Tetsuya Yamamoto
Canuts pour violon, violoncelle et piano (2018)
山本 哲也
カニュ
Notation :
Instrumentation :
in General :
Violin Violoncello Piano (use a heavy coin)
µ B Â Bb ø
ø
... 1/4 tone higher / lower ... 3/4 tone higher / lower
Duration : about 6 min. Commissioned by Association Franco-Japonaise de la Musique Contemporaine
... dal niente / al niente (fade in / out)
for Strings : p.o. molto s.p.
œ ¿
œ
é éé é ££ œ œ
... position ordinary ... molto sul ponticello
saltato (ricochet)
col legno battuto ( = c.l.b.)
behind the bridge (sul IV / III / II / I)
≠
play almost on the bridge (or completely) making fricative sound
œ
high pressure, making satulated sound
—
highest tone
slow bowing speed (combined with "extra pressure")
L
mute in halfway of the string
vertical bowing (also including lateral movement)
.
making granulated sound, single vibration, very dry (combined with "extra pressure" and "slow bowing")
mute: middle of damper and bridge
¿
pizz. string
for Piano :
œ /
play on the distressed strings between 2 bridges, inside the frame of the highest range, with heavy coin (2€, 500¥, etc.)
g œ
▼
sweep lengthwise along the string with fingernail (or flesh) then stop the hand on the string (don't release the hand soon)
Composed by Tetsuya Yamamoto http://www.tetsuyayamamoto.net / olivieryamamoto@gmail.com
Partition
Canuts pour violon, violoncelle et piano (2018) Lent q = 54
Violon
pizz. arco · œ ≈ ·œ mœ ≤ B 3 ‰ ‰ J ‰ . m m ·œ 4 R 5 3 P π p
Lent q = 54
3 &4 ΠPiano
√>
r œ
Œ
m˙
& ˙.
5
& ˙.
Œ
≠ æR ‰ . √ ∑ ø
≠ æ
ø
Œ
P
π
√ ∑
√
4
‰.
>r b œœ
√ ∑
10 sec.
≠≤ ø
mœ n ·œ≤ J ≈
‰ ‰
P
3
π
√ >≥ >≤ >≥ >≤ >≥ ...etc. freely, improvisation >≠ ≠ Øp
sÍ
(accents = pochiss.)
√ ∑
10 sec.
√ ∑
·œ ..
π
√ >œ bœ
3
7
‰ ‰
‰.
m-œ J ≈
5
√ œ>œ œœ
sÍ P
‰ ‰
b œœ
° 3
m-œ ‰ . J -1-
S p 5
·œ
êS
œ J
P
œœ
5
≤ m m ·œ J
mœ p
-œ J p
·œ ·œ ..
·œ
π
œ 5
êS
Œ
œœ œœ .. n œœ ˙˙ œ œ.
m œœ mœ ‰. J
œ œ R
F
œ œ .. œ œ
5
5
p
π œ>œ ˙˙ œ ˙ p
œ R
pizz.
œ œ
‰ ≈.
π
5
êS
œ RÔ Œ
arco
3
‰.
p
≈.
>œ ‰ J ‰ pizz.
·œ Œ
œ mœ
°
p.o.
7
·œ ..
nœ œ RJ S 3 p P Œ Œ
√ ∑
∑
p.o.
‰.
5 ~ 7 sec.
∑
·œ≤ ·œ R π
°
~~~~~~~~~~~~~~~~~~ r & ˙ œ ‰. ø œ B ‰ ‰ J Œ 3 p
≠ æ
>œ 3 arco molto s.p. `~~~~~ ≤ ‰ RÔ ≈ . ≈ m œr ‰ œj ( m ·œ ) O ß Fp p
pizz. p.o.
4
Mute: Middle of Damper and Bridge
5
arco
≈
play almost on the bridge making fricative sound
œ œ . ≈ -œ
p S p
3 &4 Œ
5 ~ 7 sec.
molto s.p.
saltato (ricochet)
Violoncelle
√ ∑
≤ `~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r 3 ‰ ‰ j .( m · ) & 4 mœ œ œ œ œ œ œ ‰. Œ saltato (ricochet) ø p π Fp 3
Tetsuya Yamamoto
Œ
Œ
F
œ R π
`~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3
œ mœ R
molto s.p.
9
&
&
p π
(
m ·œ ) œ
m œ ‰ ¿œ
Œ
P
(√) œ œ 3
œ.
œ.
êFp
pizz. c.l.b.
B
9
≤j mœ œ
Œ
3
molto s.p. arco
œ. æ ≈ J π
∏
œ æ
êFp
œ æR ‰ . ø
>œ 12 J Œ & ‰ ß & ˙.
r m -œ ˙
pizz.
∏
‰
Œ
‰.
(h) O ≠ ≠ ‰ ‰ R 3 Fp
R Œ
ç
(pressure ord.)
Œ
√ n>œ
‰. R Œ œ.
π
3
p
>œ
ç m-œ
Œ
∏
Œ
√ ∑
≠. J
√ ∑
7 sec.
ø
‰.
Œ
Œ
F
flautato
5
3
b ·œ≤ ·œ .. ·œ ‰ & ‰ J π êS mœ B æ
Œ
r
p.o.
œ. æ
œ æ
P π Fp œœ p œ j œ & m œ œ œJ œ
12
‰
√œœœ -œ . œ >œ œ ≈ ® œ R ‰. ≈‰ J ‰ ‰ J
‰ Œ
3
p.o.
≈
√ ∑
7 sec.
Œ
√ ∑
Œ
-2-
mœ œ œ æR æ æ êFp ∏
‰.
Œ
√ n œœ œœ >œ œ . œ œ n . œ œ œ mœ œ mœ œ mœ œ . J 3 F r m œ b n œœœ œœœ Œ œ m -œ œœ
15
arco
≤ ≈ j bœ π
pizz.
≈
molto s.p.
b>Ͼ P-pp
œ p
p
pizz. string
≈ b ¿j . °
5
molto s.p. arco
≤ µ · ‰ µœ ø 3
·œ ..
·œ ‰ êP
c.l.b. p.o.
j Ͼ .
ø
15
Œ
Œ
3
‰ mœ 3
π r mœ
Bœ ≈ ¿J
‰
p
√ œ œ -œœ œ œ J ‰ ∏ œ
5
π
œ
r mœ
π
5
‰
√ ∑
5 sec. 16
&
c.l.b. p.o.
17
mœ
√ ∑
B
III IV
?
Behind the bridge
√ ∑
5 sec. 16
&
√ ∑
&
S
Bœ ^ r ≈B J é -é P ç
?
B
/
Œ
≈
ß
low
b˙ .
?
21
B œ≤ . œ m œ. œ
High pressure Quick
π
·œ
êS
quasi flautato
Bœ ‰. b œ R p-pp
3
. .
p-pp
..
J p-pp
p-pp
>
‰
S
&
. π
S-P
‰
œ œ
p mœ mœ
≤ b b ·œ ·œ
≈.
(ord.)
&
Normal Slow
‰
(ord.)
m œ≤ . œ µ œ. œ
∑
·œ ..
J 3 p-pp
∑
∑
∑
∑
Mute: Middle of Damper and Bridge making metalic & distorted sound
S
∑
‰
·œ
(h)
Play on the distressed strings between 2 bridges, inside the frame of the highest range, with heavy coin (2€, 500¥, etc.)
21 20
≤ B B ·œ J π
(written in relative pitch) high
(h)
&
êS
17
/
µ œœ J P
·œ .. ·œ ‰
(ord.)
°
20
≤ ≈ . µ µ ·œ ·œ RÔ π
r 3 ≈ ¿j œ
arco High pressure making satulated sound
quasi flautato
arco
®
p
≤ b b ·œ ..
·œ
·œ ..
5
p
3
-œ œ J
S S
Fp
> ·œ ·œ ·œ
> b b ·œ
·˙
Fp
> ·œ b b ·œ
·œ
Fp
p œœ -3-
·œ
·œ
·œ
œœ œœœ ... œœœ
F
œœœ
S
·œ .. ·œ
3
√ œ œ œ . m œœ œœ œ œ
·œ .. ·œ 3
Fp
5
œ œ m>œ m>œ œ œ dolce
> ·œ
3
œ m-œ . œ p
œœœ ‰ . R
S
23
& Œ
B Œ
23
&
œ
≤ Œ m œj œ ø 3
> ≈ BæœJ . Fp
molto s.p.
Œ
œ 3
& Œ
p.o.
& œœ p.o.
? œ œ
p
œ œ œ œ J
P
dolce
& Π&
P
œ æR ‰ . π
œœœ ... J
Play on the bridge completely (or almost) 27
O µ≠ ≠ R
≤ ? ≈ µœ œ . œ m œ œ. œ ø êS p.o.
∑
^ ^ r ≈ 5r ‰ . é mœ -é ç ç
œ œ œ œ
≠
œœ ..
S
≈ . Kr œ π -œœ ◊
?‰
˜O ≠
≠
≠ BO b≠
≠
&
≠
π Fp
27
Œ
‰
≠.
œ-œœ ≈ . RÔ Œ ∑
-4-
3
œ. œ.
f
BO ≠ π sfπ
√ œ-œœ p
dolce
mœ œ œ œ R °
≠
˜O ≠
≠
j µ œœ > Fπ
Œ
> ‰ b B œœ
P
‰.
molto s.p. 3
arco molto s.p.
≠
π sfπ
≠
Mute, pure : noise = 50 : 50 approx.
‰
‰.
π Fp
Play on the bridge completely (or almost)
œ-œœ ≈ . RÔ Œ P
r I ≤— — r¿ II — — ≈. µ m œœ ≈ π S S
c.l.b.
‰.
b œœ
Fp
œ .. œ ≈ O œ œ B ≠J . êS Fp
25
≤ r ≈ µ œœ œœ .. œœ µ œœ ø êS F arco
25
r œ- œ π b b ˙˙ ˙
°
œœ .. œœ ‰ . êS
5
P
(√) 26
r œœœ
r
¿r œ Bœ Œ c.l.b.
Bœ æ
√ -
Œ m m œœ œœ J 3
26
‰.
œ. œ êS
arco Highest tone
Fπ
œ-œœ ≈ . RÔ
‰
π
Œ
p.o. I II
——≤ ——
F π S
F
≈
^
é -é ç
5
‰
≈. ^ mœ ç
noise 100 %
Œ
Œ
‰ ∑
b n œœ-œœ
≈ . RÔ ç
?