Canut for Violin, Cello and Piano (2018) - extract

Tetsuya Yamamoto

Canuts pour violon, violoncelle et piano (2018)

山本 哲也

カニュ

Notation :

Instrumentation :

in General :

Violin Violoncello Piano (use a heavy coin)

µ B Â Bb ø

ø

... 1/4 tone higher / lower ... 3/4 tone higher / lower

Duration : about 6 min.

Commissioned by Association Franco-Japonaise de la Musique Contemporaine

... dal niente / al niente (fade in / out)

for Strings : p.o. molto s.p.

œ ¿

œ

é éé é ££ œ œ

... position ordinary ... molto sul ponticello

saltato (ricochet)

col legno battuto ( = c.l.b.)

behind the bridge (sul IV / III / II / I)

≠

play almost on the bridge (or completely) making fricative sound

œ

high pressure, making satulated sound

—

highest tone

slow bowing speed (combined with "extra pressure")

L

mute in halfway of the string

vertical bowing (also including lateral movement)

.

making granulated sound, single vibration, very dry (combined with "extra pressure" and "slow bowing")

mute: middle of damper and bridge

¿

pizz. string

for Piano :

œ /

play on the distressed strings between 2 bridges, inside the frame of the highest range, with heavy coin (2€, 500¥, etc.)

g œ

▼

sweep lengthwise along the string with fingernail (or flesh) then stop the hand on the string (don't release the hand soon)

Composed by Tetsuya Yamamoto http://www.tetsuyayamamoto.net / olivieryamamoto@gmail.com

Partition

Canuts pour violon, violoncelle et piano (2018) Lent q = 54

Violon

pizz. arco · œ ≈ ·œ mœ ≤ B 3 ‰ ‰ J ‰ . m m ·œ 4 R 5 3 P π p

Lent q = 54

3 &4 ΠPiano

√>

r œ

Œ

m˙

& ˙.

5

& ˙.

Œ

≠ æR ‰ . √ ∑ ø

≠ æ

ø

Œ

P

π

√ ∑

√

4

‰.

>r b œœ

√ ∑

10 sec.

≠≤ ø

mœ n ·œ≤ J ≈

‰ ‰

P

3

π

√ >≥ >≤ >≥ >≤ >≥ ...etc. freely, improvisation >≠ ≠ Øp

sÍ

(accents = pochiss.)

√ ∑

10 sec.

√ ∑

·œ ..

π

√ >œ bœ

3

7

‰ ‰

‰.

m-œ J ≈

5

√ œ>œ œœ

sÍ P

‰ ‰

b œœ

° 3

m-œ ‰ .

J -1-

S p 5

·œ

êS

œ J

P

œœ

5

≤ m m ·œ J

mœ p

-œ J p

·œ ·œ ..

·œ

π

œ 5

êS

Œ

œœ œœ .. n œœ ˙˙ œ œ.

m œœ mœ ‰. J

œ œ R

F

œ œ .. œ œ

5

5

p

π œ>œ ˙˙ œ ˙ p

œ R

pizz.

œ œ

‰ ≈.

π

5

êS

œ RÔ Œ

arco

3

‰.

p

≈.

>œ ‰ J ‰ pizz.

·œ Œ

œ mœ

°

p.o.

7

·œ ..

nœ œ RJ S 3 p P Œ Œ

√ ∑

∑

p.o.

‰.

5 ~ 7 sec.

∑

·œ≤ ·œ R π

°

~~~~~~~~~~~~~~~~~~ r & ˙ œ ‰. ø œ B ‰ ‰ J Œ 3 p

≠ æ

>œ 3 arco molto s.p. `~~~~~ ≤ ‰ RÔ ≈ . ≈ m œr ‰ œj ( m ·œ ) O ß Fp p

pizz. p.o.

4

Mute: Middle of Damper and Bridge

5

arco

≈

play almost on the bridge making fricative sound

œ œ . ≈ -œ

p S p

3 &4 Œ

5 ~ 7 sec.

molto s.p.

saltato (ricochet)

Violoncelle

√ ∑

≤ `~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r 3 ‰ ‰ j .( m · ) & 4 mœ œ œ œ œ œ œ ‰. Œ saltato (ricochet) ø p π Fp 3

Tetsuya Yamamoto

Œ

Œ

F

œ R π

`~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3

œ mœ R

molto s.p.

9

&

&

p π

(

m ·œ ) œ

m œ ‰ ¿œ

Œ

P

(√) œ œ 3

œ.

œ.

êFp

pizz. c.l.b.

B

9

≤j mœ œ

Œ

3

molto s.p. arco

œ. æ ≈ J π

∏

œ æ

êFp

œ æR ‰ . ø

>œ 12 J Œ & ‰ ß & ˙.

r m -œ ˙

pizz.

∏

‰

Œ

‰.

(h) O ≠ ≠ ‰ ‰ R 3 Fp

R Œ

ç

(pressure ord.)

Œ

√ n>œ

‰. R Œ œ.

π

3

p

>œ

ç m-œ

Œ

∏

Œ

√ ∑

≠.

J

√ ∑

7 sec.

ø

‰.

Œ

Œ

F

flautato

5

3

b ·œ≤ ·œ .. ·œ ‰ & ‰ J π êS mœ B æ

Œ

r

p.o.

œ. æ

œ æ

P π Fp œœ p œ j œ & m œ œ œJ œ

12

‰

√œœœ -œ . œ >œ œ ≈ ® œ R ‰. ≈‰ J ‰ ‰ J

‰ Œ

3

p.o.

≈

√ ∑

7 sec.

Œ

√ ∑

Œ

-2-

mœ œ œ æR æ æ êFp ∏

‰.

Œ

√ n œœ œœ >œ œ . œ œ n . œ œ œ mœ œ mœ œ mœ œ .

J 3 F r m œ b n œœœ œœœ Œ œ m -œ œœ

15

arco

≤ ≈ j bœ π

pizz.

≈

molto s.p.

b>Ͼ P-pp

œ p

p

pizz. string

≈ b ¿j . °

5

molto s.p. arco

≤ µ · ‰ µœ ø 3

·œ ..

·œ ‰ êP

c.l.b. p.o.

j Ͼ .

ø

15

Œ

Œ

3

‰ mœ 3

π r mœ

Bœ ≈ ¿J

‰

p

√ œ œ -œœ œ œ J ‰ ∏ œ

5

π

œ

r mœ

π

5

‰

√ ∑

5 sec.

16

&

c.l.b. p.o.

17

mœ

√ ∑

B

III IV

?

Behind the bridge

√ ∑

5 sec.

16

&

√ ∑

&

S

Bœ ^ r ≈B J é -é P ç

?

B

/

Œ

≈

ß

low

b˙ .

?

21

B œ≤ . œ m œ. œ

High pressure Quick

π

·œ

êS

quasi flautato

Bœ ‰. b œ R p-pp

3

. .

p-pp

..

J p-pp

p-pp

>

‰

S

&

. π

S-P

‰

œ œ

p mœ mœ

≤ b b ·œ ·œ

≈.

(ord.)

&

Normal Slow

‰

(ord.)

m œ≤ . œ µ œ. œ

∑

·œ ..

J 3 p-pp

∑

∑

∑

∑

Mute: Middle of Damper and Bridge making metalic & distorted sound

S

∑

‰

·œ

(h)

Play on the distressed strings between 2 bridges, inside the frame of the highest range, with heavy coin (2€, 500¥, etc.)

21 20

≤ B B ·œ J π

(written in relative pitch) high

(h)

&

êS

17

/

µ œœ J P

·œ .. ·œ ‰

(ord.)

°

20

≤ ≈ . µ µ ·œ ·œ RÔ π

r 3 ≈ ¿j œ

arco High pressure making satulated sound

quasi flautato

arco

®

p

≤ b b ·œ ..

·œ

·œ ..

5

p

3

-œ œ J

S S

Fp

> ·œ ·œ ·œ

> b b ·œ

·˙

Fp

> ·œ b b ·œ

·œ

Fp

p œœ -3-

·œ

·œ

·œ

œœ œœœ ... œœœ

F

œœœ

S

·œ .. ·œ

3

√ œ œ œ . m œœ œœ œ œ

·œ .. ·œ 3

Fp

5

œ œ m>œ m>œ œ œ dolce

> ·œ

3

œ m-œ . œ p

œœœ ‰ .

R

S

23

& Œ

B Œ

23

&

œ

≤ Œ m œj œ ø 3

> ≈ BæœJ .

Fp

molto s.p.

Œ

œ 3

& Œ

p.o.

& œœ p.o.

? œ œ

p

œ œ œ œ J

P

dolce

& Π&

P

œ æR ‰ . π

œœœ ...

J

Play on the bridge completely (or almost) 27

O µ≠ ≠ R

≤ ? ≈ µœ œ . œ m œ œ. œ ø êS p.o.

∑

^ ^ r ≈ 5r ‰ . é mœ -é ç ç

œ œ œ œ

≠

œœ ..

S

≈ . Kr œ π -œœ ◊

?‰

˜O ≠

≠

≠ BO b≠

≠

&

≠

π Fp

27

Œ

‰

≠.

œ-œœ ≈ . RÔ Œ ∑

-4-

3

œ. œ.

f

BO ≠ π sfπ

√ œ-œœ p

dolce

mœ œ œ œ R °

≠

˜O ≠

≠

j µ œœ > Fπ

Œ

> ‰ b B œœ

P

‰.

molto s.p.

3

arco molto s.p.

≠

π sfπ

≠

Mute, pure : noise = 50 : 50 approx.

‰

‰.

π Fp

Play on the bridge completely (or almost)

œ-œœ ≈ . RÔ Œ P

r I ≤— — r¿ II — — ≈. µ m œœ ≈ π S S

c.l.b.

‰.

b œœ

Fp

œ .. œ ≈ O œ œ B ≠J . êS Fp

25

≤ r ≈ µ œœ œœ .. œœ µ œœ ø êS F arco

25

r œ- œ π b b ˙˙ ˙

°

œœ .. œœ ‰ . êS

5

P

(√) 26

r œœœ

r

¿r œ Bœ Œ c.l.b.

Bœ æ

√ -

Œ m m œœ œœ J 3

26

‰.

œ. œ êS

arco Highest tone

Fπ

œ-œœ ≈ . RÔ

‰

π

Œ

p.o.

I II

——≤ ——

F π S

F

≈

^

é -é ç

5

‰

≈. ^ mœ ç

noise 100 %

Œ

Œ

‰ ∑

b n œœ-œœ

≈ . RÔ ç

?