The Cascade, Volume 34, Issue, 14

Z NOVEMBER 4, 2026

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ISSN 3111-3354 (PRINT) ISSN 3111-3362 (Online)

VOL. 34 // ISSUE 14

Witnessing Johio since 1993

FOLKLOROSCOPES

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NEWS

MANDIGO ON UPCOMING FINANCIAL YEAR

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OPINION

OPINEWS: THE ERA OF REVOLUTION

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CULTURE

INTERVIEWING JODY WILSONRAYBOULD

VOL.34 // ISSUE 14

Editor-in-Chief

Managing Editor

Business Manager

Creative Director

Darien Johnsen darien@ufvcascade.ca

Aneesha Narang aneesha@ufvcascade.ca

Production Manager

Anna McCausland anna@ufvcascade.ca

Features Editor

Caitlyn Carr caitlyn@ufvcascade.ca

Cassie Williams cassie@ufvcascade.ca

Gabriela Gonzalez gabriela@ufvcascade.ca

Production Assistant Anayat Sandhu anayat@ufvcascade.ca

News Editor

Rachel Tait rachel@ufvcascade.ca

Copy Editor

Opinion Editor

Arts Editor

Sports Editor

Zackery Fitzpatrick fitz@ufvcascade.ca

Sky Terrones sky@ufvcascade.ca

Culture Editor

Jasleen Sandhu jasleen@ufvcascade.cai

Snapshot Illustrator

Iryna Presley

Staff Writer Abby Hansen

Staff Writer

Liam Pyper

Staff Writer

Kara Dunbar

Staff Writer Indie McPhee

Correction from 34.13 In issue 34.13, published on October 21, 2026, our running a paper, we sometimes make mistakes during our October Senate Recap incorrectly stated that the production process and The Cascade seeks to uphold jourCollege of Arts will be disbanded and formed into two nalistic standards! schools when actually the School of Creative Arts will be disbanded and formed into two schools. While no person or group was harmed by this mistake, we still felt it responsible to make the correction. As students

Natalia Toscano Murua natalia@ufvcascade.ca Kait Thompson kait@ufvcascade.ca

Illustrator

Thea Van Agteren

Illustrator

Hannah Bricknell

Photographer Anjali Randhawa

Columnist

Faby Cruz Alderete

Shuffler

Cam the Man

Distributor Kirat Dhami

Feature & Cover Illustrator Hannah Bricknell

CONTRIBUTORS Warren.Dalman Henrique Macedo Shivalika Pathak Savannah Harrington-Lee Lexi Price Jay Peter Zee Alemayehu Marley Penner

W W W.UFVC ASC ADE .C A I N S TAG R A M . CO M T H E C A S C A D E U F V TIKTOK CASCADE_ FY Volume 34 · Issue 14 Room S2111-33844 King Road Abbotsford, BC,V2S 7M8 604.854.4529

Editorial //

Abbotsford shuffle strikes again Two mornings ago I opened the curtains in my bedroom, looked across the street, and saw City workers hauling a perfectly healthy group of bushes out of the ground and hacking up a maple tree, bright red with fall colour. The next day, they filled the space in with great big ugly boulders. And I had a pretty good guess as to why. I live in a very busy and noisy part of Abbotsford, right on Clearbrook Road. An area of town where a lot of unhoused people also live, which, quite honestly, makes for a sometimes chaotic experience. An experience that for me, I’m sure, does not compare to those actually struggling with a lack of housing. Those bushes and that bright tree are not just something I look out at every morning, they are also a space for the unhoused. I see people tucked away among them alone or with their community. They are not just shelter against the wind, and sun, a bit of nature among all the concrete, they are a community space. So when I saw that tractor and those men in their reflective vests standing there digging that space out, I assumed that this must be another installment of the “Abbotsford shuffle,” an ongoing process of uprooting communities of the unhoused in an effort to eradicate and prevent the establishment of homeless camps. Something Abbotsford has been doing for years, as reported on by contributor Camille Candia for the Cascade two years ago. Having worked at a shelter in Mission myself I was able to hear, first hand, what those camps meant for unhoused people; how they become self-governing spaces of community. This came three weeks after the City of Abbotsford’s news release claiming that homelessness has gone

down by 20 per cent in our City. Stating that the closure of various homeless encampments across the city helped “many individuals transition from those sites into housing and other available accommodation.“ They compared the head count of the drop of unhoused people, but did not compare the head count for people living in shelters over the past year. Directly correlating the two with no evidence. I was skeptical, to say the least. Especially because two weeks ago, our reporter Kara Dunbar covered the increase of the unhoused in Mission, with two deaths reported in the railway encampment. Mission Mayor Paul Horn directly attributes the increase to “the extraction of large camps in Abbotsford and Chilliwack.” The City has no right to celebrate their gentrification when it’s displacing the most vulnerable people in our communities to do so. It makes me sick to think about the glossy sheen of disjointed numbers on a sheet our local politicians hide behind. Forcibly removing people from self-built community spaces is not a solution. That’s weak, embarrassing leadership. To the politicians: don’t paint an ongoing process of violence as success. To readers, here’s an excerpt from John Donne’s “No Man is An Island” poem: “No man is an island / Entire of itself, / Every man is a piece of the continent, / A part of the main. / If a clod be washed away by the sea, / Europe is the less … As well as if a manor of thy friend’s / Or of thine own were: / Any man’s death diminishes me, / Because I am involved in mankind, / And therefore never send to know for whom the bell tolls; / It tolls for thee.”

ISSN 3111-3354 (Print) · ISSN 3111-3362 (Online) The Cascade is UFV’s autonomous student newspaper and alternative press for the Fraser Valley. It originated under its current name in 1993, and achieved autonomy from the university and the Student Union Society in 2002. The Cascade is funded with UFV student funds, is a forum for UFV students to have their journalism published in an entirely student-run setting and is overseen by The Cascade Journalism Society Board, a body run by a student majority.The Cascade is published every other Wednesday with a print circulation of 800 and is distributed at Abbotsford, Chilliwack (CEP), Clearbrook, and Mission UFV campuses and throughout the surrounding communities. In order to be published in the newspaper, all work must first be approved by The Cascade’s editor-in-chief and the corresponding section editor. The Cascade reserves the right to edit submissions for clarity and length and will not print any articles or be a platform for any contributor or contractor who has shared racist, sexist, homophobic, or libellous content online in any form. Letters to the editor, while held to the same standard, are unedited, and should be under 200 words. Opinions expressed do not necessarily reflect that of UFV, The Cascade’s staff and collective, or associated members. The Cascade is published on the traditional, unceded territory of the Stó:lō peoples. We are grateful to be able to work and learn on this beautiful land.

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Darien Johnsen

WEDNESDAY, NOVEMBER 4, 2026

NEWS 3 4 4 5

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News Briefs Another tough financial year at UFV? Provincial snap election: Abbotsford recap Provincial Government sues OpenAI over Tumbler Ridge shooting Professor Profile: John Carroll

OPINION 7,8,9,10 Snapshots 7 The Environmentalist: the textile chainsaw massacre 7 Rekindling your creative passion 8 “We are!” fed up with world nobles 9 Before SOGI 123 10 Agua puerca

VOL. 34 // ISSUE 14

N E W S

INTERNATIONAL //

Military base fire kills four service members in Alberta

Protestors in Paris stand together for better education and cheaper living costs

On Oct. 17 an out of control fire occurred at CFB Wainwright, a military base in Alberta. On Oct. 18, it was confirmed by CTV News that four service members had passed away, and there were notable injuries caused by the fire. As of Oct. 21, 39 service members were hospitalized, with 19 seriously wounded. Preliminary investigation showed that “investigators had not determined what ignited the grass fire” so far. The fire quickly started at about four in the evening with responses from military and local emergency crews. Wind shifts have also been linked to the rapid spread of the fire. The incident was described by Prime Minister Mark Carney as “one of the worst tragedies for the forces on Canadian soil.” The four soldiers who died in the fire were “Sgt. Morgan Wong of Edmonton; Private Shaun Farrell of Prince Albert, Sask.; Private Aidan Goulding of North Vancouver, B.C., and Private Hayden Lykkemark of Langley, B.C.” With files from CTV News, Global News, The Calgary Journal, AP News, and CBC News.

On Saturday, Oct. 24, 2026 about 400,000 protestors took to the streets of France to continue protesting staff shortages on campuses and the decrepit state of most school buildings across the country. The protests originated in Saint-Exupéry high school on Sept. 21, 2026 where teachers and students led a small protest calling for more resources and staff. While their conditions were fulfilled, the act sparked a much larger movement that is now also demanding for the cost of living to be lowered. Protests demanding similar if not the same things are starting to spread across Europe in countries like Albania, Belgium, and Italy. At first the protests remained nonviolent, unlike the week before where pillaging and upheavals were reported by the CBC. The protests on Oct. 24 ended with a handful of people throwing objects and the police responded with tear gas and water cannons to help break up the masses. The French government has been quite slow in their response and have taken to banning certain protests, stating that if protesters did not leave the Bastille (where the march first began) they would be fined 135 euros. CBC reported that these bans have been ridiculed in France. “Trade unions have criticized the bans, calling them violations of freedom of expression, which is protected by the constitution.” With files from CBC, The Guardian, and CNN.

FEATURE PROVINCIAL //

Repealing DRIPA fixes nothing

SPORTS 15 15 16 16

Slapshot The world of international soccer Cascades go 0-0 vs. Vikes Student deals and puck drops

CULTURE 17 Campus Fashion: ready, set, lounge! 17 The ASC: supporting students since 2015 18 Study Break 19 Jody Wilson-Raybould talks new book and leadership

ARTS 19 20 21 22

Still living in 2112 The future of animation is human Life is Strange: Reunion Reviewing The Moon on a Rainy Night 23 “Don’t have a cow, man!” 23 CIVL Shuffle & Charts

B R I E F S

NATIONAL //

KARA DUNBAR

11-14 Folkloroscopes

NEWS

news@ufvcascade.ca News Editor — Rachel Tait

The Union of B.C. Indian Chiefs’ president, Grand Chief Stewart Phillip, spoke out against the incoming conservative government’s promise to officially remove the Declaration on the Rights of Indigenous Peoples Act (DRIPA), B.C.’s legal framework to implement UNDRIP. The Conservative party has argued that the act has not been successful in B.C., and premier-designate Loerne Doerkson has confirmed that the party will take immediate action to dismantle it. However, associate professor at Peter A. Allard School of Law, Sara Ghebremusse, doubts that cancelling the act will solve the legal property and land issues the Conservatives are worried about as Indigenous land rights fall under Section 35 of the Canadian Constitution. “Section 35 is the part of the Constitution that recognizes and affirms Aboriginal rights, under which the Crown is obligated to consult with Indigenous peoples before making decisions that may infringe on those rights.” Ghebremusse further explained that due to these stipulations, removing DRIPA will not in essence, change much. “So it would not be wise of the Conservative Party to repeal DRIPA … and instead, we try to work with First Nations using DRIPA as a framework to actually move beyond all of the legal and economic uncertainty that would arise with court cases.” With files from CBC. LIAM PYPER

ANNA MCCAUSLAND

LOCAL //

Two killed in fatal car crash on Marshall Road On the morning of Oct. 23, a fatal car crash occurred on Marshall Road in Abbotsford, which resulted in the death of two people. According to a statement released by the Abbotsford Police Department, the police responded to a car crash involving an SUV and dump truck shortly after 11:30 a.m. They also reported that the SUV was travelling west when it suddenly swerved into the opposite lane, crashing into the larger vehicle. “The driver of the dump truck, while understandably shaken by the incident, sustained only minor injuries and was treated at the scene. Tragically, despite the lifesaving efforts of first responders, both the driver and passenger of the SUV were pronounced deceased at the scene.” Marshall Road was closed for many hours after the accident in order for an investigation to be conducted by the AbbyPD Traffic Enforcement Unit and the Integrated Collision Analysis and Reconstruction Service. Investigators have asked for witnesses and people who have dashcam footage of the location when the crash occurred to contact the Abbotsford Police. With files from CTV News. ABBY HANSEN

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WEDNESDAY, NOVEMBER 4, 2026

VOL. 34 // ISSUE 14

NEWS BC //

Provincial snap-election recap and Abbotsford results Bruce Banman, Korky Neufeld, & Darryl Kropp are Abbotsford’s MLAs KARA DUNBAR

premier David Eby won a seat for the riding of Vancouver-Point Grey, but announced his resignation as party leader during his election night speech. Green leader Emily Lowan also won a seat in the legislature in Saanich North and the Islands. Here is a look at the candidates and winners for the three ridings that represent Abbotsford as the reporting numbers stood on Oct. 26.

Oct. 24 was the last day to vote in the B.C. provincial snap election and the night brought a swift, large change in the new governing party. The Conservative Party of BC will form a majority government after gaining 64 seats in the legislature. The BC New Democratic Party (NDP) will serve as opposition with 27 seats, joined by the Green Party with two seats. Conservative party leader and Abbotsford South representative for the riding of CaribooChilcotin, Lorne Doerkson will become In Abbotsford South, three candidates the new premier. NDP leader and former were on the ballot. Leah Ballantyne ran for the NDP. The incumbent Conservative representative Bruce Banman ran for re-election. For OneBC, Robin Roy put his name forward. Banman won the election with 63.5 per cent of the vote, with Ballantyne coming second with 29.9 per cent, and Roy finishing with 6.6 per cent.

Abbotsford West Abbotsford West also saw three candidates put their names forward. Gurpreet Singh Chalal ran for CentreBC. Jules Côté campaigned with the NDP. Korky Neufeld, the incumbent representative, ran for re-election with the Conservatives. Neufeld gained his bid for re-election with 61.9 per cent of the vote, Côté followed with 28.9 per cent, and Singh Chalal Photo by Jasleen Sandhu ended with 9. 2 per cent.

Abbotsford-Mission The riding of Abbotsford-Mission saw the most candidates of the three ridings, with five running. Pam Alexis ran for the NDP, Virender Dass ran for OneBC, Lakhwinder Jhaj ran for CentreBC, Darryl Kropp ran for the Conservatives, and Jeff Monds ran with the Libertarian Party of BC. In the 2024 election, the seat went to the Conservative candidate Reann Gasper, and while the representative changed, the seat remained blue as Kropp won this year with 56.7 per cent of the vote, and Alexis held second place with 35.8 per cent of the vote. There was a new historic low attendance of voters in B.C. during the snap election as only 48.06 percent came to vote. Reasons for the lower voter turnout have been speculated as NDP voters that are dissatisfied with the NDP’s history or Eby’s leadership. Other speculated reasons for the turnout included NDP voters not worrying about the Conservatives campaign, rainy weather on voting day, and confusion around the timing of the recent municipal elections that occurred a week prior. While a new provincial government has been elected, certain formalities must be followed before the new government can be sworn in. “A statement from the office of the clerk of the legislative assembly said

Photo by Caitlyn Carr oath ceremonies can’t take place until the election results are certified and provided by the chief electoral officer, which is expected Nov. 18.” Premier-elect Lorne Doerkson has said that he is open to ordering MLAs back to parliament for a condensed fall sitting. Files taken from CBC, Global News, City News, Elections BC, and official party websites.

Campus //

UFV’s new budget is increasing waitlists and affecting service times Preparing for another financially tight year HENRIQUE MACEDO On Oct. 15, UFV held their hybrid budget town hall from 10:30 a.m. to 12:00 p.m. in room J180 in Building J at the Abbotsford campus and on Teams. Dr. James Mandigo, president and vice chancellor, spoke with The Cascade about how UFV continues to deal with the fallout of its steep drop in international tuition revenue, and that students are beginning to feel it in longer waitlists and slower service. Mandigo stated that last year’s budget was the most challenging the university 4

has faced, and that this year is the second hardest. He said that international tuition fell by a little over 10 per cent of UFV’s total revenue in a single year, and that the speed of the decrease made it harder to manage. Declines usually come gradually, Mandigo explained, but this time new federal measures affected the whole post-secondary system at the same time. “We were basically short 22 and a half million dollars in one year.” To soften the blow, he explained that the Board of Governors allowed UFV to run a deficit budget this year rather than

make all the cuts at once. This allows the university more time to see how the market reacts. Last April, The Cascade previously reported on UFV’s lay-offs of 45 employees to help reduce its deficit, with $2.4 million still unresolved for 2026/27. Mandigo said that the university will try to avoid further layoffs, and be seen as a last resort. “We’re going to do everything we can to try and avoid layoffs, but that’s not out of the realm of possibilities… Everyone who’s part of our community is so valuable, we don’t want anyone to leave.”

Mandigo also mentioned that UFV was hoping the provincial Review of Sector Sustainability would help make post-secondary institutions across B.C. more sustainable. He added that the review is now on hold following the snap election, and that the university has no direction yet on what will happen with it, as no new provincial investment in post-secondary is on the horizon. “We’re kind of on our own to try and find our own solutions at a local level.” CONTINUED ON PAGE 5

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NEWS CONTINUED FROM PAGE 4 Without additional funding, Mandigo explained that he does not see UFV growing at the same pace it did when international and domestic enrolment were rising together. “We will do everything we can to get to a balanced budget and mitigate the impact on students, as much as we can … we’re still committed to having the same support in place, but we may not be able to have the same capacity moving forward, and that’s going to take a while.” Mandigo also acknowledged that students are already seeing the effects of this deficit. Waitlists for courses grew this year, which he called “very concerning,” and he added that access to the courses students need to graduate on time is their number one concern. To address this issue, UFV is asking departments whether more students can be added to existing course sections to bring waitlists down. Mandigo also said that some courses currently offered in the fall and winter semesters may no longer be offered in the next summer. Student services are still available, but with less capacity, which included appointments with advisors and the registrar.

“The appointments are still there, but it might take a couple extra days.” Mandigo shared that the university also expects to have less money for capital projects like the new student housing building and the dining hall, which were paid for with surpluses in earlier years. “Those are going to be more challenging moving forward.” Pointing out that students are already feeling the deficit’s impact, like the longer waitlists. When asked how UFV will protect the quality of its education, Mandigo pointed to the BC Student Outcomes surveys, in which he said about 90 per cent of UFV students report a high-quality experience and over 90 per cent feel prepared for the workforce. He also cautioned that the numbers may not capture what is coming. “We haven’t seen a decline yet in terms of overall student satisfaction. It doesn’t mean that it’s not happening.” Mandigo explained that the university is also investing in faculty professional development, including training through the teaching and learning centre on using Artificial Intelligence (AI) in teaching. He emphasized that keeping students at UFV through to graduation is the university’s top priority, for both domestic and international students. Mandigo added that the university measures that by

whether students enroll, stay, graduate on time, and can get the courses and services they need. That priority, he said, is also why the board did not make the full cuts last year:

it wanted more time to reduce the impact on students. “I think that for me, the student’s experience has always been the number one priority, ensuring students receive the best world class education possible.”

Integrated Strategic Plan Roundtable ~ 2026 / Photo University of the Fraser Valley

BC //

Government and Tumbler Ridge victims sue OpenAI in a recent development Multiple lawsuits over AI company’s supposed involvement in the mass shooting ABBY HANSEN The British Columbian government is filing a lawsuit against OpenAI in California, for their purported involvement in the Tumbler Ridge school shooting. On Sept. 21, B.C. Deputy Premier and Attorney General Niki Sharma commented that the lawsuit was sparked by concerns over the AI company’s inaction to alert the proper authorities when they knew about the danger before the attack took place. Sharma mentioned in her statement that the Provincial Government is working with both British Columbian and Californian lawyers in order to get the best legal outcome. “The Province has retained CFM Lawyers in Vancouver, and Stranch, Jennings & Garvey, a California-based law firm, to explore all legal avenues to hold OpenAI and its decision-makers accountable for its documented failure to notify law enforcement regarding explicit, flagged threats made by the perpetrator on the company’s ChatGPT platform.”

A report written by Mark Follman for Mother Jones magazine revealed that Jesse Van Rootselaar had been frequently talking with ChatGPT about “committing acts of violence.” According to the report, the chatbot gave Van Rootselaar advice on how to evade its own safeguards by claiming that she was only pretending to achieve infamy by being a mass killer after her first account was shut down by the company. Follman revealed that ChatGPT not only gave her a space to imagine these violent fantasies, it actively encouraged her. Follman also gave details about how OpenAI did nothing when she created another account to gain the information. This reportedly went on for months before Van Rootselaar committed the Feb. 10 shooting at Tumbler Ridge Senior Secondary in Northeastern B.C. — claiming the lives of eight people and wounding 27 others. Although some of the employees at the company’s safety team pleaded with OpenAI to inform the law enforcement, the company ultimately chose not to act.

OpenAI is based in San Francisco, California and was co-founded by Sam Altman — a Stanford drop-out who has consistently defended unregulated AI, despite acknowledging its potential

for the benefits of this technology and people having the agency.” The provincial government’s lawsuit against OpenAI is only an addition to an already growing list of legal backlash. The CBC reported in September that the AI company sought for U.S. judges to dismiss more than 35 lawsuits that have been submitted by Tumbler Ridge survi“THE LAWSUIT WAS vors and affected families in the state of SPARKED BY CONCERNS California. CEO Jay Edelson, of the law firm OVER THE AI COMPAEdelson PC, who is representing the NY’S INACTION TO victims and survivors of the shooting, spoke in an interview with CBC about ALERT THE PROPER OpenAI’s unwillingness to cooperate with AUTHORITIES WHEN legal proceedings. Edelson mentioned THEY KNEW ABOUT THE that his law firm has called for OpenAI to reveal the chat logs of the shooter, but the DANGER BEFORE THE company has not complied. Edelson argued that it is because the ATTACK TOOK PLACE.” legal team is convinced the chatlogs will prove that “ChatGPT not only helped plan the attack, but encouraged the shooter to carry it out.” harms — saying in an interview with This is a developing story and The POLITICO that “we believe that the world Cascade will continue to report on this should accept some bad things happening topic as updates occur. 5

WEDNESDAY, NOVEMBER 4, 2026

VOL. 34 // ISSUE 14

NEWS

Professor Profile: John Carroll on creative writing and teaching

SNAPSHOT Bite-size mythology

The importance of teaching and investing in the next generation Why is it important to invest in students’ lives?

Why do you think it’s important to preserve the arts?

Professor John Carroll is a Professor Emeritus, and a sessional instructor who has worked at the University of the Fraser Valley (UFV) since 1985, specializing in creative writing and drama. He holds a Master of Fine Arts from the University of British Columbia and a degree in Theatre and Directing from the University of Washington. Throughout his prolific career, Carroll has co-founded a children’s theatre company called Green Thumb Theatre for Young People in 1975, and has written various poetry collections and plays. His poetry collections include: Rumor Of a Shark in 1999, The Plastic Heart in 2008, Madding Aphrodite in 2014 and Like a Green Bay Tree in 2024. He also wrote a collection of short stories entitled Crying Houses and Other Catastrophes in 2021. Carroll has worked with animator Marv Newland on the animated film called Hooray for Sandbox Land (1984), which he wrote, casted, directed, performed, and scored. Carroll spoke to The Cascade about his past work, current projects, and investing in students.

It’s up to them to take over and run the world. If you think of it that way, then what you’re doing is you’re trying to pass on some kind of inspiration especially if you’re teaching creative writing. Inspiration, curiosity, the value of art, [and] the moral position that art should take when it comes to what it’s saying about the world. It’s encouraging the new generations of students that I’ve seen to think of themselves as connected to the world and as citizens of the world and … be contributing members of it.

I think one of the principal effects of writing and of creativity is that sense of showing connection, that we all have as members of the human community. I think that’s lost a lot of the time now. I think that education is a fragmented process sometimes, and that we in the world of politics and the [way] the world is working now [in] society, there seems to be some kind of effort or some force out there, ill-defined, that is bent on dividing us. And I think art can unite us more easily than other subject matter, perhaps.

Do you have any current writing projects?

What advice would you give someone interested in a similar career?

I’m working on a project right now which is essentially a diary of all my work in one notebook that took place over about 18 months … of what it has been like to live in [these] crazy last few years … it’s a collection of poetry and prose. I also have a couple of novels that I’m still working on. I don’t have a lot of time to pursue publishing with agents … I really devote most of my energies to teaching,

How would you describe your teaching pedagogy?

Can you talk about your earlier play, Glory Days?

The way I feel is that it’s meeting students halfway. The students and the teacher are engaged in a process together. I even stress this with students that they might think that I’m walking into the classroom with all the knowledge that then I will hand down to them, like Moses handing down from the mountaintop. [W]e learn together, and I learn every time when I’m teaching. I’m trying to just [facilitate] engagement, curiosity, experimentation, a sense of freedom within the classroom to pursue areas of interest … it’s about leading, guiding, [and] facilitating the students and their explorations.

You have to find what it is that you enjoy doing, which you have a passion for, what you are most interested in, what you think would be something that would allow you to contribute the most, and give back … I understand why people feel insecure, especially at a young age when they come to university and there’s a lot of pressure from home about earning money and getting some security. The fact of the matter is that ultimately security doesn’t always play out the way it’s expected, and often the most important thing that people realize as they continue in their lives is that it is what they enjoy the most that gives them the most satisfaction. I think that’s what ultimately I discovered when it came to teaching. I love writing, and I do that … but I also feel that I’ve gotten to the point now in my teaching where I feel like I can give a lot to the students, I can bring a lot to the classroom, and it is something that I’m absolutely devoted to.

I ended up researching up and down Harrison Lake, taking the mail boat all the way up to the head of the lake, talking to all these old guys who had been there forever logging on Harrison… One of the guys had been there since the early 1900s when they did horse logging, where they would drag the logs down with horses, and he’d been doing that forever. He lived in Harrison Mills at the time [and was] very well known. His name was Charlie Pretty, Q&A has been edited for length and and the Prettys are very well known in terms of the logging on Harrison Lake. So clarity. I wrote that play and produced it a couple of times at UFV and then at Harrison. It was really fun to do.

RACHEL TAIT

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Illustration by Iryna Presley Amidst the drivel of textbooks and required courses, it’s important to keep some subjects in your personal curriculum bank. Nowadays more than ever it’s vital to enjoy learning. Lately, mine has been constructed primarily of Greek mythology, so enjoy one of my recent favourites for your daily myth fix. Imagine you live in a wildly patriarchal society — also filled with gods — and you, a human woman, still manage to perform better than your male counterparts. Meet Atalanta. A skilled huntress and athlete, Atalanta was a parallel of the hunting goddess, Artemis. Atalanta fended for herself, loathed the idea of marriage, and honestly just men in general. When she was forced to marry, she vowed only a suitor who could beat her in a footrace would be an eligible partner. Respect. Atalanta remains a symbol of rebellion and empowerment beyond the Greek world. I think today her story can inspire us to take care of ourselves and not give into societal expectations. Or loathe men, either is welcome. CASSIE WILLIAMS

WEDNESDAY, NOVEMBER 4, 2026

VOL. 34 // ISSUE 14

OPINION

opinion@ufvcascade.ca Opinion Editor — Natalia Toscano Murua

SNAPSHOT

THE ENVIRONMENTALIST: the hills have piles One night’s outfit, someone else’s nightmare

I want more Control

Illustration by Iryna Presley Among my top favourite games, stands Remedy Entertainment’s Control (2019). Nothing could have prepared me for how wild of a ride this game was for me. It was the first horror adjacent game I ever played in full, but honestly, this game goes so much more beyond just horror. It has combat mechanics that I find to be unrivaled by any other game I like, with powers that progress as the story and character do, but in a very clever and mysterious way. The worldbuilding is jaw dropping — and the entire game takes place inside a single building called the Oldest House! You heard it, a single brutalist looking building is this game’s entire map, and it’s immense. The lore runs so deep with this one that, to date, it is the only game that has made me collect all lore pages and read through them as if it were gospel. It’s that good. Seven years later, the sequel is here! Control Resonant (2026) released on Sept. 24, and I got my physical copy just under two weeks ago. The only problem? Midterms, work, projects, documents, errands… things that I wish I had control over so I could play more Control. NATALIA TOSCANO MURUA

FA B I O L A CR UZ A L D E R E T E

Welcome to The Environmentalist, your column for understanding the natural world. This edition explores the haunting afterlife of our clothes. From dressing up for Halloween to letting our hair down at parties throughout the year, we like to transform ourselves from time to time. Fast fashion relies on rapidly changing styles and frequent new releases, encouraging us to continuously replace our clothes. But what happens to our costumes after they have been worn a couple of times? The human cost of your clothing begins before it even reaches you. Asia accounts for 52 per cent of global apparel exports to Canada, with China, Bangladesh and Vietnam being some of the major suppliers. As reported by the International Labour Organization (ILO), the drive for low prices can lead to very low wages and long hours, stating that 69 per cent of surveyed suppliers linked short production deadlines to excessive working hours. The short production time frames can also lead to excessive amounts of overtime as well as the potential for accidents in the workplace. The discarded clothes can end up in our landfills, or the donated items can start another journey overseas. When clothing is donated in Metro Vancouver, only 20–25 per cent of it is actually reused or sold locally. Much of the donated clothing goes through brokers to be sold in other countries. In the end, some of it gets turned into rags, and 10 per cent of it is disposed of. According to UN Comtrade data available through the World Bank’s WITS database, approximately 115,543 tonnes of worn clothing and other worn articles were exported from Canada in 2025 globally. Exporting secondhand clothing does not automatically mean that it is becoming waste, in some countries it can support livelihoods and continue to be worn. The effects of exporting old clothes across the world are far-reaching and have been described by campaigners as waste colonialism — the clothing waste of wealthy countries becoming the problem of poorer communities. In Ghana’s Kantamanto market in Accra, for example, women carrying heavy loads of second-hand clothing suffer neck pain and deformations, according to The Or Foundation. Let’s not

Photo by Hermes Rivera on Unsplash leave someone else to breathe the smoke and clear up the mess, when all it means is that someone elsewhere wanted to buy more and more clothes. Supporting extended producer responsibility has already begun to be implemented by the EU— where clothing producers pay a fee when their products go to market which goes toward the management of them after use. It is proposed to help ensure that clothing is collected and sorted for reuse or recycling. Funding this should follow the exported clothing to the communities where the waste is actually managed. In the meantime, rewear and repair what you already own. For Halloween, consider borrowing or swapping with friends, going to a thrift store and buying second-hand to wear once, or making up a new outfit from what you already have in your wardrobe. As the Lorax once said, “Unless someone like you cares a whole awful lot, nothing is going to get better.” So, let’s care.

Lifestyle //

Profit vs passion: the creator’s dilemma Rekindling your creative passion SHIVALIKA PATHAK In an era where content is king, it seems because of a rainstorm I call the creator’s for revenue in a world that values profit like it’s a rite of passage for creators to glitch. over authenticity. This problem is one that let their flames of passion turn to ash, The glitch evokes feelings of personal inadequacy, a dismemberment of the self CONTINUED ON PAGE 8 7

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OPINION CONTINUED FROM PAGE 7 creatives have juggled with for a while, but what differentiates us from past creators is the algorithm. If what I am passionate about isn’t getting enough likes, views, and comments, pushing my content to my target audience, and ultimately leading to monetization, then is it worth pursuing at all? Does the frequency of my content and my follower count really dictate the validity of my passion? And by extension, my worth? As a writer, I’ve personally struggled with all the above to the point where I’ve lost sleep and have given up on writing altogether, because of the overwhelming societal pressure to profit from my passion. I noticed that the fulfilling writings I posted on social media received less engagement compared to generic and social media optimized writings. So, overtime, I started producing less of what ignited my flames and more of what received higher engagement; that’s when my misery grew. Mary Oliver, a prolific writer, once wrote in her essay collection Upstream (2016): “The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave it neither power nor time.” As I did my time in the creator’s glitch, my life became a regretful existence of waking and sleeping. I was miserable and envious of those who still created; I doused my joy with the kerosene of bitterness, and lit it on fire with the bright spark of existential dread. During self-reflection within the glitch, I realized that seeking external validation for my passion tainted my authenticity, even though it brought decent engagement. Whereas being authentic led to the freedom of creativity and fanned

my passion, but it also brought shame for being seen as a try hard — without external validation as compensation. There was a third option. This option is the one I’m currently living, and I can report that it has successfully rekindled my passion for writing. Option three is anti instant gratification and pro self-validation, and it consists of four main parts. Part one is internally validating your creation before it’s showcased. In my case, I was too hard on myself and often viewed my art through the lens of potential critics, rejecting and nitpicking everything I produced. I sought validation from others before I even allowed myself to finish my piece. Now, instead of seeking the go ahead from others, I sit with my pieces and stoke them, giving them oxygen to grow, rather than snuffing them out altogether. Part two is slowing down. FOMO is real; in the past, the fear of missing a trending sound, hashtag, or concept, resulting in lower online engagement, controlled my output. When I created from a place of anxiety, instead of authenticity, it extinguished the ease and play which originally kindled my passion. Now, I create first and optimize my work

for online presence later, removing the pressure of missing out on a bigger audience via trends. Part three is defining success subjectively. For some people success is monetary, for others its connection based, and for some it’s a bit of both. Personally, it’s a bit of both. Although monetization is something I’m open to, it doesn’t rank first in my list of priorities for success, authenticity and connection through my art does. The final part is a reality check. I’ve accepted the possibility of being mediocre by conventional social media metrics. If pursuing my passion brings me joy, I am happy to share it regardless of the number of likes and comments I receive. In our digital world, where we often measure the worth of someone based on their follower count, number of shares and views, option three acts as a fireplace that allows warm passion to rekindle without dying by the creator’s glitch. Of course, I have days that are filled with self-doubt and the sense of not doing enough with what I’m passionate about, but they are no longer harmful enough to completely put out my fire.

Illustration by Thea Van Agteren / The Cascade

Is the great pirate era only just beginning? Why protestors around the world are using the imagery of an anime series Recently, I’ve seen a small portion of fans online that are upset by a certain Strawhat’s flag being used at various protests world-wide. I found the negative reaction strange, because One Piece (1999–) is arguably one of the most political animes out there. The Jolly Roger of the Strawhat Pirates from the hit manga and anime series has been flown by protestors in numerous countries 8

Just do what you want

Illustration by Iryna Presley

World //

ABBY HANSEN

SNAPSHOT

including Indonesia, Madagascar, Nepal, the United States, and more recently, the student protests in France. I think there’s a very specific reason for why so many protestors are using the imagery of One Piece in their acts of rebellion against tyranny. The plot of the series doesn’t exist in a vacuum. Most arcs and character backstories are heavily inspired by social and political issues in our own world.

One Piece, created by Eiichirô Oda, follows the story of a boy named Luffy, who dreams of becoming the King of the Pirates by finding the One Piece — the hidden treasure of former Pirate King Gold Roger. Along the way, Luffy enlists the help of a diverse array of characters. Everybody has dreams to achieve, but they find challenges along the way — most of which are socio-political in nature. CONTINUED ON PAGE 9

In middle school, I used to really care about what other people thought of me. I needed to straighten my hair, paint my nails, and avoid clubs that others would deem weird. After graduation, I slowly came to the realization that everyone is living in their own bubble. They have their own problems and worries; they don’t have time to judge me. It reminds me of a paradox I recently learned about: the Abilene paradox. It’s the idea that individuals make choices based on what others would think. Therefore, nobody is ever really doing what they want individually, but rather, we’re molding into a clump of what society wants us to be. We’re constantly force-fed stereotypes and standards that make people feel like they have to be someone else to fit in. The reality is, everyone is different. Your life isn’t worth throwing away for someone else’s approval. Just remember if you’re ever feeling judged, they’re probably just trying to get by, like you. Do what you feel you should do. If you don’t, you may regret it later. INDIE MCPHEE

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OPINION CONTINUED FROM PAGE 8 Earlier episodes of the series introduce the species of the fishmen, a humanoid race that have historically been oppressed and treated as though they are inferior to humans. Years of being hunted down, enslaved, and oppressed is what leads the fishmen to become bitter and pessimistic. Strawhat crew member Nami recognizes that racism is the issue, not fishmen as a whole. The pirates end up fighting for the fishmen against the system that neglected them. I believe there are some similarities between this arc of the series and France’s recent protests. Amnesty International reported that in France over the last couple of years, there has been an overall increase in racism and attacks against immigrants. The protests currently happening in France were sparked largely due to high school student’s dissatisfaction with the state of the education system. According to NPR, students in France claim that school admission systems in the country are discriminatory toward marginalized students. Throughout the world of One Piece, the Celestial Dragons subjugate anyone they want. They are not only able to act with impunity, the marines of the World Government do their bidding — often with devastating consequences. Originally a member of the antagonists of Baroque Works, Nico Robin joined the Strawhat Pirates. Soon after, she abruptly turned herself over to the World Government, knowing she would be executed. It is revealed that Robin is one of the sole survivors of a genocide enacted

by the World Government because the island’s scholars were illegally researching elements of history the government tried to erase. Instead of believing the lies about Robin, Luffy declares war on the World Government. He would rather fight the whole world, than to buy into the idea that this person is inherently evil simply for simply trying to engage in academia. The American Library Association (ALA) recently released an overview of books banned in the U.S. over the last year. They found that 2025 marked the highest number of books that have been censored in one year since 1990. This follows U.S. President Donald Trump’s announcement to completely overhaul the country’s education system to end what he referred to as “radical indoctrination.” The “No Kings” protest where the Strawhat flag was spotted was a rally against the U.S. President’s authoritarian policies. I think this show speaks to people because throughout it all, Luffy is objectively good. He’s immediately able to spot who or what is the actual systemic cause of injustice and chooses to attack that. With all of these examples I mention, he consistently sees the good in those who are suffering, even if those systemic issues have led them to doing terrible things. Even one of the most iconic scenes in the series is Luffy punching a Celestial Dragon in the face, despite everyone telling him it’s not a good idea. It’s reckless, direct, and even violent, but also morally righteous. It’s why I think so many people are embracing the symbolism of One Piece

in acts of protest against tyrannical governments. Above everything else, Luffy fights for freedom. Not just for himself, but for everyone — he looks at a problem, says “that’s not fair,” and then does everything in his power to stop it. One Piece asks us to imagine a world where we dare to protest injustice at a structural level. To look at those who are

hurt and suffering and to fight for them. To hope that we can all be free if we are brave enough to do whatever is necessary to achieve it.

Illustration by Marley Penner / The Cascade

2SLGBTQIA+ //

INCLUSION ≠ INDOCTRINATION I grew up queer before SOGI 123; the internet taught me what classrooms couldn’t KAIT THOMPSON A massive disclaimer: I went to an arts school. As a survivor of Abbotsford’s own School of Integrated Arts, I experienced a student culture that acted as a safe haven for alternative misfits, including queer kids who had found the language to describe their experiences based on the peculiarities of 2010s internet culture. We existed in the weird transitional period between when BC classrooms were starting to become safer spaces, against the cultural backdrop of progressive Obama-era optimism and Tumblr. com — and just before SOGI 123 was a government-stamped thing. SOGI 123 is a collection of resources meant to help educators talk about diverse identities in inclusive ways, and build classrooms that are safe and welcoming for everyone. SOGI 123 has

shown to significantly reduce incidents of bullying and discrimination for both 2SLGBTQIA+ and heterosexual students alike. It is not — and never has been — a “mandatory” curriculum that educators are compelled legislatively to force upon students. In the bubble of my little public arts school ecosystem, it was perfectly acceptable to be a fan of RuPaul and be excited about the sapphic implications of The Legend of Korra (2012-2014), but there was still a tangible limit to how far a sixteen-year-old kid could push expressions of queerness without getting a stern look. Calling something “gay” was transitioning from an insult into a positive affirmation, but my understanding of gender identity still relied upon poorly-grammared anonymous think pieces I reblogged on the family computer before clearing my history. As ancient as I may

be, I keep coming back to the idea that despite not having SOGI 123 around to, say, brainwash us and turn us trans — myself and many of my peers still knew we were queer. If anything, with great hunger, we sought out the context and words with which to describe ourselves — often to a misguided degree. We engaged with anonymous adults on the internet late at night, putting ourselves in vulnerable positions; we created content to try and make sense of this culture that we could only look at from the outside in. We clumsily interpreted strangers’ unfiltered perspectives like they were the gospel. I’m not proud of the awkward missteps I made along my journey to “accepting” and “knowing” myself. Realistically, it took until my twenties to make sense of things, find healthy role models and community, and accept myself. It was

hard for me not to think of these experiences when reflecting on the rhetoric cropping up during our most recent and most unwanted election cycle. I feel that somehow an educational toolkit has been transformed by a vocal minority into a source of evil that is removing parental rights and conscripting your kids into the gay agenda. When I say vocal minority, I refer largely to the controversial OneBC party platform. Despite being a newer party, they ran 33 candidates across BC this election and ultimately secured zero seats for themselves. But the implications of such a misinformed movement gaining traction in the first place are still concerning. I’ve noticed that a shocking number of people, regardless of how they voted, are grossly misinformed about what SOGI 123 actually is. CONTINUED ON PAGE 10 9

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OPINION CONTINUED FROM PAGE 9 If you didn’t know, queer people exist regardless of provincial legislation. Queer people, coincidentally — mathematically — once were queer kids. The idea that they exist in increasing numbers because of some kind of social contagion is blatant ignorance. If queer kids don’t have access to an educational environment that includes language that factually describes them and protects them, I strongly believe we make them prematurely vulnerable. 2SLGBTQIA+ youth are three times more likely to experience unwanted and risky online interactions before adulthood. As someone who experienced this firsthand, I believe that this can be compounded by young people seeking out places to explore their identities that are isolated from their “offline” communities (note, that means “parents”).

Parents, of course, have a right to be concerned about what their children are being taught. But I would posit that, in this digital age, the idea of maintaining absolute control over what kids are exposed to is a harmfully deluded fantasy. Queer youth will continue to exist and seek out information to help them make sense of their place in the world. They will also pursue environments where they feel they can be themselves without fear of rejection. Wouldn’t you rather your child’s educators have the tools to make sure that school is one of those places that they can truly be themselves, be safe, and be protected? Isn’t that the ideal condition for making sure we’re just “letting kids be?” Illustration by Marley Penner / The Cascade

OpiNews //

When tap water runs black A crash course into Guadalajara’s water disaster and the lessons it left us NATALIA TOSCANO MURUA Let’s start with a quick imagination exercise. Chemically polluted sewage water has been coming out of yours, and half your city’s, faucets for weeks — that’s the water you rely on to wash, shower, drink, live. So, you decide to protest peacefully to demand the local government fix this critical issue. What would be the absolutely most disrespectful thing you, as a government, could use against the protestors to drive them away? I’d wager hosing countless gallons of clean water at them as a dispersal tactic would be extremely disrespectful, infuriating, and frustrating. Imagination exercise over. This is exactly what happened to Guadalajara’s citizens. Let history be known so it may never be repeated anywhere else, ever again. On Oct. 11, as originally reported by SinEmbargo’s staff and made accessible by Mexico Solidarity Media, thousands of protestors spread across nearly one and a half kilometres on the streets of Guadalajara, from the symbolic Minerva roundabout to the governor’s residence. By this point, an estimate of 655 neighbourhoods had been receiving water plagued by heavy metals, foul smell, cloudiness, and dubious colour for an extended period, Mexico Business News reported. Attendees accused the local water authority, the System of Drinking Water and Sewage Services (SIAPA), of corruption. The peaceful protest ultimately ended with clashes and was met with violence and tear gas, unjustified arrests were made, and people disappeared — as is sadly common in Mexico 10

with its disappearances crisis, recognized by Human Rights Experts. I’ve visited my home city a handful of times in the last couple of years, and to think that in my most recent visits I was already noticing the smell of sulfur in the water I showered with is disgusting. What infuriates me even more is to see such a critical fault to a human right as is the access to safe drinking water and sanitation, be so utterly dismissed by the people in places of power. If you have not already, I urge you to pick up your phone and look up “Guadalajara agua puerca” on whichever social media platform you prefer, because not even my best attempts to describe the deplorable condition of the water that was coming out of people’s homes is enough to fully capture the tragedy. These kinds of catastrophic events don’t happen from one day to the other, they come as a culmination of chronic events. I believe in the importance of understanding the elements leading up to a disastrous event, because it is in comprehending what exactly happened to reach such a result that we learn how to prevent it from happening again. According to Dr. Jose Arturo Gleason Espindola in his interview with Grupo Formula, the water’s contamination stems from Guadalajara’s reliance on a closed pipe system built in 1956 that feeds on a stream that is being polluted with industrial waste. From there, water is treated and distributed via an outdated system, roughly 40 to 50 years old, that reached capacity long ago. As explained by El Universal, polluted water is mainly concentrated at Las Pintas dam, whose

feeding system was responsible for providing water to 20 per cent of the city, until it was closed on Oct. 7. The governor of Jalisco, Pablo Lemus, established a water rationing system, and this is projected to affect 45 per cent of Guadalajara’s population, which is about two million people. There were concerns that this would lead to the privatization of water services to find a solution to this mammoth problem, as discussed by SinEmbargo’s staff and laid out in English by Mexico Solidarity Media. To me, the privatization of a human right happening in my home city sounds like a nightmare, and I feel like this sentiment is shared by a lot of Mexicans. Lemus said that all accusations relating to the privatization of water are false, and that the service will remain under the state and the public’s control, SDP noticias’ Nadia Cruz reported on Oct. 17. As of Oct. 28, fixing the water

issue has turned out to be a $25 billion pesos problem — that’s roughly 1.85 billion Canadian dollars, by the way. At least, it’ll be funded by the government. I wish there was something uplifting I could conclude this article with, but truth be told, this serves more as a cautionary tale than anything. It made me think about the agendas that the people in power really have, and why the authorities in my home city would allow a time bomb of this magnitude to blow up in everyone’s faces. Nothing happens in a vacuum. Looking at local issues through a global lens can reveal much more. What we can do, is call them out as loud as we can for it, and bring the world’s attention upon them like a pressuring stare to force change. Take it from Guadalajara, if something smells like there’s shit behind it, there most definitely is.

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FEATURE

feature@ufvcascade.ca Features Editor — Caitlyn Carr

Fear not the blackening skies! Ancient lore from Lilith of Rhiannon illuminates the way The sun is on an eternal journey, each season marking a different milestone, but it’s a journey that she’s made many times before. So don’t worry, she knows what she’s doing. This season, she’s moving away from the autumnal equinox and toward the winter solstice. As such, it is time to embrace the chill of biting nights, clutch all our fears to our breast, and step bravely into the darkness. There are lessons to be learned here, in this time of indigo skies and coastal downpours. You are a child of this earth, yes, but also a child of the moon and stars. Here is what they have to teach you.

Aries

Mar. 21 to Apr. 19

Taurus

Mercy, dear Aries. Like sweet Queen Demeter, you have big love for those you care about and when someone wrongs them, you will darken the skies with your sorrow. Take care though, this season is already filled with plenty of midnight scaries — any more of them and the world will surely plunge into a chaotic fervor there’s no turning back from. We don’t wanna plummet us all into an eternal night, now do we? (Actually, don’t answer that). Something to keep in mind is to have faith. Like Queen Demeter’s daughter Persephone, your loves are smart as whips and they know how to use their femme charms to their advantage (thanks to you, wink wink, nudge nudge). She’s working her own magic down in the underworld, seducing Hades and all. And if my sources (the cosmos) are correct, she’s about to awaken something even greater once this bleak season changes. So don’t cast too much darkness over us, have faith in the people you love, they’re not as helpless as you think.

Apr. 20 to May 20 So, your friends turned out to be shallow halfwits, huh? God forbid you express your true self and choose the path to self-acceptance by embracing your strange interest in techno-paganism rather than chasing popularity, am I right? No worries, though, seriously. There are new friends to be made, ones that accept you regardless of your weird niche interest. Like the Shinto deity Inari, you understand the interconnectedness of everything and the sacred gifts that all marginalized women possess. So embrace maternal gentleness and enjoy thriving with your new, strange online friends. The bonus? Night and day are blurred in the online world because it’s actually outside of your own personal conception of space and time. Fun!

Gemini

Illustration by Hannah Bricknell / The Cascade

May 21 to Jun. 21 There is an ancient tradition of marking equinoxes using sunlight and stones. The world didn’t always have smartphones to tell us the time with a simple tap of a finger (wild, right?). Ancient peoples watched stone monuments to track how and when the sun hit them in certain lights. And it told them stuff about the world and junk, I guess. Like when to harvest or whatever. Tedious, I know, but maybe this season should be one of slowing down and watching the stones change with the light. Age-old practices can’t be wrong, surely. So try watching some rocks this season instead of relying on all this new fangled technology and logic to set a course for your life. Sometimes the answer isn’t in the future, it’s in the past.

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Cancer

Jun. 22 to Jul. 22 The summer had you feeling all footloose and fancy free, embracing independence and settling into yourself. But this is a season to be like a hedgehog, set your individuality aside. Gear up for a long, hard winter, look your spikey little self in the eye, and acknowledge that all this summer fun has actually left you feeling small. So small in fact that you’re at risk of disappearing inside yourself. A scary thought, I’m sure. But there’s light to be found in this season of change, a light that can only be found in others. Now’s the time to bake a shit ton of pies, load up soup with lots of fatty goodness, stock up on leftover Halloween candy and gorge yourself — physically and emotionally — with the company of others. Feast with friends and open all your emotional doors because people do actually want to be with you (shocker, I know). Stop keeping them at a distance. Tell the people you love what you truly feel and let them in. Become fat little winter hedgehogs holed up against the winter storms together. It’ll be fun, I promise.

Illustration by Hannah Bricknell / The Cascade

Leo

Jul. 23 to Aug. 22~ In many cultures, the autumn equinox represents a time when the veil between the spirit world and the material world thins. Ohigan is a Japanese Buddhist observance that marks a time of perfect balance in the world, a time for honouring your ancestors and a period when enlightenment is right at your fingertips. It just requires that pesky practice of discipline (such a pain, right??) But don’t let our modern sense of entitlement lead you to think that you deserve anything and everything you want, no no, little one. You gotta work for it (Cue RuPaul). But, lucky for you, you know what you want. And now is the time to reach out and grab it. It’s yours baby, just hold tight, ask your ancestors for guidance (like, actually listen to their advice), and move toward your destiny! How exciting! What a time to be alive! It’s you! Right here, in your very own life. Embrace it.

Virgo

Aug. 23 to Sept. 22

Wow, major arcana vibes much? The sun is far from us right now, and only getting further. The demons are coming out to play. But hey, who said demons were evil? (Probably that pesky Christian church, am I right?) In Irish folklore, the equinox was a time when little fae came out to play. And you wanna know something about pixies and fae? They’re super mischievous; love to play tricks and such. The Irish tale “Avoid the Sí” may have something to teach you. Basically this guy was guarding the castle walls one night when he heard some fairies playing some sick tunes. He was entranced by the music so he went home to practice the melody and learn it for himself, but then this other guy came and said “hey you shouldn’t play that tune, it’s no good.” But this guy just kept playing it, and eventually it drained the life from his body, leaving him a broken shell of a man. Honestly, I can’t remember where I was going with this. Probably the pesky fae messing with my mind already, dammit.

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Libra

Sept. 23 to Oct. 23 The moon is bright this time of year, and always like, hanging around. What’s it doing up there? Well, it’s actually here to illuminate things just for you! You special little guy, wow! But don’t be too overjoyed, this is a season that demands endurance. While you may be celebrating a small step forward, the moon is lighting up the parts of you that might still need a little… shall we say, tune up? You could probably learn something from the Iroquois legend of “Cayuga.” Basically this bear, Nyah-gwaheh, or monster bear, appeared during a time when the cold and dark nights returned. Scared the living shit out of all the kids in the village, right? But these four brothers (one of them who was really hungry and lazy and complaining about it the whole time) chased the bear through the forest until finally they caught it on the top of the mountain and feasted upon its juicy flesh. But somehow the bear, being magical and all, came back to life, and now every season it needs to be chased and hunted again. But at least it provides something really tasty to eat, plus it brings them to the top of this really cool mountain. Also fun fact, this story is the inspiration behind the name for the “Little Dipper” constellation, which takes the shape of a bear. Neat!

Scorpio

Oct. 24 to Nov. 21

Sagittarius

It’s not always going to be summer. Learn from Sif, Thor’s super hot wife who was tricked into cutting her beautiful golden hair by that pesky old Loki. Even though she was majorly pissed that she was duped into cutting her hair for a man, she ended up creating a really awesome enchanted headpiece to wear, plus a couple other cool enchanted trinkets. The real moral of the story is to preserve what you harvest, or something like that. But here’s my interpretation: you’re probably going to be tricked by some stupid man at some point this winter, but try turning the tables on him. Harness your magical abilities and create a bunch of dope enchanted objects to smite your husband’s enemies with. Besides, blondes don’t have more fun, that was a lie sold to you by Big Hollywood. Step into a more humble power, one that actually is pretty chill about living in glorious darkness. There’s a strange power in the shadows of the world, and being wronged can really put that pep back into your step. Take it from someone who knows.

Nov. 22 to Dec. 21

So, you’ve spent your whole life chilling with your dope dad who likes heavy metal and horror movies and is actually like, the coolest dad ever, right? Sike! He’s actually a total simp who wants to marry some batshit lady and make her your step-mom. Plus, she has this unhinged sister who lives in the forest in a hut propped up on chicken legs, all fenced in with skulls and creepy shit like that (yeah, you guessed it, it’s Baba Yaga, yikes!). Anyways, the point is when your terrible new step-mom sends you into the forest to get a thread and needle from her sister (even though you already have like, dozens of threads and needles laying around the house because your dad literally owns a factory that makes them) you have to go. I know you feel sorry for your dad and all, but he kind of threw you to the wolves here and you also deserve some love and attention, not just your jerk step-mom, right? So go, light that Baba Yaga’s hutch on fire, rotisserie the shit out of that chicken house, and gorge yourself on it afterwards. You deserve it. Maybe your dad will come around, maybe not. Either way, it’s not your problem anymore. You’re a big girl now.

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Capricorn Dec. 22 to Jan. 19

You’ve been working your ass off to no avail. Your partner has been spending all summer tending to this silly seed that is gonna grow into a mistletoe plant (allegedly), and it’s stealing all the attention away from you, causing major arguments and friction. You’re trying to be supportive and all, letting your partner do their thing, but you just want to play video games with them — especially since the winter sads are hitting. Look, there’s a thing about mistletoe; it may just seem like some cute little opalescent berries right now, but your partner is on to something here. According to the Gallic Druids, it’s actually a fertility plant with massive healing properties, they even built temples to it! So, new plan. If you can harness some supernatural powers and make lightning strike it, it’ll be imbued with magical romantic abilities, just in time for Christmas. A note: if the tree just ends up getting frayed by the lightning (as trees sometimes do with massive surges of electricity) it may just be time to walk away.

Aquarius

Jan. 20 to Feb. 18 You played a role in something bad, and you know why? You didn’t listen to your intuition. It’s time to make amends and plan the right course for your future. Lucky for you, you’re stuck inside all winter because you didn’t spend the extra dime to change your summer tires to all seasons. Honestly, so valid. Who can afford anything nowadays? We aren’t always in charge of our fates, and sometimes mistakes cannot be corrected. We need to sit around, stew in our rooms and feel bad for a bit, but then find a way to move forward. In Northern Europe, some people believed that releasing a bag of grains into the wind would appease Odin and turn away his wrathful cheek. But with the price of grain these days… might be tricky to pull off, and a whole bag of grain seems like an awful waste. Maybe you can downgrade to a handful instead. Use the rest to bake a loaf of sourdough as a gift to those you’ve wronged.

Pisces

Feb. 19 to Mar. 20 You may be a mangy little field mouse, but ready yourself to take charge of the pack of snarling hyenas surrounding you. You’ve sat back all quiet and passivelike for long enough! Now’s the time to reconsider how you approach life. It’s the dark days, so maybe not the best time for direct action, but for planning. You quietly harvested all your fruits and berries from the summer like the Greek god Pomona, the goddess of fruit trees and orchids, and you’ve cultivated quite the bounty. But are you really going to eat all that yourself? With those starving hyenas barking at your door, tearing each other to pieces over the new lion king (whoops, wrong story, hold on, redirecting)? Look, here’s what you’ll do with your beautiful bounty: preserves. Get your canning jars ready because you’re going into business. Satiate your rabid peers with jams, jellies, and pickled beans and beets. I’m pretty sure those hyenas are just misunderstood, starving teenagers, anyways. Plus, I heard that preserves make a pretty penny at summer markets. Something to keep in mind for next year.

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SPORTS

sports@ufvcascade.ca Sports Editor - Kait Thompson

Hockey //

SLAP SHOT World’s smallest (basketball) screen

Illustration by Iryna Presley I played basketball during middle school, not competitively, but merely to get some exercise in. Despite it being a requirement for all students, it was a really fun time. During the sessions, I was happy to practice maneuvering with the ball, attempt close and mid range shots, and find my strengths as a short player. I quickly found that if I suddenly ducked or moved low, I could rid myself of opponents trying to grab the ball from me. They’d fly by over me with no clue what was even happening! I remember one day we were practicing a new move called a screen. At the time, the exercise made no sense: stand in front of a player pretending to want to steal the ball from your teammate behind you. This exercise floated to the back of my mind, I thought it to be useless… until I used it instinctively during a match. I literally felt like a tiny screen just standing there, shielding my teammate from the opponent’s attack. But the payoff was great, it actually worked! I guess I remember it because pulling off a random move perfectly, all nonchalant, by the way, felt freaking great.

A home-opener worth waiting for Abbotsford Canucks set record for goals scored in a single period KARA DUNBAR It started with seeing an instagram story posted by the Student Union Society. They had a special deal for tickets to a game that Saturday night. 20 bucks a ticket, or 25 for a ticket and a drink voucher. After messaging a friend to join me and grabbing two tickets, my weekend plans were set: I would be attending the Abbotsford Canucks 2026-2027 season home opener against the Coachella Valley Firebirds. Navigating a sea of green, we entered Rogers Forum about an hour or so before puck drop and were handed a bandana as we did so. We had selected the ticket option with a drink voucher, and were passed around to about half of the guest services staff before getting to the person in charge of the vouchers. After the voucher collection we visited the team store, and I could’ve sworn I heard drumming in the distance. Since it was my first time in the stadium, we did a lap around, passing by enthusiastic kids selling Chuck-a-Pucks for charity and numerous

good-looking but pricey food stands. The place was buzzing. We grabbed rum and cokes from a bar and found our seats in the third row. Since it was the home-opener, we got to see the exciting lights, smoke machines, and dramatic player introductions. Following the national anthem, the first period kicked off and saw one goal for the Canucks scored by Bennett Schmick. During the first break, Timbits Hockey provided the most adorable intermission entertainment with their teams of children aged four to eight playing a short game. The second period of this game was certainly the most exciting, and the highlight of the evening, and turned out to be historic. This period marked the most goals scored in a single period for the Abbotsford Canucks with six marks on the board. This record was thanks to Riley Patterson, Vilmer Alriksson, Tim Rego, Braeden Cootes, and Gavin White who got two tallies on the board. We almost started feeling bad for the

Firebirds goalie Victor Östman — almost. The Firebirds did hit back with two goals in the second period from Ryden Evers and Logan Morrison. Leading to an eight goal period, another record for the Canucks franchise. A dance-like fight between Firebirds Nathan Villeneuve and Canucks’ defenceman Joseph Arnsten got the crowd on their feet. The third period was certainly the falling action, but saw emotions from all sides as fights and squabbles broke out with game misconducts being received by two players from both teams. One goal for the Firebirds was seen, scored by Julius Miettnen. As the last period ticked down to zero the crowd only got louder. This home-opener was about a month into the hockey season, but the wait was worth it. This was a night of good drinks, exciting hockey, an engaging crowd, and record setting scoring. I’ll be keeping my eye out for any other student ticket deals there are on future games.

NATALIA TOSCANO MURUA

Photo by Kara Dunbar 15

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SPORTS Soccer //

Cascades secure second place in scoreless tie against Vikes Draw doesn’t derail historic season for the men’s soccer team KAIT THOMPSON A scoreless draw didn’t diminish a program record-setting season for the UFV Cascades men’s soccer team this weekend; the team secured second place for themselves in the Canada West Division after a 0-0 draw against the University of Victoria Vikes on Sunday, Oct. 25. The final results brought UFV’s regular-season record to 8-3-5 (29 points). This marks the men’s soccer team’s best regular season performance in program history, right on home turf at Rotary Stadium. Despite neither team finding the back of the net, the Cascades seemed to have

the upper hand with offensive pressure throughout the match. UFV’s efforts translated into multiple opportunities to score before halftime, but Victoria goalkeeper Callum Weir kept UFV effectively off the scoreboard. The Cascades camped out in the attacking half, keeping the ball moving with quick passes while the Vikes often retreated to their goalie to recycle possession. In the second half, we saw a shift in the rhythm; UVIC began pushing forward, while UFV struggled to keep the same momentum. But the Cascades continued to challenge the Vike’s defence, with neither team managing to break away from the deadlock. Ultimately, UFV outshot UVIC 5-2, with seven corner kicks to the Vike’s two.

Cascades goalie Matheus De Souza had his 12th career shutout, setting yet another new record for the program. For Mateo Branzinha, graduating forward and 2025’s USPORT Player of the Year for men’s soccer, the Cascade’s success this season reflects a shift in mentality. “It’s the confidence of the group,” Said Branzinha in a post-game comment to The Cascade on Sunday night. “The players have picked it up, and it’s made a massive difference. It’s a different mentality … we’ve come so close two times now, and it’s time to finish the job this year.” With the regular season behind them, The Cascades head to Calgary this Friday, Oct. 30 to face off against the University of Alberta Golden Bears in the first game

of the Canada West quarter-finals. Victory would clinch the Cascade’s place in the next round, and bring a hungry team one step closer to the championship. For Branzinha — one of four graduating seniors on the team honoured in a ceremony on Friday night — the memories of his time on the team go beyond their success on the pitch. “It’s the boys … it’s the team itself.” Branzinha said, when asked what he will remember the most about his time with the Cascades. “The stuff on the field is not as important as the stuff off of it. It’s about the boys … the team means more than anything.”

Soccer //

Around the world: international football This article offers an overview of international football ZEE ALEMAYEHU Hey, do you remember? The biggest sporting event in the world, the FIFA World Cup, happened just a few months ago and Canada hosted for the first time, along with the U.S. and Mexico. Do you remember all the excitement and the interest it garnered from sports enthusiasts? People from all over the world, rushing to Vancouver, watching the games at BC Place stadium, the fan festivals and local pubs? According to ***TSN*, over 30 million Canadians watched the games live. So did the love of the game hook you too? The good news is that football doesn’t end with the World Cup. If anything, it becomes all the more dramatic. Many of the well-loved stars of this year’s World Cup, like Spain’s Lamine Yamal, Norway’s Erling Haaland, France’s Kylian Mbappe, England’s Jude Bellingham, Brazil’s Vinícius Júnior, and so many more favourites, continue playing in their respective clubs once the summer ends. They continue into something called club football season, playing in domestic leagues and international friendly games, from August to late May. With club football, it can be fun to watch without choosing a team; but, your experience can become so much better when you do pick one. The rivalries, the passion, the arguments — once you pick 16

a team, life can become so exhilarating. You can look forward to matches coming up, argue in comment sections, debate how the starting line-up of a game should be, and find pride in your team. With the highs and lows, you feel it with your team and the international fans. The clubs that you’ll see represented most often will be from the Premier League, England’s top football league. Clubs like Manchester City, Arsenal, Liverpool, Manchester United, Tottenham, and Chelsea are only the big six of the top twenty clubs in that league. Each one has a rich history, fantastic players, and dramatic coaches who all want to win the prized Premier League trophy. There is also La Liga, the Spanish league with teams like Real Madrid, Barcelona, and Atlético Madrid. Then, of course there’s the German league, the Bundesliga, with teams like Bayern Munich and Borussia Dortmund — and the French and Italian leagues as well. There’s a lot of leagues and clubs to choose from, to say the least. Take your time in picking a club; you can seek the players you rooted for the most during the World Cup and find them in their clubs, or watch a few matches from a variety of clubs and judge for yourself who deserves your pick. As often said in the football world, once you’ve picked a club, you can’t go back! You can also put match dates on your calendar

(there’s thirty eight matches in one season for clubs which go on until May) and begin watching. There’s a few options for streaming matches, with DAZN and Fubo being the best options, though they are pricey, often around 20-50 dollars a month depending on the streaming plan you get. You don’t need to watch every match, as it can get overwhelming, but it would be a good idea to stay updated on your team’s stats. Quick heads up, the Ballon d’Or Ceremony, a yearly award ceremony recognizing the best in football, occurred on Oct 27. Harry Kane (Bayern Munich/ England) won the Men’s Ballon d’Or for best male footballer of the year, and Alexis Putellas (Barcelona/Spain) won the Women’s Ballon d’Or. Many campaigning favourites included Kylian Mbappe (Real Madrid/France), Lamine Yamal (Barcelona/Spain), and Michael

Olise (Bayern Munich/France). However, across the board, it’s agreed that Kane deserved this esteemed award because of his beautiful and humble history with football, starting at Tottenham to his place at Bayern Munich. The Club of the Year award was given to Paris-Saint Germaine, also well deserved after they won their second consecutive UEFA Champions League title in a thrilling final against Arsenal this year, as well as becoming winners of the Ligue 1, Intercontinental Cup, and European Super Cup this past season. Lots of wins for PSG this year! Students can also join in and play futsal at the UFV Recreational Centre on Tuesdays and Thursdays — check out the UFV Rec’s social media for more information. This is a great space for community, conversation about football, and staying active!

Premier League

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CULTURE

culture@ufvcascade.ca Culture Editor - Jasleen Sandhu

Campus Fashion: lounging around in style Being fashionably comfortable while studying Sweatshirts and sweatpants

RACHEL TAIT This is Campus Fashion, your source of inspiration for seasonal trends, cool finds, and wardrobe basics to keep you looking stylish throughout the year. It’s crunch time! Whether you are finishing your midterms or heading toward your finals, one thing is for certain, studying in comfort is a must! Loungewear, sweatsuits, and knitted two-piece sets are just some of the ways you can embody this aesthetic while still staying true to your style. The Cascade researched different looks, and compiled a list of the top five most fashionable and cozy styles you can wear while prepping for your studies.

Knitted co-ord sets For those wishing to be cozy without looking too sporty, knitted co-ord sets are great for wearing out for errands or going to class. Coordinated outfits look put together and they can look great worn separately as well. Try wearing a navy blue knit boatneck long sleeve shirt with a matching pair of wide leg pants and white running shoes. For a more elevated look, try a three-piece coordinated knit mock neck sleeveless top, a cardigan, and matching midi skirt with a pair of ballet flats, a cream leather clutch purse, and a cream wool coat.

Sweatsuits are a staple at the gym and can be a great study outfit as well. For a casual look, try wearing a black sweatshirt and matching sweatpants with a white crew neck T-shirt, cozy socks, and suede Ugg slippers. You can also add a pop of colour by wearing a red half-zip sweatshirt and charcoal grey cargo sweatpants with a pair of black running shoes, and a black baseball cap.

Leggings Leggings are versatile and add a nice layer of warmth to any outfit. For a more casual look, try wearing a pair of black fleece-lined leggings with a white tank top, a red oversized hoodie, long cozy socks, camel hiking boots, and a khaki barn jacket. For an outing with friends, you can also pair black leggings with a red and black flannel shirt dress with black ankle boots, and a long white cable knit cardigan.

Slippers Slippers are the epitome of comfort and all things cozy. Whether worn in the house or outside, these shoes add a much needed respite from running shoes and can be dressed up or down. Try adding a pair of camel suede Ugg slippers to a dark green velour track suit, a black crossbody belt bag, and a black puffer jacket. You can also wear a black Henley long sleeve shirt, boyfriend jeans, an oversized black hoodie, and black slippers.

Photo by Kateryna Hliznitsova on Unsplash

Fleece jackets Comfortable and warm, fleece jackets are a staple for the fall. Lightweight and relaxed in fit, this style is a great layering piece and outerwear for the fall, especially when the weather gets cooler. For a casual look, you can put a navy fleece jacket over a white tank top, navy yoga pants, and black running shoes. For a night out, try wearing a cream fleece coat over a dark green knit dress, tall dark brown leather boots, brown leather handbag, and a cream scarf. There you have it, five ways you can stay comfortable and fashionable while studying for exams. May the rest of your semester be warm and cozy!

UFV //

The Academic Success Centre is a valuable resource A comprehensive, yet comforting approach to academic support JASLEEN SANDHU It’s time for midterms! Sorry, that sounds simultaneously too cheery and ominous. If you’re going through the mid-semester slump and you feel that you might need some support to get through this part of the semester, don’t fear, the Academic Success Centre (ASC) is here! The ASC is a resource for all students to get the academic support they need. It’s situated in Building G, by the library, but the ASC has tools and tutoring sessions which are available online, as well. The Cascade got the chance to learn about what the ASC has to offer by speaking with Learning Strategist, Tara Corman and Senior Tutor, Damon Fretwell.

The ASC has comprehensive resources, including peer tutors. Corman expanded on the ways in which they provide academic support. “Tutors can help with study skills, they can offer writing support, and they can also help with course specific content if a student wants to deepen their understanding or clarify some of their doubts about their course content.” Learning strategists assist students by focusing on their learning processes. “Learning strategists are available to meet with students for one-on-one support where students are looking to identify barriers to their learning process and develop effective learning skills for their strengths as a student, and the type of content that they’re working with.

Some of those learning skills might be related to note taking or exam preparation strategies.” Writing support is a major part of the ASC and there are resources provided on their website. “We also offer some other programs and services targeted to writing support. Targeted to students who are on academic probation or warning to help them get their GPA above 2.0. [There are] writing services like WriteAway, Turnitin.” WriteAway allows students to receive feedback online from qualified tutors on drafts of their academic writing. Turnitin is a tool which lets students check their written work for any potential plagiarism. Fretwell, who has been a peer tutor for one year, provided details about how

communication is a key part of his role. Peer tutors are also students, who are aware of academic expectations, therefore can provide students seeking support with personalized sessions. “You can come in and meet with peer tutors who are students who’ve been there, who’ve done what you’re doing. It’s much less intimidating than going to somebody who’s older or not necessarily on your same standing at the university. We’re all students, and we understand what you’re going through, and we can connect with you on that sort of comfortable and emotional level … we’re all working together, trying to improve.” CONTINUED ON PAGE 18 17

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CULTURE CONTINUED FROM PAGE 17 Seeking support isn’t exclusive to improving grades, but the ASC offers a variety of assistance and information. “It’s not just a place for struggling students. We work with students who just want to talk about ideas with another student. We really want to encourage a dynamic and relational learning environment. Often when you’re a student, it feels like you’re just kind of doing [things] by yourself a lot. But you don’t have to do it alone.”

While the ASC doesn’t offer tutoring services in every subject offered at UFV, tutors and strategists ensure that they are able to assist students in a variety of subjects and topics. “We try to have tutors for the subjects that we most commonly receive inquiries about. And through that, we cover a pretty wide range of disciplines. If you’re a student taking a course and you don’t see a tutor in that subject, you might still find it helpful to work with a tutor, because they can guide you through effective strategies and study skills.”

To any students that may be hesitant to ask for the support they need, Corman had some advice to give: “Make an appointment or stop by and try it out. It’s a very welcoming and supportive learning environment. Taking your first step to getting help is a powerful thing and you never know where it can lead. Even if you feel a little bit reluctant or shy about it, I would just encourage you to put yourself out there, take that first step, and see what great things can come from it.”

STUDY BREAK Crossword //

Sudoku //

Warren.Dalman

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Fretwell added onto that, providing a student’s perspective and giving some reassurance. “Often [for first year] students it’s overwhelming, all this academic language that you’re immediately expected to understand. … I’ve had students come in, very nervous. We sit down, we start breaking it down, and it just becomes clear, and that anxiety goes away when you understand a little bit more of what’s expected of you.” Finals are just around the corner, so if you need some support or just want to brainstorm ideas, the ASC is there for you.

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CULTURE Q&A //

A discussion on writing and the leaders we need UFV’s Fraser Valley Writers Festival to feature Jody Wilson-Raybould and her newest project KARA DUNBAR

Not necessarily. In fact, our editor was really helpful in providing feedback. In the book, obviously it’s about leadership, but we wanted to articulate in each chapter clear attributes that we believe an Inbetween Leader has and also include some practises. Some of the things we left out was we interviewed over 70 leaders from all walks of life, young and old, public and not, and we received extraordinary feedback from people, and we couldn’t put everything in, so it was hard to sift through all that.

humanity generally, we’re paradoxically in this moment in time where we seem to be pulling together and pulling apart. And it’s the same forces that are doing that. So to your question about truth, and people, and the people that we interviewed, what Roshan and I talk about is we need to re-examine who our leaders are and what we envision as leadership. Some of the attributes speak to being; having personal coherence and holding true to your values, speaking the truth, and having integrity. [Those] have been many of the characteristics that people have talked about in terms of good leaders and being able to believe in leaders.

We tried to include, at least, a quote from everybody, and I think we were pretty successful at that, so no. I mean there were some people that we left out … but there was nothing in particular that I can think of to highlight. … Most people were very, very thoughtful … It’s young people, and we must have interviewed about 10 to 12, that provided us incredibly thoughtful and well-written answers to the questions that we had about what they see as positive characteristics or attributes of leaders.

What is one small action or change that each of us can make today to become a healthier leader?

On Friday, Nov. 6, the Honourable Jody Wilson-Raybould will join Justin McElroy in conversation to kick off the Fraser Valley Writers Festival (FVWF). WilsonRaybould is joining the festival as part of her promotional tour for her new book The Inbetween Leader, (2026) co-authored by Dr. Roshan Danesh. Ahead of the festival, as she headed to Quadra Island for a break from tour, WilsonRaybould took the time to talk with The Cascade about her new book and how she Were there any interviews that thinks leadership needs to change to meet didn’t make it into the final copy that the needs of today. you would like to highlight?

This is the second book you’ve co-authored with Dr. Danesh. Why did you choose to collaborate on this project versus writing alone? We’ve worked together for a long time, dating back to when I was Regional Chief, and he came to Ottawa with me when I was the Minister of Justice and the Attorney General. When I stepped down from politics, we started writing lots of different things together [like] op-eds and found that we had a good partnership in terms of our backgrounds and our views about various issues. Reconciliation is what brought us together at the BCAFN [British Columbia Association of First Nations], but we enjoy writing together, and I think we complement each other.

Were there any cut pieces from The Inbetween Leader that you’d like to come back to later or expand on?

I think people need to be open to different lives and different experiences. And we open up The Inbetween Leader asking people to re-examine and re-envision what leadership is and what we need leaders to do in this moment in time. I think critical to that is for our leaders, and not just public leaders, [but] you and I, our family, our colleagues, fellow students, to be a good leader. I believe that person, that we as individuals and in One of the themes of FVWF is truth. groups need, [should] be self-reflective I was wondering within leadership, and have that personal coherence and try how does one navigate being the to work. Not as we talk about different person who has to be at the forefront leadership styles like authoritarian leadof uncomfortable truths? ers, like that command and control leader What the book seeks to answer [is] the or that competitive worldview that a lot of question of where have all the leaders people have, particularly in politics. But I gone in this moment in time when it think an inbetween leader is someone that seems as a society, as Canadians, and as

Erich Saide, CC BY-SA 3.0, via Wikimedia Commons builds unity, someone that understands that the greatest improvements and innovation happen when all voices are heard, and all skills and abilities, and peoples from all walks of life have the ability to contribute to decisions, and contribute to how we can harness the forces of pulling together in this moment in time. Q&A has been edited for length and clarity.

ARTS

arts@ufvcascade.ca Arts Editor — Sky Terrones

Music //

Tomorrow, 50 years ago Revisiting the album that imagined a future many fear is already taking shape LEXI PRICE The needle drops. A single second of silence, and then sudden, rippling synth waves send me hurtling through time and space to the year 2112. Ladies and gentlefolk — this is RUSH’s 1976 Side A masterpiece, a 20-minute exploration of dystopia and sound. As RUSH returns to the stage with new drummer Anika Nilles (rest in peace, Neil Peart), and 2112 turns 50, I thought I’d revisit the album. There was one question on my mind when I started listening:

can a track from five decades ago still feel relevant today? Oddly enough, yes. 2112 is set in a futuristic totalitarian society where a small group of elites, the Priests of Syrinx, controls nearly every aspect of life through their “great computers,” suppressing freedom of thought and self-expression. When a young man discovers a guitar and gives music a try, he is ultimately forbidden from playing it. Feeling hopeless in a world where he has no control over his future, he eventually takes his own life. Dark as that may be, it

also feels thematically relevant to many a Gen Z mindset in 2026. The suit starts with “I. The Overture,” which I can only classify as epic space rock: a four-and-a-half-minute instrumental piece that almost seems more like the opening of a ‘70s sci-fi film than a rock album. It concludes with a nod to Tchaikovsky’s 1812 Overture, cannons blaring and all, before giving way to the quicker, harsher sound of “II. The Temples of Syrinx.” This is the song of the powerful, those who claim they’ve “taken care of everything” and that the public never needs

to “wonder how or why.” The track is screamy, punchy, and simultaneously innovative and catchy, with its aggressive sound perfectly complementing the priests’ authoritarian worldview. In sharp contrast, “III. Discovery / IV. Presentation” opens with trickling water and gentle guitar picking, making it feel as though the protagonist has stepped away from the machinery of society and into the natural world. The lyrics begin describing a guitar through the eyes of CONTINUED ON PAGE 20 19

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ARTS CONTINUED FROM PAGE 19 someone who has never encountered the instrument before. But beneath that is the wonder of creating something for the very first time. When the protagonist presents his discovery to the priests, he explains that the music will find its way through, convinced that others will someday understand its value: “There’s something here as strong as life / I know that it will reach you.” Dramatic drums, screaming guitar, and crashing chords punctuate the argument that follows, but the outcome is inevitable. The priests reject his discovery and force him to abandon the instrument. “V. Oracle: The Dream” and “VI. Soliloquy” deepen said tragedy. Here, the protagonist learns what the world was once like — a place full of art and music that has since fallen under the control of a privileged few. The songs fixate on the qualities that make society human, celebrating “gifted hands” and the importance of “hungry minds and open eyes.” However, once he understands what has been lost, the protagonist falls into despair. Words like “oligarchy,” “technological feudalism,” “late-stage capitalism,” and “artificial intelligence” are never

explicitly stated in 2112. And yet, RUSH taps into many of the same anxieties that define our contemporary society, forcing listeners to ask whether we are, indeed, heading towards the very future the band envisioned half a century ago. Will we, or have we already, found ourselves in a world where an increasingly wealthy elite regulate us all through computers? A world where creativity and individuality have died out, and people retreat into fatalistic mindsets about the future? Perhaps I’m projecting my own anxieties onto a work that predates them by decades. 2112 undeniably contains anti-communist themes rather than anti-capitalist ones. But the broader concerns at the heart of the album transcend any single political framework. There is a genuine fear among many artists that human creativity will be replaced by computer-generated content. Even so, I think it’s important that we do not despair as the protagonist does. There is much we cannot control. There is much we cannot change. But we do not have to surrender to doom or nihilism. Creation is for the living. Art is for the living. We are the living, let us make.

By Derived from a digital capture (photo/scan) of the album cover (creator of this digital version is irrelevant as the copyright in all equivalent images is still held by the same party). Copyright held by the record company or the artist. Claimed as fair use regardless., Fair use, https://en.wikipedia.org/w/index.php?curid=384131

Movies //

Wildwood: LAIKA’s greatest yet A stunning adaption worthy of its beloved source material JAY PETER With the rise of terrible AI shorts on TikTok and animation companies increasingly embracing the technology, the future of animation has been looking bleak. AI is not only harming the environment, but also encouraging us to devalue the artists and craftspeople behind the work we love. Thankfully, LAIKA Studios is here to be a much-needed ray of

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light in the industry. Their most ambitious film to date, Wildwood (2026), might just be that light. Wildwood is an adaptation of the beloved children’s novel of the same name, written by The Decemberists frontman, Colin Meloy. The fantasy adventure follows Prue as she ventures into the Impassable Wilderness to rescue her baby brother after he is carried off by a murder of crows. The story has long been a must-read in my eyes. It blends childlike

wonder and the need for belief with more mature themes, and LAIKA captures that balance beautifully. One of my favourite moments brought to screen is the sequence in which Prue escapes a gang of would-be captors on the back of a giant eagle. It’s a breathtaking showcase of the wonder and majesty of the Impassable Wilderness, immersing audiences in the world through colour and craftsmanship while still moving the story forward. At the same time, Wildwood doesn’t shy away from the novel’s darker themes. This isn’t a story for young children or those easily disturbed. The book tackles subjects such as politics, the horrors of war and suicide, and the film follows suit, putting its PG-13 rating to good use. In many ways, LAIKA is very much returning to its roots with Wildwood. The studio’s debut film, Coraline (2009), was also an adaptation of a beloved, albeit unsettling, children’s novel. This entire film has been a labour of love, made entirely by human hands. The team at LAIKA has spent the last 16 years bringing Wildwood to life, making it a project nearly as old as the studio itself. Over that time, hundreds of artists Laika designed environments, sculpted puppets

and built sets, with more than five years devoted to the stop-motion animation and visual-effects work itself. Every detail, from the feathers on the three-foot-tall eagle puppet to the tiniest blades of grass, was crafted with extraordinary care. And it shows. I already went in as a longtime fan of both LAIKA and the Wildwood series, and the film was even better than I could have hoped for. The world of Wildwood leaps from page to screen, completely transporting audiences to Portland and the Impassable Wilderness beyond. Every aspect of the environment feels purposeful. From the people in the backgrounds of city streets to the ivy scattered throughout the woods, each detail helps make the world feel real. The team’s focus on design and set creation was certainly money well spent. While the environments are remarkable, the animation is even more so. Fluidity is something audiences have come to expect from LAIKA, sure, but Wildwood elevates the studio’s craft to an entirely new level. There were moments when I almost forgot I was watching stop motion. Early in the film, when Prue’s CONTINUED ON PAGE 21

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ARTS CONTINUED FROM PAGE 20 baby brother, Mac, is taken by the murder of crows, the flock moves with such grace and precision that it feels closer to traditional 2D animation than painstaking puppet work. Several pivotal scenes are like that throughout Wildwood, each one a testament to the extraordinary skill behind the production. These sequences are what make the film truly mesmerizing.

Legendary Disney Animator James Baxter himself couldn’t have done better. Wildwood is an incredibly important film in this day and age. Gone are the days when creating something was enough. More and more often, artists are met with claims that AI could’ve done it faster, cheaper, or better. In the process, we’ve begun to undervalue the arts, the creatives behind them, and the animation that helped shape so many of us. We wouldn’t have movies like The Incredibles (2004)

or shows like BoJack Horseman (20142020) if creative industries had spent the past 20 years prioritizing convenience over craft. We’d be left with the tired misconception that animation is only for children and little else. That’s why Wildwood is so important. It makes you think. Director Travis Knight is vehemently against AI, and parts of the story reflect that same fight for human creativity. More than that, Wildwood is a marvel of artistry, built through years of

determination, and perhaps most importantly, patience. It stands as proof that the arts are far from dying. If anything, they’re stronger than ever. Whether you’re a fan of animation, fantasy adventures, human artistry, or simply sick of Disney putting out the same movies time and time again, Wildwood is worth a watch. And definitely worth the wait.

Video Games //

Bae over Bay — Life is Strange: Reunion chooses for you! Square Enix’s latest video game reunites a fandom with their beloved partners in time SAVANNAH HARRINGTON-LEE As far as story-driven games go, Life is Strange (2015) is one of the most wellknown and loved titles to date. “What would you change if you could rewind time?” This is the core question that becomes integral to the experience as you play as awkward yet endearing photography student, Max Caulfield, whose newfound ability to rewind time turns every available choice into a question of consequence. Back in 2024, after graduating high school, Max’s wild journey taught me to embrace the uncertainty rather than fear it. At a time when I had no clue what came next, I found comfort in the idea that every choice, good or bad, was simply another step forward. I also connected deeply with Max and her best friend Chloe Price, which made their friendship one of my favourite parts of the game. Call me greedy, but I never felt like we got quite enough of their hijinks together (love a good Pricefield moment). Not long after I finished the first game, Deck Nine released Life is Strange: Double Exposure (2024), following a now-grown Max as she navigates her powers once again while working as a photographer-in-residence at Caledon University. Perfect! A chance to see Chloe again too, right? Well, not exactly. Double Exposure was an interesting game, but it lacked some of the nostalgic familiarity many players associated with the original. Because Life is Strange is a choice-driven series, everyone’s version of Chloe’s fate is different, and discussions about whether her story should continue quickly divided the fandom. That debate only intensified with the announcement of Life is Strange: Reunion (2026). While some players viewed Chloe’s return as unrealistic, nostalgic fans and dedicated Pricefield shippers — myself included — were thrilled to see her back with her signature backtalk and charming

blue-haired self… or, this time around, green-haired self?! As with any sequel, the stakes in Reunion are higher than ever — amping up the fear of choosing wrong when choices are not as simple anymore. Max’s friends can reach fatal endings if you aren’t careful. Trust can be gained and lost in equal measure, dramatically altering the story’s direction. Playing it felt less like a teenage whodunnit and more like a series that had matured alongside its audience. That’s always been one of Life is Strange greatest strengths. Beneath the supernatural powers lies an exploration of issues many young adults face, including identity, mental health, grief, and complex relationships. Max and Chloe’s experiences throughout Reunion made me stop and consider how I would respond to the hard, mostly interpersonal situations they are thrown into. Can someone be defined by their worst choices, or do good intentions still matter? Should you protect the person you care for most with a lie, or risk losing them with the truth? — a choice Before the Storm (2017) players may be all too familiar with. These questions extend far beyond a controller, which is why I continue recommending this franchise to others. Few games have made me reflect on my own life quite like Life is Strange has. On a lighter note, watching Max and Chloe stumble into trouble while trying to save their friends, Caledon University, and themselves proved entertaining as hell. It also gave us several long-awaited moments that most diehard fans had spent more than a decade hoping to see. Like any video game, Reunion has its flaws, and the original remains the series’ high-water mark. Still, that doesn’t stop this latest addition from being fun, engaging, and genuinely thought-provoking, especially if you’ve been on the Pricefield

route since day one. My beanie is off to those who are. If Life is Strange: Reunion proves anything, is that the power of fandom is truly unmatched. Through fan art, edits, writing, digital media and anything else under the sun, communities can keep stories alive long after they seem finished. Creators are often more willing than we think to revisit worlds that people continue to cherish (looking at you, Christian Linke — I’ll wait another 10 years for a Caitvi spin-off if I really have to). And honestly, that’s especially encouraging at a time when queer stories are becoming more visible. Sometimes, if

enough people care loudly enough, someone eventually listens. Now, with a TV adaptation that wrapped in October 2026 — starring Maisy Stella as Chloe and Tatum Grace Hopkins as Max — I guess another reunion is just around the corner, this time on the silver screen, and I for one am hella ready for it. Until then, may I suggest taking one lesson from Life is Strange as a whole? Trust in the butterfly effect. After all, you never know how one choice, one moment, one person might change everything. Maybe even snap a quick photo of it while you’re at it.

Illustration by Savannah Harrington-Lee 21

WEDNESDAY, NOVEMBER 4, 2026

VOL. 34 // ISSUE 14

ARTS Manga //

SHUFFLE I’m Cam The Man, host of The Cam the Man Show, back with another CIVL Shuffle! Here are some independent artists making their mark on the CIVL Top 30 chart in 2026. LOV - “Can I” LOV is a Saskatchewan-based R&B artist who continues charting on the CIVL Top 30 chart with her debut album Iskwêw (meaning “woman” in Plains Cree). The song I chose from the album is “Can I,” which explores the vulnerability of getting to know someone, the excitement of a crush, and the early, flirty stages of a relationship. Nicky MacKenzie - “Comfortable” Nicky Mackenzie is a B.C.-based pop artist who held the number one spot on the chart for two consecutive weeks. Her album Morals was released on May 20, 2026, and my favourite track from the album is “Comfortable.” It’s a song about letting go of the past, moving beyond the need for validation, and recognizing when it’s time to walk away from anxiety and unhealthy situations. Catie St. Germain - “Salt in the Wound” Catie St. Germain is a country artist from Winnipeg who performed the Canadian national anthem at the 2025 Grey Cup. She released her debut EP, 100 Proof, in June 2026, and the song I’ve chosen is “Salt in the Wound.” It’s about staying strong after a breakup, refusing to let an ex-partner bring you down, and reclaiming your voice through self-reflection.

The yuri that emptied my wallet A casual read that quickly became one of my most memorable manga binges SKY S. TERRONES What?! Another yuri manga review so soon?! Your trusted rainbow dealer is spoiling y’all with some WLW goodness that’s inadvertently murdered their piggy bank. But was it worth it? Join me as I tell you about The Moon on a Rainy Night (2021–). When the announcement of the 2027 yuri anime lineup practically broke the internet, fans immediately went into full (positive) freak-out mode. Alongside adaptations of The Guy She Was Interested in Wasn’t a Guy at All (2022–) (a.k.a. the “Green Yuri”), Murciélago (2013-), and Let Me Fix You (2021–2022), we’re also getting the beloved The Moon on a Rainy Night. Between the anime announcement and a sale, I finally picked up the first two volumes and volume five. Listen, sales lead to questionable decisions sometimes. Naively, I thought the first two volumes would last me weeks. After all, what was the harm in a story where high school student Saki crashes into Kanon, a gorgeous, mysterious girl, only to discover she’s sitting right beside her in class the next day? SO WHAT IF YOU’RE SENSING A PATTERN? Having a crush and then getting a little help from fate is a trope I’m always happy to see.

Anyway, the sweet, charming opening lulled me into a false sense of security. I assumed I was settling in for another relatively straightforward romance. Before long, the story dives into unrequited feelings, bullying, and the realities of hearing loss. Fortunately, the manga handles these topics with a surprising amount of care. While Kanon being hard of hearing is a major part of the story, the story never reduces her to her disability. Instead, it explores the challenges of communication, empathy, and the effort it takes for people to truly meet each other halfway. More importantly, it avoids both romanticizing deafness and turning it into a tragedy fest. Both Saki and Kanon struggle with their own insecurities, and it’s through their attempts to understand themselves and reach out that they begin to see something in each other that no one else does. Ah, to see and be seen. To understand and be understood. Certainly not an easy process, but it can only start when you decide. I had finished the first two volumes in a single night, when I made a terrible mistake. By that point, I had already realized I was reading a slow burn (against my heart’s best interests). But I was committed, so I decided to peek at volume five… I know. Shame on me.

Katie Mal - “Haunts Your Dreams” Katie Mal is a Toronto-based pop artist who released an album called Time Heals Most Wounds (2026). “Haunts Your Dreams” explores the lingering impact of an unforgettable memory or someone who continues to occupy your thoughts long after they’re gone. The song turns the tables on a former partner while confronting the emotions they’ve left behind. Katie peaked as high as number five on the CIVL Top 30 chart. If you’d like to check out the rest of the CIVL Top 30 chart, visit civl.ca and see if there are any artists you’d like to add to your music library. 22

Cover of The Moon on a Rainy Night, Vol. 1 by Kuzushiro. Image courtesy of Kodansha Comics.

Naturally, I got exactly what I deserved. Within moments, I found myself staring at a massive spoiler and realizing two horrifying truths: not only was “slow burn” an understatement, but volume five wasn’t even close to the end of the story. In hindsight, I have no idea why I assumed five volumes would be enough. Maybe because the Green Yuri only had four available when I bought it. Maybe because my all-time favorite yuri manga, Girl Friends (2006-2010), wrapped up in five. Either way, I was doomed. I was already planning to track down the missing volumes because there was no way I was leaving my heart hanging. Then I discovered there were nine volumes available in English. Nine — like, holy mother of economy. But honestly? Worth it. The fact that I immediately wanted more speaks to how engaging this story is, but the reason it hit me so hard was personal. The manga captures what it feels like to have your future carefully planned out, only for life to pull the rug out from under you and force you to reconsider everything. It also tackles the difficult reality of developing feelings for someone when society tells you those feelings are somehow wrong. Not that there’s anything wrong with the heartwarming idealism of series like Kase-san (2010–) or the Green Yuri. Those stories have their place, and I love them dearly. But The Moon on a Rainy Night occupies a different space entirely. And I truly believe we need both kinds of stories: those where young love is allowed to be joyful and uncomplicated, and those where people must wrestle with who they are, what the world expects of them, and how to follow something that feels right even when they’ve been taught otherwise. Long story short, I ended up buying every available volume. If you’d like to test the waters before making similarly questionable financial decisions, the library has the first volume available. Just be warned: this manga’s spell is real. After finishing all the physical volumes, I went online to see whether the good yuri Samaritans had translated the Japanese chapters. They had. And before I knew it, I’d read all 13 available volumes. Yes, the number keeps increasing. I regret nothing, and will be rooting for these two when the anime comes out in 2027.

WEDNESDAY, OCTOBER 7, 2026

VOL. 34 // ISSUE 14

ARTS Theme Parks //

D’oh not be too sad about it The Simpsons land at Universal Studios Hollywood could close after 18 years ABBY HANSEN In July 2007, Universal Studios Hollywood permanently closed its Back to the Future: The Ride to make way for The Simpsons Ride, which opened the following year. The rethemed attraction opened alongside a Kwik-E-Mart merchandise store. Then, in 2015, Springfield, U.S.A. was unveiled around the ride, expanding the area into a fully themed land. Now, people online are speculating whether the land is nearing its final days. With Disney’s purchase of 20th Century Studios in 2019, fans of The Simpsons are wondering what will happen to the ride and surrounding land if Universal loses its licensing of the series. Would it be a tragic loss for the California theme park, or is it perhaps time for something new? Well, it just so happened that I was in California recently, and got to experience Springfield, U.S.A. for myself. Here’s my take on the park, and if perhaps it’s time for something new. Upon entering Springfield, U.S.A., my first impression was that it is incredibly detailed. Music from the show blasted over the speakers, while statues of Springfield residents lined the fictional city’s Main Street. Lisa Simpson sits perched on the “Welcome to Springfield” sign, beckoning guests to enter. Hanging from the outer wall of the Springfield Penitentiary was Sideshow Bob, seemingly in the middle of yet another daring escape. Parked, well, crashed outside the donut shop was Springfield Chief Wiggum’s police cruiser, fake smoke pouring from under the hood. I even saw a mascot of Homer taking photos with guests. By the time I had walked through the entire land, my second impression was that it was tiny. However, that didn’t detract from the overall immersion. There are so many details that make you feel as though you’ve stepped directly into the show. This is most evident with the centerpiece of the land, The Simpsons Ride, wearing the appearance of a Krusty the Clown theme park titled Krustyland. The exterior and pre-show were cohesive and really entertaining. Guests enter the fictional Krustyland through a queue plastered with carnival posters, while cutouts along the building’s exterior advertise a variety of cartoonish rides and attractions. There was even a detailed map of the non-existent park just outside the showroom’s front door. The ride’s preshow features original animation, setting the stage for the main attraction. Sideshow Bob has escaped prison and is back on his quest for revenge. After

Photo by Abby Hansen hijacking one of the roller coasters with the Simpsons aboard, guests are taken on a wild ride. Once seated in the faux roller coaster cart, guests are lifted up into a giant theatre, where the motion simulation portion of the ride begins. Although the wild adventure through Krustyland and Springfield was enjoyable, something about it bugged me. Despite the 3D animation being a departure from the Simpson’s typical style, that wasn’t what detracted from the ride for me. The first thing that popped into my head was: “did they forget to give us 3D glasses?” The animation was well done, but being played on a large curved screen made the animation slightly blurry. It felt like trying to watch a YouTube video on one of the lower quality settings. And Krustyland can be experienced not just within the ride itself. Outside are various carnival games. Prizes ranged from generic Simpsons toys like Santa’s Little Helper stuffed animals to Itchy and Scratchy hats and toys. Food was arguably one of the biggest attractions of the park. Within the limited space of the park, there was so much that I couldn’t try all of it, even though I gave it my best effort. In total, there are nine

different places to purchase food, snacks, and beverages and in my time there, I sampled four different menu items: The Krusty Burger with fries, Buzz Cola, a Lard Lad Donut the size of my head, all washed down with a sparkling orange beverage designed to look like a Duff Beer. The donut was by far the most outstanding thing there in terms of food. It was fluffy with a sweet frosting. The rest of the food was decent as far as themepark fast food goes, but was honestly nothing super memorable. It felt like the main appeal of the food there was simply The Simpsons aesthetic and not the actual taste. Ultimately, I thought the park was fun and immersive, but some of its elements were rather dated. Exploring the rest of Universal Studios Hollywood only made those shortcomings more apparent. After going on newer rides like Mario Kart: Bowser’s Challenge and Despicable Me: Minion Mayhem, The Simpsons Ride felt a little lackluster by comparison. Perhaps a Simpsons theme park would be better off in the hands of The Mouse. And I’m not talking about Scratchy.

CHARTS 01. WINE LIPS TV Dinner 02. NORTHERN DARKHORSE Northern Darkhorse 03. OLIVIA PENALVA Exit Wounds 04. LOV Iskwew 05. MAGI MERLIN POWER HOUSE 06. KRISTIN WITKO Lavender Town 07. TRUE MOUNTAIN LAUREL Angel So Bad 08. NICKY MACKENZIE Morals 09. DOOHICKEY CUBICLE Good At It 10. LAURA ROY Late Bloomer Season 11. PRAIRIE GAMBLE Prairie Gamble 12. SONREAL Here Goes Nothing 13. DYLAN SINCLAIR Make You Feel 14. EMPANADAS ILEGALES LABORATORIO TROPICAL 15. TAXI GIRLS STATIC 16. TRUCK VIOLENCE Theweathervaneismybody 17. LA SÉCURITÉ Bingo 18. STEEL CUT OATS Okay Love You, Okay Bye 19. ADA LEA the end is a wave 20. ELEPHANT STONE ASHA

Where your music taste matters by CIVL’s Music Director, Stephen Munga.

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EVENTS CALENDAR

NOVEMBER • XETS’Ô:WESTEL 05 06 07

04:00 P.M. Fraser Valley Writers Festival - Open Mic @UFV, A225, UFV Abbotsford

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9:30 - 11:30 A.M. Pancake Breakfast @UFV, Building A Atrium, UFV Chilliwack

07:00 P.M. Fraser Valley Writers Festival - Keynote Addresses @UFV, B101, UFV Abbotsford

11:30 A.M. - 12:30 P.M. Craft & Commiserate: Origami @UFV, G124, UFV Abbotsford

10:00 A.M - 2:45 P.M. Fraser Valley Writers Festival@ UFV, Building B, UFV Abbotsford

6:00 P.M. & 7:45 P.M. UFV vs TWU Volleyball (W&M) @UFV, UFV Athletic Centre (Abbotsford)

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7:30 - 10:00 P.M. 26th Annual Teddy Bear Toss@Abbotsford Pilots, MSA Arena, 2323 Emerson Street, Abbotsford, BC

09

07:30 P.M. An Acoustic Evening with William Prince @Chilliwack Cultural Centre, HUB Theatre, 9201 Corbould St, Chilliwack, BC

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10

12:00 P.M. - 12:50 P.M. Halq’eméylem Language Learning and Sharing @UFV, G124, UFV Abbotsford

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5:00 P.M. Teddy Bear Toss @Abbotsford Canucks, Rogers Forum, 33800 King Rd, Abbotsford, BC

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10:00 - 11:30 A.M. Rememberance Day Ceremony@Abbotsford Legion & City of Abbotsford, Thunderbird Park Cenotaph, 32315 South Fraser Way, Abbotsford, BC

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9:00 A.M. - 12:00 P.M. Toys for Tots @Archway, Clarion Hotel & Conference Centre, 36035 N Parallel Rd, Abbotsford, BC

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6:00 - 8:00 P.M. Wreath Making Class @Glenda’s Christmas Cottage, 4557 Mount Lehman Rd, Abbotsford, BC

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8:00 P.M. The Third Man - Film Screening @Abbotsford Film Society, The Banquet Room, 3471 Clearbrook Rd, Abbotsford, BC

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ALL DAY.Big Hoot Comedy Festival @Alex Suarez, Asaa Hall, 33889 Essendene Ave, Abbotsford, BC

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2:00 P.M. Unnecessary Farce @Chilliwack Cultural Centre, Rotary Hall Studio Theatre, 9201 Corbould St Chilliwack, BC

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5:00 - 7:00 P.M.School of Education Open House @UFV, UFV Mission Campus

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6:00 P.M. & 8:00 P.M. UFV vs TRU Basketball (W&M) @UFV, UFV Athletic Centre (Abbotsford)

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4:00 P.M. & 8:00 P.M. UFV vs UNBC Basketball (W&M) @UFV, UFV Athletic Centre (Abbotsford)

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7:30 P.M. This is Adele — A Tribute to Adele @Chilliwack Cultural Centre, HUB Theatre, 9201 Corbould St, Chilliwack, BC

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6:00 P.M. 6-7-8 Run @Chilliwack Trail Club, 45530 Vedder Mountain Road, Chilliwack, BC

NOTE: Some of the events require tickets, and most are online. If something catches your eye, take to the Internet for more details, including those about any safety measures for in-person events.

VIEW OUR WEBSITE FOR MORE DETAILS ON CURRENT EVENTS!