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Monday, March 12, 2018

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Monday, March 12, 2018

Table of Contents N E

W S

POLYVINYL Emily talks to local record label Polyvinyl about its history, what its strategy is when signing bands and what listeners can expect from it in the future.

page 5

SUMMER CAMP ON THE ROAD Summer Camp brings the battle of the bands to Canopy Club. Buzz catches up with local competitors on why they think they deserve a spot on the festival lineup.

page 6

WPGU LOUD AND LOCAL

RATBOYS

Mateo breaks down the importance of getting to know local bands and WPGUâ€™s initiative to give them a platform on campus.

Lizzie chats with Ratboys, an upand-coming rock band, about coming from its humble beginnings to touring internationally.

page 9

page 12

Monday, March 12, 2018

The Daily Illini

Canopy Club showcases live EDM the day-to-day happenings of The Canopy Club look easy. Part of his job is to ensure Live music venues exist aplenty in the performances run smoothly, and careful Champaign-Urbana community. From the planning on his part results in a successful State Farm Center, which can hold 15,000 evening and a happy crowd. people, to the local brewery in downtown While many enjoy the fruits of Ingram’s Urbana, University students and local res- labor, few are aware of the process idents alike have been enjoying music per- involved in booking a show. formances in person for decades. “For headlining shows, we’ll get differNo venue has a more prominent present solicitations from agents, or we’ll reach ence on campus than the iconic Canopy out to bands and acts that we like,” Ingram Club. said. “Based on that, we’re always trying to Since 1998, Canopy has offered up the figure what they’re looking for and how we stage to music groups big and small, local think the show might sell.” and international, well-known and undisIngram knows a thing or two about covered. A professional entity, much of compiling a successful lineup after bookthe work is done behind the scenes by ing shows for over 17 years. His secret: Mike Ingram, talent buyer for The Canopy pragmatism. He has no overly comClub. His self-described title illustrates plex ideologies when it comes to bookthe Bohemian atmosphere of the club’s ing shows, only a motto: Whatever works, interior. works. Ingram’s dedicated work ethic makes “The crowds that we’re trying to draw BY MARK TOLEDANO BUZZ WRITER

are the people who come to see the live shows,” Ingram said. “If we can book something that they like, that’s always going to be what wins. I just want people to be here.” Keeping in line with the approach Ingram has taken, he understands University students make up a sizable portion of the club’s customer base because of its location on campus. Therein lies the reason The Canopy Club puts an emphasis on showcasing electronic dance music, or EDM. Those who criticize the club for not offering diverse music fail to see the simple economics behind the club’s music selection. Demand exists among college students for popular music, which is currently EDM. The Canopy Club fills the demand by supplying shows featuring EDM musicians. And when trends in popular music

change, which they will, Ingram will stand ready to move The Canopy Club in the direction it needs to go. “Things are cyclical. Some things fall in and out of fashion,” Ingram said. “It’s just a different world out there.” Future trends in music are uncertain, but Ingram knows one thing for sure: Live music is the best way to experience an artist’s work. College students, especially, need constant reminding of this. In a world where millions of albums await at your fingertips, it is easy to lose sight of the value of going out for a night of music in person. “Live music is a whole different animal,” Ingram said. “Things can go amazingly right or fantastically wrong. You're witness to it as it unfolds.” markjt2@readbuzz.com

Music festivals own up to gender inequality are relatively smaller fests, compared with the larger European fests that have Gender inequality is typically related to signed on. legal, political, workplace, education and Keychange is the correct solution to a other public sectors associated with male very serious social problem. dominance. But a less obvious sector is If festivals don’t allow an equal amount the music scene — specifically at concerts of women to play, they are misrepresentand festivals. ing storytellers and half of the music This is where the Keychange Initiative industry. This is true, and we are denywants to make a difference for the better. ing great and talented artists from getting Keychange describes itself on its webtheir work out there. site as “a pioneering European initiative However, if everything needs to be repwhich is empowering women to transresented, the same argument needs to be form the future of the music industry and made on why jazz or classical is not repencouraging festivals to achieve a 50:50 resented in the festival arena, and why balance by 2022.” fests are denying equal representation Keychange’s website also cites data to music genres with more influence on showing the gender disparity of musimusic today than pop and rap. cians at festivals. I think Vanessa Reed, CEO of the PRS “Across the participating countries’ Foundation, which sponsors Keychange’s collecting societies, women represent 20 website, put it best when she told BBC, percent or less of registered composers “I’m hoping that in five or 10 years from and songwriters,” it says. now, we’ll have gotten to a point where we In America, there are only two festidon’t need to keep talking about this, and vals currently partnered with Keychange, the stages better reflect the audiences and they are the New York City Winter they’re serving.” Jazz Festival and A2IM Indie Week. Both The audience’s wants and needs make BY JESSE TAMAYO BUZZ WRITER

more sense as to why there is gender inequality at festivals. Theoretically, if a headlining spot at Lollapalooza remains open and the option is between Chance the Rapper and Cardi B, and the customers want Chance and the founder chooses Chance, is the festival sexist or simply doing business? The problem with Keychange is it doesn’t allow for the idea of an artist being more popular than another; it only allows for blame to occur. Keychange labels who may want to see more male artists than female and the host festival as sexist and intolerant. Of course, gender inequality is a serious issue and I’m not disregarding or stating this issue does not exist, even in the music realm where it may go overlooked. “(We) Launched project ReBalance, which will provide 36 female artists with one week’s studio recording time over the next three years,” said Melvin Benn, managing director of the Festival Republic. “The aim is to create a bigger pool of female acts so that festivals have a ‘greater choice’ when it comes to booking their

lineups.” Benn doesn’t think ideas like Keychange are the answer, yet his festival is 75 percent women and he stands by the idea of gender equality. Benn’s solution allows for competition in the music industry while helping those who are less advantaged. Gender inequality is an issue not to be taken lightly, but the issue is not open for conversation when we stop at an idea like Keychange for the ultimate solution. To support an initiative whose statement is gender equality, but then makes a list of those who agree with them, automatically condemns those who don’t support them as sexist and intolerant of change and creates a roadblock instead of a bridge. Gender inequality needs to be solved; all musicians, no matter their gender, have the right to perform on stage and shouldn’t have to face their identity as another hurdle toward success in the music industry. jtamayo4@readbuzz.com

The Daily Illini

Monday, March 12, 2018

Polyvinyl label continues to grow BY EMILY PEASE BUZZ WRITER

Polyvinyl is an independent record label based in Champaign known for its production with the likes of Jeff Rosenstock, Braid, Rainer Maria and American Football. Its contributions to the local music scene have solidified Champaign-Urbana as one of the Midwest’s music capitals, and it further pushed DIY bands to the forefront of popular music. The label was started by two Danville High School students, Darcie Knight and Matt Lunsford. Knight and Lunsford published “Polyvinyl Press,” a small photocopied fanzine which helped promote their love for the underground music scene, DIY shows, skate culture and all of their friend’s bands. Now, in its 22nd year of business and after hundreds of releases, Polyvinyl has stayed true to its original values. Polyvinyl is independently owned and operated, and it still fosters a partnership model with its bands. Similar to the profit sharing used by labels Dischord and Touch and Go, the label splits profits 50-50 with its bands and allows its bands to make the music they envision. At its core, Polyvinyl works to keep its DIY

ethics from being a self-sufficient label with low costs, giving their artists the freedom and power to work how they please. While Polyvinyl started with C-U-based bands like Braid and American Football, eventually, Midwest-area groups such as Rainer Maria joined in on the Polyvinyl roster. Its eclectic roster is attributed to organic networking through suggestions by publicists and artists who Polyvinyl bands meet and befriend through touring. The label continues to grow in all directions with a diverse repertoire of bands representing a number of genres, from punk to rock to electronic. “What sets us aside is our relationship with our bands, and I think we have at least one band for everyone to listen to,” said Chris Hassen, director of operations for the record company. Though a notable music powerhouse, the label continues to enable an environment enriched by their roots and family. Polyvinyl is rooted in the C-U area and stayed here as the family of founders Knight and Lunsford grows, as well as other Polyvinyl family members who have decided to make homes for themselves and their families in the area. Hassen iterates the sense of family and

LOUD AND LOCAL Local musicians live on your local radio station Tune into WPGU 107.1 on Sundays at 7pm to hear live performances on air!

Are you a local musician or band and want to perform at the next Local and Loud? Email mmuro2@illinimedia.com a video or audio clip of you playing for a chance to be selected.

“What sets us aside is our relationship with our bands, and I think we have at least one band for everyone to listen to.”

N E

CHRIS HASSEN POLYVINYL’S DIRECTOR OF OPERATIONS

personal impact. “I graduated from U of I in ’09, so I’ve worked here full-time since then,” Hassen said. “My wife was an intern at one point, and we’re married now and have a kid.” Being so close to the University, Polyvinyl appreciates the relationship it has held with the students on campus. The label regularly welcomes graduates and students for internships and positions, and it hopes to help launch students into the careers of their choice if they don’t end up staying at Polyvinyl. New and upcoming releases include a lim-

ited edition picture disc for American Football’s self-titled debut album and Dusted’s “Blackout Summer.” epease2@readbuzz.com

Monday, March 12, 2018

The Daily Illini

Artists prep for tour competition BY TONY LEE, NESSA STEINBERG, KATELYN CLEMONS & BEN TSCHETTER BUZZ WRITERS

In an attempt to scour some new talent, the Summer Camp Music Festival paired up with The Canopy Club for a show where local musicians can come perform and compete for a spot on the festival’s lineup. Buzz chatted with some of the featured groups on their approach to this competition and what they think sets them apart.

SHAE DISTRICT: buzz: How do you feel about the Summer Camp tour coming up this Friday?

SD: We feel pretty good. We’ve been

practicing and doing this for two years now. We’ve gotten a lot of practice from going on tour, being able to play and work certain sets, figuring out which songs we really like and play at certain parts of our sets. We’re just excited to be able to play whatever we want.

buzz: What do you think differentiates you from other groups competing?

SD: We are the only one that’s doing both

DJing and both instruments. We’re also working with one of the lighting designers at Canopy for a light show as well.

buzz: What do you hope to achieve from

playing the Summer Camp Music Festival?

SD: Besides the obvious of being able to play

at Summer Camp, every show is another opportunity to figure out why we do what we do, and convince other people why we do what we are doing. It’s just going to be a good time.

buzz: Why do you think you should be picked to tour on Summer Camp?

SD: We’ve been working really hard to

make something different than what other people have. We’re working on creating a really unique show and experience. I think we are getting really close to being able to perform on a professional stage.

buzz: Is there anything else you want to say for the interview?

SD: To anyone that might be reading this, not just give us a checkout, but be open-minded towards the up-and-coming. There is some crazy talent around you and you might not even realize it. Just support local music generally, not just us.

THE BASHFUL YOUNGENS buzz: How does The Bashful Youngens differ

BEN TSCHETTER THE DAILY ILLINI

Local musician Stewart Arp and his band Zorilla perform at Summer Camp: On The Road at Canopy Club on Mar. 10. Arp officially announced the band’s name at the show.

“There is some crazy talent around you and you might not even realize it. Just support local music generally, not just us.” SHAE DISTRICT ELECTRONIC MUSIC DUO

from your competitors in the Summer Camp: On the Road show?

buzz: How has Champaign shaped your

Carrie Chandler-Harrison (vocals, guitar, mandolin): We are the only

Aaron Short (vocals, guitar, harmonica):

Americana-ish band on (the lineup). You know, folk influence. I know Stewart Arp has more rock influences, and to be honest, I haven’t really listened to the rest of the bands. You know, I think we are the only alternative country band on there, so a huge distinction there.

music?

If anything, if it’s not musically, it’s not competitively, but you hear another local band put out a really good album it makes you think: I wanna get there, we need to up our game, I wanna get to that level.

CCH: The music community we have, we are

all just friends. It’s fun to have your friends influence you as well. And all the people who were key in making the music scene here are still in it in some way, shape or form.

buzz: How do you think you’d fit in with the Summer Camp lineup?

CCH: I think one of the great things about

Summer Camp is that it is eclectic. You have everything from rock to your jam bands to EDM.

AS: To someone like Nikki Lane, someone

who we can relate to musically, and Jason Isabel, and our friends, Sun Stereo play there all the time.

CCH: Everything from folk to Americana and what we do. That’s what I like about the festival.

buzz: Besides your musical equipment

and instruments, what would be the one

The Daily Illini

Monday, March 12, 2018

in anticipation of Summer Camp

“It would be very rewarding for us. But it would be a great experience for the other local bands competing too...If my band wins and gets the most votes, it’s a great honor. ” STEWART ARP MUSICIAN

I played at a concert during finals week at The Canopy Club, and we played a really killer show. There were a lot of electronic artists, and my band was one of the only standout genres there. And we did really well, had a great turnout and people really seemed (to enjoy) our performance. And because of that, we got another show at Canopy with Shae District, and we sold out the red room. I’m just looking at it as a killer show opportunity. There will be a lot of people, and it will be a lot of fun. Everyone is playing for 30 minutes, and we have a really tight but awesome set planned, but we will be playing a couple new songs which I’m stoked for. BEN TSCHETTER THE DAILY ILLINI

Local musician Stewart Arp and his band Zorilla performing at Summer Camp: On The Road at the Canopy Club on Mar. 10.

thing you’d want to have during your Summer Camp camp out?

listen and hang out.

CCH: My own shower. I’ve been to

to make friends. I probably would’ve stopped in too if I heard someone casually making music in their dorm. On the subject of inspiration, is there Willy Wonka inspiration in your name, logo? Where did it come from?

Summer Camp many times. I just wanna shower.

AS: Good weather, as long as it’s good weather.

LOUIE LANKA: buzz: What first inspired you to start mak-

buzz: I can imagine that was a great way

LL: Yeah! So my name came about right

before my first gig, which was just a frat party during my freshman year. I went up to my good friend’s dorm room to tell her LL: It was mostly when I just initially got I got the gig, and she started telling me exposed to EDM in general about four I needed a name. She started throwing years ago. But about three years ago, the names out, and eventually she said Louie summer before college started, my older Lanka. I said, “Why Louie Lanka?” She brother who’s also a DJ passed down some thought “Louie” worked because I’m from of his old equipment to me. He taught me a Louisiana, and “Lanka” because I’m Sri bit, and I ended up bringing that equipment Lankan, but it was also cool because it to college with me. I’d be practicing in rhymed with Willy Wonka. So I told her, my dorm, and I’d keep the door open and “OK, it works for now,” and so I stuck with people would walk by and then stop in and it ever since. ing music?

buzz: How are you feeling about

Summer Camp? What are some of your expectations?

LL: I am super excited, but unfortunately,

they’re only 30-minute sets which are relatively short for a DJ, but yeah I’ve been taking a lot of time trying to figure out how to include all the things that I personally enjoy into a 30-minute set. I’ve been working hard at it, busy creating like a custom intro for the set and hopefully it gets people kind of pumped up and in the right state of mind for everything else I’ll be playing.

STEWART ARP: buzz: Tell me about the Summer Camp: On the Road concert. What is it, and how did you get invited to play there?

SA: I’m fairly new to the local music scene.

I barely played while I was in school. When I finally started to play around town more,

buzz: What is your goal with this

experience and why do you want to be part of Summer Camp?

SA: I think it would be a great opportunity for my bandmates. We’ve all put in a lot of hard work, and it would be very rewarding for us. But it would be a great experience for the other local bands competing too. I look at this as a great representation of our music scene, and if my band wins and gets the most votes, it’s a great honor. I think it’s a win just getting to play the Summer Camp: On the Road concert, but it would also be awesome to play the real Summer Camp.

buzz: Do you have any final words for your competition?

SA: I don’t want to be competitive or

anything. But we’ve been practicing a lot, have a great set planned and we’re really feeling ready for this show. Also, to my friends in Shae District: You’re going down!

buzz@readbuzz.com

Monday, March 12, 2018

The Daily Illini

April’s vinyl celebration Despite all the jamboree, the highlight of Record Store Day is vinyl reissues. The list Vinyl collectors have it tough. Since the of vinyls released exclusively for this year is advent of the CD, production of vinyl has endless. Ranging from David Bowie to Wudeclined drastically, and its supply has not Tang Clan to Frank Zappa, the list looks always been sufficient. Sadly, vinyl collike the Musicians Hall of Fame. lectors always need to be alert for news of The biggest reissue is Led Zeppelin’s any album reissues of their favorite art“How The West Was Won” in celebration of ists. Plus, the shortage of vinyl has made it the seminal band’s 50th anniversary. The expensive, sometimes breaking the bank of 7-inch features the “Sunset Sound Mix” of innocent music listeners. “Rock And Roll” and the “Olympic Studio Record Store Day is one of the few events Mix” of “Friends,” songs chosen by Jimmy catering to such distressed collectors. The Page exclusively for Record Store Day. event started in 2008 as a gathering of While paying respect to legendary musiindependent record store owners to supcians with a multitude of masterpiece reisport the niche market of vinyl. With the sues, Record Store Day is also known for its addition of more record stores throughout support for budding music labels. It prides the U.S. who share a passion for vinyl colitself on the fact around 60 percent of artlecting, the event expanded to a national ists featured on its release list are from phenomenon. independent labels. According to its website, stores on every It also focuses on promoting local stores continent except Antarctica have particirather than big commercial stores, emphapated in Record Store Day. sizing local businesses’ distinct characters. Today, Record Store Day is more than Local record stores in our community parjust a vinyl-selling venue. It has developed ticipate in Record Store Day as well, includinto an all-purpose event whose festiviing See You CD & Vinyl, Error Records, ties include music performances, cookRecord Swap and Exile on Main Street. outs, DJs, parades, body painting and much The fact of how there is only one official more. Record Store Day a year makes it all the On the first Record Store Day, Metallica more important. For this year, the event served at the event’s ambassador. This year, is slated for April 21. Visit Record Store Run The Jewels is taking up the role of Day's website to go through the list of reisambassador, following last year's ambassa- sues and save money until April to shop for dor, St. Vincent. In celebration of the event, vinyl you won’t have a chance to buy ever the hip-hop duo will release a deluxe collec- again. tor’s edition “golden box” to store Record Store Day purchases. insank2@readbuzz.com

Monday, March 12, 2018

9 GUEST COMMENTARY

BY SAN KIM BUZZ WRITER

JESSICA JUTZI THE DAILY ILLINI

Exile on Main Street is located at 100 N. Chestnut St. in Champaign. Record Store Day, which is April 21, celebrates records over CDs. Exile on Main Street is just one record store in the C-U area.

KENYON EDMOND THE DAILY ILLINI

The WPGU radio station is located at 512 E. Green St. in Champaign. WPGU’s Loud and Local segment recognize bands of all genres in the C-U area.

WPGU plays local talent You’re going to have rawer music there, more improvisation and “mistakes” to Loud and Local is WPGU’s showcase of remind you how it takes real people to make local talent. Rising artists come into the real music. The connection with the band office and play their music live on air and feels more genuine. promote themselves, sharing their social This is why I had to bring the Loud and media, Bandcamp and SoundCloud. Local segment back to WPGU. There are It’s always a little party causing people at crazy good artists here in Illinois who perthe Illini Media office to turn their heads, form at parties or bars. especially for the louder rock bands. You may have outgrown college parties or The really cool part is we’ve only be too young for bars, but anybody can lisscratched the surface of the local scene, ten to a radio. It’s one of the coolest stages which means at some point or another you can perform on, being a giant megayou’ve definitely run into a musician. phone out into the area for anybody to hear. You may find out this week Kyle from It’s exciting for some of these artists to your creative writing class is in a ska band; share their music with a wide range of lishe’s even invited you to his show this Satteners. To some, it’s an assurance of how urday. You get excited for a minute because what they’re doing is important and needs he’s a musician, and when you think of to be shared. musicians, you think of Kanye West. And Loud and Local doesn’t discriminate it would be very exciting to be friends based on genre or what’s trendy. We’ve had with someone like Kanye West before he a jazz quartet, Chicago rappers, a rhythm becomes a megastar. and blues duo, rock bands — young and old Then you start thinking a little more — because the point of Loud and Local is rationally: Not all musicians make it big. In to record the music of the area, and Chamfact, most don’t have commercial success. paign-Urbana has crazy variety. The entertainment business hardly There are the 40,000-plus students, all rewards talent. coming from different parts of the world There are plenty of gifted instrumentaland having diverse musical backgrounds. ists who don’t get radio time because staThen you have Urbana’s hipsters who suptions want to focus on tracks with singers at port any genre as long as it’s DIY. the forefront. There are way too many Chicago music There are still battle rappers who can’t scenes to count, which is why we try to focus capture the excitement of a freestyle duel on more on the rest of Illinois. But hey, Chicago an LP. You’ve probably prepared arguments is only a two-hour drive away. explaining why your favorite band keeps It’s all a lot to keep up with, but the ability getting slept on (it takes one beer for me to to juggle your taste, try a little of this and a start rambling about emo band Mom Jeans). little of that, is part of what’s so cool about Point is, the music-consuming public has it. So support your local artists. Go to your very specific tastes which don’t always valfriend’s shows, stop and listen to street perue the hardest working musicians who are formers and add some locally made discs “behind the scenes” but are still prevalent, to your CD collection. Maybe it’ll come as locally and otherwise. a surprise, but some of what you’ll hear is But you should still be excited to know a even better than the megastars. musician and to see them live. It’s a lot more intimate to see rock bands at a small bar Mateo is a senior in LAS. than at an arena. mmuro2@wpgu.com BY MATEO MURO

WPGU PROGRAM DIRECTOR

Monday, March 12, 2018

The Daily Illini

buzz roundtable: concert survival guide

BY LIZZIE JEDRASEK BUZZ WRITER

BY SAN KIM

While it may not seem like a big deal, planning your outfit for any concert is definitely important. First, your outfit is a chance to really express yourself and wear something you might not normally wear. Whatever the concert, you’ll be surrounded by people who share a common interest, which gives you a chance to try something new and stand out from the crowd. Don’t be afraid to make a statement with the cool graphic tee you’ve been dying to wear or the colorful bomber jacket you haven’t quite worked up the confidence to wear yet. While keeping your own personal style in mind, you should also plan for the weather if it’s an outdoor concert, and you should consider the crowd as well. You probably don’t want to wear something that shifts around a lot or falls off easily if you know the crowd can get a little rowdy. When planning an outfit, the No. 1 quality to keep in mind is comfort. Concert tickets can be crazy expensive, so you don’t want to be bogged down by an outfit you’re not comfortable wearing. Believe me, I’ve been there. If you feel great in an outfit, you’ll look great too. When it comes to planning an outfit, don’t overlook a single aspect because everything counts. Get familiar with the venue so you know exactly what you’re getting into and can plan each part of your outfit accordingly. This includes shoes, purses, jewelry and any other accessories you’re thinking about. Plan your outfit now so you can focus on what’s really important: the actual concert.

For all of you first-timers out there, you might be preoccupied with romanticizing about going to a concert. Just the mere fact you are going to see your favorite artist in the flesh seems sufficient to make one of the greatest days of your life. I am sorry to break this to you, but it is not going to be as dope as you think. Being at a concert means you have to be standing for hours on end in the middle of a tightly packed crowd. You also probably will have to tolerate some cigarette smoke, as music hipsters don’t really mind secondhand smoking. Most likely, you will also have to endure some pungent body odor from the crowd. High expectations for anything are usually illadvised, whether it be eating at a restaurant ranked No. 1 on Yelp or watching a movie your friends loved. Therefore, don’t expect too much for the concert so your energy won’t dwindle quickly. You need this energy to survive until the end of the concert. You should also be prepared for your favorite artist’s nasty attitude. Some artists are arrogant. Don’t get too disappointed if you get snubbed by him or her when you ask for an autograph or a selfie together. Also, don’t get too disappointed when the artist ignores your encore request and scurries away from the stage. It’s common for concerts. Lastly, bring water! You won’t want to wade through the crowd and lose a good spot just to stay hydrated.

Although it’s still cold outside and the weather keeps changing, we have something to look forward to. In less than a couple of months, there will be festivals and concerts all over Illinois. I’m here to show you all my personal tips and tricks to surviving a concert and having a great time. As always, the buddy system is very important. The last thing you want to do is lose your friends and not be able to contact them. Establish with everyone to check their cellphones if someone gets lost. Record parts of the show. Try not to record everything, but try to capture different moments so you can look back and enjoy the memories you made. Enjoy the moment. Be excited to attend and experience the music and the atmosphere. It’s awful how such terrible things are going on in the world, but when you attend a concert, all your worries can fade away for a couple of hours.

jedrase2@Readbuzz.com

isank2@Readbuzz.com

nudera2@Readbuzz.com

BUZZ WRITER

BY JOHN NUDERA BUZZ WRITER

The Daily Illini

Monday, March 12, 2018

BY TAYLOR CYGAN BUZZ WRITER

The mosh pit can be very intimidating at some concerts, but it can also be a very satisfying experience. You should never be afraid to throw yourself into the mix. As long as no one has a vendetta against you, the worst you will get is slightly bruised. When you’re out there pushing people around, always be aware if someone falls, you should pick them back up right away, because no one should get kicked when they’re down.

My biggest concert tip is to not care about what other people think. Sure, depending on where you’re at and who you’re seeing, it could be a very serious, intimate situation or it could be loud, thrashy and chaotic. Regardless, you paid money to be at the show and you know how much you care about the songs you know all the lyrics to or the dance moves you’ve been waiting to break out until you heard your jam live. Be sure to stay present and allow yourself to escape reality for a while; not too much texting or Snapchat, but just an authentic encounter between you, the artist and whomever you went there with. No sense in worrying about what strangers will think when the likelihood is they’ll get a kick out of seeing how much you’re enjoying yourself.

I absolutely love attending concerts. The rush of exhilaration from seeing a favorite artist on the stage, the ambiance and connection with fellow fans and the surprise of the set list are just a few of my favorite facets. However, although I do love the overcrowded venues, concerts are not for the weak of heart. You don’t want to be a concertgoer who passes out from dehydration. Your fellow fans will have no idea why you dropped so suddenly: Did you faint at the sight of your favorite singer? Did the last song hit you right in the feels and you needed to take a minute to lie down? All are extremely embarrassing perceptions; it’s best to just avoid the complication entirely. I recommend always finding the nearest concession stand before the show begins to snag a water or to bring your handy dandy Camelbak with you to the show. Another one of my most useful tips would be about the footwear you attend the show with. Although I am a proponent of rocking some sick kicks, a concert might not be the place to whip out the new shoes. I once made the mistake of wearing heels to a concert. As you can imagine, my feet did not like me very much by the end of it. Comfort is key when it comes to shows. Do you really want your experience of seeing a great artist to be impeded by the footwear you choose? I didn’t think so. Make a smart footwear choice: Choose the broken-in shoes.

jeremyp3@Readbuzz.com

jtpeter3@Readbuzz.com

tcygan2@Readbuzz.com

BY JESS PETERSON BUZZ WRITER

BY JEREMY PETERSON BUZZ WRITER

Monday, March 12, 2018

The Daily Illini

Ratboys touring in US, Canada, Europe that's the biggest thing.” Steiner is excited to share new material It’s been a busy few weeks for Chicagofrom “GL.” She mentioned one particular based band Ratboys with the release of their track, “You’ve Changed,” a song Ratboys has newest EP, “GL”, on Feb. 23 and the start of been performing on the tour so far. Steiner a tour which will take them across the U.S., says she wrote the song with friends from Canada and Europe this spring. The North high school and it actually stemmed from an American leg of their tour kicked off Feb. 27 inside joke. at the Rumba Cafe in Columbus, Ohio. In fact, Ratboys focuses on unconventional Joining Julia Steiner and Dave Sagan storytelling through all their music. Steiner on the tour will be University alum Sean says she draws inspiration from lived experiNeumann (a former Illini Media Company ences and stories she has heard through word employee) and Marcus Nuccio. of mouth and has read about online or in In addition to touring with Ratboys, Neubooks. Two of her greatest musical influences mann is the frontman for the band Single PHOTO COURTESY OF MIKE KIMCHI include Deerhoof and Wilco, whom she espePlayer, while Nuccio plays in Chicago bands Ratboys is currently touring on the East Coast after getting their start in Chicago. Ratboys plays cially admires for their authentic voices. Pet Symmetry and What Gives. a set in Washington D.C. Although Steiner is eager to share Ratboys’ Ratboys will be accompanying Vundabar, new material, she is also looking forward to a Boston post-punk indie band, on their tour music. I think it’s going to be really great.” throughout the tour. seeing how their older songs have changed across the U.S. and Canada until April 14. Steiner is amazed at all the support Rat“I’m a naturally introverted person, and and evolved since the band originally recordThey will then finish with two solo shows in boys has received from across the world. She my tendency would be to stay backstage or ed them. New York on April 15 and 16. recounted a time in Madrid where they were in the car or take a walk. It’s honestly really “When you’re recording, you’re there “This tour we got really lucky because we playing a show and the crowd knew the words cool to hang out at the merch and be there as and giving a take and then it’s recorded and actually didn't really have to plan any of it,” to their songs. much as possible. Even if it’s a little exhaust- static forever,” Steiner said. “But, when you said Steiner, vocalist and guitarist for Rat“They don’t speak English as a first laning, it’s so worth it to meet people that way.” play live over the years, songs tend to grow boys. “We're opening up for Vundabar every guage, so it was just crazy,” Steiner said. “It’s For Ratboys, putting on a show has become and certain parts change and you prefer the night. We kind of just show up when we're been really surreal and really humbling. It’s second nature, but there are still some chalway you played it for months versus how you told and rock out. It’s fun.” honestly more than I could have hoped for lenges which can arise while being on tour. recorded it.” For the European portion of the tour, Rat- when we first started touring a few years For Steiner, one of the major challenges is This summer, Ratboys is planning to head boys will hit the road with Wild Pink beginago.” lack of privacy. She says it’s hard to find the home to Chicago and finish writing their next ning May 3. Their first stop will be in Vienna, While Steiner is looking forward to travspace and time to dedicate to writing and album, which is about halfway done. They Austria, where they will be playing at Venster eling, spending time in Southern California playing guitar outside of performing. are hoping to record in the fall. 99. with the band and visiting family in Oregon, “I like to be alone when I play guitar with If you can't wait that long, rumor has it “We’re so excited. (Wild Pink are) some she’s really interested in meeting new people the intention of writing or just playing for they will be attending Champaign’s Audioold friends of ours that we met touring in and building friendships through music. One fun,” Steiner said. “But, I mean, it’s a tradeFeed Festival over July 4 weekend this 2015 playing some really ridiculous shows, of her intentions for this tour is to be more off because when you’re home you don't get summer. and we just became friends,” Steiner said. present and available at the shows. to have all the cool experiences of getting to “They’re awesome. We’re huge fans of their She will be in charge of merchandise perform for people and meeting people so jedrase2@readbuzz.com BY LIZZIE JEDRASEK BUZZ WRITER

Afropunk artists embrace diversity in music BY KATELYN CLEMONS BUZZ WRITER

In the late ’60s and early ’70s, a branch of music someday to be called punk began to make its mark on the world. More recently, another branch of punk has been on the rise. RebelCircus described Afropunk as “an entire subculture dedicated to celebrating multiculturalism in the alternative scene” and Complex described it as having an “unabashed sense of inclusiveness and acceptance.” Afropunk encompasses many things, and in a classic punk-like spirit of rebellion, shatters the idea of how people of color can’t do punk. With this in mind, here are five artists you might not know who just may speak to the rebellion within you.

TrapHouseJazz, and true to the culture with his South African stage name, Masego is a musical force to be reckoned with. In his six-minute track “I DO EVERYTHING!” Masego demonstrates his wide range of ability. Even more impressive, his improvised song “Tadow” is a masterful cocktail of all the things ears love. Layering instruments and vocals, even flipping through his passport book at one point, Masego holds his own in “Tadow” and as a talented black artist.

2. Valerie June (folk, country)

As a Tennessee-born songstress, it’s no wonder Valerie June’s genre of choice is folk music. With her soft, dreamy vocals and unique sound, there aren’t many black female artists quite like her. 1. Masego (jazz, trap, rhythm and blues) Demonstrating her versatility, “ShakeDubbed by Spotify as his own genre of down” is anything but a soft and gentle track.

Full of energy and soul, it sharply contrasts the softness of “With You.” If Afropunk is in essence about infiltrating traditionally non-black spaces, Valerie June is certainly infiltrating the folk scene, blackness and all.

3. Jamila Woods (soul, rhythm and blues)

4. Lianne La Havas (soul, folk)

Black U.K. artist Lianne La Havas consistently delivers an incredibly well-rounded and sophisticated sound with each new track. From her collab with Willy Mason in “No Room for Doubt” to FKJ’s unbelievable remix of her song “Unstoppable,” her music just may bring out the boujee sophisticate in all of us. Jazzy, sophisticated, folksy and soulful all at once, La Havas’ music is truly incredible, especially demonstrated in her slow, soft and sad track “Ghost.” Let these artists, no matter how few, remind us of how diversity in blackness and black artistry is real. We only need to look for it, and our worldviews, mindsets and ears all will be rewarded when we do.

Boasting a unique sound and a degree from Brown University, Chicago native Jamila Woods rebelliously defies stereotypes in true Afropunk fashion. Collaborating with Macklemore on his controversial “White Privilege,” she similarly comments on the state of police relations in the U.S. in “VRY BLK.” In “LSD,” she collabs with none other than fellow black artist Chance the Rapper. Her smooth vocals effortlessly complement his iconic rap style and remind us of the beauty of black artistry done well. katelyn2@readbuzz.com

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Monday, March 12, 2018

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Dear Lollapalooza...it’s not me; it’s you: Dear Lolla,

Dear Lolla,

In the three years I've attended Lollapalooza, I have had the opportunity to see some of my favorite artists, and I’m super grateful for these experiences. My favorite year was 2016, which was headlined by stellar groups including LCD Soundsystem, Flume and my personal favorite, Lana Del Rey.

I love you, Lolla. You’re always a fun time. But I have some bones to pick with you. Please implement better security. We all know Lollapalooza is a breeding ground for drug use, underage drinking and other shady things.

This was also the year Lolla implemented its fourth day as part of its 25th anniversary celebration. It was an interesting way for the fest to celebrate a milestone, but I didn't think it would ever do it again. Lollapalooza is right in the middle of the Chicago Loop, and it certainly is effective as a way to attract tourism and create jobs. Still, it's clear the average festivalgoer can't handle four days of the Chicago summer heat and booze.

As someone who doesn’t necessarily mind this but would like everyone to be safe, I would suggest adding an additional security divider at Perry’s and all the other large stages. This way, security has an area to roam more of the crowd space and to better monitor all activities deep in the crowd. I understand some of these acts are integrated with “festival life,” but these individuals’ lack of safety infringes on other festivalgoers’ experiences and safety as well.

Also, four days of Lolla just takes away from the fun of the first three. Lollapalooza staff can't handle it either. Frankly, the city of Chicago has trouble keeping up too, with Lolla bringing in high levels of underage drinking and massive destruction to Grant Park.

For this reasoning, one might argue for a higher age restriction for ticket buyers. This may seem selfish of older Lolla participants, but protecting younger festival attendees may be in the best interest of both Lollapalooza and Chicago.

If Lollapalooza is in it for the long haul when it comes to providing a positive experience for its fans, it should go back to the three-day lineup.

Emily Pease buzz writer

epease2@Readbuzz.com

Katie Powers buzz writer

kmp2@Readbuzz.com

ILLUSTRATIONS BY BERCHAM KAMBER THE DAILY ILLINI

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Monday, March 12, 2018

constructive criticism on music festival Dear Lolla,

Lollapalooza, oh you pretty thing. The concept of you is wonderful, really. Out in Grant Park, surrounded by quite possibly the most beautiful city skyline on Earth, listening to music — I don’t know what more you could ask for. Actually, I do know what I could ask for. A lot of things. Every year I’ve attended the fest, it has seemed to go further and further downhill. On paper, adding a fourth day seems like a great idea. But in reality...not so much. More music: sure, there’s an extra day jam-packed with artists, but at what cost? Lollapalooza prices are insane and continue to rise, and it seems like they are shoehorning almost every touring artist available. It’s a disservice to fans who can’t possibly make every set and to the quality of the festival overall. It takes the fun out of the fest if you feel like you might die by day four.

how it has seemingly taken over the fest. Holy hell are there a lot of drunk teenagers. The numbers are exponentially rising each year, with Lollapalooza being the worst weekend for underage alcohol poisoning in Chicago. I realize I myself was in my teens just a few years ago, but it feels like the park has been taken over by kids who might puke on me at any second. It’s not safe, nor is it fun for anyone who isn’t on whatever drugs those teens are on. And four days of drunk high schoolers can’t be good for anybody. I don’t get the same sense of joy I used to when I think about Lollapalooza in the grand idea of summer festivals. Which is a shame, because it was my first festival and I have such fond memories of the first weekend I attended back in 2014.

But each successive year, I feel less and less excited about the Also Lollapalooza was meant to be a rock festival in its origins, fest, to the point where I feel unsure if I should attend. Lollapalooza, and while I have no beef with rap and pop mixing their way in, it’s I truly hope you change for the better because honestly, it’s not gotten to the point where many rock fans feel alienated from me; it’s you. this festival which was originally aimed toward them. Even Perry Farrell, the guy who created the fest, hates electronic dance music, or EDM, and the fact of

Elani Kaufman

Assistant buzz editor ekaufmn2@readbuzz.com

Monday, March 12, 2018

The Daily Illini

Spandrels prepares for tour of the East Coast BY ZOE STEIN BUZZ WRITER

Spandrels’ music style comes from a variety of different sources. “I think we all have wildly different musical backgrounds, so everyone brings something special to the table when it comes to writing,” said Casey No, Spandrels’ founder. Each member of the band has brought something unique, creating a new sound. Christine Pallon, former Illini Media employee and drummer for Spandrels, said she likes incorporating her punk influences into Spandrels’ songs. “I come from a pretty hard and fast punk band, and a lot of my influences are heavier stuff like Sleater-Kinney. So for Spandrels, coming from that background, I help to bring a little of the punk side to it,” Pallon said. Isabel Skidmore, Spandrels’ bassist, is also inspired by the punk scene. “I’m always the one in Spandrels to say, ‘Can we play this faster?’ or ‘Let’s write a fast song,’” Skidmore said. Isaac Arms, the band's guitarist, is largely inspired by his own pedal board. “I feel like the sound influence for me is what my pedal board is able to do,” Arms said. Arms is grateful for the songwriting pro-

PHOTO COURTESY OF VERONICA MULLEN

Casey No, Christine Pallon, Isabel Skidmore and Isaac Arms make up Spandrels. Spandrels is playing a show on March 16 at The Canopy Club before heading out to the East Coast for their tour. They will be playing with other diverse and talented bands while on tour.

cess and being able to work with the band. “I think the songwriting process is so collaborative. I’m pretty grateful for that because we three Champaign-Urbana members joined (Spandrels)... we rearranged the songs and they took on new life,” Arms said. Their newest single, “Tiger’s Eye,” is a perfect example of their collaborative process. “We wrote that as a band,” Arms said.

No emphasized how he is happy with the new line-up. “I’ve been playing in Spandrels for four years; it was just a pure noise band when we started,” No said. That’s where I come from, not knowing how to play an instrument, and in the past four years, teaching myself how to play and write a song. Now I have three wonderful people who are all bringing something

really special to the table. They’re the most special out of any group I’ve played with.” Pallon is thrilled to be going on Spandrels’ East Coast tour, noting the diversity and talent of the bands they’ll be playing with. “We’re playing with so many bands who are also queer and bands that aren’t all cis straight men,” Pallon said. “I booked our show in Philly. It is gay and amazing and phenomenal, and that’s really important for me, to be playing with folks who are queer or who aren’t cis white men. I feel like this tour we’ve gotten really lucky with the dates we’ve booked or the people we’re playing with who are very talented.” Arms is excited to spend the time with his bandmates and to grow their sound on tour. “I’m looking forward to spending such concentrated time with these three people; they’re like my best friends,” Arms said. “I’m excited to find out what this band sounds like after eight straight shows in a row. I’ve been kind of giddy about this notion of being able to do this thing that we love to do.” Before Spandrels heads out on their tour, they’ll be playing a show at The Canopy Club on March 16 and releasing a new single. zstein3@readbuzz.com

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Monday, March 12, 2018

DIY record label distributes metal music concept. “At home, I have done a lot of home C-U, although notorious for other dubs and mixtapes, so I figured why not features, is iconic for its underground put that to use with bands,” Katet said. music scene. A hidden gem within it the The distinctive elements on the label DIY record label Pattern Recognition don’t stop there. The label produces a mix Records. of genres ranging from screamo, grind, A DIY label is an independent music metalcore, noise, lo-fi and experimental producer who creates content for artelectronic. ists but stands alone from major record However, the name of the label does labels. not incorporate any of these genres. Pattern Recognition Records is speInstead, the name is inspired by a New cifically responsible for distribution and York-based American rock band. spreading the sound of artists it assists in “The name is a Sonic Youth song,” the C-U area. Katet said. “I’m a huge fan of that band.” However, Pattern Recognition is differPattern Recognition Records also ent from other labels for its unique type gets its inspiration from a more modern of distribution. source. “I mainly do cassettes. I’ll dub and “I am a huge fan of mid-2000s, record on cassettes for the band, do the Myspace-y music,” Katet said. “I know artwork and send them out to the bands,” not everyone’s into that, but those are my said Sophie Katet, owner of Pattern Rec- personal influences.” ognition Records. Producing a variety of genres, C-U A classic form of production in music, proved to be the perfect scene where the the cassettes evoke a sort of nostalgia. label could introduce its music. For Pat“I’ve always loved cassettes,” Katet tern Recognition Records, the scene is said when asked about this choice in the “really diverse.” label. “I think that people are even more In regard to making a label, Pattern open-minded to the experimental stuff Recognition Records saw it as a business I’m doing in my label,” Katet said. BY TAYLOR CYGAN AND ZOE STEIN BUZZ WRITERS

From this positive reception into the community, Pattern Recognition Records has other big plans for the label. It has begun hosting shows to highlight talented artists. Specifically, on March 15, Pattern Recognition Records will have Kaily Moon Schenker and Nick Keeling perform. The record label holds this duo in high regard. “They do local experimental stuff like looping 8-tracks while recording cello playing and piano,” Katet said. “I’ve never seen anything quite like it.” For other songs and shows on the horizon, Pattern Recognition Records encourages interested artists or bands to get in contact. Pattern Recognition Records is on the hunt for more content to help more people and add to its unique regiment of sound. John Nudera contributed to this story. tcygan2@readbuzz.com zstein3@readbuzz.com

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Monday, March 12, 2018

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Broadway musical adaptations hit the midwest BY SHELBI VOSS BUZZ WRITER

When Americans think of theater, their minds immediately go to Broadway. What many people don’t realize is they don’t have to travel to New York to see topquality productions. Many major cities throughout the country have a set of theaters used to host premiere and traveling productions of Broadway shows. This spring and summer, some extremely well-known shows will be stopping in Chicago and St. Louis for brief engagements. Each city has productions suited to fit a variety of musical tastes. Here are just a few of the musicals included in the spring theater schedule of the Midwest.

name, the show follows the relationship between Vivian Ward and Edward Lewis as they learn more about themselves and one another through an escort arrangement. The musical features music and lyrics by Bryan Adams and Jim Vallance, with a book by the late Garry Marshall and J.F. Lawton, who wrote the original screenplay.

“On Your Feet!”

“On Your Feet!” will be returning to Chicago this spring. The bio-musical about the lives of Emilio and Gloria Estefan got its start at the Oriental Theatre in Chicago in 2015 before transferring to the Marquis Theatre on Broadway. After 746 performances on Broadway, CHICAGO the musical closed and went on the road. “Pretty Woman: The Musical” It tells the story of the Estefans from Chicago is a city often used for pretheir early lives in Cuba and the time they Broadway tryouts of new productions, and spent in America as international pop this spring will be no different. sensations. The musical gives a behind“Pretty Woman: The Musical” will have the-scenes look at the struggles the Esteits pre-Broadway premiere at the Orienfans overcame to climb the ladder to tal Theatre from March 13 through April success. 15 before officially opening on Broadway The production will return to Chicago July 20. on March 21. It will play through April 8 Based on the 1990 film of the same at the Cadillac Palace Theatre.

ST. LOUIS “The Color Purple”

poser who secretly trains Daae in vocal performance. “The Color Purple,” the popular musical The disfigured phantom begins based on Alice Walker’s novel will be play- haunting and terrorizing the opera ing in St. Louis from March 20 through house owners and production compaApril 1 at the Fabulous Fox Theatre. ny after Daae starts to have feelings for The musical follows Celie, an Africana younger man from her past, eventuAmerican woman in the south during the ally kidnapping her and forcing her to first half of the 20th century. Celie battles choose between him and his charming an abusive relationship and self-doubt, competition. and ultimately rises above her personal “The Phantom of the Opera” is the and societal problems. The musical is a longest-running show in Broadway hisheart-wrenching but uplifting story full tory. In January 2018, the musical celeof passion and love. brated its 30th anniversary. As of March The musical style includes jazz, blues, 4, it has had 12,526 performances and ragtime and gospel sounds, and the show- has opened internationally since 1986. stopping ballad “I’m Here,” performed The music, written by Andrew Lloyd by Celie, is the perfect 11 o’clock number. Webber, has its base in opera. The boomEvery song in the show is passionate and ing melodies and astounding orchestrathe lyrics written by Stephen Bray, Brenda tions are sure to send chills down the Russell and Allee Willis convey the story’s spines of every audience member. message in a very clear way. The spring Broadway season in the Midwest is packed with many different “The Phantom of the Opera” musical styles. From a classical piece The Fabulous Fox Theatre will also be like “The Phantom of the Opera” to hosting “The Phantom of the Opera” from the groovy dance numbers in “On Your May 9-20. Feet!” the season is sure to satisfy many “The Phantom of the Opera” tells the musical and storytelling tastes. story of Christine Daae, a performer who becomes the obsession of a masked comsavoss2@readbuzz.com

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Monday, March 12, 2018

Sleeping Okami energizes the local music scene certain kind of bond between those in the crowd and Sleeping Okami. Sleeping Okami as a band has made it very “Intimacy is nice. I think that’s someclear the local music scene in Champaignthing we all (have) enjoyed, to be able to play Urbana is something to pay attention to. at a place where people are literally standThe five-piece band is captivating with ing in a basement and looking at you, and their intricate melodies and effortless ener- there’s something super vulnerable about gy. They have described themselves as a that for our music, said Sam Srajer, the future-soul/jazz band, and they offer an band’s synth and keyboardist. “It’s been incredibly unique sound. really nice to be able to present it as some“The music that we make is reflective of thing that’s intimate to people. It’s nice to all the music we as individuals listen to,” know that people are showing up to listen to said Eli Amariah, Sleeping Okami’s guitaryou instead of hitting on people at a bar.” ist and lead vocalist. Amariah acknowledges the intimacy The audience can feel this kind of person- which accompanies performing a house al energy each member brings to the songs show. when the band is performing live. “When everything comes together and “Each live performance is an interpretayou have a group of people who all know tion of an original idea,” Amariah said. “We each other pretty well and all kind of share love reimagining parts.” similar interests with music, then it’s just This reimagining makes the shows even like having a party with your friends where more special because there is no reference there’s live music and you can’t replicate album to compare their live performances that exactly in the same way at a big venue,” with. Amariah said. The digital music Sleeping Okami has According to Amariah, the house show released only includes a song on Bandcamp scene in Champaign-Urbana is full of highand a live performance on WEFT 90.1. This quality bands. has caused a very special atmosphere at “I think the thing with music scenes their shows where every performance is and house shows is really personal investfresh and new to the audience, leading to a ment, like nobody who is doing it is doing it BY JEREMY PETERSON BUZZ WRITER

SUBMITTED BY SLEEPING OKAMI

Sleeping Okami performs at the Pygmalion Festival in Champaign on Sept. 23. Sleeping Okami is part of the Champaign-Urbana music scene, and they contribute a fresh, soulful jazz sound.

to get paid, so you know that anyone who’s doing it is doing it because they really love music and they love having a community space,” Amariah said. “When you have a really great house scene and a really great music scene and house shows, that is a reflection on the quality of members in that

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community.” Sleeping Okami will be releasing an album this July, but catch them before then for their performance at Blackbird, 119 W. Main St., in Urbana on March 17. jeremyp3@readbuzz.com

Monday, March 12, 2018

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