THE BETTY PAGES The region’s most inclusive alternative-lifestyle entertainment tabloid
a Desire Enterprises publication
May 2011
About our Contributors...
The Betty Pages - May 2011 Betty’s Corner
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In The Mix
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By Betty Desire, The Betty Pages
Photo by Lea Kelley By Bridget Adams
Food & Nudes Bin Laden Dead, President Reminds to Strive for Equality Ex Libris: Children’s Books By Peter Storm
Sudoku for Tom
Written by Brian Spencer, The Betty Pages
Inclusive Places of Worship Where You Get Your Latte, Why It Matters By Stephanie Kountouros
Gay Film Bibliography By Bichoo Vrishchik
GLBT Resource Guide
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Miss Betty Desire has been entertaining anyone who would listen in Bellingham for nearly 10 years, and is proprietor of The Betty Pages, the monthly publication that you are reading at this very moment. It is her hope that your perusal of the Betty Pages will enrich your life one chuckle at a time.
Managing Editor Brian Spencer is a local GLBT community member who, in addition to The Betty Pages, works with Evergreen AIDS Foundation, the Imperial Sovereign Court of the Evergreen Empire and Bellingham Pride. As always, remember to “Live well, love much, laugh often.”
Queer Film Historian Bichoo Vrishchik (Scorpio Scorpion) has published in Film Quarterly Sight and Sound, International Film Guide, Filmfare, Youth Times, and Manshots. With a BA from Pacific Lutheran College (1959) and a MA from San Francisco State College (1968), he has also taught film at Western Washington University.
Writer Bridget Adams currently resides in Washington State but that is always subject to change. Lucky enough to be a full-time, if poor, writer, she is most likely somewhere in front of her computer with a cup of coffee. Lots and lots of coffee.
Photographer Lea Kelley is a local artist, photographer, and writer. She is a recipient of the Mayor’s Arts Award for her local photography project, Faces of Bellingham. Her abstract paintings can be found on line at leakelley.com.
Photographer D. Colburn Tarpenning II is an avid pugophile, photophile, horophile and achondrophile. When he’s not petting a pug, or his delightful husband, he’s helping where he can with the Bellingham GLBT community and doing full-time social work with Evergreen AIDS Foundation. Contributor Peter Storm has been an avid reader since he received his first stone tablet, Peter owns more books than any normal human would ever feel the need to read. A former contributor to This Week in the City of Honolulu magazine his interests include film, history and world domination. Contributor Stephanie Kountouros does policy and activism work for Mt Baker Planned Parenthood by day, and is a closet karaoke queen by night. Lively, irreverent activist with a better sense of humor than most lesbians, she’s happy to give you several helpings of her opinion just for asking. *Cover photo, “Tuesday Betty Show at Cafe Caffé,” by D. Colburn Tarpenning II, May 3, 2011
Betty’s Corner
Betty Desire, The Betty Pages
or be a vendor, forms and information are available online, just go to www.bhampride.org and take a look. Watch for us in the Ski to Sea Parade, join in if you wish. This Pride festival promises to be fabulous! For those of you who are under 21, (and over as well) if you do not have things to do on Tuesday nights, why don’t you join me at Cafe Caffé? You can see their advertisement on the previous page. I perform there at 8pm and usually have a guest queen along as well and interesting interviews with community members. It’s a lot like a relaxed intimate “Ellen” show, totally family friendly and informative too. (It is also a great time for a study break)
I had a great time as MC of Worthy Fest! The weather cooperated and the bands were amazing! Props go out to Grady and the volunteer staff who put together a great line up of local and regional talent. Thanks go out to Outdoor Gatherings and Boogie Universal for their support. It is amazing what can happen when like minded people work together. The place was jumping until the wee, and I do mean wee, hours! I think the only drawback of the weekend was the cold nights. The live bands ended at 2am but the electronic stage was pumping out tunes all night. Chair 9 graciously stayed open late and opened early to provide food (best pizza I’ve had in awhile). Have you noticed how many talented people live here? Next year will be bigger and better! Speaking of festivals, Bellingham’s Pride is only two months away! If you wish to be in the parade,
Those of us who were alive when the World Trade Center Twin Towers fell in New York on September 11, 2001 can breathe a sigh of relief with the news that Osama Bin Laden is dead. The man behind the terror attacks has been taken out of the picture, and the survivors and family members of those lost in that senseless attack finally have closure. It is odd to think that someone who is 21 now was only 11 when the planes crashed in New York, Washington D.C. and Pennsylvania. Even fewer of us remember the good old days when there was no such thing as metal detectors at airports, no security screenings, no having to take your shoes off, and defiantly no x-ray machines that show you’re junk to giggling TSA agents. Are you old enough to remember when you could see your loved one off at the boarding gate? With the passage of the patriot act and the forming of the largest government agency, Homeland Security, we as Americans gave up more then we realize in the name of security. How many of you remember when all it took to travel to Canada was a driver’s
Have a great Month!
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May is here! Many Western students are getting ready to graduate, ending their four-to-six year stint in the ‘Ham. Congratulations to all of you who have worked so hard to reach your goal, you are going to be missed, but best of luck wherever you land and remember you can always return to Bellingham.
This is the last month to see Evil Dead The Musical at the Northwest Washington Fair grounds. I have heard raving reports, this is a must see. When you get your tickets try to sit in the “splash zone” nothing more fun than stage blood on a t shirt! Go to the website listed in their ad in The Betty Pages for times and ticket prices.
license? Washingtonians can still do so with an enhanced driver’s license, but other than one or two other states, everyone else needs a passport. This one terrorist attack changed the way we Americans live our lives more than anything else in my lifetime. Kudos to the men and women of our military who fought and died and continue to fight to defend our freedom. Kudos to the Navy Seals who got bin Laden. Kudos to the President for making this gutsy call. It’s doubtful we can ever return to the good old days, but we will continue to resist terror. Now that we have got bin Laden, could we bring home our servicemen from Afghanistan please?
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Gratitude
Photo by Lea Kelley
I would ask of you nothing which I would not offer. I thank you for all you have given. To the readers of the Betty Pages and my previous page 3 models, Thank you for your generosity of spirit and open minded appreciation. This will be my final page 3 image contribution as I will be moving on to other projects.
—Lea Kelley
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I believe alternative publications are essential to a community. I am grateful for the opportunity to support this one since November 2009. I also hope you will continue to do so. And I look forward to viewing future page 3 models and photographers in The Betty Pages.
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In The Mix Bridget Adams
One of my favorite aspects of writing for The Betty Pages is getting to find all the events that are going on within the community. Since leaving Boston, that usually means what’s happening in the Pacific Northwest, but every now and then, something on the east coast catches my eye and I have to share it with you. This month is one of those times. Because really, this is good, Poppets. Last year, I learned about a hot, new playwright, Shawn C. Harris. Shawn is a triple minority – Black, female, and queer – so I was particularly interested in hearing her voice. Fingers crossed, hoping it wouldn’t suck, I read her play, Tulpa
or Anne&Me [sic]. Oh my God. This was so far beyond simply not sucking. Tulpa is truly breathtaking. In a raw, honest way, she explores the relationship between two women as they deal with and explore how race affects them as they move from strangers to lovers to possibly friends. Her ability to acknowledge that which unites us as women, and yet pushes us to face the systemic racism that divides us is rare and valuable.
Bridget Adams (BA): The PCTF website describes the play like this: Tulpa, or Anne&Me explores a strange friendship that begins with an artist whose lonely world gets turned upside down when Anne Hathaway crawls out of her television. As their friendship blossoms, they begin to examine how race impacts their lives as women, as friends, and as human beings. How would you describe it? What is it to you, Shawn, as the author? Shawn Harris (SH): LOL! I wrote that description for PCTF, so I’d say it’s fairly accurate of the plot. What the description doesn’t get is how the play speaks to my generation’s experience with and ideas about race. Ditto gender and sexuality. We
Sara Lyons (SL): ditto on what Shawn said :) BA: The show is challenging from an artistic standpoint, in that your actors have to have a level of talent that we aren’t always seeing these days. I imagine, dealing with the issues of race, racism, and social justice in such a raw, honest way was also a challenge when it came to casting. Were there difficulties in finding people who were talented enough to embrace the roles but were also open enough to address the issues? SH: Yes and no. So much of what’s out there is stereotypical and doesn’t offer much to the talent that’s out there. As for casting, it’s not just the subject matter that makes it hard, it’s the nature of the main character too - not just as a queer Black woman, but as a person. She doesn’t lend herself to expressing herself easily, but that’s kind of the point of the character. But actors - especially stage actors - are often trained to be very expressive, so facing a character who is so intensely reserved can be particularly difficult. SL: To a certain extent, yes. But in my experience working on shows with social justice themes, I have often found that the more openness and trust that I approach the work and my collaborators with, the more they often surprise and delight me with their passion and interest in the issues at hand. I think the fact for a lot of people is that they have never had the opportunity to honestly engage with social justice issues, particularly race--they haven’t had the particular privilege of taking lots of expensive women’s studies classes in college, for example--and when they are actually given a safe, nonjudgmental, and stimulating environment to
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Since the staged reading of it last year, Tulpa has taken off – and rightly so. Instead of simply passing away into obscurity as so often happens with work people of color or members of the LGBTQ community, the show is a featured stage production of the Planet Connections Theatre Festivity 2011 on June 19th in New York City (866-811-4111 for tickets if you or anyone you know is going to be in the area). Yep, Shawn’s gone big-time! So, imagine my delight and surprise when she and her director/co-producer Sara Lyons, agreed to do an interview with me (and told me to call them by their first names, nonetheless).
were born years, even decades, after the landmark events of the civil rights, women’s liberation, and gay rights movements. All that was literally before our time. Back then, it was said that the personal is political. Now we’re seeing how the political is also personal.
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get into it, it can be a novel, transformative, and enlightening experience. When I’m casting a piece like this, I don’t necessarily look for someone who is a self-described activist, or someone who makes their living doing social justice work (not that that isn’t wonderful!)--I look for people who have heart, and who are unabashedly honest. As the play develops in rehearsal, it is that person who will discover that social justice is just as much about what is in your heart as it is about who’s in the White House. That valuing of heart and honesty is also a huge part of what makes a quality actor. So, I often find the pieces actually fit together well BA: What was it about the two of you, Shawn and Sara, that made you realize you could produce this together?
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SH: Since we’re both passionate about social justice, we come at it with a shared vocabulary that makes it much easier to get certain ideas across. I don’t have to explain basic concepts, which makes it a lot easier to go deeper more quickly. As a director who also knows actors, she can grasp the internal and external complexities of the story and communicate them in a way that works for the people who have to give it life. I’m a writer, so I know how to communicate, but that’s not the same as being able to speak Actor.
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Sara is remarkably open to challenging her assumptions about things, which is what this play is about. So when I send her resources that inform or explain a certain aspect of the play, I feel like that effort helps - even if she chooses not to use it. So that means she comes at it not as imposing upon the play, or merely regurgitating what’s on the page, but interpreting itself in such a way that it reveals itself most fully. It’s like the difference between textbook Mandarin conversations and Ezra Pound. SL: Ditto on what Shawn said. We have mutual passions for social justice and for theatre, and we both believe in the effectiveness of social justice theatre both as art and as activism, so it was a natural fit. As a director, I am consistently blown away by Shawn’s writing for it’s raw honesty. She expresses truths about broad societal constructions in the most private, intimate communications between people. The ability to draw bridges between the personal and political, I think, is one of theatre’s greatest strengths, and it’s a task that really excites me as a director and as an activist. Additionally, I think the two of us compliment one another in terms of the perspectives we bring to the script--we took different routes to social justice and to theatre, and have had very different experiences around race in our lives (I’m white). I think that working on Tulpa is a way for us to help each other express our distinct individual voices while we simultaneously discover and build ground around what we have in common. It’s fulfilling, exciting, and so productive! BA: Traditionally, the voices of people of color and from the LGBTQ community have been given far less respect than the voices of white, straight artists. Shawn, you are a minority. What resistance did you face getting Tulpa up originally? SH: Triple minority! Not too many queer Black women getting a lot of theatre press. To be honest, most of the resistance has come from myself. Many writers have this problem to an extent. I’ve questioned and doubted myself in ways that someone like, say, David Mamet probably doesn’t. There’s always that feeling that you don’t measure up no matter what you do. There’s always that suspicion that you’re kidding yourself because there are so many other writers who said what you said better than you, so the world doesn’t need what you have to offer. But in a way that’s kind of symptomatic of the systems that oppress women, people of color, and LGBTQ people. While physical violence is awful, I’ve found that the most dangerous and insidious effects have been psychological. I’ve had times when I’ve actually wondered to myself, “Maybe I’m just inferior. Maybe I’m simply not smart enough, strong enough, or righteous enough. Maybe it’s right
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for me to be treated this way.” That interview Oprah had with Barbara Walters where she admits that she wanted to be White? I understand exactly what she meant. BA: Where does the title come from? SH: In a nutshell, tulpa is a term from Tibetan folklore that describes a being made real through willpower and imagination then takes a life of its own. SL: Shawn said it. What I find most intriguing about the definitions of “tulpa” is the idea that through a nexus of desire, imagination, and necessity, a human being can literally will something into reality. It’s an evocative, theatrical concept, and it also brings interesting perspective into thinking about how to create a more just society. BA: The goal of the show seems to be (to me anyway) to create honest dialogue around race and racism. Do you think it’s succeeding?
I always fear that I won’t feel validated as both an artist and activist when I’m constantly moving between both worlds. What I’m learning as I delve more fearlessly into combining these passions is that they don’t have to be so different. Directing is largely about envisioning something original and effective and then guiding that vision into tangible existence. So is being an activist. It takes a lot of faith, and the more I believe in my own work, the more positive and energetic the response tends to be--from both the theatre and the social justice worlds. For more information, contact me at lifeandtimeofbridget@gmail.com or go to http://www.indiegogo.com/tulpa2011 and see why I’m so excited. Last year, I was looking forward to hearing Shawn’s voice. This year, I’m looking forward to everyone else hearing it. So, keep an ear out for Shawn C. Harris and Sara Lyons, Poppets, and remember, you heard their names here first. Until next month, Poppets, take care of you.⁂
SH: I think it’s too soon to say, but the feedback I’ve been getting about it makes me feel hopeful in a way that I haven’t felt in a very long time.
BA: Has anything unexpected come from the writing and producing of Tulpa? SH: Definitely! Working on Tulpa, or Anne&Me has taught me something very important: to challenge my expectations. Most of the people who’ve been supporting Tulpa, or Anne&Me from the beginning have not been artists or activists or academics, but regular people who’ve read the script or checked out Tulpa’s IndieGoGo campaign and said, “Yes, this is what I need to see,” or “Finally! Someone who’s talking about this like a real person and not a pundit,” or “Thank God! Someone understands!” SL: I completely echo Shawn’s words about learning to challenge your own expectations. With a traditional theatre background in addition to a background in women’s/gender/sexuality/race studies,
300 W. CHAMPION STREET, DOWNTOWN BELLINGHAM W W W. T H E B E T T Y P A G E S . C O M
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SL: A small number of people have seen or read it so far, but there have been really encouraging responses. A white, straight man who read it said that it influenced his ideas about race and his own whiteness more than anything he’d ever read or seen before. One person’s reaction doesn’t necessarily mean other people will react similarly, but I do think it’s true that this script has the potential to inject a new level of heart and understanding into how we understand race on the most personal levels. That’s absolutely what it’s done for me.
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Food & Nudes at Seattle Erotic Art Festival Bodies draped and dappled with raw ingredients meld the beauty of food with the human figure in Sensual Chef Tiberio Simone’s first book ‒ La Figa: Visions of Food & Form which will debut at the Seattle Erotic Art Festival May 20-22 where Simone will be signing his book for the first time.
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La Figa’s elegant and tasteful images (see more) are the culmination of a five-year collaboration between James Beard Award-winner Simone and photographer Matt Freedman. Using the human body as his canvas, and natural fresh ingredients as both his paint and adhesives, Simone’s art is inspired by “a lifetime of loving food.”
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The book is a celebration of Simone’s vision of food and touch. Its lush and occasionally risqué images are accompanied by text of a similar flavor. In touching tales of his childhood in rural Italy, the chef reveals how he grew into the “pleasure activist” and celebrated food artist he is today. In addition to stories of his youthful, sensual experiments with food, there is ingenious advice on how to use food for seduction, recommendations for selecting the perfect produce and 20 of Simone’s favorite recipes. “I appreciate and respect fresh food and home cooking more than anything. For me, food is a pleasure. Food is love, touch is affection, food and touch are the basic ingredients of life,” says Simone. ABOUT TIBERIO: Born in Neviano, a small town in Southern Italy, Simone was an elite paratrooper in the Italian Special Forces before love brought him to Seattle where he joined the restaurant industry. While pastry chef at Seattle’s Four Seasons Hotel, Simone won a national James Beard Award for one of his signature chocolate creations. He champions his life passions by donating his services to various causes and through public speaking. He recently gave a Seattle TEDx talk.
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ABOUT MATT: Matt Freedman is a professional photographer and technologist. He produced the first iPhone app about the Burning Man festival, and is now recognized as a leading expert on photographing the event. He is also the former staff photographer for the bi-monthly magazine JUST CAUSE, and has had his photographs published in Trekking Nepal: A Traveler’s Guide and Artivisme: Art, Action Politique et Résistance Culturelle. •WEBSITES: http://www. LaFigaProject.com & http://www.facebook.com/ LaFigaProject See the Sensual Chef in action at a pre-release book event: May 20th -22nd at the Seattle Erotic Art Festival http://seattleerotic.org Location: Fremont Studios - 155 N 35th St., Seattle⁂
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Bin Laden Dead, President Reminds to Strive for Equality The Betty Pages
Sunday, May 1, 2011, President Barack Obama announced that U.S. forces had found and killed terrorist-leader Osama bin Laden. The news came 9 years, 7 months and 20 days after the September 11, 2001 attacks on the United States for which bin Laden’s terrorist organization, al-Qaeda, claimed responsibility. The country, and certainly the world, has expressed a variety of reactions to bin Laden’s death. While many are, understandably, rejoicing or celebrating a sentiment of justice, others are questioning why this should make us happy. To that end, one former Bellinghamster, Brady Robb, even reminded friends on Facebook of the words of Dr. Martin Luther King Jr., “Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.”
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During Obama’s address late-Sunday evening, regarding the future, he said, “The cause of securing our country is not complete. But tonight, we are once again reminded that America can do whatever we set our mind to. That is the story of our history, whether it’s the pursuit of prosperity for our people, or the struggle for equality for all our citizens; our commitment to stand up for our values abroad, and our sacrifices to make the world a safer place.” Perhaps the struggles and pursuits that he mentioned would include acceptance of some of the things bin Laden opposed, such as: music, chilled water, charging interest on loans and most technology. Maybe that list even seems absurd; who would have a moral objection to chilled water? There’s one other item on the list of bin Laden’s objections – homosexuality. Perhaps one day, it will seem as absurd to oppose homosexuality as it does to oppose chilled water to most of us today.⁂
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$3.00
Ex Libris: Children’s Books Peter Storm
This month I’m taking a look at alternative life style children’s books. The stories we read and are read to us as children shape the way that we view the world as adults, so it’s important to see what the children and youth of today are reading. First up; The Sissy Duckling, by Harvey Fierstein and illustrated by
Between 6 PM and 10 PM
Henry Cole. Fierstein the actor, writer and winner of three Tony awards brings his sense of humor and camp to this adaptation of the Ugly Duckling. Elmer is happy duckling who enjoys cooking, drawing pictures and wood working. After being threatened by a local bully, Drake Duckling, and feeling that he has let his father down, Elmer runs
Buy one entree
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and get one half-price
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off to live alone in the woods. After rescuing his father from hunters and surviving in the woods thoughout the winter without flying South Elmer is recognized as a hero, but as Elmer says ”I am a BIG SISSY and PROUD of it”. A fun story, well written and amusing illustrations, but with a fatal flaw. Most children/adults don’t want to be “different” . It takes a very strong individual to stand up and say ‘love me or leave me’. While that works for Elmer and Fierstein - even Elmer has to admit that “most of the time he (Elmer) played alone. While Elmer is able to run away and live on his own - that’s not a viable solution for children. Much like catching the winning touch down or becoming the state singing champion makes you an instant hero and guarantees complete acceptance by everyone - at least it does in stories & on TV - real life is a bit more complex and most people are willing to accept tolerance instead of demanding acceptance. According to the book it is intended for readers 5 -8 years old, however, I think it works better for a younger audience more of a 4-6 year old readers.
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The Princess Boy, by Cheryl Kilodavis and illustrated by Suzanne DeSimone has been generating a lot of talk lately. The story is of a small “princess” boy who likes to wear dresses and likes sparkly things. The ”Princess Boy” is loved by his family but is sometimes laughed at by other adults and children. The moral of the book
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is summed up by the last few pages:
“Princess Boy” however, in true parental fashion she tried to stop her son
“If you see a Princess Boy … Will
from wearing dress, tiaras and having tea parties. It was her six year old son,
you laugh at him? Will you call him
the ”Princess boy’s” older brother, who is the true hero of the story. He was
names? Will you play with him? Will
the one who defended the “Princess Boy” to his mother and pointed out
you like him for who he is? “ The
that “Princess Boy” wasn’t hurting anyone and was happy being himself and
Princess Boy is a call for tolerance by
that he should be accept for who he is. It was this epiphany which lead to
children for other children.
Kilodavis writing The Princess Boy.
Sadly the back story of The Princess
Lastly, we come to a book which
Boy is much more interesting and
is one of my favorite stories, and
revealing than the book itself. Kilodavis, the author, has a son who is the
Tango makes Three. Written by Justin Richardson, Peter Parnell and
Sudoku for Tom
illustrated by Henry
Written by Brian Spencer, The Betty Pages
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Children’s Book Award. The book tells the story of Roy and
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Roy and Silo are two male penguins who mated and desperately
Henry
wanted a family. When one of the keepers noticed that another
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Difficulty
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Bergh
Silo two chinstrap penguins at the New York Central Park Zoo.
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book
received an ASPCA
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the
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penguin couple were unable to care for more than one egg he
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baby penguin, Tango.
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gave their second one to Roy and Silo who hatched and raised the
And Tango makes Three is a truly wonderful story for all ages. It has received raves from Harvey Fierstein, and Maurice Sendak. The best part of and Tango Makes Three is that it is a true story:
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After reading all three books I couldn’t help thinking about the
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Quail which ended with Murphy Brown saying (paraphrased),
for answer see pg. 20
the characters and events are all real.
legendary feud between Murphy Brown and Vice President Dan ”There are all kinds of families Mr. Vice President but they all mean love.”⁂
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Cole,
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Inclusive Places of Worship in Whatcom & Skagit Counties Bellingham Bellingham Unitarian Fellowship 1708 I Street 360-733-2301 www.buf.org Beth Israel Synagogue 2200 Broadway 360-733-8890 www.bethisraelbellingham.org Center for Spiritual Living 2224 Yew Street Road 360-734-4160 www.csl-bellingham.org
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Faith Lutheran Church ELCA 2750 McLeod Rd 360-733-3970
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Garden Street Methodist 1326 N Garden Street 360-733-7440 www.gardenstreetumc.org
On Eagle’s Wings Ministries A Special Work of the UFMCC (Bellingham) PO Box 425 Maple Falls, WA 98266 360-599-2627
Woodside Church of Religious Science 2224 Yew Street Road 360-734-4160
Blaine
Skagit County Central United Methodist Church 1013 Polte Road Sedro-Woolley, WA 98284 360 856-6412 www.gbgm-umc.org/cumc-sedrowoolley St. James Episcopal Church 810 Puget Ave. Sedro-Woolley, WA 98284 (360) 855-0040 Pilgrim Congregational United Church of Christ 2802 Commercial Anacortes, WA 360-293-5675 www.PilgrimUCCSkagit.org
First Christian Church Disciples of Christ 495 East Bakerview Road 360-734-6820 www.bhamfcc.com
Blaine Congregational UCC 885 4th Street (360) 332-6906
Celebration Lutheran Church Worship at The Depot Arts Center 611 R. Avenue Anacortes, WA 98221 360-299-3225
First Congregational UCC (ONA) 2401 Cornwall Avenue 360-734-3720 www.fccb.net
Free Church Unitarian 1218 Harrison Avenue 360-332-4781 or 360-332-5563 www.uublaine.org
Christ Episcopal Church 1216 7TH Street Anacortes, WA 98221 (360) 293-5790
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Mount Vernon
Skagit Unitarian Universalist Fellowship (WEL) PO Box 1203 500 West Section 360-419-9014 www.skagituuf.com
Center for Spiritual Living 1508 N. 18th Street 360-355-9029 www.cslmountvernon.com
St. Paul’s Episcopal Church 415 South 18th Street (360) 424-1822
Island County
Langley United Methodist Church Located at 3rd & Anthes PO Box 374 Langley, WA 98260 www.langleyumc.org
Where You Get Your Latte, Why It Matters Stephanie Kountouros
Have you heard the buzz that there’s a boycott of the Wood’s Coffee chain? I got a call from local activist Evan Knappenberger, letting me know about it. Knappenberger said that the owners of Woods Coffee were anti-choice and anti-LGBTQ and that a group was forming to let people know and spread the word to boycott their establishments. He also claimed that Woods was “refusing to carry” the Betty Pages and the Cascadia Weekly because they were “too liberal.” I am not about to support an anti-gay establishment, and what kind of coffeehouse doesn’t have access to local, alternative papers? However, I have both feet firmly planted in the “don’t believe everything you hear” camp. Even more important: giving both sides a fair hearing; I won’t boycott a damn thing without doing some
fact-checking. Here’s what happened when I did. I called the brand-new downtown Woods Coffeehouse and asked Random Employee if Woods discriminates against gays and lesbians. “Oh my gosh, no!” Random Employee exclaimed, “I have heard this a few times today and I wish people would just ask us instead of spreading this around!” I pointed out that asking her was exactly what I was doing, then asked if they had a non-discrimination policy. She couldn’t give me a clear answer, so I asked about local papers. Random Employee patiently explained that Woods wouldn’t carry local papers because they were, “too messy.” What? I mean, have you seen the size of the Sunday New York Times? Cause that mess is all over Woods on a Sunday afternoon. Just Sayin’ Dept.
that there’s anything anti-gay or anti-choice going on. I’ve gotten some confirmation that Herman contributes to conservative groups like the Building Industry Association of Washington who sure are anti-environment and like to fight workers’ rights like having ergonomic support to, you know, avoid injuries on the job. But nothing that really substantiates bigotry. There’s just this: if you ran a business in our happy little progressive, hippy-esque town, and someone claimed that you were hating on gay people, wouldn’t you jump at the chance to loudly proclaim how non-discriminating you were? Proudly send forth your discrimination policy (if you had one?) And let’s say you’re on the conservative side of things. Well, hell—what’s wrong with a statement that says you just try to serve your customers good coffee and stay out of their politics and business? But saying nothing at all? Pretty damn suspicious. So I’m not jumping on the boycott bandwagon, but I’m really not feeling like getting my coffee from a place unwilling to answer these questions. Not when there are good, local coffeehouses like the Black Drop around, proudly carrying papers like the one you’re reading right now. I encourage you to ask your own questions and decide for yourself.
I received a response from Wes Herman (the owner of the Woods chain) saying that he would be happy to meet with me in person to “allow the truth to be told.”
One last thing: In my final email, I asked if Woods would respond to customer requests to include local, alternative papers at Woods locations. No response to that, either.
I responded, asking again if he could just share with me the Woods policy on discrimination and to explain why they did not carry local, alternative press. Wes once again refused, and refused to respond to further requests from me.
To ask about their discrimination policies or request that they carry the Betty Pages, contact Woods Coffee at (360) 933-1855 or http://www. thewoodscoffee.com/contact/
So at this point, I don’t have what I’d call “proof ”
Check this paper to find a list of venues that advertise in and distribute the Betty Pages.⁂
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So I thought I’d go to the source and emailed Woods from their corporate web page. I said that I was a long-time supporter of Woods and heard that the owners were anti-gay and anti-choice, and as a result won’t carry local, alternative newspapers like Cascadia Weekly and the Betty Pages. I then asked if Woods had an official position on these issues.
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E-mail thebettypages@gmail.com for more information on advertising.
then so are your customers.
IF YOU’RE READING THIS...
Gay Film Bibliography: Some More “O.K.� Westerns Bichoo Vrischik
The word ‘homosexual,’ first used by Karl-Maria Kertbeny, in Austria in 1896, hadn’t been coined before the gunfight near the O.K. corral. “Malemale intimacy� William Benemann in MALEMALE INTIMACY IN EARLY AMERICA (Harrington Book Press, 2006) calls it, for “it is admittedly difficult to conceptualize Americans being something without having a word for it.� (The common contemporary noun was ‘sodomite,’ from the Biblical Sodom, and verb ‘bugger,’ from a Bulgarian-Persian ascetic sect.) I will touch upon the real friendship of Wyatt Earp and John Henry
‘Doc’ Holliday only briefly: my end is the rumors spread by films on that friendship. To Allen Barra (q.v.), “A hint of homosexuality in a ‘50s ‘adult western’ is generally what made it ‘adult.’� “For [Wyatt] Earp aficionados,� to Barra, “the most unsatisfactory part of [John Ford’s] MY DARLING CLEMENTINE [1946] is precisely the Earp-Holliday relationship; the two never seem to become friends.� To Barra Ford’s Earp is too stalwart, and the tubercular Doc (Victor Mature), a “Kodiak bear.� But Clementine herself is more unsatisfactory for a queer audience, a chastity
that, if not imposed by 20th Century Fox, was so by Ford as a romantic interest for Earp. After the film was finished, when Earp says goodbye to her as he leaves Tombstone (which Ford did not want him to do, although historically accurate), Henry Fonda (Earp) and Cathy Downs (Clementine) were called back into the studio so Earp could give her a peck on the cheek. Chihuahua (Linda Darnell), Doc Holliday’s love interest, is also fiction: rather, Doc traveled with Big Nose Kate, so nicknamed perhaps for her ability to get it into a man’s ‘business.’ Ford claimed Wyatt as a
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source, but not only falsified the story, shot it 300 miles north of Tombstone’s mountains, as all his westerns, in Monument Valley. Ford returned to Wyatt (James Stewart) and Doc (Arthur Kennedy) in his last western CHEYENNE AUTUMN (1964) in a sequence so extraneous it was cut from the film shortly after its release: they are twice their characters’ age, Wyatt dandy and cruel, Doc in a bowler hat. John Sturges, who had made the most commercially successful, if no more accurate, GUNFIGHT AT THE O.K. CORRAL (1957), returned like Ford to the corral in HOUR OF THE GUN (1967), claiming on screen “This Is The Way It Actually Happened.” Beginning with the gunfight, again mistakenly in the corral, HOUR follows the inquest and the ‘Vendetta Ride’ that Wyatt (James Garner) rode, gunning down Ike Clanton (Robert Ryan) in (again false) Mexico. Doc (Jason Robards), again, is twice as old as he really was and so much a philosopher that Wyatt, after he has tasted revenge, strikes him. Unlike Dmytryk’s WARLOCK (1959), HOUR failed financially, to Barra because it used Earp and Doc’s real names to debunk their legend.
“After the boxoffice failure of DOC,” Doc (Jeffrey De Munn) and Earp (Bruce Boxleitner) survived in a TV movie, I MARRIED WYATT EARP (1983), Wyatt’s real (common law) wife Josephine Marcus (Marie Osmond) “grabbing a rifle” like Grace Kelly at high noon, killing two Claytons. Dr Who, seeking Doc as the dentist he really was, in DR. WHO AND THE GUNFIGHTERS (1966), introduces Warren, the fourth Earp brother. Stuart Lake’s hagiographic biography FRONTIER MARSHAL (Houghton Mifflin, 1931) was republished as a companion piece to the Hugh O’Brien TV series THE LIFE AND LEGEND OF WYATT EARP (1955-61):
Specials every day of the week! Monday: Microbrew Pints @ $2.50 Well drinks & shots after 10 @ $2.50 2 all-beef hotdogs @ $1.00 Tuesday: Top Shelf Bourbon @ 4.00 BBQ pulled-pork sandwich @ $1 Wednesday: Top Shelf Tequila @ 4.00, 2 Tacos @ $1.00 Thursday: Top Shelf Vodka ® @ $4.00 Friday: Jagermeister @ $4.00 Saturday: Top Shelf Gin @ $4.00 Sunday: $4.00 Brunch (Includes Biscuits and Gravy, Quiche, Cheesy Grits & Eggs Benedict), Double Bloody Mary @ 4.00, Cap’s Coffee (Java, Whiskey, Bailey’s) @ 4.00, Mimosas @ $3.00 and HAPPY HOUR ALL EFFING DAY!!!
the “strikingly handsome young” O’Brien was approved by Lake for ‘the firm slant of his jaw and those narrow hips.’ TV documentaries and Japanese anime science fiction followed. Partnering with Billy the Kid and Pat Garrett, a grizzled Doc (Walter Huston) in THE OUTLAW (q.v.) preferred his horse to Jane Russell, and lost both. As scripted by Gore Vidal, a neurotic, gay Billy (Paul Newman, James Dean by then dead) in Arthur Penn’s THE LEFT-HANDED GUN (1958) is pursued by gay journalists and tubbathes before he’s shot by Pat (James Dehner) a year before WARLOCK. (Billy was reborn on the big screen as Michael J. Pollard, Kris Kristofferson and Emilio Estevez, and on TV as Vidal’s Val Kilmer.) Brian DePalma’s Elliot Ness (Kevin Costner) in THE UNTOUCHABLES (1989) is more Earp than Ness, Chicago his Tombstone, and Canada Mexico. Kilmer soon became Doc, in George Cosmatos’ Disneyfied TOMBSTONE (1993), channeling Marlon Brando in two deathbed scenes (although he still does not die), his grief-stricken Wyatt (Kurt Russell) at his bedside channeling Veronica Lake, his hair over one eye. But both finally are as young as they should be, and as chronicled in 1881 “‘the two handsomest men I’ve ever seen.’” Learned in Latin, Doc is preferred by Wyatt over Josie (Dana Delaney). The narrator, Robert Mitchum, tells us that when Wyatt died, Tom Mix wept. Costner, the next Wyatt, in Lawrence Kasdan’s WYATT EARP (1994), is surrounded not only by four brothers but their wives, spending as much time with them as with the truly emaciated Doc (Dennis Quaid) and Kate (Isabella Rossellini), moving on with Josie (Joanna Going) to Alaska. “This is the West, sir. When the fact becomes legend, print the legend,” advises a reporter in John Ford’s penultimate western, THE MAN WHO SHOT LIBERTY VALANCE (1962), one of many variations inspired by, and often debunking the O.K. legend. I’ve tried for the last two months, rather, to parse the gay subtext from films that mention it by name. Soon, I hope to approach BROKEBACK MOUNAIN (2005) from behind.⁂
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In the 1970s, as the Vietnam war raged, Frank Perry’s DOC (1971, Stacey Keach) “was clearly meant to trace America’s involvement” in Southeast Asia. Peter Hammil’s DOC script
makes Earp (Harris Yulin) a “predatory,” repressed homosexual, like Lyndon Johnson bogging down America, but claimed to be loved at a campfire by Doc ‘better than men love women.’ Taunted by Kate (Faye Dunaway) for ‘swingin’ your eggs,’ while ‘the pistol stays locked up in your holster,” Earp pines for Doc as much as revenge. But Perry, less affected by Vietnam than Hamill, cut much of the dialogue: as Doc prepares for the corral, he and Kate exchange only a worried gaze. Yulin’s beaten Earp, now a Marshal (that was actually his brother Virgil), and not a fighter, avenges an army on Ike as on the Viet Cong. Virgil and brother Morgan are now “bumpkins,” “wrestling in the dirt” like hillbillies. Earp makes a pompous political speech, and is toppled by the local press.
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Mission Statement
Whatcom PFLAG is a non-profit organization dedicated to educating the public about advocacy and supporting our LGBTQ loved ones while promoting the health and well-being of those individuals and their families, friends and allies. Only through respect, dignity and equality for all will we reach our full potential as human beings.
Programs, Services & Activities
• Bellingham Pride Festival each July • Monthly support meetings • Local scholarship for high school seniors • Distribution of materials on coming out and family outreach • Movie & literature library • Confidential support phone-line and e-mail
Get Involved! Help Make a Difference! Monthly Support Meetings 2ND Thursday @ 7pm (excluding July) First Congregational Church 2401 Cornwall Avenue (in basement) Bellingham, WA
For more information on PFLAG or Bellingham Pride contact info@whatcompflag.com
www.whatcompflag.com
(360) 733-1500
www.bhampride.org
Become a Member or Make a Donation Today! $25 Individual
$35 Family
Other/Donation
Make Check or Money Order Payable to Whatcom PFLAG and mail to PO Box 28704 Bellingham, WA 98227 Whatcom PFLAG is a registered 501(c)3 organization & all donations are tax deductible.
GLBT Organizations in Whatcom and Skagit Counties ISCEE The Imperial Sovereign Court of the Evergreen Empire is affiliated with the International Court System and has been actively raising money for charity for over 30 years by sponsoring drag shows and pageants. The group is open to all regardless of race, gender, or sexual orientation, seeking to provide social activities and community service opportunities for gays, lesbians, and their friends and allies in Whatcom, Skagit and San Juan Counties. Leather, Levi & Bear Social Monthly gathering of men who like Leather, Kink, and Unabashed Masculinity. Second Saturday of the month, Rumors Cabaret, 7:30 to 10:30. Info 360.380.6409 www.theslowlane.com This website includes a gay resource guide for Bellingham located at www. theslowlane.com/guide.html.
Triskeli Guild The Triskeli Guild is Bellingham’s BDSM group that promotes community and education for safe, sane and consensual play. They encourage participation by all sexual preferences, race and age 18 and up people. They meet monthly every 2nd Tuesday, at Pandora’s Box at 314 W. Champion St. at 7 m. www.triskeli.org Queries—triskeli@triskeli.org
Washington Gender Alliance A support and educational organization for anyone dealing with issues of gender identity or expression, and the people in our lives. We have weekly Open Support meetings in Bellingham and Everett. For more information, please write to us at info@ WashingtonGenderAlliance.com or call 360-445-2411, or visit our web site at www.WashingtonGenderAlliance. com. Counseling Line To connect with a licensed therapist in Whatcom County who is educated about kink, polyamory, and LGBTQI lives and lifestyles, call 360-756-0718. Individual, couples, and family. Sean Humphrey House A housing unit for people who need assistance living with HIV/AIDS in Bellingham. For more information call 360-733-9357 On Eagle’s Wings Counseling Sue Stackhouse offers counseling services to the GLBT community in Whatcom and Skagit County. For information call 360-599-2627 PFLAG of Skagit County Support meetings for Parents, Friends and Families of Lesbian, Gay, Bisexual and Transgender people and GLBT individuals are held at the Skagit Valley Co-Op Bldg. at 202 S. 1st St. in room 309 (down town Mount Vernon) on the second Monday of every month at 7 PM. For directions and information all 360-856-4676 and for additional information and events check the website at www.pflagskagit.org.
Bellingham Radical Faeries Community of queerfolk interested in lifestyles celebrating queer sexuality, spirituality and sustainability of the natural world. 18+ recommended. Meet at Three Trees Coffeehouse, 118 W. Holly St, Saturdays from 11am-ish to 1pm-ish. http://groups.yahoo.com/ group/BellinghamRadicalFaeries/
Whatcom County PFLAG Whatcom County Parents Families and Friends of Lesbians and Gays meets the 2ND Thursday of each month, 7pm at First Congregational Church, 2401 Cornwall Avenue, Bellingham. For more information and events visit www.whatcompflag.com
Whatcom Community College’s Queer Straight Alliance is committed to supporting the GLBT community by promoting awareness of queer issues and entertaining and educating students and staff of WCC. We can be reached at wccqsa@gmail.com.
Whatcom County KINK is a group to help organize events, munches, help if you have items to sell, or just a way for people to get to know each other. Meetings are the 1st Tuesday of the month at Rumor’s Cabaret. Happy Spankings!
Western Washington University LGBTA The Lesbian Gay Bisexual Transgender Alliance at Western Washington University is a student organization which supports lesbians, gays, bisexuals, people who identify as transgender, and their allies; in the various stages of their coming out process, in the creation and affirmation of positive self identities, and in the promotion and defense of their human and civil rights. The LGBTA is located on Western’s Campus in Viking Union 515 and is open from the first day of Fall quarter until the last day of Spring quarter. For information call 360-650-6120.
Mount Baker Planned Parenthood Mt. Baker Planned Parenthood proudly demonstrates its commitment to the LGBTQ community in all of our educational and service areas, by partnering with LGBTQ service organizations and through sponsorship and participation in Bellingham Pride. Our goal is to ensure that every individual has the information, services, and freedom to make healthy, responsible decisions about sex, sexuality, and parenthood. We offer comprehensive reproductive care, affordable STD testing and treatment and annual exams. Sliding scale available. Make an appointment online! http://www.mbpp.org Bellingham Clinic: (360)734-9095 Mount Vernon Clinic: (360)848-1744
The Betty Pages Copyright Notice While The Betty Pages and/or its contributors generally reserve all rights and privileges of copyright, several parts of this publication are licensed under the Creative Commons Attribution-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. For more information and permissions, contact The Betty Pages at thebettypages@gmail.com or send a letter to The Betty Pages, c/o Desire Enterprises, PO Box 2724, Bellingham, Washington, 98227-2724, USA.
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4th Corner Poly Polyamory is the practice or acceptance of having more than one loving, honest relationship at a time. We’re a friendly, welcoming group for people involved in or curious about polyamorous relationships. Our group consists of and welcomes diverse sexual and gender identities . This is a family, kid-friendly get-together for sharing experiences and desires—not a dating or swing scene. we meet every 4th Thursday evening at alternating locations. For more information: http://groups. yahoo.com/group/4thcornerpoly
Evergreen AIDS Foundation Evergreen AIDS Foundation provides support services for people living with HIV and AIDS who reside in Whatcom, Skagit, Island, San Juan and Snohomish counties. Bellingham: 115 Unity St. 360-671-0703, Everett: 2709 Wetmore Ave. 425-740-3000
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