Dramaticule ii - for cello, clarinet, piano

Dramaticule II a nopera in two acts (transposed score)

Music by Bushra El-Turk

one

Act

Scene 1 TASK - all tasks below apply only up to 4/4 bar - 1st time round, as written - 2nd time round, each note should be played in a different octaves and improvisation on rhythm - after that, notes can be in any order

 



Clarinet in Bb

n Improvisation

q=104

     



      

repeat Ad lib. sul pont



Violoncello



n

Scene 2

1'15"

Improvisation Senza Misura repeat Ad lib.



 mf

tremolo here





q=104

mf























slap tongue ppp ff

          II   p

vib.  molto 



nat.

col legno

ppp ff







ff



   

sfzp

   ff

Piano

7

Cl.

Vc.

 



      

ricochet

 

III IV

etc.

  





     



                ff

  

            

  

 





   







                        gliss.



  

  





  





   





  

 

     





  sfzp 



   

  



  







 ricochet sul pont.

        

 

pizz.

arco nat.   



                          

  





p

                 







                         



p



pp





start gliss. downwards/upwards on long-held notes

nat.



            



Scene 4

ricochet sul pont.

Pno.

ff



Scene 3 12

Vc.



    

ff

Pno.

Cl.

 

 



     

  

 





  

   



f

                        3

3

          f



2

16

Cl.

Vc.

  





  

18

Cl.











 



 





  

   

  











sfzp

Pno.









  







 





3









                                                            3

3







         

23





                                3

3

3

3

3

3

3

               

gliss.



 



 



3

3

3

arco   



         

cresc.

3

             3

3

3

3

                     

3

                      cresc.

f

 

Pno.

3

gliss.

           

Pno.

Vc.

3

                       

                 

 

3





3



3



                    

gliss.



3



             



gliss.

Cl.





3

Vc.

pizz.



21

Cl.



  

              

arco                           p

 

 



          

pizz.

Vc.

 



p

   

            





p

3

    Pno.

 



                  cresc.



   

       





                                                       

                                                  

3

Scene 5 25

Cl.





    



3

f

Vc.









26

Cl.



     

3

   



            





  

  

 

 Pno.



  

3





  

3





    



f

    



   

 



          

       



 





        

 

       

 

                                                                   3

3

3

3

3

3

3

3

3

3

3

3

3

3

                                    

3

3

3

3

3

3

3

3

3

3

3

3

gliss.

Vc.





gliss.

                                                      Pno.

                                                              

                                               

28

Cl.

Vc.



3

3

3



3

3

3

3

fff

3

 

gliss.

  

Pno.

3



3







3





3





3

3



Vc.

 

  

   



     

 

 

 

  

       

 

fff

 

     



     

    

    

 

                                                     

Pno.







3







fff

29

Cl.



3

3

3

3

3

     

3

3

3

     

3

3

3

3

     

3

3

3

3

3

        

                                                                            









 

 

    

 

    

 

    

 

ff











two

Act

4

Scene 1

TASK - same as 1.a) - play and hum at the same time - humming is every few notes, legato and portamento from note to note - hummed notes can sustain to produce harmony - keep an expressionless face while humming - rhythms can vary and some notes can be sustained.

Senza Misura Slow and meditative

32

Cl.

Vc.





Vc.

 







 

pp

Scene 3 -the following notes are harshly accented - humming stops

repeat Ad lib.

whispy repeat Ad lib.





1'15"

          



etc. 

hmm hmm hmm hmm hmm hmm hmm

Pno.







   

ff

poco a poco cresc. e accel.































  

Vc.

     



  

    

    



  





   

    



     



 

  







 



    

 





















Repeat 4 times q=c.100 ------->q=c.160

      

molto cresc. e accel.

47



    



 











  





    



     

 

   

 

   ff







  



ff

 

 

 







 











   





 

 

 

  



 

  

    

   

 

  

    

Scene 4

Pno.

     





 

Vc.

 



Cl.

Cl.

 

       



42

Pno.



                           

ff



 

poco a poco cresc. e accel.

etc.

hmm hmm hmm hmm hmm hmm hmm

     

sul pont



     

ppp

 

 



   pp

- some hums can wonder outside designated pitches, some hums will be on their own - cello tremolo and clarinet flutter tongue on some notes

 

ppp

senza vib.

Scene 2

Senza Misura

 







hmm hmm hmm hmm hmm hmm hmm



35

Cl.

repeat Ad lib.

pp





 

 

 



 ppp

Pno.

30"



 

 

  

    





   



    

51

Cl.

Vc.





 



  

   



 Pno.

5

  



   









    





 



    

  like morse-code

 



   





to enter 2nd time round

mp

 

   



  



    

where LH plays without grace notes          

 

  







ff



 



Scene 5 TASK - the following music enters sporadically/in fragments.

- they don't have to be in synchronisation, but, whatever happens should end together.

55

Cl.

 

                                                           



Vc.

Pno.

 

Vc.



  

Pno.

3

3

3



3

3

3

3

3

3

3

3

3

3

3

3

3

                                  

gliss.

f

                                                     

57

Cl.

3

                 f

                                                                                                                                        3

    

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fff



gliss.





 fff



  

                                                     fff



                                                      

 

59

Cl.

Vc.

   

Pno.

 

                                                3



3

3

3

     

3

3

3

     

3

3

3

3

     

3

3

3

3

3

        

    







   

                                        

                                       

 