Space Place Life 2013

CITY | TOWN | NEIGHBOURHOOD | STREET | PLACE Poetry by Ian McMillan

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MANIFESTO The Academy of Urbanism brings together a group of thinkers and practitioners involved in the social, cultural, economic, political and physical development of our villages, towns and cities. The Academy was formed in February 2006 to extend urban discourse beyond built environment professionals and to create an autonomous, politically independent and self-funded learned voice. We aim to advance the understanding and practice of urbanism by promoting a culture of scholarship through evidence-based inquiry, providing an inclusive forum for dialogue across all disciplines, sharing knowledge with the community and our peers and nurturing, recognising and rewarding excellence in achievement.

Principles Urban settlements must perform at their fullest potential to advance the quality of human habitation and ensure the survival and recovery of the natural environment, at both a global and local scale. The practice of good urbanism can establish a high quality of living, nurture a healthy and creative way of life, support economic, social, political and cultural activity and deliver robust, distinctive and attractive physical environments.

1. Successful urbanism is the result of a collective vision, realised through creative and enduring relationships between the community, government, developers and professionals involved in its design, delivery, governance and maintenance.

2. The culture or cultures of the people and the ecology of the place must be expressed at a human scale and through both physical and social structures.

3. The identity, diversity and full potential of the community must be supported spiritually, physically and visually to sustain a sense of collective ownership, belonging and civic pride.

4. Vibrant streets and spaces, defined by their surrounding buildings and with their own distinct character, should form a coherent interconnected network of places that support social interaction and display a hierarchy of private, commercial and civil functions.

5. There must be a permeable street network with pedestrian priority that gives maximum freedom of movement and a good choice of means of transport.

6. Essential activities must be within walking distance and there should be a concentration of activity around meeting places.

7. Places must provide a diversity of functions, tenure, facilities and services; have a mix of building designs and types; and include a variety of appropriately scaled districts and neighbourhoods.

8. The social, cultural and economic needs of all inhabitants must be capable of being met without detriment to the quality of the lives of others.

9. Security should be achieved by organising the urban environment in ways that encourage people to act in a civil and responsible manner.

10. The pedestrian environment should be closely associated with active frontages at street level and there should be an appropriate intensity of use in all areas at all times.

11. The design of spaces and buildings should be influenced by their context and seek to enhance local character and heritage whilst simultaneously responding to current-day needs, changes in society and cultural diversity.

12. The public realm and civil institutions must be supported and protected by sound and inclusive

processes that respond to the local community and changing economic and social conditions.

13. Decision-making for the ongoing development and management of the urban fabric must engage stakeholders and the local community through public participation.

14. Diverse, accessible, affordable and active villages, towns and cities will encourage successful commercial activity, promote prosperity and support the well being of their inhabitants.

15. New and existing places must respect, enhance and respond to their local topography, geology and climate and connect to the natural environment within and around them.

16. Urban parks and other landscaped areas should provide space for recreation, encourage biodiversity and help support a balanced environment.

17. New urban forms should be capable of adaptation over time to meet changing needs and to promote the continued use of existing resources, including the built environment.

18. The built environment must seek to minimise the use of carbon-based products, energy and non-renewable resources.

Congratulations to the Great Places showcased in this seventh edition of Space Place Life, the poetic handbook of The Urbanism Awards. Voted for by our Academicians in early 2012, these fifteen finalists exhibit a range of characteristics and qualities from which other places can learn. Notable among these is a persistent approach to doing things their own way.

Many of the places may be perceived as peripheral with respect to the mainstream or perhaps a bigger national ‘centre’. But this has freed them to take a proactive local approach that draws upon their own identity and energies.

The Places provide a range of dramatic outdoor and indoor spaces that have required innovative thinking and perseverance, plus creative management, to ensure they can fulfil their contribution.

The Streets are very diverse in the nature of their urbanism, but each has a mix of passion and co-operative leadership in addressing their role and continuing historical evolution.

The Neighbourhoods are distinctive, drawing upon the attributes and energies of the locality, and benefiting in part from old and new modes of philanthropy and enlightened curation.

Whether exhibiting faster or slower urbanism, each has sought to articulate a vision of change to suit their own unique circumstances.

Although there are no simple lessons from this year’s assessments, a key theme includes the role of local innovation and persistence in governance and partnership, to deliver a locally-derived vision or opportunity. Importantly, this means the perspective may often be distinctively different from the ‘cultural mainstream’ of national centres, whether Dublin, Edinburgh, London or Berlin, Brussels and Paris.

This reinforces our ongoing learning from the Awards assessment process that to make places work well requires an enlightened capability to work alongside other partners within locally effective relationships.

Making places work - with people , for people - requires energy, creativity, but also commitment. From politicians, residents, and business.

If you would like to join us in our quest to distil and exchange the messages of great placemaking in the 21st Century, please consider getting further involved either as an Academician or a Sponsor. Our Academy is all about sharing the insights and energy required to deliver better space, place and life.

The Towns turn any perceived peripherality (by others) into an opportunity for getting on and doing their own thing – organising, collaborating, delivering in a locally relevant way, infusing partnership with an entrepreneurial spirit.

This year’s three European City finalists are also superb exemplars of ‘independent city’ mind-sets in matters such as governance, finance and investment in progressive improvement, whilst also drawing positively upon their deep history.

Prof Kevin Murray, Chairman The Academy of Urbanism

The URBANISM AWARDS 2013

a figure ground

a memorable image

and a poem

ANTWERP HAMBURG LYON

ANTWERP

There’s a diamond district here, inviting and shining And that image of a jewel goes a long way to defining This city by the water, this place that fashion built: It’s just the place to visit if you need a lace/suede kilt!

Well…Fashion’s really fleeting keeping Antwerp on its toes If things are always changing then Antwerp surely knows How to keep one step ahead, how to freshen and remould Ideas like setting diamonds in bands of solid gold.

Antwerp is a potent mix of history and thought, Artistic centre, sporting field, noisy working port; But if you want an image that can tie the city down Think about a jewel in Northern Europe’s crown!

Table for two, or more. Table for four.

Table for everybody: that’s Hamburg, Your spoon shines in the German sun As you plunge it in to your Aalsuppe Or soup of everything, which is of course A definition and distillation of Hamburg, City where each day has barely begun before the ideas start flowing, the questions:

Which gallery to visit, which theatre to go to, Which square, which café? The essence of Hamburg Is somewhere between pavement and sky, The Harbour Promenade and this website provider, Ancient and modern and in between flow to The heart of the place, the centre of Hamburg Which is here at this table, where ideas fly In an Aalsuppe of thinking, where we’re all insiders In a Hamburg that’s built with chutzpah and care, I’ve booked your table in Hamburg. I’ll see you there.

HAMBURG

Convergence of two rivers: They shine in mid-morning light And reflect all the convergences of Lyon, All the meetings, all the transformations.

LYON World Heritage site and modern city, Birthplace of film and a centre of silk, And a tablecloth’s unfurled in a restaurant For the convergence of eater and lunch.

There’s old town and new thinking, And last time I was in Lyon I had a dream Of a silk tablecloth held up in the clear air, And someone was projecting a film on it, A film of a great city, a meeting of rivers, A convergence of ideas reflected in water.

FALMOUTH GALWAY SHREWSBURY

FALMOUTH Falmouth is a great name for a place that sings And speaks and talks but here’s an idea Let’s rename the place: FalEye, FalEar; Got a certain something, hasn’t it? It rings

From the beaches and the thronging streets And how about a town called FalNose Taking in the fish and the sweet wild rose On the heights? Your sensory tour’s complete:

With poetic truth, I reckon: FalEye Because the things can you see here Gladden the heart, and FalEar… Just listen to the laughter drift across the sky

FalEye, FalNose, FalEar…Falmouth, I guess Is the best name for a town that never fails to impress!

If you open this Galway oyster carefully, carefully, You’ll find more than one pearl inside, truthfully You’ll find a handful of pearls from this jewel of a city.

GALWAY

This first pearl is the bedrock of Galway, the history: A medieval town by a river, buildings in harmony That face to the future with pride and with dignity.

This second pearl is music, reel through to symphony, Choirs lifting their voices, pub sessions sing endlessly Variations on tunes that have verve and longevity.

This third pearl is language, of prose and of poetry, Of street conversations ringing with euphony So words are a huge part of this city’s scenery.

This fourth pearl is landscape, more complex than ‘scenery’ More nuanced than postcards of water and greenery: Here’s land and here’s water; here’s people, here’s empathy.

This is a rhyming rhapsody About the town of Shrewsbury Just between me and you-sbury It’s a jewel of a place!

Medieval streets in harmony With modernism: true-sbury, It’s a prime example, Shrewsbury Of development with grace!

This town’s name has melody And it just goes to shows-bury That a town like Shrewsbury Puts a smile on your face!

It’s not swamped by history It doesn’t start to doze-bury, It’s wide awake, is Shrewsbury To the future’s bright embrace!

SHREWSBURY

BOURNVILLE BRIXTON CREATIVE QUARTER

I can’t resist it, I have to say it: life is sweet here, Sweet as chocolate. The air is Bournville-clear, Clear with a clarity of thought and design, That says ‘Being here means a chance to shine Like the silver wrapper on a chocolate bar!’

Sorry, can’t resist it, but this is where we are: Bournville, streets built from philanthropy Constructed with love and with sympathy, empathy For artists and bowling clubs and cycleways A place to spend your evenings, celebrate your days, Play chess, volunteer, make a difference, just be.

Bournville is that kind of place, it seems to me, Born from a vision, it’s marvellous, it’s belting: It may be built on chocolate but Bournville isn’t melting!

BOURNVILLE BIRMINGHAM

Essence of a city, this; city in a city, Spend your Brixton pounds here, This pulsing village in a city Buy all you want in the market In this idea of how a city in a city Can be. Down at the Academy Music rises through the city As you rise from the tube like Excitement rises in the city In a city that Brixton is. Pretty?

Maybe not, though in this city In a city there’s a kind of beauty That you really can’t define Although I think a city in a city Like this is going places And the place this city in a city Is going is all the way to the future When maybe every city in a city Will feel like Brixton…

BRIXTON LONDON

CREATIVE QUARTER FOLKESTONE Scent of the sea, of making and dreaming; Sound of a gallery door, a University with rooms Where, just listen, you can hear them thinking Things like ‘This is Folkestone so let’s assume We’re at the centre of things, a quarter like this Can put this town right back on the map.’

A quarter’s a fraction, it’s partial, a piece But I know this quarter can turn on the tap Of regeneration, of confidence, cash To make a new destination; the cobblestones ring With the sound of an idea made real, made flesh, So raise Folkestone voices and let’s hear them sing of the Creative Quarter, a place like no other to live and to work in; play in and discover!

CHAPEL STREET EXHIBITION ROAD HOPE STREET

CHAPEL STREET PENZANCE Here on the toe of the country, a street like no other.

Stride it in all weathers, walking up from the water And the people who are here today are sitting and eating; You can hear the glasses clink and hear the cries of greeting As we take advantage of the Gulf Stream and the al fresco seating What are these people doing?

Yes, they’re Chapel Streeting!

Chapel Street has excitement; you can see it in the eyes Of those who live and work here. There is no compromise Between work and rest and leisure here, each one wins the prize.

Why are these people smiling?

They’re Chapel Street-wise!

Here on the toe of the country, a street to beat the rest, A hidden gem, a talking point, Champs Elysées of the West!

EXHIBITION ROAD LONDON

Let’s face it, this is more than a road, it’s a route Bringing knowledge like the old Silk Road did All those years ago. More than a road, it’s a path That leads to enlightenment, lifting the lid On science, art, history. More than a road: a way That thousands of people expand their knowledge;

Every day; more than a road, it’s a walking-space To a kind of open-minded open-hearted college That welcomes everyone. Look how full this road is Of people, a bustling, a throng, a more-than-a-road Leading to civilisation; it’s an Exhibition. Exhibition Road.

HOPE STREET Imagine an axis; imagine a washing line Hung across a city. Two cathedrals, a theatre And a hotel hang from the line And flap in the century’s breeze…

LIVERPOOL

This is Hope Street; imagine an artery Pumping life through a city, imagine A walk from one end of Hope to the other end Of Hope on a moonlit evening…

Yes, that’s right. You’re walking through Hope.

Imagine a street where the soul is brightened And the coffee is the best you can get in a city That loves to keep itself awake.

Hope Street. Aptly named. See you there.

BRADFORD CITY PARK KINGS PLACE SOWERBY BRIDGE WHARF

BRADFORD CITY PARK BRADFORD Light here, please. Light here. Water and light And a pool that’s a mirror so look, just look In the Summer’s glare or the Autumn’s night And you can read this place like a book,

That all cities need a place as lovely as this To stroll or sit down in and take the air Come here now, Bradford, give us a kiss!

And don’t tell me you haven’t got a thing to wear

So take your slow time with Bradford’s story Turn your page like the light seems to turn On this water/glass setting that reflects the glory Of the architecture and the light that helps you learn

‘Cos these reflections in water and light say it clear; The future is Bradford’s. The future is here.

Left, out of King’s Cross station’s comings and goings, And up York Way to Kings Place. Those architect’s drawings With their images of all those people going and coming Never did this place justice; real people have made it breathe In, out, like this: the news and the music coming and going; Three orchestras. Count them: three. Listen to the music surging Up those stairs, swirling round your head in the café, coming Unexpectedly round a corner as you read your newspaper.

Round here is changing; Kings Place got it all going And the Guardian’s here, you can feel the Place thinking And Jazz sends you notes that never stop coming In Canal Light and Sky Light and Art Light and Glass Light.

The remaking of a city turns on places like this; A Place built on music, truth-telling and bliss.

KINGS PLACE LONDON

SOWERBY BRIDGE WHARF This is the story of Sowerby Bridge And the things you would find in’t Rochdale Canal: Floating car tires or an old faded fridge, A glove waving at you like it was your pal…

But now that glove’s beckoning: see, over here Look what’s been realised down by the water; A shaping, remaking, a real making clear Of a future for Sowerby Bridge, one that ought to Place it right in the centre of this region’s map; You can eat here or drink here or book B&Bs Or go on a cruise, be lulled into a nap And dream of the future in places like these: Where the old and the new co-exist side by side, Turned the past to the present with skill and with pride…

WEST YORKSHIRE

SPONSORS

ACADEMICIANS

Sponsors Alan Baxter Associates Barton Willmore Crest Nicholson Department of Culture, Arts & Leisure NI Department of Environment NI Derry City Council Grosvenor Heritage Lottery Fund Holywell Trust Lathams Ilex URC Muir Group Parabola Land Savills St. George Plc The Trevor Osborne Property Group Walled City Partnership Winckworth Sherwood

Directors Prof Kevin Murray (Chairman), John Thompson (Honorary President), Pam Alexander OBE, Prof Chris Balch, Steven Bee, Chris Brett, Prof Brian Evans, Dick Gleeson, Tim Stonor, Janet Sutherland, John Worthington.

Supporters in kind Architecture + Design Scotland Baker Tilly BDP Charles Russell Solicitors Ecobuild Gillespies Jas Atwal Associates John Thompson & Partners Kevin Murray Associates Paul Davis + Partners Place NI Prentis & Co. Space Syntax Terry Farrell & Partners Tibbalds Planning & Urban Design URBED

Academicians Arthur Acheson, Robert Adam, Marcus Adams, Lynda Addison OBE, John Adlen, Kyle Alexander OBE, Peter Alexander-Fitzgerald, Sandy Allcock, Joanna Allen, Ben Allgood, Nigel Anderson, Ian Angus, Debbie Aplin, Judith Armitt, George Arvanitis, Stephen Ashworth, Philip Askew, Jasvir Atwal, Jeff Austin, Janice Balch, Jonathan Barker,Yolande Barnes, Alistair Barr, Irena Bauman, Alan Baxter CBE, Trevor Beattie, Ian Beaumont, Matthew Bedward, Simon Bee, Andrew Beharrall, John Bell, Michael Bennett, Neil Bennett, Robert Bennett, Janet Benton, Duncan Berntsen, John Best, John Betty, Richard Bickers, Martin Boddy, Henk Bouwman, Christopher Boyle, Mark Bradbury, Guy Briggs, Ross Brodie, Annabel Brown, Jonathan Brown, Patricia Brown, Mark Burgess, Andrew Burrell, Jonathan Burroughs, Richard Burton, John Bury, Malcolm Bushell, Peter Butenschon, Prof Georgia Butina Watson, Peter Butler, Stephen Byfield, Fiona Campbell, Kelvin Campbell, Charles Campion, Steve Canadine, Tony Carey, James Carr, Sam Cassels, Lynne Ceeney, Sue Chadwick, Tim Challans, Marion Chalmers, Joanna Chambers, Sarah Chaplin, Dominic Edward Chapman, James Chapman, Peter Chapman, Richard Charge, Giles Charlton, Alain Chiaradia, Prof David Chiddick, Nick Childs, Tom Clarke, John Henry Cleary, Clare Coates, Dr Jim Coleman, Robert Coles, Jason Collard, Garry Colligan, Paul Collins, Martin Colreavy, Max Comfort, Peter Connolly, Karen Cooksley, Prof Rachel Cooper OBE, Matt Corrigan, Jo達o Cortes達o, Will Cousins, Rob Cowan, David Cowans, Toby Crayden, Linda Curr, Ned Cussen, Justine Daly, Jane Dann, Prof Wulf Daseking, Alex Davey, Philip Davies, Prof Trevor Davies, Nick Davis, Paul Davis, Simon Davis, Mark Davy, Eric Dawson, Peter De Bois, Neil De Prez, Sophia De Sousa, Ian Deans, Guy Denton, Nick Dermott, Hank Dittmar, Andrew Dixon, Lord John Doune, Martin Downie, Roger Dowty, Paul Drew, Peter Drummond, Rosamund Dunn, Paul Dunne, Prof Mark Dyer, John Dyke, Duncan Ecob, David Edwards, Luke Engleback, Gavin Erasmus, Karen Escott, Roger Estop, Prof Graeme Evans, Roger Evans, Nick Ewbank, David F.L. Bishop, Dr Nicholas Falk, Ross Faragher, Kerri Farnsworth, Max Farrell, Sir Terry Farrell, Jacqueline Fearon, Ian Fenn, Jaimie Ferguson, George Ferguson CBE, Diana Fitzsimons, David Flannery, David Fletcher, Richard Ford, Sue Foster OBE, Bernie Foulkes, Jane Fowles, Simon Foxell, Alan Francis, Jerome Frost, Daisy Froud, Jeremy Gardiner, Carole Garfield, Tim Garratt, Angus Gavin, John Geeson, Jan Gehl, Lia Ghilardi, Andy Gibbins, Prof Mike Gibson, Bruce Gilbreth, Ian Gilzean,

Christopher Glaister, Francis Glare, Stephen Gleave, Keith Gowenlock, Charles Graham, Gerry Grams, Gary Grant, Michele Grant, Mark Greaves, Ali Grehan, Simon Guest, Richard Guise, Patrick Gulliver, Trutz Haase, Susan Hallsworth, Tim Hancock, Derek Harding, Liane Hartley, Geoff Haslam, Philip Hayden, Helen Hayes, Michael Hayes CBE, Peter Heath, Prof Michael Hebbert, Michael Hegarty, David Height, Wayne Hemingway, Simon Henley, James Hennessey, David Hennings, Mark Hensman, Paul Hildreth, Jason Hill, Stephen Hill, Tom Holbrook, Eric Holding, Peter Hollis, Stephen Howlett, Jun Huang, Jonathan Hughes, Richard Hulbert, Michael Hurlow, Prof Maxwell Hutchinson, John Hyland, Delton Jackson, Philip Jackson, Sarah Jackson, Dr Noel James, Dr Ying Jin, Cathy Johnston, Chris Jones, Gwilym Jones, Stephen Jordan, Youssef Kadiri, Dr Kayvan Karimi, Andy Karski, Dr Harald Kegler, John Kelpie, Jonathan Kendall, Angus Kennedy, David Kennedy, John Kennedy, James Kerr, Mary Kerrigan, Ros Kerslake, Anne Kiernan, Janice Kirkpatrick, Angela Koch, Prof Motoo Kusakabe, Chris Lamb, Charles Landry, Christer Larsson, Derek Latham, Diarmaid Lawlor, Adrian Lee, Sir Richard Leese, Mick Leggett, Alan Leibowitz, John Letherland, Harry Lewis, Michael Lewis, Kevin Leyden, Chris Littlemore, Michael Liverman, David Lock, Robin Lomas, Fred London, John Lord, Vivien Lovell, Mark Lucas, David Lumb, Barra Mac Ruairi, Robin Machell, Mary MacIntyre, Keiji Makino, Louise Mansfield, Riccardo Marini, Andreas Markides, Derek Martin, Kat Martindale, Andrew Matthews, Dr Alice Maynard, James McAdam, Steve McAdam, Richard McCarthy, Prof Michael McGarry, Kevin McGeough, Aideen McGinley, Nigel McGurk, Martin McKay, Craig McLaren, Mary McLaughlin, Paul McTernan, Craig McWilliam, Ian Mellor, David Miles, Stephan Miles-Brown, Gerry Millar, Robert Millar, Stephanie Mills, Shane Mitchell, Kris Mitra, Prof Bill Morrison, Prof Ruth Morrow, Paul Morsley, Elizabeth Motley, John Muir, Ronnie Muir, Eugene Mullan, John Mullin, Barry Munday, David Murphy, Dr Claudia Murray, Prof Gordon Murray, Hugh Murray, Peter Murray, Vivek Nanda, Stephen Neal, Peter Nears, Marko Neskovic, Ross Nimmo, Taryn Nixon, Malcolm Noble, John Nordon, Richard Nunes, Calbhac O’Carroll, Dr Dellé Odeleye, Simon Ogden, Killian O’Higgins, Adeola Oke, Chris Oldershaw, Wally Olins CBE, Tiago Oliveira, Breffni O’Malley, Trevor Osborne, Paul Ostergaard, Chris Pagdin, Dr Susan Parham, Chris Parkin, John Parmiter, Prof Richard Parnaby, Liz Peace, Richard Pearce, Adam Peavoy, Ross Peedle, Prof Alan Penn, Alison Peters, Andrew Petrie, Hugh Petter, John Phillipps, Jon Phipps, James Pike, Steve Platt, Ben Plowden, Demetri Porphyrios, Dr Sergio Porta, Prof David Porter, Robert Powell, Sunand Prasad, John Prevc, Dr Darren Price, David Prichard, Paul Prichard, John Pringle, Rhona Pringle,

Douglas Pritchard, Stephen Proctor, Matt Quayle, Helen Quigley, Shane Quinn, Mark Raisbeck, Peter Ralph, Clive Rand, Dr David Randall, Mike Rawlinson, Tony Reddy, Richard Reid, Cllr Sian Reid, Amanda Reynolds, Christopher Rhodes, Antony Rifkin, Prof Marion Roberts, Prof Peter Roberts OBE, Dickon Robinson, David Rodgers, Bryan Roe, Lord Richard Rogers, Angela Rolfe, Pedro Roos, Anna Rose, Graham Ross, Jon Rowland, Sarah Royle-Johnson, David Rudlin, Robert Rummey, Gerard Ryan, Dr Andrew Ryder, Stephen Sadler, Robert Sakula, Judith Salomon, Rhodri Samuel, Clare San Martin, Peter Sandover, Hilary Satchwell, Biljana Savic, Bridget Sawyers, Alberto Scarpa, Dominic Scott, Symon Sentain, Toby Shannon, Dr Tim Sharpe, Cath Shaw, Richard Shaw, Barry Shaw MBE, Keith Shearer, Anthony Shoults, Ron Sidell, Paul Simkins, Dr Richard Simmons, Andrew Simpson, Anette Simpson, Tim Simpson, Alan Simson, Ann Skippers, John Slater, Jonathan Smales, Malcolm Smith, Paul Smith, Prof Austin Smyth, Jim Sneddon, Carole Souter CBE, Adrian Spawforth, Jerry Spencer, Andy Spracklen, Tim Stansfeld, Alan Stewart, Alan Stones, Rosslyn Stuart, Peter Studdert, Nicholas Sweet, Stephen Talboys, David Tannahill, Ian Tant, Deb Tate, David Taylor, David J Taylor, Ed Taylor, Nick Taylor, Rebecca Taylor, Sandy Taylor, Ivan Tennant, Alison Tero, Alan Thompson, Chris Thompson, David Thompson, Robert Thompson, Dale Thomson, Lesley Thomson, John Thorp, Andrew Tindsley, Damian Tissier, Andrea Titterington, Ian Tod, Peter Tooher, Robert Townshend, Rob Tranmer, Stephen Tucker, Neil Tully, Lisa Turley, John Turner, Jonathan Turner, Chris Twomey, Julia Unwin, Guilia Vallone, Valli van Zijl, Atam Verdi, Jonathan Vining, Andy von Bradsky, Brita von Schoenaich, Prof Lorna Walker, Ian Wall, Ann Wallis, Russell Wallis, Brendon Walsh, David Walters, Dr Gerry Wardell, Paul Warner, Elanor Warwick, David Waterhouse, Nick Wates, Camilla Ween, Oliver Weindling, Dr Michael Wells, Jan-Willem Wesselink, Rosemary Westbrook, Allison Westray-Chapman, Duncan Whatmore, Craig White, Paul White, Lindsey Whitelaw, Peter Williams, Patricia Willoughby, Marcus Wilshere, James Wilson, Godfrey Winterson, Saffron Woodcraft, Geoff Woodling, David Woods, Nick Woolley, Nick Wright, Ian Wroot, Tony Wyatt, Louise Wyman, Wei Yang, Bob Young, Gary Young, John Zetter.

Honorary Academicians Prof Wulf Daseking, Jan Gehl, Christer Larsson.

In Residence David Harrison (Artist), Ian McMillan (Poet)

The Academy of Urbanism 70 Cowcross Street London EC1M 6EJ United Kingdom  +44 (0)20 7251 8777 info@academyofurbanism.org.uk www.academyofurbanism.org.uk

Sponsors of The Urbanism Awards 2013

Supporters in Kind