The Concordian

theconcordian Volume 30 Issue 21

IndependenT sTudenT neWspaper aT ConCordIa unIVersITy. sInCe 1983.

February 12, 2013

CSU president steps down

ConCordia Student union PreSident SChubert LaforeSt announCed hiS reSignation on thurSday night, Citing heaLth ConCernS aS the reaSon for hiS deCiSion . Photo by Madelayne hajek

Schubert Laforest suddenly resigns from his position, leaving student union in the dark CSU at risk by staying in that position — I have to put the wellbeing of the CSU before that.”

The executive discussed other options but Laforest said it was ultimately his resignation that would be best for the union and stated that it was the “hardest decision of his life.”

“My doctor said that that the way

it looks now is it might last another seven weeks to, worst scenario, six months,” said Laforest. “It could be indefinite.”

The resignation is effective as of 5 p.m. Tuesday. Laforest pushed the date past the weekend to have the opportunity to finish initiatives taken regarding ongoing problems with the

information technology services issues and the search for a new general manager.

In an open letter to council and students, Laforest stated that he had tried to work through his illness but it was simply not manageable.

In this issue // life arts

music

sports

opinions

Montreal Fashion week P. 6 - 8

Killawail’s unlikely beginnings P. 16

Profiling Stinger Kevin Figsby P. 17

Parliament hill has baby fever P. 21

KaLina LaFraMboiSe news editor

President Schubert Laforest officially resigned from the Concordia Student Union citing health reasons last Thursday night.

Laforest addressed the issue in a public letter stating that due to a case of mononucleosis and strep throat, he was unable to withstand long workdays and properly lead the executive for the remainder of his mandate.

“This is really the only option,” said Laforest. “It’s just irresponsible for me to put myself at risk and put the

Gala for student drama P. 10

We tell your stories. Follow us on Twitter: @TheConcordian

Continued on P. 4

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news 2

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Tuesday, February 12, 2013

Write to the editor: news@theconcordian.com

CITY MattheW GUité assistant news editor

>> Moose

collision A 55-year-old man died after colliding with a moose while on his snowmobile roughly 400 kilometres northeast of Montreal, according to provincial police. The man suffered fatal head injuries when his snowmobile passed under the moose. The animal ran across his path as he travelled down Highway 35 in Saint-Joseph-de-Kamouraska. Two witnesses on other snowmobiles reported the incident but were unharmed. The snowmobile was undamaged and provincial police have been unable to locate the moose following the collision.

>> A rude AwAkening A Dormez-vous mattress warehouse was the target of vandalism and attempted arson in Pointe-Claire late Sunday night according to the Montreal police. The store, located on Hymus Blvd., had a window smashed in which lead to police investigating the alarm. “When we arrived on the scene, we noticed possible accelerant was used trying to light up a fire, but it consumed itself so it didn’t cause much damage,” a police spokesperson said. He also admitted that graffiti had been left on the outside of the building.

>> who the hell knows?

The Parti Québécois’ national council members voted in favour of a motion to reduce student debt ahead of the upcoming summit on higher education while avoiding a promise to specifically freeze tuition. Originally introduced by the party’s youth wing, the motion calls for the party to “defend a tuition freeze or any other options that will lead to a reduction of student debt and maintain accessibility to post-secondary education.” Despite the Higher Education Minister Pierre Duchesne publicly denouncing the youth wing’s suggestion of working towards free education, Premier Pauline Marois has said that she has met with them and compromised on some of their demands.

>> orAnge you

hAppy

Quebec minors have been banned from using tanning beds by a law which took effect Monday. To reduce the rates of skin cancer in Quebec, the law makes it illegal to offer or sell UV tanning services to anyone under the age of 18. Tanning salons violating this law could pay up to $15,000. Minors could pay up to $100.

campus// neWS

A blurring of the lines leads to confusion CSU executive fails to consult finance committee, council on revision to budget KaLina LaFraMboiSe news editor

The Concordia Student Union is funding additional bursaries for undergraduate students to the tune of $10,000 but it has come to light that the executive made the decision without consulting the financial committee or seeking approval from council.

VP finance Keny Toto explained that additional funding, approximately $4,000, is coming from donations gathered at the CSU’s two-week orientation that kicks off the start of every school year in order to “to give more to the students.”

However, it appears that $10,000 worth of unused salary from former VP academic and advocacy Lucia Gallardo is also going towards bursaries. In her January executive report, current VP academic Hajar El Jahidi wrote that more bursaries would be formed from the untouched earnings of Gallardo, who stepped down last fall because she was not a registered student.

“In addition to the $15,000 the CSU is mandated to give in bursaries,

there will be another $10,000 taken from the previous VP academic and advocacy’s salary. The amount of bursaries given will go from 30 to 50,” the report read.

Posters boasting 50 bursaries from the CSU are already up in Concordia buildings as of Monday so that students in good academic standing and in financial need can apply for the $500 contribution. In the standing regulations, under Annex A, the CSU is mandated to distribute 30 bursaries every year.

However, if there are any revisions to the original budget provided by the CSU, such as a reallocation of funds, they must go through the financial committee — something that has yet to be done.

El Jahidi told The Concordian Monday that she was unsure if the bursaries had to go through the financial committee at all.

“I talked to [Toto] last semester and he said it would be okay,” said El Jahidi. “I don’t know if he’s planning on bringing it up to [financial committee] eventually or if it’s unnecessary.”

According to El Jahidi, she asked Toto in December if relocating $6,000 from Gallardo’s earnings to the bursa-

Photo by Leonardo Nieto-Montenegro ries was possible and she claims he consented to the change. confirmed that it was indeed possible.

“As far as we know, [council] nevHowever, in the January report, El Ja- er authorized it,” said Wheeler. hidi cited the amount as $10,000.

As part of the tasks and powers Toto confirmed that the bursaries listed for council under bylaw 6.3, change “didn’t go through the finan- councillors have the duty to approve cial committee,” and that “it will dur- the budget. Furthermore, bylaw 18.1 ing the next meeting.” He went on to states that council has the power say that he was confident that mem- to “revoke, withdraw, alter or vary bers of the committee will approve the all or any of such powers” given to proposed change. sub-delegates such as the financial Council also never approved the committee. additional 20 bursaries or the reallocaToto said it was likely that the fition of student money to facilitate it. nancial committee would meet this Councillor Melissa Kate Wheeler ex- Thursday to discuss the bursaries but plained that when the issue was first it remains to be confirmed. brought to council, there was unease with the notion and that council never With files from Marilla Steuter-Martin.

campus // neWS

FASA will get its representation on council Motion unanimously passes for three ex-officio seats on the CSU MattheW GUité assistant news editor

The Fine Arts Student Association voted unanimously to accept a motion that would grant them three ex-officio seats on the Concordia Student Union’s council after byelections last November left Fine Arts students without representation.

At their meeting last Wednesday, FASA voted on the motion originally introduced at the CSU’s last regular meeting on Jan. 23 as a partial remedy for the lack of representation on council. The motion passed by FASA accepted the three seats offered by the CSU. The same motion included amendments on issues like postering and communication with faculty associations to pressure the CSU to make changes to avoid similar situations in the future. Iain MeyerMacaulay, a Fine Arts student who attended the previous CSU meeting when the issue of representation was being discussed, said that the motion in question was an acceptable

alternative to another byelection.

“It’s a pretty good offer considering what is able to happen now,” said Meyer-Macaulay.

He also gave some context to the issue and spoke of the petition authored by FASA VP clubs and services Erika Couto that first brought the lack of representation to light.

“This petition was sent in November to CSU council, and nothing really happened out of it,” he said. “However, because of time constraints and other issues within and without the CSU, these ex-officio seats are probably the best we can do to get representation for Fine Arts students.”

Another sore point for some of the FASA councillors and executives was the fact that in the CSU’s standing regulations under article 181, the Chief Electoral Officer is not required to post flyers in the VA building where a large percentage of Fine Arts classes are held. VP external Simon-Pierre Lauzon explained that the issue of electoral postering was not one that the CSU had direct control over, but that they would work to amend the standing regulations if necessary.

“When it comes to election posters, it’s very much separated from the executive,” Lauzon said. “It’s handled by the Chief Electoral Officer, and he of course has policies that he has to follow, so when it comes to the postering it’s not our personal decision where the electoral posters go, it’s the CEO’s job to make sure that everything’s postered with the appropriate resources.”

VP clubs and internal affairs Nadine Atallah was also present at the meeting to answer questions about the last byelections and what is being done to avoid a similar situation occurring in the future.

Emissary promises Atallah also discussed an idea she originally included in her campaign platform, to have emissaries between the CSU and student faculty associations like FASA, that is now being revisited as a possible solution to a lack of communication between the two groups.

“The way that it would work, and this is up to discussion, is that every year there would be councillors who

would be appointed to faculty associations and the idea would be that the faculty associations would choose which councillors they would want to be their emissaries, so to speak,” she said. “So the idea would be that you would ask this councillor if they would be willing and if they are then we would appoint them to the faculty association and their job would be to be the go-between between the CSU and the faculty associations both by speaking about what happened at your meetings and what are your concerns and also bringing the CSU’s concerns back to your table as well.”

Atallah said that the original idea was first conceived when she was running for her current position, but that a lack of response from faculty associations on the project created concerns that implementing it without their involvement would encroach on other associations.

Under the CSU’s bylaws, it is the role of VP student life to act as a liaison between the executive and faculty associations. Bylaw 7.12 outlines the duties of VP student life to collaborate with the the other unions.

Tuesday, February 12, 2013

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province // news

The pressure is mounting The Concordian’s guide to the higher education summit KaLina LaFraMboiSe news editor

W

ith the highly anticipated education summit less than two weeks away there remains uncertainty in the realm of provincial universities

over the conference. The provincial government will be holding a two day conference on Feb. 25 and 26, where details still remain under wraps, to discuss the future of postsecondary education in Quebec.

When the Parti Québécois won a snap election in September, Premier Pauline Marois immediately cancelled the tuition fee increase proposed and already implemented

by the Charest Liberals. Months of the student strike movement used the power of the streets and triggered a province-wide discussion over the state of education. The endless, exhausting crisis forced residents to address a fundamentally ideological question: what is education worth?

The education summit is supposed to be a solution to a plethora

robin DeLLa Corte assistant news editor

>> overpriced, of concerns that extend beyond the problem of tuition. Issues include the financing of universities, the management of funds and the accessibility of higher education. The objective of the summit is to not only address students but also the unease of university administrators as well as the taxpayers who heavily subsidize education.

The themes

eh?

Canadians are paying more for the same products sold in both Canada and the United States due to a phenomenon called “country pricing.”

This phenomenon causes prices between Canada and the U.S. to see a huge price gap, and more than double in some cases. “Multi-national brands, they have two different price lists … [one] for retailers in Canada, and [one] for retailers in the United States,” Diane Brisebois, president of the Retail Council of Canada told CBC.

>> hell hAth

>> The quality of post-secondary education >> Accessibility and participation >> Governance and financing of universities >> The contribution of research to Quebec society

no fury like A nAtion scorned

Sub-Lt. Jeffrey Paul Delisle from Halifax will be serving 20 years in prison for selling out Canadian military secrets that exposed security weaknesses to Russia. However, due to the time he has already spent, Judge of the Provincial Court Patrick Curran stated that he would only serve 18 years and five months. The Halifax Navy intelligence officer will also have to pay a fine of $111, 817 — the total amount of money he collected from Russian bosses. Last October, Delise pleaded guilty to breach of trust and communicating information that could compromise Canada’s interests to a foreign entity.

The numbers

$124 million – The slash in funding to Quebec universities during the last few months of the academic year. It was announced in December 2012.

10,000 – The amount of students ready to boycott class during the day of Feb. 26 to protest the agenda of the education summit because free education will not be discussed. $13.2 million – The cut to Concordia University’s operating grant for the rest of academic year that forced the university to declare a deficit. $7.5 million – The highest amount that Concordia will claim as a deficit for the year.

FoUr – The number of times that universities had to revise their budgets in a little over eight months.

22 – The date for which a student demonstration in the downtown core of Montreal is planned to protest the lack of discussion regarding free education.

2014 – The provincial government has promised to freeze tuition until November 2014.

>> A Misunder-

stAnding

The positions

FEUQ (the Fédération étudiante universitaire du Québec) – For the umbrella group of university associations, it is advocating for a permanent tuition freeze.

Universities – CREPUQ (The Conférence des recteurs et des principaux des universités du Québec) is worried about slashes to universities’ budgets.

During a Board of Trade meeting in early February, administrators felt that the reputation of Quebec universities is at risk.

ASSÉ (the Association pour une solidarité syndicale étudiante) – The student association is livid that the notion of free education, which is the group’s mandate, will not be discussed and have planned protests.

The PQ – While remaining open to suggestion, there has not been an official stance from the provincial government with the exception for Education Minister Pierre Duchesne taking free education off the table.

Alexey Osmolin’s Belgian Shepherd dog was shot and killed by a conservation office in British Columbia.

Rada, his five-year-old pet, was by Osmolin’s side Sunday afternoon as Osmolin and his friend were ice fishing. Rada left his side, then Osmolin heard Rada barking and turned only to see an officer firing three to four shots at his dog, one after the other. The officer told Osmolin that his dog “was going to attack [him]” the National Post reported. Osmolin plans to send a letter he wrote to the B.C. Conservation Officers Service stating that his dog posed no threat and he is at a loss for words.

The details The location, the invites and the structure of the conference have not yet been announced causing unease for students, administrators and those waiting on the summit. University rectors, including Principal Heather Munroe-Blum from McGill University and President Alan Shepard from Concordia University, have yet to be invited to the summit.

>> A winter

nightMAre

With less than a month to go

“A joke.” – Munroe-Blum said the education summit fails to take into account the opinions of professors and families. She slammed the structure for not allowing an open debate.

“The irony of the dollar figure is that it didn’t capture the costs.” – Shepard on the provincial government slashing budgets of post-secondary institutions. “now it’s an opportunity for students to voice their vision on universities.”

– VP external Simon-Pierre Lauzon of the Concordia Student Union on the summit itself. “it’s a lot of stress on a single day.” – Shepard, worried about the results of the education summit.

“We want the government to step back from their position and realize they can’t keep asking students to pay more and pay without a proper evaluation.” – Martine Desjardins, the president of FEUQ, at the CSU’s town hall.

NATION

Photos from Flickr

A massive winter snowstorm that hit southern Ontario moved past Quebec and rocked Atlantic Canada over the weekend. Nova Scotia, Prince Edward Island and southern New Brunswick all endured blizzards and winds of the deadly storm.

The worst weather hit overnight last weekend in Newfoundland and Labrador, where more than 35 centimetres of snow fell. More than 350 accidents were reported over the weekend in Ontario. Commuters services and flights were delayed or cancelled due to the large amounts of snow and thousands in the U.S. were left without power.

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theconcordian

Tuesday, february 12, 2013

WORLD Matthew Guité Assistant news editor

>> Are you even

allowed to do that?

Pope Benedict XVI announced Monday that he will resign from his position on February 28, making him the first pope in almost six centuries to do so. Benedict made the announcement on Vatican Radio’s website and cited his deteriorating health as his reason for making the decision. “After having repeatedly examined my conscience before God, I have come to the certainty that my strengths, due to an advanced age, are no longer suited to an adequate exercise of the Petrine ministry,” he said. The last pope to leave office was was Pope Gregory XII in 1415.

>> Copyright

issues

A UK-based model-soldier company has attempted to claim copyright on the term “Space Marine” after it demanded an e-book be removed from Amazon for its use of the term. The book, Spots the Space Marine, was taken down by Amazon following a request from Game Workshop, the company whose business includes many “Space Marine” figurines. The book’s author, Maggie Hogarth, turned to her blog to vent on the issue and garnered significant support through social media. Amazon reinstated the book on their website following a review of the situation with digital rights group Electronic Frontier Foundation.

Resignation effective as of Tuesday Continued from cover

“

Before receiving the latest results, I had hoped that if I was adamant enough I would be able to recover quickly or, at the very least, make myself work through it.

However, I have come to realize that is neither feasible nor in the best interest of all the parties involved. It would not be fair for me to delegate my duties to my executives in the hopes that I recover rapidly, nor would it be fair for the Concordia student body to be represented in this manner,” the letter read.

Shortly after the resignation came to light, the A Better Concordia slate issued a statement of its own, commending the now former-president’s “selflessness to put the executive and that of the Concordia Student Union above those of his own.”

“Obviously, we’re very grateful to Schubert for all he’s done this year, including all the long nights and rough days. Struggling with health issues recently, he’s still stayed strong in his conviction to serving the Concordia Student Union, leading us as a team and helping us individually with our mandates,” the letter read.

At the upcoming meeting this Wednesday, council will appoint a new president. Furthermore, should the executive’s recommendation for VP internal and clubs Nadine Atallah as president be accepted by a simple major-

ity of council, then a second appointment will be made to fulfill the vacated role of VP internal and clubs.

Left in the dark Most councillors were unaware of the resignation of Laforest until they read about it in the student press Thursday night. For Councillor Chad Walcott, there was no indication of Laforest’s departure prior to articles detailing the resignation.

“As far as I know, no one knew,” said Walcott.

Walcott explained that the lack of notice reflected the year the executive was having in terms of communicating with council.

“It’s unfortunate that it got leaked but at the same time but we could have been given a preemptive heads up and that’s indicative of this year where things have been brought up at council,” said Walcott. “When do we get consulted on this?”

Councillor James Vaccaro said that he was informed that the email server used by the executive crashed and that the email

forwarding the resignation letter didn’t make it to council as Laforest intended. However, Vaccaro told The Concordian that ceaseless infighting and “petty arguments” over the undelivered email was affecting the productivity of council.

“We should be acting towards the best interests of the union at a time that is clearly difficult instead of continuously infighting,” said Vaccaro. “It’s frustrating to see bright and passionate people fighting amongst each other instead of working together to bring great things to Concordia.”

>> Business is

slow, apparently

A man arrested on mafia related charges is also being accused of trying to rig an Italian talent show in favour of his daughter, according to police.

Domenico Ferrara, a suspected mafia leader in Naples, allegedly distributed more than 300 phones to people in his neighbourhood with instructions to vote for his daughter during her time on the show in December. Ferrara’s 13-year-old daughter came in second place on the show, and the phones were discovered in a bag in Ferrara’s home. It is unclear whether Ferrara’s supposed scheme affected the results.

>> LAPD offer

$1 million reward

The Los Angeles Police Department has offered a $1 million reward for information leading to the capture of a former police officer who is accused of committing three murders as part of a series of revenge killings. LAPD officials have received hundreds of calls and tips according to the BBC, including a tip which led to the fruitless evacuation of a home improvement store.

Christopher Dorner, a 33-year-old former American Navy reservist, published an online manifesto in which he claims to have been fired from the LAPD in 2008 for racist reasons.

campus // news

A change in tactics for the CSU Nadine Atallah to be recommended to council as new president Robin Della Corte Assistant news editor

The executive of the Concordia Student Union will be recommending to council during the next regular meeting Wednesday that Nadine Atallah, current VP clubs and internal affairs, take over the position of president.

President Schubert Laforest officially gave notice on Feb. 7. In a public letter, Laforest stated a decline in health as his reason for departure, citing ongoing mononucleosis and strep throat.

Laforest explained in the letter that he endorsed Atallah as a candidate for his replacement.

“I hope Nadine Atallah, current VP clubs and internal affairs, will take over my position and all my responsibilities with council’s approval. The team and I are very

confident in her abilities to lead the union and to carry on with the team of executives through the remainder of the year,” the letter read.

Atallah said that for about two to three days, the executive sat down to speak about the situation and what would be best to move forward. The executive decided together that the best option was that Laforest resign and Atallah to be recommended to the council to take over the position of president.

“The idea was that we would appoint one of us to take over the position and as a team, we felt as if the best person to finish out the mandate is me,” Atallah said.

Bylaw 7.4 states that a majority from council must appoint a new president from the remaining vice-presidents. However, if no vicepresidents will take on the role, a councillor may take the position of president provided a two-thirds majority vote from the council is given.

Atallah stated that there are two

significant reasons why the executive felt she would be best to fill the position. One reason being that her job now, VP clubs and internal affairs, is more administrative. According to Atallah, it would be easier to teach someone else her position than any other on the executive.

The second reason is that she and Laforest worked closely together throughout the year. “I’m already in the loop, I know where we’re at and what needs to be done,” she said.

Atallah echoed Laforest’s sentiments expressed in a public letter stating it was a difficult personal decision.

“It’s a big deal, we get attached to the job, the union, the way things are run,” Atallah said. “Unless you do this job, you won’t understand how attached you get and for [Laforest] to resign, it’s an extremely big deal, it’s a sign of how much he cared for the union since he put our interests before his.”

Atallah explained that Laforest

was an essential part to the team and although the transition won’t be easy without him, she knows that he will be there as much as he can and that his relationship with the union isn’t over.

Councillor Chad Walcott said although it is unfortunate that Laforest had to resign, he didn’t appreciate that the executive chose who they felt should take on the role of president without consulting council.

“I’m a little confused because Nadine refused to sit on both the Board of Governors and Senate,” said Walcott. “When do we get consulted on this?”

Looking to the future, Atallah says she doesn’t take the position of president lightly and realizes it’s a hard job to perform.

“We want this to be a turning point for us, we’re disappointed for [Laforest] leaving but we want to come out of this stronger than we were,” Atallah said. “But ultimately, it’s the council’s decision.”

Tuesday, February 12, 2013

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city // neWS

Plan Nord protesters brave wind and weather Demonstrations held throughout the weekend KaLina LaFraMboiSe news editor

Waves of demonstrators weaved through the streets of Montreal last week to protest against Quebec’s economic development project Plan Nord, intertwining with the collective and growing movement of Idle No More.

Approximately 200 protesters marched through Old Montreal Friday afternoon in the midst of a blizzard starting from Victoria Square around noon. Protesters made their way to gather outside the Palais des Congrès, the city’s convention centre, where a two-day job fair to promote the natural resources sector took place. Many donned red feathers and red squares in symbolic solidarity.

The Plan Nord, first introduced by former Premier Jean Charest in May 2011, is a controversial initiative aimed to access the natural resources north of the 49th parallel. The $80-billion plan encompasses a slew of multifaceted proposals that is expected to create more than 20,000 jobs in 25 years. The plan has drawn criticism however, for opting to build on native territory.

The demonstration was declared illegal from the start since an itinerary was not provided and police cruisers were damaged. The next day, a second peaceful protest gathered outside the doors of the Palais des Congrès.

When some tried to enter the build-

demonStratorS in downtown montreaL. PhotoS by madeLayne hajek

ing Saturday morning, it ended in 36 arrests.

Alex Tyrrell, a Concordia University student, said that following the dispersion by the Montreal Police on Friday, he was able to gain access to the Palais des Congrès and explored the job fair.

“The police asked for identifica-

tion and searched us,” said Tyrell. “In the room there were about 30 booths set up.”

Tyrell and his friend were able to participate in a question period following a presentation on the mining of a community in northern Quebec where he wasn’t sure the best interests of the native population were being

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represented.

The Parti Québécois has yet to move forward with the Plan Nord, despite a passionate plea from Charest to continue it during his concession speech in September.

Recently, environmentalists and indigenous residents expressed their concerns over the initiative.

“The Plan Nord is an evil plan as far as I’m concerned,” said Ellen Gabriel from Kanesatake, a Mohawk human rights advocate for indigenous people during a panel at Concordia in

September 2012. “Politicians always talk about job creation – creation of jobs at what cost? Why always the land?”

The fight against the Plan Nord intermingled with Idle No More, a developing movement that advocates for the rights of indigenous people and denounces exploitation of native land, where a third protest stretched on during Sunday. Idle No More gained momentum and international support during the winter months that triggered mass protests nationwide.

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Tuesday, february 12, 2013

life

Write to the editor: life@theconcordian.com

Lights, camera, fashion:

Graphic by Jennifer Kwan

Luko Marion brings us to his Urban Underground Winter Tania Di Palma Contributor

Montreal Fashion Week does not always attract attendees because of the cold weather, but once inside Arsenal, there is no stepping out.

As everyone was just about ready to ditch their heavy and dull winter clothing and flaunt their light and colourful spring fashion trends, Luko Marion whipped us back to reality and tied us down in awe.

Known for his avant-garde creations for L’AUTRE COUTURE BY LUKO MARION, the designer did not fail to impress with his gothic and fetish-inspired fall/winter 2013 collection.

Marion named his collection “Urban Underground Winter,” leaving his audience in anticipation of what to expect. When that first model walked out on the runway though, we got it – this was going to be one edgy collection.

“I was inspired and influenced by my surroundings, the people around me, and the temperature, and was thinking of what I would like to wear in winter, as people are always dressing up too much; and to make my edgy, but not too crazy pieces, prêt-à-porter,” said Marion.

Marion understands all too well the pain women and men go through when opening our closets in the morning on a chilly winter day and deciding what to wear. When conceptualizing the pieces for his collection, Marion wanted people to keep in mind that while they are extravagant and exaggerated, they’re still ready-to-wear.

With patent leather sailor-inspired hats, veils, and long sharp black nails, Marion thought out of the box in every aspect of presenting his collection. There was so much detail in each look that it was hard to decide where to direct your focus. Wanting to create timeless, classic and interchangeable pieces, Marion was sure to include winter favourite fabrics like leather and wool.

To add a touch of luxe, Marion included some metal embellishments, sheer, and fringe, hitting high-fashion in every direction. Though the pieces were not too close to the body, except for the perfectly tailored wool-felt body armour with leather trimmed criss-cross straps, Marion stated he aimed for the “strong and seductive woman that knows what she wants and where she is going.”

Marion devoted himself to taking his vision of clothing to another level, for both men and women, leaving no concept, texture or cuts out. Every key piece gave us the look of transition from morning to night, as he dared us to want to pull off every one of his unisex, fetishinspired pieces.

“There are certain pieces that we could wear as men that we could not wear before, like transparency - something bold that we can play around with as men,” said Marion.

For Marion, this collection for men was about conceptualizing and realizing clothing that is not too feminine, but incorporating ready-to-wear texture and fabric that is used mostly for women.

He is always ready to go beyond the limits with his visions, and was sure not to leave out

Leather and wooL body armour owned the runway at Luko marion. Photos by madeLayne hajek

his trademark buttons, which he incorporated into two drastic chain-link brassieres, put over a classic and drastic long black dress. Though Marion’s pieces were bold and very high fashion, L’AUTRE COUTURE aimed for practicality and diversity.

“You need to wear clothing that you feel amazing in, and that you are comfortable in, and it needs to represent your personality.

Fashion is something great, but with fashion, you need to be confident, out there, and enjoy it.”

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the best of Montreal style No room for gender labels on Pedram Karimi’s runway

Reliving the ‘70s with Symbiose by hinda A.

Tania Di Palma Contributor

BrenDa rafTlova Contributor

If you were impatiently waiting for a new fashion trend to boost your look, you will be disappointed. It seems that last year’s colour-blocking – stacking vibrant colors one atop another – is a style that is back on the fashion agenda and appears to be here for the long haul.

Hinda A., the head designer of Symbiose by hinda A., brought her vibrant fall/winter 2013 collection to the Arsenal on Tuesday, Feb. 5. Kicking off the show with the bouncy tune “Punch His Face” by Skepta, the audience was lured into a pop-posh party surrounded by models dressed in candy-colored pieces.

“I was inspired by the ‘70s pop art and flashy colours,” said Hinda. “I saw this picture from Milton Glaser who is a graphic designer from the ‘70s best known for his ‘I love New York’ logo.”

Hinda astonished the audience with her ability to turn colourful fabrics in pink, mauve and vivid azure into silhouette-friendly dresses with architectural details. The line also sported elegant buttoned shirts worn with skirts and bright stockings, and oversized coats that looked warm and snuggly. The only disaster was a long dress made up of a pearl pink silk skirt and a fuchsia velvet top worn with purple tights and silver sandals.

The fall/winter 2013 collection featured different kinds of fabrics from linen to silk to velvet.

“I used a lot of natural fabrics because I want people to feel comfortable in my clothes,” explained Hinda. “They are also good for the environment and that is very important for me.”

What is great about this new collection is that, despite its mix of bright colors, it does not come with an age limit. “My line is targeting everyone who loves art, fashion, beauty, and everyone who enjoys life,” she said. “The collection is of course for women, but it’s for all the women out there – the young and the old. It’s for the passionate women.“ Hinda was born in Tunisia, but grew up in France where she began to love fashion. In 2001, she moved to Montreal and attended the Montreal Academy of Design and Technology. In 2005 she launched her own line Symbiose by hinda A., a sleek collection for the modern woman.

As for those of you already speculating about Hinda’s next fashion project, the designer has only one thing to say: “I have a little idea, but I can’t tell you much because it’s a surprise.”

The entire collection is entirely made in Canada and will be exclusively available in September in the Symbiose by hinda A. store located on 227 St. Paul St. in Old Montreal.

Photos by Leonardo Nieto

Montreal Fashion Week started on a high note with Pedram Karimi, a Montreal designer who is well respected by the fashion community. While many are anxious to get in with the new vibrant spring clothing, Karimi’s futuristic flair makes a good case for this winter weather all year round.

His “Galactic Wet Dreams” collection involved practical, large silhouettes for women and men bold enough for architectural, artistic pieces.

The ‘wet’ look is what Karimi was aiming for and everything tied in nicely with the offbeat theme; the design of the runway show, the models, the evolution from whites to greys to blacks and the ending of the show with a seafoam pastel green and a splash of red and silver.

For Karimi, the best part of conceptualizing the collection was “finding fabrics that could translate the way [he] hoped they would.”

And he did just that. His collection had that somewhat sporty vibe to it like his previous collections, but this time it was all about the layering, the plunging necklines, and the turtlenecks. Karimi’s overlaying involved ponchos on top of long sleeves, shorts and leggings—keeping the oversized and futuristic style in mind. His clean lines and soft aesthetic, through textiles of laser quilted nylon, polyurethane, spandex jersey, crushed silk and velvet, made the genderless look the focal point of the show.

“I hope both men and women can have fun with the pieces I’ve created and wear them as they please and I hope that I can make a difference that goes beyond just clothing,” he said, Karimi was born in Iran and later moved to Austria in his teens. He began his fashion studies at London College of Fashion and then graduated from LaSalle College in Montreal. Karimi is known for his minimalist approach and clean aesthetic. He is devoted to his past and the different cultures he has been exposed to, inspiring the concepts and unconventional fabrics.

“My designs are a product of my current and previous surroundings, my upbringing and the picture of the future that I fantasize about,” he said.

We were dizzied up from the beginning, whenthe first in a series of fashion films presented by Triptyque was showcased on the runway screen. It presented the gender confusion theme of the collection, featuring a girl transforming into a boy when she emerged from a pool of water.

The industrial and haunting music was perfectly fitting for the collection’s colour palette of grey, beige, white and black, along with the angular and architectural shapes and cuts. From the patent leather caps to the wet, slicked-back hair to the platform tennis shoes, there were moments where there was no distinction between the men and women on the runway.

“Fashion has always been a tool to influence a society for me,” said Karimi.

Photos by Madelayne Hajek

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theconcordian

Tuesday, february 12, 2013

montreal fashion Week // life

Nerdy never looked so chic rachel Sin’s inner geek grows up STePhanie la leggia life editor

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here’s a certain dress code that needs to be respected during Montreal Fashion Week. Heels are a no-brainer essential for women; a quick change from boots to pumps by the coat check line is an easy fix when transitioning from the outdoor blizzard to an indoor cocktail. As for the perfect outfit that can transition from day at the office to front row on the runway, that’s a dilemma Rachel Sin understands all too well.

“As a working girl, you’re running from meeting to meeting and the last thing you need to worry about is your clothing,” said designer Rachel Sin. “At the same time, you want to look good and you don’t have time to change from one outfit to another. I think those are all things I think about and it’s from personal experience.”

It’s no coincidence that after only one season at Fashion Week last September, Sin was given the opportunity to showcase her new collection in the main room this year. Women across Canada have fallen in love with Sin’s designs because they are effortless, chic and flattering. Her eponymous line is functional and chic, allowing women to transition from day at the office to dinner downtown. She designs for the “want-it-all woman” because she understands that woman; she is that woman.

Before plunging into the fashion world, Sin studied architecture and graduated from Carleton University with a Master’s degree. Although Sin has been in fashion since 2009, she cannot help but allow her architectural background influence her designs.

“A building has to be functional and at the same time, for me, clothing just really needs to be wearable in the sense of versatility. It will

take you from day to night,” said Sin. While in the past, Sin sought inspiration in the architectural world, this season she tapped into her quirky side and has given us a collection a little more fun. On Feb. 7, Sin showcased her fall/winter 2013 collection at the Arsenal art centre, a collection she named “Geek Girl Gone Chic.” Through her designs, Sin reaches out to other women like herself; the high school nerd who grows up to be a confident and successful woman.

With hair up in a loose bun, burgundy red lips and eyewear from Georges Laoun Opticians, Sin’s models strutted down the runway with full force and attitude. Along with the classic winter shades of black, white and khaki, Sin adds a pop of colour with a bright aqua, rich emerald and a vibrant poppy. In some of her designs, Sin balances the structured ponti stretch knit (a fabric favourite of the designer) with a “fun, whimsical” sheer, polka dot pattern.

While Sin did incorporate her signature feminine peplum shirts and form-fitting, kneehigh dresses in the collection, she does include beautifully tailored, tuxedo-inspired pant-suits with black or white stripes running along the side of the trousers.

My personal favourite was the trendy and very elegant cape blouse. “I call it the Boardroom Superhero look,” said Sin. “The working woman inspires me. I like to see women that are independent, strong and know what they want.”

What Sin wants is a challenge; to take on the United States in the hopes of acquiring space in department stores. There is no denying that Sin’s success stems from her understanding of what women need and are looking for when they browse through their walk-in.

Going green with fur and leather rachel fortin recycles materials while staying trendy

To purchase Rachin Sin designs visit http:// www.rachelsin.com/

maria hinoPoroS Contributor

A

Photos by Madelayne Hajek

s I walked up the Arsenal stairs in my new black patent Mary Janes, I couldn’t help but smile at the overwhelming sound of heels clicking and cameras flashing. Montreal Fashion Week is a time where some of the country’s best designers and most fabulous fashionistas sit under one brightly-lit roof in full fashionable force.

There was quite the lineup this year. From veterans such as Nadya Toto and Harricana by Mariouche, to newcomers like Pedram Karimi and Matière Noire, the designers left the city panting and wanting more.

I sat down with Pénélope Plante, the publicist of designer Rachel Fortin of Rachel F., for an exclusive interview.

Fortin has created her line based on recycled fur and leather and vows that not a single new skin will ever be used while designing her cozy and urban accessories. Another positive aspect about recycling old fur coats is that each one is different in presentation and appearance, making each of Fortin’s pieces unique; there is no mass production.

Although her label was originally focused on recuperating old fur clothes into new garments and accessories, Fortin also felt compelled to experiment with leather. It is resistant enough to recycle and leather is much more versatile than fur allowing Fortin to be a little more creative in designing pieces from winter to summer.

Inspired by Montreal in the 1970s, the Fortin fall/winter 2013 collection involved fur, leather, fringes, tails and nubucks in beiges, browns, blacks, yellows and khakis.

“It all started with the ‘arrow sash’,” said

Plante. “We took the traditional feeling of the design and incorporated the arrows, points and triangles into it.”

According to Plante, Fortin first realized that she wanted to be a fashion designer after coming to Montreal from Saguenay to study fashion at CEGEP Marie-Victorin. Upon graduation, Fortin accepted an internship in Denmark to specialize in the development and research of fur, an experience that had an influential impact on her earlier collections. Although she worked in Denmark, Paris has always been the city she dreamed of living in.

“For the moment, she’s in Japan and I think that is where we are going to keep her energy.

The Japanese market is easier to penetrate than the Parisian one,” said Plante. “We would probably try New York before Paris, especially when it comes to fur.”

Although the label is based on recuperating and revamping old fur coats and leather goods, it’s not always easy for Fortin to convince anti-fur organizations to change their negative connotations of the brand.

“Some [groups] don’t even let us get to the point where we tell them that it’s recycled. People are just against fur in general, it doesn’t matter if it’s recycled or new, as soon as they hear fur they just aren’t interested,” said Plante. “We do have clients that are vegan and they don’t seem to mind because we really stress the fact that it is recycled.”

Whether you love wrapping yourself in mink or detest the idea of wearing animals, the idea of recycled fur and leather does bring up quite a debate.

To purchase pieces from the upcoming line, please visit the Rachel F. official website at: www.rachelf.ca/en/store/ or visit www.rachelf.ca/en/dealers/ for a list of the dealers.

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dating // life

What do you do when Cupid is on a budget?

This Valentine’s Day, we’ve got you covered. The Concordian tells you how to keep it romantic under $10

Sara Baron-Goodman Assistant life editor

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arness the bone-chilling Montreal winter and take your valentine out for a spin on one of the city’s free ice skating rinks.

A skating date might sound like a cliché, but anyone who has ever seen Serendipity (which, incidentally, everyone should) will recognize the indisputable classic romance and winter wonderland magic of it all. I can’t guarantee that your valentine will fall head over heels, but the chances of falling on skates are infinitely higher.

To keep warm, consider packing a thermos of hot chocolate if you’re feeling wholesome, or buttered rum if you’re not. Of course, the best way to avoid hypothermia is good old body heat—I’m sure you can all figure out for yourselves how to make that work.

For an old-timey romance vibe, head to Parc Lafontaine, where you can weave in and out of ice paths and delight in the way the snow reflects the sparkle in your partner’s eyes (if you’re into that sort of thing.) Entrance to the rink is free; you can rent skates for $7 and helmets and lockers for $3. Skating hours are from 11 a.m. to 10 p.m. every weekday in the winter, and 10 a.m. to 11 p.m. on weekends.

Alternately, there’s the rink at Bonsecours Basin in the Old Port, which has daily musical themes to offer a soundtrack to your skating. Admission is $6 and it’s open 10 a.m. to 9 p.m. Monday to Wednesdays and open until 10 p.m. from Thursday through Sunday. As you may have guessed, the musical theme on Thursday is ‘romance’— I’m thinking some Michael Bolton.

Night at the museum Sara Baron-Goodman Assistant life editor For those of you with an appreciation for aesthetic culture, take a gander around one of Montreal’s museums.

There are always interesting exhibits going on, but the house collections are just as impressive and are usually cheaper entry.

Le Musée d’art contemporain de Montréal charges $8 admission for students and is open Tuesday through Sunday from 11 a.m. to 6 p.m. and stays open until 9 p.m. on Wednesdays. Entrance to the Musée des beaux-arts de Montréal is free for the permanent collections, which can be visited between 10 a.m. and 5 p.m. on weekends and 11 a.m. and 5 p.m. during the week.

For something a little different, I recommend the Montreal Creative exhibition at Place des Arts. The exhibit itself is tiny but the interactive nature of all the pieces lends well to playful antics and banter. The exhibit is only on until Feb. 16, and open until 6:30 p.m. every night.

Afterwards, pick up a baguette, some cheese and a bottle of wine and indulge in Euro-style romance. Art always opens up for titillating dialogue and the touristy vibe of going to a museum lends an exciting and sophisticated note to the evening.

Retro theatre night Jade Adams Contributor While a standard dinner and a movie date can leave you wondering if you’ll have enough money left to spring for popcorn, Dollar Cinema offers admission for two and snacks for under $10. Most of the big movies make their way to Dollar Cinema after a few weeks so

Graphic by Jennifer Kwan

you and your date might have the chance to catch one of the flicks you missed during the holidays or the first few weeks of semester. It’s admittedly not the most glamorous movie theatre, but there’s a certain charm in going to a movie where the lobby boasts an interesting collection of old sofas and the man working at the counter might be up to personally discuss the movie you’re going to see with you (depending how long the line is.)

There’s no age limit on board games Jade Adams Contributor Pub Ludique Randolph would be a great

date idea for any couple with an underlying competitive spirit. Cover costs about five dollars each, giving you access to dozens of board games. They also offer coffee, soda, cocktails, beer and light snacks such as quiche and sandwiches. After you claim a table, you wave down one of the animators on duty and let them know either which game you want, what they would recommend, or give them the opportunity to surprise you with one of their personal favourites. It might not be one of the most traditional Valentine dates, but Pub Ludique Randolph will definitely leave you with a night to remember. Aside from all of the fun you’ll have together, think of the potential bragging rights you’ll win by the end of the night.

recipe // life

Sugar and spice and everything nice A quirky Valentine’s Day recipe guaranteed to melt even the coldest hearts Arohie Chopra Staff writer

If you are single, Valentine’s Day is dedicated to indulging and splurging on sweets. If you are in a relationship, it’s the day to profess your love to your special someone in elaborate, extravagant ways. This year why not branch away from the usual roses, chocolates and anything red, and try a creative way to make your Valentine swoon.

This recipe for Lace Crêpes is the essence of romance. It can be served in the morning for breakfast in bed or in the evening with a dim candlelight dinner - for singles and couples alike.

Lace Crêpes (serves four) Ingredients: ½ cup flour 1 egg ¾ cup milk ½ tbsp sugar Pinch of salt

Maple syrup (for garnish) Powdered sugar (for garnish) Cinnamon Syrup (Makes 1 cup): ½ cup white sugar ½ cup packed brown sugar 2 tbsp flour ½ tsp ground cinnamon 1 tsp vanilla extract 1 cup water 1. Stir all the ingredients for the cinnamon syrup in a saucepan and bring to a boil.

2. Stir often until the mixture thickens 3. Remove from heat and let cool for 10 minutes.

4. For the lace crêpes, mix the flour, egg, milk, sugar and salt in a bowl. Whisk until smooth.

5. Pour the batter into a plastic squeeze bottle with a fine tip. Freehand a lace pattern on a nonstick pre-heated pan set on medium.

6. After about two minutes, flip the crêpe to cook the other side. Once you have stacked 2-3 crêpes, garnish your creations with cinnamon syrup and powdered sugar.

Photo by writer

arts

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Write to the editor: arts@theconcordian.com theatre preview // arts

4 plays, 3 nights, 2 languages 3rd Gala for student Drama promises bilingual fun and folly

The casT of Carrelage rehearses for opening nighT on feb. 14. Photos by Madelayne hajek

amanDa L. shore arts editor

Andrew and Renee have been set up on a blind date. Renee is ridiculously attached to social networking, while Andrew has an open disdain for it. They have been set up for what will likely prove to be a very awkward evening. And that’s just the way Alyssa Harms-Wiebe wants it.

Harms-Wiebe hates technology. She hates that people are so preoccupied with their cell phones that they’re unable to maintain a proper conversation and she’s turned her frustration into a one act play entitled, If Phones Could Talk. Starring France Maurice as Renee and Daniel Chichagov as Andrew, Harms-Wiebe hopes that audience members will leave having seen a reflection of their own cellular habits in these character portrayals.

Harms-Wiebe smiles, “Going into theatre I didn’t really want to write plays just for the sake of entertaining people or just for the sake of getting a laugh or making people go home feeling awful about themselves. I just wanted to write something that would be an enjoyable, either funny or tragic, experience but with a layer of honesty that kind of reflected back to society.”

Whether Harms-Wiebe has been successful in this remains to be seen when her play premieres at the 3rd Gala for Student Drama opening Feb. 14.

Now in its third year, the Gala for Student Drama has become an avenue for bringing together Anglophone and Francophone communities in a theatre environment. The idea is to promote an understanding of what’s going on in the theatre in both of Canada’s official languages. This objective is meant to benefit both the students of theatre in French and English universities as well as the community at large. Both groups, through this event, have the opportunity to see French and English theatre in one place, allowing for audiences and students to gain an appreciation and knowledge of both sides of Quebec theatre.

Mary Lee Maynard oversees Harms-Wiebe’s interview. A co-founder and primary backer of

the Gala, Maynard is also responsible for mentoring and guiding the students in the staging of their productions. A proud mother hen, she beams along with Harms-Wiebe, whose enthusiastic responses show just how much this Gala and presentation of her play mean to her. HarmsWiebe’s play is among four plays (two in French, two in English), which are being produced as part of the Gala. Maynard oversaw the selection of all four plays along with her husband, Ian Truman and former MainLine Theatre director, Jeremy Hechtman. Feasibility and the quality of the text and its dialogue were the main criteria for play selection.

Harms-Wiebe and her fellow Gala presenters are students from Concordia University, CEGEP de Saint-Laurent and Université du Québec à Montréal. The Gala is an opportunity for them to work in a professional environment and get an idea of what a theatre career would be like. “For some of the artists it’s a breaking point in their career, or it’s a reality check,” says Maynard.

Originally, it was Truman’s idea to to create this event. His background in creative writing and Maynard’s training in performance, dance and theatre gave shape to the concept which they eventually brought to Hechtman, who agreed to act as producer. They wanted to give students an opportunity to work outside of the cloistered environment of their school and experience an audience derived from more than their peers and parents.

The Gala has fostered several students who have forwarded their experiences into noteworthy appearances in the Montreal theatre community. For instance, Grace Gordon was recently picked up by the prestigious Reisler talent agency. Gordon wrote and acted in The Art of Arousal, which premiered at the first Gala and for which she was awarded the accolade of ‘Best Actor’ and ‘Best Production’.

Veteran of the Gala’s second year, Adam Alberts, has gone on to found his own theatre company, which is on the waiting list for the 2013 St-Ambroise Fringe Festival. Vishesh Abeyratne, who was involved in both the first and second year of the gala, was cast in a show in the 2012 St-Ambroise Fringe Festival and will be appearing as playwright, director and actor in an upcoming production for this year’s Fringe.

Whether their success can be directly attributed to the workings of the Gala is indeterminate, but based on their professional profiles it has certainly played a role in the foundation of their careers.

Will Harms-Wiebe be another Gala success? As she made preparations for going into the production of her play, she took on the role of director, but was unsure if she was up to the task. Having only one previous experience of co-directing a short play, Harms-Wiebe worried she wouldn’t be able to give good feedback.

Notwithstanding her trepidation of the role of director, Harms-Wiebe was prepared to see this experience as an experiment of sorts.

“I wanted to experiment throughout the Gala [with] whether or not I actually really liked directing and writing for the theatre and I figured out that I really do.”

With opening night just days away, Maynard and Harms-Wiebe agree that audiences can expect to enjoy a presentation by young artists in a professional environment. They feel that the Gala is an excellent opportunity for members of the community to see what young theatre minds are up to. Personally, Maynard feels it’s a great alternative to a traditional Valentine’s day chick flick and you should definitely bring along your special someone.

The 3rd Annual Gala for Student Drama opens Feb. 14 at 8 p.m. There will be two other evening performances Feb. 15 and 16 with a matinée at 2 p.m. on Feb 16. For more information or to reserve your tickets visit mainlinetheatre.ca or call 514-849-3778.

If Phones Could Talk - written and directed by Alyssa Harms-HarmsWiebe. Starring Daniel Chichagov and France Maurice. Stage managed by Helena Magee. Performed in English.

Plot Summary: A critique of modernday society’s obsession with cellular devices, If Phones Could Talk explores how disruptive cellular communication can be when social media opposed Andrew and social networking lover Renee go on a blind date.

Why you should see it: “A charming outlook on the age old problem of miscommunication that fits right in this day and age.” - Ian Truman solsTICes - written and directed by Laurie Murphy, assisted by Florence Rainville. Starring Oliver Tardif, Jasmine Rajotte Giard, Philippe Côté-Leduc and Marianne Lapointe. Performed in French.

Plot Summary: The lives of three childhood friends, Julie, Thomas and Charles are changed beyond recognition when, at the age of 20, Thomas leaves without notice. Two years later, Julie and Charles are still dealing with their grief in being separated from Thomas.

Why you should see it: “A text so sober, yet so imaginative; A work of surprising maturity.”- Ian Truman The CarrIer PIgeon Play - written by Julie Foster, directed by Michelle Soicher. Starring Samantha Bitonti, Curtis Legault, Michael Martini and Augustus Oicle.Performed in English.

Plot Summary: An absurdist comedy about a marriage proposal gone wrong, this play examines gender roles and societal obligations.

Why you should see it: “A beautifully absurd satire with the perfect twists at all the right moments.” - Ian Truman Carrelage - written and directed by Sophie Daunais-Ouimet, assisted by Myriam Fugère. Starring Noémi Lira and Pascale Labonté. Performed in French.

Plot Summary: What does it mean to be a roommate? What responsibility do two roommates have to one another?

Carrelage examines the absurdity of roommate hood through the relationship of Fanny and Mathilde.

Why you should see it: “An emotionally charged tragedy about friendship, love and loss that will leave you longing for answers.” - Ian Truman

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profile // arts

a slice of honesty, a look at our truth Concordia student and artist Jonah migicovsky shines his lens into the shadows JaCk WarD Contributor

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n this day and age people live their lives with eyes closed, traversing the cities in which they inhabit by hurrying from one destination to the other. There is an entire world behind the scenes which we do not see.

The world where beauty can be found in a decaying building that has lost its glory. A world where peace nestles in the image of a girl cradling an axe. This is the world that Jonah Migicovsky captures in his photographs.

In a time saturated with superficiality, retouched photos and filtered Instagram snapshots, Migicovsky’s photography is a refreshing slice of honesty. In many of our lives we are constantly in a desperate search for escape, for a good time. We are afraid of the darker side of life. The impoverished side. Migicovsky captures the reality of this life.

Migicovsky draws our attention to the extreme self medication of our era. His still life series entitled Sweet-Tooth depicts candy in place of narcotics. Candy on a table, carefully cut into lines, ready to snort. A pipe filled with Pop-Rocks, ready to smoke. Migicovsky explained how he uses photography to unveil the aspects of his life (and possibly the aspects of our own lives) that are less accepted by society. This series takes time to truly look at the type of crutches we use to prop ourselves up in our daily lives.

In his series Alley Cats Migicovsky explores the vistas of Montreal through the eyes of street artists. Capturing them at work and in their element, he offers another perspective on what many people consider vandalism. Migicovsky believes that “graffiti can give a second life to forgotten and dilapidated buildings.” These monuments that are unnoticed and slowly decaying are given attention when showcased as a canvas for others artwork.

Migicovsky’s stroke is broad and all encompassing moving from still life, to portraits, to controversial visual commentary, such as his picture of topless Barbie

Migicovsky’s phoTo of Topless barbies is MeanT To call ouT socieTy on iTs fixaTion wiTh perfecTion dolls. Through this photograph (which is a call out to society’s fixation on perfection) and many others, we are invited by Migicovsky into his world.

Frustrated by the superficiality of society, Migicovsky’s work rests on the tangible. Believing that “the negative does not lie,” Migicovsky employs traditional photographic techniques and manual equipment.

He is not interested in digital imagery. Migicovsky says he uses traditional film in order to highlight how life is saturated by media that it is edited to such an extreme that what is real has become subjective. When capturing images on film rather than on memory cards you always have the negative: that roll of film which preserves an actual event; a girl with beautiful eyes, a building brought to life through someone else’s art or a gun held loosely in someone’s hand.

By looking at Migicovsky’s work we are asked to pause. Through his lens we are given a raw look at our lives: the places we go, the things we do and the things we pass by.

An antidote to the airbrushed facsimile of what is expected from art, Migicovsky challenges what we have come to accept.

Migicovsky is currently studying photography at Concordia. His full portfolio can be found online at www.jonahmigicovsky.com

cinema politica // arts

A more humane method of food production an educational look a small-time food producers working against the tide of corporate agribusiness ayan ChoWDhury staff writer

When it comes to food, the term ‘fruits of our labour’ arguably doesn’t often apply to the 21st century citizen. While places such as the Atwater Market showcase local produce during the summer months, it’s safe to assume that most Montrealers purchase their food at major chain supermarkets.

Written, produced and directed by Nils Aguilar, Voices of Transition showcases different and more homegrown examples of food production. In “agribusiness,” there’s a systematic tendency that says “bigger is better;” more machines, more production, more distribution and, ultimately, higher profits. However, this approach has had severely destructive effects on not only the people who consume or once produced the food (such as small-time farmers), it hurts our precious planet. In fact, it is estimated that agriculture accounts for nearly

40 per cent of global warming.

Spanning across parts of France, England and Cuba, this film also investigates the increasingly complicated subject of food production; who makes it, how they make it, how much do they make and waste, and what are the socio-economic and environmental implications of large-scale, global food overproduction and distribution. In Europe, for example, the majority of agriculture subsidies go towards some of the most environmentally unfriendly corporations.

However, many are resisting such widescale practices by not only boycotting major supermarkets, but also by simply growing their own food. The eccentric Mike Feingold, a British permaculturist, is shown making his own apple juice and cider. His beliefs lie in “earth care, people care and fair share,” which ultimately brings together environmental, ecological, and societal needs. Feingold is a citizen of Totnes, England, one of a growing number of so-called “transition” towns in which the issues of housing, food production, transportation, and energy are creatively tack-

led by its citizens in unison, as a community.

They attempt to remain resilient against any economic unpredictabilities.

The film encourages such examples of local-based food products and production, in which the fate of every citizen is tied to each other’s input and output, placing a great deal of importance on communal harmony. At the very least, inhabitants living in transition areas learn new skills, such as the means to grow their own vegetables.

The film includes a few breathtaking scenes, such as the south of France in all of its picturesque beauty: rows of redbrick townhouses, ancient chapels and endless miles of golden wheat fields where cattle and horses roam. However, many of these very same farmers have been driven out of business while others have been forced to change their business practices to something less than moral in order to comply with multinational agricultural biotechnology corporations such as Monsanto.

By the second half, this film takes a more optimistic turn, exploring how communities

meet their own needs, not by building fences, but by sharing space and working together.

Total self-sufficiency isn’t the goal. After all, we live in an interdependent planet; self-reliance is the ultimate objective. The film essentially asks whether the world will continue to march on the same destructive path or create a new, more efficient system built on self-preservation.

Voices of Transition screens Monday Feb. 18 at 7 p.m. in Room H-110, 1455 de Maisonneuve W. For more information, visit www. cinemapolitica.org/concordia

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Tuesday, february 12, 2013

film review // arts

Nowhere to go but down a film in which Charlie sheen plays the title character Charles, and Bill murray shows up roa aBDeL-GaWaD Contributor

If you imagine the film 8 ½ , but directed by Wes Anderson and with all the heart and soul stripped out of it, and with the cast and crew coked out of their minds, you would come close to understanding what it feels like to watch A Glimpse Inside The Mind Of Charles Swan III. With a title of this grandeur, especially when names like Coppola, Sheen, Murray, Schwartzman, and Arquette are associated with it, and there’s a clear nod to Marcel Proust’s In Search of Lost Time, one would expect an equally grand and spectacular experience. However, what we get is a film with a single, simple narrative. The plot revolves around Charles Swan a graphic designer who gets dumped by his girlfriend, Ivana, when she discovers pornographic photographs of his former lovers stuffed in a drawer. In an effort to cleanse, or perhaps avenge himself of Ivana (played by Katheryn Winnick), Swan attempts to throw her shoes over a cliff, down which he subsequently falls and is brought to a hospital for treatment of body and soul.

Charlie Sheen plays the womanizing titular character, who, in addition to recovering from his physical injuries at the hospital, is receiving help for drug-related health issues and is in therapy to deal with his debaucherous lifestyle (sound familiar?). The audience is treated to Swan’s introspection through the manifestation of psychedelic memories and dreams.

The first of these dream sequences depict Swan’s funeral in which only the women in his life are in attendance and during which Swan rises out of his grave and proceeds to tango with these women. And it only gets more bizarre from there.

In other sketches, Swan gets attacked by his former lovers in a league they have formed,

in his imagination, called the S.S.B.B. (Secret Society of Ball-Busters), who, while dressed as sexy navy officers, attempt to launch a missile attack on him. In another sequence they are dressed as sexy native-american women riding feathered horses with bows and arrows trying to capture him.

Throughout his journey of self-examina-

tion, Swan is supported by his sister played by Patricia Arquette, his friend and client Kirby (Jason Schwartzman) and his accountant Saul (Bill Murray). While these actors do indeed bring a warmth much needed amidst this wild onscreen trip, their roles add next to nothing to the plot, rendering their characters inexplicable.

In fact, the entire production makes one feel as if they had just walked in on a private pot session between these actors and their directorial captain, Roman Coppola. This unwelcoming feeling comes from what seems to be fragmented and incohesive visual depictions of a simple story made up of random cellulose pieces put haphazardly together. Obvious signifiers such as Swan’s T-shirt which features his own name, kitsch ‘70s ambiance and stock wardrobes seem quite indulgent just to tell a few inside jokes and draw parallels between Sheen and Swan.

The only constant is the hyper Wes Anderson-style with which this film is made. Coppola, who co-wrote The Darjeeling Limited and Moonrise Kingdom with the whimsical Anderson, achieves none of the charm despite a Pink Floyd-inspired musical score, saturated colours, picturesque scenery and an impressive array of ‘70s paraphernalia. The film lacks humour, depth and an actual emotional study of Charles Swan; although it would be be negligent not to mention that Sheen does indeed play Swan’s character to perfection. Quelle surprise! a glimpse Into The Mind of Charles swan III opens in Canadian theatres on Feb. 15.

book review // arts

Whip smart: History has never been sexier Concordia professor kit Brennan’s first novel is a captivating read nathaLie LafLamme staff writer

When browsing for the perfect book, many favour a specific genre. Some like mysteries, while others prefer romance novels or biographies and, once in a blue moon, someone will get their kicks cracking open a history textbook.

Kit Brennan’s Whip Smart: Lola Montez Conquers the Spaniards, encompasses a little bit of everything. The novel recounts the many adventures of a passionate, sometimes reckless 22-year-old named Lola Montez as she travels throughout England, France and Spain during the year 1842.

The book combines the perfect amount of fiction and reality, telling the story of what could have happened during a trip the real-life Montez made to Spain that summer. Montez was a dancer in the 19th century, and travelled everywhere from the United States to Australia. To this day, no one knows what really happened during her voyage.

The journey starts off in England, in 1843, where Lola is being interrogated about

her true identity. She then shares memories of the past year, inviting the reader into her captivating tale of adventure and romance.

It’s impossible not to be intrigued as she relates how it is she became a spy for the exiled Queen of Spain and planned to seduce the repugnant man tutoring the two Spanish princesses.

While on her mission, she meets the captivating General Diego de Léon, also working for the Queen. Lola rapidly and dangerously falls in love with him. Her mission soon takes a drastic turn, and she and her team decide to plan a kidnapping.

Things take a turn for the worst, when Diego is captured and Lola is chased across Spain by an unknown enemy.

This novel is the perfect blend of history, romance, action and mystery. The intriguing characters, many of which really existed, like Alexandre Dumas, for example, add even more life to the book.

The story is written from Lola’s point of view, but her thoughts are written in a very modern fashion. This makes the text, written in a more time-appropriate way, easier to read. The dialogue is also full of expressions in different languages, including French, English and, of course, Spanish.

All of the characters are seen through Lola’s passionate and witty eyes, which makes the descriptions sensational. The tutor she must seduce, for example, is described as having “fur which extended all the way up the backs of his hands, fluff-

Unlike most romance novels, the characters in this book are not perfect. Lola, for example, is rather vain, impulsive and has a weakness for men. Diego is not the classic love interest either, for he is actually shorter than Lola, and has a small, lithe build. This makes the story more believable, and the characters that much more endearing.

Brennan’s novel shows a woman’s transformation from the lost and regretful Eliza Rosanna Gilbert to the courageous and reckless Lola Montez. This page-turner, full of mysterious attacks and assassinations, will keep you guessing until the very end.

ing out around his cuffs, and no doubt getting thicker and hairier all the way up (and down, ¡mierda!).”

The author, Kit Brennan, currently teaches writing and storytelling at Concordia and is a nationally produced, award-winning playwright. lola Montez Conquers the spaniards, which was released on Feb. 1, is her first novel, but there will soon be a second book in the Whip Smart series entitled lola Montez and the Poisoned nom de Plume.

Tuesday, february 12, 2013

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fiction serial // arts

Tourne au Rouge Part 6 of an ongoing fictional story from our staff writer andy fidel

A

ll the children stood in line, craning their necks to take in the sights with their mouths wide open. The circus tent looked rather small from the outside, but it was a gateway to an entire carnival. Just beyond the small ticket booth Anya could see a ferris wheel with waving arms in each and every car, a higgledypiggledy pair of acrobats juggling fire sticks on five-metre-high stilts and a frolicsome crowd of children. Miranda squealed and pointed her stubby fingers towards the sky. Balloons waltzed with the wind, flying higher and higher until they spotted the sky like sprinkles on a chocolate cupcake. Anya looked at Billy andsmiled so widely that it hurt her cheeks a little.

“Look out!”

Billy pulled Anya out of the way just in time. A large metal wheel whizzed by the young girl, inches away from her. Anya stood still for a moment, glaring at Jester Thingrim as he threw his head back and cackled merrily on his tall tricycle. At full speed, he zigzagged through the crowd.

“Did you see the look on her face?” said Miranda, slapping herself on the knee. Even Billy stifled a laugh behind his hands.

“Quit it!” said Anya and shoved Miranda’s shoulder back.

“He didn’t hit you—” “But he could have,” hissed Anya. Her jaw clenched and unclenched as she watched the line slowly move forward. One at a time the children stepped behind the red curtain into the small ticket booth and then ran out with a handful of tickets. Anya wondered why it took some longer than others.

“What do you think is in there?” asked Anya.

Illustration by Jihane Mossalim, Gallery 203

“Who cares,” said Miranda, crossing her arms. She let out an exaggerated sigh. “I just want my tickets. This is taking forever.”

Billy asked: “Do we have to pay?”

“If we do . . . ” said Miranda, “Don’t worry. I’ll just get my mom to deal with it.”

Anya merely rolled her eyes and turned her attention to a group of trudging mimes. Their steps were slow and heavy, as though they were sleepwalking. The one in the front was carrying a tambourine, followed by another hugging a tuba and the two in the back were sharing an accordion. They were all wearing gray hand-me-downs that were either too small or too big, and holey shoes. Occasionally one of them would lift his head up for a moment and give the crowd a sidelong glance.

Jester Thingrim parked his tricycle beside a wooden platform in the corner. He snapped his fingers and a bright yellow light lit the stage almost instantly.

“Messieurs-dames,” said Jester Thingrim, bowing deeply and doffing his top hat to his audience, “Welcome to Tourne au Rouge.”

Everyone cheered and clapped as the four mimes scrambled onto the stage. Hesitantly, they stepped into the spotlight gave a quick nod, then stepped back. Anya recognized the mime with the raisin eyes hiding behind the big tuba. It was Pierrot. He was trying to scratch his leg discreetly, but failed every time the tuba leaned dangerously to one side. Anya giggled.

“There are many games and rides,” said Jester Thingrim with a grin. “Use your tickets wisely. I will only say this once — particularly to those with the nimble fingers. You may not borrow, share or steal here. You’re out when you run out.”

Jester Thingrim jerked his arms upwards and held them in mid-air like a music conductor. The mimes on stage closely observed his fingers and began to play the instant they twitched. In an eerie high-pitched voice, Jester Thingrim sang: “Emmenez-moi au bout de la terre, emmenez-moi au pays des merveilles Il me semble que la misère serait moins pénible au soleil.”

Billy and Miranda shuffled forward, trying to squeeze past the smaller children while Anya kept her eyes on Pierrot. The quicker

Jester Thingrim shook his arms the harder the mime smacked his tambourine against his hip and the quicker the two mimes pushed and pulled the accordion apart and back together, the harder it seemed for Pierrot to breath. His face turned purple every time he blew into the tuba and puffed out his cheeks.

“What do you think he means by you’re out?” asked Miranda.

Billy shrugged. “Go home?”

“I’m never going home,” said Miranda.

“Hey!” she waved her hand in front of Anya’s face. “You’re holding up the line.”

Anya turned around. She wasn’t sure if she saw a bead of sweat on Pierrot’s cheek or a tear.

Three old women were crammed into the ticket booth sitting on a single stool. Neither of them noticed Anya as she stumbled through the red curtains. The old women were busy trying to poke each other in the eye with their long bony fingers, shrieking: “Scoot!”

“You get always sit in the middle—” “Move over—” “Ow!” Anya knocked on the window pane and said: “Excuse me?”

The three old women froze in mid-motion with their arms extended, their heads leaning back and their eyes squinted.

The three old women all chimed together: “Hello, Anya.” They grinned as though invisible strings were pulling their lips apart, staring at Anya with eyes like marbles, empty and cold.

“Say cheese,” they sang in unison. Just before Anya could say a word, there was a flash of blinding light.

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Write to the editor: music@theconcordian.com

profile // music

Wake Island is as organic and raw as they come

From leFt to right: the boys From Wake island - derek koziol, nadim maghzal, evan tighe and PhiliPPe menasseh - are due to release their neW album on Feb. 16

This multicultural montreal band built their empire by hand, from the ground up sTephanie ullman interim music editor

P

eeking out of the ocean, sitting almost directly at the mid-point between Asia and North America, is a spec on the map called Wake Island. In a “moment of despair” while aimlessly traveling the globe via Google Maps in search of inspiration for a new band name, guitarist Nadim Maghzal happened upon the tiny landmass, deeming it worthy of becoming the group’s namesake. Symbolically, it was too perfect to leave behind.

Wake Island’s roots are split between Lebanon, Canada, and the U.S., making for a cultural soup of epic proportions. With vocalist Philippe Menasseh and Maghzal hailing from the East, bassist Derek Koziol from America, and drummer Evan Tighe from Canada, finding musical common ground was an ongoing challenge at the start of Intensive Care – the project that preceded Wake Island, with Jonathan Parsons on drums at the time.

“When we started writing music, it was all over the place, and that’s natural,” said

Maghzal. “Everyone was trying to put in their own idea of what was cool and what was not.

Being from such different cultural points, obviously, the result was a mess.”

Having spent the first 18 years of their lives in Lebanon, Maghzal and Menasseh were exposed almost exclusively to Britpop and European rock and roll, given the prevalence of MTV Europe as opposed to its Western counterpart. When those foreign influences paired with the other members’ backgrounds from the North American music scene, the result was friction and vexation.

“Those were the hard years,” said Maghzal, giving a nod to the days of Intensive Care. “Everything was difficult, from booking a show to writing a song. There was always head-butting.

Everyone was so sensitive. Everything we said had to be calculated not to offend anyone.”

With the progression of time came closeness between the bandmates, newfound understandings, a new drummer, and the identity shift from Intensive Care to Wake Island. In the wake of Tighe’s induction, the band spent five months in the studio on hiatus from recording.

Instead, they were jamming, finding their footing and establishing a cohesive sound.

“The word is compromise. That’s how you get closer to people,” explained Maghzal. “I love being wrong. It means that I’ve learned something.”

Thanks to its motley origins, Wake Island is naturally able to transcend and breathe new life into the often hackneyed sound of indie rock.

“We always have an outsider’s perspective,” he said. “We see [music] with fresh eyes – we’ve acquired this culture [by moving to Montreal], but we never make an effort to fit any mold. Everything we make, including the music, we’ve never made compromises to make the music sound like what it ‘should’ sound like.”

Regardless of the group’s detached perspective, their willingness to stay true to the ideologies behind the genre remains intact.

“Typical indie rock is this whole idea of doing everything yourself,” said Maghzal.

Currently putting out a record – It Takes Time to be Uncomfortable is being released on Feb. 16 – the band is taking care of all preparations, from hand-making the tickets, stickers and T-shirt designs to booking shows and manning the website. The organic, hands-on mentality that Wake Island has gladly adopted is not unique to indie rock, Maghzal noted, but a characteristic of rock music that has been prevalent since its inception.

“This genre has constantly kept defying its own classification,” he said. “There have been generations of musicians – if you listen to rock in the ‘00s, its different than the ‘90s, and the ‘80s. It’s all rock: it’s the idea of, ‘We’re fucking unhappy with this, that’s shit, we’re going to do this instead’. I think all good rock bands are driven by this attitude: the do-what-you want, do-it-yourself attitude.”

It Takes Time to be Uncomfortable aims to reflect the volatile period that Wake Island worked through in its initial stages.

“If you don’t put yourself in an uncomfortable situation where there’s tension, you never learn,” said Maghzal. “There’s never any sense of reward. You never progress, you just stay where you are.”

Immersed in conversation touching on familiar ideas of discomfort while on tour in Koziol’s native Boston, the bandmates came across an old photo of him as a child while visiting his house.

“When we saw the picture, we were like, ‘This is the album cover, this makes total sense’,” said Maghzal. “You have a kid who’s clearly a kid from the ‘80s or ‘90s, where he had this promise that he was going to live in a serene world where everything was going to be nice and perfect.”

Enter the concept of discomfort. Nowadays, he explained, people are overwhelmed and confused, much unlike the idealistic vision of the future that people had at the time when the photo was taken. “That picture represented this illusion that people in [that era] had that the future was a place that would be better. We ask ourselves, is it really better, and how can life be improved? How can we fix things?”

Reflecting upon the trials and tribulations that riddled Wake Island’s past and drinking in present-day homegrown success, Maghzal is able to sum up his feelings in one simple phrase: “Wow. We made it.”

Wake Island plays Casa Del Popolo on Feb. 16 at 9 p.m. Tickets cost $10.

Tuesday, february 12, 2013

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column // music

Streams of the Week

Three new musical gems, to make your earbuds bump elizabeTh mackay staff writer

andreW guilberT staff writer

KavINSKy - “ProTovISIoN”

THee oH SeeS - “MINoTaur”

DIaNa - “BorN agaIN”

French electro-house DJ Kavinsky instantly met mainstream status after “Nightcall” was featured in the opening credits of the Gosling-fueled cult hit Drive. Kavinsky’s slow, mysterious ‘80s soundtrack-inspired production set the tone for the entire film — a la the opening theme for Night Rider. Naturally, when he released his first single since claiming fame, it got some attention.

If “Nightcall” accompanied a drive in the dead of the night, “ProtoVision” is meant for the low profile, one-on-one car chase. Kavinsky raised the synth, speed and busted out a killer electric guitar riff. Still, it was missing something.

French electronic group Turzi seems to have found that special ingredient with their “ProtoVision” remix, featured on the ProtoVision EP released last Monday. It just needed a vocal. They may not be clear, but it gives the track that extra human layer that tricks the listener into feeling like they’re part of the action. Weave in a few deeper beats, a revving engine and screeching tires and the track tells a story.

Thanks to Turzi, Kavinsky has another floorfilling anthem.

San Franciscan five piece Thee Oh Sees began as an experimental side project for guitarist/frontman John Dwyer. But after the success of 2012’s Putrifiers II, named one of SPIN magazine’s 50 Best Albums of 2012, the band is much more experimental and a side project no more.

Thee Oh Sees are riding the garage-rock comeback wave, tight on the heels of Ty Segall. They debuted “Minotaur” this week, available as a free download off Pitchfork, ahead of their much anticipated April LP, Floating Coffin. The track makes full and proper use of the band’s one female member, vocalist and keyboardist Brigid Dawson. Her angelic coo is the perfect antidote to Dwyer’s antagonizing ah-ha. “Minotaur” is a crossover track: its harmonies, angst, cello-driven backbone and jerky bass lines apply equally to the indie and garage rock lover. This song will cement itself in your head.

There’s nothing quite like the shared love of a song between friends. For many musicians, it’s a common musical obsession that initiates the friendship in the first place. Such is the case with Toronto’s DIANA. The band began as the brainchild of two university friends. With the addition of front-woman Carmen Elle, DIANA turned obsession into an homage to early 80s new age electronica.

Their spacey debut “Born Again” lit up the blogosphere, attracted the infamous Tegan and Sara (who have since invited DIANA to join their current North American tour) and invited remixes galore. Many of these “Born Again” remixes were by their closest musician friends, from Montreal’s Doldrums to Luke Lalonde of Born Ruffians. The band was so proud of these remixes that they uploaded them all onto their Soundcloud, which is still fresh in the making.

DIANA have yet to release an album, let alone an EP. Hopefully the band’s popularity is an indicator of more to come and not “getting by with a little help” from friends.

Quick spins // music

Foals - Holy Fire (2013)

Local Natives - Hummingbird (2013)

Buke & Gase - General Dome (2013)

Three years since their sophomore album Total Life Forever, Foals is back with Holy Fire, an explosively original 11-track album of catchy beats, haunting vocals and heartfelt lyrics.

Lead singer Yannis Philippakis told NME that the album’s sound would be “heavier” and “dirtier” and although this is true for songs like “Providence” and “Inhaler,” Holy Fire is slightly reminiscent of the Antidotes and Total Life Forever days with songs that are unabashedly very pop, like the fun and catchy “My Number” and some strikingly melancholic tunes like “Late Night” and “Moon.”

True fans will instantly latch on to Philippakis’ distinctive vocals and his universally appealing ambiguous lyrics on love, breakups and relationships. The band’s signature mix of rock and electronica is ever-present on their third album and will have fans both dancing and rocking out to this musical gem.

Teamed with producer Aaron Dessner (who was responsible for last year’s Sharon Van Etten album, Tramp), Local Natives are releasing their sophomore effort entitled Hummingbird. Following the critically-acclaimed success of their debut, Gorilla Manor, and touring with Arcade Fire, Local Natives have crafted a decidedly more thoughtful album, though less immediately accessible than their debut.

While still heavily influenced by contemporaries such as Fleet Foxes, Animal Collective and The National, Hummingbird does not wear its influences on its sleeve. Local Natives are forging their own brand of sophisticated indie rock.

The album aims to find emotional healing after loss, as “Colombia” was written about the passing of lead vocalist Kelcey Ayer’s mother during the recording.

Enjoyable from start to finish, Hummingbird’s strength is the overall quality and confidence of the material. It may be slightly early to make this prediction, but I foresee this album on many prominent “top ten” lists for 2013.

The alternative, do-it-yourself rock duo Buke & Gase have released their latest album, titled General Dome, on Jan. 29.

The Brooklyn-based band is made up of Aron Sanchez and Arone Dyer, who both play unusual, self-created instruments, with Sanchez rocking on the “gase” (a hybrid creation of both bass and guitar) and Dyer a baritone ukulele. The “toe-bourine” has also been sprinkled in for good measure.

Don’t let the homemade instruments and effects deter you — this duo has nowhere to go but up. The sound is reminiscent of the now-defunct White Stripes: raw, uninhibited and daring. You don’t always know where the song structure is going and that’s okay.

It’s the kind of record that you could play both loud and soft. But the number on the volume knob will never match the number of spins this record will have in your rock playlist.

Trial track: “Late Night”

Trail track: “Colombia”

Trial Track: “Hiccup”

10/10

- Andria Caputo

8.5/10

- Paul Traunero

9.1/10

- AJ Cordeiro

>> Eat yer heart out //

If you’ve ever seen a video of open-heart surgery being performed and thought “you know, that would look pretty good encased in chocolate…” You are incredibly weird.

Luckily for you, so are The Flaming Lips.

In honor of Valentine’s Day, the group is releasing its new Songs of Love mix on a USB key housed inside an anatomically-correct chocolate heart. The group partnered with Dallas-based company Dude, Sweet Chocolate to make the cardio confections, which are “72% South American dark chocolate studded with hazelnut mini whoppers and waffle cone crunch,” and sell for $60 apiece.

Before you go rushing to their website to pick one up for that special someone in your life, you should know that the hearts have already sold out.

>> American History / X-rays //

Jack White’s obsession with all things vinyl is only deepening, having announced plans to re-issue more than 25,000 old blues records through his own label for no profit.

“It’s very important to American history and also to the history of the world,” White told BBC 6. He also explained how he first fell in love with the recordings when he encountered them at a young age. “I had been looking for Blues records when I was a teenager and the older ones seemed to have been kinda swallowed up,” he said. “At one point in Detroit a whole Blues collection was dropped off at this vintage record store, so that’s when I first bought a whole batch of Document records—Tommy Johnson, Ishman Bracey, Roosevelt Sykes … I’d never seen those records on vinyl before.”

One of White’s other projects will also dig up the past and put it on vinyl, though in a much more literal sense. For the next installment of Third Man Records’ ‘Blue’ series, some of the 7” records will be printed on old medical x-rays. If that’s something you’re interested in, best buy your tickets to SXSW now; the limited pressing “Flex-Ray discs” will only be available at the Austin festival in March.

>> Scary Monsters and Clown Tights //

Cirque du Soleil has turned many an artist’s catalogue into a successful enterprise.

To date, they’ve covered Elvis, the Beatles and Michael Jackson. So it might come as a bit of a surprise to hear that the next iconic musician to be welcomed under the proverbial big top is none other than Dubstep artist Skrillex. The DJ is one of several to have signed residency deals with the Cirque’s new Vegas club LIGHT. As part of the deal, each DJ will be able to use Cirque du Soleil’s resources to create their own distinct show.

“The LIGHT Skrillex show is gonna be only in Vegas,” he said. “I want it be distinct to the LIGHT club because the configuration is so customizable, it’s fucking crazy. That’s the thing about the club, too: they can do anything, so it’s how you maximize the dynamic of a great show with all their fucking bells and whistles and all of their budgets and resources to do anything.” LIGHT opens on April 26th, though the start date for each DJ’s residency has yet to be announced.

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theconcordian

profile // music

Killawail is terrific and Trans-Pacific The Montreal/Melbourne group is a shining example of a bi-continental band gone right Milène Ortenberg Staff writer

I

t’s not everyday you hear an epic story like KillaWail’s. Who knew that a random encounter at a Montreal gas station in 2010 would be the spark that lit this international funk-infused bonfire that’s raging wild and getting bigger.

Melbourne-based rock guitarist Benji Miu was touring Canada with The Resignators when he bumped into J.P. Veillet (bassman Dizzy Veillet’s brother) at a gas station asking for directions. They became instant friends and lived together for a few weeks.

Through his brother, Dizzy only met Miu twice before flying over to Melbourne to meet him a few months later. The friendship bloomed and so did the music. As Miu shared the blueprints of his craft with Dizzy, Jono James—Miu’s trombone-playing friend—joined them soon afterwards. When Dizzy returned to Montreal, he introduced Sébastien Fournier, who plays the trumpet, and Sarah Dion on the drums to Miu and James through Skype.

“On Christmas Day, before I left for Aus-

tralia the first time, [Fournier] called me out of the blue to jam with [Dion] who played drums. I hadn’t spoken to him in years, it was just so random, but we jammed and it was really amazing,” said Dizzy, who later asked them to join the project.

“I was down straight away,” said Dion.

“Going to Australia with a guy I barely know to meet another guy I barely know, why not!

After being in school for three and a half years, this was my big break.”

Through countless emails and a few Skype sessions, they built a band from the ground up. Miu and James met every week, as did Dizzy, Dion and Fournier on opposite sides of the globe. Think of a long distance relationship with five other people and five other instruments.

A year later, the five of them met in Melbourne for four months and lived in a house, rocking out from dawn till dusk. With a few shows under their belt, the lot flew back to Montreal and Josh Michaud, a trombone player, became the third horn member to complete KillaWail’s signature sound.

“It was really difficult at first,” said Miu. “This is a really hard way to start a band, it takes someone to keep the fire alive. You have to keep contact […] it was a hurdle, but we overcame it.”

Would they recommend it to anyone?

Absolutely. “The best thing is, once you’ve decided you’re a band and then you see your band members get off the plane for the first time, it’s awesome.”

So what does this Trans-Pacific band sound like? Take a witch’s cauldron, throw in Blood Sugar Sex Magik, a few Black Keys and Arctic Monkeys tunes, vigorously stir the mix and there you have something that starts to resemble KillaWail.

While Miu is self-taught, Fournier, Dizzy and Michaud all studied jazz at CEGEP de Saint-Laurent back in 2011, which adds original complexity. With a solid and driven rhythm section complemented by a dynamic horn trio, KillaWail are obsessed with fastengaging rock beats that dominate the landscape of their Latin-inspired, garage-soul funkadelics.

So forget Ska—just because they have a horn section doesn’t mean they’re like that.

In fact, it sounds completely different. But while they don’t identify with that genre, they do share a similar trait.

KillaWail has a pretty serious side–effect: it makes you want to get up and bust a move. All band members agree, a venue could be packed to the brim, but if people aren’t dancing to their aggressive syncopat-

ed groove, the job is not done. For these energetic wailers, it’s all about having a good time.

For the last six months, they have been touring all over the country and have gained quite a following, so now it’s time for an EP. “We’re all really stoked about it,” said Miu. “We were only planning to do two or three songs but ended up with five in two days. We were on fire!”

When they’re not jamming to prepare for their upcoming EP launch next week, Fournier and Michaud work as DJs and busboys at a strip club, Dion works at a cheese shop in St Lambert and Dizzy at an Italian restaurant in Outremont.

“We do what we can!” said Michaud, chuckling. In a few months, they hope to be in Mexico City and touring around central and South America.

As Miu put perfectly: “Travelling the globe and playing music; what more can you ask for?”

Trial Track: “Murderflies” KillaWail launch their EP Get me Wise at Petit Campus at 8 p.m. on Friday, Feb. 15.

Tickets cost $10.

mixtape // MUSIC

Valentine’s Day Casandra De Masi Staff writer

For all the lovers

Anti-Valentine

1. Maroon 5 - “She Will Be Loved” - Songs About Jane 2. U2 - “Sweetest Thing” - Where The Streets Have No Name 3. Ed Sheeran - “Wake me up”+ 4. Coldplay - “Green Eyes” - A Rush of Blood To The Head 5. The Temper Trap - “Sweet Disposition” - Conditions 6. Iron & Wine - “Such Great Heights” - Single 7. Aqualung - “Brighter than Sunshine” - Still Life 8. The Fray - “You Found Me” The Fray 9. Jason Mraz - “I Won’t Give Up” - Love is a Four Letter Word 10. Lana Del Rey - “Video Games” - Born to Die

1. Adele - “Someone Like You” - 21 2. Gavin Degraw - “Not Over You” Sweeter 3. Of Monsters and Men - “Love, Love, Love” - My Head is an Animal 4. Maroon 5 - “Misery” - Hands All Over 5. John Mayer - “Dreaming With a Broken Heart” - Continuum 6. Alanis Morissette - “You Oughta Know” - Jagged Little Pill 7. Lily Allen - “Smile” - Alright, Still

8. Justin Timberlake - “Cry Me a River”- Justified 9. Big Brother and the Holding Company - “Take Another Little Piece of My Heart”- Cheap Thrills 10. Sara Bareilles - “King of Anything” - Kaleidoscope Heart

I

t happens once a year. Shops and public places are draped in hues of pinks and reds. Chocolates shaped like hearts and roses adorn shelves. Happy couples hang onto each other, while florists rake in the profits. Some people’s hearts swoon at the thought of St. Valentine’s Day, while others feel sick at the very mention of Cupid’s shenanigans.

This mixtape has a little something for everyone. Are you a lover? Side A is filled with some pretty little gems sure to feed your emotional appetite.

Bad break up? Bitterly or happily single?

Just hate Valentine’s Day? Side B may be the better place for you to chill, and maybe fill the void left by the flying man in the diaper who didn’t visit you this year.

So unwrap those chocolates and chalky message hearts, pour some wine, and enjoy the sweet sounds of love, anger, and emotional heartbreak.

sports

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Write to the editor: sports@theconcordian.com profile // sports

Kevin Figsby’s coaching journey A in-depth look at the stingers’ men’s hockey coach GeorGe Menexis opinions editor

“

When you do get that kid in, you’re with him almost everyday for four or five years. You watch them grow, you watch them develop through all kinds of life’s different up and downs. Most people don’t get to see that. To see a first-year mature and graduating, it’s a phenomenal experience.”

That was Kevin Figsby’s reply when asked what his favourite part of coaching was. It’s being a mentor for these kids every single day, an “extended parent,” as he said. That’s what draws him to the job of coaching, ever since he first came out of university.

Figsby changed the face of Concordia University’s hockey program since first taking over in 2000. He’s instilled an exemplary set of values in the players that are based on two extremely important values.

“Two things that have been instilled in our program are pride and tradition,” said Figsby. “And it’s something we really believe in. You respect the traditions of the people that have been here before you and you take pride in doing it.”

The guiding values and strong core of the team can be attributed to Figsby’s staggering reputation as a coach. Growing up in Pointe-Saint-Charles, Figsby was introduced to community involvement and volunteering from a very young age. It has shaped him not only in his coaching career, but in his life as well. It’s through these experiences that he’s managed to implant

community values in every Stingers player passing through the program for 13 years.

“I think it’s an important mission of the university to make sure the players are involved in an academic, social and community perspective as well,” Figsby said. “It’s one of my big beliefs that you have to be involved with community.”

Throughout the years, Figsby has been involved with countless organizations, raising funds as president of James-Lynn High School where he used to be a student and starting his own organization in his hometown called the Pointe-Saint-Charles Hall of Recognition. Over the years, the organization has raised more than $350,000 for scholarships.

“The scholarships provide almost $25,000 a year for kids to pursue postsecondary education,” explained Figsby.

“These are kids from Pointe-Saint-Charles that no one really gave a chance to.”

Although his community involvement is enough to jam pack a schedule, Figsby has made it far as a coach as well, earning himself the title of master through Hockey Canada and has received the highest coaching certification in the world. He’s only one of 31 coaches to have received this honour.

He’s coached team Canada at the World U-17 Championships and won a bronze medal in 1995, with current NHL goaltender Roberto Luongo on his roster. He won another bronze medal in 2011 coaching Canada at the World University Championship in Turkey and was invited as a guest coach to the Montreal Canadiens’ training camp in 2005.

If there’s one thing Figsby’s sure about, it’s that staying in coaching was the best decision of his life. Before he became a fulltime coach at Concordia University, Figsby had a major position in the banking world.

When he was promoted to a director of sales and marketing in North America, he

Figsby has been coaching the stingers men’s hockey For the past 13 years oF his career.

was told he would have to drop his coaching job as head coach of the AAA Lac StLouis Lions. And he did. This, he says, was his only regret.

“I chose the bank over hockey and over coaching,” he said. “I was probably the most miserable individual you could meet for that period of time, because the passion that I had, the thing that drove me from a creativity perspective had been coaching.”

It isn’t much of a surprise that when he was offered the head coaching position at

Concordia in 2000, he accepted it without a backwards glance. It goes to show that no matter the situation, your passion will prevail. He’s been here ever since, has seen the program grow and improve and has been an enormous part of the organization as soon as he stepped onto the scene.

“I still have that passion for coaching right now. I love coming here everyday,” said Figsby. “The university is moving forward and those are things that inspire you everyday.”

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theconcordian

Tuesday, february 12, 2013

men’s hockey // sports

Stingers miss playoffs by three points Men’s hockey season ends with a win and a loss sAMAnthA Mileto Assistant sports editor

The Concordia Stingers men’s hockey team managed a 3-2 shootout win against the Queen’s Gaels, despite blowing a 2-0 lead at Ed Meagher Arena on Friday night.

The Stingers took a 1-0 lead just over six minutes into the first period when Alexis Piette’s shot went five-hole on Gaels goaltender Riley Whitlock.

Stingers goaltender Antonio Mastropietro made some key saves in the first period to keep his team’s lead.

With a little over three minutes to go in the first, Gaels forward Jordan Soquila shot on an open net, but Mastropietro’s quick pad save kept the Stingers up by one.

In the second period, the Stingers added a much needed second goal. At 14:45 of the period, Dany Potvin scored his sixth goal of the season to give his team some extra insurance heading into the third.

Midway through the third period, the Gaels reduced the deficit. On the power-play, a speedy Patrick McEachen cut down the middle and snapped a wrist shot top corner over Mastropietro.

With 2:25 left, Stingers center Kyle Armstrong took a penalty for slashing, giving Queen’s a late chance to score the gametying goal.

Queen’s pulled their goaltender with one and a half minutes to go to make it a six-onfour. With 42 seconds to play in the game, Gaels forward Jordan Mirwaldt leveled the score, sending the game to overtime.

The extra frame solved nothing. A shootout was needed to find a winner.

After five shootout rounds without a goal, Piette put the game away in the sixth round, giving Concordia the 3-2 victory.

Despite setbacks, the stingers men’s hockey team persevereD through the season but coulDn’t snag a playoFF spot. Photo by Madelayne hajek “I’m happy we won,” said Stingers head coach Kevin Figsby. “We’ve had some adversity when we lost our starting goaltender [at the beginning of the season], we had five or six injuries in a row and we had a series of five games where we just didn’t play well due to the circumstances we were in. We peaked at the right time.”

“Overall I think we played very well,” Mastropietro said. “I think we had a little

let down in the third, but apart from that, I’m very satisfied about the way [the team] played.”

The victory against the Gaels meant Concordia still had a chance of making the playoffs with a win the following day against the Toronto Varsity Blues.

In the afternoon game played at home, the Stingers conceded two first period goals, less than two minutes apart. Potvin’s sev-

enth goal of the season brought Concordia to within one goal. There would be no additional goals after that, as Toronto won 2-1.

“We showed character and perseverance all year, but we came up a goal short,” said Figsby after Saturday’s loss.

The Stingers (8-15-5) ended the season three points behind Ryerson for the eighth and final playoff spot in the OUA Eastern Conference.

women’s hockey // sports

Ravens double-up Stingers in spirited affair two back-to-back second period goals sink Concordia DAviD s. lAnDsMAn staff writer

W

ith the Concordia Stingers women’s hockey season dwindling to a close the team traveled to Ontario for the last time of the 2012-13 season, where they dropped a close game by a 4-2 margin at the hands of the host, the Carleton Ravens.

The game itself was a fundraiser for mental health and the Do It For Daron Foundation, in honour of former NHL defenseman Luke Richardson’s daughter Daron, who would have turned 17 on Feb. 8, but died tragically by committing suicide on Nov. 13, 2010.

The game seemed to start on the wrong

skate for Concordia. Just over two min- dra Yallouz, who buried her first of two for utes into the contest, Ravens forward Sadie the evening.

Wegner fired a shot on Stingers goaltender A couple of moments later, Stingers capCarolanne Lavoie-Pilon, who made the ini- tain Mallory Lawton escaped alone on a tial save. However, the puck came loose and breakaway and tied the game up at two at Wegner potted in her own rebound. the 16:42 mark of the opening frame.

The Stingers applied pressure to get one “We are a hard working line who isn’t back quickly and afraid to get our just over three nose dirty,” said We fell asleep for two minutes later, off Lawton. “It was minutes, and it cost us the nice to score in a line change, rookie forward my last game game Marie-Pier Cloutin Ontario. It’s ier wired a shot - Les Lawton, head coach always a good from inside the feeling to conslot that careened off the post and past Ra- tribute offensively.” vens goaltender Tamber Tisdale.

Early in the second, Carleton’s Kelsey “It felt good to score,” said Cloutier fol- VanderVeen capitalized on a poor line change lowing the game. “The end of the year pro- by the Stingers and backhanded a powergression as a team really has been great. Our play goal less than two minutes in. team communication has grown since the Just over a minute and a half later, at beginning of the season, despite the num- the 3:28 mark, Yallouz struck again despite bers.” shouts for a goaltender interference penalty.

After the Ravens were able to kill off two “We fell asleep for two minutes, and it straight penalties, Ainslee Kent fed a pass cost us the game,” said head coach Les Lawright in front of the Stingers goal to Alexan- ton. “I was proud of the girls tonight. [Brit-

“

tany] Laing and [Mallory] Lawton’s lines stepped up too. We still played with emotion and intensity, which was solid all through the lineup.”

In the second half of the middle frame, the Stingers had ample time to get one or even two back, as they were on the advantage for just about seven minutes straight with the Ravens making return trips to the penalty box.

The Stingers failed to capitalize on all eight opportunities in the evening. The period ended with Concordia down 4-2.

In the final frame the Stingers carried momentum for the majority of the time, but unfortunately couldn’t capitalize on their seven shots of the period.

“In the third we played in their zone for three-quarters of the period,” said coach Lawton. “We just had to work on getting quality shots on, and have more patience.”

Concordia will wrap up the season this Saturday, Feb. 16 against the McGill Martlets at McConnell Arena. The last puck drop is at 4 p.m..

Tuesday, february 12, 2013

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women’s soccer // sports

Stingers blanked against league-leading Carabins two late first-half goals against cost Concordia the match Kevin DuArte sports editor

A

fter a win at home against the Université du Québec à Trois-Rivières Patriotes last week, the Concordia Stingers women’s soccer team tried to make it two in a row on the road against the Montréal Carabins. Complexe sportif MarieVictorin was the venue for this Sunday’s late afternoon match.

The home Carabins side came out very strong from the opening kickoff. Five minutes in, Catherine Charron-Delage dribbled down to the right side corner and hit a low cross to an oncoming teammate. Despite connecting with the cross, the ball flew way over the crossbar.

Throughout the match, the Stingers were

exposed countless times on the flanks. If not for the numerous offside calls and poor finishing, the Carabins could have scored many more goals.

In the 39th minute, the Carabins got their deserved goal. A cross found its way to Pascale Ducas inside the penalty area. She quickly turned and fired her left-footed shot past Concordia goalkeeper Saby Dagenais.

In the 45th minute, seconds before halftime, another Montréal cross created confusion in the Concordia box, leaving CharronDelage with an easy tap-in on the goal line.

The Carabins took a 2-0 lead into halftime. Concordia played a lot better in the second half, but their level of play was still not where it needed to be.

In the 54th minute, Ducas received a through ball and managed to dribble past the last Concordia defender. Her shot went a few feet past the post.

Seven minutes later, Ducas was at it again for the Carabins. This time, Dagenais made a big stop on her shot from in-close.

Ducas’s follow-up rebound hit the post and a Stingers defender was able to clear the zone.

In the 71st minute, the Carabins added

their third and final goal. The ball made its way to Steffy Roy-Ouellet in the middle of the field. From 25 yards out, she fired a dipping shot over Dagenais and into the top corner of the goal.

Concordia played their best football in the final 15 minutes of play. Unfortunately, they could only manage weak shots towards the Montréal net.

The final whistle blew with the Carabins leaving with a deserved 3-0 clean sheet win.

Despite the Carabins breaking through the Stingers back line on multiple occasions, Stingers head coach Jorge Sanchez said the focus in this match was on the offence. He made some tactical changes, but admits his side was still weak in the attacking third.

“We could have come out and played very defensively, sat back, and taken away the flanks, but we wanted to go after them,” said Sanchez. “I told the team we’re playing to win every game.”

“I found we were able to bring the ball out of the back well,” he said. “We’re connecting well between the defenders and midfielders by not just kicking balls over the top. So now, the next part is obviously

stingers’ linDsey brooks. photo by writer

integrating the wingers and the forwards.”

Concordia will look to regroup next Saturday Feb. 16, against the uQÀM Citadins.

The game will start at 4 p.m. at the Complexe sportif Marie-Victorin.

men’s soccer // sports

Men’s soccer team earns clean sheet against Carabins Concordia striker Andrew Bryan scores a brace to seal a 2-0 win Kevin DuArte sports editor

Trying to break a two-match losing streak, Concordia’s men’s soccer team travelled across town to face the first-place Montréal Carabins on Sunday evening at Complexe sportif Marie-Victorin.

In the seventh minute, the Stingers had a seemingly harmless free kick from midfield. A long ball was sent to the far corner of the box where striker Andrew Bryan headed the ball towards goal. The header attempt lobbed over an out-of-position Carabins goalkeeper and fell into to left side of the net.

Even with the early goal against a top side, Concordia refused to park the bus and sit back.

Instead, the maroon and gold matched Montréal in almost every aspect of the game.

The Carabins had their first major chance in the 21st minute. Midfielder Colin ParenteauMichon flew down the right flank and crossed a ball in for teammate Damir Rosic. Rosic’s header sailed over Concordia’s first-half goalkeeper Nicholas Giannone’s goal.

The home side looked for the equalizer 12 minutes later. However, their dangerous free kick sailed just over the crossbar.

In the 40th minute, the Stingers almost added a second goal. Midfielder Gabriel Quinn dribbled his way through the center of the pitch, only to be fouled. On the ensuing free kick, Amadou Lam curled off the crossbar from 25-yards out.

Despite the miss, Concordia held on to its one-nil lead at the break.

The match took a major turn in the 55th

SCORE BOARD

minute. After a scramble in the Carabins penalty area, the referee spotted a foul and awarded the Stingers a penalty kick. Montréal goalkeeper Kenan Morina received a red card on the play, bringing his side down to 10 men.

After tempers settled, Bryan was chosen to shoot the penalty kick. The team’s leading goalscorer drove a low shot past the replacement goalkeeper to give ConU a 2-0 lead.

The game became a bit easier now for the Stingers with one man extra.

In the 71th minute, Concordia’s Enos Osei intercepted a ball inside Montréal’s half. He sent a through ball to Bryan, who was alone against the goalkeeper. Bryan was unable to get his hat trick as he couldn’t find the back of the net.

Four minutes later, a Concordia counter attack left Alejandro Quinn on a breakaway. After side-stepping the keeper, he rolled his shot towards an empty goal. The ball would not enter the goal as a Carabins defender made a perfect

goal line slide to keep the ball out.

In the final 10 minutes, the Carabins threw everything they had at the Stingers. Second-half goalkeeper Remo Taraschi was forced to make some big saves to keep the clean sheet.

The Stingers survived Montréal’s attacks and pulled off an impressive 2-0 victory.

“We came out with a good attitude right from the start,” said Stingers head coach Greg Sutton.

“We were good in all areas, defensively and offensively, we did what we needed to do.”

“It was a good game and victory against the first place team of the league,” said Concordia midfielder Léonard Loyseau. “There’s a good team spirit. We got to continue playing strong and keep working to get more positive results.”

Concordia will look to build from this victory next Saturday, when they face the uQÀM Citadins at Complexe sportif Marie-Victorin once again. Kickoff is marked for 6 p.m..

Upcoming games ThurSdAy, Feb. 14 Women’s basketball: Concordia Stingers vs uQÀM Citadins at 6 p.m. (Concordia Gym) Men’s basketball: Concordia Stingers vs uQÀM Citadins at 8 p.m. (Concordia Gym) SATurdAy, Feb. 16 Women’s hockey: Concordia Stingers @ McGill Martlets at 4 p.m. (McConnell Arena) Women’s Soccer: Concordia Stingers @ uQÀM Citadins at 4 p.m. (Complexe Sportif Marie-Victorin) Men’s Soccer: Concordia Stingers @ uQÀM Citadins at 6 p.m. (Complexe Sportif Marie-Victorin)

FridAy, Feb. 8 Men’s hockey: Concordia Stingers 3-2 Queen’s Gaels (SO) SATurdAy, Feb. 9 Men’s hockey: Concordia Stingers 1-2 Toronto Varsity blues Women’s hockey: Carleton ravens 4-2 Concordia Stingers

SundAy, Feb. 10 Women’s basketball: bishop’s Gaiters 4569 Concordia Stingers Men’s basketball: bishop’s Gaiters 84-71 Concordia Stingers Women’s Soccer: Montréal Carabins 3-0 Concordia Stingers Men’s Soccer: Montréal Carabins 0-2 Concordia Stingers

ThurSdAy, Feb. 21 Women’s basketball: Concordia Stingers vs bishop’s Gaiters at 6 p.m. (Concordia Gym) Men’s basketball: Concordia Stingers vs bishop’s Gaiters at 8 p.m. (Concordia Gym) SATurdAy, Feb. 23 Women’s basketball: Concordia Stingers @ Laval rouge et Or at 5 p.m. (PePS) Men’s basketball: Concordia Stingers @ Laval rouge et Or at 7 p.m. (PePS) SundAy, FebruAry 24 Women’s Soccer: Concordia Stingers @ Laval rouge et Or at 1:45 p.m. (Stade Telus) Men’s Soccer: Concordia Stingers @ Laval rouge et Or at 3:45 p.m. (Stade Telus)

opinions 20

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Tuesday, february 12, 2013

Write to the editor: opinions@theconcordian.com editorial // opinions

Let’s talk about free education Decoding the education summit song and dance Education seems to be all anyone talks about these days. This is particularly the case within the university sector, but with the upcoming education summit scheduled for Feb. 25, tuition and university governance are popping up in headlines across the city.

Some people think students should have to pay more, some say less and many say that the government ought to keep it frozen as is. There is one faction, however, who believes that none of these options are good enough.

Indeed, in true Quebec fashion, some

groups argue that in order for education to be truly accessible, it should be free. This idea tends to get lost in the shuffle, as Quebec Premier Pauline Marois declares the issue to be on and then off the table from one day to the next.

Quebec Minister for Higher Education Pierre Duchesne has stated publicly that he is not in favour of discussing free education and the Association pour une solidarité syndicale étudiante has said that they don’t want any part in the summit if that is the case.

All parties seem to be waiting with bated breath for the summit to take place in the hopes that it will foster a miracle.

At this point that is what Quebec needs to end this politicized power-struggle between universities, students, taxpayers and

politicians. In the midst of all the opposing views, press conferences and vague statements, the ideas brought forward can be dramatically overshadowed.

Objectively, people are giving too much weight to this one event. While an opportunity for all parties to get together and hash it out seems like a good enough idea, it’s not the kind of environment that leads to tangible solutions. Especially not solutions that will please everyone. We can’t stress that part enough.

There are people out there who want to pay a total of zero dollars for education and they will never be happy with anything higher. It’s not because they don’t believe their education isn’t valuable, it’s quite the opposite. It’s part of an ideology that entitles anyone and everyone to the same

opportunities in life; the same classes, degrees, teachers and experiences made available to more than just those who can afford it.

That is not something that a person should have to compromise — and deep down that is not what Marois means when she says she aims to find common ground.

The government of Quebec is humouring universities for the time being and scheming behind closed doors about how to get re-elected.

Whether or not you think education should be free, frozen or raised to reflect the rest of Canada, this is one thing we can all agree on: we all want more than empty words and stalling tactics from our government. Whether or not we get what we want, only time will tell.

currency // opinions

Not such a lucky penny after all What will the future hold for coins altogether?

Christina roWan staff writer

T

he saying goes “find a penny, pick it up, all day long you’ll have good luck” but as of Feb. 4, 2013, it looks as though the penny has lost all of its luck.

The Royal Canadian Mint announced last Monday that the penny will no longer be produced and distributed throughout Canada. It’s dying age: 155-years-old.

In my opinion, this is a good thing.

Someday, hopefully in the near future, pennies will have disappeared completely and no longer have a place in our wallets taking up unnecessary room.

The fact of the matter is that things today aren’t cheap enough to keep around a coin of such low value. Back in the day, it would mean the end of the world to get rid of the penny. For two or three cents a person could get a bag full of candy, but today, that kind of situation is unheard of.

It actually costs more than a penny to make a penny; to be exact, 1.6 cents for every penny made.

Businesses across the nation have been notified of the situation. From here on out, pay attention to your transactions as you

will most likely be given change that ends with either a five or a zero.

Natasha Woytiuk, a store manager at Fairview Pointe Claire shopping mall explained the new measures she must take.

“It was our head office that sent us directions about how to start the process of eliminating pennies. Basically, we have gotten rid of all the pennies in our cash. We do accept them if a customer chooses to pay with pennies, but we no longer return pennies as change to customers,” she said. “What we do now is round up or down depending on whether it’s below five cents or above five cents.”

This certainly will be an adjustment for cashiers across the country testing their math skills. NDP member of Parliament Pat Martin hopes to test their skills even further by terminating the other coins as well, with his sights currently set on the nickel. The MP has made it publicly known how satisfied he is with the discontinuation of the penny having said, “one down, one to go.”

What Martin plans on doing in the future is change our currency to multiples of 10s, with 10, 20 and 50 cent coins as well as $1, $2 and $5 coins.

Personally, I think he is a little overzealous. Just because the penny has been eliminated from our currency doesn’t mean the other coins have to

go with it. There are probably billions of nickels, dimes and quarters floating around the country, and to collect and replace all of them with different amounts is a farfetched idea at this point in time.

It would mean millions of dollars spent on new production, and not to mention a copious amount of time spent gathering the remaining coins from circulation.

Think about all the vending machines, parking meters and pay phones that would

have to be changed in order to fit the new currency.

The only logical thing that could be done with this shift in our currency would be to eliminate cash altogether and rely solely on credit and debit transactions. But, I don’t see that happening for quite a few years.

For now, cash-in your piggy banks and say goodbye to the copper coin. Or, better yet, keep them. Who knows, maybe someday they’ll be worth a lot.

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royalty // opinions

Baby fever on Parliament Hill Since when do we care so much about the monarchy?

work in tandem. However, in at least one country, the changes are being met with resistance: Australia has a vocal conservative movement and the bill may need to be put to a vote in a national referendum.

Australian constitutional expert Anne

other country in the Commonwealth, failing to pass the bill could have negative effects. Should a second baby be born a boy, it would mean two countries could acknowledge a different successor to the throne.

“If they don’t pass [the succession bill],

Twomey said that “Queensland has objected to the Commonwealth’s proposed legislation, not because it objects to the potential outcome in relation to royal succession, but because it is concerned that such a law will subordinate the State Crown to Commonwealth control.”

The implications of Australia, or any

there are two options,” explained Yukub Halabi, a professor of political science at Concordia University. “The first is that they agree on common ground. The second, if they really can’t agree, is dissolution of the Commonwealth, or that one country would leave.”

“However, it’s not really a valid possibil-

Laura Marchand Contributor

Ever since Prince William married Kate Middleton, the world has been abuzz about a new member to the royal family. For those of us less inclined to gossip, all this fuss over the “royal baby bump” can get pretty annoying.

But on the political stage, this little fetus is bringing up a big debate. For more than 600 years, the laws of succession for the British Crown have remained unchanged. Until now.

Last December, about a week after Buckingham Palace officially announced the Duchess of Cambridge was with child, the government tabled a bill to stop the practice of giving males priority in line for the throne—and they’re asking every Commonwealth country to do the same. This would mean that should Prince William’s child be a girl, she would not be displaced if their second child was a boy.

Bill C-53, also known as the Succession to the Throne Act of 2013, has already passed through Canada’s House of Commons and is pending approval in the Senate. In Britain, it too passed swiftly through the House, but has stagnated in their upper chamber, known as the House of Lords.

In total, 16 countries have to make the constitutional changes in order for them to

ity,” added Halabi. “It’s very unlikely that they’ll recognize two separate monarchs.”

In addition to those skeptical that the bill won’t pass, there are many who think the entire debate is unnecessary.

“There’s really no significance to it,” said Julie Michaud, administrator for the Concordia-based 2110 Centre for Gender Advocacy.

“Symbolic gender equality in an unequal system doesn’t do anything for women all over the world. We should be focusing on striving for equality for all women, not just in small circles in the ruling class. I think it says something about the world that we still have symbolic, inherited power: a small family sponging off the state is unacceptable in any way.”

More importantly, why do we care so much about this in the first place? The British monarchy hasn’t held any actual power in almost a century. Whether one of them has the newest handbag or what they’re wearing as a Halloween costume, they repeatedly make headline news. For a group of people who have no talents, no legal authority, no realistic claim to power, there’s a disproportionately high amount of people who care about what toothbrush they use. Is our generation so obsessed with the idea of a Cinderella story that we’ve completely lost touch with reality?

“We have an assumption that just because something is traditional, that it’s worth protecting,” said Michaud. “What would have become of the civil rights movement then?”

Ultimately, if there’s only one thing that’s clear, it’s this: baby fever never sets on the British Empire.

Graphic by Jennifer Kwan

tolls // opinions

In Montreal, you always get what you pay for Tolls on the new Champlain Bridge may be a necessary evil George Menexis Opinions editor

T

he state of our roads in Montreal is pitiful. They are constantly the subject of complaint and are always joked about by comedians and entertainers. To top it all off, Montrealers must endure more than four months of endless construction in the summer to apparently repair these roads, only to see them deteriorate in the winter. It’s a hassle for everyone involved.

It seems the king of all bad roads in Montreal can be condensed into the good old Champlain Bridge. Year after year, we hear horror stories of the state of the bridge, and how it’s on the verge of collapse unless some drastic repairs are done during the summer.

It’s the same old story over and over again.

That’s why there was an enormous sigh of relief when the plans to build an entirely new bridge were unveiled. Commuters crossing the busiest bridge in Canada could finally do so with a clear conscious, and not worry about ending up in the waters beneath them, or even getting stuck in an hour-long traffic jam. This will be a state of the art bridge, costing the

federal and provincial government between $3 and $5 billion in a project that will be active until 2022.

The bridge is going to have a 13-kilometrelong light-rail system from Quartier DIX30 in Brossard to downtown Montreal, as well as two reserved bus lanes at all times.

Last but not least, the city plans to implement tolls on the new bridge. In a press conference last Sunday, Mayor Michael Applebaum released a statement saying that he wouldn’t want the commuters to be the only ones paying for the bridge.

“It would be unfair, even in a user-pays model, for drivers to be the only ones paying the bill as the citizens of the metropolitan region [already] contribute to the public treasury through their taxes,” the release states.

If tolls were to be implemented on the Champlain Bridge, then other bridges will potentially have tolls implemented for all crossings as well, according to the Montreal Gazette. Apparently the city is considering the use of a standard toll for all crossing the St. Lawrence.

This would apparently discourage traffic jams and assure the building of a world-class bridge. According to Transports Québec, the funds collected from the tolls wouldn’t only go towards to the bridge, but towards other transport-related projects around the city.

Needless to say, Quebecers weren’t too thrilled about the implementation of tolls, especially after Transport Minister Denis Lebel

Photo from Flickr

said when the plans first emerged that “our government’s goal is to build a new bridge across the St. Lawrence with little or no cost to taxpayers.”

Lebel’s provincial counterpart, Pierre Moreau, said that he was completely dead-set against tolls. Others also had concerns over a possible toll system, including some NDP representatives who argued it could end up “gouging commuters.”

Montrealers everywhere are discouraged by the state of our roads and bridges. Not only are they a danger to all commuters, but they

are destroying our vehicles and costing us thousands in useless repairs. It’s time we took matters into our own hands. The only way to improve the actual state of our transit system and to assure the building of a safe bridge is to start paying for it. It isn’t an ideal situation for commuters, but it’s the only way we can get the quality we deserve.

At the end of the day, the decision lies with the federal government and, whatever they decide, let us not forget that the current state of our roads needs to change, and that we shouldn’t be so quick to refuse tolls.

22

Tuesday, february 12, 2013

theconcordian world // opinions

If we don’t act now, it’s going to cost us later

it’s time for international aid to step it up in the syrian civil war East entirely. For almost two years now, the forcGeorGe Menexis opinions editor

The conflict in Syria is extremely troubling. The country is currently in the middle of a gruesome civil war that is changing the face of the Middle

es loyal to President Bashar al-Assad’s regime have been fighting against those opposed to it, tearing the nation apart. Hundreds of thousands have fled to neighbouring countries and, even worse, more than 60,000 Syrians have perished in this civil war. As time goes on and the war continues, things seem to be getting much worse. The conflict is shiveringly close to the capital city Damascus, where the death toll, as

well as refugee toll, will double.

Needless to say, the situation is dire and it’s time that the international community, including Canada, steps in. Canada hasn’t really had a major role in Syria thus far, something that’s being discussed more and more often as the situation there worsens.

Kyle Matthews, senior deputy director of the Will to Intervene Project at the Montreal Institute for Genocide and Human Rights Studies at Concordia University, wouldn’t even put Canada’s aid in the top three or four countries.

“The Canadian response so far has been … sanctions against the Assad regime and it’s had limited effects, because we’re not major trade partners with Syria,” said Matthews.

“We’ve also come down pretty hard in public diplomacy, criticizing the Russian government, which hasn’t really had a strong effect either.”

Canada has also provided a significant amount of money to Syrians and has offered humanitarian assistance to help with the displaced people, accepting a little more than 5,000 refugees. Overall, Canada’s response has been appreciated, but the aid is small compared to the conflict Syrians face.

It is important to look at the strain neighbouring countries have been feeling as well.

Many Syrian refugees have been crossing the Syrian border into neighbouring countries and they’re starting to lack the resources to support them all.

“Already Lebanon is starting to be put under enormous strains because of the refugee flows coming into the country, as well as flows of weapons coming from Syria,” said Matthews.

“We have Jordan that’s being destabilized and Turkey is in [...] trouble as a NATO partner.”

The crisis in Syria is nowhere near finished and things can only get worse from here. I think we have to play the tables much more seriously and re-engage on the political and military level with NATO. We cannot stand and watch while human rights are being abused, people are dying daily and a reckless dictator is doing all he can to maintain his leadership in a politically torn nation. It’s time for the international community to step in before this situation becomes even more volatile. That was the ultimatum offered by Kyle Matthews.

“Either we take things seriously now and try to do something or it’s going to probably implode and turn into a regional conflict, which is gonna involve a lot more money and a lot more involvement from the international community in the years to come.”

We have to start somewhere. Whether it involves a no-fly zone where one is needed, or a transport plane, or increased humanitarian aid measures. It’s these little moves that can make a difference and help avoid a full-scale Middle Eastern crisis.

t.v. // opinions

Come for the game, stay for the ads Why super Bowl commercials should be reigning in the sex GreGory toDaro assistant opinions editor

T

he Super Bowl is one of the most popular sporting events on television. This year it attracted more than 108 million American viewers. With such a wide viewing audience, companies try very hard and pay outrageous amounts of money ($4 million for 30 seconds of airtime) for their commercials to be seen.

Even if the commercials don’t play in Canada, we can find them all online.

We can see the heartwarming ones (like Budweiser’s The Clydesdales: “Brotherhood”), the entertaining ones (Mercedes Benz’s “Soul”) and the hilarious ones (like Taco Bell’s “Viva Young”).

However, one thing that has become an alarming trend is the use of sexism and extreme sexualization to sell products.

Advertisers look for ways to make a commercial stick with viewers. If the viewer remembers the commercial, they remember the product. While time and time again companies have been able to do that without bringing inappropriate sexism into their ads, some companies push the limits.

Take for example Go Daddy, a popular web hosting company. Since it began using Danica Patrick as its spokesperson almost

five years ago their commercials have consistently been very sexual in nature. Even this year their ad portrays Israeli model Bar Rafaeli making out with actor Jesse Helman. The two are used as symbols for beauty and brains, and this ad uses the nerd-lands-the-gorgeous-woman routine, portraying the woman as brainless.

An ad from Mercedes Benz also played

tively. Not only does this ad degrade the ability of women by limiting her to such a suggestive and sexually-charged position, it also demeans the men who are willing to do anything at the sight of a pair of double Ds. The ad for the CBS comedy 2 Broke Girls was not only overtly sexual, but so completely irrelevant that many people

along with a typical stereotype of women.

In the ad, American model and actress Kate Upton gets a team of football players to wash her car by just standing there, tossing her hair back and posing sugges-

were caught off guard. The show, starring Kat Dennings and Beth Behrs, is about two girls who are running a cupcake shop. Instead of relating aspects of their show in the commercial, CBS decided it would be

easier to have the two girls showing off their exotic dancing skills on a pole.

The restaurants Hardee’s and Carl’s Jr. bought some air time this year, putting out an advertisement for their new burger. And while the burger got some attention, most of the ad was focused on Danish model Nina Agdal, who ate the meal in the most sexual way possible. At the beach wearing a bikini she spent as much time applying spray-on suntan lotion as she did actually eating. She then proceeded to take her top off and dig into a second burger.

The problem with these ads is that they’ve been pushing the envelope of what is and what isn’t acceptable in advertising. It’s time to step back and really think about what commercials we should be putting on television.

Every year another company tries to find a way to stand out, and while the competition is understandable, organizations need to dial down the sexualization of their products.

Ironically enough, despite the extreme sexual nature of some of these commercials, one commercial was banned from airing. The commercial, from the pornographic website PornHub, shows an elderly couple sitting on a bench together. That’s it. No sex, no nudity, nothing provocative and yet still not acceptable to air.

Yes, it’s still an advertisement for a pornographic website, but as far as what kind of message it was sending out to viewers it’s tamer and less sexualized than a burger or a car. If they can attract attention without using sex, so can other advertisers.

From our kitchen stephanie La LeGGia Life editor

Concordia’s weekly, independent student newspaper.

Tuesday, Feb. 12, 2013 Vol. 30 Issue 21 Marilla Steuter-Martin

I remember Valentine’s Day being simply fun during my elementary school years; one day where we were allowed to wear red, get high on chocolate, spend the day doing arts and crafts, and flaunt our Valentine cards. Somehow, along the way, Valentine’s Day has become a bittersweet holiday, so why not endure it with a bittersweet cocktail? Whether you’ve planned for a singles night out, or a romantic dinner in, Campari is just the thing to add passion to your night. It’s classic, unique, and elegant, and with a touch of gin, you’re sure to have an eventful night!

Ingredients

editor-in-Chief editor@theconcordian.com

Sophia loffreda production manager production@theconcordian.com

Kalina lafraMboiSe news editor news@theconcordian.com

Stephanie la leggia Life editor life@theconcordian.com

aManda l. Shore arts editor arts@theconcordian.com

Stephanie ullMan

1 part Campari 1/2 part gin 1 part lemon lime soda 1/2 part grapefruit juice Shake all ingredients and pour in a juice glass full of ice. Garnish with a slice of grapefruit.

interim music editor music@theconcordian.com

Kevin duarte sports editor sports@theconcordian.com

george MenexiS opinions editor opinions@theconcordian.com

Madelayne hajeK photo editor photo@theconcordian.com

nataSha taggart alySSa treMblay online editors online@theconcordian.com

jennifer Kwan Graphics editor graphics@theconcordian.com

Where would you go if you wanted to spend an unforgettable, and obviously entertaining night, with a room full of the world’s most talented musicians? You’d probably go to the Grammys.

While it’s too late now, we can still relive Sunday’s highs and lows on twitter. Here are the Tweets of the Week! @confettiswift: “Taylor has enough

Grammys to give each member of One Direction, and still have two left over.” @funnyordie: “Update from Grammys after

party: They’re playing Depeche Mode & serving cheeseburgers. Say what you will, these snakes & cowards can party.” @billmaher: “Just got caught up on who

#Mumford&Sons are - thanks, Grammys!

I didn’t even know they were British! One question - which one is the father?” @alexblagg: “The Grammys just seem like

a big long argument between Futuristic Glitter Aliens and Old-Timey Saloon Owners.” @DaneCook: “Prince uses a cane better than

anyone. Period. #Grammys”

@OwenBenjamin: “I’m so pumped

Taylor swift clearly did coke for the first time tonight.#Grammys”

robin della Corte Matthew guite assistant news editors news@theconcordian.com

Sara baron-goodMan assistant life editor

ariana trigueroS-Corbo assistant arts editor

SaMantha Mileto assistant sports editor

gregory todaro assistant opinions editor

ChriStine beaton Sara King-abadi elizabeth toMaraS Copy editors copy@theconcordian.com

Cynthia dupuiS production assistant

andrea zollner

Graphics contributor

editorial offiCe 7141 sherbrooke st. W. - CC.431 Montreal, QC h4B 1r6 514.848.2424 x7499 (editor-in-Chief)

brennan neill tySon lowrie Cindy lopez ruben baStien

Board of Directors directors@theconcordian.com

Staff writerS and ContributorS Brenda raftlova, Maria hinoporos, tania Di palma, arohie Chopra, nathalie Laflamme, andy Fidel, ayan Chowdhury, roa abdelGawad, Jack Ward, elizabeth Mackay, Milene ortenberg, andrew Guilbert, Casandra De Masi, David s. Landsman, Christina rowan, Laura Marchand.

theconcordian

the etc. page // opinions

Events of the weeK: Feb 12 Tuesday +Music - John Scofield Trio - JAL - L’Astral, 20h

Wednesday +Music - I.No + East Road - Le Divan Orange - 21h30 +music - Soirée DJ Cheap Thrills - Casa del Popolo - 21h30 - FRee

THURSDAY +Theatre - Student drama gala, Mainline theatre - 20h +music - YANN PERREAU - À GENOUX DANS LE DÉSIR - La Tulipe, 20h

Friday +Music - killawail launch, petit campus, 20h +theatre - Student drama gala, Mainline theatre - 20h

SATURDAY +Music - Wake island - casa del popolo, 21h +theatre - Student drama gala, Mainline theatre - 20h