Fall Magazine 2023

T HE

A NT LERET TE VOLUME 98 // ISSUE 1

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14 I N T E G R AT I O N S E G R E G AT I O N T O KINA HER // STAFF

T A B L E

O F

CO N T E N TS 4 COENL ECBARMI TEI ERSA’ L I V E S MIKELA LAURENZI // STAFF

6 TT HH ER OTURGUHTPHH O T O G R A P H Y SYDNEY WESSELINK // CONTENT EDITOR

8 TOHF ET UDPAE ATC SHH AA KNUDRI N V E S T I G AT I O N LUCAN AMITUANAI // STAFF

18 H I S T O R Y O F A N I M AT I O N RICHARD GAO // STAFF

10 T H E E VO L U T I O N O F M OV I E S MARIE NDULUE // STAFF

12 L I G H T S , C A M E R A ,

STRIKE!

A D R I A N B AYA R D O / / EDITOR IN CHIEF

ION TO 14 SI NE GTREEGG ATRAT ION KINA HER // STAFF

16 WL IHTOTWLEER RE OT CH EK N I N E ?

LEANDRE MURREY // STAFF

18 H I S T O R Y O F A N I M AT I O N RICHARD GAO // STAFF

20 F R A C T U R E D

AZRIEL EZRA HU // COPY EDITOR

22 T D A G A L L E R Y

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ADRIAN BAYARDO // EDITOR-IN-CHIEF

LETTER F R O M

T H E

EDITOR B

eing a child of the twenty-first century, my generation has never known a world without the internet. Our entire lives have been recorded, whether that be through childhood photos or pictures posted on social media. The internet has given us unlimited access to pictures taken all around the world, from anywhere and anytime. In this edition of The Antlerette, we zoom in on the crucial moments captured in pictures throughout history. From the very invention of the camera, to the digital world we know today. Read as our staff illustrate life in scenes.

I am honored to present this year’s fall magazine. The staff have worked diligently to bring important issues to light, and convey how the scenes from our past continue to shape our future. Learn about those who fought for justice but remain unheard of to this day. Gain new insight into the death of a beloved artist whose final moments were caught on camera. Discover the revealing truth about what it’s like to live in the spotlight and the ongoing issues of fair pay in the film industry. This and much more awaits in this year’s edition of The Antlerette.

E DI TO R I A L A DV I S O R // MIC HELLE HA M ILTO N D ES I GN A DV I S O R / / M A RGA RET SO U LIERE PH OTO A DV I S O R / / C H RIS COAT ES

E DITOR-IN-CHIEF // ADRI AN BAYARDO CO N TENT ED ITOR // SYDN EY W ESSEL I N K CO PY ED ITOR // AZRI EL EZRA H U

COVER PHOTO IL LUSTRATION // LO URDES SOL IZ GRAPHIC D ESIGNERS // L I SA CHEN , MARI CL I F T, ARMAAN DHI L LON, K A BIR DIA Z , N OAH EAST, SI ERRA ETCHI SON , MADI LYN N F IKS DA L , CHRI S MI GUEL , JOL I E WARD

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ED I TO RI A L I MAGE // M A D I SO N HA M I LTO N

LIFE IN SCENES < 4

MIK ELA LAUR ENZI // STAFF

CELEBRITIES’ LIVES

O N C A M E RA F

or decades, the most famous people have had their lives captured on camera. Even in the split seconds, when they are barely in the public eye, people are desperate to take a quick picture of them. In earlier times, paparazzi, journalists, or even everyday people had bigger cameras, meaning it was more of a hassle to photograph celebrities, but now with cell phones and more practical cameras, it is easy to take a quick picture if you’re “lucky” enough to see them. Los Angeles is home to many celebrities and is where most paparazzi hunt to see if they find any celebrities to take pictures of, treating them as if they are some kind of endangered animal.

Paparazzi have ruined many people’s lives and even gone as far to make them have mental health issues - all because they want money. In an interview with Britney Spears, a reporter asked if she wished the paparazzi would leave her alone. Spears could barely let out a faint “yes” because of how much she was crying about the huge impact the paparazzi have had on her life.

Spears’ experience is a perfect example of how far these people go to photograph her entire life.

Most of the time when you see paparazzi trying to take photos of the stars, they are trying to cover their face and get to where they need to go as quickly as possible. The paparazzi often harass them and invade their personal privacy to display it to the world. A lot of celebrities in the present day hide their children from the paparazzi and try their best to protect them so that they don’t have to grow up on camera. Emma Roberts is a good example of this because she never wants to put her child on public display for everyone to see.

The paparazzi are just normal people trying to get photos of famous people doing everyday things to sell photos, degrading the lives of real people trying to just live their lives. As of today there is nothing being done about this issue and it is often overlooked. After all, in the minds of the paparazzi, they aren’t doing such a bad thing. They might think, “Why would I stop taking pictures if I am making millions off them? So what if I capture people’s personal and private lives on camera and sell them for profit?”

“Paparazzi have ruined many people’s lives and even gone as far to make them have mental health issues - all because they want money.”

ED I TO RI A L I MAGE / / SE A N L E E

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THE TRUTH THROUGH PHOTOGRAPHY SYDNEY WESSELINK // CONTENT EDITOR

Photography can be very powerful with its use to send a message that change needs to be made.

S

ince 1826, photography has been used by many for a variety of reasons, whether it’s used to send a message to a group of people or to express yourself and your experiences. Photography has also been used to simply record history. It has had a significant impact on our lives today.

Photography can be very powerful with its use to send a message that change needs to be made. During the Antebellum South, many people against segregation and slavery would use photography to show the true horrors of what was going on with the hope to open peoples’ eyes. Photography helped to show how African Americans were treated and how they lived. This put a spotlight on the truth and has also helped us better understand the events during that time.

The use of photography has been helpful to show poor living conditions in any place. It can motivate people to want to help by either donating money or even food and clothing. Showing photos of starving children, puppies in the streets, or families living in poverty on TV can be taken as trying to motivate people to help.

That message is sent through photography. The truly heartbreaking scenes it can capture and how it can motivate people is amazing.

Photographers can capture any moment and it can be taken in many ways.

Extravagant photographs of animals running free can help bring awareness of illegal hunting. Or those pictures can be taken without trying to send a message but instead trying to open our eyes to the parts of the world we don’t see everyday. Pictures of burnt down forest cities can help bring awareness that those cities need help or to try and convince people to be more careful with leftover cigarettes and campfires. Many travelers will take pictures of beautiful mountain ridges and sights all over the world just to simply show the beauty of nature.

Whether it’s asking for help with donation or awareness, to capture events that end up making impact in our history, or simply to express self achievements and adventures, the message through a photo can be taken many different ways and can help make a difference.

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LET

THEM

SEE THE TRUTH E D ITO R IAL IM AG E / / RYA N THO MPSO N

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T H E D E AT H A N D I N V E S T I G AT I O N O F T U PA C S H A K U R LUCAN AMITUANAI // STAFF

T

he investigation of Tupac Amaru Shakur, or better known as 2Pac, was one of the biggest and longest lasting murder cases in music history. On the night of September 7th, 1996, Tupac was riding with Suge Knight, infamous former co-founder and CEO of Death Row Records, when they were stopped at a red light. Minutes before the infamous incident, Shakur’s final moments were caught on camera. While Knight and Shakur were conversing with a car full of ladies in their left lane, a white Cadillac pulled up next to them in the right lane. The Cadillac’s back window rolled down and a shooter let off multiple shots into Tupac’s vehicle, hitting him four times. Six days later on September 13th, 1996, Shakur was pronounced deceased. The photo taken at the light before the shooting was circulated through the media and many began to speculate about who killed Tupac.

Now, new information has come to light and the issue of Tupac’s murder has come back into the mainstream media.

degree murder of Tupac Shakur, 27 years after the incident. Davis is a wellknown affiliate of the South Side Compton Crips, who at the time were at war with members of Death Row and Suge Knight’s affiliates. Hours before the shooting, Shakur, Knight, and their crews were at MGM Grand Resort in Las Vegas for a boxing event when they saw Orlando “Baby Lane” Anderson, Davis’s nephew. The men approached Anderson and attacked him. After the incident Shakur and Knight returned to their rooms, changed clothes, and agreed to go to a club owned

by Knight for Tupac’s charity concert. On the way there, they were stopped at a red light, and Shakur was fatally shot from the passenger side.

...new information has come to light & the issue of Tupac’s murder has come new information has given new insight into this back into the main- This incident. For years it was heavily considered that Orlando Anderson killed Tupac Shakur, but before stream media he could ever get convicted, he died in a shootout

Recently, a new event was added to the timeline on September 29th, 2023 when Las Vegas Metro Police arrested Duane “Keefe D” Davis for the first

ED I TO RIAL IM AGE / / CA RTER BENSON

in 1998. Suspicions including famous celebrities, different gang members, and even Suge Knight himself arose throughout the years of who killed Tupac. The case was left cold, until Davis’ arrest in September. At the moment, the question seems to be partially answered regarding Tupac’s murder, but this story continues to develop with time.

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Los Angeles was the hotspot for most of the advancements in the film and movie industry. By 1910, film companies began to move to what we now know as Hollywood and many classic movies we know today, such as Frankenstein and Birth of a Nation, were created. In the 1930s, westerns, comedies, musicals, and horror movies rose to prominence. This decade is often known as the “Golden Age of Hollywood” due to the drastic changes the film industry was going through.

ED I TO R I A L I M AG E // M A R I C LI F T

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T H E EVO LU T I O N

OF MOVIES MARIE NDULUE // STAFF

E

veryone loves movies. Some even have a favorite romantic comedy that makes them laugh and cry or a horror movie so scary that it makes them unable to sleep for days. However, movies were not always the same as they are now. It took many decades of technological advancements and experimenting and a lot of creative thinking to get us to where we are today.

In 1891, American inventor Thomas Edison created the first motion picture camera, the Kinetoscope. It began to be sold commercially two years later and became very popular.

What is thought to be the very first filmed comedy is The Boxing Cat, a one-minute movie that worked with the Kinetoscope, displaying two cats in a boxing ring. In the 1900s, movies started to become a very popular pastime, with them being shown at amusement parks, music halls, and wax museums.

Los Angeles was the hotspot for most of the advancements in the film and movie industry. By 1910, film companies began to move to what we now know as Hollywood and many classic movies we know today, such as Frankenstein and Birth of a Nation, were created. In the 1930s, westerns, comedies, musicals, and horror movies rose to prominence. This decade is often known as the “Golden Age of Hollywood” due to the drastic changes the film industry was going through.

The 1940s saw a lot of animated movies throughout the decade, such as Disney’s Pinnocchio and Fantasia. But the 1950s held a grim fate for many of the dominating movie companies as they had to make drastic changes in order to stay afloat. Many TV shows like The Twilight Zone had people watching TV more than ever before. Competition began brewing in the 1960s between the television and movie industries.

Movies have come a long way from the 1890s when they were first created to now, where they can be viewed at any time. The movie and film industry is always changing with endless possibilities that appeal to a wide range of audiences.

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LIGHTS, CAMERA,

STRIKE! A D R I A N B AYA R D O / / EDITOR-IN-CHIEF

“What could have possibly driven thousands of actors and writers to run off set and head straight for the picket lines?”

O

n July 14th, 2023, actors of the SAG-AFTRA actors’ union yelled “Cut!” to the Alliance of Motion Picture and Television Producers (AMPTP), the trade association that represents most film companies in America. With the writers’ union, the Writers’ Guild of America, having already been on strike for over two months at this point, the American film industry, a 42.5 billion dollar industry, was brought to a complete stop. What could have possibly driven thousands of actors and writers to run off set and head straight for the picket lines?

One of the areas SAG-AFTRA and AMPTP failed to reach an agreement on: residual payments, when actors and writers get a payment each time their TV show or movie airs on any channel. While these payments were standard practice when television and movies were aired on live TV channels, residual payments for actors and writers have not continued into the age of instant streaming. The overwhelming majority of Americans now consume their TV and movies through streaming services such as Netflix, Disney+, and Hulu. With this comes the issue of residual payments. Actors and writers alike are not seeing the same residuals they would be if their projects were being broadcasted on live TV rather than a streaming platform. For example, the actors from the hit TV Friends continue to receive over 20 million dollars in residual payments annually, despite the show being off the air for over 19 years. The money earned from streaming has failed to reach the actors and writers who actually worked on the projects, and instead has landed in the pockets of wealthy CEOs. Another area SAG-AFTRA advocated for was protections from AI. With the rise of artificial intelligence programs (like ChatGPT) being utilized for writing, many writers feared that they could potentially be replaced. Actors too shared this fear, as their career is entirely reliant on their “likeness”, which could be jeopardized if AI is used to replace them. Some studios had proposed scanning actors and using those scans to digitally generate background characters for TV and film, only paying actors for one day’s work when they could be paid for actually acting in the background. Many actors were appalled at this proposal, as over half of actors in America earn less than 30,000 dollars a year and rely heavily on any work they can find. Meanwhile, Netflix had a position open and ready for an AI product manager, a position that pays a salary of 900,000 dollars. It is abundantly clear that studios are moving towards a future with AI, a prosperous future at the expense of the working actors trying to survive in today’s economy plagued by inflation.

As of today, the Writers’ Guild of America and SAG-AFTRA are no longer on strike. With both unions reaching a deal with AMPTP and Hollywood studios, actors and writers alike are free to resume work in the film industry. However, doing so will not bring Hollywood back to full production overnight. In the few months the actors and writers were on strike, significant damage was done. Highly anticipated projects such as the fifth and final season of the hit show Stranger Things continue to be pushed back and delayed. Even with the return of actors and writers, it will still be a considerable amount of time until Hollywood will be able to make a full recovery after months of a complete shut down.

ED I TO R IAL IM AG E // M EIKE A NNE P UL IDO

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S E G R E G AT I O N T O KINA HER // STAFF

S

egregation, a dark chapter in human history, has left a lasting impact on societies around the world. Although formal systems of segregation have been dismantled in many countries, the challenges of overcoming its legacy persist to this day.

Primarily based on race, it was prevalent in various parts of the world, particularly during the 19th and 20th centuries. It involved the enforced separation of different racial or ethnic groups, denying marginalized communities access to education, employment opportunities, public facilities, and even basic human rights. The challenges of segregation were multifaceted and deeply entrenched. Discrimination and prejudice were ingrained in societal structures and attitudes, perpetuating inequality and social divisions. Overcoming these challenges required a concerted effort from activists, leaders, and communities.

Legal battles were one of the significant challenges in the fight for civil rights. Activists like Martin Luther King Jr., Rosa Parks, and many others played pivotal roles in challenging segregation laws and advocating for equality. Legal battles, such as the landmark Brown v.

Board of Education case in the United States, paved the way for desegregating schools and other public spaces. Brown v. Board in 1954 challenged the history of black discrimination against young black students going to an integrated school in any state. Segregation not only created physical divisions, but also fostered deep social and cultural barriers between different racial and ethnic groups. Breaking down these barriers required efforts to promote understanding, empathy, and inclusivity. Dialogue, education, and cultural exchange programs played a crucial role in bridging these gaps.

While significant progress has been made, the challenges of segregation persist today in different forms. Addressing these challenges requires ongoing commitment and collective action. Segregation has often resulted in economic disparities, with marginalized communities facing limited access to quality education, healthcare, and employment

ADDRESSING THES ONGOING COMMIT COLLECTIVE AC ED I TO RI A L I MAGE / / LOGA N SC H MI DT

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I N T E G RAT I O N opportunities. Overcoming these disparities requires targeted policies and initiatives that promote economic empowerment and address systemic barriers. The importance of every racial issue wasn’t the violent attacks made by the white population; the purpose was to force accountability regarding African American rights. Despite legal and social progress, implicit bias and prejudice still exist and can hinder true integration. Combating these deeply-rooted attitudes requires education, awareness campaigns, and fostering relationships across different communities.

While challenges remain, progress has been made towards creating more inclusive societies.

Many countries have implemented legislation to combat discrimination and promote equality. Affirmative action policies, anti-discrimination laws, and diversity initiatives have all contributed to increasing opportunities for marginalized communities. Powerful social movements, such as the civil rights movement, have raised awareness and challenged societal norms. Protests and marches like the Black Lives Matter started from the 1960’s Jim Crow Laws, and the Women Equal Rights Amendments in 1923 led to today’s progress, opening the eyes and the language of the unheard, exploring the history of equality in segregation and racial discrimination in an honest and appropriate movement. Non-violently seeking or signifying that they are equal and just as important as any white American, these movements have paved the way for change and continue to inspire activism against brutality today.

The challenges of segregation, from its historical roots to the present day, have been formidable. However, progress has been made through legal battles, social movements, and policy reforms. While the work is far from over, acknowledging the challenges and learning from history can help build a more inclusive and equitable future for all. By continuing to address economic disparities, combat prejudice, and promote social integration, we can strive towards a society where the scars of segregation become distant memories.

E CHALLENGES REQUIRES TMENT AND TION.

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WHO WERE THE LITTLE ROCK NINE? LEANDRE MURREY // STAFF

T

he Little Rock Nine offered a glimpse into the bigger picture of the Civil Rights Movement in the late 1950’s and early 1960’s. Despite this, not many people know their story. They were the first nine students to integrate into a all-white school by the name of Central High in Little Rock, Arkansas on September 4th, 1957. It all started in 1954 when the United States Supreme Court ruled in Brown v. Board of Education that segregated schools were, in fact, not equal or constitutional. This case marked the beginning of the end of segregation in America. Despite the Supreme Court’s ruling, segregated schools did not change overnight. It wasn’t until 1957, three years after the Brown v. Board of Education ruling, that nine teenagers in Little Rock Arkansas would stand up to segregation and forever become symbols of civil rights in America.

The “Little Rock Nine,” as the teens would come to be known, were the first African American students to enter Little Rock’s Central High School in Little Rock, Arkansas. However, attending this school would not be so simple as there were complications for the nine teenagers. On September 2nd, 1957, the night prior to what would be the teens’ first day in Central High’s classroom, Arkansas governor, Orval Faubus, ordered the state’s national guard to block the teens’ entrance into the school. Governor Faubus claimed that this was for the safety of the nine students.

On September 4th, just twenty-four hours after the federal judge ordered the Little Rock Nine to be allowed to enter the school and begin attending Central High immediately, a belligerent mob of white people, including the National Guard, stopped the teens

SEGREGATION ED I TO RI A L I MAGE / / M A D I LY NN F I KS DA L

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from entering the school. Sixteen days later, a federal judge ordered the National Guard to be removed. Again, on September 23rd, the Little Rock Nine attempted to enter the school.

Although they were escorted by the Little Rock police into a side door, another angry mob of people gathered and tried to rush into Central High. Fearing for the lives of the Little Rock Nine, school officials sent the teens home. The rage of the mob outside the school was caught on camera, and remains in photographs to this day. These photos, widely available, show white Americans gathered outside the front doors of the school, taunting and shouting at the teens as they attempted to enter the school. These pictures have been forgotten over the course of time, but all it takes is one Google search to see the harsh reality of what African American students had to endure in the name of equality.

In the end, on September 25th, 1957, following a plea from Woondrow Mann, Little Rock’s mayor, Dwight Eisenhower federalized the soldiers from the national guard and the 101st Airborne, and the Little Rock Nine were able to attend classes regularly among their white peers at Central High.

Thanks to the ruling of the Supreme Court, and the bravery of the Little Rock Nine to uphold the ruling in their community, schools across America began to slowly integrate their schools. This simple act in Little Rock, Arkansas, paved the way for students like Ruby Bridges in New Orleans, Louisiana, to do the same, just three years later.

“Although they were escorted by the Little Rock police into a side door, another angry mob of people gathered and tried to rush into Central High”

SEGREGATION

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ED I TO RI A L I MAGE / / DA NI EL RA M I R EZ

E D I TORIAL IM AGE // KARAH TO MAKIN

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H I S T O R Y O F A N I M AT I O N RICHARD GAO // STAFF

A

nimation has played a big part in the filming industry. Animations allowed people to create “movies” without cameras back in the days. Before all the modern day animations like Finding Nemo, Cars, and Mickey Mouse, we have to take a step back and appreciate the evolution of animations over the years.

The earliest animation device was something called the Magic Lantern. It was an image projection device made in 1603. It’s basically a mirror behind a candle that would direct light and create moving slide illustrations. If you add more slides, the lanterns would show the moving pictures. There were many other devices that were developed as time went on, but this was the “birth” of animations.

The first animated film was Pauvre Pierrot in 1892 by Émile Reynaud. It was created by using picture rolls with 500 hand painted images, which led to a longer viewing time, especially in the late 1800s. However the real truly “animated” film was Fantasmagorie in 1908, which used traditional animation techniques. One of the first films to use animations in the early 1900s was Snow White and the Seven Dwarfs.

Throughout the mid 1900s, technologies like computers helped pave the way for higher quality animations. Technology was being developed at a high rate in the 1940s. As people began working on graphic design on computers it created a higher standard for digital graphics. Throughout the years people have continued to master it and more and more people began using graphic design as an art form. All this effort led to the creation of CGI or computer generated images. Many award winning movies such as Avatar and Titanic whose box offices were both in the 2 billion dollar range utilize CGI to create an unforgettable experience for viewers. CGI is the masterpiece that fuels animations and dominates the media today and is apparent everywhere.

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“Welcome back to the world,” The doctor said, “Terrible, isn’t it?”

good kind of peaceful.

They stood in a room they had no recollection of. The people - their mother and father, they had been told - had said that it was their childhood bedroom. They looked at the purple walls, purple sheets, the purple chair, the purple picture frames holding pictures of people they did not know. They could not have said anything about the color. But they went to the bed and laid down, stiffly. It felt more uncomfortable than the bed in the hospital.

T

here was someone wearing a long white coat standing with their back to them. It was a doctor, though they could not have said how they knew. The doctor turned, and did not seem surprised that they were conscious. They could not have said whether or not they were conscious. They blinked.

There were stars stuck to the ceiling, but they had been painted over in purple. the crossing sign flashes red. everything is a blur. somewhere, someone calls for a taxi. i see blood pooled on the street, the same way blood had pooled in the bathtub two years ago. it’s streaked across the front of a yellow car.

“Welcome back to the world,” The doctor said, “Terrible, isn’t it?” there are little yellow-frosted scones on a paper napkin. i swing my legs back and forth, laughing, at what the child next to me says. i am a child. my feet do not touch the ground.

They sat quietly in their bed. It was white, and the sheets were neither rough nor soft.

The doctor had asked them several questions before leaving. They had answered between ice chips in a voice whose raspiness they had not been expecting. Some few minutes after the doctor had left (they had counted the seconds as they had passed on the clock hanging opposite from their bed) a woman and a man came into the room. They were older than the doctor, and they were crying. “⯀⯀⯀⯀!”

They called, “You’re awake!” xThe doctor had referred to them as a ‘him,’ but these people referred to them as a ‘her’. They couldn’t remember being referred to as either of them. i put my hands closer to the fire to warm them. the flickers of embers drifted off and caught against the dried yellow leaves that had been used for kindling. it’s the

E D ITO R IAL IM AG E // ISA BELLA DAWSO N

A few months later they leave the house of their parents and return to what used to be their apartment. Some of the walls are white, like their old room in the hospital, and all of them are bare. They think it feels familiar, at least. They open the curtains and think about smiling when the sunshine streams through the window.

When they lay on their old bed, it doesn’t feel stiff.

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TDA GALLERY SENIORS

LIFE IN SCENES // CADENCE RINELLI

TRUTH THROUGH PHOTOGRAPHY // CHRIS MIGUEL

FRACTURED // KABIR DIAZ

LIGHTS, CAMERA, STRIKE // LAUREN PRUM

TRUTH THROUGH PHOTOGRAPHY // LISA CHEN

FRACTURED // CHASE RADMACHER

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Fa

mo u Fo rd me un ere ric d c d a sho adill dead last n rap a sce ts w c aft in hi night per be ne c ere f er m s wh . for ap ire ul tip ite K e t tur d. po iller he ho ed m Chill le Fa lice fled rrif om ing en mo sti ic t t mu us A ll on he sc crim s e. e Fo rd me the n e e u r , c nd red ica sea sho adill dead last n rap rch. a n p sce ts w c aft in hi ight er bef ne c ere fi er m s wh .

Ki ore aptu red. ultip ite lle the red Ch le re sc ho mo illi on aped rrific men ng the , p cri ts sea olic me rch e st . ill .

sA mu SHAKUR INVESTIGATING TUPAC // KAITLYNN KAMINSKAS

INVESTIGATING TUPAC SHAKUR // HELINA PHAM

LIGHTS, CAMERA, STRIKE // JOLIE WARD

LIGHTS, CAMERA, STRIKE // LOGAN DOFFLEMYER

FRACTURED // ADRY PACE

SEGREGATION TO INTEGRATION // ARMAAN DHILLON

W e l c o m e to the fabulous

ART in Action

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April 4th art, band, ceramics, CHALK ART, dance, design, mixed media, photo, theatre