry pouch 6 shoulder pad

shoulder straps

CONNECTION TO CITY

After the transformations are complete from suburban tactics, a private-public partnership happens among the residents, the city, energy providers, and Arizona State University. The partnership allows for the development of an infrastructural addition in the public space of the alley and city for socially active space, economic stability and environmental symbiosis.

back waist padding

4

3/4 buckles, zipper pulls

6

SIMPLE•FUNCTIONAL•DURABLE

Architecture / Interior Architecture: Advanced Architectural Studio IV / Advanced Interior Architectural Studio IV

Students: M. Mendoza / T. Sternberg Faculty: Milagros Zingoni

Industrial Design: Advanced Industrial Design Studio IV

Student: William Bingman Faculty: L. McDermott / T. McDonald

Signs Signs Signs Signs

BluesBluesBluesBlues

According According According to According Thomas to Thomas to Sebeok Thomas to Sebeok Thomas (2001), Sebeok (2001), Sebeok signs (2001), signs is(2001), something signs is something signs is something is something Classical Classical Classical Classical that that stands that stands for that stands something forstands something for something for else. something else.

There else.

There areelse.

There three areThere three are types three are types three typestypes Country Country Country Country of signs. of signs. of Icon: signs. of Icon: sign signs.

Icon: sign form Icon: sign form which sign form which simulates form which simulates which simulates its simulates referent its referent its referent its referent Electronic Electronic Electronic Electronic in some in some way, in some way, inindex: some way, index: sign way, index: sign form index: sign form which sign form which establishes form which establishes which establishes aestablishes a a a Hip-hop Hip-hop Hip-hop contiguity contiguity contiguity with contiguity with its referent with its referent with its referent and its referent and symbol: and symbol: sign and symbol: sign symbol: formsign form that sign form thatform thatthatHip-hop stands stands arbitrarily stands arbitrarily stands arbitrarily or arbitrarily conventionally or conventionally or conventionally or conventionally for its forreferent. its forreferent. its forreferent. its referent.

Visual Visual Music Visual Music Visual Music Music

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Graduate Final Year Visual Communication Design: Advanced Visual Communication Design Studio IV

Student: Megha Parashar Faculty: Mookesh Patel

88

88

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TRANSITioning the WATERSHED Balance systems to

AT&T

11:57 AM

CAPTURE surface runoff HARVEST rainfall REUSE adjacent greywaters

[Layering sustainable WATER management] for landscapes within Places which

Log in

Habit Ring

experience population growth soon promote sustainable lifestyle

Sign up Colorado River

User Name

Arizona

Password

Habit Formation App Yao Wang

Water is a vital and misunderstood resource in arid urban environments. Climate change, rapid urbanization and likely future drought, place the Phoenix metropolitan area at risk of water scarcity. Arid urban landscapes are particularly vulnerable. They depend on supplemental irrigation to provide robust ecosystem services. In order to ensure those ecosystem services, we must design the water budget for urban landscapes to be independent and resilient. With the expected urbanization that accompanies transit-oriented development, there is opportunity to test the layering of multiple water management systems for creating urban landscapes resilient to water scarce futures.

OR Use account form third party Verde River Watershed

Salt River Watershed Phoenix AMA

In the past century a series of water management systems developed which enable urban settlement to occur in the arid southwest. See figure 1. The redundancy of layered systems has removed the population from the challenges of water scarcity.

The systems are nearing capacity and require a future of less water demand. It is difficult to change or shift the culture of water use that has developed in the Phoenix metropolitan region. As Paul Goldberger described fifteen years ago, our relationship to water in the west is one of expectation:

figure 2.

Colorado River Basin Water Supply and Demand Study

U.S. Department of the Interior, Bureau of Reclamation

”Water is critical, but once it is provided - as it has to be or Phoenix could not exsist - but once it is provided it does not bring and answer to what this city should become.

It is a precondition to an answer.

The politics of water, as all of you know, are essential, but they are not, in themselves, an answer. It only buys you entry into the next level of questions.”

-Paul Goldberger Desert Cities: Water Politics and Design Dinner Lecture, February 19,1999

Mesa

CAP canal

12 weeks

1 new habit

Phillippa Lally and her research team conducted research to figure out how long it actually takes to form a habit. The study examined the habits of 96 people over a 12-week period.

Each person chose one new habit for the 12 weeks and reported each day on whether or not they did the behavior and how automatic the behavior felt.

Colorado River water harvested through Central Arizona Project Salt and Verde Valley watersheds captured by Salt River Project Aquifers within Phoenix Active Management Area, used and reused

less precipitation

Urban landscapes are particularly at risk during water scaricity. See figue 3. More than half of our water demand in the Phoenix metropolitan area goes towards irrigating landscapes. The arid southwest does not recieve enough annual rainfall to sustain vegetation in the challenging environment of urban cities. In addition to capturing rainfall to water urban plants, we must also find other sources to supplement the water demand of healthy, vibrant landscapes. Within the urban watershed there are also three potential sources of water the may be captured, harvested, and reused to sustain urban landscapes.

We are just being to quantify the benefits of green infrastructure within our cities. See figure 4.

Productivity

prolonged

DROUGHT

The result is that, on average, it takes more than two months before a new behavior becomes automatic – 66 days to be exact. The process of habit formation takes a long time.

66 days to from a new habit

$$ HARDSHIP

decreases available water

increase HEAT index

Routine

Cue

Charles Duhigg, the author of the book, The Power of Habit points to something called The Habit Loop. The loop contains three parts: the Cue that prompts the behavior, the Routine of the behavior itself and finally the Reward that satisfies the craving.

Reward

In another fifteen years, water will no longer be a precondition. See figure 2. It will be more central to our daily choices. Our relationship to water must be part of the answer of what our cities will become in water scarce futures.

figure 3.

Urban landscapes at risk during water scarcity

As we prepare to transition to a less abundant water future, we must find ways to communicate the relationship between water and the ecosystem services it enables. It is a difficult to balance multiple systems to promote resilient ecosystem services- but that balance must be on display to engage the public in a discourse about water futures in an arid urban environment.

CAPTURE

‘C’ yield %supply

The Habit Loop

“The collection of rain without an artifical inducement.”

- (2012) Kinkade. Design with Water

The intent is to concentrate runoff and collect it in a basin or cistern to be stored for future use. The water is eventually delivered through an irrigation system.

Project: Ten Eyck Landscape Architects Inc. Underwood Family Sonoran Landscape Laboratory

ALSA.ORG

REUSE

To change existing habit, the key is to break the old loop and find a new routine to achieve the same reward for the same cue.

To form a new habit, the key is to strengthen the effective loop and speed it up.

‘R’ yield %supply

KL

ETo irrigation system inefficiency

Project: Kevin Robert Perry, ASLA SW 12th Anvenue Green Street Project

HARVEST ‘H’ yield %supply

DEMAND

The directional collection of rainfall into defined permeable regions for infiltration

Many techniques capture and infiltrate stormwater.

Green Infrastructure is often used to describe a network of decentralized stormwater management practices.

ALSA.ORG

CONCEPT DEVELOPMENT

figure 4.

Ecosystem services of urban trees compiled from

(The Value of Green Infrastrcture, Center for Neighborhood Technology, 2010) and (City of Melbourne, Urban Forest Strategy, 2012)

plant coefficient

evaporation transpiration

runoff

96 people

figure 1.

3 Sources of water in Central Arizona

WATER

RESEARCH

Recirculating previously used water within the site

DELIVERED

percolation

How much water meets irrigation demand to ensure continued ecoservice benefits of landscapes in arid urban environments?

Greywaters: waste waters of previous use with varying degrees of contamination excludes waste water contaminated by human waste (blackwater)

Greywater systems are varied and complex.

context specific, numerous sources, increased investment, clearly defined goals

Project: Ten Eyck Landscape Architects Inc. Underwood Family Sonoran Landscape Laboratory

ALSA.ORG

Gilbert Rd / Main St - future Light Rail TOD

Mesa, Arizona

Non residential parcels likely to be redeveloped with the addition of Light Rail

Major ridges define urban watersheds Land Use Legend

University Drive

Light Rail Station expected completion 2018

Minor ridges contain and direct flows

ol

d ate id

Surface flows within watershed, commercial properties function in isolation

l

a an C

Gilbert Drive

ns

Stapley Drive

Co

The goal of this project is to explore the possibility of creating a mobile application to build an organized system, guiding and helping users to form or change a habit. It aims to use the methodology of habit loop and create an adaptive format that meets the need of different kinds of habits.

Lindsay Road

Main Street

Ranking and grading of parcels likely to be redeveloped.

Broadway Road

Development Opportunities within

WsTOD The transit oriented district surrounding the light rail station at Gilbert Rd and Main St in Mesa, AZ is likely to experience rapid redevelopment in anticipation of the new light rail station opening in 2018. Parcels were identified that will likely be redeveloped and the potential water supply and demand of these new landscapes were identified.

The relation of each parcel to the adjacent watershed was considered when calculting possible supply and demand. This is method establishes the required resources necessary to determine if a balanced water system is possible.

As the design refines, the numbers also refine.

MAPPING

SKETCHING

SKETCH AND WIREFRAME

Traditional TOD defined by 15 minute walkability

TOD defined by flows of water within 15 minute walkable watershed

TESTING

INFORMATION FLOW

Watershed Transit Oriented District (WsTOD)

8 guidelines of WsTOD design

Walkable Human Habitat

Showcase Water Components

Accommodate Plants

Diverse Plant Palette

Efficient Collection/ Delivery of Water

Sustainable Materiality

Relate Site Development to Ecosystem Services

Reveal Conveyance

WsTOD guidelines are basic considerations to apply in the design of redeveloped parcels within the walking distance of transit hubs.

Their intent is to streamline the efficiency of the layered water management systems while exposing the function of those systems to the diverse users passing through these transportation hubs.

VISUAL COMPS

Outcome/Benefit: Capturing, harvesting and reusing water available within a transit-oriented development district to meet irrigation needs of landscapes- ensuring continued ecosystem services benefit within arid urban environments.

Spring 2015

Graduate Final Year Industrial Design: Advanced Industrial Design Studio IV

Student: Yao Wang Faculty: L. McDermott / T. McDonald

Landscape Architecture / Urban Design: Applied Landscape Architecture Project / Applied Urban Design Project

Student: Mary Villarreal Faculty: Kenneth Brooks

Form as Language

Exploring possibilities of symbolic forms as a visual language to make communication universally accessible This study focuses on understanding and testing visual forms as a method to share knowledge and information or interact with a large cross-cultured audience. The applied projects involve representing, perceiving and interpreting a new set of visual system for communicating specific ideas within specific context.

Applied Project: Reach Out A need or situation based simple visual system to help make communication better between victims and first responders during disasters. Creating a visual language that serves a social purpose.

Communication System Diagram

Social

Inquisitive

Question

Habitual

Informative

Interact

Gestures

Emotional

Learn

Entertainment

Marks

Expressive

Transfer Knowledge

Body language

Visuals

Influence

Sounds

Expressions

Behavior

Linguistic

Writing Systems

Non-linguistic

Spoken Words Ease

Stress

Icons

Photographs

Natural

Artificial (technological)

Visual Communication System for a stressful situation

Proposed visual system

Man (m)

Woman (w)

Clothes (m)

Clothes (w)

Dead (m)

Panic

Scared

Injured (m)

Injured (w)

Devastated (m) Devastated (w)

Water

Air

Fire

Electricity

Lonely

Dead (w)

Despaired (w)

Despaired (m)

?

?

Confused (m)

Confused (w)

Danger

Hazard

Stop

!

( ) ( ) ( ) (x) Safe

Save us (m)

Save us (w)

Unsafe

Need

Need water

Cold

Hot

Comfort

Shelter

Evacuate

Medical

Disabled

Rescue

Talk

Emergency

E

Disabled need evacuation

Injured man need medical

Cold need clothes

Applied project: Visual Music Communication System Diagram

Social

Inquisitive

Informative

Visual

Expressive

Audio

Sounds Gestures

Marks

Symbolic

Other formal systems

Knowledge

Iconic

Indexic

Photographs & Real drawings

Combination of iconic & symbolic

Body language, Expressions & behavior

Linguistic

Non-linguistic

Spoken Words Natural

Writing systems

Decode

Artificial (technological)

Interaction

Development of systems

Better empathy

Signs

Blues

According to Thomas Sebeok (2001), signs is something that stands for something else. There are three types of signs. Icon: sign form which simulates its referent in some way, index: sign form which establishes a contiguity with its referent and symbol: sign form that stands arbitrarily or conventionally for its referent.

Classical

Country Electronic Hip-hop Abstract form

Visual Music

Abstract form and color

Expressive form

Realistic form

Realistic form and Abstract form

Realistic form, Abstract form and color

21

Creating a visual system to test both, accessibility and effectiveness, on a cross-cultured platform taking music genres as a commercial or entertainment need.

Experimenting with visual elements to create both indexical and symbolic forms to represent different music genres.

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Comparative Analysis On the right is a comparative result of the survey that was conducted with a variety of cross-cultured people.

The numbers in the comparative results indicate which form best represented the genre for the survey takers.

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Final forms in actual size

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95

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79

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Visual Communication Design: Advanced Visual Communication Design Studio IV

71

79

90

Student: Megha Parashar Faculty: Mookesh Patel

88

Science in Design: Applied Project

Student: Qi Wang Faculty: John Takamura

Catalogue printed on Forest Stewardship Council certified Mohawk Options

Printed by Prisma Graphic Phoenix

Pages 4, 5, and 76 Photographs

by Craig Smith and Tim Trumble Photography

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ASU Herberger Institute for the Design and the Arts Š 2015 Arizona Board of Regents.

All rights reserved.

http://issuu.com/ thedesignschoolasu Catalogue and Exhibit Production

by Arina Anoschenko, Stephanie McNicol, and Stephanie Williams

Cover and Catalogue Design by Andrew Weed

The Design School

PO Box 871605 Tempe, AZ 85287-1605 design.asu.edu