Fall 2024

THE BUZZ Fall 2024

Boston, MA

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EDITORIAL 6. Letter from the Editors CITY

FALL 2024

14. Are you allured by mystery?

15. Redlining in Boston 18. Wicked Fun: Boston’s first annualHaunt Fest CAMPUS 20. BU buildings: Built in style or not?

23: Dining hall wars 24. The 5 quintessential BU experiences for every terrier FOOD 26. What’s the Scoop? Boston’s musttry flavors 27. MasterChef microwave edition 30. Reimagining U.S. college dining FASHION

CULUTRE

59. The art of the music video 60. Trinket culture: The intricate world of the tchotchke 62. Why representation is crucial to better patient health outcomes TRAVEL 65. How to find balance while abroad 66. Should international students study abroad?

68. Catch flights, deal with feelings 72. Sporty and Rich photoshoot MUSIC 78. Cowboy culture 80. Welcome back, 2010 81. I never liked The Rolling Stones

32. Fall fashion photoshoot: A Buzz Night Out 48. Scandi-Chic 51. Is this a hair-up or hair-down outfit?

52. What’s in my bag? How what you carry defines you

OPINION

WELLNESS

POETRY

54. Your first and last love is yourself 56. Speaking on spirituality 58. Alone but not lonely

90. Happy Birthday, America 91. My love and only love

84. What no one talks about as a creative 87. Why people of color need their own spaces 88. The power in saying “no”

92. Contributors

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OUR TEAM EXECUTIVE TEAM

SECTION EDITORS

Co-Editor-in-Chief: Analise Bruno Co-Editor-in-Chief: Anna McClean Print Managing Editor: Ruby Lynch Head Copy Editor: Sarah Bores Creative Director: Madeline Michalowski Art Director: Valerie Dreyfuss Photography Director: Mia Anderson Online Photo Manager: Emma Almaraz Lead Stylist & Model Manager: Lily Smokler Lead Makeup & Hair Artist: Reeya Mathur Videography Directors: Gabrielle Wylie-Chaney & Fyn Rhoades

City Editor: Simone Kramer Campus Editor: Allyn Tucker Food Editor: Ava Memarzadeh Fashion Editor: Riya Mahtani Wellness Editor: Emily Wohl Culture Editor: Chloe Jad Travel Editor: Amanda Healy Music Editor: Juliette Shea Opinion Editor: Nia Mclean Poetry Editor: Tyler Davis

OUTREACH TEAM Social Media Director: Shanzah Rafiqi Web Director: Anvitha Nekkanti COM Director: Mia Overbo Events Coordinators: Tanvi Jain & Emerson Drake PR & Events Helper: Emily Wohl Treasurer: Nicollette Heath Publisher: Margi Lonergan Secretary of Finance: Claire Moore

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LAYOUT AND GRAPHICS TEAM Anvitha Nekkanti, Lauren Mann, Ebony Nkrumah, Sarah Tocci, Niki Taradash, Yasmine Chang, Grace Pham, Maia Barantsevitch, Andrea Malpica Alcala, Sophia Cheng, Phoebe Miller, Luci Barrett, Emily Carmichael, Ashley La, Emily Kim, Katelyn Holland, Melissa Lemieux, Katharine Albert PHOTOGRAPHY TEAM James Roberts, Oscar Fang, Adriana Rivera, Sarah Cruz, Anna Wojeck, Haley Krawczyk, Miranda Ceron, Amanda Hess, Abby Carella, Serafina Vizachero, Gia Kim, Serafina Vizacher, Rachel Bernstein, Zoe Ku, Megyn Nguyen, Anh Huynh

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letter from the

EDITORS Written by Analise Bruno & Anna McClean Designed by Madeline Michalowski Photographed by Mia Anderson

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his semester felt “off the clock” in many ways—not that it wasn’t also off the charts. Fall 2024 demanded something a bit different from me and the whole Buzz team; it required extra time and dedication.

After losing many of our leadership members to graduation and study abroad, we faced the challenge of filling those gaps. It’s one thing to fill a role physically, but it’s another to capture the spirit behind it. While we may never fully recapture the unique energy our former team brought, we’ve managed to channel that spirit with equally talented and passionate individuals.

There was also the challenge of navigating through re-registering as an on-campus club and figuring out a budget sheet (seriously, I never want to open Excel again…). I can only attest to the many hours of planning and crunching numbers this all took — but here we are! Down to the final moments of the semester.

This year, I did something I very rarely do — I wore hats! A lot of them.

And not like baseball caps and fedoras, but metaphorical hats. I was a writer, accountant, secretary, trainer, receptionist, official SPLASH recruiter, party planner, stylist, creative director, slideshow wizard, storage unit enthusiast, MBTA coordinator, human pushcart, skilled texter, and a Pinterest passionista. At the top of that laundry list, I was Editor-in-Chief. But more than titles, I’m just someone who loves words and creativity.

I joined The Buzz as a freshman, thinking it would be some extra-curricular I could put on my resume. Here I am in the first half of my junior year, blown away by all the progress we have made. From the sheer size increase to the growth of complexity in our print shoots and articles — I am continually left speechless by what we come together to produce as a team.

It’s funny: when I showed an adult our work from last semester, they asked, “Where did you find the models? Who shot these photos? What company produced this magazine?” The pride I felt telling them it was all student-made—watching their smirk turn into disbelief—was unforgettable.

That’s what we do at The Buzz. We pull all-nighters, push creative boundaries, and even go toe-to-toe with the MBTA. We make jaws drop, and we always deliver. Faced with the clock’s relentless ticking, we stay resilient and rise to every challenge.

They say good things take time, and The Buzz is no exception. We’re constantly growing, evolving, and standing the test of time. I couldn’t be prouder of what we’ve built together.

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Love always, Your Co-Editor-in-Chief,

ANALISE 9

With love, Your Co-Editor-in-Chief,

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ANNA

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he day I became a part of The Buzz lives so fresh in my mind it feels like it happened yesterday.

I was pacing around my south campus dorm during my first week as a brand new transfer student, on a call with Darcy Gallagher. I had my phone in one hand, fingers crossed on the other, and an anxious yet excited feeling in my chest because I was having a conversation with the editor-in-chief of my dream organization. I had had a rough start to my college experience because my first semester was at a school that just wasn’t right for me, but at the time it felt as though I was not right for college. As such, I had put a lot of pressure on this moment to prove, whether to myself or some greater power, that BU is where I belonged. Of course, Darcy did not know any of this when she offered me a spot on the opinion writing team, but she truly did set the tone for my next three and a half years.

After a semester of seeing my articles published, including getting to hold a real tangible magazine with my words and name on the page, I reached out to ask if I could also help with fundraising. I loved the feeling of accomplishment The Buzz had given me and the community that came with my membership, but I knew that it was still a relatively small club with limited resources. As is the nature of college organizations, many students in leadership positions were graduating and I was named the new PR & Events Director. This was a much more prestigious-sounding role than I had anticipated when I offered my time to a bake sale table in the GSU, but I was grateful for the opportunity.

The Buzz amazes me everyday with their hard work and passion for what they create, and my sophomore year I was determined not to let them down under my new and important title. My team and I worked very hard and, in addition to the regularly scheduled holiday parties and team-bonding activities, we planned the first Poetry Slam in honor of the new section, the first professional development panel to embrace the club’s networking potential, and the largest launch party in Buzz history.

This legacy of “first’s” brings us to another momentous phone call just over a year after the first – this time with two EICs because The Buzz had grown exponentially and now required double the womanpower. When Analise and Rachel asked if I would take Rachel’s place in the Fall as Co-Editor-in-Chief , I remember feeling all the same emotions from my conversation with Darcy in the Spring of 2023 except for the pressure of uncertainty; there was no longer a part of me who was not sure if she belonged.

I love The Buzz with all my heart and I am so privileged to experience this full-circle moment where I once had to ask strangers for campus directions, I now get stopped by students whom I have not yet had the pleasure of meeting because they recognize me as the editor-in-chief of a magazine they dream of being a part of as I once did. And in the future when I look back on this moment in the same manner in which I am reminiscing right now, I feel so much joy in how confident I am that we will have accomplished even more wondrous things together. This magazine you are reading is the product of extremely talented student writers, editors, graphic and layout designers, stylists, hair and makeup artists, photographers, and COMs and finance teams that the organization’s founders in 2009 could only hope would one day join The Buzz. And now, with my name alongside that of the most hard-working Co-EIC and most caring friend I could ask for, I get to be added to a list of leaders who have made this magazine what it is today and I am honored to introduce you to the 31st edition of The Buzz print.

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Are you allured by mystery?

Conventional marketing strategies prioritize storefront companies rely on word-of-mouth instead.

visibility but these three

written by Mia Overbo | graphics by Mia Overbo | designed by Niki Taradash

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hat do the Vintage Underground, the secret Sofar Sounds concerts, and the hidden Mexican restaurant in Back Bay all have in common?

What’s their key to success?

I set out to solve the mystery by analyzing each company’s marketing tactics and the psychology behind them.

Here’s what I found.

purchasing a ticket, they wait to disclose the exact location until three days before the event. This unique business model allures curious music lovers and prompts frequent mentions in newsletters, including The B-Side, Do617, and Boston Uncovered. The mystery of who might be the next performer adds to the excitement — according to Sofar’s website, they have hosted Billie Eilish, Ed Sheeran, and Hozier before their big breaks. The company also helps listeners uncover new rising talent by collaborating on posts with artists on their Boston Instagram (@sofarboston) to reach their 24k+ followers. Creating a community of supportive listeners helps bring smaller artists into the spotlight in front of crowds seeking something unexpected.

Many residents on West Campus have heard of the Vintage Underground (hint: it’s a vintage record and clothing store hidden beneath the El Jefe’s in Allston). Without an obvious storefront, how have they achieved this?

They cater their clothing, price points, and marketing strategies to their target audience: BU students. They host pop-up events with university discounts, set up clothing racks on the sidewalk in front of CFA, partner with BU’s Marketing Club for student-led promotions, and frequently post to their 14k+ followers on Instagram (@vintageunderground.boston).

And, given that they sell one-of-a-kind items, they naturally attract customers who take pride in finding hidden gems. These strategies, combined with a small, unassuming street sign pointing walkers to their obstructed store entrance, have attracted enough foot traffic to keep the company commonly visited among students since 2022. Another attraction to uncover is Sofar SoundsThey feature surprise artists in secret venues worldwide including Allston, Back Bay, and Cambridge. They engage the underground music scene by creating a small, exclusive concert atmosphere for new artists. Even after

And lastly, there’s a restaurant hidden from tourists and loved by locals. Tucked in an alleyway, marked by a beautifully tiled door, Casa Romero has served Mexican food in Back Bay since 1972.

Their low profile keeps the spot reserved for locals despite being just a corner away from Newbury Street’s heavy foot traffic. Their target audience spans a broader age range than the younger crowd of Vintage Underground and Sofar which is reflected in their smaller Instagram presence with just under 10k followers (@casa-

Despite front

their doors,

hidden secretly…

They want you to know they exist.

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romero1972). But their foothold in the residential community is strong. According to Boston Uncovered, they are the “longest continually running [restaurant] in the Northeast for Mexican cuisine.” And, their secluded location makes them a popular date night spot. Customers rave about their experience on OpenTable, often describing Casa Romero as “charming,” “a neighborhood gem,” and “good for special occasions.” And, with an average of 4.5/5 stars across over 1,600 reviews on OpenTable, it’s clear that the restaurant is a favorite among many. Their hidden storefront helps them cater to long-time loyal locals by preserving the restaurant’s timeless charm and authenticity.

What makes each of these companies and their mystery effective? First, they understand that secrecy appeals to their target audiences who value smaller crowds and unique experiences. In addition, these low profile storefronts allow customers to feel the satisfaction of discovering something unique. This newfound knowledge leads to pride and customer loyalty, and it creates a community of people who can’t resist sharing the secret with friends, followers, and readers online.

So what does this mean for you? While most companies try to push you toward their product, these mysterious spots pull you instead. By building a buzz in social media, blog posts, and conversations, their mystery has become their best advertisement.

Have you been allured?

Redlining in Boston

How housing policy has shaped Boston today written by Bethany Hartman | graphics by Emily Carmichael | designed by Ebony Nkrumah

Dudley Cafe in Roxbury has some of my favorite coffee and aesthetics in all of Boston. The coffee is served strong, the neighborhood’s murals exude creativity, and the diverse population makes me feel at home. When I find myself here, I enjoy sitting, drinking my coffee, and admiring the commotion outside. At Cafe Dudley, the white walls are lined with colorful artwork that represents the neighborhood’s community members. They pull pieces from local artists and marginalized communities.

After finishing my coffee, I walk to the Boston Commons — a public park in the heart of Boston. With every step I take, the city transforms more and more. The infrastructure turns from safe havens for locals replaced by an affluent district filled with high-end housing.

Roxbury is nearly sixty percent Black,whereas the rest of Boston is less than a quarter Black Boston’s charming cobblestone streets give the city historical charm. The bricks share stories of academic prestige and historical importance.

But my walk along Washington Street to the Commons tells another story. It shares a segregated history of racial divides. These divides kept people of color out of Boston’s affluent neighborhoods while restricting funding for lower-income neighborhoods.

Introduction Gentrification still divides the city now, but Boston’s roots of racial divide started around the 1930s through redlining and segregation. Redlining is the discriminatory practice where banks and insurers deny or limit financial services to neighborhoods predominantly made up of minorities. The Home Owners Loan Corporation (HOLC) created Residential Security maps used to redline the city. Here’s an overview of how these maps work: colors were assigned to mapped-out areas of a city. According to Diversity Data Kids, redlining maps show green representing an ‘A’ grade, blue a ‘B,’ yellow a ‘C,’ and red a ‘D,’ hence the term — redlining. In 1938, Cambridge, was an area coded red. This meant banks and investors were advised not to buy property in this area.

Restrictions on mortgage loans and insurance hurt the economic growth of Cambridge.

HOLC’s Residential Security redlining maps of various U.S. cities were used by loan officers, appraisers, and real estate professionals to assess mortgage lending risks. Through their control over loans and insurance, these professionals shaped residential patterns and determined who had the opportunity to live in certain neighborhoods. This discriminatory system completely restricted marginalized communities from living in certain areas.

Overall Community Impacts Areas predominantly inhabited by people of color, immigrants, and lower-income residents were marked in red and labeled as “hazardous.” This designation led to a lack of investment, deteriorating infrastructure, and declining property values in these areas.

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Redlined cities — including Roxbury, Dorchester, Mattapan, East and South Boston, Charlestown, portions of Cambridge and Somerville, and sections of Revere, Chelsea, Everett, and Malden — experienced these impacts. The HOLC assessments on these neighborhoods blatantly noted racist, classist, xenophobic, and antisemitic comments. These neighborhoods received low scores, C’s and D’s, in reflection of their racial minority, immigrant, or lowincome populations. These low scores were harmful to economic growth as property investments and development were encouraged elsewhere.

Since the 1950’s, many urban renewal projects and policies have taken form. Urban renewal projects continue to displace low-income residents and communities of color in favor of new development for wealthier (and predominantly white) populations.

Roxbury in the Past In the past, Roxbury was labeled as “hazardous” on HOLC documents. This meant banks would not lend to this area for home loans or funding. Roxbury and North Dorchester were referred to as Bostons’ “ghetto” in many credited sources. Spanning from 1967 to 1988, The New York Times wrote “Boston’s Ghetto is Tranquil now,” The Harvard Crimson wrote “A New Power In Roxbury; The Ghetto Means Money,” and The Boston Chronicle aired “Crime in Roxbury (Boston’s Ghetto).”

Despite the many challenges Boston has faced in equal recognition of its Black and brown population, several steps forward have been made by local community members.

Roxbury Today

Modern Boston

Roxbury is still full of diverse community members. 2010 US Bureau of the Census data shows Roxbury has an African American population of 33,266 (55.6%) and a Hispanic or Latino population of 17,842 (29.8%). Businesses like Dudley Cafe prioritize supporting Roxbury residents.

It serves as a hub for creation and economic growth in the community.

They source ingredients from local businesses and advocate for youth voices in the community.

The economic development of Roxbury flourishes.

As I cross Massachusetts Avenue from Roxbury into the South End, I notice a shift in demographics. The racial diversity fades, giving way to an affluent area with upscale housing.

In the streets of the South End, there are restaurants, art galleries, and perfectly parallel bricks: all signs of economic prosperity and development. I see this on my walk.

Beacon Hill, home to the Boston Commons, was a HOLC Blue and Yellow area.

When I sit in the Commons facing North, I see Beacon Hill flooding with wealth. The vintage brownstones and brick-laid streets reflect the riches of the neighborhood.

It feels like a pocket of quiet luxury amidst the city’s segregated divides.

Economic Inequities Redlining perpetuated poverty in marginalized neighborhoods by making it difficult to secure loans for home repairs or to start businesses. As a result, many of these Boston neighborhoods have seen little investment while predominantly white neighborhoods, like Beacon Hill, thrive today with better infrastructure, schools, and services. Homeownership in greenlined areas is over half the percent of those in redlined communities. of the neighborhood. It feels like a pocket of quiet luxury amidst the city’s segregated divides.

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So who benefits from the stark neighborhood contrasts I observe on my walk? According to Diversity Data Kids, gentrification in the Boston area disproportionately favors white children who experience the majority of the advantages brought by neighborhood change. Redlining is one of the key historical drivers behind this wealth gap as it limits families’ of color access to generational wealth creation.

Policy Today The Federal Reserve explains the Community Reinvestment Act (CRA) of 1977 was meant to encourage financial institutions to meet credit needs in low-income communities. The CRA has nationally improved access to credit.

The city’s Inclusionary Development Policy (IDP) seeks to create affordable housing in low-income neighborhoods. Even so, various local organizations have pushed for more equitable housing policies and financial reparations. Systemic barriers created by redlining have had a lasting impact on Boston’s urban landscape and continue to influence patterns of racial inequality in housing and wealth.

My walk from a community coffee shop to a public city park takes me through a lifetime of institutional racism. I am reminded of the segregation embedded in the streets, parks, and homes. I am reminded of how these divides still exist today. But I am not discouraged.

Organizations like the Dudley Street Neighborhood Initiative (DSNI) give me hope. DSNI describes themselves as a neighborhoodoriented initiative where they develop without displacement, amplify youth voices, increase economic growth, and empower residents.

Redlining in Boston can not be understood in just 1200 words. Discover the unseen lines of the world around you. Diversity Data Kids, National Geographic, and National Fair Housing Alliance’s (NFHA) Redlining Toolkit are just a few resources to learn more about redlining.

And take a look around on your next walk.

What Can You Not See ?

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WICKED fuN

written by Nazalia Justiniano | photographed by Sarah Cruz and Haley Krawczyk | designed by Andrea Malpica Alcala

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oston has fully embraced the Halloween spirit with its first annual Wicked Haunt Fest, running from September 29 through November 3, 2024, at 100 Hood Park Dr., Charlestown, MA. This immersive fall festival offers four thrilling haunted attractions: Harvest Awakening, a terrifying corn maze; Into The Astray, a twisted labyrinth; Rise of Annkh, a haunting ancient Egyptian journey; and The Graveyard, where ghosts come to life.

With towering skeletons greeting you the moment you step through the front gates, Boston’s Wicked Haunt Fest instantly sets the tone for a spinechilling adventure. The eerie atmosphere hits you right away, immersing you in a world of fear and excitement. Every corner is displayed with creepy details. From the haunting music to the detailed decorations, the haunt fest has earned its name as a wickedly haunting experience.

Beyond the haunts, festival-goers can enjoy an Oktoberfest-style beer garden, delicious fall foods like warm cider and caramel apples, pumpkin painting and picture-worthy photo-ops. Families immersed themselves in the kid-friendly activities, including a Trick-or-Treat trail. The Event is designed to capture the magic of Halloween and aims to become a beloved Boston tradition.

Creative director of Boston’s Wicked Haunt Fest, Carl Rugato, poured his lifelong passion for Halloween events into this festival, transforming a barren lot into a bustling venue in just two and a half months. Bringing his immensely terrifying ideas to life, guests are able to take a look inside Rugato’s brain.

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“Every college class I took, every job I took, I worked for theme parks. I worked for touring shows. I traveled the world working in entertainment. It was a combination of all different types of skills that I then figured out how to utilize to create this type of festival,” said Rugato.

After starting his career in theme parks and touring shows, Rugato’s childhood hobby of scaring neighbors has evolved into a professional dream. He avoids horror movies to ensure his ideas are unique, but his experiences with haunted houses continue to influence his work.

“I have plenty of other plans and goals coming up as well,” said Rugato. “Immediately after this event, we start flipping it to a winter fest, which will be just as big, if not bigger than this current event.”

The actors’ energy and commitment elevate the festival, from terrifying performances in haunted attractions to playful, lighthearted interactions with children. The actors’ ability to stay in character creates an immersive experience, turning simple scares into unforgettable moments, leaving a lasting impression.

“I’ve never been this scared in my life!” said festivalgoer Jackson Wiedemann. “This entire experience was super intense and absolutely unforgettable … I can’t wait to see what they do for the Winter Fest.”

This is just the beginning for Boston’s Wicked Haunt Fest. It’s clear this event is set to become a beloved Halloween tradition, attracting visitors year after year.

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BU BUILDINGS Built in Style or Not?

An architectural digest into the historical and design elements of BU buildings. written by Michaela Boeder | photos by Anh Huynh | designed by Anvitha Nekkanti

Boston University is known for its academics, urban campus setting, and beautiful location alongside the Charles River — but do the campus buildings live up to the glamor of the Boston lifestyle? Are the spaces students study, learn, and live worthy of the captivating river scenery situated to the left of campus?

BU’s buildings have their character and ambiance: from the architecturally striking Computer and Data Science Building to the sophisticated and timeless look of the Tsai Performance Center. To determine if BU buildings are built in style, this architectural digest is going to take a walk down Baystate Road and Commonwealth Ave to explore what makes up BUs campus.

Kilachand Hall, connected to the Kilachand Honors College, is one of BU’s most coveted residence halls. The building has an alluring history with its birth as part of the Sheraton Hotel Apartments enterprise in 1923. According to BU Today, the name was derived from a furniture style popularized by famed late 1700s a n d 180 0s E n g l i sh f u r n it u r e designer Thomas Sheraton who was an inspiration for the building’s interior design elements at the time.

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The unique H-shaped structure, beautiful Bostonian brick exterior, and gorgeous view of Cambridge and Fenway Park are just some of the features that brought early 1900s socialites flaunting to the newly developed area.

The building’s history is almost as dramatic as the grand doorway and gold accents. The fourth floor’s Writer’s Corridor, previously suite 401, stirs up a bit of BU lore as playwright Eugene O’Neil, author of Emperor Jones, Interlude, and Desire Under the Elms, died in the suite in 1953. A year later, the suite was bought by BU and turned into a student dormitory hall.

Today, the ninth floor is home to modern LED lighting that complements the glass walls, geometric-shaped cushions, and bright colors. The floor is a beloved study spot for many,namely honor students who live in Kilachand and those who live in Bay State Brownstones.

The Hall’s opulent history, 4th-floor lore, and modern study spots with breath-taking views make Kilachand Hall embodies the extravagance of the 1920s with a modern twist.

It is certainly infused with style, both of the past and present, and has a rich narrative that accentuates its historic features.

The Center for Computing & Data Science (CDS) is situated across from Warren Towers and lives in the heart of Central Campus.

CDSalso known as the “Jenga building,” was unveiled in 2008 and has become a beacon on campus. Over time the building has built

a reputation across campus as a hotspot to study and socialize. The building exemplifies the power of ingenuity in architecture as it towers over the surrounding buildings.

On the first floor sits Saxbys, a student-run coffee shop, where the minimalist white and tan design offers a stark contrast to the warm-toned cushions and abnormal winding staircases. The 14th floor offers opportune study corners with whiteboard walls, sleek hallways, and a bird’s eye view of the city. When one enters the building, they will undoubtedly find themselves drawn to the red cushioned staircase ascending the glass side. The staircase is a perfect study spot, offering a view of the busy Commonwealth Ave as students rush to class. The staircase has become a popular spot for students to chat, study, or unplug in-between classes.

Down the road from CS is the Rafik B. Hariri Building, also known as the Questrom School of Business. Built-in 1996, Questrom has its own unique story with its corporate appeal and appearance.

Inside, Questrom boasts flags from every nationality represented in its community that decorate the building’s six-story atrium. According to Questrom’s mission statement, the school values collaboration and development across countries, regions, and nations in business and innovation, and the building certainly incorporates this mission in its interior design elements.

Questrom is filled with the gems that make it unique from Breadwinners Deli to Sergio Castillo’s ‘Earth Orbit’ statue.

Questrom is an asset to the BU community and campus. The attractive elements that the building lacks in its exterior is made up for in style and in functionality of the interior. The warm atmosphere inside the Starbucks cafe and second floor study lounge are additional features that make the building even more special.

Lastly, across Commonwealth Avenue sits Morse Auditorium, situated between the Physics Research Building and the Metcalf Science Center. The most aesthetic, and

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some may say Pinterest-worthy, features of the structure include the auditorium’s domed ceiling, the ivory vinery, and stained glass. It truly is a masterpiece in terms of architecture serving as a reminder of how charming some of BU’s older buildings are amongst all the newer developments.

According to BU Today, Alfred L. Morse Auditorium, now a theater and lecture hall, was originally built in 1903 by architects that modeled it after the Temple of Solomon, also known as “the First Temple:” a structure built in Jerusalem between 990–931 BCE. This magnificent property served as a Synagogue from 1906 to 1967. The theater is not only picturesque, but the perfect reminder as students walk by of how Boston’s rich history is engraved into each and every building on campus. Morse Auditorium is not only a design treasure on campus, but it is an architectural statement that historical remnants make the most stylish places on campus.

Over time, BU has added, modified, and transformed the campus to accommodate its student population and their interests’. Each year modern additions are added, from new dorm developments like the Student Village, to magnificent cultural hubs like The Howard Thurman Center for Common Ground. BU buildings each have their own style, personality and rich history to explore. The buildings are definitely built in style, but even more importantly, they are built with consideration and care for BU students.

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Dining Hall Wars written by Layne Sheplee | photographed by Mirabel Chin | designed by Sophia Cheng

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hen imagining the buildings that make up a college campus — classrooms, dormitories, and libraries probably come to most people’s minds.

However, this picture is missing an essential element of college life: dining halls. Whether students come in for a quick bite or stay for a long study session, the Boston University dining halls are fan favorites.

BU has five dining halls dispersed throughout campus. The three largest dining halls are The Fresh Food Co. at Marciano Commons, which is located in East Campus, The Fresh Food Co. at Warren Towers, which resides in Central Campus, and The Fresh Food Co. at West Campus, housed in West Campus. Fenway Campus Center Dining Room is a smaller dining hall situated in Fenway Campus, and Fresh Fuel at Granby Commons is a koshersupervised dining room located in BU’s Hillel.

Each unique dining hall brings different food and atmospheres to the table, though all BU students have their favorite. Below, students share their opinions about their preferred dining halls: The Fresh Food Co. at Marciano Commons Location: 100 Bay State Road Marciano supporters often point to the ambiance of the dining hall as a main benefit.

Large windows and a variety of different seating options create a comfortable experience for students. “I love the atmosphere of Marci. I like

to sit in a window seat and watch people go by on Bay State in the morning or sit in a booth with my friends during lunch and dinner,” said Katie Smith (CAS ‘27).

The Fresh Food Co. at Warren Towers Location: 700 Commonwealth Avenue Some proponents of Warren Dining Hall credit tasty signature dishes for drawing them in. “I love Warren because of all of their classic food options. I love the chicken tenders and waffle fries, the burrito bowls, and especially the stir fry,” said Will White (COM ‘27).

The Fresh Food Co. at West Campus Location: 275 Babcock Street Conversely to Warren Dining, West dining fans note the rotating range of different food options as a pro. “There’s a lot more variety in the food stations, and the dining hall itself is very pretty,” said Mikeala Bishop (SAR ‘27).

Fenway Campus Dining Center Location: 150 Riverway Although Fenway is a bit of a trek from the

Charles River Campus, the separation makes for a tight-knit community inside the dining hall.

The dining hall is also managed by a different company than the three main dining halls on campus, and the different dishes are a hit among Fenway Dining fans. “I love Fenway because the food is really different from the other dining halls. I also like how it’s secluded from the rest of campus and is smaller and cozier,” said Elijah Chacko (COM ‘27).

Fresh Fuel at Granby Commons Location: 213 Bay State Road Advocates of Fresh Fuel at Granby Commons emphasize the dining hall’s inclusion and quality of food. The dining hall offers both kosher and vegan options daily. “The food is always so flavorful and the options are always consistent,” said Dawn Zahler (SAR ‘27).

Across the five diverse dining halls, all students can find their perfect match. Try them all to decide which one earns your top spot!

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The

5 qui ntessent

s e c i al BU experi en

fo r e

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he glorious college life goes by faster than anyone expects. It leaves us no choice but to savor every exhilarating, chaotic, stressful, and heartfelt moment as they come — often all at once. From hidden campus locations to iconic traditions, there are some experiences I believe every Boston University student should cross off before graduation. Whether you’re a freshman seeking unforgettable memories or a senior reminiscing over your college career, this ultimate bucket list is for you.

r e i r r e t very written by Jacqueline Liu | graphics by Emily Carmichael | designed by Ebony Nkrumah

1: Study at Mugar Memorial Library until 2 A.M. during exam season with all your friends From musty libraries to the sunny BU beach, these must- do experiences capture the essence of life as a Boston University Terrier.

You haven’t fully experienced the Mugar cram until you’ve heard the closing reminder at 11 P.M. screech through the library speakers. Gathered around a long table, on Mugar’s 3rd floor, with all your friends wanting to rip their heads open: that’s where the BU bond begins and ends.

There’s a certain magic to the late-night grind at Mugar — when your friends and their caffeinefueled brains are trying to lock in and get through an exam season that never seems to end. With every question solved, you inch closer to the weekend that feels both out of reach and just around the corner. The struggle of getting through the roughest times in college at the infamous Mugar library is an unspoken tradition every BU student must endure.

2: Admire the breathtaking view of the Boston skyline from the 26th-floor Sky Lounge at StuVi2 Marveling the Boston skyline and unsuccessfully capturing the vibrant colors on your phone is another experience that doesn’t fall short on the list. Whether it’s during the quiet of the mornings or the bustling streets at sunset, the view perfectly encapsulates the essence of the city at any given moment. You can see the lively highway of cars driving alongside the serene Charles River with the crisp, purple sky painted in the background. It’s a calm yet familiar view that has the power to make college chaos fade into stillness.

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3: Sunbathe on BU Beach when spring rolls around I don’t mean whipping out your bikinis and trunks to tan on the BU beach (though no judgment if you do). I mean picnicking by the esplanade or enjoying the spring sun peeking through the frozen air with friends. During the initial days of sunshine after the frigid months, swarms of students literally congregate at the BU beach for hours on end enjoying the golden heat. People emerge from their winter hibernations once the empty streets start defrosting and humming with life.

With blankets laid out, the tiny grass hill comes alive with chatter, frisbees, and music — turning the lawn into a little terrier hub the moment the frosty breeze loses its bite.

4: Anxiously avoid stepping on the BU seal every time you pass Marsh Plaza Avoiding a step on the BU seal is a superstition as old as the bricks that pave Commonwealth Avenue. It’s more than a superstition — it’s a rite of passage. Every student at BU knows to refrain from stepping on the emblem or risk graduating late. The shared experience among BU students of vigilantly avoiding the seal (and fearing for their life when God forbid, you’ve actually stepped on it) is another core memory for every terrier.

While this playful myth has its supporters and skeptics, it reminds us that some rituals are as much about building community spirit as they are about the legend itself. Whether this means getting shoved into the seal by your friends or bonding with another classmate over the dread of a delayed graduation, it’s a lighthearted tradition that celebrates the quirks of campus life at BU.

5: Post up at a GSU table and people-watch while you "study"’with your friends.

In my freshmen year, stepping inside the GSU for three seconds was enough to get me incredibly overstimulated. I’m sure you know the feeling. The body overheating, eyes flashing for an open seat, desperately trying to find a familiar face kind of overstimulating.

Despite all the distress of entering the GSU, this bucket list item holds a special place in my heart because some of my best memories on campus belong in that uncomfortably loud and crowded building.

Although studying at the GSU always results in ‘studying’ (a.k.a. a never-ending cycle of yap sessions with friends coming and going from class), I bet you the laughter and memories are worth all the sensory overload and unproductive studying.

While some of these bucket list items might seem mundane, your college experience is ultimately what you make of it. Everyone’s BU journey before earning their well-deserved degree is different, but these are some things you’ll want to experience before calling yourself a true terrier.

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s The Scoop? ’ t a h W B

ust-Try Fla on’s M vor t s o

ka Gupta I graphics by Luci Bar

by A nni re n e t t w ri d b y Ma i a B a r a n t s e v i t c h d e sig n e

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Tired of another out-of-order soft-serve machine in the dining hall? It’s time to explore the incredible ice cream spots just a short walk from campus. This guide highlights some of the tastiest flavors nearby with options to satisfy all of your sweet cravings.

JP Licks

Far Out

JP Licks is a classic Boston ice cream spot boasting several convenient locations near campus, and as the leaves turn, it’s the perfect time to highlight one of their standout seasonal flavors: Squirrel Nut Zipple.

While the quirky name might leave you puzzled, one bite will have you anything but. This flavor features a rich peanut butter base filled with swirls of salty caramel and chunks of peanuts — the best treat to celebrate autumn.

If you’ve never tried New Zealand style ice-cream do it ASAP. With locations in Brookline and Fenway, Far Out is the best spot for a cone near campus.

Far Out blends hard packed ice cream and frozen fruit to make an irresistibly smooth, fruity soft serve. You have free reign to choose your own fruit, ice cream base, mix-ins, and toppings, so you can craft your dream dessert. The Premium Vanilla base with Kookaberry, a delightful blend of strawberry, raspberry, and blueberry, topped with honey is a stand out order among the rest.

Kyo Matcha & Matcha Cafe Maiko

Berryline

Calling all matcha lovers, the matcha vanilla swirl, found both at Kyo Matcha in Brookline and Matcha Cafe Maiko in Kenmore, is an absolute must-try. The bold, earthy notes of the matcha perfectly complement the smooth, creamy vanilla — the flavors are a match(a) made in heaven. Try one of these spots the next time you find yourself with a

If you’re willing to make the trip to Cambridge, make sure to visit Berryline in Harvard Square. Their Ube Banana frozen yogurt is a silky, purple delight with mild sweetness and an irresistibly creamy texture. What truly sets Berryline apart is their house-made toppings like their chewy homemade mochi and melt-inyour-mouth cheesecake bites. You’ll be tempted to order a cup of those on their own.

hankering for soft serve.

FoMu With locations in Fenway and the South End, FoMu is a local gem. Their ice cream is all natural and vegan, but you’d never guess it after tasting their rich, creamy flavors that rival any dairy-based treat. Their spins on the classic cookie dough and mint — dubbed Chocolate Cookie Dough and Grasshopper Pie — are crowd-pleasers. The chewy chunks of real cookies and velvety coconut base will leave you dreaming about your next visit.

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Emack and Bolio’s Emack and Bolio’s, located on Newbury, is on the pricey side for ice cream, but its plethora of fun flavors, like Space Cake and Caramel Moose Prints, are reason enough for the splurge. If you’re looking for a scoop bright enough for Boston’s best, Goa Mango strikes a divine balance between refreshing, sweet, and tangy.

So the scoop is...

Regardless of what ice cream flavor your heart desires, Boston has it all. So go out and explore, but ditch the plain vanilla and try a new flavor. You might just find your next favorite scoop!

MasterChef: Microwave Edition Delicious cuisine made in the comfort of your dorm’s microfridge. written by Clara Kye | photographed by Rachel Wernstein | designed by Phoebe Miller

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re you tired of the same old and boring dining hall food but don’t want to blow your limited dining points on every meal? Navigating meal options as college students is almost always a struggle.

We often find ourselves balancing the desire for satisfying meals with the need to stick to a budget. But what if we got the best of both worlds — an inexpensive, fulfilling meal made in your dorm. Get ready chefs, as I introduce you to microwaveable foods that’ll get guests lining up at your door.

Breakfast is known to be the most important meal of the day as it sets the tone for what lies ahead. For a quick and easy breakfast, you can’t go wrong with pancakes. There are three Trader Joe’s within a mile in from BU’s campus. Take the T or go on a nice walk to the location at your closest convenience. Once you enter, walk straight towards the frozen food aisle and grab a box of the Maple flavored Poffertjes Mini Pancake Puffs. The box, embellished with bright colors and images of pancakes, will surely catch your attention, so you won’t walk past it. The directions of cooking these pancakes are easy: simply microwave them for a few minutes. To elevate this meal, check out the various toppings and sides Trader Joe’s has to offer. Bags of frozen assorted berries make a perfect berry jam when microwaved for a few minutes. Combine the berries with whipped cream and maple syrup and you’ve got yourself a breakfast that no one will believe came from your microwave. Beware chefs, these mini pancakes can get addicting real fast.

Don’t be fooled by their small size, because you’ll likely finish the entire box before you know it.

What’s that? You’re already looking forward to lunch? Alright chefs, grab your Terrier cards and head on over to the City Convenience store where there’s dozens of microwaveable meals waiting for you. Once you enter the store, walk to the freezer section and you’ll be greeted with boxes of Rao’s frozen spaghetti. The selections are endless: four cheese ravioli, chicken parmesan, and meat lasagna — you’ll undoubtedly find the pasta that’ll fit your cravings. Once you’ve made your pasta selection, pop it into the microwave for the allotted time and wait as the aroma of tomato sauce fills the room. I would recommend making sure to open up your windows, 27

and give your roommate a heads up about your cooking endeavors.

Whether it be preparing for midterms, completing a project, or writing a paper, all college students need a little study snack. Working on assignments on an empty stomach is never the right answer, so take a quick break and grab a ready-to-go microwavable oatmeal from CityCo. Add some water to the cup, microwave it, and there you have it chef: a simple, yet delectable snack that’ll give you some energy while working.

Alas, it’s time for dinner. We all can agree that after a full day of classes, eating out is the last thing on our minds. Not to fear, because the microwave is all you’ll need to end your day with a filling and delicious meal. Hopefully you spent some more time at Trader Joe’s and got a chance to look at the famous soup dumplings. These dumplings remain a huge hit after going viral across all social media platforms. Beware, these dumplings are addictive. With only six dumplings in one box, I suggest you buy a minimum of five boxes just in case you’re feeling extra hungry. And not to worry, there’s a variety of flavors to choose from which include chicken, pork and ginger, and vegetable dumplings. Before you check out, stop by the sauce aisle and grab a jar of crunchy chili onion oil, the perfect pairing with the dumplings if you want a little spice.

We made it, chefs! A full day of meals made at the comfort of your microwave. It’s been a great journey, but I don’t think we can end it right here. Feeling a bit more hungry? The CityCo is typically open until at least midnight in all its locations, and it has an arena of different ramen flavors that are calling your name!

At the end of the day if you’re feeling stressed from your classes, in need of energy, or simply want a little snack to eat, you can never say no to a bowl of hot ramen. It’s the ideal microwaveable meal: add the flavoring packet, pour in some water, microwave, and you’ve got the entire hallway filled with envy for your ramen.

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But it doesn’t end there. After eating something savory, who doesn’t crave a sweet little dessert? CityCo is home to some of the best desserts on a college student-friendly budget.

The mochi ice creams by the brand My Mochi seem to be a fan-favorite, because they are almost always out of stock at night. Nevertheless, there’s a huge selection of ice cream types and flavors. There’s typically always a large stock of Ben & Jerry’s ice cream, as well as funky popsicles that are shaped like cartoon characters such as Spongebob or Spiderman. If ice cream isn’t your cup of tea, CityCo also has a multitude of sweet cream breads and small cakes. If you happen to buy one for yourself, place it in the microwave for a few seconds and you will not be disappointed!

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reating meals on a budget is not only possible but also incredibly convenient with your microwave. Although eating a dining hall meal or spending dining points at GSU can serve as a good meal, it can get a bit mundane at times. That’s why I suggest that you make use of your microwave and the budget-friendly frozen meals that are available to you. With the help of this guide, I assure that your next meal in college will be quick, easy, and delicious. So put on those chef hats and get cooking!

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Table for One? Reimagining U.S. College Dining

written By Stella Coffaro | graphics by Melissa Lemiuex | designed by Gabrielle Wylie-Chaney 30

From Solo Bites to Social Nights!

“Table for one?”

“Yes, just me.”

It’s an interaction that American college students have become far too familiar with.

In the U.S., college dining is frequently a solo endeavor with delivery to your dorm and grab-and-go coffee. But what if we say no to the table for one and embrace the table for many?

Cultures worldwide consider dining a social gathering whether in the form of cafe breaks or family suppers. As humans grow increasingly disconnected from each other, we ought to rethink how we eat and who we eat with. Adopting social dining is a solution to enhancing our college community and strengthening friendships in our fast-paced lives.

As college students, we face plenty of dining hurdles. First, our dining options are limited: fast food, takeout and delivery, eating out, and dining halls. Once we’ve decided where we want to eat, we then have to tackle finding a time to eat. Either we wake up early to eat before classes or hope to fit it in during our busy days.

Plus, it’s unlikely we’ll be able to eat with friends after comparing hectic schedules.

Ultimately, we find ourselves alone while we eat dining hall food and scroll on our phones.

Don’t get me wrong — I’m one of those students. But rather than watching shows, I often reminisce about the Italian suppers my family and I have. Around five in the afternoon, we’d come together to slurp noodles drowning in our Sunday sauce and devour handmade meatballs. The bread basket would pass through all of our hands as we chatted about our days, news, or life in general. Yet when the nostalgia fades, I’m often filled with melancholy and left feeling more disconnected.

However, this sense of disconnection isn’t unique to me. The U.S. is a place where convenience often trumps connection which leaves us isolated despite being surrounded by people. College campuses are simply microcosms of our lonely dining culture.

Across the globe, though, countries embrace social dining. In Italy, coffee breaks

aren’t a trip to the vending machine but an hour-long cafe chat with peers. In Japan, sushi dinners aren’t a convenience store pick but a chance to network with business partners. In Spain, people aren’t working through lunch but are having a mid-day siesta where they eat at home with family.

These are cultural traditions built around the idea of eating together.

So what are the benefits of moving away from a table for one? By sharing a meal, we can strengthen our relationships, reduce stress, and foster our sense of community. I got a taste of this during my time studying abroad in London where my friends and I didn’t have access to a dining hall. We’d grocery shop together, learn each other’s tastes and preferences, and laugh our way through cooking — or burning — our dishes. After sitting down to eat, even over study sessions, our anxieties would seem to melt away. Our meals were more than food, but were the glue that held us together.

“Our meals were more than food, they were the glue that held us together.”

or weekly dining hall dinners. Whether sharing chips and salsa or chocolate chip cookies, eating together while tackling homework can help reduce stress and boost productivity. While schedules don’t always align, prioritizing eating and spending time with friends is also crucial to our well-being. Try coordinating meals with friends or roommates rather than eating alone in the dining hall.

Social dining in college can also be applied on larger scales. Having a monthly potluck or dinner party with friends is one solution to staying connected despite demanding schedules. Each person can bring a homemade or store-bought dish to share in a common room. It’s also a way to bring “family-style” dinners to college even when you’re far away from home.

And when you’d prefer to be a bit fancier, try exploring local dining spots around the city! Bonding over new cuisines, whether you love or hate it, can strengthen your relationships with new and old friends alike.

Our busy college lives may tempt us to always grab takeout or eat alone, but embracing social dining can enrich our lives and foster deeper connections. Channel those Italian coffee chats and Spanish siestas, and find joy in cultivating your own social dining traditions. Together let’s replace that table for one with the table for many!

In a college environment, more than ever before, we need to embrace this social dining culture. Dining together can be a way to nourish more than our bodies but also our friendships and mental well-being.

But how do we bring this communal dining culture into our college life? Though it may initially be difficult, we can create new opportunities to come together through food.

Starting small, consider hosting snack-andstudy sessions

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A BUZZ NIGHT OUT Written, Styled by Lily Smokler | Designed by Madeline Michalowski | Photographed by Mia Anderson & Abby Carella | Modeled by Vicky Medina-Visceglio, Daniel Moyne & Nicole Lee

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rguably the best part of a night out is the getting ready with your friends. The first scene of A Buzz Night Out, “Pretty Preparations” captures the femininity and friendship during this time where bonding, confidence, and excitement work together in anticipation of the night ahead. Our two female models are captured in their matching pajama sets, painting each other’s nails, taking selfies, doing their makeup in the mirror—overall making the most of their time together as they prepare for the evening.

To parallel the depiction of the girls at home, we portrayed our male model ready early and waiting for his female friends at the Coolidge Corner T-Stop before heading out for the night.

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ne of the most popular and budget friendly modes of transportation amongst college students and Boston locals is the T. Our second scene, “T Time,” takes a typically mundane moment and turns it into something special. We transformed an ordinary, often overlooked setting into a picturesque moment, capturing the models’ fun and expressive outfits while building anticipation for the night ahead. The simplicity of the location allows the models to truly shine, highlighting their importance to the shoot and setting the tone for the excitement to come. We decided not to shoot a scene while the models are out, allowing viewers to savor the built-up anticipation and excitement and letting their imaginations decide where the night leads.

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t is nearly impossible for Boston University students to make it home after a night out without a pit stop at T Anthonys. Our third and final scene, “Late Night Snack,” captures the essence of these moments in the most natural and realistic way possible: enjoying some pizza and mozzarella sticks before calling it a night. The entire shoot, particularly this scene, highlights the importance of friendship and community—how even simple, ordinary moments, that could be experienced alone are made more meaningful when shared with friends. It represents the journey students experience outside of the classroom, emphasizing how vital their relationships and sense of belonging are during times of navigating independence and life beyond academics.

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SCANDI CHIC

How Copenhagen fashion became the global standard for effortless style written by Grace Pisciotta I photographed by Robert James designed by Maia Barantsevitch I modeled by Emily Norman, Shafeeq Mohamed

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openhagen is a city known for its balanced, mindful lifestyle, and it is often defined by the Danish concept of hygge — a feeling focused on coziness, comfort, and well-being. This idea reflects naturally into the fashion choices of its locals as it creates an effortless blend of simplicity, quality, and self-expression.

This past summer, I spent a weekend in Copenhagen and was instantly captivated by the city’s unique style, where practicality and creativity combine to create looks that are timeless and bold. Walking through the city, I noticed clean lines, oversized silhouettes, thoughtful bursts of color, and styles that are made to last, not just follow temporary trends. These choices mirror Copenhagen’s values of sustainability and contentment — a way of life that has continued to inspire me long after my time there. Looking back, I see how designers like Ganni, Boii Studios, Stine Goya, and Saks Potts are reshaping the global fashion narrative with a focus on sustainability and individualism while challenging conventions and championing the values of Scandinavian design.

Timelessness Meets Modernity

Scandinavian fashion is an artful blend of functionality and elegance. It merges minimalist design with expressive details that reflect a unique identity — understated yet full of personality. A signature element of this aesthetic is stripes, which appear in various forms, offering a playful yet sophisticated flair. Vertical stripes create elegant, elongated silhouettes, while horizontal lines infuse a sense of playfulness and energy into the ensemble. Consider poplin blouses paired with oversized pieces like coats, belts, and scarves. Each item is purposefully crafted with timeless structure and quality materials that give it a fresh yet enduring style.

The city’s style also resonates with broader Scandinavian principles that emphasize simplicity, functionality, and quality craftsmanship. Copenhagen’s fashion landscape showcases these values through Danish brands like Ganni which prioritizes high-quality materials — such as organic cotton and recycled fabrics — and a meticulous attention to detail. Ganni’s use of sustainable practices and vibrant prints, especially its incorporation of stripes, reflects a commitment to creating pieces that not only withstand the test of time but also make a bold statement. This distinct perspective has drawn global attention with Copenhagen Fashion Week emerging as a pivotal event in the international fashion calendar that spotlights innovative designs that challenge conventional norms. Alongside Ganni, Danish designers such as Berner Kühl, Bonnetje, and STEL are at the forefront of this movement, as they inspire audiences worldwide with a design model that blends modern aesthetics with timeless appeal.

These brands encourage consumers to invest in carefully crafted garments that resonate with both style and sustainability.

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Sustainability at the Forefront

Embracing Individuality

The shift towards slow fashion reflects a growing awareness among consumers about the impact of their purchasing decisions, and it leads to a demand for transparency, ethical labor practices, and sustainable materials in the fashion industry.

This progressive ethos aligns with the eco-conscious mindset of Scandinavian consumers who increasingly seek out brands that reflect their values. Boii Studios, founded in 2018, has a strong commitment to sustainability. During my visit to Copenhagen, I stopped by one of their brick-and-mortar stores and was charmed by the colorful knits, quality basics, and sophisticated accessories — all meticulously crafted with attention to detail. The brand’s commitment to high-quality materials was evident the minute I walked through the doors. When chatting with one of the sales associates, I learned that the brand incorporates recycled materials into their collections which highlights their focus on environmental responsibility.

What makes Scandinavian style, particularly in Copenhagen, so engaging is the locals’ penchant for pairing whimsical items with more traditional staples. A pair of fun heels mixed with a timeless trench coat and classic ‘90s sunnies creates an intriguing contrast that balances elegance with a fun twist. This approach allows for personal expression while maintaining a foundation of quality and sophistication. Accessories are key in this aesthetic — items like bold jewelry or statement bags can enhance even the simplest looks and offer an opportunity for wearers to highlight their unique tastes.

Sustainability lies at the heart of Copenhagen’s fashion scene, where a commitment to eco-conscious design informs every aspect of the industry from material sourcing to production methods. The city champions the “slow fashion movement,” advocating for thoughtfully designed garments that prioritize durability and ethical practices over fleeting trends. This is a direct contrast to fast fashion which has gained traction in recent years for its rapid production cycles and disposable culture — often at the expense of quality and environmental sustainability.

Alongside Boii Studios, influential designers like Stine Goya and Saks Potts integrate eco-friendly practices into their collections. Stine Goya focuses on low-waste production techniques, minimizing fabric waste, and promoting sustainability. Saks Potts, on the other hand, actively promotes transparency in labor practices, ensuring the ethical treatment of all workers.

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These brands not only create eco-conscious collections, but also engage in sustainability initiatives such as clothing take-back programs and c o l l a b or a tions with environmenta l organizations. By merging env i ronmental responsibility with high fashion, these designers set a new standard in the industry: that style and sustainability can coexist.

Scandinavian fashion is characterized by its unique ability to blend minimalism with playful elements to create a style that feels both mature and expressive. Its use of vibrant colors, unexpected patterns, and bold accessories effortlessly transforms an outfit. Both Stine Goya and Saks Potts are renowned for incorporating bright hues, imaginative prints, and eye-catching textures into their collections that encourage wearers to showcase their individuality through clothing.

The interplay between playful pieces and minimalist basics allows for versatility and creativity in outfit choices. Copenhagen’s fashion scene celebrates this duality as it encourages individuals to mix and match to develop a wardrobe that reflects their personality.

Looking to the Future

Copenhagen fashion embodies a harmonious blend of hygge, sustainability, and bold self-expression as it positions itself as a model for the future of fashion. The concept of hygge inputs a sense of well-being into clothing choices by helping individuals feel at ease while expressing their unique styles. This approach leads to the creation of garments that are not only aesthetically pleasing but also functional. Scandinavian style reinforces the idea that fashion can serve a purpose beyond mere appearance.

Reflecting on my time in Copenhagen, I realize just how deeply this distinct fashion culture has shaped my personal style. The emphasis on clean lines, thoughtful color choices, and quality craftsmanship has transformed how I approach fashion, inspiring me to seek out pieces that emphasize longevity and intentionality. Since returning, I’ve incorporated Scandinavianinspired elements into my wardrobe by choosing items that reflect values of quality, comfort, and sustainability. Perhaps we can all take a page from Copenhagen’s book and embrace a fashion philosophy that blends self-expression with responsibility — a style that is truly built to last.

The rise of “hair theory,” originating on TikTok, stirred up conversations around how your hair can enhance your beauty once you discover the most flattering way to style it. But it’s not as simple as a toss-up between a ponytail or leaving it down. TikTok’s hair theory spotlights surface level nuances like how quickly one’s appearance can be changed by tucking the hair behind the ears. However, there is a much deeper insight into the impact a hairstyle can have on your look and, most importantly, your confidence.

Why do smooth, slicked-back ponytails or buns look especially pleasing when paired with a baggier silhouette? Big sweaters conceal the shape of your body and, although comfortable, may present as sloppy and unflattering. Pulling the hair away from your face creates a sharper, more eye-opening appearance which brings a sophisticated feel to an outfit worn for comfort.

Since face shapes vary, slick-backs can look different on everyone. But there are ways to spice up an up-do to best flatter your profile. Pulled-back hair leaves your face shape exposed which allows room for makeup and accessories to accentuate your features. Dangly earrings can balance out a rounder face shape while hoops add volume to an oval face shape — everything comes down to harmony!

“IS THIS A HAIr-UP OR HAIRDOWN OUTFIT?“

Hair Theory is Real, and Here’s Why.

Now, let’s not forget the curling iron and hair straightener sitting in your bathroom cabinet. Bouncy, voluminous curls add texture and dimension to an outfit with a neutral color palette. They can even compliment a softer, more feminine look.

On the other hand, smooth and silky straight hair can present as more flirty and elegant — pairing well with dark colors or statement pieces. Try flipping the ends of your hair inward at the end of each pass of the straightener to create a faux blow-out. This is my go-to look for going out with friends or attending a nice dinner.

Hair can be the catalyst for the glow-up you’re looking for.

Whether it be a french bob, care-free beach waves, or a textured wolfcut, discover what works best for you. But don’t undermine the journey of exploring different hairstyles and playing with your silhouette — the fun resides in experimenting!

written by Laurel Chang | graphic by Katelyn Holland | designed by Anvitha Nekkanti

TikTok stirs up discourse over how hair can make or break a look.

Hair, makeup, outfit: the big three of getting ready and looking your best. Personally, I can go without makeup or suffer through a bad outfit. But, for me and many others, hair is the defining feature that sets the tone for your confidence. Your hair frames your face, defines your silhouette, and is one of the first things people perceive about you (I know, scary).

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“What’s In My Bag?”

How what you carry defines you

Yo ur

bagg age sa

ys a l

ot abou t you, literally.

written by Nicollette Heath designed by Niki Taradash photographed by Amanda Hess modeled by Alessandra Antonelli

A bag can carry a lot of things: a phone, wallet, lip gloss, old receipts, or hair clips. Just like your bag, your random assortment of everyday items can say a lot about you.

Does your bag make a statement? Do you carry a lot? Or just a little?

When we unpack these questions, we begin to build a story out of the simple moments in our lives. The tokens and trinkets we carry day to day are important to us — providing us practical or emotional support when we need it.

Unlike clothing, your go-to bag is something you wear daily, so finding the right one is crucial. A bag can be functional or fashionable, but the right bag is versatile. It’s both chic and practical as it showcases your style while serving its purpose. Even if it seems easy, this decision reveals a lot more about our lives than we initially realize.

The outward appearance of a bag conveys how we express ourselves to the world, but inside the bag is where our true personalities come to life.

Our possessions are personal. What we own reflects who we are, what we value, and what we need to be our authentic selves. Even the most simple belongings in our bags shape our identity. If you love music, you probably have a pair of headphones on you at all times. Love makeup? You never leave the house without your favorite lip oil!

As I peek into my everyday bag, I see my identity reflected in my many items: my signature lip color, my favorite book, and the journal I jot my random little thoughts in. All of these are things that I love — things

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that are special to me.

Although we always carry our necessary items, the extra, most sentimental pieces are often the least extraordinary.

An old receipt, crumpled up in the pocket of your purse, might seem like nothing to most, but it could mean the world to you. Maybe it’s from your first date. Or from the last time you saw your parents. A train ticket from another country can serve as a reminder of your dream vacation. It doesn’t just say what you bought or where you went, it holds the memory of an experience — one special enough to make you carry that little piece of paper each and every day.

The Little Worry Bird is a must-have item for Isabella Facendo

(CAS ‘27). It’s a tiny bird trinket that comes with a poem.

This simple gift from her friend now serves her as a token of luck and peace. “It always stays in my bag,” she said. To some, it might be a meaningless object. To Isabella, this little bird is strikingly sentimental as it resembles memories of friendship and comfort.

Even miscellaneous items can be telling of our personalities. An extra pack of gum so you can offer a piece to your new classmate. Extra tampons just in case or so you can be there to save someone’s day. An extra straw because you never know when you might have a spontaneous coffee date with an old friend.

In the midst of a study session during finals week, I was in dire need of a charger. I desperately asked the girl sitting next to me if she had one. Without hesitation, she reached into her bag and said, “Here, use mine!” That simple action started our friendship — all because she carried an extra charger just in case someone like me needed it.

Whether we focus on fostering community, being there when others need us, or building relationships, when we carry things for the sake of others, we discover what we value about connection.

From the bag you choose and how you style it to what’s really in its pockets, everything comes down to how you define your identity and values.

The next time you unpack your everyday bag, actually look at what you have inside. Ask yourself why you carry some things and leave out others. You might learn a little bit more about yourself along the way!

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Your First and Last Love is Yourself written by Erica Schwartz | graphic by Katelyn Holland | designed by Grace Pham We are each born with the potential to give and receive so much love.

For many of us, at some point in our lives, we are made to feel that the love we receive from others is more important than our own self-love. In reality, external love is only a fraction of the love that we can experience.

Self-love isn’t blind adoration of oneself, per se. Self-love is the acceptance and appreciation of all that makes you who you are — the good, the bad, and the ugly. It’s easy to conflate self-love with egotism or selfishness, but genuine self-love is anything but that. Only once we reach a genuine acceptance of self can we drop our ego and desire for acceptance. When you accept yourself, all other forms of reassurance fall by the wayside, as do our slapdash attempts at gaining that acceptance.

In my freshman year of high school, I began feeling a new level of 54

insecurity I had yet to encounter. I didn’t feel pretty enough, but I didn’t know how to make myself prettier. I didn’t feel smart enough, but I didn’t know how to make myself smarter. One of the very few traits I felt I had control over was my kindness. Instead of turning inward and confronting the other issues I thought I had, I turned outward and spread myself every which way to make others happy. I even made a spreadsheet of nearly every girl in my grade and what they wanted for the holidays on which I spent hundreds of dollars of my parents’ money. I stayed up into the late hours of the night as I sorted and packed the treats and trinkets into pretty holiday-themed bags.

This holiday gift extravaganza was not my first act of martyrdom nor was it my last. I was giving so much love to others, and people saw it.

They called me compassionate and kind. I felt loved, and it felt good.

However, no matter how self less my acts seemed or felt at the time, I realize in retrospect that it was selfish greed. I may not have seen it at the time, but I was giving out love so I could receive the love I couldn’t give myself.

That ingrained sense of “self less” obligation has left deep marks on my psyche. I feel selfish for turn- ing down plans when I know I have too much on my plate, e v e n though it’s really an act of self-preservation. I struggle to balance self lessness and sel f- de st r uction; it’s a line I work on balancing daily.

Nowadays, when I do a kind deed for someone else, there is no subconscious ulterior motive. Because I love myself enough to know what my genuine motivations are, I can actually be a more generous person without expecting anything in return. Plus, all the work I’ve done to boost my selflove has opened my eyes to how good it feels to love yourself. I want to pay it forward by giving others a foundation of love so that they can embark on their own self-love journey. In the words of RuPaul, “If you can’t love yourself, how in the hell are you gonna love somebody else?”

If you feel disconnected from your sense of self-love, that’s okay.

In her novel, “The Body is Not An Apology,” author and activist Sonya Renée Taylor discusses how living as a human being in society disconnects us from our internal sense of “radical selflove.” The beauty of self-love is that we are all born with unbridled potential for it; we just have to learn how to tap into it.

Spending time with yourself, or “self-dating,” as some internet users have termed the practice, is a crucial step in connecting with yourself. How often do you sit with your thoughts and do something you enjoy? Just as you would fall in love with another person by spending time with them, you can fall in love with yourself by spending some time alone. Instead of waiting for someone else to take you out on a date, take yourself on one.

Affirmations are another way to boost your self-love. It follows

the idea of fake it ‘til you make it: even if you don’t necessarily believe these positive affirmations you are saying, say them until you begin to internalize them. You can write them, say them in a mirror, say them while you shower. Whatever it takes to make them stick. Maybe one day, you’ll catch yourself saying them without a second thought. By hearing these positive thoughts about yourself, you train your brain to think of them as reality, which e l e vates your self-esteem and self-love.

The media you consume also helps you train your brain. You don’t have to remove every song from your playlist that talks about negative thoughts or self-image, but be sure to sprinkle some songs that make you feel confident into the mix. For me, 1960s girl group music is a major mood booster. In addition to the upbeat melodies that feel like the musical embodiment of sunshine, their lyrical content is often positive and powerful thanks to the beginnings of the sexual revolution.

If you are the self-help type, there are tons of books and podcasts out there to help spark further ref lection. A favorite podcast of mine is Tam Kaur’s “Self Obsessed.”

Kaur provides feel-good advice that’s still realistic and not imbued with toxic positivity. The aforementioned Sonya Renée Taylor book, “The Body is Not An Apology,” was a life-changing book I couldn’t recommend more especially for those looking to let the self-love f low.

It may sound a bit backward, but let’s be clear: you don’t have to like yourself to love yourself. There are times when I feel like I could write a mile-long list of things I could do better or differently, but I still love myself through it all. I respect myself enough not to let any surface-level complaints I have cloud my judgment.

On the other hand, if I realize something truly objectionable about my behavior, I can correct myself and move on; I know there is so much more for me to love regardless of my potential shortcomings.

Self-love can transform us into our highest selves. When we accept ourselves at our best and our worst, we can make positive changes that help us improve. Like I said, self-love isn’t blind admiration of oneself. However, only once you open your eyes to the beauty that’s inside you can you really see yourself for who you truly are. It is then that you can make genuine changes to become closer to your highest self.

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speaking on

SPIRTUALITY

Establishing the core principles that guide our actions and decisions written by Brooke Elwell | graphics by Ashley La | designed by Phoebe Miller

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s the fall semester progresses, academic life continues to grow more difficult. Each week adds more and more to our busy schedules, and oftentimes, it becomes challenging to find a reason as to why we subject ourselves to such stress. In addition to school-related pressure, everyone has demanding personal lives, so it is crucial that we remind ourselves to persevere.

Our reasons for persisting through stressful periods will differ from person to person, but the most important aspect of everyone’s personal motivations is that you equally define them and genuinely believe in them. When things get rough, why do we keep going?

What driving force leads us to solve problems and overcome challenges rather than accept defeat and wallow?

This is modern spirituality; a set of beliefs, practices, and philosophies that connects us to a purpose for enduring the challenges life throws at us.

What does spirituality look like? For many, spirituality involves a connection to a higher power and is often reflected in religious practices and teachings. For others, it’s an internal journey that encourages self-reflection and introspec-

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tion. Other spiritual paths are centered around community and relationships to foster connections with others who share similar values.

While these are some common expressions of spirituality, they are not all-encompassing. You must illustrate how you maintain good spirits and make the most of each day. The foundation of personalized spirituality is self-awareness; it is important to reflect on the experiences you have had in the world.

First, consider what has brought you peace and fulfillment throughout your life. What activities, places, or people make your days better? It could be spending time alone, outside, moving your body, reading, and more, but by identifying these sources of contentment, you can recognize what resonates with you on a deeper level and brings meaning to your life.

Next, understand how peaceful acts can be interwoven into your daily practices of connection with yourself, others, and your spirituality. Spirituality is a practice, which means it is integrated into everyday activities. I know that I feel most connected to myself when I am alone, outside, and moving my body, so walking or running through Boston is a great way for me to reflect. Some of my peers attend yoga or meditate to still their minds and let introspection enter, and others connect with their religions daily as a reminder of how they want to approach each day. No matter how we define spirituality, each individual’s practice should remind us of who we strive to be. Once we define a set of beliefs that gives us purpose and uplifts us, we can rely on them as reminders when facing strife.

“Spirituality is a way to connect with your higher — or whole — self,” said Madison Cangé (SAR ‘26). “It’s something I feel is personally needed for your self growth journey.”

It’s okay if our spiritual beliefs shift over time. In fact, they should. Spirituality isn’t a static state; it’s a dynamic journey that adapts as we grow and encounter different stages of life. The process of reevaluating and redefining our spirituality keeps it authentic and meaningful.

It’s not just about recognizing what we enjoy, but understanding why these things matter to us. Is it the sense Ultimately, defining spirituality for oneself means of accomplishment after finishing a We face challenges with the embracing the freedom to explore different practices project, or the feeling of connection when we volunteer? Do we value the purpose of overcoming them, so and beliefs without the pressure to conform to a particular doctrine. We each have our own life experithrill of exploration, or do we find it’s crucial to observe how each ences that shape our worldviews, and therefore, our comfort in routine? This exploration spiritual practices are likely to be just as unique. For helps us to establish the core principles of us surmounts the struggles some, spirituality will involve structured rituals and that guide our actions and decisions. we face. sacred texts; for others, it might be about finding balSetting intentions and practicing mindfulness are also central to devel- ance and harmony in everyday actions. The key is that it resonates peroping our own spirituality. Intentions give us direction, a sense of pur- sonally and serves as a source of motivation, comfort, and inspiration. pose in our day-to-day lives. They don’t have to be grand or life-changing. In fact, they can be as simple as striving to be kinder, working to Conclusively, spirituality is not about reaching a destination but stay patient in challenging moments, or committing to spend more time about embarking on a journey — to find purpose, embrace change, appreciating nature. By setting these small, meaningful goals, we cre- and live authentically. It’s about being present in the process and ate a daily practice that keeps us grounded amidst chaos and adversity. open to the experiences that shape us along the way. Whether it’s through meditation, creative expression, or shared conversations, we Developing spirituality also requires acknowledgment that it is an evolv- must take the time to define our spirituality and allow it to guide ing process. As college students, we are constantly changing — our ideas, us through the trials and triumphs of our college years and beyond. beliefs, and values are shaped by new experiences, knowledge, and people.

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Alone But Not Lonely L e a r n i n g t o E mb ra c e You r I nd e p e nd e nc e written by Chloe Saint Mard | photographed by Anna Wojeck| designed by Maia Barantsevitch I modeled by Marley Brennan During high school, I went through a period of deep loneliness. It wasn’t that I was physically alone, but I was feeling very disconnected from my friends who weren’t aligned with my interests and ambitions anymore. I felt stuck, like I had no one I could really trust or rely on. I knew that if I wanted to move forward, I needed to start depending on myself.

This shift wasn’t easy, but it was life-changing. By the time I got to college, nearly 5,000 miles away from home, I felt completely comfortable being alone. In fact, I haven’t felt lonely since the beginning of my first year. However, it takes time to develop this relationship with yourself, and college is the perfect time to start working on it.

When people hear the word “alone,” they tend to associate it with sadness or despair, but there’s a big difference between being physically alone and feeling lonely.

You can be surrounded by a group of people and still feel isolated, or you can be on your own and feel fulfilled.

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The fear of being alone can often drive us into unhealthy or unfulfilling relationships — whether romantic or platonic. When you master being comfortable alone, you gain confidence and that fear disappears. You’ll know your own worth, and you’ll respect your boundaries, because you won’t feel like you have to compromise yourself for someone else’s presence.

Whether you’re in a relationship or not, prioritizing time for yourself is key. Solo dates are an incredible way to strengthen your bond with yourself. Schedule a solo date — go to a coffee shop, visit a museum, take a walk, or even have dinner and a movie by yourself. The more you practice the easier it gets, and soon you may even come to love your solo time.

The key is to be present in these moments. Put your phone down, don’t scroll through social media, and don’t call anyone. Sit with your thoughts.

Journaling is another powerful way to deepen your relationship

with yourself. It helps you process your thoughts and reflect on your experiences. If you’re not sure where to start, try using prompts or questions to guide your writing.

Not only does journaling clear your mind, but it also helps you identify patterns in your emotions and relationships.

Mediation is also a helpful practice for self-connection. Spending just a few minutes each day in quiet reflection can help you tune into your thoughts and become more self-aware. Apps like Headspace, that BU students get for free, can guide you if you’re new to mediation and make it easier to build a habit.

Ultimately, building a strong relationship with yourself is the best investment you can make for your future. Solitude can be a source of empowerment, and over time, you’ll appreciate the freedom and peace that comes from truly enjoying your own company.

The Art of the Music Video written by Amanda Healy | graphics by Melissa Lemieux | designed by Yasmine Chang Music can captivate listeners by articulating raw feelings that the audience may not know how to express — or it can act as a fun, carefree outlet.

No matter the genre, music videos are an integral component of the music industry. These mini-movies transport you into a different world or a specific memory for a few short m inute s.

W h e t h er growing up watching MTV or TeenNick Top 10, music videos were woven into our childhoods — a fact we often forget until reminded of that one video you played on repeat at nine-years-old.

These videos turn a song into a story with visuals that deepen its purpose: turning it into something more. Emotion oozes out of videos like “What was I Made For?” by Billie Eilish, “Happier” by Marshmallow ft.

Bastille, and “Oak Island” by Zach Bryan.

Music videos can also transport you back in time. Like many, I remember the first time I watched “Wrecking Ball” by Miley Cyrus. Her drastic appearance change and the emotion surrounding her alleged break-up with Liam Hemsworth garnered worldwide attention.

These videos can also be complex cultural time capsules with nods to other pop culture references. Ariana Grande’s “thank u, next” music video referenced multiple hit 2000s movies — Mean Girls, Bring It On, 13 Going on 30, and Legally Blonde — with cameos from some of the actors.

Recently, we’ve seen the resurgence of the “pop girl” with hits from Sabrina Carpenter, Tate McRae, and Addison Rae. Tate McRae brought back the iconic 2000s head mic at Madison Square Garden on August 22, 2024 to tease her new song “It’s ok I’m ok.” The single was released on September 12, 2024 with an accompanying video that made jaws drop.

Similarly, Sabrina Carpenter has cemented herself as one of the top pop girls with her music videos “Espresso” and “Please

Please Please.” Additionally, she recently released “Taste,” referencing iconic horror movies in the music video — there is chaos, humor, and emotion.

Childhood memories have a way of surfacing after hearing just a few notes from an old song. I vividly remember the first time I watched the “Burnin’ Up” music video by the Jonas Brothers.

I instantly begged my mom for her iPhone 4 to watch it on repeat.

Whether it’s a video from your childhood or your recent favorite artist, music videos are more than an extension of an artist’s song: they provide a sense of escapism and tell a deeper story which you may miss when just listening.

Justin Bieber and Benny Blanco released “Lonely” in 2021, a song and video that expressed the void that Bieber has felt throughout his career.

The video follows a young “Justin Bieber” in his iconic purple and white outfit getting ready to go on stage for an empty audience. The camera then pans to the real Justin Bieber watching his younger self. Fans rarely get an accurate look into a musician’s life, and while for years everyone thought Bieber was on top of the world, this one 2 minute and 37 second long video shows that he was going through something else entirely.

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Trinket Culture

The intricate world of the tchotchke written by Sophia Blair | photographed by Abby Carella | designed by Lauren Mann | modeled by Sophia Blair We all have them — those small, seemingly insignificant knick-knacks scattered on shelves, sitting on windowsills. Those tchotchkes that have a way of sticking with us… a lanyard I made in summer camp, a shell I found on the beach, a crystal my yoga teacher gave me.

Our trinkets tell our stories. They represent bits of our lives and become pieces of us.

Other species collect keepsakes, too, but collecting cute little things has been making humans happy since at least the Stone Age. Our ancestors gathered ornaments, like shells and stones. Chalk it up to hunter-gatherer instincts or the sense of awe and wonder at aliveness, but sentimentality seems woven into our very being.

“Trinket” is a broad category to describe what really is only a feeling, because what separates a trinket from trash is your perspective. A trinket could be a cheesy keychain from a family vacation or an acorn from your grandma’s house. It could be a receipt from a first date or a random rock from a random walk. What makes it a trinket is what you think of it.

Trinkets are a physical manifestation of our presence, curiosity, and gratitude for the world around us. Collecting trinkets can draw out the same sense of wonder and awe as our inner child, who found pretty leaves and rocks and collected soda tabs. Trinkets can be a commercially-produced novelty good, a handmade craft, a shred of a scrap, or a piece of nature. They are small, meaningful mementos that tell a story and represent a version of ourselves we were or are.

The Industrial Revolution made commercially-made trinkets accessible and commonplace in the U.S. It was The 20th century that introduced the concept of souvenirs, creating an entire industry based on trinkets. The Cambridge Dictionary defines a trinket as “a small decorative object, or a piece of jewelry that is cheap or of low quality,” but in today’s world, we consider some items trinkets that are not necessarily cheap or low quality.

Accelerated cultural communication through social media has propelled brands like Sonny Angel and Smiski into the mainstream spotlight, both of which are both character figurines that come in a range of designs sealed in “blind” boxes, produced and distributed by Dreams Inc. They technically don’t have a point to them, outside their cuteness Humans are psychologically drawn to small, cute things due to the Kindchenschema, which triggers nurturing instincts and dopamine release associated with pleasure, alongside the stress-reducing effects of engaging with adorable stimuli.

The gamification of trinkets has just evolved from toy vending machines at arcades to blind-boxes you buy for American Gen-Zers. The surprise aspect of seeing what you get can bring back that childlike sense of excitement, stimulate the brain’s reward system, and trigger dopamine release. It is so important to find joy in the little things in a world as complicated as ours, but these brands tote the line between trinket and toy.

Although fun, these modern-day “trinkets” often lack a story or deep personal sentiment. The distinction between a trinket and a toy is in its purpose and essence. Toys are specifically designed for play and interaction, while trinkets are inherently impractical, serving as reminders of our experiences or connections. Toys are tools for entertainment, while trinkets have character and offer a sense of fulfillment simply through their presence.

The value of trinkets extends beyond just personal. In elementary school, we would exchange silly bands and erasers shaped like animals that you could build and take apart. Whether it’s trinket trading at Renaissance fairs, swapping pins with Goofy at Disneyland, or exchanging kandi at a rave, trinkets cultivate community for everyone, everywhere. Even NFTs are a digital trinket, in a way, and have an entire culture and community surrounding them.

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There are communities around modern day trinkets — and it spans beyond the Dream Inc. brands. Jellycat, Skull Panda, and Miffy items are hotly sought after right now, too. Our trinkets aren’t just personal keepsakes anymore, but also social signatures. Every trinket we own shapes and expresses who we are, but these ones also seem to communicate something out to others — that we are a part of the same community.

Is it becoming a status symbol?

Are these trinket experiences less authentic and / more performative? Do they need to have deep meaning or / memory attached to be meaningful? Sonny Angel’s slogan says “He May Bring You Happiness” … but does he?… We must ask ourselves if we are feeding into a cycle of consumption while searching for meaning in these little objects, or if they actually make us happy. They might actually make us happy and that’s cool. Do i even want to make this point?

Humans are psychologically drawn to small, cute things due to the Kindchenschema, which triggers nurturing instincts and dopamine release associated with pleasure, alongside the stress-reducing effects of engaging with adorable stimuli.

“A trinket is something that kind of finds you, you don’t find a trinket. You don’t go online to order — that’s just not trinket behavior. A trinket is something you get on the side of the road and you thought it was cool. A trinket is something that your dad gave you when you were five. A trinket is something that you got on family vacation back in 2007,.” content creator Alana Martinson says in a TikTok video. In fact, mMost of the discourse about modern trinketry occurs on TikTok, including viral “how to cluster your trinket tray” and “trinket shelf tour” videos.

There seems to be a spectrum of trinket collectors.

There is a huge market for the commercial trinkets, with huge influencers like Bretman Rock, who

boasts over 50 million followers across platforms, posting viral Sonny Angel unboxings. His videos can

create an attainable sense of relatability and community for fellow Sonny Angel fanatics. There

are also the people who stay true to the roots of trinket culture. My friend, Embie Burg

er, says an avid trinket collector transforms their finds into art. All of their trinkets are

organic finds, including shards of bike-lights found on the street and strangers’

long-lost buttons. They don’t own any trinkets that they bought simply be cause. And there are people like me, in between. You don’t have to be on one side of the spectrum or the other.

They can foster community and spark creativity.

They can make life feel magical and meaningful.

If it sparks joy, that’s all that matters.

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Why representation is crucial to better patient health outcomes

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written by Meron Nephtalem | photographed by Adrianna | designed by Sarah Tocci | modeled by Meron Nephtalem and Alice Koranteng

Black Women in Neurosurgery

Thirty-three.

There are currently 33 neurosurgeons who identify as African American and female in the U.S. today, according to the National Institutes of Health (NIH). Black women make up a mere 0.6% of neurosurgeons in the U.S. If I haven’t made it obvious, Black women are criminally underrepresented in the field of neurosurgery, and this is a serious problem.

Institutional discrimination and racism in healthcare obstruct Black women from entering medicine, specifically, the field of neurosurgery. An already highly specialized field, neurosurgery is as competitive and selective as it gets. With good reason, however, as neurosurgical procedures are demanding, high-stakes, and rigorous. This means that there must be greater initiatives to increase the number of Black and female identifying neurosurgeons, especially with patient’s lives on the line.

Studies show that Black patients have poorer neurosurgical outcomes. This is due to many factors, some of which including implicit biases, access to care, and other socioeconomic factors.

The African American community has faced several historical accounts of exploitation and discrimination in medicine. One example of this was the 1932 Tuskegee Syphilis Study, in which hundreds of African American men were used as test subjects in an experiment they did not consent to. Researchers targeted low income African American men with syphilis, promising them free meals and healthcare in return for their participation.

However, not only did they not hold up their end of the bargain, but they left their diseases untreated. Their manipulation and lies, in their undisclosed study of “Untreated Syphilis in the Negro Male,” killed over one hundered of these men.

So next time you question why Black people are hesitant to trust the healthcare system, this is solely one instance from the endless list of reasons.

In addition to historical injustices and exploitation, Black people, especially those in lower income areas, face greater barriers to healthcare access. Black communities have less access to healthcare facilities, and therefore have to pay for transportation costs. Also other costs, like appointment co-pays, add up.

But, what do patient outcomes have to do with the type of doctor treating them?

Well, everything.

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When patients feel more represented by their doctor, they are likely to have better health outcomes. This is mainly a result of increased comfort levels and implicit trust they have towards their doctor. Additionally, there is greater success as a result of increased diversity in the workforce.

More Black female identifying neurosurgeons will contribute heavily to a well-rounded physician workforce.

So, directly and indirectly, representation makes a difference. The healthcare system will continue to fail Black neurosurgical patients until there is an increase in Black female neurosurgeons.

Representation of Black women in medicine in general is imperative. So when Black girls go to the doctor, they feel inspired to be a part of the healthcare community. So when Black patients are treated for a spine surgery, they feel supported/informed and thus have an easy recovery.

So when Black mothers have a baby, their baby is guaranteed an equal chance of survival as a white baby.

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It is important that we cultivate an interest and retention for Black girls/women in medicine.

This can be done by providing them with opportunities to get involved, especially through programs, financial initiatives, and academic support. Increasing the number of pipeline programs specifically catering to Black female students will help them prepare for medical school and testing. Increased funding for scholarships and grants specifically for Black women pursuing medical degrees can further help reduce financial burden and make medical education more accessible.

Academic support in higher level education must expand to provide tutoring, study groups, and access to resources for pre-med and medical students to help them excel.

We also need to focus on mentorship between Black students and doctors. This will not only help students learn and receive advice, but be encouraged and confident in the medical field.

For the sake of everyone’s health, medicne needs to be more accessible.

t n e m u c o Be present or d erything?

How to find a balance while abroad ev

written by Angelica Vivas | photographed by Zoe Ku | designed

by Lauren Mann | modeled by Elizabeth Cheramie

My dad put a pink toy camera in my hands as a toddler. I’ve always loved capturing moments in time, trading in my chunky pink camera for a pocket-sized and larger digital onecamera.

I’d say I’m an amateur photographer, still figuring out the technicalities of delicate camera settings for the “perfect picture.” As a native New Yorker, I have always found inspiration in the raw moments I witness dayto-day; street photography has always been my favorite. When I studied abroad in London and visited Paris and Amsterdam after, I couldn’t pass the opportunity to capture my European adventures. This brings me to my question: should you document every waking moment so you never forget it or be present to truly experience everything?

Whether it be strangers soaking in the sun on the greenery or a graffiti-filled corner in the East End, I take pride in all my photos abroad. It was especially important for me to document my European escapades because I was the first in my family to visit Europe. I captured my moments because recounting stories to my family doesn’t do it justice, and I don’t know if I’ll ever get the opportunity to visit again. Needless to say, I hold all my memories abroad near and dear to my heart because it was a once-in-a-lifetime experience for which I am very grateful.

There will always be the photographer friend in the group, getting every angle and picture-perfect moment that will end up in your Instagram photo dump. As that friend, when is it time to put the phone, pocket-sized digital, or vintage film camera down? I was this friend in Europe with my hand-me-down digital camera documenting every museum, neighborhood exploration, and stroll. I don’t regret pressing the shutter for the entirety of my trip because the pictures remind me of the electric feeling of experiencing a completely foreign culture. However, you must find a balance.

I put my phone down when I first witnessed the gold, twinkling Eiffel Tower at midnight. It was a moment I’d only seen in movies, and taking a picture could wait. Documenting every living moment abroad is different for everyone. For me, photography is a hobby and a way to look back on my cherished memories, but I know when a moment is special enough that the picture becomes an afterthought. I try to find that happy balance every time I travel. At the end of the day, you might regret not taking the picture, but you’ll regret not being present in that moment even more.

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“I’m Already Abroad” Should International Students Study Abroad? written by Clare Ong | photographed by Gia Kim | designed by Anvitha Nekkanti | modeled by Sarah Shabib

Navigating the choice between embarking on yet another cultural adventure or deepening U.S. connections: International students weigh the pros and cons of studying abroad Bittersweet goodbyes, loved ones a timezone away, and a constant lingering homesickness — being an international student isn’t easy.

Still, studying in a foreign country is one of the most exciting and transformative adventures you can experience. With every semester spent in the U.S., I discover new things about myself and grow fonder of living abroad. But should one of those semesters be spent somewhere new?

I’ve gone back and forth on whether to study abroad at BU. As an international student, I’m already abroad.

Should I focus on building my early career and network in the U.S.? Or take the rare opportunity to experience life in a new country? What if I struggle to adjust to yet another unfamiliar culture?

Studying abroad as an international student involves different considerations than a local student.

International students already have a “sense of travel and learning and culture,” said Tessa Graebner (ENG ’25), who studied in Madrid her sophomore spring.

Studying abroad in Madrid actually brought Graebner, a German citizen, closer to home. She felt at ease in Europe, didn’t face culture shock, and didn’t need a visa because of her European Union citizenship.

International students who are experienced with adapting to new cultures may have an advantage when studying abroad.

Yelisey Kazakevich (COM ’25), a student from the Czech Republic, who has done two BU abroad programs, said adjusting to the U.S. was his “most challenging culture shock” and “having that experience definitely made transitions to both London and L.A. a lot easier.”

“People have a misconception that if you’re international, then you shouldn’t be taking a semester abroad since you grew up abroad,” said Kazakevich. “I disagree… the joys of studying abroad have been a fundamental part of my time at Boston University.”

BU’s plethora of study abroad programs was one reason I came here. However, when I had to choose between studying abroad and pursuing a minor I’m passionate about, I chose the minor.

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I don’t regret my decision at all. For some international students, learning in the U.S. is a rare opportunity to be fully embraced.

“Since I’m international, I feel like this is my study abroad,” said Sia Sharma (CAS ’25) from Singapore. “I was more interested in getting my American experience.”

Sharma said she never desired a semester abroad and sees benefits in staying here her whole undergraduate career.

“You spend even more time with the American culture and growing your [U.S.] network,” said Sharma. “I do want to stay here after I graduate – it’s useful to build those skills.”

Some international students feel they can’t afford a fun semester abroad and must make the most of their time in the U.S. to pursue a career here.

Juliana Varela (COM ’25), a film student from Mexico, plans to do BU’s Los Angeles program her senior spring.

The L.A. program isn’t ‘abroad’ but lets students live and intern across the country in a city completely different from Boston. “[Doing] an internship in the U.S. will be extremely beneficial and probably help my chances of getting hired in the U.S. post-graduation,” said Varela.

Studying abroad opens your eyes to life in new cities and may grant new mindsets on expected things.

For Maeva Vasquez (Questrom ’25), a student from the Dominican Republic and Switzerland, it took studying abroad in Dublin to change her original perspective on Americans.

Vasquez said she felt Americans and international students tended to stick within their own cultural groups in Boston.

Meanwhile, the exchange students in Dublin were “so much more open,” and “a good chunk of the people who I was friends with were Americans,” said Vasquez. “I did more integration with the [American] culture there than I ever have in the U.S.” However, some international students feel they’re never done exploring the U.S. and this city.

“I barely know Boston,” said Ken Miao (COM ’25) from Taiwan. “Why go somewhere else before you really get to know the city you are in right now?”

When asked if he feels like he’s ‘missing out’ on studying abroad, Miao said, “Of course… But if I leave, I’ll think I’m missing out on Boston.”

Getting caught in a loop of FOMO will only drive you mad. “The best course for me is to make the most out of my time in BU,” said Miao.

Ultimately, deciding whether or not to study abroad is a deeply personal decision with no correct answer.

I feel I unlock a new version of myself, find unfamiliarity in familiarity, and gain new experiences despite walking the same street of Comm Ave every semester.

To fellow international students who came all this way for an American college education: know there will never be a semester gone to waste — no matter where it’s spent.

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CATCH

FLIGHTS,

DEAL WITH

S E FE ling written by Vanessa Ho | graphics by Sarah Tocci | designed by Andrea Malpica Alcala

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or many of us, traveling has become a form of escapism. Flying to a new country or seeing a new city acts as a portal, transporting us to a different life — one where we can ignore reality.

This is known as “fight or flight.”

Our “fight or flight” response is an automatic and physiological reaction to harmful or stressful situations. Of course, our decision to either take flight and hide or stay and fight is up to each of our judgments.

As much as I try to think rationally and tackle my problems head-on, I’ve always found myself seeking more comfort in taking flight. Literally.

I’m sure we’ve all seen the “nobody thrives in an airport more than a solo traveling eldest daughter” TikTok trend by now.

And as an eldest daughter, I can attest to this sentiment.

Growing up the eldest of two, without the guidance of an older brother or sister, I figured most things out on my own. I may not have had a mentor on the emotional front, but when it came to planning, I was almost always in charge of building itineraries for our family trips. For that reason, I’ve always envisioned solo traveling to be an easy feat — the perfect solution for an emotionally avoidant type A-er like me.

That was until recently when I finally tasted the not-so-glamorous side of solo traveling.

They say that you’re supposed to “find yourself ” in college. I have always known who I was and what I wanted to be, but I’ve found myself growing more lost with each semester of college that passes by. Trapped within the shackles of academic burnout and pushed down by the burdens of needing to be as successful as my peers, I had a decision to make: I either succumb to the burnout, or do something about it.

I decided to do something about it. I returned to the only comfort I have always known: taking a flight to escape from any life inconveniences.

But instead of taking a short five to ten-day vacation, I wasn’t planning on coming back any time soon.

I booked a one-way flight back to Vietnam for the semester, returning to my roots to seek clarity.

Despite being born and raised in Hanoi, Vietnam—and having spent most of my years living in Hanoi — moving home was surprisingly quite an adjustment. I wondered whether it was me or my home that changed over the past 8 years of being away. Or was it time? Because life in Vietnam was no longer how I remembered it: I didn’t remember the streets being this crowded, I didn’t remember it being this hot, and I definitely didn’t remember much of the language.

As if moving countries wasn’t enough, I didn’t make things any easier on myself: I chose solitude. Instead of returning to the comfort of home and family in Hanoi, I relocated to Ho Chi Minh City, a completely new environment where I knew no one.

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This was my new beginning — the perfect blend of the old and the new.

Committing to my personal “self-reinvention” regimen, I moved into my first big-girl apartment and began an internship at an advertising agency nearby.

I moved in July, and things were great at first: I loved the freedom of living alone, I loved going to work, and I loved that my school friends were still in town to get dinner every night. I loved being independent. I loved feeling free. But most of all, I loved being alone without feeling lonely.

I was no longer constantly stressed out and overworked. More than just a healthy work-life balance, I didn’t have a single care in the world and was back to being my freespirited self — doing whatever I wanted, whenever I wanted to, with no obligations.

I love change and spontaneity because the new is exciting — it is thrilling and keeps you wanting more. But nothing stays new forever.

The new became old as my friends began leaving to go back to school.

My adrenaline rush began to level off, and I was taken back to reality.

As exciting as my internship was, there were still days when I couldn’t help but feel like an outsider. Being an intern within a small, tight-knit office where everyone knew each other was lonely at times. Some days, I would hide behind the screen of my laptop, scrolling aimlessly as I listened to the laughs and jokes of others around the office. Occasionally, amidst the chatter of other employees, would be slivers of giggles I had once shared with my friends back at school.

Although college has helped me conquer my fear of loneliness, being alone without feeling lonely is still something I struggle with a lot—and it showed.

Whether coming home to an empty apartment or ordering takeout for two — just me and Netflix and me — I was constantly reminded of my solitude. Each time I caught up with friends and family from back home, I couldn’t help but wonder if I had made the right decision.

Why solitude when I feared loneliness so much?

I still don’t know the answer. And I still struggle with being alone.

But it’s funny how things work out sometimes: you are always given what you need most, even when it’s not what you want.

I’m a runner: I have a tendency to run away from the slightest of inconveniences— or so I thought. I realize now that it wasn’t themy problems I feared most, but rather feeling and processing the emotions that come with those problems.

Our ability to feel is a privilege that we often neglect. We suppress our emotions instead of taking time to work through them. We work extra hours, sleep all day, and fly to new places to distract ourselves from genuinely processing our feelings. I know I did.

Nobody can run forever or hide for eternity. My time alone, and abroad, has taught me the importance of facing my fears head-on. As hard as being alone is, the pockets of silence throughout my gap semester allowed me to reflect and process what I had suppressed for so long. I embraced every emotion and explored every thought—leaving no stones unturned.

There is nothing wrong with catching a flight and taking a vacation every once in a while, but remember to take care of your (emotional) baggage.

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Sporty &Rich

Written & Styled by Lily Smokler Photographed by Mia Anderson Designed, Directed by Madeline Michalowski Modeled by Enzo Sampaio, Ella Bahari, Empress Otaigbe, Siena Aida, Damon Fitzpatrick

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ur photoshoot “Sporty & Rich” merges the worlds of high-end fashion and athleticism, focusing on stylistic choices can transform the courts and fields into their own runways. This shoot features players dressed in elevated sportswear, showcasing a dynamic interplay between athletic performance and style. From knee-high socks paired with heels, to designer jewelry worn with sweatshirts, each outfit pays tribute to the worlds of sports and fashion, enabling athletes to shine on and off the fields. The courts and fields grow beyond just a setting for competition and become a place where sports and couture meet, drawing attention to the art of fashion within every play. The stylistic choices enable players to command equal attention to both their athletic performance as well as their fashion and stylistic self-expression. Overall, this shoot works to argue that regardless of whatever setting, style and functionality can coexist within the same reality, especially within the world of sports.

Cowboy Culture Western albums make up a majority of Today’s Top Hits: Is country music taking over the industry? written by Saylor Simpson | graphics by Luci Barrett | designed by Sarah Tocci

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he majority of the mainstream media and generation Z were anti-country throughout the 2010s. Pop hits like “Tik Tok” by Kesha, “thank u, next” by Ariana Grande, and “One Dance” by Drake consumed mainstream listening, while country songs were often criticized for sounding repetitive through constant references to beer, hot girls, and trucks. But then the 2020s rolled around, and suddenly every girl wanted a pair of cowgirl boots. Country songs and albums topped the Billboard charts for the first time in 40 years, and multiple pop stars and rap artists began tapping into their western side. It’s safe to say that Lainey Wilson was correct in her recent single, “Country’s Cool Again.”

Country superstar Morgan Wallen has recently infiltrated mainstream media with his hit album One Thing at a Time and a sold-out world tour. In 2023, this record was the 7th most streamed album in the world on Spotify, and his single “Last Night” held the number one spot on Billboard for 16 weeks. As of October 7th, 2024, he has three songs featured in the Top 20 of the Billboard 100.

Currently, There are four other country songs in the Top 20 chart. “Bar Song,” a pop-country fusion by a new artist named Shaboozy, has held the number one spot for 12 consecutive weeks, and Luke Combs is taking over the internet with his single “Ain’t No Love in Oklahoma” from the hit movie “Twisters.”

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Artists like Wallen and Combs play with traditional themes of country music, but sometimes mix in characteristics of other genres to create their own modern twist. This makes their music well-received by long-time country fans as well as new fans who previously preferred rap and/or pop. Many other popular country-folk artists, such as Kacey Musgraves and Noah Kahan, are also broadening the country music audience. While Wallen and Combs are converting pop music enthusiasts, they are stealing the hearts of many young alternative and indie music listeners with their humble storytelling abilities.

Ella Miller, a communications student and music enthusiast, shared her newfound love for the genre: “My whole life I’ve always thought that I disliked country music

because I never resonated with the super country songs by artists like Garth Brooks and Thomas Rhett,” she said.

“But recently I’ve been listening to Kacey Musgraves’ new album Deeper Well and have discovered a new type of country that I can enjoy. I also have been loving Noah Kahan, Zach Bryan, and of course, Taylor Swift’s older music.”

Taylor Swift’s country discography has also recently resurged in popularity due to her Era’s Tour. People of all ages and music tastes can appreciate Taylor’s country songs because of her powerful lyrics and ability to tell a story.

And that’s what real country music is all about: storytelling, vivid imagery, emotional vulnerability, and connecting with listeners. Maybe the reason it’s so popular right now is because America is in a very vulnerable state, with its struggling economy, recessions, political turmoil, and threats of war, so the humble themes of country music feel more relatable and inspiring. The genre, originating from the ideals of the American dream, commonly reflects feelings of pride and nationalism—and in these turbulent times, the traditional spirit of the West may be what we need to unite our country.

everyone to enjoy; it’s a genre made by Americans for all Americans, no matter their race or background.

Beyoncé isn’t the only pop artist releasing boot-scootin’ boogies. Former rap/pop singer Post Malone recently released F-1 Trillion, a country-pop album featuring many notable country stars. Lana Del Rey revealed that her next album, Lasso, will be country, and Sabrina Carpenter experimented with western twang in her hit song, “Slim Pickins.” Some of these artists may feel genuinely inspired by the genre, while others may simply be hopping on the bandwagon to remain relevant.

It’s clear that country music is not only reclaiming its place in the industry but also evolving into a diverse, multi-sound genre that reflects the rich tapestry of American culture. This is just the beginning, so saddle-up, buy that pair of boots, book your ticket to Nashville, and get ready to enter your cowboy era!

This connection to authenticity and emotional expression has not only captivated listeners but has also inspired artists from other genres to explore country music’s rich storytelling roots.

Most notably, Beyoncé dropped Cowboy Carter, an album that merges the fundamentals of country music with her own unique style. Featuring country icons like Dolly Parton and Willie Nelson, as well as more recent stars like Shaboozy, the album showcases old-school, current, and experimental versions of country. Beyoncé aims to represent the influence that the Black community has had on cowboy culture while showcasing her western roots.

By diversifying and challenging the stereotypical perspective of country music and cowboys, she is unifying the genre. The main takeaway of the album is that country is a genre meant for

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written by Josh Rosenthal | photographed by Oscar Fang | designed by Ebony Nkrumah

With our collective nostalgia cycles getting shorter and shorter, how do artists like Katy Perry and Lady Gaga overcome the expectations to recreate their past material?

I can’t believe that I’m already finding myself nostalgic for 2010. As our current state of pop culture grows increasingly self-referential, we’ve circled back around to having the brash, maximalist sounds of Kesha and LCD Soundsystem reflected in the current “indie sleaze” resurgence and the smash success of Charli XCX’s Brat.

Part of what makes Brat so compelling is how cool it is, but when I think of what I was listening to on my iPod Nano in the early 2010s, almost none of it was cool. Back then, pop music struck a fascinating balance between being embarrassing and fun — a song like “Party Rock Anthem” by LMFAO would be near impossible to replicate now without it being shrouded in irony.

It is that balance that allowed an artist like Katy Perry to thrive in 2010. Bolstered by her kitschy music videos for “California Gurls” and “Last Friday Night (T.G.I.F.),” Perry swept into the pop sphere with a total of five number-one songs on the Billboard Hot 100 from a single album. At that time, quirkiness was never a flaw for her — it seemed to be a deliberate part of her brand. Divinely uninspired, 143 feels like an erasure of Perry’s campy origins. Gone is the pop star that would sing among background dancers wearing shark costumes at the Super Bowl. Here, Perry is rendered near-anonymous through repetitive lyrics and boring dance production as she fails to adjust to the sounds of now and strays too far from any sense of nostalgia the song could hope to emulate.

More than a decade later, the principles of pop music are not the same as they were during Perry’s chart reign, and 143, her latest record, comes across as a crucial misunderstanding of what fans might have wanted from a Katy Perry album in 2024.

Like Perry, another pioneer of early-2010s pop was Lady Gaga — revisiting her earlier projects like The Fame Monster, her music still feels ahead of its time rather than a product of it. Gaga’s singles and accompanying music videos were outlandish and provocative, but they were delivered with a confidence that was near impossible to deny.

This September, Lady Gaga released Harlequin, a new album of jazz standards that serves as a companion to her role in “Joker: Folie à Deux.” Instead of making a carbon copy of one of her earlier works and calling it a day, Gaga manages to pay tribute to her inspirations in a way that still feels fresh and unique to her artistry.

Although I wouldn’t be surprised if Gaga’s next album is a return to the dance-pop stylings that captivated her fans in the first place, her refusal to conform to a calculated sense of nostalgia gives me faith that whatever she decides to release next will be innovative and inimitable.

The longer that this current wave of nostalgia for the past continues, the more curious I am to see which artists from the 2010s can continue to adapt to the future of music and who will get left behind as a relic of a bygone era.

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written by Nina Pierce graphics by Kate Albert designed by Valerie Dreyfuss

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I’ll always harbor a fear of flying, but the flight from San Diego to Philadelphia proved no easy feat for me. I dreadfully clenched my pillow and my fathers hand tighter than ever before as the plane made harsh dips up and down, and I swear I could see the lightning release its fury through my 18-inch window. The stark weather contrast to sunny Southern California was escorted by the intense guitar riff and gradual tension that thundered through my headphones, “I Want You (She’s so Heavy)” by The Beatles, and the descent of the melody accompanied the rough winds that rattled my brain and caused me too much fear for a 19-year-old girl who has flown a number of times in her life.

But that storm told the story of my uneasy mind and heart that day, as we traveled to Pennsylvania for a reunion with the side of my family that I had never met ever since my recent development of being a sentient, matured girl. My father and I found ourselves arriving nonetheless, into the Philadelphia airport amidst the pouring rain. It was one of the first trips that we had gone on together in a long time, and something remarkable that rang true was how much you learn about your parents as you get older. My dad no longer became inscrutable and fixed to the roles that he played in my life. I began to see him: an

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individual with his own histories, though I feel I’m just now entering the unknowable depth between the familiar with my father. But one thing that has always managed harmony between us is our taste in music, and my walls have the plastered graphics to show it.

While I’ve done my own share of sound-searching, I’ve borrowed Joni Mitchell, Led Zeppelin, Madonna, and The Beach Boys from my father, the visionaries that reveal his journeys as a young man living through spectacular eras of music.

I could tell you the name, album, and release year of one snare hit or note of any given Beatles song, or the exact duration of every song off of Blue. In middle school my dad’s old CD’s were my treasure box for delving into new albums and artists. I learned of James Taylor, The Who, King Crimson, and Yes. The Moody Blues’ Days of Future Passed became my mantra, and the halls of our home echoed both my dad’s collection and the distant hum flowing out of shitty earbuds in my room (I didn’t want my dad to know I was listening

to his “vulgar” Aerosmith) and I was satisfied with my pickings.

But my dad found shelter in a place that I never took solace in.

One might assert it strange, as I hid behind Lennon and McCartney like they were my own parents, but the Rolling Stones I deemed too far astray. The haunting intro of “Paint It Black” always sent a chill through me;, I could never fully embrace the raw grit and bluesy undertones woven into their sound. While Mick Jagger blended dark, provocative lyrics with enticing melodies and powerful instrumentation, 12-year-old me found the songs drowned-out and dull. My dad’s PlayStation 2 track list would contrast the Stones’ emotionally intense music with songs like “Octopus’s Garden,” which did no good for my refusal to listen to them.

Never have I imagined one of my favorite songs stemming from the band that brought me no strong emotions, but rather confusion whenever I heard their name.

As the downpour made its way through Philadelphia and passed along to terrorize the next town, my father and I were met with a home engulfed by trees nearby a small lake. The frog pond and colorful garden knick knacks that greeted us were in accord with the playful energy the day

was to bring. Upon entrance accompanied by the hollering of my five-year-old cousin, the distant characters from my parents’ tales began to take on reality in my life.

I held my gaze at an array of acoustic guitars, and locked eyes with a large piano that looked lived in. I saw what my mother had spoken about, saying that this is where I get my musicianship from. I wasn’t special here, but being ordinary never felt so prideful. Engaged and empowered by their talent, I spent ample time trying to get to know my two younger cousins and their parents, my great uncle and aunt. Whether it was being outshone by my seven-year-old cousin effortlessly playing “Minecraft” songs by ear on the piano, or rekindling my love for guitar through my uncle’s comforting strumming, the whole day was centered around our family and the songs that came along with it.

The sky blended shades of deep purple and blue, a quiet aftermath of the storm, and night fell as we

began to assemble beneath the stairwell next to the keyboards and guitars, my great aunt urging us for family karaoke. Some family members weren’t convinced and stayed seated in the other room, but those of us who craved it stayed loyal to our instruments. We took turns sharing songs, chiming in with piano, guitars, and voices, and letting music be our connection after so many years of feeling distant from my extended family—a natural outcome of living so far away.

I was in another room when I first heard my aunt sing, but I was encapsulated by all that she was and what her voice stood for in that moment. Often I’ve discovered that what captivates my adoration when I hear a song for the first time is a melody, and the lyrics are a layer to the piece that I’ll leave to discover later. But here, she made the melody take a backseat, as her passion fed the words generous power to get through to me without knowing what would come next.

She poured out the experience of being a mother and endearment for

her family into her rendition of the song “Wild Horses,” and it was the pure love and devotion in her voice that resounds back whenever I hear the song and touches me to my core.

The best part about my encounter with her is that she probably doesn’t even remember singing it, yet her soft melody was the Rolling Stones’ one lone vessel to reach me. So I argue that these unique forms of listening are what give music its transformative influence, the incredible ability to warp my perception of an artist just upon one special moment.

It was a completely different experience from the sound of my worn MacBook Pro speakers—it was the life my aunt gave it that made me pause, finally grasp the song’s sentiment, and reach me when I least expected it. And when I think of my stubborn, stark-minded 12-year-old self, I like to imagine Mick Jagger pumping his fist in approval, knowing that for once, I truly listened.

performances I was obsessed with perfecting, and my other odysseys making music, I learned the most valuable lesson, that to be a musician is to let music be both a creation and a force, to let the sound come at you too.

I implore you to tune in everywhere. Pay mind to a street performer on your Newbury shopping trip, or give yourself the chance to hear a song through someone else’s instrument.

When I hear “Wild Horses” now, I am full of a love and sensitivity that makes me innately connected to my family thousands of miles away. I’ll assert that the beauty of music is that it is alive, and it is constantly shuffled around to have its turn to reach you across insurmountable context and through diverse expression of it.

By giving songs new and personal meaning, music has a funny way of sneaking into your heart and mind. You just have to be open Through the times I’ve spent layer- to listening in all the right—and ing tracks on ProTools, the piano sometimes unexpected—places.

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What No One Talks About as a Creative written by Casey Medert | photographed by Miranda Ceron | designed by Yasmine Chang | modeled by Melanie Salvat

Our lives are inundated by art. Inside the Museum of Modern Art in New York hangs Van Gogh’s universally recognized “Starry Night.”

Within a photographer’s camera lies countless photos of their subject. These same photos are hung up for an exhibit. Sketches and studies reside in the tablets and sketchbooks of artists.

Floating around on the Internet is a very poorly written piece of middle school fanfiction I published after being inspired by a musical. But without that fanfiction, I wouldn’t have taken up writing as my preferred form of self-expression.

I never expected that piece of work to gain any attention at all, but it received more than I had anticipated at thirteen. I just thought of how the story could have gone before I wrote it, and then I brought my ideas to life on a funny little platform called Wattpad. Afterwards, I continued to write because I wanted to — not for others’ applause.

Perhaps I will never understand why my cheesy retelling of my favorite musical became popular. All I

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know is that when I saw the number of views increase, it subconsciously altered the way I approached writing. Perhaps, it was the dopamine rush.

Regardless of what it was, I subconsciously began to think that my writing had to be palatable — cooked and plated so that it was appealing to the eyes of the consumer, not the creator.

The consumer — or rather, the reader — is what got me into this position, right? I wouldn’t have figured out I enjoyed writing without reader support from the Internet.

Sure, I received good grades in my language arts courses in school, but it wasn’t until my fanfiction was published that I realized I actually liked writing outside of academics.

But when does creating for the sake of enjoyment end and creating for the applause begin? What happens when “I want to” becomes “I have to?” When does the creative process transform into a day’s chore rather than remain what it fundamentally is: a process?

Because we consume art so frequently as a society, we often neglect to consider the path it takes to get the painting on the canvas, to get the words on the page, or to get the notes in the right order. All we see is what’s finished.

Because we are surrounded by art, there are multiple sources of inspiration that can drive creatives into action: from pieces of media, to instructors, to our own peers and friends. The fuse doesn’t burn forever, though. It can be fizzled out by life’s responsibilities and perfectionism. When art is presented to the public, not a lot of people imagine the anxieties and trials it took to get that piece to where it is.

Burnout, for instance, is an unfortunate circumstance that burdens myself and other creatives. In my experience, each piece of media fills me with inspiration, but also intimidation. There have been multiple occasions where I’ve found myself slumped over my desk brainstorming and drafting countless drafts only for them to be saved and put away because they weren’t perfect enough.

This became a vicious rinse-and-repeat cycle of idea formation: outlining, drafting, and tossing drafts out before it could get better. It was an endless repetition of “it’s not good enough,” or “it’s not original.” It is a grim and exhausting cycle that many artists and creators can find themselves in.

“Anxieties of perfection ism and perceived inability to create anything deemed ‘good’ due to burnout act as seemingly unbreakable barriers for artists.”

And w h e n I’m not in that cycle of creation, I’m learning.

Strengthening a skill comes with practice, so creatives can end up attending workshops, classes, summer camps — anything under the sun in order to improve.

We learn structure, theory, and the rules to our craft. The older I grew and the more experience I acquired, the more judgemental I became of my own writing and creative processes.

Unlike working on a project, “inspiration” is not something you can schedule. And for professional creators, it can be challenging to get the juices flowing with an established due date.

The end genuine approva l feel like time to

product may not feel as and is instead made for not expression. It can there’s not enough be authentic — there

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is only enough time to be done with it. There’s also the lingering fear of your idea facing rejection before it even exists. Burnout and self-criticism are brutal roadblocks that can hinder creation, and only the artist knows the struggle with working around roadblocks.

Now, what happens when something does get finished? When the chapter ends? When the final stroke has been painted? When the final note has been written or played? Creators involved with the public must deal with the ever-looming risk of rejection.

Though many of us start off creating with the “I want to” mindset: experiencing recognition from others can be addicting. It is also a deadly trap. If recognition becomes a crutch and something an artist depends on for their self-worth, one’s self esteem can deplete the moment your work is rejected.

To add another layer, when recognition and the applause becomes your fuel, perfectionism tends to flourish the moment you begin creating for others. Intentions change and so do public preferences.

And when the public’s tastes shift, creatives’ styles and approaches run the risk of changing just to fit the status quo. Who we create for changes. If you’re anything like me, you infuse your art with pieces of your mind and emotions. It’s self-expression — words left

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unsaid and crafted into something that represents our inner world.

When our creation is considered irrelevant, or if we’re told it’s “not what we’re looking for,” we ourselves feel rejection that makes us doubt our capabilities.

This can ultimately lead to withdrawing from public platforms altogether, or, once again, taking longer to produce more works due to fear of rejection and perfectionism.

These fears can craft a disconnect between idea formation and execution; it’s like knowing what to say but not knowing how to say it.

However, one way or another, we as creatives find a way to say what we need to. A beautiful trait I’ve noticed in every artist and creative is resilience. Despite the fear, the perfectionism, and the burnout — artists find a way to bounce back.

Art is a way for our souls to communicate with the world. There’s a silver lining when it comes to taking a step back from the public’s gaze: less eyes means less pressure, and you’re more inclined to create for yourself. Despite the lingering fears, why not do what you love?

So, go and create like you’re in middle school with no rules to follow. I suggest unplugging your inner critic’s microphone first.

Written by Samantha Gamero Graphics and Design by Valerie Dreyfuss

Why people of color need their own spaces It is in solitude where I can feel my soul healing. Piece by piece, I start to regain control over my body and mind. La soledad es divino. And this divinity is resistance.

Solitude from those who harm us, however, is the only place that this healing can occur. Only then are we resisting generations of pain, and beginning the healing process that yearns inside of us.

People of color need their own spaces. Spaces to be free to explore our genuine selves, not the versions we have meticulously created to appease white people.

Every societal space is occupied by norms constructed for and by white people. “Diverse” spaces that our white friends use to claim as proof of our world’s changing attitudes over race, creates a false narrative that we are moving away from racism.

I can’t speak for all students of color, but when reflecting on my own experiences, the interactions and effort it takes to navigate these “diverse” spaces is exhausting.

Diversity and inclusion efforts as promoted by higher education institutions are just that, efforts. But it is not the reality that many of us face.

White dominance is upheld in ways that we don’t even realize is occurring. These standards dictate who speaks, how loud one speaks, when to speak,

and who is actually heard. I have quite literally felt myself getting quiet in spaces that “promote” inclusion for people of all backgrounds.

People of color have subconsciously resorted to navigating diverse spaces as soon as we step foot in one that we often don’t know how much of ourselves to show, minimizing our true presence.

There is so much of ourselves that is undiscovered simply because our surroundings have muted them. I learn so much of myself when I surround myself with people of color.

Conversations and interactions rooted in collectivism across communities of color allows us to reclaim parts of ourselves that we’ve suppressed.

This solitude that I crave is not literal isolation, but rather solitude with a community of people with whom I can share common ground and can embrace who we are without code switching or experiencing “imposter syndrome”.

Just simply existing.

Engaging in these types of environments allows for people of color to support each other as we redefine who we are on our own terms, without a white audience.

Only this community knows the real me, and can use my name in all its entirety.

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The power in saying “no”

written by Gabriella Di Dea | graphics by Sarah Tocci | designed by Grace Pham “No” — one of the English language’s smallest words can carry such a substantial impact. In fact, there are at least five languages in the world that use the two letter declaration: Catalan, Corsican, English, Italian, and Spanish — according to Berlitz.

As a self-proclaimed people pleaser, the word “no” is seldom in my vocabulary. This is usually because I strive to do as much as I can for others. In my head, if I don’t have a “good enough” reason to say no, then why would I? Because of this reasoning though, I find myself in situations where I should have turned down whatever was proposed to me. Simply not wanting to do something (that is not actually necessary) is certainly a “good enough” reason to decline a request.

For anyone who has a similar struggle, you know that this is easier said than done. So, how do you fix it? I think a change in perspective is needed to get there first. Instead of viewing the word “no” as a means of letting others down, view “no” as a way of being honest with yourself. And by choosing that honesty, you empower yourself to be authentic in your actions.

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When you agree to something that someone asks you, there is this almost automatic understanding on their end that you really want to do what is being asked of you. While this may not seem that bad, it often leads to them to continue offering endeavors that you actually do not care for.

And so, a level of disconnect occurs here — you haven’t been honest with them and you also haven’t been fully honest with yourself either.

Instead, I encourage you my fellow people-pleasers, to check in with yourself first before committing to something that you feel hesitant about.

And when you’re checking in, be willing to truly listen to what you actually want. Is it something that you can feasibly add to your schedule and give your best effort at? Or is it something that would be given a half-hearted effort because it was added to a never-ending to-do list?

When genuinely answering that question, think about whether this is is a fruitful thing for yourself, too. It helps to set boundaries so that you’re able to acknowledge what you honestly desire. Try asking: is this something that reflects the things that I’m interested in and the things I stand for?

Sometimes saying no to something that someone asks you to do is actually better for the person who asked, as well. Because think about it: if you say no, it gives them the opportunity to find someone else who may be more keen to do the request that you desperately want to decline.

There have things

been quite a few instances where I’ve added to my plate that I was not too enthusiastic about. However, I was then forced to turn down the things that I was excited about because I physically could not add anything else to my schedule — my Google Calendar literally didn’t have any gaps left.

Once you let yourself say no to the things that you don’t really want to do or to the things that you

know would not be given the effort they deserve, you can say yes to the things that you are genuinely passionate about. And now, you actually have the time to.

In saying all of this, though, I don’t want to disregard the beauty of doing things for others. What I am saying is if you do choose to say yes to something that you’re not entirely enthused about which can and will happen — it’s life — don’t do it solely for the sake of “doing the right thing.” Do it because you genuinely want to do the right thing. If you do something for others, it’s because you want to help them. But, if you do it half-heartedly, it can feel inauthentic for yourself and unfair for them — so do things in a way that feels meaningful for both of you.

So, say no to the things you don’t want to do, so you can make room for the things that you genuinely want to invest your time, energy, and effort into — it’ll be so much more rewarding for everyone in the end. The people you’re doing it for will see the sincere effort that you’ve put in, and it’ll be empowering for yourself as you’ll be authentic in doing what your heart truly desires.

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Birthday, Happy America written by Riley Arispe | graphic

by Kate Albert | designed by Sophia Cheng

The last Fourth of July I locked myself in your bathroom.

Naked, crying, drunk, sorry.

We were both sad about a lot of things.

The greed in your freshman year boyfriend, the razor blades in my bathroom closet.

Never able to coexist properly; life chewed on us and spit us out in the same shit-stained bucket.

We moved mountains, made monuments but like all the greatest empires, falling was what made us historic.

So now time has kept its promise and I’m spending the holiday with my grandparents (the ones who love trees instead of Jesus).

Grandpa keeps saying “Happy birthday, America!”

In his faux country-bumpkin-farmer voice.

And it should have gotten old by now, but we all keep smiling, so I guess it hasn’t.

Everyday feels like a milestone.

I collect them like Girl Scout patches, or AA chips— proof that I Can Do This, I Can Be Normal.

I take turns loving and hating the anger: love that it’s the last shameful dinner scraps of us, hate that I can’t just let it go already.

Manifest Destiny, Come and Take It, The American Dream.

I think of your dad’s F-150, or my uncle’s small airplane.

Cows, highways, cigarettes, iPhones.

We could have been anywhere, anyone... but there we were. in the shit bucket.

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My one and only love written by Tyler Davis, designed by Valerie Dreyfuss, graphics by Ashley La

Sitting here in the kitchen wishing you knew I was missing your electric eyes and your beauty of a sight.

Daydreaming about all the memories we made but oh, I would never trade them.

All I need is you, this world is meant for two.

So can I be with you? and lets love each other until the world stops spinning round and round.

Sunny day at the beach, got our toes in the sand, shoulders are wet and we’re getting a tan.

I’ve got you by my side with a smile on your face dreaming about the day we can finally run away.

All I need is you, this world is meant for two.

So can I be with you? and lets love each other until the world stops spinning round and round.

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THANK YOU TO OUR CONTRIBUTORS The sucess of our Fall 2024 edition was made possible through the contributions of numerous external students and partners generosity. The Buzz is grateful to all new and existing collaborators that made this semester possible.

Supporters Boston University College of Communication Student Activites Office, Boston University Allocations Board, Boston University Margaret Babson, Interim Director, Student Activites Office Abena Kwakyi, Assistant Director, Student Activites Office Elizabeth Hart, Assistant Director, Student Activites Office Rodrigo Mendoza Lee, Assistant Director, Student Activites Office Dennis Shea, Century Type, Inc.

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