TNP Backstage: Becky's New Car Virtual Show

OFFICIAL

Virtual PERFORMANCE GUIDE

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A Deviou

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ken a T t o N d a the Ro n w o D p m tful Ro h g i l e D d n sa

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DIETZ

Becky’s New Car

by Steven Dietz

Director

Sound Design

Dallas Dunnagan

Bradley Van Houten

Stage Manager

Season Dramaturg

Amy Tran

Ricki Baker

Virtual Performances • May 24 – 31, 2020 Sponsored by Garage Doors of Naples

Look for this icon throughout the playbill and click for more virtual content!

Becky’s New Car is presented by special arrangement with Dramatists Play Service, Inc., New York Becky’s New Car was commissioned and originally produced by ACT Theatre in Seattle, Washington, and was part of the New Works for American Theatre in honor of Benita Staadecker, Kurt Beattie, Artistic Director; Susan Trapnell, Managing Director.

The videotaping or audiotaping of this production is a violation of United States Copyright Law and an actionable Federal Offense.

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TNP BACKSTAGE

PERFORMANCE GUIDE: BECKY’S NEW CAR

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Cast

(in alphabetical order)

Steve….........................................................................JA SON EUGENIDES Walter Flood…......................................................................BRET T MARSTON Joe Foster…..............................................................................THOMAS RE X Kensington Flood….......................................BRI A LLEN SA NCHE Z-THURBER Chris Foster…....................................................................K E V IN S A NDEL Beck y Foster….................................................................JES SICA WA LCK Ginger/Mrs. Tipton…................................................................JACKIE WEINER

SPECIAL THANK YOU Jean Snyder

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PERFORMANCE GUIDE: BECKY’S NEW CAR

DIETZ

& COVID-19 Thank you for choosing to support The Naples Players and the hard-working cast and creative team behind Becky's New Car by "attending" our virtual show! As we continue to evaluate the situation and safety surrounding the coronavirus in our community, we are dedicated to keeping you informed. At the second-half of

NG MEASURI t T H E impa c

on the a rts A COVID-19 ORT S TA T U S R E P

this document is a copy of our recently published COVID-19 Status Report: Measuring the Impact on the Arts.

0 M AY 9, 2 0 2

For the most up-to-date information you can always visit our dedicated website page at: NaplesPlayers.org/COVID19

NAPLE S PL AY

ERS

THE FL 340 12 Sou th | Nap les, 701 5th Ave nue lay ers .or g

239.43 4.7 340

| ww w.N apl esP

TNP COVID-19 STATUS REPORT SEE REPORT ON PAGE 17

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Steven Dietz A CLOSER LOOK

Some mornings, before heading to the University of Texas campus to teach his playwriting class, Dietz Googles one of his plays in search of the nastiest review.

He shares it with his students - every bit, right down to the last lacerating adjective. No, Dietz isn’t a masochist; this is how he shows students one hazard of their chosen occupation: inevitably, some critic won’t like your play and may express that loathing in the most demeaning terms.

“The guy is a freak,” insists one of his students. “He writes, like, two plays a year. Every year. Only I think this year he wrote three. That is in addition to the teaching and the workshops and speaking and directing and extensive traveling and the parenting he does. He writes as if it were his job, whether or not he feels like it. He doesn’t wait for inspiration – he told me once that if he waited for inspiration, he’d never write a damn thing. He decides he’s going to write a play about something, and then he does it. It’s weird. I believe that’s called discipline.”

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PERFORMANCE GUIDE: BECKY’S NEW CAR

“I grew up with the notion that work is necessary,” Dietz says. “Work is a celebrated thing in my family. My parents’ mantra essentially was: be useful.” That principle is deeply embedded; Dietz considers the word “workmanlike” – a term that would make many playwrights cringe – an honor. “I’m much more comfortable with the phrase ‘working playwright’ than ‘professional playwright.’”

Self-importance has no place with Dietz. “A lot of people dine out on the idea that what they’re doing is so special and so difficult,” he says. “That stuff makes me sick. I try not to tolerate it in my students, and I absolutely will not tolerate it in myself, nor would my friends let me.”

larly,” he adds. u g re st lo I so s, sport I grew up playing for a writer.”

“Perfect training AC

T 1 SCENE

1

“I’m trying to fill up a toolbox for my students, and my job is to give them more tools than they need.

As I tell them, my job is to make myself unnecessary. It’s so seductive to make yourself necessary to your students. Ultimately I want them to say, ‘This is mine now, and I don’t need Dietz to tell me where to put the short word in the sentence.’”

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Steven Diet s k a bre HOW BECKY

the Fourth Wall

In theater, the fourth wall is where an imagined, invisible wall separates the actors onstage from the audience. Even though the audience can see through this “wall”, the actors act as if they cannot. That’s how most plays are written and performed.

A character might confide in the audience by letting them in on a joke, or sharing a bit of knowledge that the characters onstage don’t have. An actor might suddenly step out of character and start speaking to the audience as herself, not the character she plays. An opera diva might pause for applause and take a bow after making a grand entrance, or finishing a spectacular aria “in character.” The film or television version of the fourth wall disappears when, for example, someone unexpectedly turns and speaks right into the camera rather than to the other characters.

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PERFORMANCE GUIDE: BECKY’S NEW CAR

tz

In the theater, a character might remind the audience that what they’re seeing isn’t real. For example, think of a villain who’s about to deliver a fatal blow and pauses to proclaim, “If this were a play, the hero would rescue you just in the nick of time!” That’s a subtle way to break the fourth wall by winking at the audience and having fun with the distinction between “theatre” and “reality.”

So, performers can speak directly to the audience by “breaking the fourth wall.” And this is exactly what Becky does several times in the play for very specific reasons — and to very specific effect. She involves the audience directly.

Whether she’s cleaning her house, stopping a leaky ceiling, or changing into alluring attire, Becky is asking every woman ‘of a certain age’ in the audience to identify with her and empathize with her life!

And women in particular are encouraged to become her allies and make a connection with Becky.

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9

E H IS D L R O W E H T WHAT IN

t u o b a g n i talk

?

Chris, the 26-year old graduate student still living at home with mom and dad, tosses out a bunch of technical-sounding terms from his studies in psychology.

What do they mean? Do they in any way apply to the situations and people in the play?

You decide Paranormal Transference Happens when emotion is transferred from a spirit or other energy source to a living person.

The person then senses or feels the same emotion as the spirit or residual energy source.

Also known as the knew-it-all-along phenomenon is the common tendency for people to perceive events that have already occurred as having been more predictable than they actually were before the events took place. As a result, people often believe, after an event has occurred, that they would have predicted or would have known with a high degree of certainty, what the outcome of the event would have been, before the event occurred.

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PERFORMANCE GUIDE: BECKY’S NEW CAR

Self-Actualization Desire that leads to the realization of one’s full potential: Self-actualizers have reached the apex of human existence; they have become everything they’re capable of.

Perceptual Constancy The tendency to perceive an object you are familiar with as having a constant shape, size, and brightness despite any changes that occur.

Generativity Concern for people besides self and family that usually develops during middle age especially. A need to nurture and guide younger people and contribute to the next generation.

Reciprocal Determinism The theory that a person’s behavior both influences and is influenced by personal factors and the social environment.

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CAST

iographies

Jason Eugenides (Steve) Becky’s New Car will be Jason’s 12th pr o duc t io n w i t h T he N a ple s Players. His first show was before the Sugden Theater was home to TNP in 1998. Dr. Eugenides is the owner and optometric physician of Vanderbilt Optical, the finest eyeglass shop in Naples.

Brett Marston (Walter Flood) is thrilled to be reunited with Dallas Dunnagan in this production of Becky’s New Car after working with her in his first Naples Players production, The Foreigner. Brett was last seen in TNP’s production of Don’t Dresss for Dinner.

Tom Rex (Joe Foster) was most recently seen as Ranger Tom in TNP’s Escanaba in da Moonlight.

Other recent roles include Don’t Talk to the Actors for The Studio Players and West Side Story for TNP’s Readers Theatre. Tom has also worked backstage on multiple TNP productions and has trained with TNP’s Jessica Walck and Diane Davis.

He would like to thank his wife Deb and dog, Lola, for their continued support and TNP for the opportunity to be a part of this amazing cast.

Br iall e n S an c h ez-T hu r b e r (Kensington Flood) is excited to return to The Naples Players. She was last seen as Ted in Peter and the Starcatcher. Briallen would like to thank her mom for continued love and support!

Kevin Sandel (Chris Foster) is so excited and honored to be a part of this theatre and help bring Becky’s New Car to life in Naples.

This is his first show with The Naples Players! Previous credits include staged readings and an appearance in Comedy Shorts Live! with the Center for the Performing Arts Bonita Springs.

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TNP BACKSTAGE

PERFORMANCE GUIDE: BECKY’S NEW CAR

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CAST

iographies

Jessica Walck (Becky Foster) considers it an honor to work with her mentor Dallas Dunnagan in this capacity again. Jessica started volunteering at The Naples Players in 2003 and has since been active as an actor, director, instructor — and under Dunnagan’s leadership she became a full-time staff member and now serves as the organization’s Associate Artistic Director. She could not be more grateful to TNP for being a place where she can explore her passion while making it a career.

This is truly a special place. Recent acting credits include Adelaide/Guys and Dolls and Ellen/Jenna in Maple and Vine.

Jackie Weiner (Ginger/Mrs. Tipton) is thrilled to be making her debut at TNP after recently performing on Marco this season. Jackie has been involved in theater both on and off stage including Voice Over since moving from the UK 24 years ago. Thanks to her family for their continuing love and support.

Click to watch behindthe-scenes footage of the making of Becky's New Car

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CREATIVE TEAM iographies

Dallas Dunnagan (Director) now lives in Bluffton, SC having previously served as Artistic Director of TNP from 2000-2016. Before that, she was Artistic Director of The Hilton Head Playhouse and the Self Family Art Center. A few of her favorite shows, of over the hundreds she has directed, include: God of Carnage; The Importance of Being Earnest; Les Misérables; and The Mystery of Irma Vep. Thanks to all who provide rides especially Brett! Special thanks to Jessica and Craig for not only opening their home but allowing me to include my Weiner dog mix, Linus, as part of their puppy brood.

Amy Tran (Stage Manager) is excited to be stage managing again with TNP. Her most recent SM credits include Footloose and Into the Woods, and most recent ASM credits include Mamma Mia! and She Loves Me. She thanks her friends for all their love and support. She is beyond grateful for all TNP has taught her and looks forward to more opportunities to come.

Bradley Van Houten (Sound Designer) is celebrating his 7th season at TNP. Brad has his bachelor’s degree in Theatre: Design & Technical Production and Theatre: Stage Management from Western Michigan University. Having the pleasure of working Off-Broadway on Soul Doctor and internationally at the Edinburgh Fringe Festival, Brad is happy to be working at a theatre where every day brings on a new challenge. In his time at TNP he has worked on sound on over 80 productions.

Select previous credits include Mamma Mia!, Peter and the Starcatcher, Chicago, Maple and Vine, She Kills Monsters, Sister Act, Rocky Horror Show, The 39 Steps, Something’s Afoot, and Good People.

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PERFORMANCE GUIDE: BECKY’S NEW CAR

Get to Know Us TNP LEADERSHIP & STAFF LISTING

FRONT OF HOUSE

INTERNS

Mollie LaTorre

Scott Boisvert

Destiny Harris

Costume Shop Supervisor

House Manager

Costume Intern

Mary Anne McKerrow

Pamela Abbott

Sapphira Koerner

Assistant House Manager

Scenic Intern

Rebecca Borchardt

Kenneth May

ADMINISTRATION Bryce Alexander

Executive Artistic Director

Dot Auchmoody

Resident Costume Designer

Cole Butcher

Production Stage Manager/ Internship Director

Pamela Larkin Caruso Director of Volunteers

Kenzie Currie

Education Stage Manager

Pam Hanson

Bookkeeper/HR Administrator

Joann Johnson

KidzAct Costume Designer

Derek Perry

Director of Community Education & Wellness

Mike Santos

Esther Snyder

Craig Walck

Chase Lilienthal

Assistant Technical Director

Stage Management Intern

James Duggan

Lighting Intern

Zachary Pachol

REACH OUT

Davis Vande Steeg

Assistant Box Office Manager

Company Manager

Hester Kamin

BOX OFFICE Box Office Manager

Technical Director/Shop Supervisor

Bradley Van Houten

Director of Education

Molly McCarville

Craig Price

Assistant Bookkeeper

Sound Intern

Assistant House Manager

Director of Development

All emails are first initial, last name at naplesplayers.org (i.e.- jsmith@naplesplayers.org)

Scott Boisvert David Cecere Merja McKenna April Polomsky

Sound Designer/Master Electrician Production Manager/Lighting Designer

ADMINISTRATION OFFICES

(239) 434-7340

Jessica Walck

Associate Artistic Director

2019-2020 BOARD OF DIRECTORS Denny Glass

Pat Pollok

David McElrath

Alyssa Haney

Dede Brownlee

Tom Ray

Steve Purcell

President

Executive Vice President

Peggy Monson Facilities

Development Membership Treasurer

Robin Bache Gray

John Paul Prebish

Alan Jaffe

Susan Suarez

Immediate Past President

Terry Libby

Heather Tice

Kelley Geraghty Price, Esq.,

Eric Olson

Bob Uek

Secretary

Ex-Officio

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MEASURING T H E impact

on the arts A COVID-19 S TAT U S R E P O R T

M AY 9, 2 0 2 0

THE NAPLES PLAYERS 701 5th Avenue South | Naples, FL 34012

239.434.7340 | www.NaplesPlayers.org

A NOTE

from Bryce TNP CEO & EXECUTIVE ARTISTIC DIRECTOR

Dear Friends, I feel very fortunate to be showing you the amazing impact our organization is having in our community during this crisis. As a theatre for the community, we know that our efforts and impact are more important now than ever before. But to understand the scale of our efforts, I want to give you some larger context.

Many people are surprised to learn that Arts and Culture is a $30 billion industry in Florida. In the United States, it’s an $800 billion industry with greater GDP than Transportation or Agriculture. Even so, it’s an industry that is rarely covered in the news – and overlooked in financial impact.

Twenty-two years ago, however, downtown Naples was in a slump. And despite a strong national economy, the city needed to rejuvenate the town’s economy. The Arts were the answer. Helping to herald in the next two decades of prosperity in Naples, The Naples Players knows that downtown will once again be turning to us to help return downtown to the vitality it has grown to expect – and depend upon.

While other organizations have had to go dark, we have persevered to continue serving our community.

Your support of our programs not only impacts each of the individuals we’ve chronicled in this report, but is also crucial to the future of downtown.

As you’ll see, the need is significant. Donations are down and ticket sales are way off – but our mission and vision remain unchanged. With your help, we’ll build our community back stronger than ever before.

Thank you for your support,

Bryce Alexander CEO & Executive Artistic Director balexander@naplesplayers.org P.S. As we continue to be conscious of expenses during these difficult times, the cost of this mailing was generously sponsored by our good friends and current sponsor of Becky’s New Car: Garage Doors of Naples. Our dedicated volunteers once again rose to the call to assist with packaging and addressing these reports for distribution.

Together, we are saving the arts.

Garage Doors of Naples 3873 Davis Blvd. | Naples, FL 34104

(239) 261-6199 www.GarageDoorsOfNaples.com

SERVING OUR community DURING TIMES OF NEED

After the difficult decision to temporarily close our doors on March 12, our staff and leaders were desperately searching for ways to use their time and talents to continue serving our community.

Resident Costume Designer Dot Auchmoody saw a Facebook post containing a pattern to build surgical masks. She quickly realized that this was a way the costume staff and volunteers could continue to utilize their skills. A call was placed to the local hospital, and an offer made to use any of our remaining bolts of fabric to cre-

600+ MASKS SEWN & DONATED

ate surgical style masks. The hospital requested 300. It was only a matter of days until the hospital called, needing as many masks as had already been created.

Volunteers were also able to contribute – and were given “take-home” kits to continue making masks at home.

Word quickly spread about our efforts, and a local printing company offered to use their laser cutters to cut the fabric patterns of the masks. This collaboration allowed high-precision, high-output capacity of the in-demand masks. We continue to make

5

INTUBATION BOXES FABRICATED & DONATED

masks today, providing them to hospitals, nursing homes, and others who may need them.

Similar efforts were taking shape in our scene shop, too: when Assistant Technical Director Chase Lilienthal realized he could use leftover plexiglass to create intubation boxes, a critical shield for protecting doctors and nurses when intubating patients.

Naples Community Hospital made specific design requests, the shop implemented them, and the boxes have become another added tool to help protect our community’s heroes.

420

VOLUNTEER & STAFF HOURS OF SERVICE

LEFT: Staff at Naples Community Hospital pose for a photo wearing masks created from left over fabric in TNP’s costume shop.

MIDDLE: One of the intubation boxes created in TNP’s scene shop and donated to local hospitals to protect workers from virus exposure.

RIGHT: Costume Shop Supervisor Mollie LaTorre finishes one of the hundreds of masks created for local hospitals.

SOCIALLY

distanced

VIRTUALLY

connected

A R T S E D U C AT I O N GOES ONLINE

Arts education is at the core of our mission. Serving more than 1,200 students on-site in classes every year, we know that the social and imaginative access our programs provide our students is critical to their at-home education. In only one week, all of the education programs, for every age and level, were modified and moved to electronic formats. Not only has this provided the students continuity and connection, it has inspired the theatre to evaluate ways to bring virtual classes to under served populations in the future. Parents have been overwhelmingly thankful for the outlet this has provided.

Adult students crave the voice the classes provide as well.

A three-year partnership providing improv classes for special needs students through the STARability Foundation didn’t miss a beat during the transition to virtual learning. Participants, parents, and instructors alike have expressed how keeping the regular class dates has kept a sense of normalcy and community alive during the challenges social distancing has brought.

“This is a wonderful opportunity for our STARability participants and hopefully we can continue virtual classes for students that are unable to attend center based programs.”

-KAREN GOVERN

STARABILITY FOUNDATION

VIRTUAL CONTENT & CLASSES

FOR ADULTS Improv for Isolation Improv for ASD Contemporary Dance Meet-Ups Talking With...Interview Series Yoga Flow Naples In Residence Concerts Funny Fridays with Stage2 Improv

Beyond the regular curriculum classes normally offered

by TNP, new opportunities for classes and events focused on wellness, movement, and keeping the community connected have also surfaced. Live online classes such as yoga, dance meet-ups, and family sing-alongs were developed alongside prerecorded content like comedy skits and Children’s Story Hour. The Education Department stepped in and stepped up in a huge way to produce arts education content ready for consumption.

“The Naples Players is a home away from home and has provided a safe and caring learning environment for our daughter over the years.

Thank you for all you do to cultivate a love of theater in our community.”

40+

ONLINE CLASSES & EVENTS HELD SINCE MARCH 19

-THE OUVERSON FAMILY

Since morphing the Education Department into the virtual classroom on March 19th, TNP has conducted over 30 virtual classes serving more than 420 registered participants and thousands of additional views of online recordings. The list of available classes, events and opportunities, is growing weekly to provide meaningful content for both children and adults and is reaching entirely new audiences through virtual channels. COVID-19 may have been the catalyst that drove our need for a virtual way to connect students with instructors, but one thing is now obvious: we are no longer contained to serving students within the confines of our theater walls.

420+

STUDENTS HAVE ENROLLED IN VIRTUAL CLASSES & PROGRAMS THUS FAR

VIRTUAL CONTENT & CLASSES

FOR CHILDREN & TEENS Teen Comedy Club Improv for ASD Theatre Dance Meet-Ups Story Hour From Around the World Tik Tok for Teens & Tik Tok Jr. Weekly Family Sing-Alongs Spring & Summer KidzAct Classes Individual Coaching

5,500 VIEWS OF FREE ONLINE VIDEO CONTENT FROM TNP’S EDUCATION DEPARTMENT

AID FOR

the arts

CONCERT SERIES TA K E S C E N T E R S TA G E

Another outlet for continuing to connect with patrons and our TNP family of volunteers and staff was generated out of an abundance of need for weekend entertainment during the early days of the Safer-At-Home order. Less than two weeks after closing the theatre, we held the first of our Naples in Residence: Aid for Arts live streaming concert series. Local TNP artists and volunteers Jesse & Amy Hughes lent their talents to entertain and serenade over 500 live viewers on March 26th. Since then, our online performances have been viewed nearly 14,000 times.

The concerts were a foray into live-streaming technology across multiple platforms to reach as many homes and viewers as possible. The outcome and response has been overwhelmingly positive and encouraging.

Additional concerts featuring other local artists and TNP volunteers were held on two weekends in April.

Each concert was presented live on Facebook, YouTube, and on our Naples Players website and asked viewers to consider donating directly to TNP. From the very beginning we have been transparent about the financial hardships incurred as a result of show cancellations.

Each concert has been a successful way to raise awareness, provide safe entertainment directly into patrons homes, and to generate modest funds to offset the significant losses in revenue.

As a result, we now have additional technology and experience to continue to provide this style of live entertainment to those who cannot physically make it to the theatre.

AID FOR THE ARTS

CONCERTS & ARTISTS CHARIOT: JESSE & AMY HUGHES DEBI GUTHERY & DAVE GIPSON SUZANNE SOLE

13,068 H O U R S O F E N T E R TA INME NT WATCHED ON FACEBOOK BETWEEN 3 CONCERTS

GIVING Tuesday T O G E T H E R , W E G AV E .

A N E N C O R E O F G I V I N G L E D B Y D E N N Y & TA N YA G L A S S Denny and Tanya Glass are no strangers to the Naples non-profit scene.

They have humbly been the driving force behind important projects and initiatives at organizations close to their hearts for years.

Their shared passion for the artistry and education at TNP was something they’ve been actively involved in from the beginning.

direct website donations. Any concerns about being able to raise the matched donation amount in the next 10 days were quickly dissolved.

“Denny and Tanya provided the ray of hope that was needed to inspire others to help support TNP,” said Associate Artistic Director Jessica Walck.

Leading up to the deadline for matched donations, the cast of our 2013 production of Les Misérables reunited virtually to record themselves performing “One Day More.”

The video quickly became the anthem and call to action to meet the giving goal - but it has also become a demonstration of the phenomenal talent and passion that drives our amazing volunteers.

“We were hooked on The Naples Players after our first Thanks to our TNP family of donors and supporters who show,” fine-artist Tanya Trinkaus Glass said, recalling her rose to the occasion and helped us raise the full $25,000 first visit to the theatre. for the match.

Their generosity has surged through all areas of TNP over the years. Most recently, Denny and Tanya served as our Front & Center Gala Sponsors, and Denny is volunteering as President of the Board.

In the midst of the current COVID-19 crisis, TNP participated in a national day of giving for nonprofits known as “Giving Tuesday,” on May 5, 2020 - and Denny and Tanya didn’t hesitate to stand up and offer a $25,000 matching donation.

“We announced the match during our live-streamed ‘Aid for The Arts Concert’ on April 25th, just 10 days before Giving Tuesday. We knew it would help spur our family of TNP supporters to action,” said Executive Artistic Director Bryce Alexander.

And that it did. Before the end of the 60-minute concert, viewers had already donated more than $7,500 via text and

“We are continually grateful for the support of our donors, especially in these uncertain times. Keeping our doors closed is costing us upwards of $15,000 a day,” Alexander stated in response to the Giving Tuesday fundraising efforts, “and each dollar makes a huge impact on our ability to continue serving our community.”

CLICK

TO WATCH NOW

LOOKING

ahead

NEW SHOW SCHEDULES & SUMMER CAMP SHIFTS

RESCHEDULING OUR 2020 SPRING & SUMMER SHOWS

May 24 - May 31, 2020 We are excited to announce virtual performances of Becky’s New Car running May 24 - May 31!

April 28 – May 23, 2021 We have rescheduled Calendar Girls for Spring of 2021.

SUMMER CAMP GOES VIRTUAL! Our traditional KidzAct summer classes are all available with four virtual sessions running between June and August. But there are added programs for teens and tweens this summer, like “Brush up your Tik Tok” where students will learn to create virtual content - an important and growing form of social and artistic expression.

This Spring, students from all over the world have been clamoring to participate in our online classes - and we’re ready to engage these students from wherever they live.

Registration is open now and we are excited to continue engaging with our virtual education audiences!

June 23 - July 25, 2021 We have also rescheduled this summer’s production of The Wedding Singer for Summer of 2021.

May 19 - June 13, 2021 To accommodate the added productions, we have adjusted next season’s production of An Ideal Husband into the Tobye Studio Theatre.

DID YOU KNOW? In just the first SIX DAYS of being closed, our lost revenues were equal to the amount of yearly scholarships needed for

KIDZ ACT STUDENTS?

OUR PLAN FOR FALL 2020 We’re optimistic that we will be able to resume live performances as scheduled this fall with the raucous comedy Boeing, Boeing (opens September 30th). Of course, we will keep you posted as those dates get closer.

DOLLARS &

sense

T H E F I N A N C I A L I M PACT O F C OV I D -1 9

SUBSCRIPTION TICKET SALES

$250k

$470,500

SPRING 2019

$357,280

SPRING 2020

$500k

SPRING 2019 VS. SPRING 2020 *

OVER LOST TO REFUNDS SINCE MARCH 12

*DATA FOR MAR 1 - APRIL 30

DAY WITH ONE CANCELLED PERFORMANCE DAY WITH TWO CANCELLED PERFORMANCES

OVER 60

$50,000 WEEK PER

CANCELLED PERFORMANCES

IN TOTAL LOST REVENUE FROM TICKET SALES, REFUNDS, CLASSES, CONCESSIONS & MORE

T HR O U G H TH E E N D O F MAY 2020

THE DRIVE FOR OVERALL DONATIONS ARE DOWN BY NEARLY

donations

EVEN WITH VIRTUAL CLASSES, TNP SUMMER EDUCATION IS ALREADY FACING A LOSS OF

SINCE MARCH 13TH WE HAVE RAISED

75% over $60k $72k

vs. this time last year

+

READ MORE

online

AT NAPLESPLAYERS.ORG/COVID19

and watch a special tribute video performance from our 2013 TNP Cast of Les Misérables!

FROM YOUR HEARTS

and towards the arts T N P D O N O R S M A R C H 1 3 - M AY 0 9

$25,000+ Denny & Tanya Glass $2,500+ Ali & Luke Claremont Peggy & Jim Monson Henry & Jeri Price Arlene Riegel Claire & Jim Skinner $1,000-$2,499+ George D’Angelo Dallas Dunnagan Dave & Dawn Gipson Harold Wyman Foundation, Inc Bill & Helen Iten Patrick & Mary McClain Frank & Inna Morgan Christine Paddock Steven & Barbara Purcell Len Rosenberg & Ellen Radomski David Shaffer Bob & Mary Uek Allen & Marla Weiss $500 - $999 Joni Brickley Dede & Robert Brownlee Pamela Larkin & Steven Caruso Tony & Carolyn Marek Blaise Mauro Gary & Janet Root $250 - $499 Dorothy Allard Brad Brenner Bob & Connie Ciesick Mary Dix Debi Garnett Suzanne Goudeau Carla Grieve Alyssa Haney

$250 - $499 cont.

Norman Imaoka Cari Jones Kevin Kenneally Dennis Kois Joanne & Carl Kuehner Richard Macken William Martin Linda & Jim Mizeur Jacqueline & Henk Morelisse Marisa & Tim Ouverson John D Riley Scott & Louise Root Melby John & Judith Stang $100 - $249 Pamela Abbott Hymie Akst Jo’Ann Alderson Barbara Alexander Bryce Alexander & Katie Cross Lynn Andreini Karen & Drew Attanasio Wanda Augustyn Dan Bacalzo Adrian & Charmaine Banky Joel & Arlene Banow Patricia Borme Dick Bryce Bob Brady & Kathleen Callahan Margaret Callahan Patti Caroli Timothy Colligan James Corsica Carol Crawford Theressa & Richard Curley Diane & Sid Davis Ted & Pat DeGroot Jon DeMoss Earle & Simplicia Dinsmore Joseph DiSabantonio James Duggan

$100 - $249 cont.

Jon Estes Rachel Ewy Jane Ewy Susan & Ken Feinthel Carole & Lance Fenstermacher Linda Fikes Charles Fornara & Dawn Lebrecht Fornara Judy Freiberg Jill Garcia Georgette Bernier & Norm Glover Suzanne Goeren Marlene & D Grazen Donald L Heflin Harold & Sonya Helmkampf Shirley Henderson Charles & Charla Henningsen Jesse & Amy Hughes Brian Igoe Hester Kamin Joan Karter Evelyn Kasper Joanne Katski Christa Kaufman Janis Kelly Penelope Knaack Richard Knepfler John & Daniela Leone Jackie & Kenneth Lerdahl Eileen Lowry William Mandour Jacob & Mary Maurais Catherine Mayer Maria Mazorra Philip & Donna Messer Elizabeth & Gaylord Meyer Tina Moroni Mr. & Mrs. Robert Mosco Betty Nordstrom Lois Opel Polly Parker

$100 - $249 cont.

Patricia & John Pollok Sue Rapanos Bobbie & Sue Ray Thomas Read Eileen Reynolds John Rice Kathy Rogers Mike & Judith Santos Keith & Beverly Schroeder Judy Scribner Latita Sheesley Elizabeth Skinner Robert & Mary Ann Soja Pete & Sandi Spilotro Mahlon Stacy Beverly Thomes Debra Thurston Ann & Francis Trombly Daly Dot Auchmoody & Mark Vanagas Andrew & Joanne Vazzano Craig & Jessica Walck Douglas & Susan Walck Betty Jo Walker Tiffany & Bryan Wallace Kenneth Wetcher Patty & Harry Witt Debra Wojcik Marcia Wolfe Dolores Wood $50 - $99 Kayle Allen Kelly & Jonathan Antunes Gerhard Baum Susan Becker Jodee Bennett Chris Bigelow Giuliana Branche Nicole Flesvig Bruland Cole Butcher Oliver Cannon

$50 - $99 cont.

Joanna Carrasquillo Kristin Cassidy Debbie Chartier Sheila Coletta Amy Cooper Kellie Cullinan Aldo D’Acunzo Kathleen Epstein Selena Evans Melissa & Matt Flom Marci Giannoutsos Joan Granda Nancy Hayer Harriet Heithaus Donald Herrick Cynthia Hile Marie Huyler George & Mary Ann Ihnat Melina Kervandjian Elizabeth Keteltas Natalie King Gabrielle & Heidi Lansden Richard & Josephine Larkin Melanie & Robert Leach Rosita Lee Lenora Lem Brett Marston Amy Martin Joan Maywood Beverly McCann Elliot Mitchell Robin & Tom Mizwa Michele Olsen Jacqueline Ortiz Inga Pickett-Mathura Cynthia Portaro Richard Portno Janice Post Bernardo Santana

$50 - $99 cont.

Michael Shlensky Esther Snyder Linda Sollars Cindi Spanier Carl Tisone Alice & Thomas Weger Cindy Whetsell Patrick Ziegler

Lisa Hadar Christina Henesy Richard Henning Beverly Hiltabidle Mollie LaTorre Nicole & Peter Letendre Sandra Levens Robert & Theresa Lombardo Lisa & Mark Lye Claire Lacy McKeon Donna Madden Mark Moore Lena Neal Camille Pandolfelli Dorothy Peltier-Fanchi Steven La Pidus Melissa Poindexter Judith Poland Craig & Cheri Price Lisa & Chris Prince Robin Raymond Thomas & Cynthia Riker Janice Robinson Mark & Jan Russell Nancy Schechter Herbert J Schneider Paula Shute Priscilla Smith Suzanne & Mark Smith Suzanne Sole Danielle Spiewak Ted Stine Tammie & John Sweet Julia Szilagyi Teresa Thome Linda Vandermolen Janet Washburn Diane Yates Betty Yeoward Christian Ziegler

Up to $49 Christine Andretta Jacqueline Ann Charles Bang Alexandria Beightol Mary Belmonte Janina & Kal Birtolo Samantha & Michael Bogert Nancy Bucciarelli Rene Cabrera Jeff & Ginette Carrier Wylie Cassidy Gary Chernow Juliet Clayton Jack & Debbie Cole Deb Considine Meredith & Eric Condit Veronica Cossetta Dawn DiGeronimo Danielle Dodder Jason Eugenides Carol Fox Lori & Eric Friedman Joanne & Dave Fritz Stephanie Ganakos Rima Geleziunas Lisa Gigante Jeremy Giovianazzo Sara Gordon Kristen Gutierrez

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LEADING THE WAY

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T H E N A P L E S P L AY E R S COVID-19 ADVISORY COUNCIL

LEADING OUR REGION The Naples Players is leading the region’s arts organizations through the formation of a new COVID-19 Advisory Council comprised of healthcare professionals, industry professionals, and community leaders to help make informed decisions about the safest and most responsible ways to move forward.

We’re grateful that each of these individuals has agreed to bring their own unique perspective to help us make informed and prudent decisions about our programs, and about the future of the Arts.

To ensure all artists in our region can benefit from The Naples Players’ efforts, we are sharing the feedback and consensus from the committee with our colleagues in organizations across the region.

Senator Kathleen Passidomo

Patty Baker

Florida State Senate District 28

Charles Chapman

City Manager, City of Naples

Broadway Producer; Philanthropist

Peter Swinburn

Chair of the Wales Millennium Centre; former President & CEO, Molson Coors Beverage Co.

Dana A. Souza

Rich Jaffe

Dir. Community Services Department, City of Naples

Co-CEO, Broadway Across America

Pete DiMaria

Fire Chief, City of Naples Fire-Rescue

Chief Stephanie Spell

Dr. Peggy Aune

Associate Superintendent of Curriculum & Instruction, Collier County Public Schools

Collier County Sheriff ’s Office

Chief Tabatha Butcher Collier County EMS

Skip Pardee

District Coordinator, Fine Arts (K-12) Collier County Public Schools

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SIGNATURE As we continue to be conscious of expenses during this time, we appreciate the donation of an envelope and stamp.

Our Florida Dept. Of Agriculture & Consumer Services Reg. Number is CH3852. A copy of the official registration and financial information may be obtained from the Division of Consumer Services (1-800-435-7352). Registration does not imply endorsement, approval or recommendation by the State of Florida. The Naples Players does not contract with any professional solicitors to assist in fundraising.

CVC:

RETURN TO: The Naples Players 701 5th Avenue South Naples, FL 34102