Bushra El-Turk - Marionette for Flute and Piano

written for Wissam Boustany

MARIONETTE Picky-Pecky q=c.100

Flute

Piano

    

5



    



3

 

p







   









3

p

3

 

 



           3

sfz

3

sfz

3



pp



 

 

 port.   



  p

3

3





ff

p

sfz

             



3

sfz pp







 p

                                     sfzpp





 

6

3

3

  



                       



3



  port.   

mf

3

                      



10





n



 

        

6

  

    

pp





8

    3

6

sfz pp

    mf



percussive port.

sfz

n

7

           





       

mf senza pedale

4





      

  

pp

    

Bushra El-Turk











    3

sfzpp

 

ff

5

                                     3



sffz

p

                          6

3

sfzpp

Copyright © Bushra El-Turk, May 2008



2

      

12



ff



                



14

  

3



3

3

3

  

With Feistiness

ff

 





   





3

3

   

            





                            3

   

  

3

3





3

  

3

3



3



towards tutting

3

    



 



tut

           



 















knock on piano with finger knuckles



   



ff





  

7

      

           ff      



5



sffz

sfzpp

 

 

3

                                   p ff

3



5

3

              



3



   

 





3

16

3

                      5 5

       

                        



    

 

p

5

ff



19











 





                              7





    ff     

 

3

                  3 3

 7  7                                     

  

  

21

3

7

   3

 

 

3

 

 

  ppshimmering mf  3                   









  



           3                  

24

7

      

p

f

  

    

* ney sound

27

  

30



 mp

  

   

ff









 



    

3

3





mf



         

  

7           

       

     

* A ney is a Lebanese flute - rustic, rough, pulling, pleading sound





3         

   







   



 





mp mf

7      













          

    



        

    





7

   

7       



   

             

 

3

3





3

3

 

mp

mf

    

3



 

 

 



mf





 



  

3

pp

 



3

ff

   







    

    

  

   

4

                                                  7 7     7                                                               

33

    

         

36



mf

ff

   

40

   

3

          ff                                       

     





7

 

          

     

7

     

    

  

        

3

 



 



  

    



    

                

 



         7













                                                                                             

42









  

5 44

 

   



ney





mf

                              mf

ff

                           

47

 

   











 



52

 

   



7

  





 

     

   

tut



    

7

   















   

                   

       

 





7

 

  

 



  

mf

                  



  

mp

   



                                  



50

   

   



 













     

 

 

 

 

tut    







 

   











 

  

   



 



                    

       

 

                                    

 





 





la2

 









                    

  

      

6

 



54

 



 



* nat.



       

tut

  

p espressivo

 

ney





 

 la2

                                                                              

57

        

             ff

60



  

  

   

 

mp cresc.

 



   



 

  

    mp               

 



      

 

* as if suspended in time



  



tut

 

      



   

 



tut



       

  







 





 

tut    













       

tut

        

 





  



        

        

ff



 

tut







 

  



 





tut

        

    



7

FLUTE IMPROVISES

62









   

                 ff Clean, crisp and percussive                          

67







  

     

     



         

ff

 74



la2

hu - 2u

   

  



                        

     

   



  

la2

hu -2u

 

  



                     pp  ff ff                            



la2

                           pp  ff                                               la2 hu -2u

71

   

q=c.90 (based on intro, ney and mimicking the piano)

  

   

pp

    

 

   

     

               pp                  

          pp   

tut

 



 



    

      

 

 

   

         hu - 2u

tut

    

  

ff

tut

 

              pp             

ff

   



la2



tut



   

la2

   







     



   

   

 



la2

tut



   

ff





  



8 76

 

 

   

           tut

     

79









tut



ff





           

  





  



82

 



 

p   



tut



 



  

tut

                  



ff





   



  

 

  

         p        

      

   

                

85





 

tut

    

   

 

    



                                

la2 hu2u



 

 



Repeat in any order with improvisation in between with the 'Nos' getting more frequent as if fidgeting molto accel. e cresc. Ad Libitum

tut

  



   

           

  



                

tut

 

   





                                                                                           

 

                                                    

    

 





  



               



          

9 87

        89

 







                                              accent on notes Ad Lib as if trying to catch the Nos

  

                              q= c. 112







                         

  fff               

                            

Repeat Ad Lib.

Desolate and bell-like q=c.66 91







     





   



   

(forearms)



*

      





pp [sung (falsetto) Ad libitum two to three times]





   



      

 

 

 

 

 

subito pppp (almost inaudible at first) Re-play note when sound fades







99



       





















  







          

 

 

 

 

 

      

      

 

  

   



* please read performance notes

       



 

10

Repeat Ad Lib.

106

      





   

 

   





  



p      

125

      

5



 

 





 

 

 

 

 



  



 



 

 

 

       



 

 

percussive [T]

    

  





percussive      



 

 



 

    



ff

        

  

          p      



 gliss.         





ff

With anticipation

   









 

 







    



5

           

          

  

 

    

towards

3



      II 

    

           g li s s .             f

ney

f

 

 

Solo Ad Lib. q=100



 

singing becomes flute (G harmonic gradually becomes C harmonic)

   

  



 



               



 

111

121



[same as before]

   

114



  

 

         5



  

 

           



cresc.





129

 

  



    

    

  

            







 

    

   





 





 



 



 

 

 

  





 



 

   



    







 

                   

 



 





 



                          

133

11

                               7 









   

       tut        

131

 

 

 



 





                                                                               

135





tut





 

 









tut

         



 





tut

  





tut

                                                        

 

 

 

 

tut





12 137





  138

 









  



 



                    ff

  

      

* see performance notes

  



tut

*

                   









 



                                 

Ritenuto

fff





tut

ff

 





 

         



towards tutting



pp

knock on piano with finger knuckles

 



        







